Archives West Finding Aid
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Robert Bruce Inverarity papers, approximately 1858-1994
Overview of the Collection
- Creator
- Inverarity, Robert Bruce, 1909-1999
- Title
- Robert Bruce Inverarity papers
- Dates
- approximately 1858-1994 (inclusive)18581994
- Quantity
- 3.17 cubic feet (9 boxes) plus 2 reels of microfilm, 7 sound cassettes, and 1 oversize folder
- Collection Number
- 4445 (Accession No. 4445-002)
- Summary
- Tape recorded interview and other materials of a museum director, artist and photographer concerning his career as an artist and administrator of the Adirondack Museum and the Museum of International Folk Art, Santa Fe
- Repository
-
University of Washington Libraries, Special Collections
Special Collections
University of Washington Libraries
Box 352900
Seattle, WA
98195-2900
Telephone: 2065431929
Fax: 2065431931
speccoll@uw.edu - Access Restrictions
-
Open to all users. No user copies exist for the interview tapes. Consult Special Collections for current options for accessing the interview tapes.
- Languages
- English
Biographical NoteReturn to Top
Robert Bruce Inverarity was born in Seattle, Washington in 1909. He was the son of theater manager Duncan George Inverarity and Anna Petersen Inverarity. Throughout his life Inverarity was involved in a broad range of art and anthropology-related activities as a museum administrator, scholar, artist and photographer. He was an authority on Pacific Northwest Indian Art.
A large part of Inverarity's childhood was spent in Calgary, Canada, where his father managed a theater, but the family moved back to Seattle during his teenage years. As a young man, Inverarity shared a studio with Mark Tobey and studied with him for a time. He taught art at Cornish School of the Arts in Seattle, and directed the School of Creative Art in Vancouver, Canada. During this time, he continued to study Northwest Coast Indian cultures and arts. In 1933, Inverarity became an instructor of puppetry, a life-long interest of his, at the University of Washington Drama School. In 1936, the Federal Art Project of the Works Progress Administration hired Inverarity as State Director. In 1939, he moved from the Federal Art Project to the Art and Crafts Project, which he also directed. In 1941, he published Movable Masks and Figures of the North Pacific Coast Indians . During World War II, Inverarity served as Chief of Design for Camouflage for the U.S. Navy (1941-1943) and then as an Official Navy War Artist (1943-1945).
Inverarity earned his Bachelor of Arts degree in art and anthropology from the University of Washington in 1946, and then earned his Master's degree and Ph.D. in fine arts from Fremont University in Los Angeles, where he studied with Hilaire Hiler, the artist, psychologist and color theoretician. Inverarity's career as a museum director began in 1949 when he became the founding director of the Museum of International Folk Art in Santa Fe, New Mexico. His book, Art of the Northwest Coast Indians , was published in 1950 while he was still in New Mexico. In 1954, Inverarity's dismissal from the Museum of International Folk Art caused much controversy in New Mexico and in the museum world in general. Many staff members of the museum resigned in solidarity. In 1954, the Adirondack Museum in Blue Mountain Lake, New York hired Inverarity as its first director. He stayed at the Adirondack Museum until 1965, and during his time in New York State, published the Visual Files Coding Index (1960) and developed a micro reader. In 1965, Inverarity returned to California, where he worked as an illustrator and book designer at University of California Press. In 1969, he became director of the Philadelphia Maritime Museum, where he worked until his retirement in 1976. He sold his extensive personal collection of Northwest Coast Indian art to the British Museum's Museum of Mankind in 1975. Inverarity lived in La Jolla, California until his death in 1999.
Duncan George Inverarity (1868-1949), was a prominent figure in the vaudeville theatrical circuit and in Seattle society. He was also a photographer, working for Edward Curtis and taking part in the Harriman Alaska expedition of 1899.
