Archives West Finding Aid
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University of Washington Department of Architecture student drawings, 1919-1967
Overview of the Collection
- Title
- University of Washington Department of Architecture student drawings
- Dates
- 1919-1967 (inclusive)19191967
1919-1948 (bulk)19191948 - Quantity
- 1,221 drawings
- Collection Number
- PH0740
- Summary
- Student works from the Department of Architecture at the University of Washington
- Repository
-
University of Washington Libraries, Special Collections
Special Collections
University of Washington Libraries
Box 352900
Seattle, WA
98195-2900
Telephone: 2065431929
Fax: 2065431931
speccoll@uw.edu - Access Restrictions
-
The collection is open to the public by appointment only. Please contact Special Collections to make an appointment.
- Languages
- English
- Sponsor
- Funding for the conservation of the collection and encoding of this finding aid was partially provided by the Friends of the Libraries, the University of Washington Libraries Excellence Fund, the University of Washington Department of Architecture, and anonymous private donors
Historical BackgroundReturn to Top
The University of Washington Department of Architecture was officially established by the Board of Regents in 1914 as the nineteenth architecture school in the United States. Carl Gould was appointed the head of the department, and, as the first head of the program, he based the curriculum on the the Beaux-Arts system of architectural education: the Ecole method of teaching that dominated architectural education in the United States and Europe as adapted to fit within the structure of American universities. As architecture in the United States shifted increasingly towards Modernism during the 1930s and 1940s, architecture education followed. Accordingly, the Beaux-Arts pedagogical methods were slowly phased out before they were completely abandoned by the University of Washington Department of Architecture during the 1950s.
The Ecole des Beaux-Arts curriculum
The Ecole des Beaux-Arts in Paris, France, was founded as part of the Academie Royale de Peinture et de Sculpture in 1648, but it was not established as a separate institution until the Academie was dissolved in 1793 during the administrative reforms of the French Revolution. The school, which had divisions in painting, sculpture, and architecture, developed world-wide significance and influence in the 19th century.
Although much of the architectural instruction took place in Ecole-approved ateliers , teaching studios headed by leading architects who accepted paying architecture students, the Ecole exercised control through its entrance exams, standardized problems issued for design competitions, jurying of students' submissions, and the awarding of points by which the students could progress from one level to the next. Students progressed through the curriculum by accumulating points in the design competitions, or concours . University of Pennsylvania professor John Harbeson writes that the purpose of Ecole training was "to impart each student a method of attacking and studying any problem in architectural design which may be presented" so that students could organize their designs rapidly, clearly, and develop the designs through a focused process of refinement.
The Beaux-Arts Institute of Design and the Society of Beaux-Arts, New York, 1916-1932
Beginning in the late nineteenth century, the Ecole played a critical role in informing American architecture and architectural education. American architects who had studied abroad inspired others to do the same; the number of American architecture students attending the Ecole grew from under ten in the 1860s to over 110 in the 1890s. At the same time, the first architecture schools were founded in the United States at the Massachusetts Institute of Technology, 1865; the University of Illinois, 1869; Cornell University, 1871; the University of Pennsylvania, 1874; and Columbia College (later Columbia University), 1881. By 1910, there were nineteen American collegiate architecture programs and most had adopted the Ecole model for their curricula. As American architectural education was growing, the Society of Beaux-Arts Architects (SBAA) was founded in 1894 to promote the influence of the Ecole des Beaux-Arts in American architecture. The SBAA shaped architectural education in America by preparing standard programmes (architectural problem statements) that were sent to architecture schools and independent ateliers all across the United State to be assigned to students at the appropriate level. The students' design projects were then sent to the SBAA in New York for jurying in a nationwide comparison with student work submitted from other schools and ateliers. This system was intended as a way to develop consistency and raise standards in American architectural education nationally.
In 1916, the SBAA delegated its educational activites to the newly formed Beaux-Arts Institute of Design (BAID) which had leased space in New York City to carry out the educational activities of the Society. The University of Washington architecture school had joined the BAID in 1916 and, like many other American architecture programs, UW students were assigned BAID programmes (problem statements) as well as supplemental assignments developed by Gould and other faculty members. The students' work on BAID programmes was routinely sent to New York for juried review and the drawings typically received a Society of Beaux Arts stamp indicating the points awarded for the assignment. When the UW discontinued their affiliation with the BAID in 1932, all problem statements were written and juried by the Department of Architecture's faculty.
Lionel Pries and the University of Washington curriculum, 1928-1945
In the early 1930s, most architectural education programs, including the University of Washington, continued to follow the pedagogy of the Ecole des Beaux Arts; however, by the end of the decade, a few leading schools had abandoned the traditional approach as students' interests shifted towards the new architectural movements in the United States and abroad. Although the University of Washington discontinued its affiliation with the BAID in 1932, the curriculum and pedagogy continued to be based on the Ecole des Beaux Arts. During the 1930s, students began experimenting with the new design vocabularies that were dominating architecture in the United States and by the late 1930s, students were primarily interested in International Modernism.
In 1928, the school implemented a five-year curriculum and Lionel Pries joined the faculty of the University of Washington as an instructor. Pries had been trained under the pedagogy of the Ecole des Beaux Arts, receiving his B.Arch from the University of California at Berkeley in 1920 and his M.Arch from the University of Pennsylvania in 1921. Pries taught in a two-person team with Lancelot E. Gowen; together they taught sophomores, second- and third- quarter seniors, and fifth-year students. Pries developed into one of the region's foremost designers and instructors; his rigorous teaching methods, which embraced the artistic and conceptual processes of design and emphasized place in architectural design, shaped the thinking of a generation of influential Northwest architects that includes Paul Hayden Kirk, Roland Terry, Victor Steinbrueck, Fred Bassetti, Robert Shields, Wendell Lovett, and Minoru Yamasaki.
The freshman year began with an intensive introduction to drawing taught by Arthur Herrman and Richard Pearce, 1928-1932, and Henry Olschewsky, 1932-1945. The course focused on basic techniques, shades and shadows, watercolor and running washes, renderings, perspectives, and delineation. The intensive drawing course would lay the technical foundation for the later conceptual problems in design studio. As the freshman year came to end, students were typically asked to address the elements of architecture found in historical examples and textbooks and combine them in an analytique that allowed for little individual expression, such as a classical window or a niche for a vase.
Students were also asked to produce analytiques during the first two quarters of the sophomore year in the Architectural Design I design studio class, taught by Pries and Gowen. Sophomore problems lasted four to six weeks, and the last two weeks of the quarter were spent focused on the analytique. By the beginning of the last two weeks, students had already completed projets which served as drafts of the required plans, sections, elevations, and details. These drawings were typically critiqued and re-done multiple times through the quarter until the drawings were ready to be produced as a final presentation. Final projects were juried by faculty behind closed doors and discussed with the class in the next design studio.
Junior year marked the beginning of Architectural Design II, taught by Arthur Herrman and Henry Olschewsky. The design studio, which emphasized the development of practical design and a workable plan, covered the entirety of a student's junior year and would often extend into the first -- and sometimes second -- quarter of a student's senior year. Students could also take a class in the History of Architectural Ornamentation taught by Lionel Pries. The ornamentation course was based on the tenet of the Beaux Arts pedagogy that decorative details are an essential part of architectural design. Architectural Design III was the culmination of the architecture program, which did not require a terminal project or thesis. Rather, the class, typically undertaken in the fourth and fifth years of study, required the completion of multiple large and complex problems.
As new design concepts reflecting the growing interest in Modernism began to appear in students' work, Pries continued to the use the analytique as a teaching device, focusing on the process of training in design, while allowing many of the classical elements associated with the traditional analytique to disappear from students' work; additionally, drawings were no longer produced with watercolor wash, but often as pencil and ink on illustration board. Pries' influence in the Department of Architecture began to wane in the early 1940s.
Changes in the Department of Architecture, 1945-1961
The end of World War II in 1945 saw a rapid increase in enrollment that sought to accomodate students seeking a professional architectural education, leading to the eventual abandonment of the Beaux Arts pedagogy in 1949. Keith Kolb, who had studied under Lionel Pries and graduated from the University of Washington in 1947, had returned to the University of Washington as an instructor in the early 1950s. Although the pedagogy of the Ecole des Beaux Arts had been largely abandoned and a new curriculum had been established, Kolb argued that the analytique taught necessary compositional and presentation skills and the analytique returned to the University of Washington curriculum as a junior-level assignment from 1953 to 1961.
The death of faculty member Lancelot Gowen and the forced resignation of Lionel Pries in 1958 marked the end of the Beaux-Arts curriculum and the faculty members who endorsed its methods at the University of Washington. Shortly thereafter, Robert Dietz succeeded Arthur Herrman as Dean of the Department of Architecture in 1961, bringing a greater emphasis on research and new methods of design training, such as physical modeling. Since assignments were coordinated across all studio sections and had been planned out for two-years in advance, it took until the end of the 1961-1962 academic year for the curriculum and the analytique to be phased out completely.
Content DescriptionReturn to Top
Student drawings produced by roughly 400 students (only a portion of those enrolled) at the University of Washington Department of Architecture, from its inception in 1914 until 1947, plus a small selection of analytique drawings on watercolor paper from the years 1953-1961. Drawings include assignments completed by Elizabeth Ayer, the first woman graduate of the program; Sam Wing Chinn, the first Asian-American graduate of the program; and Minoru Yamasaki, architect of the World Trade Center (destroyed) in New York City.
Many student drawings were not dated by the student. Drawings were assigned a circa date based on the student's enrollment dates, the place of each assignment in the curriculum (e.g., freshman lettering assignment, sophomore analytique, junior project, senior thesis design), and the completion of similar assignments by classmates in the collection that were dated by the student.
The collected assignments were judged to be especially meritorious by the Department of Architecture's faculty at the time of completion and several have been marked with a "Retained" stamp. As such, the list of students represented in this collection is not a complete list of students who attended the Department of Architecture between 1914 and 1961. Additional drawings have been donated by alumni of the program.
Drawings typically follow the curriculum described in the historical note: freshman drawing exercises completed during the intensive drawing studio include measured drawings, lettering exercises, and basic analytiques; sophomore-level projects were typically completed during the Architectural Design 1 design studio; junior-level projects were completed during the Architectural Design 2 studio class or in the architectural ornamentation class typically undertaken in the junior year; and senior- and fifth- year projects, including design/thesis drawings, were part of the Architectural Design 3 design studio. Drawings completed between 1916 and 1932, when the Department of Architecture followed the Beaux Arts Institute of Design (BAID) programmes, have been stamped with a Society of Beaux Arts stamp where noted, indicating that the drawing was juried at the national competition in New York.
When the Department of Architecture converted to Modernism and a pedagogy based on that of the Bauhaus in the 1947-1948 school year, design problems began to be presented on illustration board; these drawings are not included with the items in this collection and have been retained by the Department of Architecture. In 1953, the department reinstated a watercolor wash (analytique) problem during the Junior year that was offered until 1961; these analytiques, on watercolor paper, are included in this collection.
Biographical information about the Department of Architecture's alumni has been added to the finding aid as a biographical note under each student's name. This information was collected from the resources listed in the bibliography as well as city directories, news resources, and the American Institute of Architects (AIA). Please note that in some instances this information is incomplete.
Other Descriptive InformationReturn to Top
- Analytique: Carefully composed monochromatic presentation drawing usually including a partial plan, section, elevation, and fragments of the architectural elements at larger scale, assembled to form an orderly and pleasing composition. Analytiques were used during the Freshman and Sophomore years in the School of Architecture at the University of Washington, 1915 through the 1940s. Analytiques were discontinued after Winter 1948 as the school shifted towards Modernism, however, they enjoyed a brief resurgence from 1953 to 1961. See also: Design/Analytique.
- Atelier: The student organization of which all architecture students at the University of Washington were usually inducted after spring quarter of the freshman year. The student group sponsored the annual Beaux-Arts Ball and, beginning in 1933, published student work in the ANNUAL. Although the student organization continued, the name Atelier was dropped after the late 1940s as the curriculum shifted increasingly towards Modernism.
- Design/Analytique: Combined terminology because the projects in the first two quarters of the sophomore year were design projects; once the students arrived at their designs, they then presented them in the form of analytiques. In the spring quarter of the Sophomore year, students began to design small buildings and analytiques were no longer used for presentations. See also: Analytique.
- Design/Thesis: In the years from 1920 to Spring 1928, the four year architecture program leading to the B.Arch degree culminated in a thesis, a design project of the student's own choosing, usually presented in multiple large drawings. The combined terminology "Design/Thesis" is selected to explain that it was a design project that was the thesis, not a research project as in many academic disciplines. Beginning in Fall 1928, the program was extended to five years and the thesis was no longer required. Students in the fourth and fifth years sometimes did very large projects, but they were not individually selected and were not called by the name "thesis".
- Drawing exercise: Drawing exercises were generally assigned in the freshman year as a way to teach basic drawing skills. In a typical drawing exercise, students were asked to replicate a standard plate or a drawing made by someone else. The emphasis in a drawing exercise is on mastery of technique, not on the development of a new composition.
- Esquisse: Literally, sketch ; the esquisse was the first step in the student's development of his/her design in a multi-week project within the framework of the Beaux-Arts system. The aim of Beaux-Arts system was the students learned to get an idea quickly and then to study and develop it over a long period. The design process typically began with an esquisse showing a plan, a section and an elevation, which the student completed in isolation over a period of eight hours. At the end of the timed period, the student turned in the esquisse, but retained a copy to serve as the basis for the next weeks or months (at UW most projects lasted four or five weeks) of development and refinement under supervision of the instructor and with the advice of one’s peers. The student presented the final project in the form of beautifully rendered drawings; however, if the student's final project diverged too far from the design in the esquisse, then he/she would receive an H.C. No known examples of UW student esquisses survive.
- Esquisse-esquisse: Literally, sketch-sketch ; sketch problem. Typically assigned every seven to fourteen days, students were given a half-page descriptive text of a design problem that usually included limiting parameters of the design. The assignment was typically handed out at 2:00 p.m., and the students' single sheet presentations of a solution to the problem were due the same day at 10:00 p.m. Sketch projects were juried by faculty behind closed doors and awarded points based on the final grade: a "Mention" was worth one point; a "Half Mention" received one-half point; sketches graded with an "X" ("ding") received no points. Students would need to average four sketch points each year to progress and graduate on schedule. Sketch problems grew in complexity as students progressed through the program. While this form of instruction was based on the pedagogical model of the Ecole des Beaux Arts, this element continued as part of the curriculum (known simply as "Sketch Problem") after the school's shift to Modernism in the late 1940s. There is no complete list of these assignments.
- H.C.: Hors de concours (literally, outside the competition). In the Beaux-Arts curriculum, if a student's final project strayed too far from the initial esquisse, it would be marked H.C. to indicate that the drawing had been disqualified and the student received no points for the work.
- Historical drawing: At the University of Washington in the Freshman year, once the student began to master basic drawing techniques learned through drawing exercises, one of the routine assignments was a drawing of a significant work from the past. This drawing represented a significant architectural structure, usually one found in Europe -- a monument, fountain, small building, or something similar. The student might base his/her drawing on published plates, but the student was expected to present a large drawing precisely delineated in ink, showing the work with all its detail.
- Lettering exercise: In American schools that followed the Beaux-Arts method in the 1910s, 1920s and 1930s, students were often taught drafting using exercises in which they were required to draw capitalis monumentalis , or Roman square capitals: large, capital letters copied from standard plates that look like Roman inscription lettering. In the first exercise, students might be asked to draw the letter V at 12 inches or 14 inches tall. The exercise taught drawing straight lines at angles and meeting at corners, and using a compass to correctly make curves. The next exercise might be a series of 3 or 4 different letters at 9 inches tall. To complete these exercises successfully, a student had to learn how to hold and manipulate a pencil, how to control line weight, when to sharpen it, as well as learning to manipulate a T-square, triangles, and compass.
- Measured drawing: An architectural drawing of an existing structure or detail, accurately drawn to scale on the basis of field measurements. Generally completed during the freshman year.
- Ornament class drawing: These drawings were completed as part of the History of Architectural Ornamentation class offered by Lionel Pries during the 1930s and 1940s. Drawings focused on an artistic arrangement of decorative objects, historical motifs, and architectural details.
- Projet: Literally, draft, plan, or project. Typically used to refer to design projects completed by students during the 1910s, 1920s, and 1930s.
Use of the CollectionReturn to Top
Alternative Forms Available
View selections from the collection in digital format.
The online exhibit, Dream, Design, Build: The UW Student Architecture Collection, 1914-1947 , provides information on the history and conservation of the collection.
Restrictions on Use
Restrictions might exist on reproduction, quotation, or publication. Contact the repository for details.
Administrative InformationReturn to Top
Arrangement
Collection is arranged alphabetically by student's last name. Each student's drawings are further sub-divided into the year of study.
The UW architecture program was a four-year program from its founding in 1914 through the 1927-1928 school year. Beginning in Autumn 1928 the program became five years long, however, it was shortened to four years during World War II, and then lengthened again after the war, and many students had their education interrupted by the war. During the 1930s, first quarter seniors would continue to complete projects designated as junior projects as part of the Architecture Design II class. Groupings of student work by year is based on the student's directory listing; projects completed out of cycle (e.g., a junior-level project in the senior year) are noted.
Custodial History
The majority of drawings were received from the University of Washington Department of Architecture archives, which retained student drawings regarded as being particularly exemplary or meritorious at the time of final grading. Several drawings have been marked with a "Retained" stamp. Though a small group of watercolor analytiques from 1953 to 1961 are included in this collection, design drawings from the 1947-1948 school year onwards through the mid-1980s were also retained by the Department of Architecture and continue to be housed at the College of Built Environments. Additional drawings have been donated by alumni of the program.
Acquisition Information
Drawings were transferred from the University of Washington Department of Architecture archives at the College of Architecture and Urban Planning, 2006.
Seventeen student drawings by Alfred Simonson were donated by the Simonson family in May, 2008.
Eighteen student drawings by John Rohrer and eleven drawings by Ruth Williams Rohrer were donated by the Rohrer family in December, 2010.
Sixteen student drawings from the Robert Durham Architectural Drawings Collection were transferred into the collection in December, 2010.
Eleven student drawings by Robert Hugh Ross were donated by Robert Hugh Ross in January, 2012.
Fourteen student drawings by Robert Shields were donated by the Shields family in April, 2013.
Two student drawings from the Wendell Lovett Architectural Drawings Collection were transferred into the collection in July, 2013.
Processing Note
Processed by Kelly Daviduke; processing completed in 2013. Preliminary inventory and advisory by Jeffrey Karl Ochsner.
Conservation and cleaning was performed by Joan (J. P.) Murphy Brigham, Judith L. Johnson, and Kathryn Leonard. A limited number of drawings have been identified with unstable media. Records pertaining to conservation and preservation activities are maintained by the University of Washington Libraries Special Collections.
Related Materials
The Special Collections division of the University of Washington Libraries holds the records of the College of Architecture and Urban Planning, 1914-1996.
The Elizabeth Ayer scrapbook contains photographs and clippings assembled by Elizabeth Ayer, the first woman graduate of the Department of Architecture, while studying at the University of Washington Department of Architecture, 1916-1921.
The Robert L. Durham Papers, c.1930-1986, contains correspondence, speeches, writing, awards, ephemera, and include drawings and papers created or collected as a student at the University of Washington during the 1930s.
The Carl Gould Jr. architectural drawings collections contains student drawings completed during Gould's freshman year at the University of Washington, as well as later assignments completed at Fontainebleu and after his transfer to Yale University.
The T. T. Matsumoto album contains photographs of esquisses and analytiques Matsumoto completed as a student at the University of Washington Department of Architecture from 1923-1925. The album also includes early photographs of architecture in Seattle taken at the same time.
Bibliography
The following resources provide biographical information about the architects represented in this collection.
Architects Reference File. Special Collections, University of Washington Libraries, 2011.
Dietz, Duane, comp. Architects and landscape architects of Seattle, 1876-1959: annotated list compiled from city directories. Seattle: University of Washington, 1994.
Docomomo WEWA. Mid-century modern architects. Seattle: Documentation and Conservation of the Modern Movement, Western Washington, 2011.
Pacific coast architecture database. Built Environments Library, University of Washington Libraries, 2011.
Ochsner, Jeffrey Karl. Shaping Seattle architecture: a historic guide to the architects. Seattle: University of Washington Press in association with the American Institute of Architects Seattle Chapter and the Seattle Architectural Foundation, 1994.
Tyee yearbook of the University of Washington. Seattle: University of Washington, 1900-1994.
The following resources provide information on the history and pedagogy of the Department of Architecture at the University of Washington and the Beaux-Arts curriculum.
Harbeson, John F.The study of architectural design. New York: Pencil Points Press, 1926.
Johnston, Norman J.The College of Architecture and Urban Planning: seventy five years at the University of Washington: a personal view. Seattle: 1991.
Ochsner, Jeffrey Karl. " The End of the Analytique: From Beaux-Arts to Modern at the University of Washington." Column 5: University of Washington journal of architectureXIX (2005): 54-61.
Ochsner, Jeffrey Karl. Lionel H. Pries, architect, artist, educator: from arts and crafts to modern architecture. Seattle: University of Washington Press, 2007.
Ochsner, Jeffrey Karl. " Modern or traditional? Lionel H. Pries and architectural education at the University of Washington, 1928-1942." Pacific Northwest Quarterly 96, No.3 (Summer 2005): 132-150.
Detailed Description of the CollectionReturn to Top
Container(s) | Description | Dates |
---|---|---|
John W. Adams Adams, John W. (John Wallace), 1919-2002 (Artist)
Student name as written: John 'Quincy' Adams; Adams.
John Wallace Adams received his B.Arch from the University of
Washington in 1944. Adams served as Navy Lieutenant during World War II. In
1951, he formed a partnership with fellow alumni Alfons V. Peterson as Peterson
& Adams, Architects. The firm was hired by the City of Seattle to construct
shelter houses at the playing fields in Beacon Hill, Queen Anne, and the
University District, c.1951; and Fire Station No. 8 on Queen Anne Hill, 1964.
Adams specialized in shoreline architecture, however, designing Vic Franck's
Boat Yard on Lake Union, as well as Ivar's Salmon House, 1970, which received
an Award of Merit from the Seattle Historical Society in 1971.
|
||
Sophomore year, 1939-1940 |
||
item | ||
Adams 1 |
Art museum Assignment title: Recessed entrance to art museum.
