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<ead><eadheader langencoding="iso639-2b" scriptencoding="iso15924" relatedencoding="dc" repositoryencoding="iso15511" countryencoding="iso3166-1" dateencoding="iso8601" id="a0"><eadid countrycode="us" mainagencycode="wauar" encodinganalog="identifier" url="http://archiveswest.orbiscascade.org/ark:/80444/xv07571" identifier="80444/xv07571">WAUInverarityRobertBruce4445.xml</eadid><filedesc><titlestmt id="edit-complete"><titleproper>Guide to the Robert Bruce Inverarity Papers <date encodinganalog="date" era="ce">approximately 1858-1994</date></titleproper><titleproper altrender="nodisplay" type="filing">Inverarity (Robert Bruce) Papers</titleproper></titlestmt><publicationstmt><publisher encodinganalog="publisher">Special Collections, University of Washington Libraries</publisher><date normal="2007" encodinganalog="date">©2007 (Last modified: 9/15/2020)</date><address><addressline>Seattle, WA 98195</addressline></address></publicationstmt></filedesc><profiledesc><langusage>Finding aid written in 
		  <language langcode="eng" encodinganalog="language" scriptcode="latn">English</language>.</langusage><descrules>Finding aid based on DACS (<title render="italic" linktype="simple">Describing Archives: A Content Standard</title>).</descrules></profiledesc></eadheader><archdesc level="collection" type="inventory" relatedencoding="marc21" id="recon"><did><repository><corpname>University of Washington Libraries, Special Collections</corpname></repository><unitid countrycode="us" repositorycode="wauar">4445 (Accession No. 4445-002)</unitid><origination><persname role="creator" encodinganalog="100" authfilenumber="4781336" altrender="sync" source="lcnaf" rules="aacr2">Inverarity, Robert Bruce, 1909-1999</persname></origination><unittitle type="collection">Robert Bruce Inverarity papers</unittitle><unitdate type="inclusive" encodinganalog="245$f" normal="1858/1994" certainty="approximate" era="ce" calendar="gregorian">approximately 1858-1994</unitdate><physdesc encodinganalog="300$a"><extent>3.17 cubic feet (9 boxes) plus 2
		  reels of microfilm, 7 sound cassettes, and 1 oversize folder</extent></physdesc><langmaterial>Collection materials are in 
		<language langcode="eng" scriptcode="latn" encodinganalog="546">English</language>.</langmaterial><abstract encodinganalog="5203_$a">Tape recorded
		  interview and other materials of a museum director, artist and photographer
		  concerning his career as an artist and administrator of the Adirondack Museum
		  and the Museum of International Folk Art, Santa Fe</abstract></did><bioghist encodinganalog="5450_" id="ARN4781336" altrender="sync"><p><emph render="bold"> Robert Bruce Inverarity  </emph>was born in
		  Seattle, Washington in 1909. He was the son of theater manager Duncan George
		  Inverarity and Anna Petersen Inverarity. Throughout his life Inverarity was
		  involved in a broad range of art and anthropology-related activities as a
		  museum administrator, scholar, artist and photographer. He was an authority on
		  Pacific Northwest Indian Art.</p><p>A large part of Inverarity's childhood was spent in Calgary, Canada,
		  where his father managed a theater, but the family moved back to Seattle during
		  his teenage years. As a young man, Inverarity shared a studio with Mark Tobey
		  and studied with him for a time. He taught art at Cornish School of the Arts in
		  Seattle, and directed the School of Creative Art in Vancouver, Canada. During
		  this time, he continued to study Northwest Coast Indian cultures and arts. In
		  1933, Inverarity became an instructor of puppetry, a life-long interest of his,
		  at the University of Washington Drama School. In 1936, the Federal Art Project
		  of the Works Progress Administration hired Inverarity as State Director. In
		  1939, he moved from the Federal Art Project to the Art and Crafts Project,
		  which he also directed. In 1941, he published <emph render="italic"> Movable
		  Masks and Figures of the North Pacific Coast Indians </emph>. During World War
		  II, Inverarity served as Chief of Design for Camouflage for the U.S. Navy
		  (1941-1943) and then as an Official Navy War Artist (1943-1945). </p><p>Inverarity earned his Bachelor of Arts degree in art and anthropology
		  from the University of Washington in 1946, and then earned his Master's degree
		  and Ph.D. in fine arts from Fremont University in Los Angeles, where he studied
		  with Hilaire Hiler, the artist, psychologist and color theoretician.
		  Inverarity's career as a museum director began in 1949 when he became the
		  founding director of the Museum of International Folk Art in Santa Fe, New
		  Mexico. His book, <emph render="italic"> Art of the Northwest Coast
		  Indians </emph>, was published in 1950 while he was still in New Mexico. In
		  1954, Inverarity's dismissal from the Museum of International Folk Art caused
		  much controversy in New Mexico and in the museum world in general. Many staff
		  members of the museum resigned in solidarity. In 1954, the Adirondack Museum in
		  Blue Mountain Lake, New York hired Inverarity as its first director. He stayed
		  at the Adirondack Museum until 1965, and during his time in New York State,
		  published the <emph render="italic"> Visual Files Coding Index </emph> (1960) and
		  developed a micro reader. In 1965, Inverarity returned to California, where he
		  worked as an illustrator and book designer at University of California Press.
		  In 1969, he became director of the Philadelphia Maritime Museum, where he
		  worked until his retirement in 1976. He sold his extensive personal collection
		  of Northwest Coast Indian art to the British Museum's Museum of Mankind in
		  1975. Inverarity lived in La Jolla, California until his death in 1999. </p><p><emph render="bold"> Duncan George Inverarity </emph> (1868-1949), was a
		  prominent figure in the vaudeville theatrical circuit and in Seattle society.
		  He was also a photographer, working for Edward Curtis and taking part in the
		  Harriman Alaska expedition of 1899. </p><p>He was born in Dunedin, New Zealand, the son of Rosalind Harriet M.
		  Wallace-Dunlop Inverarity (1843-1916) and William David Inverarity (1833-1902),
		  both immigrants to New Zealand from Scotland. William Inverarity had been a
		  captain in the Gordon Highlanders, an infantry regiment of the British army.