He was born in Dunedin, New Zealand, the son of Rosalind Harriet M. Wallace-Dunlop Inverarity (1843-1916) and William David Inverarity (1833-1902), both immigrants to New Zealand from Scotland. William Inverarity had been a captain in the Gordon Highlanders, an infantry regiment of the British army. William emigrated to New Zealand after his marriage, and shortly after Duncan's birth, moved his family to Australia. Around 1869-1870, the William Inverarity family moved to Argentina, where Duncan's sister Madeline was born, and where the family owned a ranch for sheep and cattle. William Inverarity returned to England with a large fortune around 1874, but decided to move his family to the United States to take part in the California gold rush. William Inverarity lost the family fortune quickly in California, apparently through investment deals with dubious business partners. These losses caused the Inverarity family to move northward to pursue farming again, this time in Oregon, and to send seven-year-old Duncan back to England for his schooling. William Inverarity sold his farm in Oregon in the early 1880s and bought land in the Yakima Valley in Washington State, where Duncan rejoined the family in 1883. In 1890, he enrolled at the University of Michigan, where he completed a law degree. In 1892, he returned to Seattle and entered the law firm of Stratton Lewis & Gilman (subsequently Lewis, Hardin and Albertson) as a law clerk. His father William died in Yakima in 1902. His mother Rosalind appears to have returned to England at some point, and she died in Sussex in 1916.
Duncan's career in legal work did not flourish, and in 1903, Duncan began work as a clerk for the King County Treasurer. From Duncan's memoir, it seems that around 1902-1903, he may also have begun his acquaintance with the theatrical managers John Cort and Alexander Pantages. Around 1904, Duncan married Anna A. Petersen (circa 1878-1941), who was born in Vila, Denmark and came to the United States in 1895. The couple had two sons: Wallace, born 1904, and Robert Bruce, born 1909.
In Seattle directories, he is listed as Assistant Manager of the Grand Opera House 1905-1907. He worked at the Coliseum Theater in Seattle from 1907-1908. He was assistant general manager for the Sullivan Considine Circuit from 1908-1910. The Tillikums of Elttaes, a "booster" organization in Seattle, employed him as Secretary, and in that capacity he helped to organize the "Potlatches" held in Seattle in 1912-1914. In 1915, Duncan Inverarity moved to Calgary, Alberta to manage a theater owned by Pantages. He seems to have worked for Pantages until at least 1926, also managing a Pantages theater in Spokane, Washington. During his career, Duncan also worked for John Danz, the owner of the Sterling theater chain in Washington State. In the late 1930s, Duncan Inverarity seems to have moved back to Seattle, where he worked as a salesman and credit manager. Anna Inverarity died in 1941, in Seattle. Duncan died in Burlington, Washington in 1949.
Content DescriptionReturn to Top
The bulk of the records are the personal and work-related papers of Robert Bruce Inverarity, but the collection also includes papers of his father, Duncan George, his mother Anna Petersen Inverarity, and his paternal grandmother, Rosalind Inverarity.
The Duncan George Inverarity series contains biographical papers, correspondence, writings, newsletters, legal documents, clippings, memorabilia and ephemera. Significant correspondents include Alexander Pantages, president and manager of the Pantages Theater Company, and John Danz of the Danz Theater Circuit. An uncompleted memoir by Duncan Inverarity describes his early experiences in the legal profession, and as a theatrical manager for John Cort and Alexander Pantages. Also contains newsletters and memorabilia relating to the Tilikums in Seattle and the 1913 Potlatch.
Anna Petersen Inverarity's papers are composed of her poetry.
Rosalind Inverarity's papers consist of correspondence and her will.
Robert Bruce Inverarity's papers include general correspondence, correspondence related to book proposals, and genealogical correspondence. Includes research and subject files on topics of interest to Inverarity, including indigenous art, particularly of the Northwest Coast Indian tribes, museum management, maritime research, and micro reader and micro reproduction technologies. Also includes manuscripts and drafts of writings and conference presentations.