1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 30 3/4 in x 39 3/4 in
Monochromatic rendering/elevation of a classically styled
art museum entrance portico with unfluted Doric columns and three sculptures.
Partial plan shows the front portico; detail drawings of inscription lettering,
Doric capital, and sculpture head. Section drawing through portico reveals
entrance on the side wall.
|
circa 1939-1940 |
Adams 2 | Dog kennel 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 3/4 in x 40 in
Watercolor rendering/elevation of a single story dog kennel
shows a main building with attached wing of kennel runs and shelters.
Perspective drawing shows the view of the building along the terrace and
courtyard. Plan and section drawing.
|
circa Spring 1940 |
Richard Stockholm Alden Alden, Richard Stockholm, 1930-1992 (Artist)
Student name as written: Alden.
Richard Stockholm Alden received his B.Arch from the University
of Washington in 1957. He began teaching architecture at the University of
Washington in 1961, where he rose to the rank of Associate Professor before
retiring in 1990.
|
||
Junior year, 1954-1955 |
||
item | ||
Alden 1 | Aquarium 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 30 in
Grade II analytique.Watercolor rendering/elevation of the side of a building
with walkway ramp to the upper level of a building and ornamentation of aquatic
life. Detail drawings of ornamentation.
|
Autumn 1954 |
Flora S. Allen Allen, Flora S. (Flora Sofie), 1908-1984 (Artist)
Alternate name: Flora Allen Casey.
Flora Allen graduatedcum laudewith
her B.Arch from the University of Washington in 1931, where she received the
Department of Architecture Traveling Scholarship with classmates Perry Johanson
and Kenneth Anderson. She married architect Lowell V. Casey and although she
never practiced architecture under her own name, she worked closely with her
husband on the projects he designed.
|
||
Sophomore year, 1927-1928 |
||
item | ||
Allen 1 |
An Entrance Assignment title: Museum entrance.
1 design/analytique drawing : gouache/watercolor with ink on paper with
cheesecloth backing ; 29 3/4 in x 39 in
Stamped with Society of Beaux Arts Architects seal
indicating the drawing was judged in the national competition.Monochromatic rendering/elevation of a museum's entrance
shows the front portico of a windowless building: a triple-arched colonnade
with decorative relief frames the main doorway with two statue niches on either
side; partial plan and section drawing. Detail drawings of decorative molding,
door medallions, and column capitals.
|
circa 1927-1928 |
Junior year, 1928-1929 |
||
item | ||
Allen 2 |
A Post Office 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 39 3/4 in x 30 1/2 in
Class B I projet. Stamped with Society of Beaux Arts
Architects seal indicating this design was judged in the national
competition.Elevation of building facade with three stone-arched
doorways topped with semi-circular windows; plan shows decorative tile pattern
in lobby, and mail processing areas; section drawing through center of building
shows an ornate lobby with wall mural of a map, Corinthian pilasters, and the
profile of one service counter.
|
circa 1928-1929 |
Allen 3 |
A Sculptor's Studio and
Residence 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 31 1/2 in x 21 in
Local projet.Watercolor rendering/elevation of the facade of a sculptor's
studio and residence with angled doorways for the garage separated by double
doors with grille under an upper level with geometric inlay pattern, elongated
window, and metal roof with skylight. Plans show living areas and studio.
|
May 13, 1929 |
Senior year, 1929-1930 |
||
item | ||
Allen 4 |
An Outdoor Skating
Rink 1 design drawing : gouache/watercolor with graphite on paper with
cheesecloth backing ; 31 1/4 in x 39 1/2 in
Class B II projet.Rendering of an oudoor ice rink in snow with attached
clubhouse. Elevation shows the back of the club house with a steeply gabled
roof and two decorative chimneys; three arched entrances off the rink to a
vestibule and warming area. Plans of the ground and first floor; penciled
section drawing.
|
circa Autumn 1929 |
Allen 5 |
Zoological garden and laboratory 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 59 1/4 in x 40 in
Class A V projet. Stamped with Society of Beaux Arts
Architects seal indicating the drawing was judged in the national
competition.Rendering/elevation of a flat-top building with front
portico and statues flanking the entrance, attached to a larger, glass-enclosed
section of the building housing an aviary. Plan shows administrative and public
areas, including library and lecture hall, in the main building with attached
aviary and courtyards with viewing areas for mammals, reptiles, and carnivores,
and rear building with offices and quarantine areas. Section drawings through
the aviary show the glass-and-steel construction.
|
circa 1929-1930 |
5th year, 1930-1931 |
||
item | ||
Allen 6 |
A Frontier Air Station 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing and matting ; 39 1/4 in x 30 1/2 in
Watercolor rendering/elevation of facade featuring central
glass tower with ornamental clock and metalwork design flanked by two smaller
wings on either side serving as depature and arrival gates. Plan shows the
u-shaped walkway through the air station with the central section in glass used
as a observation and waiting room. Section drawing through center section;
perspective drawing.
|
circa 1930-1931 |
Allen 7 |
An Island Prison 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 39 1/2 in x 61 1/2 in
Class A V projet.Exterior elevation and section drawing with site plan of an
island prison facility shows a multi-story institutional building with barred
windows. Site plan of the prison facility with plan of cells and courtyard.
Elevation of dining hall. Section drawing through building housing prisoners'
cells.
|
circa 1930-1931 |
Allen 8 |
Monastery in the Rocky
Mountains 1 design drawing : gouache/watercolor with ink on paper with
cheesecloth backing and matting ; 62 in x 39 in
Student titled drawing: Monastary in the Rocky
Mountains.Class A projet. Stamped with Society of Beaux Arts
Architects seal indicating the drawing was judged in the national
competition.Watercolor rendering/elevation of a walled monastery in
mountainous terrain with plan showing cloister, dormitory, library, refectory,
and courtyards arranged around the chapel with stairs leading to hospice and
abbot's garden. Perspective drawing of site shows colonnaded walkways along
interior courtyards. Section drawing through chapel shows the building's
ceiling truss and elongated windows.
|
circa 1930-1931 |
Allen 9 |
A Private Banking
House 1 design drawing : gouache/watercolor with ink on paper with
cheesecloth backing ; 59 1/4 in x 39 3/4 in
Class A IV projet. Stamped with Society of Beaux Arts
Architects seal indicating this design was judged in the national
competition.Rendering/elevation of a multi-story rectangular building
with relief panels and elongated channels of windows with metal grilles.
Multiple plans include a ground level plan with administrative and public
areas, second floor plan with main banking room and conference areas, and upper
levels with formal dining room and formally decorated reception and dining
areas. Isometric perspective drawing of building shows the roof and mezzanine.
Section drawing reveals the ornately decorated interior of the lobby with
chandeliers and metalworked cashier cages.
|
circa 1930-1931 |
Allen 10 |
A University Club 1 design drawing : gouache/watercolor with ink on paper ; 61 1/2 in x 39 3/4 in
Class A III projet.Rendering/elevation of a multi-story building with elongated
channels of windows with balconies along the lower levels. Section drawing
through the building shows multiple upper-level floors with suites and rooms,
gymnasium, swimming pool, recreational facilities, and lower levels library,
lobby, billiard room, banquet room, and dining areas. Multiple plans include a
gymnasium plan, kitchen plan, and dining room plan.
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circa 1930-1931 |
J. Emil Anderson Anderson, J. Emil, 1910- (Artist)
J. Emil Anderson received his B.Arch from the University of
Washington in 1933. Following graduation, he worked for Edwin Ivey, Architect,
Seattle, 1934-1935; G. A. Pehrson, Spokane, 1935-1942; the U.S. Army Corps of
Engineers, 1942-1944. After leaving the U.S. Army Corps of Engineers, he took a
position with Ralph E. Decker, 1944-1945; he continued to work with Ralph
Decker as Decker, Christenson, & Smith, 1946-1952.
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Freshman year, 1928-1929 |
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item | ||
Anderson JE 1 | Gargoyle with shade and shadow 1 drawing exercise : charcoal and colored pencil with white on
paper ; 24 1/2 in x 36 1/2 in
Freshman drawing exercise shows two views of a winged
creature with human face, one view with shade and shadow added.
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circa 1928-1929 |
Sophomore year, 1929-1930 |
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item | ||
Anderson JE 2 | Garage and shelter 1 sketch problem drawing : gouache/watercolor with graphite on paper with
matting ; 20 in x 15 in
Sophomore sketch problem [esquisse-esquisse]. This sketch
problem is possibly related toA Mountain
Lodge.Watercolor rendering with penciled plan for a stone building
with wooden doorways, chimney, and attached garage in a mountain setting.
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circa 1929-1930 |
Anderson JE 3 |
A Mountain Lodge 1 sketch problem drawing : graphite on matting/illustration board ; 20 in x 15 in
Sophomore sketch problem [esquisse-esquisse]. This sketch
problem is possibly related toGarage and
shelter.Pencil rendering with plan of a stone lodge with chimney on
a cliff-top site in the mountains.
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October 10, 1929 |
Senior year, 1931-1932 |
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item | ||
Anderson JE 4 |
An Atelier for an Iron
Craftsman 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 30 3/4 in x 39 1/2 in
Class B projet.Watercolor and ink rendering of a brick building with
decorative metalwork on doors and windows; plan of building shows the studio
with forging room, museum, administrative areas, and center garage. Section
drawing through building shows the forge room.
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circa Autumn 1931 |
Anderson JE 5 |
A Suburban Bank 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 30 3/4 in x 39 1/2 in
Class B I projet. Junior project.Watercolor rendering/elevation of the art deco style
building shows the building's facade with horizontal bands the length of the
building and geometric ornamentation around the doorway. Plan shows the teller
lobby and administrative areas; section drawing reveals the tellers' decorative
grilles and light fixtures inside the lobby.
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circa Autumn 1931 |
Anderson JE 6 |
A Synagogue 1 design drawing : gouache/watercolor with graphite on paper with
cheesecloth backing ; 60 in x 39 in
Exterior of a smooth-faced synagogue with architectural
lattice and hexagonal tower with rounded dome and Star of David. Two plans show
the social hall, kitchen, worship areas, and choir. Section drawings show
basement level with library and lecture halls, and the interior of the main
worship area; additional section drawing reveals the ark.
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circa 1931-1932 |
5th year, 1932-1933 |
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item | ||
Anderson JE 7 | Concert hall Assignment title: Concert hall as monument to J. S.
Bach.
1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 39 1/2 in x 59 1/2 in
Class A projet.Plan of concert hall shows stage and auditorium seating,
lobby, gallery, museum, library, and rehearsal areas behind stage. Exterior
elevation of the art deco building shows heightened towers with statue at base
and portico with multiple sets of entrance doors. Bird's eye perspective
reveals a rooftop terrace. Section drawing shows stairway, seating area, and
hydraulic lift for stage and orchestra.
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circa Spring 1933 |
Anderson JE 8 | National scientific research center 1 design drawing : charcoal and gouache/watercolor with red ink on
paper with cheesecloth backing ; 38 1/4 in x 57 in
Class A projet.Site plan for a research center shows student dormitories,
library, auditorium, museum, and buildings for physics, geology, and
chemistry.
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circa Spring 1933 |
Anderson JE 9 |
A Town House 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 38 1/2 in x 58 1/2 in
Class A projet.Rendering/elevation of a multi-story row house residence
with semi-circular vestible with panels of elongated windows and stepped gable
roof. Multiple floor plans show the ground floor, second floor, and third
floor, with servants' quarters, service areas, library, ballroom, living areas,
and semi-circular staircase. Section drawing reveals the interior of residence,
including the library, ballroom, and windowed courtyard-facing walls.
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circa Autumn 1932 |
Kenneth B. Anderson Anderson, Kenneth B. (Kenneth Bliss), 1909-1993 (Artist)
Student name as written: Kenneth B. Anderson; Kenneth Bliss
Anderson.
Ken Anderson received his B.Arch from the University of
Washington in 1935, where he received the Department of Architecture Traveling
Scholarship in 1931, and was the University of Washington recipient of the
Alpha Rho Chi Award in Architecture in 1935.Following graduation and studies abroad, Anderson returned to
the United States as a sketch artist for Metro-Goldwyn-Mayer (MGM) studios
before accepting with Walt Disney Studios as an animator and architect until
1978. At Walt Disney Studios, Ken Anderson worked art director for
Snow White and the Seven Dwarves,
Pinocchio,Fantasia,
andThe Reluctant Dragon. Anderson also continued
technical contributions to the combination of live-action and animation on film
while working onSong of the South, and later as
animation art director forPete's Dragon. Anderson
also contributed layouts for the staging and design ofPeter Pan,Lady and the
Tramp, and the production design forSleeping
Beauty,101 Dalmations, and
The Aristocats. During the 1950s, Ken Anderson
worked to create concept drawings and designs for Fantasyland at Disneyland
theme park, including Peter Pan's Flight, Mr. Toad's Wild Ride, and Storybook
Land. Anderson received the Disney Legends award for Animation and Imagineering
in 1991.
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Sophomore year, 1929-1930 |
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item | ||
Anderson K 1 |
A Family Mausoleum 1 design/analytique drawing : gouache/watercolor with graphite on paper with
cheesecloth backing ; 31 1/4 in x 39 1/4 in
Class B II analytique. Stamped with Society of Beaux Arts
Architects seal indicating this design was judged in the national
competition.Monochromatic rendering/elevation of a mausoleum on a
terraced hill. A monumental stone tower sits atop the mausoleum, and is
approached by a stairway and entrance. Detail drawings of relief and cross with
medallions on the tower. Plan and section drawings show the round mausoleum
with niches.
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December 16, 1929 |
Anderson K 2 |
A Monastic Chapel in the
Rocky Mountains 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 40 1/2 in x 31 1/2 in
Class B I projet. Stamped with Society of Beaux Arts
Architects seal indicating this design was judged in the national
competition.Watercolor rendering/elevation of a stone chapel with plaza
and well. Section drawings show the main altar and side of building at plaza
level; plan shows the stone plaza and decorative tile pattern on the church's
floor.
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circa 1930 |
Junior year, 1930-1931 |
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Anderson K 3 |
Meteorological Station 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 40 1/2 in x 30 1/4 in
Class B II projet. Stamped with Society of Beaux Arts
Architects seal indicating the design was judged in the national
competition.Watercolor and ink rendering/elevation of a residential
meterological station with wooden siding and attached stone weather tower.
Plans show the living areas on the first floor and the work areas on the second
floor; section drawing through the tower shows working areas. Plan and section
drawing were drawn over a map of the United States Eastern Seaboard.
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circa 1930-1931 |
Anderson K 4 |
A Tennis Court
Building 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 31 1/2 in x 41 in
Class B III projet. Stamped with Society of Beaux Arts
Architects seal indicating this design was judged in the national
competition.Watercolor rendering with elevation of a chateau style
building with ornate decorative details around the door and windows and steeply
gabled roof. Plan shows the building attached to a skylit tennis court via a
spectator area; section drawing through the building reveals an ornately
decorated rotunda lobby.
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circa 1930-1931 |
Senior year, 1932-1933 |
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Anderson K 5 |
Marco Polo Beaux-Arts
Ballprogram cover illustration 1 sketch problem : gouache/watercolor with graphite and ink on board
with matting ; 28 in x 22 in
Sketch problem.Watercolor illustration for the cover of the Marco Polo
Beaux Arts Ball program.
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circa Autumn 1932 |
Anderson K 6 |
Town House 1 design drawing : gouache/watercolor with graphite on paper with
cheesecloth backing ; 58 1/2 in x 38 3/4 in
Class A projet.Watercolor rendering/elevation of a multi-story townhouse
with vertical projections of rounded pillars, some with windows and horizontal
bands, and an arched entrance portico with decorative relief. Multiple plans
show the ground floor, first floor, and second floor with living areas,
servants' quarters, ladies' dressing rooms, men's lounge and circular landing
for stairway leading up to music room, living room, bar, library, and bedrooms.
Section drawing reveals living areas and heightened stair hallway in the center
of the house.
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December 10, 1932 |
5th year, 1933-1934 |
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item | ||
Anderson K 7 |
An American Embassy for
Soviet Russia 1 design drawing : watercolor with graphite and ink on paper with
cheesecloth backing ; 27 1/4 in x 35 1/4 in
Watercolor section drawing through the entrance vestibule
reveals the elongated murals in the state salon and stair hall on the second
floor and provides an elevation of the attaches' homes. Ground floor plan shows
public areas and administrative areas, as well as external areas such as the
public court and driveway.
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circa Autumn 1933 |
Anderson K 8 |
Archeological institute -
museum and winter spa in Iraq Assignment title: Archaeological institute with museum and
spa.
1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 40 3/4 in x 60 1/4 in
Watercolor site plan shows a terraced outdoor exhibition
area with pool, amphitheater, and gardens leading to a hotel building with
library, lounge, dining room and plaza. Hotel is connected to a semi-circular
complex with museum, workshops, and student living areas set into desert
cliffs. Section drawing of site.
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circa Winter 1934 |
Anderson K 9 |
A Manufactory and Ceramics
Library 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 39 3/4 in x 61 in
Class A projet.Watercolor rendering/elevation of the facade and side of an
L-shaped ceramics building with smokestack and sawtooth roof. Plan shows the
building arranged around the display court with smaller wing housing the
library; main section housing the preparation and curing rooms, studios, stock
room, and administrative areas; and railroad tracks along the side of
building.
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circa 1933-1934 |
Allen K. Arai Arai, A. K. (Allen Kichio), 1901-1966 (Artist)
Alternate name: Allen Kichio Arai.Note: Student signed drawings as "K.
Allen Arai" as a Sophomore, but switched to "A. K. Arai" in his Junior year and
maintained this for the rest of his professional career.
Allen Kichio Arai received his B.Arch from the University of
Washington in 1925 and his M.Arch from Harvard University in 1930. He was
likely the first native Asian-American in Seattle to design buildings under his
own name.Following his graduation from the University of Washington, Arai
worked as a designer for Shack, Young, & Meyers, Architects, 1925-1929,
where he designed his first independent building, the Nichiren Buddhist Church
in Seattle, 1928-29. He left Seattle to pursue his graduate studies at Harvard,
returning to Seattle during the Great Depression where he played
semi-professional baseball. During this time, he took a small number of
architectural jobs, including the design of the Yakima Buddhist Bussei Kaikan
in Wapato, 1936-1941. In 1940, he received a commission to design the First
Seattle Buddhist Church replacement, 1940-1941, after the original church was
condemed as part of the Yesler Terrace Housing Project. Shortly after the
building's completion, the Japanese attacked Pearl Harbor and Arai was forcibly
relocated from the West Coast with his family to the Japanese internment camp
at Minidoka.Arai returned to Seattle with his family in 1947, where he
worked as an associate with Naramore, Bain, Brady & Johanson and later
Durham, Anderson & Freed. He later took up work with the Olympian Stone
Company and Fentron Industries. During these years, he designed two commissions
as Richard O. Parker and A. K. Arai, Associate: the White River Buddhist Temple
in Auburn, 1963-1965; and the Shinran Shonin 700th Anniversary Memorial Hall
addition to the Seattle Buddhist Church, 1963-1964.
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Freshman year, 1920-1921 |
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item | ||
Arai 1 |
Tuscan Order 1 drawing exercise : ink on paper ; 23 3/4 in x 17 3/4 in
Pen and ink drawing exercise of the Tuscan order includes
detail drawings of base, shaft, capital, and entablature; section drawing
through columns and entablature; plan of column base; and ceiling plan of
column showing capital and soffit.
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circa 1920-1921 |
Sophomore year, 1921-1922 |
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item | ||
Arai 2 |
The Doorway to A Reading
Room 1 design/analytique drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 28 in x 37 3/4 in
Class B I analytique. Stamped with Society of Beaux Arts
Architects seal indicating the design was judged in the national
competition.Elevation of an entrance for a reading room in a
neoclassical style building shows a doorway with pediment and fanlight window
framed by Corinthian columns and entablature. Detail drawings show column
capitol, entablature, molding, decorative urn, and lettering. Section drawing
and plan.
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November 28, 1921 |
Junior year, 1922-1923 |
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item | ||
Arai 3 |
A Dormer 1 design/analytique drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 37 in x 24 1/4 in
Watercolor rendering/elevation, plan, and section drawing of
an elongated dormer window with three sections and ornamentation framed by
pilasters projecting from a Gothic style building. Section drawings through
projection show window sill and mouldings.This drawing was Arai's submission for the annual Terra
Cotta contest being sponsored by the Washington Brick & Lime Company. Arai
received a "Second Mention" for his dormer window design, intended for use in a
college dormitory.
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circa Autumn 1922 |
Violette Arneson Arneson, Violette (Artist)
Student name as written: V. Arneson.
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Freshman year, 1925-1926 |
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item | ||
Arneson 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 14 in x 20 in
Freshman lettering exercise of Roman inscription capital
letters G, M, D, U, B, Z, H.
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circa 1925-1926 |
Robert E. Aujla Aujla, Robert E., 1932-2018 (Artist)
Student name as written: Bob Aujla.
Robert E. Aujla received his B.Arch from the University of
Washington in 1956, where he was the University of Washington recipient of the
Alpha Rho Chi medal. After receiving his professional architect license in
1960, he practiced for Richard Bouillon & Associates beginning in the
mid-1960s through the early-1970s, then for Howard A. Kinney Associates, late
1970s-early 1980s. By 1983, Aujla opened his own practice in Kirkland,
Washington, where he focused primarily on residential design. Aujla received
three AIA Home of the Month awards in 1978, 1983, and 1984.
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Junior year, 1953-1954 |
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item | ||
Aujla 1 | Entrance to an art museum 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 30 in x 39 3/4 in
Watercolor rendering/elevation of the entrance to art museum
building on a terrace with sculptures. The modernist building's entrance is a
glass windowed wall extended from the main building with three sets of double
doors. Detail drawings of sculpture and stone.
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Autumn 1953 |
Elizabeth Ayer Ayer, Elizabeth, 1897-1987 (Artist)
Elizabeth Ayer studied at the Department of Architecture from
1916 until 1921 when she received her B.Arch as the first woman graduate of the
program. She was the third place recipient of the Kellogg Prize awarded by the
Department of Architecture in 1919-1920, and the first place recipient of the
Kellogg Prize in 1920-1921. Following graduation, she worked for Seattle
architect Andrew Willatsen, before being hired by Ivey & Riley, Architects.