		  William emigrated to New Zealand after his marriage, and shortly after Duncan's
		  birth, moved his family to Australia. Around 1869-1870, the William Inverarity
		  family moved to Argentina, where Duncan's sister Madeline was born, and where
		  the family owned a ranch for sheep and cattle. William Inverarity returned to
		  England with a large fortune around 1874, but decided to move his family to the
		  United States to take part in the California gold rush. William Inverarity lost
		  the family fortune quickly in California, apparently through investment deals
		  with dubious business partners. These losses caused the Inverarity family to
		  move northward to pursue farming again, this time in Oregon, and to send
		  seven-year-old Duncan back to England for his schooling. William Inverarity
		  sold his farm in Oregon in the early 1880s and bought land in the Yakima Valley
		  in Washington State, where Duncan rejoined the family in 1883. In 1890, he
		  enrolled at the University of Michigan, where he completed a law degree. In
		  1892, he returned to Seattle and entered the law firm of Stratton Lewis &amp;
		  Gilman (subsequently Lewis, Hardin and Albertson) as a law clerk. His father
		  William died in Yakima in 1902. His mother Rosalind appears to have returned to
		  England at some point, and she died in Sussex in 1916.</p><p> Duncan's career in legal work did not flourish, and in 1903, Duncan
		  began work as a clerk for the King County Treasurer. From Duncan's memoir, it
		  seems that around 1902-1903, he may also have begun his acquaintance with the
		  theatrical managers John Cort and Alexander Pantages. Around 1904, Duncan
		  married Anna A. Petersen (circa 1878-1941), who was born in Vila, Denmark and
		  came to the United States in 1895. The couple had two sons: Wallace, born 1904,
		  and Robert Bruce, born 1909. </p><p>In Seattle directories, he is listed as Assistant Manager of the Grand
		  Opera House 1905-1907. He worked at the Coliseum Theater in Seattle from
		  1907-1908. He was assistant general manager for the Sullivan Considine Circuit
		  from 1908-1910. The Tillikums of Elttaes, a "booster" organization in Seattle,
		  employed him as Secretary, and in that capacity he helped to organize the
		  "Potlatches" held in Seattle in 1912-1914. In 1915, Duncan Inverarity moved to
		  Calgary, Alberta to manage a theater owned by Pantages. He seems to have worked
		  for Pantages until at least 1926, also managing a Pantages theater in Spokane,
		  Washington. During his career, Duncan also worked for John Danz, the owner of
		  the Sterling theater chain in Washington State. In the late 1930s, Duncan
		  Inverarity seems to have moved back to Seattle, where he worked as a salesman
		  and credit manager. Anna Inverarity died in 1941, in Seattle. Duncan died in
		  Burlington, Washington in 1949.</p></bioghist><arrangement><p>Arranged in 2 series: </p><p><list type="simple"><item>Family papers</item><item>Robert Bruce Inverarity papers, 1930-1993</item></list></p></arrangement><scopecontent><p>The bulk of the records are the personal and work-related papers of
		  Robert Bruce Inverarity, but the collection also includes papers of his father,
		  Duncan George, his mother Anna Petersen Inverarity, and his paternal
		  grandmother, Rosalind Inverarity. </p><p>The Duncan George Inverarity series contains biographical papers,
		  correspondence, writings, newsletters, legal documents, clippings, memorabilia
		  and ephemera. Significant correspondents include Alexander Pantages, president
		  and manager of the Pantages Theater Company, and John Danz of the Danz Theater
		  Circuit. An uncompleted memoir by Duncan Inverarity describes his early
		  experiences in the legal profession, and as a theatrical manager for John Cort
		  and Alexander Pantages. Also contains newsletters and memorabilia relating to
		  the Tilikums in Seattle and the 1913 Potlatch.</p><p>Anna Petersen Inverarity's papers are composed of her poetry.</p><p>Rosalind Inverarity's papers consist of correspondence and her will.
		  </p><p>Robert Bruce Inverarity's papers include general correspondence,
		  correspondence related to book proposals, and genealogical correspondence.
		  Includes research and subject files on topics of interest to Inverarity,
		  including indigenous art, particularly of the Northwest Coast Indian tribes,
		  museum management, maritime research, and micro reader and micro reproduction
		  technologies. Also includes manuscripts and drafts of writings and conference
		  presentations.</p><p>This collection also contains tape-recorded interviews with Robert
		  Bruce Inverarity and an interview transcript (ca. 1980-1990). These relate to
		  his career as an artist and an administrator of the Adirondack Museum. Also
		  contains correspondence and writings dated 1978-1993.</p></scopecontent><accessrestrict encodinganalog="506" id="a14"><p>Open to all users. No user copies exist for the interview tapes.
		  Consult Special Collections for current options for accessing the interview
		  tapes.</p><p><extref href="https://uw.aeon.atlas-sys.com/logon/?Action=10&amp;Form=31&amp;Value=https://archiveswest.orbiscascade.org/ark:80444/xv07571/xml" role="text/html" actuate="onrequest" show="new" id="aeon">Request at UW</extref></p></accessrestrict><userestrict encodinganalog="540" id="a15"><p>Creator's copyrights transferred to the University of Washington
		  Libraries.</p></userestrict><acqinfo><p>Acc. 4445-001 donated by Robert Inverarity, 9/8/1993.</p><p>Acc. 4445-002 donated by Estate of Robert Bruce Inverarity,
		  1/21/2000.</p></acqinfo><processinfo audience="external" id="a20" encodinganalog="583"><p>Processed by Elizabeth Russell; completed 2016. Accession No. 4445-001
		  was merged with Accession No. 4445-002 in 2017.</p></processinfo><separatedmaterial><head>Material Described Separately:</head><p>Visual materials relocated to 
		   <extref show="new" actuate="onrequest" href="http://archiveswest.orbiscascade.org/ark:/80444/xv97933/">Robert Bruce