This collection also contains tape-recorded interviews with Robert Bruce Inverarity and an interview transcript (ca. 1980-1990). These relate to his career as an artist and an administrator of the Adirondack Museum. Also contains correspondence and writings dated 1978-1993.
Use of the CollectionReturn to Top
Administrative InformationReturn to Top
Arrangement
Arranged in 2 series:
- Family papers
- Robert Bruce Inverarity papers, 1930-1993
Acquisition Information
Acc. 4445-001 donated by Robert Inverarity, 9/8/1993.
Acc. 4445-002 donated by Estate of Robert Bruce Inverarity, 1/21/2000.
Processing Note
Processed by Elizabeth Russell; completed 2016. Accession No. 4445-001 was merged with Accession No. 4445-002 in 2017.
Separated Materials
Material Described Separately:Visual materials relocated to Robert Bruce Inverarity photograph collection (PH1380) in 2015
Detailed Description of the CollectionReturn to Top
Family papersReturn to Top
Container(s) | Description | Dates |
---|---|---|
Duncan George
Inverarity |
1858-1947 | |
Box/Folder | ||
1/1 | Vitae and other biographical information |
1927-1932 |
Incoming Letters |
1901-1932 | |
Box/Folder | ||
1/2 | John Danz |
1926 |
1/3 | Howard Gates & Ridge, Solicitors |
1927 |
1/4 | Madeline Inverarity Duncan Inverarity's sister.
|
1916 |
1/5 | Robert Bruce Inverarity |
1929, undated |
1/6 | Rosalind Inverarity |
1915-1916, undated |
1/7 | Alexander Pantages |
1916-1928 |
1/8 | Other Correspondents, A-Z |
1901-1932 |
Outgoing Letters |
1891-1947 | |
Box/Folder | ||
1/9 | Robert Bruce Inverarity Letter regarding Edward Curtis'
The North American Indian with
anecdote by Duncan Inverarity concerning Curtis' inspiration for the series and
Inverarity's involvement in the Harriman Expedition.
|
1947 |
1/10 | Rosalind Inverarity |
1891 |
1/11 | Alexander Pantages |
1922 |
1/12 | Other Correspondents A-Z |
1930-1933 |
Box/Folder | ||
1/13 | Diary |
1883 |
Writings |
1947, undated | |
Box/Folder | ||
1/14-1/15 | Drafts of memoir |
circa 1947 |
1/16 | Notebook containing notes on the Bible |
undated |
Box/Folder | ||
1/17 | Publication of Seattle Ad Club:
Organized Optimism One issue titled "Organized Potlatchism."
|
1913 |
1/18 | Tilikum newsletter
The Tilikum Totem
|
1915 |
1/19 | Vaudeville act scripts
Gamble's Tab. Bit Book by E.L.
Gamble (undated);
Stage=Fun by E.L. Gamble.
|
1928, undated |
1/20 | Typed excerpt of vaudeville routines Dialogue mentions D.G. Inverarity by nickname "Inve."
|
undated |
1/21 | Legal documents |
1896-1926 |
1/22 | Clippings of jokes Note on original envelope: Stories for dinners, etc.
|
undated |
1/23 | Clippings |
1925-1949, undated |
2/1 | Genealogical clippings and notes |
1858-1928 |
Memorabilia |
1884-1939 | |
Box/Folder | ||
2/2 | Membership certificates Includes Shriner's Al Azhar Temple of Alberta, Canada;
Otuskwan Chapter of Royal Arch Masons of Alberta; and Royal Jesters of Alberta,
Canada.
|
1917, 1922 |
folder:oversize | ||
Oversize Folder | Certificates Accountant's diploma, Portland Business College (1887).Bachelor of Laws diploma from University of Michigan (1891);
Attorney certifications from State of Michigan (1891); State of Washington
(1893); appointment as Notary Public, Washington State (1892).Tilikum Drill Corps (1913).Membership certificates for Nobles of the Mystic Shrine
(1917); Knights of Malta (1918); Royal Arch Masons of Alberta (1917); Knights
of the Order of the Temple (1917)
|
1887-1918 |
Box/Folder | ||
2/3 | Autograph book |
1884-1888 |
2/4 | Two wax seals Seal of the Superior Court at Bombay; seal of Inverarity
family crest from Duncan Inverarity's ring.