Ivey & Riley dissolved that year, however, and Ayer continued to work for
Edwin Ivey, who became her mentor and major architectural influence. She took
two leaves of absence to work in New York City with Cross & Cross, 1922;
and to study European architecture abroad in 1927. After returning to the US,
she continued work with the firm of Edwin Ivey, Architect, designing upscale
homes in Seattle.After Edwin Ivey's sudden death in 1940, Ayer continued working
under his firm's name with colleague Rolland Lamping. During World War II, both
Ayer and Lamping served as architects for the U.S. Engineers Office and after
the War let out, the two established the partnership of Ayer & Lamping,
Architects, where they focused primarily on residential design until Ayer's
retirement in 1970.Notable projects include the Davis House on Mercer Island, 1950;
the Douds House, 1951; the Linden House on Bainbridge Island, 1962; and the
Forland House in Seattle, 1963. In 1980, Elizabeth Ayer was honored by the
Seattle Chapter of the AIA for her dedicated service as a pioneering female
architect.
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Unknown dates |
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item | ||
Ayer 1 |
A Design for a
Bathroom 1 design drawing : gouache/watercolor with ink and metallic leaf on
illustration board ; 26 in x 39 in
Class B projet.Design for a bathroom with classical elements. Included in
the design drawing is a ceiling plan showing the ornate plaster ceiling, floor
plan, and section drawing. Floor plan shows the round bathroom with areas for
bathing, lavatory, closet, drinking fountain, and dental lavatory. Elevation
shows the interior of the bathroom with classical entablature and columns, vita
glass windows, and couch for massage and sun treatment. Also included is a
color chart, list of fixtures, and interior materials for the marble mosaic
floor, vitrolite walls, and ceiling stucco. Work is attributed to Elizabeth
Ayer.
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circa 1919-1921 |
Ayer 2 |
A State Dining Room 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing and matting ; 30 1/2 in x 39 3/4 in
Class B III projet. Stamped with Society of Beaux Arts
Architects seal indicating the design was judged in the national
competition.Drawing includes three interior elevations of the dining
room, seating plan, and ceiling plan with decorative tiles. Drawing likely
completed during Junior or Senior year.
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circa 1919-1921 |
Edward J. Baar Baar, Edward J.(Edward Joseph), 1913-2003 (Artist)
Student name as written: Ed Baar; Baar.
Edward Baar received his B.Arch from the University of
Washington in 1937. Following graduation, Baar worked as a Draftsman for
Douglas Honnold and UW alumni George Vernon Russell at Honnold & Russell,
Los Angeles, 1937-1938; as Draftsman for Tucker & Wallmann, Portland,
1938-1940; and then as Designer for Naramore & Associates, Seattle,
1940-1945. Baar became an Associate at Thomas, Grainger & Thomas,
Architects, 1945-1946, and then Partner in the renamed firm, Grainger, Thomas,
& Baar, Seattle, 1946-1957. When Clyde Grainger retired in 1957, the firm
became Thomas & Barr, Associated Architects, Seattle, 1958-1965. After the
partnership ended, he operated as Edward J. Baar, Architect.
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Sophomore year, 1933-1934 |
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item | ||
Baar 1 | Family mausoleum 1 design/analytique drawing : gouache/watercolor with graphite on paper with
cheesecloth backing ; 40 in x 31 in
Monochromatic watercolor rendering/elevation of smooth-faced
circular mausoleum on a hilltop site. Detail drawings of inscription and cross;
section drawing shows interior space with wall niches; partial plan of interior
shows columns.
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circa 1933-1934 |
Baar 2 |
A Garage on a Country
Estate 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 31 in
Fifth sophomore problem.Plan shows the mirrored layout of two residences on an
interior fountain court enclosed on one side by the garages. Two watercolor
renderings/elevations show the multi-car garage with metal doors and a view of
the residential buildings from the interior court.
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circa Spring 1934 |
Baar 3 |
A Tiller Handle of Carved
Oak 1 sketch problem drawing : ink on paper ; 22 in x 28 in
Pen and ink sketch problem of a wooden tiller handle with
carved animal head; possibly Native American design.
|
circa 1933-1934 |
Baar 4 | Transit waiting shelter 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 31 in x 39 1/2 in
Charcoal rendering/elevation of a transit site decorated
with religious statues. The main building is shown with a staircase leading to
the street-level tram, and elevated walkways with arched openings for the
highway on either side. Site plan also includes the plan for the ticketing
office and waiting shelter. Partial section drawing through the building and
arched passage.
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circa Spring 1934 |
Junior year, 1934-1935 |
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item | ||
Baar 5 | County courthouse 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 31 in x 39 3/4 in
Rendering/elevation of a classically inspired courthouse
building with elongated panels of windows and off-center entrance portico
housing a windowed entrance facade behind a row of columns. Multiple plans and
section drawing show the two levels of the courthouse. Plans indicate the
judicial and administrative areas.
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circa 1934-1935 |
Baar 6 | Studio for wrought iron craftsman 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 31 in x 39 3/4 in
Watercolor rendering/elevation of a single story studio with
wrought iron ornamentation around the windows and doorways. Site plan shows the
studio as a u-shaped building around a display court with draughting room,
forging room, library, and administrative areas. Section drawing shows the
forging room and fountain and provides an additional view of the building from
the display court.
|
circa Autumn 1934 |
Senior year, 1935-1936 |
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item | ||
Baar 7 | Ferry terminal Assignment title: Ferry terminal in a city of
1,000,000.
1 design drawing : gouache/watercolor with graphite, ink, and colored
pencil on paper ; 39 3/4 in x 59 3/4 in
Elevation of building with clock tower. Plans include a
passenger area, site/transit plan with traffic lanes, railroad, and ground
transport; section drawing.
|
circa 1935-1936 |
Baar 8 |
A National Center for Film
Research Assignment title: National film research center and
archive.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 59 3/4 in
Fully inscribed title: A nation[al] center for film research
located in a public park and in a part of the United States of Am[erica].Design drawing includes plan, elevation, and longitudinal
section drawing for a semi-circular building with administrative offices,
restaurant, and multiple viewing rooms accessed from the building's lobby,
shown with approximate seating counts; film labs extended from the back of the
building; and multiple rooms line the outer perimeter of the building with
storage and access areas for the film archives. Elevation of the building shows
a simple and symmetrical facade with heightened roof over larger viewing rooms,
decorative paneling, and wide, covered entrances to the great hall with
sculptural head over the main entrance.
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circa 1935-1936 |
Baar 9 | Shrine and cemetery in the mountains 1 design drawing : charcoal and ink on paper ; 59 3/4 in x 40 in
Charcoal drawing of a natural setting with water shows a
mountaintop shrine and detail drawings of cemetery headstones and woman with
halo, possibly a relief or sculpture.
|
circa 1935-1936 |
Carver Baker Baker, Carver Lowell, 1918-1985 (Artist)
Student name as written: Baker.
Carver "Charlie" Baker received his B.Arch from the University
of Washington in 1947. Following graduation, he was temporarily hired as an
instructor at the University of Washington and worked as a Draftsman for Young
and Richardson, Architects, Seattle, 1948-1949; then as Designer for John
Mattson, Architect, Seattle, 1949-1950. In 1950, Baker was hired as an
Architect by the Washington State Parks and Recreation Commission, 1950-1953,
where he designed the the ranger residence at Peace Arch State Park, 1951, and
the Gingko Petrified Forest Museum in Vantage, 1952-1953. He later worked as
Supervising Architect for the City of Seattle, Parks Department, 1953, where he
designed the Isolation and Hospital Building at Woodland Park Zoo. Beginning in
1954, he became the Coordinating Architect for Palos Verdes Properties, Palos
Verdes Estates, California and the Planning Consultant for Great Lakes
Properties. He concurrently established his own firm in 1954, Carver L. Baker
and Associates, Architects, in Palos Verdes Estates, California.
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Sophomore year, 1943-1944 |
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item | ||
Baker 1 |
Doubleday Printing Assignment title: Shop and office for printer of national
reputation.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 29 3/4 in x 40 1/2 in
Design drawing includes a watercolor rendering/elevation and
perspective drawing, section drawing, and plan of a modernist building with
windowed wall along a small front terrace enclosed on one side. Plan shows the
main work area, bindery, offices, reception, and storage area. Section drawing
reveals the main work area.
|
circa 1943-1944 |
Charles Bartell Bartell, Charles G., 1910-2006 (Artist)
Student name as written: C. Bartell.
Charles Gustav Bartell received his B.Arch from the University
of Washington in 1949, and his M.S.Arch from Columbia University in 1950. He
began teaching at the University of Idaho in 1950, where he eventually became
Professor of Architecture. During his tenure, he served as the head of the
University of Idaho Department of Art and Architecture several times. He was
named ProfessorEmeritusin 1973. He retired from
the University in 1980.
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Freshman year, 1945-1946 |
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item | ||
Bartell 1 | Classical entrance 1 historical drawing : ink wash on paper ; 28 3/4 in x 20 3/4 in
Freshman historical drawing shows an entranceway with plan,
elevation, and section drawings in a monochromatic wash. Elevation shows a
doorway under entablature framed by Ionic columns on either side and
balustrade. The entranceway has an arched opening under entablature with relief
medallions on either side. Section drawing and plan show smaller areas off the
entrance with barrel vaulted ceilings and similar medallions.
|
circa Winter 1946 |
Sophomore year, 1946-1947 |
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item | ||
Bartell 2 |
Commemorative wall sundial 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 30 3/4 in x 39 3/4 in
Sophomore analytique.Monochromatic rendering/elevation with plan and section
drawing of a rectangular wall-mounted sundial with Roman numerals on a stone
wall behind a fountain pool. Detail drawings of mouldings, Roman inscription
numerals, and fountain statue.
|
circa Autumn 1946 |
Fred Bassetti Bassetti, Fred, 1917-2013 (Artist)
Student name as written: Fred F. Bassetti; Bassetti.
Frederick Bassetti received his B.Arch from the University of
Washington in 1942, and his M.Arch from Harvard University in 1946. Following
his studies at UW, he completed an apprenticeship under Paul Thiry, 1943; and
with Alvar Aalto in Cambridge, Massachussets, 1946. He returned to Seattle in
1946 as a Designer for Naramore, Bain, Brady, & Johanson [NBBJ], Seattle,
1946-1947, before forming his own partnership with John Morse. The partnership,
Bassetti and Morse, Architects, Seattle, lasted 1947-1962. The firm received
several national and local awards and their work was widely published. Notable
works include Lakeview Elementary School on Mercer Island, 1954; Mercer Island
High School, 1958; The firm's design of the G. J. Armbruster House in Lake
Stevens received an AIA Seattle Honor Award; the Gamma Rho Apartments received
the AIA National Grand Honor, 1952; the Gerald Martin House received the AIA
National Honor Award, 1954; the Marshall Forrest Residence in Bellingham and
the Walter F. Isaacs House in Hilltop both received AIA National Merit Awards,
1953.Bassetti and Morse divided in 1962, and Fred Bassetti organized
his own firm, Fred Bassetti and Company, Seattle, in 1962. The firm expanded
and in 1982 changed its name to Bassetti/Norton/Metler/Rekevics, Architects.
Notable projects of the firm include the Children's Zoo at Woodland Park; the
Seattle Federal Office Building (now Henry M. Jackson Federal Building), 1974;
the United States Embassy in Portugal, 1979-1983; the Pine Street Substation in
Seattle, 1966; the PACCAR Technical Facility at Mount Vernon; and the AT&T
Gateway Tower (later Seattle Municipal Tower), 1990. Bassetti became a founding
partner of the firm Bassetti Architects before his retirement in 1994.Throughout his career, Bassetti lectured at Columbia University,
Massachusetts Institute of Technology, Rice University, and the University of
Washington. He was involved with Allied Arts of Seattle, the Seattle Landmarks
Commission, and the Seattle Design Commission, as well as the creator of
Action: Better City in the late 1960s. Bassetti served as President of the AIA
Seattle Chapter in 1967. He was elected to the AIA College of Fellows in 1967
and awarded the AIA Seattle Medal in 1988. He was nominated for the Pritzker
Architecture Prize in 1989.
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Senior year, 1940-1941 |
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item | ||
Bassetti 1 |
Art Library and Museum Assignment title: Memorial art library and museum.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 3/4 in x 39 3/4 in
Watercolor rendering/elevation of an art museum building
with plan, section drawing, and perspective. Elevation shows the front facade
of the modernist building with flat roof and horizontal channels on a
windowless exterior; offset portico houses a windowed wall with entrance doors.
Plan shows the entrance lobby, sculpture court, library, administrative
offices, and gallery areas. Section drawing reveals the library and two levels
of the gallery.
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1940 |
5th year, 1941-1942 |
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item | ||
Bassetti 2 |
A Student Union 1 design drawing : graphite and ink on paper ; 39 1/2 in x 59 3/4 in
Design drawing provides an exterior elevation of a modernist
building with windowed downstairs and upstairs terrace, multiple plans, and a
section drawing through the building. Plans indicate basement storage and
bowling alley, ground floor cafetery and lobby, second floor lounges and
student recreation areas, third floor terrace, balcony, and alumni offices.
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circa 1941-1942 |
Unknown dates |
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item | ||
Bassetti 3 |
Library reading room 1 sketch problem : gouache/watercolor on paper with
matting ; 28 in x 22 in
Sketch problem at unknown level.Watercolor perspective of the interior of a library reading
room. The modernist style room has a wall of square windows opposite a
bookshelf-lined wall with desks and seating in the center area.
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circa 1940-1942 |
H. G. Batie Batie, H. G. (Harrison G.) (Artist)
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Freshman years, 1937-1939 |
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item | ||
Batie 1 | Ink wash circles:Plate
1 1 drawing exercise : ink on paper ; 17 3/4 in x 13 in
Freshman drawing exercise of ink wash circles with separated
gradations from dark to light.
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circa 1937-1938 |
Welton D. Becket Becket, Welton D. (Welton David), 1902-1969 (Artist)
Student name as written: W. D. Becket.
Welton David Becket received his B.Arch from the University of
Washington in 1927, which he followed with post-graduate studies at the Ecole
des Beaux-Arts in Fontainebleau, France, in 1928. Following graduation, he
worked as Draftsman for C. Waldo Powers in Los Angeles, California, 1928-1929.
He returned to Seattle, organizing his own independent practice as Welton D.
Becket, Architect, 1929-1933. He returned to Los Angeles in 1933, and formed a
partnership with fellow UW alumni Walter Wurdeman and Charles Plummer as
Becket, Wurdeman, & Plummer, 1933-1939; the firm continued without Charles
Plummer as Becket & Wurdeman, 1939-1949. After Wurdeman's death in 1949,
Becket opened his own firm, Welton Becket & Associates, 1949-1969. The firm
opened offices in San Francisco, 1949; New York, 1950; and Houston, 1960.Notable works include the General Petroleum Building in Los
Angeles, 1947; the Music Center in Los Angeles, 1964-1967; the master plan of
the Century City complex, 1959
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Freshman year, 1923-1924 |
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item | ||
Becket 1 |
Corinthian Order 1 drawing exercise : ink on paper ; 24 in x 18 in
Pen and ink drawing exercise of the Corinthian order
includes reflected ceiling plan; elevation and section drawing of entablature;
and detail drawings of column base, shaft, capital, entablature, and acanthus
leaf.
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circa 1923-1924 |
Becket 2 |
Doric Order 1 drawing exercise : ink on paper ; 23 3/4 in x 17 3/4 in
Pen and ink drawing exercise of a Doric column including
reflected plan, elevation of columns and entablature, and detail drawings of
base, shaft, capital, and entablature.
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circa 1923-1924 |
Becket 3 |
Temple 1 drawing exercise : ink on paper ; 24 in x 18 in
Pen and ink drawing exercise of a temple includes an
elevation of the temple's facade with staircase leading to double doors under a
pediment supported by Doric columns; plan of entrance; section drawing through
entablature; and detail drawings of column base, shaft, capital, and
entablature.
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circa 1923-1924 |
Junior year, 1925-1926 |
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item | ||
Becket 4 |
A Tennis Court
Building 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 37 1/4 in x 30 in
Class B II projet. Stamped with Society of Beaux Arts
Architects seal indicating the design was judged in the national
competition.Elevation of building with plan and section.
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circa Autumn 1925 |
Senior year, 1926-1927 |
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Apartment hotel thesis Senior design/thesis project of an apartment building with
courtyard.
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item | ||
Becket 5a | Drawing 1:An Apartment Hotel
Thesis 1 design/thesis drawing : watercolor wash with graphite, colored pencil,
and ink on paper with cheesecloth backing and matting ; 38 in x 24 1/2 in
Plan of the main floor shows apartments, courtyard, and
decorative tile pattern in hallways. Section drawing shows the shape of the
multi-story building, brick exterior, stairway, arched doorways and decorative
features inside the building.
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June 1927 |
Becket 5b |
Drawing 2:Thesis 1 design/thesis drawing : watercolor wash with graphite, colored pencil,
and ink on paper with cheesecloth backing ; 36 1/2 in x 24 in
Two plans show apartment floor and basement.
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circa Spring 1927 |
Tennys Bellamy Bellamy, Tennys F. (Tennyson Francis), 1906-1974 (Artist)
Tennyson Francis Bellamy received his B.Arch from the University
of Washington in 1928, and his B.F.A. from Yale University in 1930. He worked
for several years in Boston, Massachusetts, as a Designer for Buchman and Kahn,
1929; as Designer for Douglas Orr, 1930; and as Designer for Coolidge, Shepley,
Bullfinch, and Abbott, 1930-1931. He returned to Seattle and worked for a
number of firms including Ellsworth Storey; Schack, Young & Meyers; and
Grainger & Thomas. He received his architectural license in 1934 and opened
his own practice as Tennys Bellamy, Architect.Bellamy designed a substantial number of Safeway stores
throughout the Pacific Northwest during the 1940s. Other notable works include
the Eleventh Christ Scientist Church, 1942; the Snoqualmie Lodge for the
Mountaineers Club, 1948; Westgate Shopping Mall in Edmonds, 1955; and the Haven
Hall Mausoleum in Anacortes, 1957.
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Freshman year, 1924-1925 |
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item | ||
Bellamy 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 19 3/4 in x 13 3/4 in
Freshman lettering exercise of Roman inscription capital
letters Q, A, D, H, I, R.
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October 27, 1924 |
Bellamy 2 | Vase in niche 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 16 1/2 in x 22 1/4 in
Monochromatic rendering/elevation of niche with vase framed
by Doric columns and entablature in a garden setting with plan, elevation of
columns, section drawing, and detail drawings of vase, horn, entablature, and
other decorative elements.
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circa 1924-1925 |
Senior year, 1927-1928 |
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Thesis - A Theatre Two drawings of a theatre for the senior design/thesis.
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item | ||
Bellamy 3a |
Drawing 1 1 design/thesis drawing : gouache/watercolor with graphite on paper with
cheesecloth backing ; 23 1/4 in x 39 in
Rendering/elevation of the building facade.
|
circa 1928 |
Bellamy 3b |
Drawing 2 1 design/thesis drawing : charcoal and gouache/watercolor with graphite on
paper with cheesecloth backing ; 39 1/4 in x 29 1/4
in
Theatre plan with site plan and decorative ceiling
pattern.
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circa 1928 |
Galen Willard Bentley Bentley, Galen W. (Galen Willard), 1903-1985 (Artist)
Galen Willard Bentley received his B.Arch from the University of
Washington in 1927; studied at the New York School of Fine and Applied Arts,
1929-1931. Following graduation from the University of Washington, he worked
for Thomas & Grainger, Seattle, 1925; then for William J. Bain, 1926-1928;
and John W. Maloney, 1928-1929. When he returned from his studies in New York,
he went to work for Dudley Stuart, 1935-1936; then for William Mallis,
1937-1938. He served as Chief of Design Section for the Sand Point Naval Air
Station in Seattle, c.1938-1945. After the war had ended, he worked briefly for
Ivan W. Meyer, 1946, before forming his own independent architectural practice
as Galen Willard Bentley, Architect, in Bellingham, Washington, in 1946.
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Freshman year, 1922-1923 |
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item | ||
Bentley 1 |
Doric Temple 1 drawing exercise : ink on paper ; 23 3/4 in x 18 in
Pen and ink drawing exercise of a Doric temple includes an
elevation of the temple's facade with staircase leading to grille and double
doors under a pediment supported by peristyle columns; plan of entrance;
section drawing through entablature; and detail drawings of column base, shaft,
capital, and entablature.
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circa Winter 1923 |
Bentley 2 |
Y.M.C.A. Entrance 1 measured drawing : ink on paper ; 18 in x 23 3/4 in
3 black and white photographs ; 3 1/2 in x 2 1/2 in
Freshman measured drawing exercise of the YMCA. Drawing
provides an elevation with inscribed measurements of the YMCA's entrance with
pointed arch moulding over the doorway, brick pattern at entrance, and three
full-size profiles of mouldings. Three small photographs of entrance adhered to
drawing. Written on front of drawing: Measured by HB, BJ, GB.
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June 15, 1923 |
Junior year, 1924-1925 |
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item | ||
Bentley 3 |
A Village Railroad
Station 1 design drawing : charcoal and gouache/watercolor with ink on paper
with cheesecloth backing ; 30 1/2 in x 23 1/2 in
Class B III projet.Watercolor rendering/elevation of a railroad station with
steeply pitched roof and half-timbered sections on the upper levels. Plan shows
the station with railroad tracks and automobile circle. Section drawing reveals
a fireplace.
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circa 1924-1925 |
Senior year, 1925-1926 |
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item | ||
Bentley 4 |
A Tennis Court
Building 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 13 in x 31 in
Class B II projet.Watercolor rendering/elevation of building with terracotta
roof and ornately decorated arches around the doors and windows. The smaller
building in front is attached to a rear larger building.
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circa Autumn 1925 |
Blomdahl, Marvel Johnson See: Marvel Johnson.