			 Inverarity photograph collection (PH1380)</extref>  in 2015</p></separatedmaterial><controlaccess><subject source="uwsc">Personal Papers/Corporate Records (University of Washington)</subject><persname encodinganalog="600" role="subject" altrender="sync" source="lcnaf" rules="aacr2" authfilenumber="4781336">Inverarity, Robert Bruce, 1909-1999--Archives</persname><persname role="subject" encodinganalog="600">Inverarity, Duncan George--Archives</persname><persname role="subject" encodinganalog="600" source="lcnaf" rules="aacr2">Danz, John,  -1961</persname><persname role="subject" encodinganalog="600" source="lcnaf" rules="aacr2">Pantages, Alexander</persname><persname role="subject" encodinganalog="600" source="lcnaf" rules="aacr2">Curtis, Edward S., 1868-1952</persname><persname role="subject" encodinganalog="600" source="lcnaf" rules="aacr2">Graves, Morris, 1910-2001</persname><persname role="subject" encodinganalog="600" source="lcnaf" rules="aacr2">Tobey, Mark</persname><persname role="subject" encodinganalog="600" source="lcnaf" rules="aacr2">Callahan, Kenneth, 1905-1986</persname><corpname role="subject" encodinganalog="610" source="lcnaf" rules="aacr2">Adirondack Museum</corpname><corpname role="subject" encodinganalog="610" source="lcnaf" rules="aacr2">Archives of American Art</corpname><corpname role="subject" encodinganalog="610" source="lcnaf" rules="aacr2">Museum of International Folk Art (N.M.)</corpname><corpname role="subject" encodinganalog="610" source="lcnaf" rules="aacr2">Museum of Mankind</corpname><corpname role="subject" encodinganalog="610" source="lcnaf" rules="aacr2">Tilikum (Organization)</corpname><corpname role="subject" encodinganalog="610" source="lcnaf" rules="aacr2">Pantages Circuit of Vaudeville Theatres</corpname><corpname role="subject" encodinganalog="610" source="lcnaf" rules="aacr2">Ancient Arabic Order of the Nobles of the Mystic Shrine for North America</corpname><corpname role="subject" encodinganalog="610" source="lcnaf" rules="aacr2">United States Work Projects Administration</corpname><geogname source="lcsh" role="subject" encodinganalog="651">Seattle (Wash.)</geogname><geogname source="lcsh" role="subject" encodinganalog="651">Spokane (Wash.)</geogname><subject source="lcsh" encodinganalog="650">Museums</subject><subject source="lcsh" encodinganalog="650">Art primitive, northwest coast</subject><subject source="archiveswest" altrender="nodisplay">Fine Arts</subject><subject source="archiveswest" altrender="nodisplay">Sound Recordings</subject><subject source="archiveswest" altrender="nodisplay">Oral Histories</subject><subject source="archiveswest" altrender="nodisplay">Photographs</subject></controlaccess><dsc type="combined" id="a23"><p> </p><c01 level="series"><did><unittitle encodinganalog="245$a">Family papers</unittitle></did><c02 level="subseries"><did><unittitle encodinganalog="245$a">Duncan George
				  Inverarity</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1858-1947</unitdate></did><c03 level="file"><did><container type="box-folder">1/1</container><unittitle>Vitae and other biographical information</unittitle><unitdate type="inclusive" era="ce" calendar="gregorian">1927-1932</unitdate></did></c03><c03 level="subseries"><did><unittitle>Incoming Letters</unittitle><unitdate type="inclusive" era="ce" calendar="gregorian">1901-1932</unitdate></did><c04 level="file"><did><container type="box-folder">1/2</container><unittitle>John Danz</unittitle><unitdate era="ce" calendar="gregorian">1926</unitdate></did></c04><c04 level="file"><did><container type="box-folder">1/3</container><unittitle>Howard Gates &amp; Ridge, Solicitors</unittitle><unitdate era="ce" calendar="gregorian">1927</unitdate></did></c04><c04 level="file"><did><container type="box-folder">1/4</container><unittitle>Madeline Inverarity</unittitle><unitdate era="ce" calendar="gregorian">1916</unitdate><note><p>Duncan Inverarity's sister.</p></note></did></c04><c04 level="file"><did><container type="box-folder">1/5</container><unittitle>Robert Bruce Inverarity</unittitle><unitdate era="ce" calendar="gregorian">1929, undated</unitdate></did></c04><c04 level="file"><did><container type="box-folder">1/6</container><unittitle>Rosalind Inverarity</unittitle><unitdate era="ce" calendar="gregorian">1915-1916, undated</unitdate></did></c04><c04 level="file"><did><container type="box-folder">1/7</container><unittitle>Alexander Pantages</unittitle><unitdate era="ce" calendar="gregorian">1916-1928</unitdate></did></c04><c04 level="file"><did><container type="box-folder">1/8</container><unittitle>Other Correspondents, A-Z</unittitle><unitdate era="ce" calendar="gregorian">1901-1932</unitdate></did></c04></c03><c03 level="file"><did><unittitle>Outgoing Letters</unittitle><unitdate era="ce" calendar="gregorian">1891-1947</unitdate></did><c04 level="file"><did><container type="box-folder">1/9</container><unittitle>Robert Bruce Inverarity</unittitle><unitdate era="ce" calendar="gregorian">1947</unitdate></did><scopecontent><p>Letter regarding Edward Curtis' 
					 <title render="italic" linktype="simple">The North American Indian</title> with
					 anecdote by Duncan Inverarity concerning Curtis' inspiration for the series and
					 Inverarity's involvement in the Harriman Expedition. </p></scopecontent></c04><c04 level="file"><did><container type="box-folder">1/10</container><unittitle>Rosalind Inverarity</unittitle><unitdate era="ce" calendar="gregorian">1891</unitdate></did></c04><c04 level="file"><did><container type="box-folder">1/11</container><unittitle>Alexander Pantages</unittitle><unitdate era="ce" calendar="gregorian">1922</unitdate></did></c04><c04 level="file"><did><container type="box-folder">1/12</container><unittitle>Other Correspondents A-Z</unittitle><unitdate era="ce" calendar="gregorian">1930-1933</unitdate></did></c04></c03><c03 level="file"><did><container type="box-folder">1/13</container><unittitle>Diary</unittitle><unitdate era="ce" calendar="gregorian">1883</unitdate></did></c03><c03 level="subseries"><did><unittitle>Writings</unittitle><unitdate era="ce" calendar="gregorian">1947, undated</unitdate></did><c04 level="file"><did><container type="box-folder">1/14-1/15</container><unittitle>Drafts of memoir</unittitle><unitdate era="ce" calendar="gregorian">circa 1947</unitdate></did></c04><c04 level="file"><did><container type="box-folder">1/16</container><unittitle>Notebook containing notes on the Bible</unittitle><unitdate era="ce" calendar="gregorian">undated</unitdate></did></c04></c03><c03 level="file"><did><container type="box-folder">1/17</container><unittitle>Publication of Seattle Ad Club: 
					 <title render="italic" linktype="simple">Organized Optimism</title></unittitle><unitdate era="ce" calendar="gregorian">1913</unitdate></did><scopecontent><p>One issue titled "Organized Potlatchism."</p></scopecontent></c03><c03 level="file"><did><container type="box-folder">1/18</container><unittitle>Tilikum newsletter 
					 <title render="italic" linktype="simple">The Tilikum Totem</title></unittitle><unitdate era="ce" calendar="gregorian">1915</unitdate></did></c03><c03 level="file"><did><container type="box-folder">1/19</container><unittitle>Vaudeville act scripts </unittitle><unitdate era="ce" calendar="gregorian">1928, undated</unitdate></did><scopecontent><p><title render="italic" linktype="simple">Gamble's Tab. Bit Book</title> by E.L.