|
undated |
2/5 | Christmas card lists |
1928-1939 |
Ephemera |
1922-1938 | |
Box/Folder | ||
2/6 | Nile Temple, Seattle program for "Smile with Nile"
summer ceremonial |
1922 |
2/7 | Publicity flyer for John Cort's Standard Theater,
Portland, Oregon |
undated |
2/8 | Miscellaneous notes, poems, humorous sketches,
etc. |
1935-1938 |
Anna Inverarity Robert Bruce Inverarity's mother.
|
1930 | |
Box/Folder | ||
2/9 | Typed poems by Anna Inverarity Identified as poems by Anna A. Duncan, possibly a pen name
used by Mrs. Inverarity. Written while living at the Pennington Hotel, Spokane,
Wash.
|
circa 1930 |
2/10 | Issue of The Spokane
Woman containing article about Anna Inverarity's poetry Identified as poems by Anna A. Duncan, possibly a pen name
used by Mrs. Inverarity. Written while living at the Pennington Hotel, Spokane,
Wash.
|
April 17, 1930 |
Rosalind Inverarity Rosalind Inverarity, Robert Bruce Inverarity's grandmother,
spent a considerable period of her life in the United States (including Yakima,
Washington and California), but later letters indicate that she spent the end
of her life in Sussex, England.
|
1868-1916 | |
Incoming Letters |
1879, undated | |
Box/Folder | ||
2/11 | William David Inverarity Rosalind's husband; Duncan Inverarity's father.
|
1879, undated |
2/12 | Madeline Wallace-Dunlop Madeline Wallace-Dunlop was Rosalind's sister. Rosalind's
daughter was also named Madeline.
Includes transcription signed by Madeline A. Wallace-Dunlop
of writing titled "Extracts from the Diary of a Lady," Lucknow [India] 1857. It
does not appear to be from the diary of Julia Selina Inglis, who wrote
A Lady's Diary of the Siege of
Lucknow in 1857. Rosalind Inverarity and her sisters Madeline and Emily
were apparently in India with their brother Henry who served in the British
civil service there, including during the Mutiny, and was at one time
Commissioner of the Punjab.
|
undated |
Box/Folder | ||
2/13 | Outgoing Letters Letters to: Anna Inverarity (Robert Bruce's mother); Madeline
Wallace-Dunlop; unidentified.
|
1882-1916 |
2/14 | Will |
1916 |
2/15 | Ephemera |
1868, undated |
Robert Bruce Inverarity papers, 1930-1993Return to Top
Container(s) | Description | Dates |
---|---|---|
Biographical Information |
||
Box/Folder | ||
2/16 | Curricula vitae |
circa 1969-1980 |
10 | Robert Bruce Inverarity microfilm
(negative) Microfilm filmed by Inverarity: Reference letter by Dorothy C.
Miller, Associate Curator, MOMA; Reference letter by Edward Lauer, Dean - Arts
and Science, University of Washington; Reference letter by Holger Cahill,
National Director of the WPA Art Program; Reference letter by Jim Marshall,
Associate Editor, Collier's Weekly; Reference letter by F.I. Livingston,
Consultant, Flight Officer, Royal Flying Corps; Reference letter by D.S.