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George Bolotin Bolotin, George, 1914-1980 (Artist)
George Bolotin attended the Cornish School of Art, 1934-1936,
before transferring to the University of Washington, 1937-1941. George Bolotin
worked as Draftsman for McClelland and Jones, Architects, Seattle, 1945-1946;
then as Designer for Victor N. Jones and Associates, Architects, Seattle,
1946-1954. He formed his own architectural practice, George Bolotin, Architect,
Seattle, in 1955; later George Bolotin & Associates. Notable works include
the Blue Spruce apartments in Queen Anne, 1956; the Edgewater Apartment
complex, 1960; Harborview Tower, 1960; and his participation in the design and
construction of the Group Health center in Olympia, c.1970.
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Freshman year, 1936-1937 |
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item | ||
Bolotin 1 | Arch with graded wash 1 drawing exercise : ink wash on paper ; 21 in x 15 in
Freshman drawing exercise of a stone arch with watercolor
wash to show gradations in shadow and texture.
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circa 1936-1937 |
Bolotin 2 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 19 3/4 in x 15 in
Freshman lettering exercise of Roman inscription capital
letters J, Y, L, W, H, U, M.
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circa Autumn 1936 |
Denis Boltwood Boltwood, Denis (Artist)
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Junior year, 1953-1954 |
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item | ||
Boltwood 1 | Entrance to an art museum 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 30 in x 39 3/4 in
Grade II analytique.Watercolor rendering/elevation of the entrance to art museum
building on a terrace with sculptures. The modernist building's entrance is a
glass windowed wall extended from the main building with four sets of double
doors. Detail drawings of sculpture and window/door frames.
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Autumn 1953 |
Jenness Bonnell Bonnell, Jenness (Artist)
Jenness Mildred Bonnell studied at the University of Washington
from 1917 until 1922. She was the second place recipient of the Kellogg Prize
awarded by the Department of Architecture in 1920-1921. She was an active
member of the Pi Beta Phi sorority at the University of Washington.
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Sophomore year, 1920-1921 |
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item | ||
Bonnell 1 |
Semi-circular Portico 1 design/analytique drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 26 1/4 in x 37 1/4 in
Class B III analytique. Stamped with Society of Beaux Arts
Architects seal indicating the design was judged in the national
competition.Elevation of a semi-circular portico for a neoclassical
style building shows a double door with grille and open-topped pediment framed
by two-story columns. Detail drawings show column and capitol, entablature with
relief medallion, decorative urn, and balustrade. Section drawing and plan.
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February 28, 1921 |
Bonnell 2 | Transcept entrance 1 design/analytique drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 38 in x 29 in
Class B I analytique. Stamped with Society of Beaux Arts
Architects seal indicating the design was judged in the national
competition.Rendering/elevation of an entrance with double doors framed
by pilasters with decorative relief, entablature, semi-circular tympanum and
medallion with religious image. Detail drawings of pilaster relief and capital,
entablature, medallion, and religious vessels. Plan and section drawing.
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November 29, 1920 |
Hugo Bowe Bowe, Hugo M. (Hugo Martin) (Artist)
Student name as written: H. Bowe.
Hugo Martin Bowe received his B.Arch from the University of
Washington in 1938. Following graduation, he worked for Donald Dwight
Willliams, Architect, Seattle 1938-1943; then for Boeing, 1943-1944. After the
war had ended, he worked for George W. Stoddard, 1944-c.1950.
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Freshman year, 1933-1934 |
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item | ||
Bowe 1 | Classical window 1 design/analytique drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 21 3/4 in x 15 in
Monochromatic rendering of an elongated window with arched
pediment and balcony set into a stone wall with detail drawings of decorative
elements and balcony balustrade. Penciled section drawing.
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circa Autumn 1933 |
Bowe 2 |
Sarcophagus - Tomb Ascanio
Sportiae 1 historical drawing : ink on paper ; 27 1/2 in x 20 1/4 in
Pen and ink freshman historical drawing of an ornamented
church altar tomb with relief mouldings and recumbent sculpted figure in
constructed niche framed with entablature.
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April 19, 1934 |
Sophomore year, 1934-1935 |
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item | ||
Bowe 3 | Spring house 1 design/analytique drawing : gouache/watercolor with graphite on paper with
cheesecloth backing ; 30 1/2 in x 40 1/2 in
Sophomore analytique.Monochromatic rendering/elevation of a rectangular spring
house with fountain, enclosed by columns on three sides and a back wall with
images of ancient warriors. Plan shows the open rectangular design with
columns. Detail drawings of Corinthian capital and fountain sculpture.
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circa 1934-1935 |
Junior year, 1935-1936 |
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item | ||
Bowe 4 |
Band-stand 1 sketch problem drawing : charcoal on paper with matting and surface
fixative ; 21 3/4 in x 27 3/4 in
Junior sketch problem [Esquisse-Esquisse].Charcoal rendering of an outdoor bandstand shows a
smooth-faced structure with an elevated stage partially enclosed by thick
pillars supporting a pitched roof.
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circa 1935-1936 |
5th year, 1937-1938 |
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item | ||
Bowe 5 |
A Hydro-electric
Station 1 sketch problem drawing : gouache/watercolor with graphite on paper with
matting ; 22 in x 26 1/2 in
Senior sketch problem [Esquisse-Esquisse].Watercolor rendering with plan and section drawing of a
hydroelectric station on a mountain river with flat, upward sloping roof
supported by a row of pillars on a stone base housing the station pipes.
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circa 1937-1938 |
Architectural ornamentation class |
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item | ||
Bowe 6 |
Pompeiian Wall 1 ornament class project : gouache/watercolor on paper with surface fixative
and matting ; 22 in x 28 in
Architectural ornamentation class project.Painted elevation of a wall with contrasting colors and
warrior figures.
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circa 1935-1937 |
Catharine Boyd Boyd, Catharine (Artist)
|
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Freshman year, 1925-1926 |
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item | ||
Boyd 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 19 3/4 in x 13 3/4 in
Freshman lettering exercise of Roman inscription capital
letters G, X, K, S, H, B.
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circa 1925-1926 |
Barrie D. Branch Branch, Barrie D. (Artist)
Student name as written: B. D. Branch.
Barrie Dale Branch received his B.Arch from the University of
Washington in 1943.
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Freshman year, 1939-1940 |
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item | ||
Branch B 1 |
Courtyard with two-story balcony 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 18 in x 25 3/4 in
Freshman analytique provides an elevation of the facade of a
neoclassical building with stone base and exterior colonnade with Corinthian
columns and entablature on the upper level. Detail drawing of door; Corinthian
column base, shaft, and capital. Penciled plan and section drawing.
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circa Spring 1940 |
Ken Branch Branch, Kenneth G., 1914-1991 (Artist)
Student name as written: Ken G. Branch.
Kenneth Branch received his B.Arch from the University of
Washington in 1939.
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Sophomore year, 1935-1936 |
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item | ||
Branch K 1 |
A Commercial Dog
Kennels Assignment title: Residence and dog kennel.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 31 in x 39 3/4 in
Sophomore design.Watercolor rendering/elevation of a stone dog kennel with
gable roof and fenced areas. Plan shows a main building with living and
administrative areas, courtyard, and attached wing of kennel runs (yards) and
shelters. Section drawing shows reception, feed room, and food storage.
|
circa 1935-1936 |
Senior year, 1937-1938 |
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item | ||
Branch K 2 |
A Bus Terminal Assignment title: Bus terminal in small city.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 3/4 in x 39 3/4 in
Design drawing includes two section drawings providing views
into the interior of the bus terminal waiting area, and a site plan showing the
layout of the terminal with transit lanes, loading areas, offices, and public
areas.
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December 11, 1937 |
Howard Branchflower Branchflower, Howard V. (Artist)
Student name as written: H. V. Branchflower.
|
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Freshman year, 1926-1927 |
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item | ||
Branchflower 1 | Classical vase in niche 1 design/analytique drawing : ink wash on paper ; 24 in x 18 in
Monochromatic rendering/elevation of wall niche with lidded
vase framed by engaged Doric columns, entablature, and pediment in a garden
setting; detail drawings of lidded vase, entablature triglyphs, scroll, and
pediment; small section drawing.
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circa 1926-1927 |
Glenn Brewer Brewer, Glenn D. (Glenn Darrell) (Artist)
Glenn Darrell Brewer received his B.Arch in 1958 from the
University of Washington.
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Junior year, 1955-1956 |
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item | ||
Brewer 1 |
Observation Platform at Gatty
Falls 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 in x 39 3/4 in
Junior, Grade II project.Watercolor and ink rendering/elevation of a stone and wood
building with upwards angled roof and observation deck overlooking a waterfall
in the modernist style. Exterior elevations provide more views of the
observation deck. Plan shows provision for a sleeping area on the upper level.
Section drawing reveals a souvenir stand.
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Autumn 1955 |
5th year, 1957-1958 |
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Nevada state capitol building Assignment title: State capitol building.
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item | ||
Brewer 2a | Drawing 1:A Capitol Building
for Nevada 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 40 in x 40 1/2 in
Monochromatic watercolor perspective drawing shows a
windowed building with thick cylindrical projections flanking the entrance.
Longitudinal section drawing shows lobby with decorative paneling and a
presentation area inside one of the cylindrical towers. Transverse section
drawing shows the building as it exits to parking garage on lower terrace. Plot
plan indicating topographic features shows additional buildings in complex
including state offices, justice department, and Governor's office arranged
around a rectangular pool with Governor's mansion behind complex.
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December 13, 1957 |
Brewer 2b | Drawing 2:Nevada State
Capitol 1 design drawing : gouache/watercolor with ink on paper ; 40 in x 40 1/2 in
Multiple plans show the main level, upper level, and lower
level of the Nevada state capitol building, with employee and service areas on
lower level and administrative and legal areas on the main and upper levels.
Circular pillars at each end house the stairways, gallery, exhibition area, and
chambers for the Senate and House.
|
December 13, 1957 |
Roy Brobeck Brobeck, R. A. (Roy A.) (Artist)
Student name as written: R. A. Brobeck.
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Freshman year, 1922-1923 |
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item | ||
Brobeck 1 |
Ionic Order 1 drawing exercise : ink on paper ; 23 3/4 in x 18 in
Pen and ink drawing exercise of an Ionic column including
plan of capital and entablature; elevation and section drawing of columns and
entablature; and detail drawings of base, shaft, capital, and entablature.
|
January 13, 1923 |
Brobeck 2 |
The Tuscan Order 1 drawing exercise : ink on paper ; 23 3/4 in x 18 in
Pen and ink drawing exercise of the Tuscan order includes
detail drawings of base, shaft, capital, and entablature; section drawing
through columns and entablature; plan of column base; and ceiling plan of
column showing capital and soffit.
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circa 1922-1923 |
Sophomore year, 1923-1924 |
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item | ||
Brobeck 3 | Family tomb 1 design/analytique drawing : gouache/watercolor and ink on paper ; 20 in x 29 1/2 in
Class B analytique.Monochromatic rendering/elevation with plan and section
drawing of a mausoleum. The mausoleum has a simple cornice and trigylph along
the top and an inset entrance portico formed by two heavy columns housing a
door with religious cross. Plan and section drawing reveal the interior of the
building with a set of niches opposite each other near the entrance and a
larger area in the back for housing stacked coffins.
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circa Autumn 1923 |
Stanley Brogren Brogren, Stanley C. (Artist)
Stanley Brogren received his B.Arch from the University of
Washington in 1929.
|
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Freshman year, 1925-1926 |
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item | ||
Brogren 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 13 1/2 in x 19 1/2 in
Freshman lettering exercise of Roman inscription capital
letters Z, S, X, C, W, D.
|
circa 1925-1926 |
Junior year, 1927-1928 |
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item | ||
Brogren 2 |
An Entertainment
Pavilion 1 design drawing : watercolor wash with graphite, white, and ink on
paper with cheesecloth backing ; 26 3/4 in x 36 in
Class B IV projet. Stamped with Society of Beaux Arts
Architects seal indicating the design was judged in the national
competition.Watercolor elevation of building, plan showing octagonal
central area with side wings, and section drawing of the building.
|
circa 1927-1928 |
Brogren 3 | Industrial scene 1 freehand sketch : graphite on paper ; 13 1/2 in x 10 1/2 in
Freehand sketch of an industrial scene with wooden buildings
and smokestack.
|
April 7, 1928 |
Senior year, 1928-1929 |
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item | ||
Brogren 4 |
A Zoological Garden 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 36 in x 26 1/2 in
Entered in the Bebb Prize design competition and awarded
"2nd Medal."Site plan for a zoological garden showing a main building
with cage-style dome and two smaller buildings around a fountain plaza and
semicircular park with walkways around the back of the main building.
Watercolor rendering/elevation of the three buildings. Section drawing through
multiple buildings.
|
circa Autumn 1928 |
Donald Brunson Brunson, Donald J. (Donald John) (Artist)
Donald John Brunson received his B.S. in Interdisciplinary
Engineering in 1930.
|
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Senior year, 1929-1930 |
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item | ||
Brunson 1 |
An Entrance to an Amusement
Park 1 design drawing : gouache/watercolor with graphite on paper with
cheesecloth backing ; 57 in x 39 in
Colorful rendering/elevation with plan of a ticket booth and
entrance plaza for an amusement part. Octagonal booth has windows for ticketing
and lettered sign on each side with spotlight on top. Plaza has colorful flags
and rollercoasters are visible beyond the entrance plaza's wall.
|
circa 1929-1930 |
Brunson 2 |
A Zoological
Laboratory 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 61 1/4 in x 39 1/2 in
Class A V projet. Stamped with Society of Beaux Arts
Architects seal indicating the drawing was judged in the national
competition.Rendering/elevation of a Romanesque style building with
heightened center section with decorative relief and Romanesque arched doorway.
Front area of building is attached to a larger, glass-enclosed section of the
building housing an aviary and bird pond. Perimeter walkway around lecture hall
and aviary provides viewing areas for reptiles, carnivores, and quarantine
cages and access to research and administrative areas, veterinary clinic, and
library.
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circa 1929-1930 |
Thomas W. Brunton Brunton, Thomas W. (Artist)
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item | ||
Brunton 1 |
A Tomb 1 historical drawing : ink on paper ; 20 in x 28 in
Pen and ink freshman historical drawing of an ornamented
church altar tomb with recumbent sculpted figure on a footed base; detail
drawings of relief mouldings.
|
circa 1937-1938 |
Edwin Bryant Bryant, Edwin R. (Artist)
Student name as written: Ed Bryant.
Edwin Bryant received his B.Arch from the University of
Washington in 1949.
|
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Sophomore year, 1945-1946 |
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item | ||
Bryant E 1 | Museum entrance Assignment title: Entrance to a Museum of Indian Art
analytique.
1 design/analytique drawing : gouache/watercolor on paper ; 30 3/4 in x 39 3/4 in
Sophomore analytique.Monochromatic rendering/elevation of the entrance to a
museum with wooden roof curved upwards at the ends and three panels of
elongated windows above three sets of double doors with geometric pattern.
Partial plan shows entrance portico. Detail drawings of door and roof
ornamentation. Partial section drawing shows a gallery with open truss.
|
circa 1945-1946 |
Unknown dates |
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item | ||
Bryant E 2 |
Bell shelter 1 sketch problem : gouache/watercolor on paper with
matting ; 22 in x 28 in
Sketch problem of a bell shelter with stone pillars and
wooden roof rendered in watercolor.
|
circa 1946-1948 |
Ned Bryant Bryant, Ned (Artist)
|
||
Freshman year |
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item | ||
Bryant N 1 | Arch with graded wash 1 drawing exercise : ink wash on paper ; 19 3/4 in x 14 in
Freshman drawing exercise of a stone arch with watercolor
wash to show gradations in shadow and texture.
|
undated |
Erling Bugge Bugge, E. H. (Erling Hendriks) (Artist)
Student name as written: E. H. Bugge; E. Bugge.
Erling Bugge was the student recipient of the 1935 AIA Award for
Distinction in Design. Bugge worked as Head of the Real Estate/Construction
Department at Sears Roebuck, 1939-1950, then for William G. Brust and
Associates, 1951-1954. Later career unknown.
|
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Freshman year, 1930-1931 |
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item | ||
Bugge 1 | Classical window 1 design/analytique drawing : ink wash with graphite on paper ; 21 3/4 in x 16 in
Freshman analytique.Monochromatic rendering of an elongated window with pediment
and balcony set into a stone wall with detail drawings of decorative elements
and balcony balustrade. Penciled plan and section drawing.
|
1930 |
Bugge 2 |
Memorial Chapel 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 22 3/4 in x 30 1/2 in
Watercolor rendering with penciled plan and section drawing
of a walled plaza with tomb enclosed by two stairwells leading to a chapel with
stained glass cross window. Plan shows the layout of the chapel and site, while
the section drawing reveals the richly decorated interior.
|
June 8, 1931 |
Bugge 3 |
Monument to Bernardino Lonato
in Church of St. Mary of the People, Rome 1 historical drawing : graphite and ink on paper ; 15 3/4 in x 22 in
Freshman historical drawing of a church altar tomb with
plan, elevation, and section drawing of base mouldings and tomb
ornamentation.
|
1930 |
Bugge 4 |
Vase in niche 1 design/analytique drawing : ink wash with graphite on paper ; 20 1/2 in x 28 in
Monochromatic rendering/elevation of niche with vase framed
by engaged Roman Doric columns and entablature in a garden setting with plan;
section drawing; and detail drawings of vase, entablature, and relief
panel.
|
circa Winter 1931 |
Sophomore year, 1931-1932 |
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item | ||
Bugge 5 |
A Loggia 1 design/analytique drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 30 1/2 in x 39 3/4 in
Third sophomore analytique. Local problem.Watercolor rendering of a loggia shows a colonnaded opening
with three windowed doorways on the upper level of a building with highly
ornate relief and tympana overlooking a fountain. Detail drawings of decorative
urn, fountain, and stone column.
|
circa 1931-1932 |
Bugge 6 |
A Private Chapel 1 design/analytique drawing : watercolor wash with white and ink on paper with
cheesecloth backing ; 30 3/4 in x 39 1/2 in
Fourth sophomore analytique.Elevation of the main altar for a private chapel; plan;
longitudinal section drawing of the chapel shows the richly decorated interior
with Corinthian columns, armchair seating, and wall decoration; detail drawing
of altar table with statue and candles.
|
circa Winter 1932 |
Bugge 7 |
Stair and waterfall 1 sketch problem : gouache/watercolor on paper with
matting ; 20 in x 30 in
Sophomore esquisse-esquisse.Watercolor rendering of a terraced waterfall with side
stairwell in a park setting.
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circa 1931-1932 |
Junior year, 1932-1933 |
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item | ||
Bugge 8 |
A Consolidated Ticket
Office 1 design drawing : watercolor with graphite, white, and ink on paper
with cheesecloth backing ; 30 3/4 in x 39 3/4 in
Watercolor rendering/elevation of building facade with
lettering and painted mural of the globe; section drawings shows ticket windows
under a large painted mural of the globe with steamships; floor plan shows
public and administrative areas around the ticket lobby.
|
November 10, 1932 |
Bugge 9 |
Ferry wharf 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 30 3/4 in x 39 1/2 in
Third junior project.Rendering/elevation of building from the water view. Plan
shows the ferry wharfs, passenger area, site/transit plan with traffic lanes,
railroad, and ground transport; section drawing through terminal shows a
windowed wall with clock.
|
circa Winter 1933 |
Bugge 10 |
Post Office 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 30 3/4 in x 39 1/4 in
Junior project.Elevation of building with entrance portico housing a
windowed entrance facade behind a row of columns. Plan and section drawing
shows public and administrative areas on the basement and ground floors;
additional plan shows a park with public square and section drawing of the
fountain.
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circa 1932-1933 |
Senior year, 1933-1934 |
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item | ||
Bugge 11 |
Gymnasium building for a
boy's school Assignment title: Athletics building for a boys'
school.Student titled drawing: Gymasium Bldg. for a Boy's School.
[sic]
1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 32 1/2 in x 40 1/4 in
Last junior projet.Watercolor rendering/elevation of a brick recreation
building. Plans show the ground floor recreation and locker areas with trophy
hall and the basement level with squash courts and recreation areas. Section
drawing through the building shows the trophy hall, play courts and pool.
|
December 10, 1933 |
Bugge 12 |
Outdoor Summer Automat 1 sketch problem : colored pencil and graphite on illustration board
with matting ; 22 in x 28 in
Inscribed on matting: Sen. Esquisse-Esquisse.Graphite rendering of an outdoor food court in the modernist
style. Plan of building drawn on the matting shows kitchen, food wall, drinking
fountain, and wash room.
|
circa 1933-1934 |
5th year, 1934-1935 |
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item | ||
Bugge 13 |
Episcopal cathedral group,
Dependent Building, Bishopric of Seattle 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 36 in x 58 in
Class A design. Senior project.Front and rear elevations of a church with heightened nave
with rows of stained glass windows. Rear elevation shows apse and lady chapel,
connected to other buildings via colonnaded walkway. Plot plan shows
quarter-circle site with cathedral, entrance plaza, and additional buildings
housing the Synod Hall, bishop's and dean's offices, dean's and bishop's
residences, refectory, classrooms, administrative offices, library, and
dormitory housing. Section drawing through nave.
|
1934 |
Bugge 14 |
Seattle Public Library Assignment title: Urban library.
1 design drawing : ink wash with graphite on paper ; 40 1/2 in x 59 3/4 in
Rendering/elevation of a proposed design for the Seattle
Public Library. The building has three sets of three elongated windows,
separated by academic-themed reliefs and inscriptions, and three entrance
doorways with circular design and relief medallions. Multiple plans show two
floors of the building with ground floor auditorium, stacks, bindery,
cataloging offices, administrative offices, periodical stacks, and children's
sections arranged around a central lobby; and upper level stacks, music
library, art library, circulation desk, and windowed reading room. Longitdunal
section drawing through building. Bird's eye perspective.
|
1934 |
Architectural ornamentation class |
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item | ||
Bugge 15 |
Gothic round window 1 ornament class project : gouache/watercolor on paper ; 27 3/4 in x 22 in
Architectural ornamentation class project.Round stained glass window with centered circular design of
a religious figure with inscription encircled by a vine with acanthus leaves
and bands of small circles in contrasting colors.
|
circa 1932-1934 |
Daniel Bysom Bysom, D. H. (Daniel H.) (Artist)
Student name as written: Bysom, D. H.