				  Gamble (undated); 
				  <title render="italic" linktype="simple">Stage=Fun</title> by E.L. Gamble.</p></scopecontent></c03><c03 level="file"><did><container type="box-folder">1/20</container><unittitle>Typed excerpt of vaudeville routines</unittitle><unitdate era="ce" calendar="gregorian">undated</unitdate><note><p> Dialogue mentions D.G. Inverarity by nickname "Inve."</p></note></did></c03><c03 level="file"><did><container type="box-folder">1/21</container><unittitle>Legal documents</unittitle><unitdate era="ce" calendar="gregorian">1896-1926</unitdate></did></c03><c03 level="file"><did><container type="box-folder">1/22</container><unittitle>Clippings of jokes</unittitle><unitdate era="ce" calendar="gregorian">undated</unitdate></did><note><p>Note on original envelope: Stories for dinners, etc.</p></note></c03><c03 level="file"><did><container type="box-folder">1/23</container><unittitle>Clippings</unittitle><unitdate era="ce" calendar="gregorian">1925-1949, undated</unitdate></did></c03><c03 level="file"><did><container type="box-folder">2/1</container><unittitle>Genealogical clippings and notes</unittitle><unitdate era="ce" calendar="gregorian">1858-1928</unitdate></did></c03><c03 level="subseries"><did><unittitle>Memorabilia</unittitle><unitdate era="ce" calendar="gregorian">1884-1939</unitdate></did><c04 level="file"><did><container type="box-folder">2/2</container><unittitle>Membership certificates</unittitle><unitdate era="ce" calendar="gregorian">1917, 1922</unitdate></did><scopecontent><p>Includes Shriner's Al Azhar Temple of Alberta, Canada;
						Otuskwan Chapter of Royal Arch Masons of Alberta; and Royal Jesters of Alberta,
						Canada.</p></scopecontent></c04><c04 level="file"><did><container type="folder:oversize">Oversize Folder</container><unittitle>Certificates</unittitle><unitdate era="ce" calendar="gregorian">1887-1918</unitdate></did><scopecontent><p>Accountant's diploma, Portland Business College (1887).</p><p>Bachelor of Laws diploma from University of Michigan (1891);
						Attorney certifications from State of Michigan (1891); State of Washington
						(1893); appointment as Notary Public, Washington State (1892).</p><p>Tilikum Drill Corps (1913).</p><p>Membership certificates for Nobles of the Mystic Shrine
						(1917); Knights of Malta (1918); Royal Arch Masons of Alberta (1917); Knights
						of the Order of the Temple (1917)</p></scopecontent></c04><c04 level="file"><did><container type="box-folder">2/3</container><unittitle>Autograph book</unittitle><unitdate era="ce" calendar="gregorian">1884-1888</unitdate></did></c04><c04 level="file"><did><container type="box-folder">2/4</container><unittitle>Two wax seals</unittitle><unitdate era="ce" calendar="gregorian">undated</unitdate></did><scopecontent><p>Seal of the Superior Court at Bombay; seal of Inverarity
						family crest from Duncan Inverarity's ring.</p></scopecontent></c04><c04 level="file"><did><container type="box-folder">2/5</container><unittitle>Christmas card lists</unittitle><unitdate era="ce" calendar="gregorian">1928-1939</unitdate></did></c04></c03><c03 level="subseries"><did><unittitle>Ephemera</unittitle><unitdate era="ce" calendar="gregorian">1922-1938</unitdate></did><c04 level="file"><did><container type="box-folder">2/6</container><unittitle>Nile Temple, Seattle program for "Smile with Nile"
						summer ceremonial</unittitle><unitdate era="ce" calendar="gregorian">1922</unitdate></did></c04><c04 level="file"><did><container type="box-folder">2/7</container><unittitle>Publicity flyer for John Cort's Standard Theater,
						Portland, Oregon</unittitle><unitdate era="ce" calendar="gregorian">undated</unitdate></did></c04><c04 level="file"><did><container type="box-folder">2/8</container><unittitle>Miscellaneous notes, poems, humorous sketches,
						etc.</unittitle><unitdate era="ce" calendar="gregorian">1935-1938</unitdate></did></c04></c03></c02><c02 level="subseries"><did><unittitle encodinganalog="245$a">Anna Inverarity</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1930</unitdate><note><p>Robert Bruce Inverarity's mother.</p></note></did><c03 level="file"><did><container type="box-folder">2/9</container><unittitle>Typed poems by Anna Inverarity</unittitle><unitdate type="inclusive" era="ce" calendar="gregorian">circa 1930</unitdate><note><p>Identified as poems by Anna A. Duncan, possibly a pen name
						used by Mrs. Inverarity. Written while living at the Pennington Hotel, Spokane,
						Wash.</p></note></did></c03><c03 level="file"><did><container type="box-folder">2/10</container><unittitle>Issue of <emph render="italic">The Spokane
					 Woman</emph> containing article about Anna Inverarity's poetry</unittitle><unitdate type="inclusive" era="ce" calendar="gregorian">April 17, 1930</unitdate><note><p>Identified as poems by Anna A. Duncan, possibly a pen name
						used by Mrs. Inverarity. Written while living at the Pennington Hotel, Spokane,
						Wash.</p></note></did></c03></c02><c02 level="subseries"><did><unittitle encodinganalog="245$a">Rosalind Inverarity</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1868-1916</unitdate></did><bioghist><p>Rosalind Inverarity, Robert Bruce Inverarity's grandmother,
				  spent a considerable period of her life in the United States (including Yakima,
				  Washington and California), but later letters indicate that she spent the end
				  of her life in Sussex, England. </p></bioghist><c03 level="subseries"><did><unittitle>Incoming Letters</unittitle><unitdate type="inclusive" era="ce" calendar="gregorian">1879, undated</unitdate></did><c04 level="file"><did><container type="box-folder">2/11</container><unittitle>William David Inverarity</unittitle><unitdate era="ce" calendar="gregorian">1879, undated</unitdate><note><p>Rosalind's husband; Duncan Inverarity's father.</p></note></did></c04><c04 level="file"><did><container type="box-folder">2/12</container><unittitle>Madeline Wallace-Dunlop</unittitle><unitdate era="ce" calendar="gregorian">undated</unitdate><note><p>Madeline Wallace-Dunlop was Rosalind's sister. Rosalind's
						  daughter was also named Madeline.</p></note></did><scopecontent><p>Includes transcription signed by Madeline A. Wallace-Dunlop
						of writing titled "Extracts from the Diary of a Lady," Lucknow [India] 1857. It
						does not appear to be from the diary of Julia Selina Inglis, who wrote 
					 <title render="italic" linktype="simple">A Lady's Diary of the Siege of
						Lucknow</title> in 1857. Rosalind Inverarity and her sisters Madeline and Emily
					 were apparently in India with their brother Henry who served in the British
					 civil service there, including during the Mutiny, and was at one time
					 Commissioner of the Punjab.</p></scopecontent></c04></c03><c03 level="file"><did><container type="box-folder">2/13</container><unittitle>Outgoing Letters</unittitle><unitdate era="ce" calendar="gregorian">1882-1916</unitdate></did><scopecontent><p>Letters to: Anna Inverarity (Robert Bruce's mother); Madeline
					 Wallace-Dunlop; unidentified.</p></scopecontent></c03><c03 level="file"><did><container type="box-folder">2/14</container><unittitle>Will</unittitle><unitdate era="ce" calendar="gregorian">1916</unitdate></did></c03><c03 level="file"><did><container type="box-folder">2/15</container><unittitle>Ephemera</unittitle><unitdate era="ce" calendar="gregorian">1868, undated</unitdate></did></c03></c02></c01><c01 level="series"><did><unittitle encodinganalog="245$a">Robert Bruce Inverarity
				papers</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1930-1993</unitdate></did><c02 level="subseries"><did><unittitle>Biographical Information</unittitle></did><c03 level="file"><did><container type="box-folder">2/16</container><unittitle>Curricula vitae</unittitle><unitdate era="ce" calendar="gregorian">circa 1969-1980</unitdate></did></c03><c03 level="file"><did><container type="box-folder">10</container><unittitle>Robert Bruce Inverarity microfilm
					 (negative)</unittitle><unitdate era="ce" calendar="gregorian">undated</unitdate></did><scopecontent><p>Microfilm filmed by Inverarity: Reference letter by Dorothy C.