Defenbacher, Walker Art Center; Reference letter by Paul McPharlin, Pvt., Army
Air Forces; Reference letter, Director, American Federation of Arts; Reference
letter by Marjorie Adams, Art Center School; Reference letter by Raymond Davis,
UW Comptroller; Reference letter, Assistant Superintendent, Seattle Public
Schools; Navy job classification sheet; Naval Officer Procurement rejection
letter - no standard physical qualifications; Letter from Boeing upon
Inverarity's resignation as Art Department Director; 1948 CV; UW Associate Dean
of Anthropology letter to University of California press recommending
Inverarity manuscript
|
undated |
2/17 | Other career information |
1930-1984 |
2/18 | Graduation petition and diploma, University of
Washington |
1945-1946 |
2/19 | Transcripts of oral histories of R. B. Inverarity by
Archives of American Art interviewers |
1964, 1975 |
2/20 | Kathleen Whitlock research paper on Robert Bruce
Inverarity |
1993 |
2/21 | Professional contacts (note cards and business
cards) |
undated |
cassette | ||
Tape 745A-E | Inverarity, Robert B. These five cassette tapes were recorded in Blue Mountain Lake,
New York, by Craig Gilborn, former director of the Adirondack Museum. The set
of tapes used here are unedited and complete. Tapes A-E “present a unique
factual account of much of [Robert Inverarity’s] life.”
|
September 18-19, 1990 |
Correspondence (general): Incoming letters |
||
Box/Folder | ||
2/22 | Julius Griffiths, Jr. |
1934-1942 |
2/23 | Adam and Harold Hothschild |
1975-1989 |
2/24 | Jane Inverarity (wife of Robert Bruce
Inverarity) |
1945-1954 |
2/25 | V.A. Katchorvsky |
1932-1940 |
2/26 | Alfred C. Kinsey Request from Kinsey for a photograph taken by Inverarity of
graffiti.
|
1952 |
2/27 | Hannah Kosaka |
1940 |
3/1 | Margot (Peggy) Marshall |
circa 1935-1940 |
3/2 | Willa McNear |
1930-1940 |
3/3 | Ray Peck |
1944 |
3/4 | Arthur Porter |
1932-1938 |
3/5 | Joyce Scudamore |
1933 |
3/6 | Marion Smeed |
1941-1942 |
3/7 | Mark Tobey A Reference letter attesting to Robert Bruce Inverarity's
qualifications for teaching art.
|
undated |
3/8 | Other correspondents, A-K |
1943-1991 |
3/9 | Other correspondents, L-Z and unidentified |
1932-1994 |
Correspondence (general): Outgoing letters |
1940-1986 | |
Box/Folder | ||
3/10 | Correspondence (general): Outgoing letters Includes draft of letter to someone named Eleanor reflecting
on Inverarity's acquaintance with Kenneth and Margaret Callahan, prompted by
Inverarity's hearing of Kenneth Callahan's death. In the same letter,
Inverarity addresses his early friendship with Mark Tobey and their working
relationship during the Federal Art Project.
|
|
Correspondence regarding specific topics |
1954-1991 | |
Box/Folder | ||
3/11 | Correspondence with University of California Press re:
manuscript draft on Eskimo masks Includes draft and editor's notes.
|
1954 |
3/12 | Correspondence (incoming) concerning Marine Historical
Association, Mystic, Conn. Inverarity was keynote speaker for MHA conference in 1969
and was interviewed for study of Mystic Seaport conducted by Frantzreb and Pray
Associates.
|
1969-1970 |
3/13 | Correspondence (incoming and outgoing) regarding D. G.
Inverarity letter about Edward Curtis Correspondence with Edward Curtis researchers regarding
letter, and with others regarding R.B. Inverarity's questions about copyright
ownership of the letter and attribution by researchers who quoted from it.See also original letter from D. G. Inverarity in Box 1.
|
1976-1981 |
3/14 | Correspondence with University of Washington Press
concerning book proposals Among other proposals, Inverarity proposed a book on his
recollections of the artist Mark Tobey. Most correspondence is with
Editor-in-Chief Naomi Pascal.
|
1980-1982 |
3/15 | Correspondence regarding Inverarity's maritime and
boat research |
1985-1990 |
3/16 | Correspondence regarding miscellaneous publication
proposals Includes correspondence with Travel-Holiday and the Minox company.