Daniel H. Bysom received his B.Arch from the University of
Washington in 1943.
|
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Senior year, 1941-1942 |
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item | ||
Bysom 1 | Orthodox synagogue and community center 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 1/4 in x 62 in
Watercolor rendering/elevation with plan and section drawing
of a domed synagoguge with arched windows around the base of the dome; dome is
atop a square building with attached wing; multiple landings of stairs lead to
the entrance, offset between the worship area and attached wing with stained
glass windows. Plot plan shows the triangular site with synagoguge and attached
administrative offices, library, classrooms, stage, and Synod Hall. Section
drawing through dome, entrance lobby, and Synod Hall.
|
circa 1941-1942 |
Grace Cameron Cameron, Grace (Artist)
Student name as written: Cameron.Alternate name: Grace Cameron Burner.
Grace Cameron Burner received her B.Arch in 1943 from the
University of Washington.
|
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Freshman year, 1938-1939 |
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item | ||
Cameron 1 |
End Pavilion of a Public
Building 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 19 in x 25 in
Freshman analytique provides a monochromatic
rendering/elevation of the end pavilion of a neo-classical building with an
elongated window partially framed by engaged columns with Corinthian capitals.
Detail drawings of fluted column shaft, cornucopia, and column base, and
Corinthian capital. Plan of Corinthian capital. Lightly penciled plan and
section drawing.
|
circa Spring 1939 |
Cameron 2 | Outdoor stage 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 16 1/2 in x 25 3/4 in
Watercolor rendering/elevation with penciled plan and
section drawing of a semi-circular outdoor theatre with Ionic colonnade.
|
circa Spring 1939 |
Sophomore year, 1939-1940 |
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item | ||
Cameron 3 |
Museum Assignment title: Recessed entrance to art museum.
1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 30 3/4 in x 39 3/4 in
Monochromatic rendering/elevation of an art museum entrance
portico housing two sculptures flanking the doorway. Portico has orante
entablature supported by fluted Corinthian columns. Partial plan shows the
front portico; plan of column capitol. Detail drawings of inscription
lettering, sculpture, and column shaft. Section drawing through portico.
|
circa 1939-1940 |
Cameron 4 | Restaurant Assignment title: Restaurant for hikers and cyclists in
wooded area.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 31 in x 39 3/4 in
Watercolor rendering/elevation of a modernist stone and
glass building in a wooded area. Exterior elevation shows the back of the
building, with stone wall surrounding the dining terrace. Section drawing shows
seating and waiting areas; plan.
|
circa Spring 1940 |
Cameron 5 | Spring house 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 30 3/4 in x 39 3/4 in
Sophomore analytique.Monochromatic rendering/elevation of a spring house with
terra cotta roof and Corinthian colonnade with balustrade housing an alcove
with fountain. Partial plan shows the building's rectangular design with stairs
leading to fountain and additional walled rooms behind the fountain. Detail
drawings of fountain sculpture, inscription lettering, and column base. Lightly
penciled section drawing shows arched interior roof and attached section with
lower ceiling over the walled rooms.
|
circa 1939-1940 |
Senior year, 1941-1942 |
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item | ||
Cameron 6 |
Crematory 1 design drawing : gouache/watercolor with graphite, ink, and colored
pencil on paper ; 40 1/2 in x 59 3/4 in
Crematory building with elevations of facade and obelisk,
plans of main building and site; section drawing of main building.
|
circa 1941-1942 |
Cameron 7 |
Student Union 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 59 3/4 in
Design drawing provides a watercolor rendering/exterior
elevation of a modernist building with flat roof and curved sections of
floor-to-ceiling windows, multiple plans, and a section drawing through the
building. Plans show the first floor with cafeteria, offices, bookstore, and
dining terrace; second floor with lounge, memorial room, dining terrace, and
barber shop; third floor terrace and ballroom; basement recreation areas.
|
circa 1941-1942 |
Architectural ornamentation class |
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item | ||
Cameron 8 | Gothic round window 1 ornament class project : gouache/watercolor on tissue paper with
matting ; 34 1/2 in x 28 in
Architectural ornamentation class project.Round stained glass window with centered circular design of
a religious figure bordered by a narrow band with inscription and a wider outer
band with partially-colored vine and acanthus leaves.
|
circa 1940-1942 |
Hurshal H. Campbell Campbell, Hurshal H., 1907-1980 (Artist)
|
||
Freshman year, 1926-1927 |
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item | ||
Campbell H 1 | Corinthian pavilion 1 design/analytique drawing : graphite on paper ; 22 1/4 in x 16 1/4 in
Design/analytique drawing includes an ink
rendering/elevation of a rectangular building with arched walkways framed by
engaged columns with Corinthian capitals and entablature; detail drawings of
capital, base, entablature, and other decorative elements.
|
circa Spring 1927 |
Campbell H 2 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 17 1/4 in x 13 1/2 in
Freshman lettering exercise of Roman inscription capital
letter V.
|
circa 1926-1927 |
John Campbell Campbell, John D. (John Douglas) (Artist)
John Douglas Campbell received his B.Arch from the University of
Washington in 1947.
|
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Sophomore year, 1941-1942 |
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item | ||
Campbell J 1 | Sarcophagus on an island 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 30 3/4 in x 39 3/4 in
Sophomore analytique.Watercolor rendering/elevation with plan of small island
terrace with a memorial stone pillar capped with sarcophagus. Detail drawing of
the sarcophagus.
|
February 7, 1942 |
Junior year |
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item | ||
Campbell J 2 |
Ceramic factory and display gallery 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 30 1/2 in
Junior design.Design drawing includes a watercolor rendering/elevation of
a long single-story building with minimal decoration, windowed display court,
and round chimney rising from the center section; small perspective drawing;
plan showing the artist studios, kiln room, display court, and public and
administrative areas; section drawing.
|
circa 1945-1946 |
Simon M. Capeloto Capeloto, Simon M. (Artist)
Simon M. Capeloto received his B.Arch from the University of
Washington in 1931.
|
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Sophomore year, 1927-1928 |
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item | ||
Capeloto 1 | War memorial Inscribed as: Argonne Marne Mvse.
1 design/analytique drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 38 3/4 in x 28 3/4 in
Stamped with Society of Beaux Arts Architects seal
indicating the design was judged in the national competition.Monochromatic rendering of a stone monument shows a
sculpture of a man on a square stone tower atop a stepped base with inscription
and neo-Classical motifs. Detail drawings of stone, sculpture, inscription and
ornamentation. Plan shows the site of the monument.
|
circa 1927-1928 |
Junior year, 1928-1929 |
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item | ||
Capeloto 2 |
An Aquarium 1 drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 34 3/4 in x 27 1/4 in
Class B IV project. Stamped with Society of Beaux Arts
Architects seal indicating the design was judged in the national
competition.Rendering/elevation of an aquarium building with three
doorways framed by decorative chevron relief and boat-shaped stairway leading
to water. Plan shows the park and the aquarium building with a large,
rectangular aquarium in the center of the building and multiple aquarium tanks
along each wall. Section drawing reveals two stories with viewing along the
upper and lower levels.
|
circa Winter 1929 |
5th year, 1929-1930 |
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item | ||
Capeloto 3 |
A Zoological Garden 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 26 3/4 in x 38 1/4 in
Entered in the Bebb Prize design competition and awarded
"1st Mention."Site plan for a zoological garden showing a main building
and two smaller buildings on each side; the site is shown with semi-circles of
enclosures framed with walkways on each side. The elevations of the three
buildings are rendered in watercolor.
|
circa 1929-1930 |
Capeloto 4 |
A Zoological
Laboratory 1 design drawing : gouache/watercolor with graphtie and ink on paper
with cheesecloth backing ; 56 1/4 in x 39 3/4 in
Class A V project.Rendering/elevation of the museum with entrance columns
connected to a glass-enclosed section of the building housing an aviary and
duck pond with perimeter walkway along cages for mammals, amphibians, reptiles,
and carnivores and a rear building housing the quarantine and veterinary areas.
Main museum building houses public and administrative areas, including library
and lecture hall. Section drawing through aviary.
|
circa 1930-1931 |
Bruce Carey Carey, Bruce (Artist)
Bruce Carey received his B.Arch from the University of
Washington in 1943.
|
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Freshman year, 1938-1939 |
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item | ||
Carey 1 | Niche with vase 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 16 1/2 in x 22 1/4 in
Monochromatic rendering/elevation of niche with vase framed
by Doric columns and entablature in a garden setting with penciled plan and
section drawing, column plan, and detail drawings of lidded vase, entablature,
and entablature triglyph.
|
February 8, 1939 |
William H. Carleton Carleton, William H. (William Hodder), 1908-1984 (Artist)
Student name as written: Wm. H. Carleton; W. H. Carleton.
William Hodder Carleton received his B.Arch from the University
of Washington in 1932. After graduating, he worked as a Draftsman for the
George W. Stoddard firm, 1934-1942. Following World War II, Carleton worked
with Arrigo Young and Stephen Richardson, and became a Partner in the firm of
Young & Richardson, 1946-1951; Young & Richardson became Young,
Richardson, Carleton & Detlie, with the addition of John Detlie, 1952-1956.
The firm designed Gaffney's Lake Wilderness Lodge in Maple Valley, 1952, which
received the National AIA Honor Award from the AIA and was later declared a
King County Landmark as a significant example of post-World War II design.
Other notable works from this period include Terry Lander Hall, 1953 and 1957,
and McCarty Hall, 1963, at the University of Washington; the Seattle Parks
Administration Building, 1948; Gethsemane Lutheran Church, 1954; and the Carl
Erickson House at Hunts Point, 1954.When Detlie left the firm in 1956, the name changed to Young,
Richardson & Carleton until 1967 when the firm changed its name again to
The Richardson Associates (later TRA). The firm completed many projects that
include Issaquah High School, 1961; the concourses at Seattle-Tacoma Airport,
1963-1965; and the Bloedell Hall addition to St. Marks Cathedral, 1957-1959.
Carleton retired from the firm in 1974.
|
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Freshman year, 1928-1929 |
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item | ||
Carleton 1 | Classical window 1 design/analytique drawing : graphite with ink wash on paper ; 22 1/4 in x 16 1/4 in
Freshman analytique.Monochromatic rendering of an elongated window with pediment
and balcony set into a stone wall with detail drawings of pediment, decorative
elements, and balcony balustrade. Penciled plan and section drawing.
|
circa 1928-1929 |
Carleton 2 | Doric temple 1 drawing exercise : ink wash on paper ; 23 3/4 in x 18 in
Pen and ink drawing exercise of a temple includes an
elevation of the temple's facade with festoon relief and decorative cornice
above an entrance portico with Doric columns, doorway grille, and relief over
enrtance; plan of temple; section drawing through temple.
|
circa 1928-1929 |
Senior year, 1931-1932 |
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item | ||
Carleton 3 |
Justinian and Theodora
Competition Assignment title: Tomb of Justinian and Theodora.
1 design drawing : pastel with charcoal, graphite, and colored pencil
on paper with cheesecloth backing ; 45 1/4 in x 38 in
Senior/5th year design. Class A projet.Pastel rendering/section drawing of the interior of a tomb
with religious mural behind an altar. Plan reveals the cross-shaped tomb with
stairs leading to the altar and fountains at each landing.
|
circa 1931-1933 |
Carleton 4 |
A Small Opera House 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 39 1/2 in x 54 3/4 in
Class A V projet.Longitudinal section drawing of opera house shows the
interior decoration and placement of the entrance lobby, foyer, auditorium
seating, stage, and green room. Plan and isometric projection shows various
levels of the building's exterior. Transverse section drawing reveals
stage.
|
circa 1931-1932 |
Don Carlson Carlson, C. Don (Artist)
Student name as written: C. Don Carlson.
|
||
Freshman year, 1939-1940 |
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item | ||
Carlson CD 1 | Arch with graded wash 1 drawing exercise : ink wash on paper ; 21 in x 15 in
Freshman drawing exercise of a stone arch with watercolor
wash to show gradations in shadow and texture.
|
circa 1939-1940 |
Carlson CD 2 | Courtyard with two-story balcony 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 18 in x 25 3/4 in
Freshman analytique provides an elevation of the facade of a
neoclassical building with stone base and exterior colonnade with Corinthian
columns and entablature on the upper level. Detail drawing of entablature;
balustrade; grille; Corinthian column base, shaft, and capital. Section drawing
through building.
|
April 24, 1940 |
Paul G. Carlson Carlson, Paul Gordon, 1912-1987 (Artist)
Paul Gordon Carlson received his B.Arch from the University of
Washington in 1935. He worked for Carlson, Eley, Grevstad & Peterson,
1946-1949; the firm changed its name to Carlson, Eley & Grevstad in
1950.
|
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Sophomore year, 1930-1931 |
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item | ||
Carlson P 1 |
A Sportsman's Stables Assignment title: Polo stables.
1 design drawing : gouache/watercolor with graphite, white, and ink
on paper ; 39 3/4 in x 31 in
Local projet.Watercolor rendering with elevation of a polo stable in
stone with entrance tower and steeply gabled roof. Plan shows the rectangular
complex with stables along the side and back enclosing a stone courtyard with a
two buildings housing recreation and work areas. Longitudinal drawing through
the entrance tower, courtyard, and stable.
|
circa Spring 1931 |
Junior year, 1931-1932 |
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item | ||
Carlson P 2 |
A Crematory 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 40 1/2 in x 30 3/4 in
Watercolor rendering/elevation of a stone crematory building
with tall center section and entranceway flanked by two eagle-capped columns.
Plaza with stone wall carved with funeral procession relief. Plan shows the
layout of the building with chapel, cremation units, and administrative areas.
Section drawing through building shows the plaza, chapel, and skylit lobby.
|
circa Winter 1932 |
Carlson P 3 |
A Suburban Bank 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 30 1/2 in x 39 3/4 in
Junior projet.Watercolor rendering/elevation of the rectangular building
shows a windowless facade with geometric patterns inlaid into the brick. Plan
and section drawing through the center section shows the teller lobby and
administrative areas.
|
circa Autumn 1931 |
Carlson P 4 |
A Suburban Police
Station 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 39 1/2 in x 30 3/4 in
Junior projectTwo watercolor and ink renderings/elevations of a one-story
brick building with horizontal row of windows and garage. Plan shows the
rectangular building with public areas, magistrate's court, prison cells, and
administrative areas
|
circa 1931-1932 |
Senior year, 1932-1933 |
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National research center Senior design thesis.
|
||
item | ||
Carlson P 5a | Drawing 1:A National
Research Center Assignment title: National Scientific Research
Center.
1 design drawing : charcoal on paper with cheesecloth
backing ; 35 1/2 in x 57 1/2
in
Site plan for a research center shows student dormitories,
library, auditorium, museum, and buildings for engineering labs, physics,
geology, and chemistry arranged in a triangle with additional area providing
housing, living areas, and recreation ares for employees and faculty.
|
circa Spring 1933 |
Carlson P 5b |
Drawing 2:Central group of a
national research center 1 design drawing : watercolor wash with graphite and ink on paper
with cheesecloth backing ; 28 1/2 in x 35 1/4
in
Partial site plan shows the semi-circular museum and
administration building arranged on a plaza.
|
circa Spring 1933 |
5th year, 1934-1935 |
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item | ||
Carlson P 6 |
Episcopal cathedral group 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 38 1/2 in x 57 1/4 in
Watercolor rendering/elevation of the front and rear of a
cathedral with spire, buttressing, clerestory, venetian arched windows, and
apse. Front elevation shows the facade with rose window and portico housing a
set of double doors. Site plan shows the cathedral connected via walkway to
additional buildings arranged around a courtyard housing classrooms, refectory,
Synod Hall, library, and administrative offices; smaller buildings house
bishop's living areas and servant areas. Section drawing through nave.
|
circa Autumn 1934 |
Ted B. Carroll Carroll, Ted B. (Theodore Byrnette), 1903-1979 (Artist)
Student name as written: T. B. Carroll.
Theodore Byrnette Carroll was employed by Andrew Willatsen,
1927-1930. He formed the Smith & Carroll partnership, 1931-1937, with
Francis Smith, Jr. University of Washington alumni Perry Bertil Johanson later
rose to partner in the firm, forming Smith, Carroll & Johanson,
1937-1951.
|
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Freshman year, 1923-1924 |
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item | ||
Carroll 1 | Classical vase in niche 1 design/analytique drawing : gouache/watercolor with ink on paper ; 22 in x 16 1/4 in
Monochromatic rendering of niche with vase framed by Doric
columns and pediment in a garden setting with detail drawings of vase,
acroterion, pediment, column shaft, and other decorative elements; section
drawing.
|
March 18, 1924 |
5th year, 1927-1928. |
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item | ||
Carroll 2 |
An ROTC Armory 1 design/thesis drawing : gouache/watercolor with graphite and ink wash on
paper with cheesecloth backing ; 22 1/4 in x 61 1/4 in
Watercolor rendering/elevation of the facade of a domed
armory building with metal doors and elongated windows and center tower with
colonnaded walkways on either side. Cannons and soldiers are shown along the
entrance walkway.
|
Spring 1928 |
Rachel Carter Carter, Rachel (Artist)
Rachel Isabel Carter served as the Secretary for the Department
of Architecture student group Atelier, 1920-1921, and as Social Chair,
1921-1922.
|
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Freshman year, 1919-1920 |
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item | ||
Carter 1 |
Ionic Order 1 drawing exercise : pen and ink on paper ; 21 in x 16 in
Pen and ink drawing exercise of an Ionic column including
plan of capital, elevation of column, and detail drawings of base, shaft,
capital, and entablature.
|
circa 1919-1920 |
Sophomore year, 1920-1921 |
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item | ||
Carter 2 |
A Transept Entrance 1 design/analytique drawing : gouache/watercolor with ink on paper with
cheesecloth backing ; 39 in x 29 1/2 in
Class B I analytique. Stamped with Society of Beaux Arts
Architects seal indicating the design was judged in the national
competition.Rendering/elevation of an entrance with double doors framed
by Corinthian columns, entablature, semi-circular tympanum and pediment. Detail
drawings of column capital, doorway molding, and frieze along wall. Plan and
section drawing.
|
November 29, 1920 |
Casey, Flora Allen See: Flora Sofie Allen.
|
||
Winifred Ceis Ceis, Winifred (Artist)
Alternate names: Winifred Ceis Savery.Student name as written: Ceis.
Winifred Luther Savery received her B.Arch from the University
of Washington in 1949. Following graduation, she worked as a draftswoman for
Robert I. Mattson, Architect, Seattle, 1949-1952; then as a draftswoman for
Roger Jacques Gotteland, Architect, Seattle, 1953-1955. She worked for the
University of Washington from 1957 until an unknown date, and later worked in
private practice. Savery served on the Washington State Electrical Contractors
Board, 1974-1975. She retired from architectural practice in 2008.
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||
5th year, 1948-1949 |
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item | ||
Ceis 1 | Concert hall Assignment title: Concert hall in a park.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 in x 39 3/4 in
Watercolor perspective drawing shows the covered walkway
with flat roof and narrow columns leading to the windowed lobby of a concert
hall. Transverse and longitudinal section drawings show the concert hall stage
and seating area.
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circa 1948-1949 |
Robert W. Champion Champion, R. W. (Robert Wendall) (Artist)
Student name as written: R. W. Champion.
Robert Wendall Champion received his B.S. in Biology and his
B.Arch from the University of Washington in 1960. He returned to the University
of Washington to earn his M.Arch in 1981. Champion served as President of the
AIA Seattle Chapter, 1971; and as 2nd Vice President in 1978.
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Junior year, 1957-1958 |
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item | ||
Champion 1 | Church sanctuary Assignment title: Episcopal church sanctuary.
1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 30 in x 39 1/2 in
Grade II analytique.Monochromatic rendering/elevation of the main altar of a
sanctuary with detail drawings of the altar table and candle, relief
medallions, and tile mosaic. Plan and section drawing show the rectangular
sanctuary with seating.
|
Winter 1958 |
Larry Chantry Chantry, Laurent M. F., 1922-2002 (Artist)
Laurent M. F. "Larry" Chantry received his B.Arch from the
University of Washington in 1949. He worked as an architect and engineer for
the U.S. government and was known in the Seattle arts community for his work as
a sculptor, painter, and photographer.
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5th year, 1948-1949 |
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item | ||
Chantry 1 | Library Assignment title: Large public library.
1 design drawing : ggouache/watercolor with colored pencil, graphite,
and ink on paper ; 41 in x 60 in
Multiple elevations of a library building in the modernist
style shows a flat-roofed building with floor-to-ceiling windows interrupted by
a windowless heightened section, slightly offset from the entrance. Plan shows
outdoor reading court, reading rooms, reference room, cataloging offices,
library cataloging, exhibition areas for art and sculpture, art library,
auditorium, bindery, and administrative offices. Additional plans show basement
service areas, children's room, and reading table design and placement.
Multiple section drawings.
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circa 1948-1949 |
William G. Chester Chester, William G. (Artist)
Student name as written: W. G. Chester.
William G. Chester received his B.Arch from the University of
Washington in 1928.
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Sophomore year, 1925-1926 |
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item | ||
Chester 1 |
A Greek Theatre 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 38 3/4 in x 27 3/4 in
Elevation of semi-circular colonnaded stage with plan and
section drawing of colonnade.
|
March 13, 1926 |
James J. Chiarelli Chiarelli, James J. (James Joseph), 1908-1990 (Artist)
Student name as written: J. J. Chiarelli.
James Joseph Chiarelli received his B. Arch degree from the
University of Washington in 1934. Following graduation, he worked for a variety
of firms including H. E. Kirkemo in Missoula, 1938; Smith, Carroll &
Johanson, 1939-1940; and Naramore and Associates, 1940-1942. During World War
II, he served as a field architect for the Vancouver Housing Authority,
1942-1943.After the war had ended, he returned to Seattle and worked
briefly with Naramore, Brady, Bain & Johanson, 1943-1944, before forming a
short-lived, but well-regarded, partnership with Paul Hayden Kirk, c.1945-1950.