					 Miller, Associate Curator, MOMA; Reference letter by Edward Lauer, Dean - Arts
					 and Science, University of Washington; Reference letter by Holger Cahill,
					 National Director of the WPA Art Program; Reference letter by Jim Marshall,
					 Associate Editor, Collier's Weekly; Reference letter by F.I. Livingston,
					 Consultant, Flight Officer, Royal Flying Corps; Reference letter by D.S.
					 Defenbacher, Walker Art Center; Reference letter by Paul McPharlin, Pvt., Army
					 Air Forces; Reference letter, Director, American Federation of Arts; Reference
					 letter by Marjorie Adams, Art Center School; Reference letter by Raymond Davis,
					 UW Comptroller; Reference letter, Assistant Superintendent, Seattle Public
					 Schools; Navy job classification sheet; Naval Officer Procurement rejection
					 letter - no standard physical qualifications; Letter from Boeing upon
					 Inverarity's resignation as Art Department Director; 1948 CV; UW Associate Dean
					 of Anthropology letter to University of California press recommending
					 Inverarity manuscript</p></scopecontent></c03><c03 level="file"><did><container type="box-folder">2/17</container><unittitle>Other career information</unittitle><unitdate era="ce" calendar="gregorian">1930-1984</unitdate></did></c03><c03 level="file"><did><container type="box-folder">2/18</container><unittitle>Graduation petition and diploma, University of
					 Washington</unittitle><unitdate era="ce" calendar="gregorian">1945-1946</unitdate></did></c03><c03 level="file"><did><container type="box-folder">2/19</container><unittitle>Transcripts of oral histories of R. B. Inverarity by
					 Archives of American Art interviewers </unittitle><unitdate era="ce" calendar="gregorian">1964, 1975</unitdate></did></c03><c03 level="file"><did><container type="box-folder">2/20</container><unittitle>Kathleen Whitlock research paper on Robert Bruce
					 Inverarity</unittitle><unitdate era="ce" calendar="gregorian">1993</unitdate></did></c03><c03 level="file"><did><container type="box-folder">2/21</container><unittitle>Professional contacts (note cards and business
					 cards)</unittitle><unitdate era="ce" calendar="gregorian">undated</unitdate></did></c03><c03 level="file"><did><container type="cassette">Tape 745A-E</container><unittitle>Inverarity, Robert B.</unittitle><unitdate era="ce" calendar="gregorian">September 18-19, 1990</unitdate></did><scopecontent><p>These five cassette tapes were recorded in Blue Mountain Lake,
					 New York, by Craig Gilborn, former director of the Adirondack Museum. The set
					 of tapes used here are unedited and complete. Tapes A-E “present a unique
					 factual account of much of [Robert Inverarity’s] life.”</p></scopecontent></c03></c02><c02 level="subseries"><did><unittitle>Correspondence (general): Incoming letters</unittitle></did><c03 level="file"><did><container type="box-folder">2/22</container><unittitle>Julius Griffiths, Jr.</unittitle><unitdate era="ce" calendar="gregorian">1934-1942</unitdate></did></c03><c03 level="file"><did><container type="box-folder">2/23</container><unittitle>Adam and Harold Hothschild</unittitle><unitdate era="ce" calendar="gregorian">1975-1989</unitdate></did></c03><c03 level="file"><did><container type="box-folder">2/24</container><unittitle>Jane Inverarity (wife of Robert Bruce
					 Inverarity)</unittitle><unitdate era="ce" calendar="gregorian">1945-1954</unitdate></did></c03><c03 level="file"><did><container type="box-folder">2/25</container><unittitle>V.A. Katchorvsky</unittitle><unitdate era="ce" calendar="gregorian">1932-1940</unitdate></did></c03><c03 level="file"><did><container type="box-folder">2/26</container><unittitle>Alfred C. Kinsey</unittitle><unitdate era="ce" calendar="gregorian">1952</unitdate><note><p>Request from Kinsey for a photograph taken by Inverarity of
						graffiti.</p></note></did></c03><c03 level="file"><did><container type="box-folder">2/27</container><unittitle>Hannah Kosaka</unittitle><unitdate era="ce" calendar="gregorian">1940</unitdate></did></c03><c03 level="file"><did><container type="box-folder">3/1</container><unittitle>Margot (Peggy) Marshall</unittitle><unitdate era="ce" calendar="gregorian">circa 1935-1940</unitdate></did></c03><c03 level="file"><did><container type="box-folder">3/2</container><unittitle>Willa McNear</unittitle><unitdate era="ce" calendar="gregorian">1930-1940</unitdate></did></c03><c03 level="file"><did><container type="box-folder">3/3</container><unittitle>Ray Peck</unittitle><unitdate era="ce" calendar="gregorian">1944</unitdate></did></c03><c03 level="file"><did><container type="box-folder">3/4</container><unittitle>Arthur Porter</unittitle><unitdate era="ce" calendar="gregorian">1932-1938</unitdate></did></c03><c03 level="file"><did><container type="box-folder">3/5</container><unittitle>Joyce Scudamore</unittitle><unitdate era="ce" calendar="gregorian">1933</unitdate></did></c03><c03 level="file"><did><container type="box-folder">3/6</container><unittitle>Marion Smeed</unittitle><unitdate era="ce" calendar="gregorian">1941-1942</unitdate></did></c03><c03 level="file"><did><container type="box-folder">3/7</container><unittitle>Mark Tobey</unittitle><unitdate era="ce" calendar="gregorian">undated</unitdate><note><p>A Reference letter attesting to Robert Bruce Inverarity's
						qualifications for teaching art.</p></note></did></c03><c03 level="file"><did><container type="box-folder">3/8</container><unittitle>Other correspondents, A-K</unittitle><unitdate era="ce" calendar="gregorian">1943-1991</unitdate></did></c03><c03 level="file"><did><container type="box-folder">3/9</container><unittitle>Other correspondents, L-Z and unidentified</unittitle><unitdate era="ce" calendar="gregorian">1932-1994</unitdate></did></c03></c02><c02 level="subseries"><did><unittitle>Correspondence (general): Outgoing letters</unittitle><unitdate era="ce" calendar="gregorian">1940-1986</unitdate></did><c03 level="file"><did><container type="box-folder">3/10</container><unittitle>Correspondence (general): Outgoing letters</unittitle></did><scopecontent><p>Includes draft of letter to someone named Eleanor reflecting
					 on Inverarity's acquaintance with Kenneth and Margaret Callahan, prompted by
					 Inverarity's hearing of Kenneth Callahan's death. In the same letter,
					 Inverarity addresses his early friendship with Mark Tobey and their working
					 relationship during the Federal Art Project.</p></scopecontent></c03></c02><c02 level="subseries"><did><unittitle>Correspondence regarding specific topics</unittitle><unitdate era="ce" calendar="gregorian">1954-1991</unitdate></did><c03 level="file"><did><container type="box-folder">3/11</container><unittitle>Correspondence with University of California Press re:
					 manuscript draft on Eskimo masks</unittitle><unitdate era="ce" calendar="gregorian">1954</unitdate><note><p>Includes draft and editor's notes.</p></note></did></c03><c03 level="file"><did><container type="box-folder">3/12</container><unittitle>Correspondence (incoming) concerning Marine Historical
					 Association, Mystic, Conn.</unittitle><unitdate era="ce" calendar="gregorian">1969-1970</unitdate><note><p>Inverarity was keynote speaker for MHA conference in 1969
						and was interviewed for study of Mystic Seaport conducted by Frantzreb and Pray
						Associates.</p></note></did></c03><c03 level="file"><did><container type="box-folder">3/13</container><unittitle>Correspondence (incoming and outgoing) regarding D. G.