|
1962-1986 |
3/17 | Correspondence with Twelve Trees Press re: publication
proposal on Man Ray Includes transcription of Man Ray lecture, 1947.
|
1991 |
Correspondence regarding genealogical
research |
||
Box/Folder | ||
3/18 | Alexander Bisset |
1977-1981 |
3/19 | Jean Beattie Innerarity |
1980-1983 |
3/20 | Priscilla Inverarity |
1977-1983 |
3/21 | F.A. (Honey) Ross |
1979-1988 |
3/22 | Other correspondents, A-Z |
1954-1973 |
Genealogical research |
||
Box/Folder | ||
3/23 | Clippings |
1930-1990 |
3/24 | Family trees |
undated |
4/1 | Genealogical material |
undated |
4/2 | Notes on genealogy research |
undated |
Box/Folder | ||
4/3 | Personal and professional ephemera |
1945-1991 |
Research Files |
||
cassette | ||
Tape 745G | Grace Stevenson Cassette tape recoring by Robert Inverarity and his wife of an
interview of a former librarian at the Seattle Public library, Grace Stevenson.
It includes discussions of early art shows in the library’s art gallery and the
ineptness of the picture hanging. Mrs. Stevenson briefly describes anecdotally
her acquaintanceship with Mark Tobey and Morris Graves and mentions a few other
Northwest artists, such as Guy Aderson and Kenneth Callahan. On side two, Mr.
Inverarity describes his device for remembering instances of Tobey’s life which
could be used biographically. The three friends end the interview chatting of
personal experiences and a discussion of yearly Friends of the Library book
sales given by the Public Library and the benefits thereof.
|
March 1981 |
Box/Folder | ||
4/4 | Research material: Northwest Coast Indian
art |
undated |
4/5 | Research notes: Eskimo |
undated |
4/6 | Research notes: Boats Bibliography note cards; notes on index cards, possibly for
lecture.
|
undated |
Box | ||
11 | Research notes: Northwest Coast Tribes and
Topics Contains microcards and punched index cards relating to
research topics. The microcards have pictures of Northwest Coast art and
cultural objects, as well as visual outlines of explanatory notes, and the
punched index cards are made up of grids with holes punched in boxes to
correspond to some kind of coding or reader technology. The index cards are
labeled by number, topic, or tribal name
|
undated |
Manuscripts |
||
Box/Folder | ||
4/7 | Typed notes probably connected to Federal Art Project
or Arts and Craft Project work "A New Mosaic Medium" (1937); "Notes on Sgrafitto" (1939) and
"Notes on Reviving Northwest Coast Indian Arts and Crafts" (1939).
|
1937-1939 |
4/8 | Typed manuscript of "A Brief Discussion of
Camouflage" Written when Inverarity was Chief of the Design Section,
Camouflage Section, Thirteenth Naval District, U.S. Navy.
|
circa 1941-1943 |
4/9 | Drafts probably of Art of the
Northwest Coast Indians, book published 1950 |
undated |
4/10 | Writings connected to Inverarity's work as Museum
Director of Museum of International Folk Art, Santa Fe Includes: typed notes on Primitive Art, Folk Art and Fine Art
for conference in Santa Fe; untitled two page typed summary of planning
activities for MOIFA (1952); paper titled "Some Thoughts Concerning Museums and
the Problems of International Understanding (3 versions, 1952-1954).
|
1952-1954 |
4/11 | Shot list and notes for documentary on
guideboats |
circa 1954-1965 |
4/12 | Handwritten manuscript on colonial
batteaux |
circa 1954-1965 |
4/13 | "Anthropology in Primitive Art" article, drafts and
notes |
1955 |
4/14 | Writings on museums Includes: Accessioning and Cataloguing:
Adirondack Museum, Blue Mountain Lake, N.Y. (1965); typed manuscript of
review (circa 1969) by Inverarity of Naval and Maritime
History: An Annotated Biography by Robert Greenhalgh Albion; photocopy
of article "Approaches to Interpretation," from Life is a
local story: a collection of talks concerning local history, historic sites and
history museums, published in 1964 by the American Association for State
and Local History.