The partnership, Chiarelli & Kirk, was especially known for creating
modernist structures in a Pacific Northwest Regional mode. Notable buildings
include the Crown Hill Medical-Dental Clinic in Seattle, 1947; Lakewood
Community Church, 1949; and Samuel Crockett House on Mercer Island, 1950. In
1951, he opened his own practice as James J. Chiarelli. He worked with Marcus
Priteca to design the Opera House at Seattle Center, 1959-1962. Other notable
projects include the Pierce County Blood Bank in Tacoma, 1951; and the Burke
Museum of Natural History and Culture, 1962.He served as the president of the Washington State AIA,
1956-1958; president of the Architectural Alumni Association; and served on the
board of Seattle Municipal Arts Commission. He was elected to the AIA College
of Fellows in 1959.
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Freshman year, 1929-1930 |
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item | ||
Chiarelli 1 | Classical vase in niche 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 22 1/4 in x 16 1/2 in
Monochromatic rendering/elevation of niche in wall with vase
framed by Doric columns and pediment in a garden setting with detail drawings
of vase, entablature, pediment, and other decorative elements. Penciled plan
and section drawing.
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circa Winter 1930 |
Chiarelli 2 |
Fontaine di S. Spirito 1 historical drawing : ink on paper ; 19 3/4 in x 27 3/4 in
Pen and ink section drawing through an ornate fountain.
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June 7, 1930 |
Sophomore year, 1930-1931 |
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item | ||
Chiarelli 3 |
An Entrance to an Artillery
School 1 design/analytique drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 23 in x 28 1/4 in
Monochromatic analytique provides an elevation of the
entrance gateway to an artillery school. The large stone arch is flanked by two
pillars supporting a pediment with military relief, and is attached to a wall
with pedestrian entrance and fountain niche on either side of the pillars.
Penciled along the top of drawing is a section drawing through the arch and
plan of the gateway.
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March 16, 1931 |
Chiarelli 4 |
An Entrance to Science
Building 1 design/analytique drawing : gouache/watercolor with ink on paper with
cheesecloth backing ; 30 3/4 in x 39 3/4 in
Sophomore analytique. Stamped with Society of Beaux Arts
Architects seal indicating that the design was judged in the national
competition.Monochromatic rendering with elevation of an entrance
portico to a science museum. Doors with decorative grille are shown under
elongated panels with decorative motifs from the sciences. Portico is topped
with stone carvings and lettered names of famous scientists. Plan and section
drawing through portico; detail drawings of column, statue, and carved
stone.
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circa 1930-1931 |
Chiarelli 5 |
A Foot Bridge 1 design/analytique drawing : gouache/watercolor with graphite on paper with
cheesecloth backing ; 30 1/2 in x 40 in
First sophomore analytique. Stamped with Society of Beaux
Arts Architects seal indicating that the design was judged in the national
competition.Rendering/elevation of an arched stone footbridge with
memorial archway on top of bridge. Detail drawings of stone, carved pattern,
and urns. Plan of bridge; section drawing through archway.
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circa 1931 |
Chiarelli 6 |
A Polo Stable 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 39 3/4 in x 31 in
Sophomore local problem.Watercolor rendering/elevation of a polo stable in stone
with center tower and steeply gabled red roof. Plan shows the three-quarter
circle complex wrapped around a stone courtyard with the feed room tower
centered to the back and connected to curved rows of stables on either side.
Two smaller buildings frame the front the entrance. Section drawing through the
feed tower shows the courtyard-facing walls of the stable enclosures
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May 9, 1931 |
Senior year, 1932-1933 |
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item | ||
Chiarelli 7 |
Beaux-Arts Ball and World
Cruiseprogram cover illustration 1 sketch problem : gouache/watercolor with graphite on paper with
matting ; 28 1/4 in x 22 in
Senior sketch problem provides a colorful watercolor design
with masked face and decorated sphere inscribed, "Beaux-Arts Ball and World
Criuse." [sic]
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October 28, 1932 |
Chiarelli 8 |
A Concert Hall Assignment title: Concert hall as monument to J. S.
Bach.
1 design drawing : charcoal and gouache/watercolor with graphite and
ink wash on paper with cheesecloth backing ; 60 in x 38 3/4 in
Class A projet.Design drawing includes a perspective of the building, plan
showing the reception room, grand foyer, processional stage, and seating area,
a section drawing. Drawing has a hydraulic stage seen in both the plan, section
drawing, and a penciled elevation.
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June 1, 1933 |
Chiarelli 9 |
A Scientific Research
Center Assignment title: National scientific research center.
1 design drawing : charcoal and gouache/watercolor with colored
pencil and ink on paper with cheesecloth backing ; 61 in x 40 in
Class A projet.Site plan of a research center campus with multiple
buildings for the sciences and library, dormitory housing, and museum. Plan of
the semi-circular museum included.
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April 28, 1933 |
5th year, 1933-1934 |
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An American Embassy in Soviet
Russiathesis Class A projet.
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item | ||
Chiarelli 10a |
Drawing 1 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 55 3/4 in x 40 in
Watercolor rendering/elevation of the front and back of an
embassy building on the Moskva River. Elevation shows the flat-roofed building
with elongated channels of windows and centered reception terrace with
fountain. Plan shows the main exhibition area, gallery, banquet room, state
salon, drawing room, and ambassador's rooftop terrace; residences and gardens
on the riverside wing of building.
|
circa Autumn 1933 |
Chiarelli 10b | Drawing 2:An American
Embassy in Soviet Russia 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 61 in
Two watercolor rendering/elevation drawings of the front
and back of an embassy building. Plot plan shows the layout of the L-shaped
building on water with garden terraces, fountain terrace, and main building
housing gallery, state salon, banquet hall, dining room, drawing room, morning
room, and a windowed stair hall in a rounded corner of the building.
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December 20, 1933 |
Chiarelli 10c | Drawing 3 1 design drawing : watercolor with graphite and ink on paper with
cheesecloth backing ; 39 1/4 in x 30 1/2
in
Watercolor section drawing through the reception vestibule
reveals the murals on the upper level of the stair hall. Ground floor plan
shows public areas, administrative areas and garage for the ambassador and
attache.
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December 20, 1933 |
Archaeology institute with museum and
spa |
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item | ||
Chiarelli 11a |
Drawing 1:An Archeological
Institute and Winter Spa 1 design drawing : gouache/watercolor with graphite on paper with
cheesecloth backing ; 38 1/2 in x 50 in
Title as written by student.Watercolor site plan shows a walled complex on a terraced
site rendered in a desert setting. Plan shows a domed building at the top of
the site with covered walkways leading to an interior courtyard garden with
pools with double-colonnaded walkways along perimeter.
|
February 17, 1934 |
Chiarelli 11b | Drawing 2:An Archeological
Institute and Winter Spa 1 design drawing : gouache/watercolor with graphite and ink on
paper with cheesecloth backing ; 39 3/4 in x 60 1/4
in
Watercolor site plan shows an archaeological complex with
a multi-story hotel, a domed museum, and spa arranged around an interior
courtyard garden with orchestra and Greek theater. Dormitories, living areas,
and classrooms for students, workers, and archaeologists are arranged in
cliff-side dwellings.
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December 20, 1933 |
Samuel Chinn Chinn, Sam Wing (Artist)
Student name as written: W. Sam Chinn.
Samuel Wing Chinn received his B.Arch from the University of
Washington in 1922, as the first Asian-American graduate in architecture in
Washington state. After graduating, he was employed by Andrew Willatsen from
1922-1926, then by Thomas, Grainger & Thomas,1928-1934. He briefly formed a
partnership with Frederick W. Bockerman, as Bockerman & Chinn, 1937-1938;
then in solo architectural practice, 1939-1940. In 1940, he became employed by
the Federal Housing Administration.
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Freshman year, 1916-1917 |
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item | ||
Chinn 1 |
Classical moldings 1 drawing exercise : ink wash with graphite on paper ; 17 3/4 in x 20 in
Freshman drawing exercise of twelve types of classical
mouldings, each with lettered titles and watercolor gradation of shaded or
curved areas.
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circa 1916-1917 |
Sophomore year, 1917-1918 |
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item | ||
Chinn 2 | Memorial column 1 design/analytique drawing : gouache/watercolor with graphite and ink on paper
with cloth backing ; 39 1/2 in x 30 3/4 in
Sophomore analytique. Stamped with Society of Beaux Arts
Architects seal indicating the design was judged in the national
competition.Rendering/elevation of a memorial column crowned with an
eagle on a stepped stone base in a boat-shaped memorial site. Detail drawings
of Corinthian capital and eagle finial.
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circa 1917-1918 |
Chinn 3 |
A Temple of Love 1 design/analytique drawing : gouache/watercolor with ink on paper with cloth
backing and matting ; 38 1/2 in x 30 in
Sophomore analytique. Stamped with Society of Beaux Arts
Architects seal indicating the design was judged in the national competition. A
piece of paper is adhered to the front of drawing: A Temple of Love / Awarded a
"Mention." / On Public Exhibition at the Studio of the B.A.I.D., _____ St., New
York, April 8-13, '18.Watercolor and ink rendering/elevation of a circular temple
with columns and statue. Detail drawing of Corinthian capital, entablature,
finial, and moulding; plan.
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April 1918 |
Eunice Churchill Churchill, Eunice (Artist)
Student name as written: E. Churchill.
|
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Freshman year, 1920-1921 |
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item | ||
Churchill 1 |
Doric Order 1 drawing exercise : graphite and ink on paper ; 23 in x 16 3/4 in
Pen and ink drawing exercise of the Doric order including
plan, elevation, and detail drawings of column base, shaft, capital, and
entablature.
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circa 1920-1921 |
John Cockcroft Cockcroft, John (Artist)
John Cockcroft received his BA/BS from the University of
Washington in 1934.
|
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Junior year, 1933-1934 Note: Student is listed as a Junior in the 1933-1934 student
directory, however, these assignments would have been completed in the
Architectural Design I class, typically undertaken during the Sophomore year by
architecture students.
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item | ||
Cockcroft 1 |
Family mausoleum 1 design/analytique drawing : monochromatic watercolor wash with graphite on
paper with cheesecloth backing ; 30 1/2 in x 39 1/2 in
Sophomore analytique.Watercolor rendering/elevation of a mausoleum set into a
rock table with entrance featuring a winged sculpture. Detail drawings of urn;
section drawing shows a skylight and tombs; plan shows interior columns.
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February 5, 1934 |
Cockcroft 2 |
Wall with niche and statue 1 design/analytique drawing : monochromatic watercolor wash with graphite on
paper with cheesecloth backing ; 30 3/4 in x 39 3/4 in
Sophomore analytique.Monochromatic rendering/elevation of a arched niche with
statue on top of a fountain framed in detail of the wall's cornice. Detail
drawings of fountain sculptures and column capital. Penciled section drawing
and partial plan.
|
March 14, 1934 |
Helen Coleman Coleman, Helen (Artist)
Student name as written: Coleman.Alternate name: Helen Coleman Greer.
Helen Coleman Greer received her B.Arch from the University of
Washington in 1947.
|
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Freshman year, 1942-1943 |
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item | ||
Coleman 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 19 3/4 in x 14 3/4 in
Freshman lettering exercise of Roman inscription capital
letters J, P, W, D, H, G.
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circa 1942-1943 |
Sophomore year, 1943-1944 |
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item | ||
Coleman 2 | Gatehouse Assignment title: Gatehouse to large country estate.
1 design drawing : gouache/watercolor with graphite on
paper ; 31 in x 39 1/2 in
Sophomore design.Watercolor rendering/elevation of a perimeter wall and metal
gate with attached gatehouse on a landscaped driveway. Plan shows multiple
rooms of the gatehouse. Side elevation of the gatehouse.
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circa 1943-1944 |
Lee Copeland Copeland, Lee (Artist)
Lee Copeland received his B.Archcum
laudewith the AIA First Medal from the University of Washington in 1960,
and his M.Arch and M.C.P. from the University of Pennsylvania in 1963. He
returned to the University of Washington to teach in 1964 and was later named
Dean of the College of Architecture and Urban Planning (CAUP), 1972-1979.
Copeland was a founding principal architect in the Seattle firm, Joyce,
Copeland, Vaughan & Nordfors, c. 1974. He was appointed Dean and Paley
Professor of Architecture and Planning at the Graduate School of Fine Arts,
University of Pennsylvania, 1979-1991. He served as the Chairman, then
Commissioner and Vice Chairman of the Philadelphia City Planning Commission
before returning to Seattle as partner in Weinstein Copeland Architects and
later as consulting principal architect with Mithun.Copeland is a nationally respected urban designer, architect,
and educator. He received the AIA Seattle Medal in 2000 and the AIA/ACSA Topaz
Medallion for Excellence in Architectural Education in 2001.
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Junior year, 1957-1958 |
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item | ||
Copeland L 1 |
Church sanctuary Assignment title: Episcopal church sanctuary.
1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 40 1/4 in x 30 1/4 in
Grade II analytique.Monochromatic rendering/elevation of the main altar of a
sanctuary with detail drawings of the candles, relief, and vase. Plan and
section drawing show the sanctuary with seating.
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Winter 1958 |
Ross W. Copeland Copeland, Ross W. (Artist)
Ross Copeland, Jr. received his B.Arch from the University of
Washington in 1940. Following graduation, he worked as a Draftsman for Harry E.
Nordquist, Jr., Architect, Seattle, 1938; as a Designer for George W. Groves,
Architect, Seattle, 1939-1940; as Architect for Todd Pacific Shipyards,
Seattle, 1940-1945; and then as Designer for George W. Stoddard, Seattle,
1945-1946.Copeland formed a brief partnership with Marvin Patterson, as
Copeland & Patterson, Architects, Seattle, 1947, before opening his own
architectural practice, Ross W. Copeland, Jr., Architect, Seattle, 1950-1954.
In 1955, Copeland partnered with fellow University of Washington graduates
Robert Chervenak and Austin Grant and founded Grant, Copeland & Chervenak.
The firm received many awards for their designs including the AIA Seattle
Chapter Honor Award for St. Peters Episcopal Church, 1963; the Hugo
Winkenwerder Forest Science Laboratory, 1964; the King County Medical Services
building, 1965; and Our Savior's Lutheran Church in Everett, 1969. Other
notable works from the firm include the Church of Christ the King in Bellevue,
c.1956; Pilgrim Lutheran Church in Seattle, c.1955; Oroville State Bank in
Oroville; and the Myron Carroll House in Seattle.
|
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Senior year, 1938-1939 Note: Student is listed as a Senior in the 1938-1939 student
directory, however, this assignment would have been completed in the
Architectural Design II class, typically undertaken during the Junior year by
architecture students.
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item | ||
Copeland R 1 | Ceramics manufactory 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 3/4 in x 39 3/4 in
Junior projet.Design drawing includes a watercolor rendering/elevation of
a flat-roofed building decorated with relief medallion, wall of gridded
windows, and round chimney extended from the center section; small perspective
drawing; plan showing the artist studios, kiln room, display court, and public
and administrative areas; section drawing.
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circa Autumn 1938 |
Architectural ornamentation class |
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item | ||
Copeland R 2 | Gothic round window 1 ornament class project : gouache/watercolor and ink on tissue paper with
matting ; 28 in x 22 in
Architectural ornamentation class project.Round stained glass window with centered circular design of
a religious figure encircled by vines and acanthus leaves and contrasting outer
bands.
|
circa 1937-1939 |
James D. Cowan Cowan, James D., 1920-1999 (Artist)
Student name as written: J. Cowan.
James Douglas Cowan began his studies in architecture at the
University of Washington in 1938, but left to join the U.S. Navy during World
War II. After the War, he graduated cum laude with his B.Arch from Yale
University in 1947. He returned to Yakima, his hometown in Washington, and
began working with architect John W. Maloney. He formed his first partnership
with William Paddock in 1957, as Cowan and Paddock, 1957-1963, and later as
Cowan, Paddock, and Hollingberry, 1963-1967. The firm designed several
residences, however, they were mostly known for their work in educational and
institutional design. Notable projects include the Bank of Yakima, 1960; Yakima
Valley Junior College, 1962; KEPR TV Studio in Pasco, 1964; the Pateros Public
Library, 1966; and the National Bank of Washington in Yakima, 1968. Cowan moved
to Seattle in 1967, working as an architect for the firms of The Richardson
Associates, McKinley Architects, and Seafirst Bank until his retirement in
1985.Cowan served as President of the AIA Central Washington Chapter,
1966; and as Executive Director of the Washington State Council of Architects
(later, AIA Washington Council), 1968. Cowan was elected to the AIA College of
Fellows in 1977.
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Freshman year, 1938-1939 |
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item | ||
Cowan 1 |
VN Sarcophage Assignment title: Sarcophagus.
1 historical drawing : ink on paper ; 20 in x 27 3/4 in
Pen and ink freshman historical drawing of an ornamented
church altar tomb on a stepped base with recumbent sculpted figure; partial
section drawing of tomb.
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circa Winter 1939 |
Virginia Cruse Cruse, Virginia (Artist)
|
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Freshman year |
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item | ||
Cruse 1 | Ink wash circles:Plate
1 1 drawing exercise : ink on paper ; 17 3/4 in x 13 in
Freshman drawing exercise of ink wash circles on paper with
separated gradations from dark to light.
|
unknown |
Lewis Crutcher Crutcher, Lewis (Artist)
Lewis Pinkerton Crutcher received his B.Arch from the University
of Washington in 1944.
|
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Freshman year, 1940-1941 |
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item | ||
Crutcher 1 |
A Fountain Court 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 26 3/4 in x 20 3/4 in
Monochromatic analytique shows a rendering/elevation with
plan and two section drawings of a walled fountain courtyard containing trees,
an archway, and the fountain with sculpture of a person holding a dog.
|
circa Spring 1941 |
Container(s) | Description | Dates |
---|---|---|
James Damm Damm, James (Artist)
|
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Freshman year |
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item | ||
Damm 1 | Ink wash circles:Plate
1 1 drawing exercise : ink on paper ; 17 3/4 in x 13 in
Freshman drawing exercise of ink wash circles on paper with
separated gradations from dark to light.
|
undated |
Marvin Damman Damman, Marvin (Artist)
Student name as written: M. Damman; Damman.
Marvin Fuller Damman received his B.Arch from the University of
Washington in 1941. He worked for William R. Grant & Son, 1948-1949;
Mallis, DeHart & Hopkins, 1949-1950; Morse & Morse, Denver, 1950-1954;
John Graham, 1954-1955.
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Sophomore year, 1936-1937 |
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item | ||
Damman 1 |
A Stairway in a Park 1 sketch problem : gouache/watercolor on paper with
matting ; 28 in x 22 in
Sketch problem.Watercolor rendering of a stairwell ascending between two
solid walls with end posts; penciled plan shows stairwell landings.
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circa 1936-1937 |
Senior year, 1939-1940 |
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item | ||
Damman 2 |
A Hermitage 1 sketch problem : gouache/watercolor with graphite and ink on
illustration board ; 30 in x 20 in
Senior sketch problem [esquisse-esquisse].Watercolor rendering of a flat-roofed residence on a hilltop
site overlooking water with plan showing living areas and terrace.
|
October 5, 1939 |
Benjamin Davis Davis, Benjamin S. (Artist)
Student name as written: Ben Davis.
Benjamin Davis was a recipient of the Charles H. Bebb Prize in
Architecture, 1924-1925.
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Freshman year |
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item | ||
Davis B 1 |
The Doric Order 1 drawing exercise : ink on paper ; 24 3/4 in x 18 in
Pen and ink drawing exercise of the Doric order includes an
elevation of the column and entablature; reflected ceiling plan; section
drawing through entablature; and detail drawings of column base, shaft,
capital, and entablature.
|
circa 1925 |
George Davis Davis, George (Artist)
George L. Davis, Jr. recevied his B.Arch from the University of
Washington in 1946. He married classmate Mary Lund and later opened a cabinetry
and woodworking studio in Tacoma, specializing in modern cabinetry.
|
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Freshman year, 1942-1943 |
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item | ||
Davis G 1 |
Art Museum Assignment title: Entrance to art museum.
1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 20 in x 27 3/4 in
Freshman analytique.Watercolor rendering/elevation of the entrance to art museum
building with sculpture court featuring a large column with wrapped relief. The
offset entrance is a gridded panel of glass windows with three stacked,
rectangular relief panels attached to the art museum. Detail drawings of relief
figures, inscription lettering, and column relief. Penciled plan.
|
circa Spring 1943 |
Junior year, 1944-1945 |
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item | ||
Davis G 2 | Church Assignment title: Small Catholic church on corner lot.
1 design drawing : gouache/watercolor with graphite on
paper ; 30 3/4 in x 39 1/2 in
Junior design.Watercolor renderings/elevations of the front and side of a
smooth-faced church with an upward sloping roof and a bell tower with exposed
bells. An additional chapel extends from the entrance with a relief panel on
the outside. Plan shows the layout of the church site including the main
worship and a courtyard enclosed on three sides by the church and the
perpendicular chapel and preparation area at the front and back of the church.
Section drawings show altar and nave seating.
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circa 1944-1945 |
Davis G 3 | Steamship ticket office 1 design drawing : gouache/watercolor with graphite on
paper ; 39 3/4 in x 31 in
Junior design.Watercolor design drawing has a partial rendering/elevation
of the building's facade, plan, and multiple section drawings. Building's
facade has a front portico with flat roof over elongated windows supported by a
relief pillar. Plan shows the public and administrative areas. Section drawings
provide a longitudinal section of the building and a world map mural on an
angled and curved wall above ticketing areas.
|
circa 1944-1945 |
Senior year, 1945-1946 |
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item | ||
Davis G 4 | City performing arts center 1 design drawing : graphite and ink on paper ; 39 3/4 in x 59 3/4 in
Senior design.Design drawing includes an exterior elevation with section
drawing and plan of a performing arts center in the modernist style with flat
roof and horizontal bands of gridded windows and a heightened roof over the
auditorium. Plan shows the building's auditorium seating area, shops, docks,
green room, ballet studio, and administrative offices with covered walkway
leading to parking areas; basement plan shows chorus room, dressing rooms, and
costume shop. Longitudinal section drawing through auditorium.
|
circa 1945-1946 |
Max G. Dawes Dawes, Max G. (Artist)
Max G. Dawes received his B.Arch from the University of
Washington in 1934.
|
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Junior year, 1931-1932 |
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item | ||
Dawes 1 |
A Tennis Court Bldg. 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 31 1/2 in x 41 in
Class B III projet. Stamped with the Society of Beaux Arts
Architects seal indicating the design was judged in the national
competition.Watercolor and ink rendering/elevation of a flat-faced
building with a semi-circular outdoor theatre. Plan shows that the building
houses a tennis court and pool attached to athletic facilities; section drawing
through the building..
|
circa 1931-1932 |
Richard Day Day, Richard M. (Artist)
Student name as written: R. M. Day.