					 Inverarity letter about Edward Curtis</unittitle><unitdate era="ce" calendar="gregorian">1976-1981</unitdate><note><p>Correspondence with Edward Curtis researchers regarding
						letter, and with others regarding R.B. Inverarity's questions about copyright
						ownership of the letter and attribution by researchers who quoted from it.</p><p>See also original letter from D. G. Inverarity in Box 1.</p></note></did></c03><c03 level="file"><did><container type="box-folder">3/14</container><unittitle>Correspondence with University of Washington Press
					 concerning book proposals</unittitle><unitdate era="ce" calendar="gregorian">1980-1982</unitdate><note><p>Among other proposals, Inverarity proposed a book on his
						recollections of the artist Mark Tobey. Most correspondence is with
						Editor-in-Chief Naomi Pascal.</p></note></did></c03><c03 level="file"><did><container type="box-folder">3/15</container><unittitle>Correspondence regarding Inverarity's maritime and
					 boat research</unittitle><unitdate era="ce" calendar="gregorian">1985-1990</unitdate></did></c03><c03 level="file"><did><container type="box-folder">3/16</container><unittitle>Correspondence regarding miscellaneous publication
					 proposals</unittitle><unitdate era="ce" calendar="gregorian">1962-1986</unitdate><note><p>Includes correspondence with <emph render="italic">Travel-Holiday</emph> and the Minox company.</p></note></did></c03><c03 level="file"><did><container type="box-folder">3/17</container><unittitle>Correspondence with Twelve Trees Press re: publication
					 proposal on Man Ray</unittitle><unitdate era="ce" calendar="gregorian">1991</unitdate><note><p>Includes transcription of Man Ray lecture, 1947.</p></note></did></c03></c02><c02 level="subseries"><did><unittitle>Correspondence regarding genealogical
				  research</unittitle></did><c03 level="file"><did><container type="box-folder">3/18</container><unittitle>Alexander Bisset</unittitle><unitdate era="ce" calendar="gregorian">1977-1981</unitdate></did></c03><c03 level="file"><did><container type="box-folder">3/19</container><unittitle>Jean Beattie Innerarity</unittitle><unitdate era="ce" calendar="gregorian">1980-1983</unitdate></did></c03><c03 level="file"><did><container type="box-folder">3/20</container><unittitle>Priscilla Inverarity</unittitle><unitdate era="ce" calendar="gregorian">1977-1983</unitdate></did></c03><c03 level="file"><did><container type="box-folder">3/21</container><unittitle>F.A. (Honey) Ross</unittitle><unitdate era="ce" calendar="gregorian">1979-1988</unitdate></did></c03><c03 level="file"><did><container type="box-folder">3/22</container><unittitle>Other correspondents, A-Z</unittitle><unitdate era="ce" calendar="gregorian">1954-1973</unitdate></did></c03></c02><c02 level="subseries"><did><unittitle>Genealogical research</unittitle></did><c03 level="file"><did><container type="box-folder">3/23</container><unittitle>Clippings</unittitle><unitdate era="ce" calendar="gregorian">1930-1990</unitdate></did></c03><c03 level="file"><did><container type="box-folder">3/24</container><unittitle>Family trees</unittitle><unitdate era="ce" calendar="gregorian">undated</unitdate></did></c03><c03 level="file"><did><container type="box-folder">4/1</container><unittitle>Genealogical material</unittitle><unitdate era="ce" calendar="gregorian">undated</unitdate></did></c03><c03 level="file"><did><container type="box-folder">4/2</container><unittitle>Notes on genealogy research</unittitle><unitdate era="ce" calendar="gregorian">undated</unitdate></did></c03></c02><c02 level="subseries"><did><container type="box-folder">4/3</container><unittitle>Personal and professional ephemera</unittitle><unitdate era="ce" calendar="gregorian">1945-1991</unitdate></did></c02><c02 level="subseries"><did><unittitle>Research Files</unittitle></did><c03 level="file"><did><container type="cassette">Tape 745G</container><unittitle>Grace Stevenson</unittitle><unitdate era="ce" calendar="gregorian">March 1981</unitdate></did><scopecontent><p>Cassette tape recoring by Robert Inverarity and his wife of an
					 interview of a former librarian at the Seattle Public library, Grace Stevenson.
					 It includes discussions of early art shows in the library’s art gallery and the
					 ineptness of the picture hanging. Mrs. Stevenson briefly describes anecdotally
					 her acquaintanceship with Mark Tobey and Morris Graves and mentions a few other
					 Northwest artists, such as Guy Aderson and Kenneth Callahan. On side two, Mr.