|
1960s |
4/15 | Typed manuscript "Reading Micro reproduction by
Optical Magnification |
circa 1960 |
5/1 | Miscellaneous manuscripts and notes |
undated |
5/2 | Untitled story about Sealion gathering
driftwood |
undated |
5/3 | Two versions of typed manuscript of story titled "Ikt"
about an Indian boy helping to prepare for a potlatch One version written while Inverarity was living in Seattle
and the other while he was living in Santa Fe, New Mexico. Substantial
differences between the two drafts.
|
undated |
Box | ||
9 | Robert Bruce Inverarity microfilm
(positive) Microfilm from the Archives of American Art: WPA-FAP art
booklets; "Techincal Problems of the Artist: Technique of the Silk Screen
Process," FAP-WPA; Canvas Adhesives; "Emblems of Unity and Freedom: The Index
of American Design," The Met; "Art as a Function of Government: A Survey,"
WPA-FAP; "Fresco Painting," WPA Technical Series Art Circular No. 4; "The
Carborundum Print," WPA Art Circular No. 5; "American Art for Every American
Home," National Report, Art Week; Stencil Display
|
undated |
Lectures, Presentations, and Proceedings |
||
Box/Folder | ||
5/4 | Lecture notes Notes for lectures include: "the economic position of the
artist about 1940" given at Pasadena Art Institute, California (October 26,
1947); lectures on primitive art and Northwest Coast Art, given at Fremont
University, California (July and October 1947); lecture on the science and uses
of color at Bisttram School of Art, Los Angeles (December 4, 1947); lecture on
Northwest Coast Art at the Taylor Museum, Colorado Springs Fine Arts Center
(August 29, 1951); lecture on Adirondacks history at Plattsburgh Teachers
College, New York (July 1962).
|
1947-1962 |
5/6 | Conference proceedings, Wenner-Gren Foundation
Conference on the Place of Museum in Higher Education Indiana University, Bloomington.
|
April 29-30, 1958 |
5/7 | Keynote address to American Association of Museums,
titled "Where Are We? Where Are We Going?" |
1969 |
Art, artifact and book collection records |
||
Box/Folder | ||
5/8 | Artifact purchase records on index cards In categories by geographic region or continent.
|
circa 1947-1950 |
5/9 | Records of collection items bought or sold by
Inverarity Set of artifact purchase index cards cross-referenced by
number to set of index cards of published works where photographs of artifacts
appeared.
|
circa 1930-1975 |
5/10 | Records of book donation and artifact sale Inventory of Inverarity collection of books given to
Dickinson College, Carlisle, Pennsylvania, 1976. Bound notes regarding
Inverarity collection sold to Museum of Mankind in the Ethnography Department
of the British Museum with copies of correspondence concerning the
collection.
|
1976-1978 |
Museum of International Folk Art (MOIFA), Santa Fe, New
Mexico |
||
Box/Folder | ||
6/1 | Manuscript and clippings concerning Inverarity's
firing as director of MOIFA Information provided to Kathleen Whitlock and included by
her with the donation of her research paper on Inverarity.
|
1954-1993 |
6/2 | Microfiche of MOIFA-related correspondence |
1954-1993 |
6/3 | Inverarity's written account of his time at
MOIFA |
1984 |
cassette | ||
Tape 745F | Helen and Ernest Johnson Cassette tape recording of Robert Inverarity’s interview of
Helen and Ernest Johanson. Ernest Johanson was his assistant when he was the
director of the Museum of International Folk Art in Santa Fe, New Mexico. He
was present when Inverarity was forced to resign his position. The Johansons
remained at the museum and describe in their own words the events occurring
after Robert Inverarity’s removal.