Richard M. Day received his B.Arch from the University of
Washington in 1933.
|
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Freshman year, 1928-1929 |
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item | ||
Day 1 |
Planter with shade and shadow 1 drawing exercise : ccharcoal with graphite, colored pencil, and white
on paper ; 24 1/2 in x 36 1/2 in
Freshman drawing exercise shows two views of a planter with
animal head and ornamental vines, one view with shade and shadow added.
|
circa 1928-1929 |
Senior year, 1931-1932 |
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item | ||
Day 2 |
A Suburban Bank 1 drawing exercise : charcoal and gouache/watercolor with graphite and
ink on paper with cheesecloth backing ; 39 1/4 in x 31 in
Junior project.Watercolor rendering/elevation of the building shows a red
brick facade with angled wall leading to the entrance and a window on either
side with decorative grille. Plans and section drawing show the teller lobby
and administrative areas.
|
circa Autumn 1931 |
Architectural ornamentation class |
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item | ||
Day 3 | Rose window 1 ornament class project : gouache/watercolor with ink on tissue and paper
overlay with matting ; 20 in x 15 in
Architectural ornamentation class project.Cutout paper overlay of a round stained glass window
depicting religious symbols and figures above a row of narrow arched
windows
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circa 1930-1932 |
Wayne Deemer Deemer, Wayne (Artist)
Wayne Deemer was a recipient of the Gladding-McBean Terra Cotta
Company Prize in 1926-1927.
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Freshman year, 1923-1924 |
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item | ||
Deemer 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 16 3/4 in x 12 3/4 in
Freshman lettering exercise of Roman inscription capital
letter V.
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circa Autumn 1923 |
Deemer 2 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 19 3/4 in x 13 3/4 in
Freshman lettering exercise of Roman inscription capital
letters Q, F, P, H, T, N.
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November 2, 1923 |
Frank Dever Dever, Frank M. (Artist)
Student name as written: F. M. Dever, Jr.
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Freshman year, 1928-1929 |
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item | ||
Dever 1 |
Corinthian capital 1 drawing exercise : ink wash with graphite on paper ; 23 3/4 in x 18 in
Freshman drawing exercise. Monochromatic detail drawing of
Corinthian column capital with watercolor wash indicating curved or shadowed
areas.
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circa 1928-1929 |
Sophomore year, 1929-1930 |
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Dever 2 |
A Private Chapel 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 30 3/4 in x 39 1/4 in
Class B analytique.Analytique provides an elevation of an altar table with
religious statue for a private chapel, plan, section drawing of the
semi-circular apse housing the main altar, longitudinal section drawing of the
chapel, and detail drawing of stained glass window.
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circa 1929-1930 |
Junior year, 1930-1931 |
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Dever 3 |
A Marionette Theatre 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 39 3/4 in x 30 3/4 in
Class B IV projet. Stamped with Society of Beaux Arts
Architects seal indicating the design was judged in the national
competition.Rendering with elevation of the theatre's facade: a short
flat-roofed building between two taller buildings with brightly painted columns
around the doorway and sculptures of marionettes. Theatre plan; section drawing
shows the proscenium stage; the longitudinal section drawing of the building
shows the public areas, including a mural in the seating area, and the
backstage areas for the puppeteers.
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circa 1930 |
Architectural ornamentation class |
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item | ||
Dever 4 |
Rose Window 1 ornament class project : gouache/watercolor with ink on paper and tissue
paper with matting ; 20 in x 15 in
Architectural ornamentation class project.Round stained glass window depicting religious symbols and
figures.
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circa 1930-1932 |
Robert H. Dietz Dietz, Robert H., 1912-2006 (Artist)
Student name as written: R. H. Dietz.
Robert Henry Dietz received his B.Arch from the University of
Washington in 1941. Following graduation, he worked as a Draftsman for Paul
Hayden Kirk, 1941, before receiving a scholarship to study architecture at the
Massachussetts Institute of Technology (MIT). He received his M.Arch from MIT
in 1944, which he completed while working as the Building Supervisor,
1942-1943. Following graduation, he took a position with Princeton University,
working with bomb analysis in the office of Scientific Research and
Development, c.1943-1945.Still in Cambridge, Dietz worked for the architecture firm of
Anderson & Beckwith, 1945-1947. Dietz eventually returned to Seattle,
working as a Supervising Designer for J. Lister Holmes and Associates,
1947-1952, and was shortly awarded the Seattle AIA Chapter's first honor award
for his design of the Jack Wolf House in Mercer Island, 1950. He formed a
partnership with fellow graduate Lawrence Waldron in 1953. Waldron & Dietz
was awarded five AIA honor awards and one AIA merit award for their work
between 1953 and 1962. Notable works include the Emmanuel Episcopal Church on
Mercer Island, 1960; the Taskett Agency Office Building in Seattle, 1955; and
the sunroom addition to the University of Washington President's House. Waldron
and Dietz specialized in schools, however, and notable examples of their work
include Woodway Elementary School in Seattle, 1956; Edmonds High School in
Edmonds, 1959; and Olympic View Junior High School in Mukilteo, 1957.Beginning in 1947, Dietz accepted teaching positions at the
University of Washington Department of Architecture, rising to Professor in
1958. Dietz became the first head of the new Graduate Program in Architecture
shortly thereafter. In 1962, he succeeded Arthur Herrman as the Dean of the
College of Architecture and Urban Planning. As Dean, he oversaw the founding of
the Urban Planning, Lanscape Architecture, and Building Construction
departments until his retirement in 1972.Dietz also served on the design committee for the Seattle Worlds
Fair, as President of the Association of Collegiate Schools of Architecture,
and on the National Architectural Accrediting Board. In 1966, Dietz was
appointed by President Lyndon B. Johnson to the National Commission of
Architectural Access to improve building design for disabled access. Dietz was
elected to the AIA College of Fellows in 1965.
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Freshman year, 1936-1937 |
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item | ||
Dietz 1 |
Fountain in niche 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 28 in x 20 3/4 in
Monochromatic rendering/elevation of fountain niche in wall
framed by Doric columns entablature garden setting with reflected column plan
and detail drawings of column, entablature, and fountain. Penciled plan and
section drawing.
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circa Spring 1937 |
Dietz 2 | Loggia 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 19 3/4 in x 28 in
Design drawing includes a watercolor rendering/elevation
with penciled plan and section drawing of a loggia with Corinthian colonnade
and entablature in front of three arched openings. Detail drawings of
entablature, Corinthian capital, fluted column shaft, and column base.
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circa Spring 1937 |
Fifth year, 1940-1941 |
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Dietz 3 |
Bus Station Assignment title: Bus station and hotel.
1 design drawing : graphite and ink on paper ; 39 1/2 in x 60 in
Exterior elevation with perspective drawing and multiple
plans of a modernist building on a city block with multi-story hotel tower.
Site plan indicates traffic flow and shows administrative areas and repair shop
on ground floor of hotel connected to the bus terminal via elevated walkway
over street. Plans show the hotel floors, second floor, and basement level with
bus station.
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1940 |
Unknown dates |
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item | ||
Dietz 4 |
A Broadcasting
Building 1 design drawing : graphite and ink on illustration board ; 40 in x 30 in
Sketch problem.Design drawing includes a perspective drawing, plot plan,
and section drawing of a broadcasting building. Perspective drawing shows the
facade of the building with porte cochere extended from the center of the
building and an angled heightened section in the rear of the building housing
the auditorium. Plot plan includes a plan of the building and the grounds and
shows the lobby, stage, dressing rooms, administrative offices, and
studios.
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circa 1938-1941 |
Dietz 5 |
Chapel 1 sketch problem. : graphite on paper with matting ; 22 in x 28 in
Sketch problem.Perspective drawing shows a wooden church with shingle roof
and brick belltower; plan and section drawing.
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circa 1938-1941 |
Dietz 6 | Display and sales building 1 sketch problem. : gouache/watercolor with graphite and ink on paper
with matting ; 28 in x 22 in
Sketch problem.Coloful perspective drawing and plan of a windowed L-shaped
building on a courtyard with tower sculpture. The building is comprised of
panels of windows supported by a grid of metal rails. Plan reveals display
galleries and sales floor.
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circa 1939-1941 |
Elso DiLuck DiLuck, Elso, 1909-1979 (Artist)
Student name as written: E. DiLuck.
Elso Bruno DiLuck received his B.Arch from the University of
Washington in 1931. He worked in Seattle for several years before transferring
his AIA membership from the Seattle, Washington chapter to the AIA Fresno,
California chapter in 1948. He formed a partnership in Fresno with California
architect H. Rafael Lake, as Lake & DiLuck, Architects, 1949-c.1956. After
the partnership dissolved, he continued to work independently E. B. DiLuck,
Architect, Fresno.
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Senior year, 1929-1930 |
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item | ||
DiLuck 1 |
A Town House 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 31 in x 39 1/4 in
Class B V projet. Stamped with Society of Beaux Arts
Architects seal indicating this design was judged in the national
competition.Watercolor rendering/elevation of town house facade shows a
four story building in stone with metal gabled roof and ornamentation around
windows and door. Multiple plans show three floors; section drawing shows
basement and four floors.
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May 10, 1930 |
Dudley Dohm Dohm, Dudley (Artist)
Dudley Dohm received his BS/BA from the University of Washington
in 1930.
|
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Freshman year, 1926-1927 |
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item | ||
Dohm 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 17 1/4 in x 13 1/4 in
Freshman lettering exercise of Roman inscription capital
letter V.
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circa 1926-1927 |
Alvin Dreyer Dreyer, Alvin (Artist)
Alvin Dreyer received his B.Arch from the University of
Washington in 1957. Following graduation, he served in the United States Army,
1957-1963, and as partner in Seattle firm A. O. Bumgardner and Partners,
1960-1963, which became the firm A. O. Bumgardner Partnership where he
continued as partner, 1968-1980. Notable works include the Beach Club at Port
Ludlow, 1968; the Student Health Center at Central Washington University in
Ellensburg, 1970; Waterfront Park in Seattle, 1974; and the Western Washington
Arts Building in Bellingham, 1968. Dreyer joined the AIA in 1968.
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Senior year, 1955-1956 |
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item | ||
Dreyer 1 |
A Sanctuary for an Episcopal
Church Assignment title: Episcopal church sanctuay.
1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 41 in x 31 in
Grade II analytique.Monochromatic rendering/elevation of the main altar of a
sanctuary with detail drawings of the altar table and cloth, lighting fixture,
and stained glass. Plan shows the square sanctuary with seating.
|
February 4, 1955 |
Richard Drowley Drowley, Richard (Artist)
Richard Drowley received his B.Arch from the University of
Washington in 1933.
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Freshman year, 1928-1929 |
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item | ||
Drowley 1 |
End pavilion of public building 1 design/analytique drawing : gouache/watercolor with graphite and ink on paper
with fixative ; 21 in x 27 3/4 in
Freshman analytique provides a monochromatic
rendering/elevation of an upper-level porch with elongated windows on the end
pavilion of a building partially enclosed by Corinthian columns and balustrade
with wall fountain on the ground level; detail drawings of vase, decorative
mouldings, scroll, Corinthian capital, and entablature; lightly penciled
section drawing.
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circa 1928-1929 |
Drowley 2 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 20 in x 14 in
Freshman lettering exercise of Roman inscription capital
leters J, L, A, T, O, F.
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circa 1928-1929 |
Edward Duffy Duffy, Edward (Artist)
Edward Duffy received his B.Arch from the University of
Washington in 1946.
|
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Freshman year, 1939-1940 |
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item | ||
Duffy 1 | Niche with vase 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 22 1/2 in x 16 1/2 in
Monochromatic rendering/elevation with penciled plan and
section drawing of niche with vase framed by Doric columns and entablature in a
garden setting with column plan, detail drawings of vase and columns with
entablature.
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circa Winter 1940 |
Thomas Dunstan Dunstan, Thomas E. (Artist)
Student name as written: Dunstan.
Thomas Dunstan received his B.Arch from the University of
Washington in 1943. Following graduation, he worked for Charles A. Lawrence,
Jr., Architect, 1944-1946. He later opened his own practice as Thomas Dunstan,
Architect, regarded for his innovative residences in and around Seattle.
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Sophomore year, 1939-1940 |
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item | ||
Dunstan 1 |
Tomb for an Actor - William
Rogers Assignment title: Tomb for a great actor in the
movies.
1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 30 3/4 in x 39 3/4 in
Sophomore analytique.Monochromatic analytique with section drawings show a
conical mausoleum with flat top housing a ground-level circular walkway with
thick round columns overlooking a circular tomb with sarcophagus. Partial plan
shows the circular walkway overlooking the sarcophagus. Detail drawing of
inscription lettering.
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1940 |
Robert L. Durham Durham, Robert L. (Robert Lewis), 1912-1998 (Artist)
Student name as written: Bob Durham; R. L. Durham.
Robert Lewis Durham graduatedcum
laudewith his B.Arch from the University of Washington in 1936.
Following graduation, he worked as a Draftsman for David Meyers, 1936; then as
Draftsman for B. Dudley Stuart, 1937-1938. During World War II, he took a
position with the Federal Housing Administration as a cost analyst in Okanogan
County and later as a plans examiner for the Seattle Building Department,
1938-1942.After the war had ended, he formed a partnership with B. Dudley
Stuart as Stuart & Durham, Architects, c.1941-1951. When Stuart retired in
1951, Durham briefly his own firm as Robert L. Durham & Associates, before
partnering with David R. Anderson and Aaron Freed as Durham, Anderson &
Freed (indicated by some sources as Durham Anderson Freed), 1954-1980. The firm
designed over 200 churches including the Fauntleroy Congregational Church,
which received a national AIA Honor Award for Institutional Buildings in 1952;
the First Methodist Church in Mount Vernon, which also received the national
AIA Honor Award for Institutional Buildings in 1961. Other notable churches
include the Highland Covenant Church in Bellevue, c.1964; St. Elizabeth's
Episcopal Church in Burien, 1956; St. James Presbyterian Church in Bellingham,
1957; the Ezra Bessaroth Synagogue in Columbia City, 1969; and the sanctuary at
the Mount Zion Baptist Church, 1975. The firm's other civic designs included
the Skyline Apartments, 1956; Seattle Fire Station No. 5, 1963; the Atmospheric
Sciences building at the University of Washington, 1970; master plans for
Evergreen State College and the Daniel J. Evans Library in Olympia, 1971; and
the master plan for the U.S. Naval Base in Bangor, Maine, 1978. After being
acquired by Omaha-based Henningson, Durham & Richardson (HDR) c.1970, the
Durham Anderson Freed office closed when Durham retired from active practice in
1980.Durham served as Chairperson for the Seattle Municipal Arts
Commission, leading to his selection in 1961 as leader of the Cultural Arts
Advisory Board for the Seattle World's Fair. After organizing the national AIA
conference in Seattle in 1953, he became President of the Washington Chapter of
the AIA, 1954-1955. In 1961, the AIA Northwest Region elected him to the
National AIA Board of Directors. At the 1966 convention, Durham was elected
President of the AIA, 1967-1968.Durham was elected to the AIA College of Fellows in 1959, later
serving as Chancellor of the AIA College of Fellows in 1980. He received the
Edward Kemper Award in 1981 for outstanding service to the AIA. In 1985, Durham
received the AIA Seattle Medal in recognition of outstanding lifetime
achievement.
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Freshman year, 1931-1932 |
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item | ||
Durham 1 | Arch with graded wash 1 drawing exercise : ink wash on paper ; 19 1/4 in x 13 3/4 in
Freshman drawing exercise of a stone arch with watercolor
wash to show gradations in shadow and texture.
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circa 1931-1932 |
Durham 2 | Classical window 1 design/analytique drawing : ink wash with graphite on paper ; 19 in x 25 3/4 in
Monochromatic rendering of an elongated window with pediment
and balcony set into a stone wall with detail drawings of decorative elements.
Penciled plan and section drawing.
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circa Autumn 1932 |
Durham 3 |
Fountain in a park 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 18 in x 28 in
Monochromatic analytique provides a rendering/elevation of a
semi-circular wall fountain with mermaid sculpture flanked on each side by a
covered wraparound staircase. The columned entrances to the stairway are topped
with scrolled pediments and seashell design. Penciled plan shows the wraparound
staircase and fountain.
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circa 1931-1932 |
Durham 4 |
Tomb in the Church of S.
Domenico Bologna 1 historical drawing : ink on paper ; 19 1/2 in x 28 in
Pen and ink freshman historical drawing of an ornamented
tomb with recumbent sculpted figure atop a clawfoot base decorated with
sculpted acanthus leaves, relief mouldings, and inscription. Section drawings
reveal the profile of the tomb.
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circa Winter 1932 |
Durham 5 | Vase in niche 1 design/analytique drawing : gouache/watercolor with ink on paper ; 24 7/8 in x 17 7/8
Monochromatic rendering/elevation of wall niche with lidded
vase framed by Doric columns and entablature. Detail drawings of vase, scroll,
entablature, and other decorative elements. Penciled plan and section
drawing.
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February 5, 1932 |
Sophomore year, 1932-1933 |
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item | ||
Durham 6 |
A Court in a Residence 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 30 5/8 in x 39 3/4 in
Monochromatic rendering/elevation of a courtyard enclosed by
the side of a building with belltower and terracotta roof and statues of
religious figures. Detail drawings of religious statue, lion sculpture, column
base, and cross-shaped medallion on stairway. Penciled section drawing and
plan.
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November 12, 1932 |
Carillon tower on island Two drawings include the final project submission and
preliminary sketch.
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item | ||
Durham 7a |
An Island Carillon
Tower 1 design drawing : gouache/watercolor with graphite and ink on
paper with cheesecloth backing ; 40 1/4 in x 31 1/4
in
Watercolor rendering/elevation of a building with carillon
tower on an island. Round tower has six rows of bells and is attached to the
building, which houses living areas; plan of tower and living areas; section
drawing shows stairway inside tower.
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May 6, 1933 |
Durham 7b | Preliminary sketch 1 sketch : graphite on trace ; 13 in x 10 in
Preliminary sketch shows the island with building and
carillon tower. The carillon tower is round with concave channels for bells,
giving the tower a fluted appearance similar to a column.
|
circa Spring 1933 |
item | ||
Durham 8 |
Monument to Julius
Caesare Assignment title: Monument to Julius Caesar on Appian
Way.
1 design/analytique drawing : charcoal and gouache/watercolor on
paper ; 30 7/8 in x 39 3/4
Third sophomore analytique.Charcoal rendering/elevation of a wall niche with sculptural
figure of Julius Caesar, identified by inscription, with spitting lionshead
fountain. Side elevation of fountain and basin. Detail drawings of Greek key
motif, decorated urn, inscription lettering, and other decorative elements.
Plan drawn in red at bottom of drawing.
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February 4, 1933 |
Durham 9 |
A Private Library 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 40 3/8 in x 31
Watercolor rendering/elevation of a windowless flat-roofed
building with outward curved entrance and set of windowed doors flanked by
sculpture niches on each side and inscriptions along different parts of the
building. Plan shows the entrance vestibule, main exhibit room, stacks, reading
room, and Rembrandt room; section drawing reveals the interior of the exhibit
room with skylights.
|
June 1, 1933 |
Durham 10 |
A Sun-dial Assignment title: Wall sundial in garden.
1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 30 7/8 in x 39 3/4
Monochromatic rendering/elevation of a stone wall with
sundial and wall fountain rendered in a desert setting with cactii and large
basins. Sundial is framed on a concave wall between two flat-faced projections
with images. Detail drawings of images, decorative moulding, and inscription.
Penciled plan and section drawing.
|
March 11, 1933 |
Durham 11 |
A Tomb 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 30 7/8 in x 39 7/8 in
Monochromatic rendering/elevation of a cliff with inset
stone entrance to a tomb. The entrance has a smooth-faced stone wall with
single door under a wide cross with decorative relief along the outer edges of
the wall. Detail drawings of kneeling sculptures and relief. Plan and section
drawing reveal the interior of the tomb.
|
December 10, 1932 |
Junior year, 1933-1934 |
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item | ||
Durham 12 |
Athletic Bldg. for a Private
Boy's School 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 31 in x 39 3/4 in
Class B II projet.Watercolor rendering/elevation of a recreation building with
relief of athletes over the entrance and wings housing the indoor pool and
playcourts extending to each side. Plan shows the ground floor recreation areas
including pool, squash courts, gymnasium, and playcourt, as well administrative
and storage areas and trophy hall. Longitudinal section drawing shows depth of
pool, interior of trophy hall, and the entrance to the grandstand.
|
circa Autumn 1933 |
Durham 13 |
A College Library Assignment title: Small college library.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 7/8 in x 39 5/8 in
Class B III projet.Watercolor rendering/elevation of the exterior of a brick
building with slightly projected and heightened center section with entrance
doorway with fanlight and regularly spaced elongated windows along the rest of
the building under a wide decorative moulding, inscribed with the names of
authors. Plan shows the entrance lobby, delivery room, stacks, reference room,
browsing area, and administrative areas. Section drawing reveals the multiple
levels of the building.
|
February 10, 1934 |
Durham 14 |
A Post Office 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 7/8 in x 31 in
Class B I projet.Watercolor rendering/elevation of the exterior of a
smooth-faced building with entrance portico consisting of five double-doors
under elongated windows. Plan shows the tile pattern in entrance lobby,
administrative offices, delivery area, counters for postal services, and
loading platform. Longitudinal section drawing reveals the multiple levels of
the building including the basement vehicle loading area. Perspective drawing
of the building's facade.
|
November 4, 1933 |
Durham 15 |
A Roadside Tea House and
Vegetable Market 1 sketch problem drawing : gouache/watercolor with graphite and ink on
paper ; 17 in x 22 3/4 in
Junior sketch problem [esquisse-esquisse].Sketch problems arranged as an elevation of the tea house
and vegetable market, rendered in a mountain setting, with plan. The larger of
two stone buildings has a wooden gable, stone chimney, shuttered windows and a
sheltered passage to the smaller auto service building. Adjacent to the
entrance of the main building is a sheltered space for the vegetable market
that opens onto the parking area. Plan reveals the larger site with road to
farm house, service court, service rooms, dining terrace, and garden. Gas pump
islands are shown in front of the service building.