					 Inverarity describes his device for remembering instances of Tobey’s life which
					 could be used biographically. The three friends end the interview chatting of
					 personal experiences and a discussion of yearly Friends of the Library book
					 sales given by the Public Library and the benefits thereof.</p></scopecontent></c03><c03 level="file"><did><container type="box-folder">4/4</container><unittitle>Research material: Northwest Coast Indian
					 art</unittitle><unitdate era="ce" calendar="gregorian">undated</unitdate></did></c03><c03 level="file"><did><container type="box-folder">4/5</container><unittitle>Research notes: Eskimo</unittitle><unitdate era="ce" calendar="gregorian">undated</unitdate></did></c03><c03 level="file"><did><container type="box-folder">4/6</container><unittitle>Research notes: Boats</unittitle><unitdate era="ce" calendar="gregorian">undated</unitdate></did><scopecontent><p>Bibliography note cards; notes on index cards, possibly for
					 lecture.</p></scopecontent></c03><c03 level="file"><did><container type="box">11</container><unittitle>Research notes: Northwest Coast Tribes and
					 Topics</unittitle><unitdate era="ce" calendar="gregorian">undated</unitdate></did><scopecontent><p>Contains microcards and punched index cards relating to
					 research topics. The microcards have pictures of Northwest Coast art and
					 cultural objects, as well as visual outlines of explanatory notes, and the
					 punched index cards are made up of grids with holes punched in boxes to
					 correspond to some kind of coding or reader technology. The index cards are
					 labeled by number, topic, or tribal name</p></scopecontent></c03></c02><c02 level="subseries"><did><unittitle>Manuscripts</unittitle></did><c03 level="file"><did><container type="box-folder">4/7</container><unittitle>Typed notes probably connected to Federal Art Project
					 or Arts and Craft Project work</unittitle><unitdate era="ce" calendar="gregorian">1937-1939</unitdate></did><scopecontent><p>"A New Mosaic Medium" (1937); "Notes on Sgrafitto" (1939) and
					 "Notes on Reviving Northwest Coast Indian Arts and Crafts" (1939).</p></scopecontent></c03><c03 level="file"><did><container type="box-folder">4/8</container><unittitle>Typed manuscript of "A Brief Discussion of
					 Camouflage"</unittitle><unitdate era="ce" calendar="gregorian">circa 1941-1943</unitdate><note><p>Written when Inverarity was Chief of the Design Section,
						Camouflage Section, Thirteenth Naval District, U.S. Navy.</p></note></did></c03><c03 level="file"><did><container type="box-folder">4/9</container><unittitle>Drafts probably of <emph render="italic">Art of the
					 Northwest Coast Indians</emph>, book published 1950</unittitle><unitdate era="ce" calendar="gregorian">undated</unitdate></did></c03><c03 level="file"><did><container type="box-folder">4/10</container><unittitle>Writings connected to Inverarity's work as Museum
					 Director of Museum of International Folk Art, Santa Fe</unittitle><unitdate era="ce" calendar="gregorian">1952-1954</unitdate></did><scopecontent><p>Includes: typed notes on Primitive Art, Folk Art and Fine Art
					 for conference in Santa Fe; untitled two page typed summary of planning
					 activities for MOIFA (1952); paper titled "Some Thoughts Concerning Museums and
					 the Problems of International Understanding (3 versions, 1952-1954).</p></scopecontent></c03><c03 level="file"><did><container type="box-folder">4/11</container><unittitle>Shot list and notes for documentary on
					 guideboats</unittitle><unitdate era="ce" calendar="gregorian">circa 1954-1965</unitdate></did></c03><c03 level="file"><did><container type="box-folder">4/12</container><unittitle>Handwritten manuscript on colonial
					 batteaux</unittitle><unitdate era="ce" calendar="gregorian">circa 1954-1965</unitdate></did></c03><c03 level="file"><did><container type="box-folder">4/13</container><unittitle>"Anthropology in Primitive Art" article, drafts and
					 notes</unittitle><unitdate era="ce" calendar="gregorian">1955</unitdate></did></c03><c03 level="file"><did><container type="box-folder">4/14</container><unittitle>Writings on museums</unittitle><unitdate era="ce" calendar="gregorian">1960s</unitdate></did><scopecontent><p>Includes: <emph render="italic">Accessioning and Cataloguing:
					 Adirondack Museum, Blue Mountain Lake, N.Y.</emph> (1965); typed manuscript of
					 review (circa 1969) by Inverarity of <emph render="italic">Naval and Maritime
					 History: An Annotated Biography</emph> by Robert Greenhalgh Albion; photocopy
					 of article "Approaches to Interpretation," from <emph render="italic">Life is a
					 local story: a collection of talks concerning local history, historic sites and
					 history museums</emph>, published in 1964 by the American Association for State
					 and Local History.</p></scopecontent></c03><c03 level="file"><did><container type="box-folder">4/15</container><unittitle>Typed manuscript "Reading Micro reproduction by
					 Optical Magnification</unittitle><unitdate era="ce" calendar="gregorian">circa 1960</unitdate></did></c03><c03 level="file"><did><container type="box-folder">5/1</container><unittitle>Miscellaneous manuscripts and notes</unittitle><unitdate era="ce" calendar="gregorian">undated</unitdate></did></c03><c03 level="file"><did><container type="box-folder">5/2</container><unittitle>Untitled story about Sealion gathering
					 driftwood</unittitle><unitdate era="ce" calendar="gregorian">undated</unitdate></did></c03><c03 level="file"><did><container type="box-folder">5/3</container><unittitle>Two versions of typed manuscript of story titled "Ikt"
					 about an Indian boy helping to prepare for a potlatch</unittitle><unitdate era="ce" calendar="gregorian">undated</unitdate><note><p>One version written while Inverarity was living in Seattle
						and the other while he was living in Santa Fe, New Mexico. Substantial
						differences between the two drafts. </p></note></did></c03><c03 level="file"><did><container type="box">9</container><unittitle>Robert Bruce Inverarity microfilm
					 (positive)</unittitle><unitdate era="ce" calendar="gregorian">undated</unitdate></did><scopecontent><p>Microfilm from the Archives of American Art: WPA-FAP art
					 booklets; "Techincal Problems of the Artist: Technique of the Silk Screen
					 Process," FAP-WPA; Canvas Adhesives; "Emblems of Unity and Freedom: The Index
					 of American Design," The Met; "Art as a Function of Government: A Survey,"
					 WPA-FAP; "Fresco Painting," WPA Technical Series Art Circular No. 4; "The
					 Carborundum Print," WPA Art Circular No. 5; "American Art for Every American
					 Home," National Report, Art Week; Stencil Display</p></scopecontent></c03></c02><c02 level="subseries"><did><unittitle>Lectures, Presentations, and Proceedings</unittitle></did><c03 level="file"><did><container type="box-folder">5/4</container><unittitle>Lecture notes</unittitle><unitdate era="ce" calendar="gregorian">1947-1962</unitdate></did><scopecontent><p>Notes for lectures include: "the economic position of the
					 artist about 1940" given at Pasadena Art Institute, California (October 26,
					 1947); lectures on primitive art and Northwest Coast Art, given at Fremont
					 University, California (July and October 1947); lecture on the science and uses
					 of color at Bisttram School of Art, Los Angeles (December 4, 1947); lecture on
					 Northwest Coast Art at the Taylor Museum, Colorado Springs Fine Arts Center
					 (August 29, 1951); lecture on Adirondacks history at Plattsburgh Teachers
					 College, New York (July 1962).</p></scopecontent></c03><c03 level="file"><did><container type="box-folder">5/6</container><unittitle>Conference proceedings, Wenner-Gren Foundation
					 Conference on the Place of Museum in Higher Education</unittitle><unitdate era="ce" calendar="gregorian">April 29-30, 1958</unitdate><note><p>Indiana University, Bloomington.</p></note></did></c03><c03 level="file"><did><container type="box-folder">5/7</container><unittitle>Keynote address to American Association of Museums,