|
September 1980 |
Box/Folder | ||
6/4 | Exhibit invitations |
1952-1992 |
6/5 | Reprints of Publications "The Carry Railroad," by Richard Sanders Allen, 1965; "Thoughts
on the Organizations of Museums," by Robert Bruce Inverarity, 1959; "Journal of
American Folklore," 1954; "The Adirondak Museum Boat Building," by Robert Bruce
Inverarity, 1966
|
1954-1966 |
6/6 | Reprints of Publications "Preservation of Old, Waterlogged Wood by Treatment with
Polyethylene Glycol," by Ray M. Seborg and Robert Bruce Inverarity, Science
136, no. 3516 (1962): 649-50; "Diving into the Past: Theories, Techniques, and
Applications of Underwater Archaeology ; the Proceedings of a Conference on
Underwater Archaeology, Sponsored by the Minnesota Historical Society, St.
Paul," by June Drenning Holmquist, Ardis Hillman Wheeler, and Minnesota
Historical Society, April 26-27, 1963. ; "The Conservation of Wood from Fresh
Water," by Robert Bruce Inverarity, undated
|
1962-1963 |
6/7 | Reprints of Publications "Anthropology in Primitive Art," by Robert Bruce Inverarity,
Yearbook of Anthropology, 1955, 375-89; "Conservation of 200-year-old
Water-logged Boats with Polyethylene Glycol," by Ray M. Seaborg, and Robert
Bruce Inverarity, Studies in Conservation 7, no. 4 (1962): 111-20; "Obervations
on Northwest Coast Indian Art and Similarities Between a Few Art Elements
Distant in Time and Space," by Robert Bruce Inverarity, 1972, "Computers and
the Storage and Retrieval of Anthropological Information," by Robert Bruce
Inverarity, Wenner-Gren Foundation For Anthropological Research. A Burg
Wartenstein symposium, 1962
|
1955-1972 |
6/8 | Reprints of Publicatons "International Journal of American Linguistics," by Robert Bruce
Inverarity, Volume 26, Number 4, October 1960
|
1960 |
6/8 | Catalogs for artists and exhibits Artists: Joe Knowles; S. MacDonald Wright; Blanding Sloan;
Morris Blackburn; Constance Richardson.
|
1926-1981 |
6/9 | Inverarity's copy of government publication Hearings before the Committee on Patents, House of
Representatives, Seventy-Fifth Congress, Part 1. Topics of discussion include
the Federal Art Project.
|
1938 |
Clippings |
||
Box/Folder | ||
6/10 | Clippings of reviews, etc. of Inverarity
publications |
1951-1953 |
6/11 | News clippings (general) |
1945-1991 |
7/1 | Clippings on Joe Knowles |
1950-1951 |
Subject files |
||
Box/Folder | ||
7/2-7/3, 8/1 | Subject files on NW Coast Art |
circa 1955-1970 |
7/4 | Subject file on Eskimos |
1936-1952 |
8/2 | Subject file on boats |
1775-1971 |
8/3 | Subject file on microreproduction and
microviewers |
1956-1957 |
Names and SubjectsReturn to Top
Subject Terms
- Art primitive, northwest coast
- Museums
- Personal Papers/Corporate Records (University of Washington)
Personal Names
- Callahan, Kenneth, 1905-1986
- Curtis, Edward S., 1868-1952
- Danz, John, -1961
- Graves, Morris, 1910-2001
- Inverarity, Duncan George--Archives
- Inverarity, Robert Bruce, 1909-1999--Archives
- Pantages, Alexander
- Tobey, Mark
Corporate Names
- Adirondack Museum
- Ancient Arabic Order of the Nobles of the Mystic Shrine for North America
- Archives of American Art
- Museum of International Folk Art (N.M.)
- Museum of Mankind
- Pantages Circuit of Vaudeville Theatres
- Tilikum (Organization)
- United States Work Projects Administration
Geographical Names
- Seattle (Wash.)
- Spokane (Wash.)