					 titled "Where Are We? Where Are We Going?"</unittitle><unitdate era="ce" calendar="gregorian">1969</unitdate></did></c03></c02><c02 level="subseries"><did><unittitle>Art, artifact and book collection records</unittitle></did><c03 level="file"><did><container type="box-folder">5/8</container><unittitle>Artifact purchase records on index cards</unittitle><unitdate era="ce" calendar="gregorian">circa 1947-1950</unitdate><note><p>In categories by geographic region or continent.</p></note></did></c03><c03 level="file"><did><container type="box-folder">5/9</container><unittitle>Records of collection items bought or sold by
					 Inverarity</unittitle><unitdate era="ce" calendar="gregorian">circa 1930-1975</unitdate><note><p>Set of artifact purchase index cards cross-referenced by
						number to set of index cards of published works where photographs of artifacts
						appeared.</p></note></did></c03><c03 level="file"><did><container type="box-folder">5/10</container><unittitle>Records of book donation and artifact sale</unittitle><unitdate era="ce" calendar="gregorian">1976-1978</unitdate><note><p>Inventory of Inverarity collection of books given to
						Dickinson College, Carlisle, Pennsylvania, 1976. Bound notes regarding
						Inverarity collection sold to Museum of Mankind in the Ethnography Department
						of the British Museum with copies of correspondence concerning the
						collection.</p></note></did></c03></c02><c02 level="subseries"><did><unittitle>Museum of International Folk Art (MOIFA), Santa Fe, New
				  Mexico</unittitle></did><c03 level="file"><did><container type="box-folder">6/1</container><unittitle>Manuscript and clippings concerning Inverarity's
					 firing as director of MOIFA</unittitle><unitdate era="ce" calendar="gregorian">1954-1993</unitdate><note><p>Information provided to Kathleen Whitlock and included by
						her with the donation of her research paper on Inverarity.</p></note></did></c03><c03 level="file"><did><container type="box-folder">6/2</container><unittitle>Microfiche of MOIFA-related correspondence</unittitle><unitdate era="ce" calendar="gregorian">1954-1993</unitdate></did></c03><c03 level="file"><did><container type="box-folder">6/3</container><unittitle>Inverarity's written account of his time at
					 MOIFA</unittitle><unitdate era="ce" calendar="gregorian">1984</unitdate></did></c03><c03 level="file"><did><container type="cassette">Tape 745F</container><unittitle>Helen and Ernest Johnson</unittitle><unitdate era="ce" calendar="gregorian">September 1980</unitdate></did><scopecontent><p>Cassette tape recording of Robert Inverarity’s interview of
					 Helen and Ernest Johanson. Ernest Johanson was his assistant when he was the
					 director of the Museum of International Folk Art in Santa Fe, New Mexico. He
					 was present when Inverarity was forced to resign his position. The Johansons
					 remained at the museum and describe in their own words the events occurring
					 after Robert Inverarity’s removal.</p></scopecontent></c03></c02><c02 level="subseries"><did><container type="box-folder">6/4</container><unittitle>Exhibit invitations</unittitle><unitdate era="ce" calendar="gregorian">1952-1992</unitdate></did></c02><c02 level="file"><did><container type="box-folder">6/5</container><unittitle>Reprints of Publications</unittitle><unitdate era="ce" calendar="gregorian">1954-1966</unitdate></did><scopecontent><p>"The Carry Railroad," by Richard Sanders Allen, 1965; "Thoughts
				  on the Organizations of Museums," by Robert Bruce Inverarity, 1959; "Journal of
				  American Folklore," 1954; "The Adirondak Museum Boat Building," by Robert Bruce
				  Inverarity, 1966</p></scopecontent></c02><c02 level="file"><did><container type="box-folder">6/6</container><unittitle>Reprints of Publications</unittitle><unitdate era="ce" calendar="gregorian">1962-1963</unitdate></did><scopecontent><p>"Preservation of Old, Waterlogged Wood by Treatment with
				  Polyethylene Glycol," by Ray M. Seborg and Robert Bruce Inverarity, Science
				  136, no. 3516 (1962): 649-50; "Diving into the Past: Theories, Techniques, and
				  Applications of Underwater Archaeology ; the Proceedings of a Conference on
				  Underwater Archaeology, Sponsored by the Minnesota Historical Society, St.
				  Paul," by June Drenning Holmquist, Ardis Hillman Wheeler, and Minnesota
				  Historical Society, April 26-27, 1963. ; "The Conservation of Wood from Fresh
				  Water," by Robert Bruce Inverarity, undated</p></scopecontent></c02><c02 level="file"><did><container type="box-folder">6/7</container><unittitle>Reprints of Publications</unittitle><unitdate era="ce" calendar="gregorian">1955-1972</unitdate></did><scopecontent><p>"Anthropology in Primitive Art," by Robert Bruce Inverarity,
				  Yearbook of Anthropology, 1955, 375-89; "Conservation of 200-year-old
				  Water-logged Boats with Polyethylene Glycol," by Ray M. Seaborg, and Robert
				  Bruce Inverarity, Studies in Conservation 7, no. 4 (1962): 111-20; "Obervations
				  on Northwest Coast Indian Art and Similarities Between a Few Art Elements
				  Distant in Time and Space," by Robert Bruce Inverarity, 1972, "Computers and
				  the Storage and Retrieval of Anthropological Information," by Robert Bruce
				  Inverarity, Wenner-Gren Foundation For Anthropological Research. A Burg
				  Wartenstein symposium, 1962</p></scopecontent></c02><c02 level="file"><did><container type="box-folder">6/8</container><unittitle>Reprints of Publicatons</unittitle><unitdate era="ce" calendar="gregorian">1960</unitdate></did><scopecontent><p>"International Journal of American Linguistics," by Robert Bruce
				  Inverarity, Volume 26, Number 4, October 1960</p></scopecontent></c02><c02 level="subseries"><did><container type="box-folder">6/8</container><unittitle>Catalogs for artists and exhibits</unittitle><unitdate era="ce" calendar="gregorian">1926-1981</unitdate></did><scopecontent><p>Artists: Joe Knowles; S. MacDonald Wright; Blanding Sloan;
				  Morris Blackburn; Constance Richardson.</p></scopecontent></c02><c02 level="subseries"><did><container type="box-folder">6/9</container><unittitle>Inverarity's copy of government publication</unittitle><unitdate era="ce" calendar="gregorian"> 1938</unitdate></did><scopecontent><p>Hearings before the Committee on Patents, House of
				  Representatives, Seventy-Fifth Congress, Part 1. Topics of discussion include
				  the Federal Art Project.</p></scopecontent></c02><c02 level="subseries"><did><unittitle>Clippings</unittitle></did><c03 level="file"><did><container type="box-folder">6/10</container><unittitle>Clippings of reviews, etc. of Inverarity
					 publications</unittitle><unitdate era="ce" calendar="gregorian">1951-1953</unitdate></did></c03><c03 level="file"><did><container type="box-folder">6/11</container><unittitle>News clippings (general)</unittitle><unitdate era="ce" calendar="gregorian">1945-1991</unitdate></did></c03><c03 level="file"><did><container type="box-folder">7/1</container><unittitle>Clippings on Joe Knowles</unittitle><unitdate era="ce" calendar="gregorian">1950-1951 </unitdate></did></c03></c02><c02 level="subseries"><did><unittitle>Subject files</unittitle></did><c03 level="file"><did><container type="box-folder">7/2-7/3, 8/1</container><unittitle>Subject files on NW Coast Art</unittitle><unitdate era="ce" calendar="gregorian">circa 1955-1970</unitdate></did></c03><c03 level="file"><did><container type="box-folder">7/4</container><unittitle>Subject file on Eskimos</unittitle><unitdate era="ce" calendar="gregorian">1936-1952</unitdate></did></c03><c03 level="file"><did><container type="box-folder">8/2</container><unittitle>Subject file on boats</unittitle><unitdate era="ce" calendar="gregorian">1775-1971</unitdate></did></c03><c03 level="file"><did><container type="box-folder">8/3</container><unittitle>Subject file on microreproduction and
					 microviewers</unittitle><unitdate era="ce" calendar="gregorian">1956-1957</unitdate></did></c03></c02></c01></dsc></archdesc></ead>