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May 18, 1934 |
Durham 16 |
Steamship Ticket
Office 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 3/8 in x 39 7/8 in
Junior projet.Multiple drawings include a rendering/elevation of the
exterior of a rectangular building with elongated channels of windows over a
set of doors and ground floor windows with ornate decorative grille; plan of
the lobby showing ticket counter, advisors, lounges, and administrative areas;
and longitudinal and transverse section drawings revealing the interior of the
building. Drawings are presented against a global map, possibly intended as an
enlargement of the mural above entrance doors.
|
1934 |
Durham 17 |
A Suburban Railway
Station 1 design drawing : watercolor wash with graphite, white, and ink on
paper with cheesecloth backing ; 29 1/2 in x 19 3/4 in
Watercolor rendering/elevation of an art deco style railroad
station with flat roof, glass doors, and clock tower with metal ornamentation
on doors and tower. Plan shows the station as a octagonal building with
heightened center section housing a central ticketing desk with taxi and bus
stands on either side and smaller rooms extending from the angled sections of
the building housing the waiting rooms, lavatories, baggage handling, and
newstand. Section drawings shows lobby and underground train platforms.
|
circa 1933-1934 |
Yacht club on Lake Washington |
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item | ||
Durham 18a |
Drawing 1:A Yacht
Club 1 design drawing : watercolor with graphite, white, and ink on
paper with cheesecloth backing ; 18 3/4 in x 29 in
Watercolor design drawing provides a rendering/elevation,
section drawing, and plan of a yacht club. The property is shown with a smooth
waterfront wall with porthole windows and stairs from the water leading up to a
flat-roofed modernist building with rooftop deck and offset semi-circular
windowed lounge with outdoor patio. Section drawing shows the lower level
motorboat storage and locker room. Plan shows kitchen, dining room, lounge, and
offices.
|
March 19, 1934 |
Durham 18b | Drawing 2: Study 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 16 5/8 in x 20 3/8
in
Watercolor study for the yacht club shows a waterfront
elevation of the building and unlabeled plan. Additional sketches and notes
relating to the project on back of drawing.
|
circa Winter 1934 |
Durham 18c | Drawing 3: Sketch problem 1 sketch problem : gouache/watercolor with graphite and ink on
paper ; 14 1/4 in x 20 3/8
in
This is a 2-sided drawing, with a separate sketch problem
("Unidentified outdoor shelter") on the reverse side.Preliminary watercolor perspective shows a slightly
differing view of the Yacht Club, with a smaller building and beachfront
access. Penciled plan shows living area in the base of tower with bedroom,
kitchen, dining, recreation areas; dormitory, dining, and living areas are
housed above the boathouse. Areas are connected via outdoor passage above the
workroom.
|
circa Winter 1934 |
item | ||
Durham 18d | Unidentified outdoor shelter 1 sketch problem : gouache/watercolor with graphite and ink on
paper ; 14 1/4 in x 20 3/8 in
This is a 2-sided drawing, with a separate sketch problem
("Drawing 3: Sketch problem / Yacht Club on Lake Washington") on the reverse
side.Watercolor rendering of a wooden shelter, possibly used for
agricultural or industrial work. Wooden shelter has three sections of varying
heights, with some areas shown with open sides. Wheels and lumber planks are
shown in the foreground.
|
circa Winter 1934 |
Senior year, 1934-1935 |
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item | ||
Durham 19 |
A Community Pool 1 sketch problem : gouache/watercolor with graphite and ink on paper
with matting ; 28 in x 22 in
Senior sketch problem provides a watercolor
rendering/elevation and plan of a modernist building with offset semi-circular
windowed lounge and windowed dining terrace with rooftop terrace and
high-diving tower in the background. The plan reveals the placement of parking
lots, pools, and tennis courts, as well as the interior spaces such as locker
rooms, kitchen, dining areas, and offices. Items on the drawing have been
lettered, possibly corresponding to assignment specifications.
|
circa 1934-1935 |
Durham 20 |
The Durham Cathedral:
Episcopal Cathedral Group Assignment title: Episcopal cathedral group.
1 design problem : gouache/watercolor with graphite and ink on
paper ; 40 1/4 in x 59 3/4 in
Two watercolor renderings of the exterior of a cathedral
complex shows the flat-roofed cathedral with rose windows and steeple with a
group of attached buildings. Plot plan shows a quarter-circle site with
cathedral and attached buildings housing the bishop's and dean's offices, Synod
Hall, living areas, refectory, classrooms, clergy, and baptistry. Section
drawing through nave.
|
November 10, 1934 |
Durham 21 |
A Great Shipyard Assignment title: A great shipyard: 6 ships per annum.
1 design problem : gouache/watercolor with colored pencil and ink on
paper ; 39 3/4 in x 58 3/4 in
Site plan with elevation and section drawing shows the
facilities for a shipyard with drydock, cranes, fitting out basin, storage
areas, heavy machine shop, freight yards, and administrative offices. Section
drawing through building shows the machine shops while a longitudinal section
drawing through site shows the depth of the drydock, distribution yards, and
warehouse.
|
February 2, 1935 |
Durham 22 |
A Labor Temple 1 design/thesis problem : graphite and ink on paper ; 40 in x 60 3/4 in
Second senior project.Drawing provides multiple plans of a labor temple, including
a first floor and mezzanine plan showing auditorium, cafe, lobby and public
areas; second floor plan showing auditorium balcony, city labor council,
lounge, card room, and pool room; upper level floors with living quarters
arranged along a hallway; basement plan showing recreation and storage areas;
and penthouse workroom plan. Also included on drawing is an elevation of the
building with horizontal rows of windows, an isometric projection of the
building site, projected square footage and cost summary, and a section drawing
through the auditorium.
|
December 15, 1934 |
Durham 23 | Monumental bridge on Canadian border 1 design drawing : gouache/watercolor wash with graphite and ink on
paper ; 40 1/8 in x 59 1/4 in
Senior design.Watercolor rendering/elevation of an arch bridge over water
with large abutments and small buildings on each side. Elevation of stone
abutments show the sculptural relief. Plan shows traffic lanes and the customs
and immigrations building.
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circa 1934-1935 |
5th year, 1935-1936 |
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Durham 24 |
The Entrance to a Marine
Exhibit for the 1939 Fair 1 design competition drawing : charcoal on paper ; 24 in x 33 3/4 in
Student has written personal address next to name, with the
competition statement: I am a citizen of the United States and will be under 27
years of age on July 1, 1936.Drawing is marked with a red X, indicating that the design
was disqualified.Rendering/elevation of a stone entrance gate with relief and
"New York" lettered in relief over the gate's archway; statues sit atop rounded
pillars on each side of the gateway. Plan and section drawing at bottom of
drawing.
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circa 1935-1936 |
Durham 25 | Hotel and casino on Pacific atoll 1 design drawing : gouache/watercolor with ink on paper ; 40 in x 60 in
Site plan with quarter-circle enlargement of an atoll with
hangar, boathouse, cottages, recreation and bathing areas along a portion of
the atoll's perimeter with opening for boats and seaplanes to enter the inner
harbor. Watercolor elevation shows the windowed modernist building with sea
wall and steps leading down to the water as it is visible from the inner
harbor.
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circa 1935-1936 |
Monument to the Irish Free
Statethesis Charcoal sketch problem [Senior esquisse-esquisse] for a
proposed monument to Irish independence with two sheets.
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Durham 26a | Drawing 1:Monument to the
Irish Free State 1 sketch problem : charcoal on paper ; 40 5/8 in x 29 1/4
in
Charcoal rendering/elevation shows a partially-enclosed
outdoor court with fountain and monumental seated sculptural figure with
inscription on seat. Walkways lead up the terraced site on either side of the
installation. The image of a mounted warrior is shown on a cliff behind the
site.
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circa 1935-1936 |
Durham 26b | Drawing 2 1 sketch problem : charcoal on paper ; 40 5/8 in x 14 in
Site plan for the monument shows a broad walkway on a
terraced site with flag court, oak grove, court of honor, reflection pool, and
state museum.
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circa 1935-1936 |
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Durham 27 | National film research center and
archive 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 40 in x 59 1/4 in
Design drawing includes plan, watercolor
rendering/elevation, and longitudinal section of the site show a complex of
modernist buildings with windowed entrances and circular driveway leading to
the main building with inscribed text on either side of the entrance and a
large auditorium attached to the side. Plan shows an interior courtyard lined
with several small theatres and three larger auditoriums shown with approximate
seating counts. Walkways extending from back of building lead to film labs,
administrative offices, and archive vaults.
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circa 1935-1936 |
New capitol in Rome: monument to
Fascismo |
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Durham 28a | Drawing 1 1 design drawing : charcoal on paper ; 40 1/2 in x 62 in
Rendering of a plaza with athlete's stadium, sundial
monument, tower, and three government buildings surrounded with maze-like
streets with similarly styled buildings and basilica.
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circa 1935-1936 |
Durham 28b | Drawing 2:Foro del
Fascismo 1 design drawing : charcoal and gouache/watercolor with graphite
and ink on paper ; 40 in x 60 1/4
Site plan indicating a group of three government buildings
(palace, senate, court) and monument. Watercolor elevation and plans of the
palace. Section drawings of the monument and two buildings. Two attached black
and white photographs show a clay model of the site.
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circa 1935-1936 |
YMCA building Assignment title: YMCA and office building in a southern
U.S. city.
Multi-story building with stepped middle section and
residential tower. Chapel attached the building's back.
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Durham 29a |
Drawing 1 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 28 1/4 in x 38 in
Watercolor rendering/elevation of the building's side with
multiple floor plans.
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circa 1935-1936 |
Durham 29b | Drawing 2 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 40 3/4 in x 61 in
Watercolor rendering/elevation of a building with
multi-story tower with vertical channels of windows and a recessed center
section. Multiple plans include a ground floor plan showing recreation areas,
auditorium, chapel, dining areas, and pool; basement plan with cafeterian;
second floor plan showing gymnasium, mezzanine, squash/handball courts; third
floor living quarters and track. Cross-section through tower shows recreation
areas.
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circa 1935-1936 |
Architectural ornamentation class |
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Durham 30 |
A Cosmotti Bishop's
Throne 1 ornament class project : gouache/watercolor with graphite on
paper ; 30 3/4 in x 28 in
Architectural ornamentation class project.Watercolor drawing shows sculpted lion with padded cushion
and throne with rounded back and mosaic.
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circa 1932-1936 |
Graeco-Roman table end Architectural ornamentation class project with two
sheets.
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Durham 31a | Drawing 1 1 ornament class project : charcoal on paper ; 24 in x 30 7/8 in
Two views of a winged horse in blue, one with shade and
shadow added.
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circa 1933-1935 |
Durham 31b | Drawing 2:Graeco-Roman table
end 1 ornament class project : charcoal with white pastel on paper ; 19 in x 25 in
Two views of a winged horse in gray, one with shade and
shadow added. Drawing is more detailed than similar drawing by Robert
Durham.
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circa 1933-1935 |
Sketch problems |
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Durham 32 |
An Architect's
Workshop 1 sketch problem drawing : gouache/watercolor with ink on paper ; 13 3/8 in x 19 3/8 in
Watercolor sketch problem includes a plan and multiple
elevations. Plan is centered to drawing and shows the layout of the room with
interior furnishings that include the workbench, drafting table, composition
area, bookcase, blueprint case, and fireplace. Plan is surrounded by four
interior elevations of the rectangular room looking North, South, East, and
West.
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circa 1932-1936 |
Durham 33 | Bridge at Washington-Oregon border 1 sketch problem drawing : gouache/watercolor with graphite and ink on
paper ; 21 5/8 in x 16 1/2 in
Sketch problem shows a watercolor site plan for a bridge
park at the border between Washington and Oregon. Landscaped grounds on each
side are marked "Cascade" and "Longview" and show public areas with stadium,
band course, exedra, historical museum, and fountain court promenades. Shading
on the water indicates the shadow of the bridge's arch.
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circa 1932-1936 |
Durham 34 | Church sanctuary 1 sketch problem drawing : gouache/watercolor with graphite on
paper ; 14 in x 20 1/2 in
Watercolor sketch problem with interior perspective of a
church sanctuary and front elevation of a church. Perspective shows the
sanctuary and altar: a rectangular room with exposed ceiling beams painted in
contrasting colors with elongated windows along both sides. Elevation of
exterior is illustrated along the bottom of drawing and shows a smooth-faced
building with rose window and arched doorway under a modernist eave with offset
belltower attached to an adjacent building via covered walkway.
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circa 1932-1936 |
Double-sided: Baptismal font / Entrance to a
cemetery |
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Durham 35a | Baptismal font 1 sketch problem drawing : gouache/watercolor with graphite on
paper ; 20 1/2 in x 13 7/8 in
This is a 2-sided drawing, with a separate sketch problem
("Entrance to a cemetery") on the reverse side.Watercolor plan and two section drawings show a domed
octagonal structure with religious font in center. The section drawings reveal
interior elevations of the space with round stained glass windows, ornamented
screen, and a wall niche with cross. Images of cemetery are visible on lower
walls.
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circa 1932-1936 |
Durham 35b | Entrance to a cemetery 1 sketch problem drawing : gouache/watercolor with graphite on
paper ; 13 7/8 in x 20 1/2 in
This is a 2-sided drawing, with a separate sketch problem
("Baptismal font") on the reverse side.Watercolor rendering in shades of blue and white of the
entrance to a cemetery. A large gate for automobiles with ornamental design is
flanked by two columns with sculptural cross and smaller gates, possibly
intended for pedestrian use.
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circa 1932-1936 |
Double-sided: Classical stairway and fountain /
Indian cemetery at Cononelly |
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Durham 36a | Classical stairway and fountain 1 sketch problem drawing : gouache/watercolor with graphite on
paper ; 15 3/8 in x 19 1/2 in
This is a 2-sided drawing, with a separate sketch problem
(Indian Cemetary, Coconelly) on the reverse
side.Watercolor rendering in blue, green, and yellow tones, of
a hilly setting with lake and headstones in the foreground. This is believed to
have been painted at Conconully in Eastern Washington; it is unknown whether
this painting is a student work.
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circa 1932-1936 |
Durham 36b |
Indian Cemetary,
Coconelly 1 sketch problem drawing : gouache/watercolor with graphite on
paper ; 15 3/8 in x 19 1/2 in
This is a 2-sided drawing, with a separate sketch problem
("Classical stairway and fountain") on the reverse side.Watercolor rendering in blue, green, and yellow tones, of
a hilly waterfront setting with headstones in the foreground. This is believed
to have been painted at Conconully in Okanogan County in Eastern Washington. It
is unknown whether this painting is a student work.
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circa 1932-1936 |
item | ||
Durham 37 | Observatory 1 sketch problem drawing : gouache/watercolor with graphite on
paper ; 15 in x 22 in
Watercolor rendering of an observatory building shows a
circular building with inward sloping walls separated by buttressing and capped
with a dome. Section drawing and plan in upper corners show the placement of
large telescope under dome and the adjacent part of building housing adjacent
chart room, lavatory, study, and entrance vestibule.
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circa 1932-1936 |
Romanesque church Watercolor sketch problem undertaken at an unknown level
provides two drawings of a Romanesque church with slightly differing
details.
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Durham 38a | Drawing 1 1 sketch problem drawing : gouache/watercolor with graphite and ink on
paper ; 17 1/8 in x 23 in
Watercolor sketch problem shows an elevation of a
Romanesque church with a plan and section drawing. Elevation of facade shows
the stone building with Romanesque arch and relief tympanum, offset belltower,
terracotta tile roof, and a view of the adjacent courtyard wall. Plan of church
is labeled to show vestry and sacistry. Section drawing provides a view of the
interior space with minimal detail or ornamentation added. Pencil sketch of
plan on verso.
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circa 1932-1936 |
Durham 38b | Drawing 2 1 sketch problem drawing : gouache/watercolor with graphite on
paper ; 16 1/2 in x 18 1/4 in
Watercolor sketch problem shows an elevation of a
Romanesque church with a plan and section drawing. Elevation of facade shows
the stone building with Romanesque arch and relief tympanum, offset belltower,
terracotta tile roof, and a view of the adjacent courtyard wall. Unlabeled plan
of church. Section drawing reveals interior windows, pews, organ, ceiling
beams, and the decorated altar space.
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circa 1932-1936 |
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Durham 39 |
Stairway and vestibule in a
court house 1 sketch problem drawing : gouache/watercolor with graphite and ink on
paper ; 17 1/8 in x 21 7/8
Transverse and longitudinal section drawings through a
two-story Classical building reveal elevations of the interior. The transverse
elevation provides a view of the staircase and vestibule with a justice-themed
mural against the back wall. Longitudinal section drawing shows the profile of
the staircase and colonnade along upper and lower floors. Railing endposts,
column capitals, and ceiling mouldings have been circled in red by
instructor.
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circa 1932-1936 |
Durham 40 | Stone chimney 1 sketch problem drawing : gouache/watercolor with graphite on
paper ; 20 3/4 in x 12 3/4
Watercolor rendering of a shingled roof with weathervane,
stone chimney, and partial view of a dormer window.
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circa 1932-1936 |
Durham 41 | Townhouse residence 1 sketch problem drawing : gouache/watercolor with graphite on
paper ; 16 1/2 in x 12 7/8 in
Street-view perspective of a four-story townhome residence
with Classical details. Symmetrical stone building has an arched doorway,
pediment windows, and second floor balustrade balconette. Section drawing in
graphite along side shows projection of relief mouldings, balconette, entrance
porch, and the varying interior heights of the different floors.
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circa 1932-1936 |
Durham 42 | Warming shelter for winter sports 1 sketch problem drawing : gouache/watercolor with graphite on
paper ; 15 1/2 in x 21 5/8 in
Watercolor rendering of a stone building with sloped roof
rendered in a snowy mountain setting with skiiers. Plan in lower right corner
shows an entry vestibule and large waiting room surrounded by smaller rooms
housing lockers for men and women, two bedrooms, a small kitchen, storage area,
and office; semi-circular observation area is projected from side of building
on the downward slope of site.
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circa 1932-1936 |
Unknown dates |
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Durham 43 |
Architecture IV:
Perspective, Shades & Shadows 1 folio (16 drawings) : gouache/watercolor with graphite and ink on
paper ; 19 in x 24 in
Portfolio with sixteen pages of drawings completed for the
Architecture IV class, typically undertaken during the Senior and 5th year of
study. Drawings include a cover sheet with perspective of a residential
entrance, exercises in single-point and multiple-point perspective, perspective
shading, and perspective of a residence. Folio was previously bound at side;
page numbers indicating the original order have been added to the back of each
sheet.
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circa 1934-1936 |
William D. Duthie Duthie, William D. (Artist)
William D. Duthie received his B.S. in Mathematics and a
Certificate in Naval Science from the University of Washington in 1935.
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Freshman year, 1931-1932 |
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Duthie 1 | Arch with graded wash 1 drawing exercise : ink wash on paper ; 19 3/4 in x 13 3/4 in
Freshman drawing exercise of a stone arch with watercolor
wash to show gradations in shadow and texture.
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November 9, 1931 |
Duthie 2 |
End pavilion of a public building 1 design/analytique drawing : ink wash on paper ; 26 3/4 in x 19 3/4 in
Freshman analytique provides a monochromatic
rendering/elevation of the end pavilion of a building with Mansard roof and an
elevated porch, partially enclosed by Corinthian columns and balustrade, above
a fountain. Detail drawings of column base, shaft, and Corinthian capital;
fountain; and mouldings. Plan and lightly penciled section drawing show the
porch.
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circa Spring 1932 |
Marshall Dutton Dutton, Marshall (Artist)
Orison Marshall Dutton received his B.A. in English from the
University of Washington in 1932.
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Freshman year, 1928-1929 |
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Dutton 1 |
Arch with graded wash 1 drawing exercise : ink wash on paper ; 19 3/4 in x 14 in
Freshman drawing exercise of a stone arch with watercolor
wash to show gradations in shadow and texture. Inscribed on front of drawing:
Arch 4-A.
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circa 1928-1929 |
Erving Easton Easton, Erving E. (Artist)
|
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Freshman year, 1938-1939 |
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Easton 1 | Arch with graded wash 1 drawing exercise : ink wash on paper ; 20 in x 14 in
Freshman drawing exercise of a stone arch with watercolor
wash to show gradations in shadow and texture.
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circa 1938-1939 |
Victorio Edades Edades, Victorio C., 1895-1985 (Artist)
Philippine artist Victorio Cecilia Edades received his B.F.A.
from the University of Washington in 1925 and his M.F.A. in Painting. Following
graduation, Edades returned to the Philippines where he helped to organize the
Department of Architecture at the University of Sto. Thomas (UST) in 1930, and
later served as its acting head. In 1935, Edades was appointed Director of the
UST College of Architecture and Fine Arts. With colleagues Diosdado Lorenzo and
Galo Ocamp, Edades opened the Atelier of Modern Art at the M. H. del Pilar in
Manila, 1938, and, together with Juan Nakpil, the School of Design in 1940. He
spearheaded the formation of the group of Philppine painters known as the
Thirteen Moderns. In 1980, Edades became the first Director of the Learning
Center of the Arts (now the Ford Academy of the Arts) in Mindanao.Edades received the Pro Patria gold medal in 1961. Edades
received the National Artist Award in Painting, 1976. His contributions to UST
were recognized in 1977, when Edades received an honorary Doctorate of Fine
Arts.
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Sophomore year, 1920-1921 |
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Edades 1 |
An Entrance Thru a
Colonnade Assignment title: Entrance through colonnade.
1 design/analytique drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 30 1/4 in x 39 1/2 in
Class B analytique. Stamped with Society of Beaux Arts
Architects seal indicating the design was judged in the national
competition.Rendering/elevation of a arched entrance in a colonnade with
detail drawings of column capital, decorative urns, and balustrade. Plan and
partial section drawing.
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April 9, 1921 |
Eugene Edstam Edstam, Eugene (Artist)
Student name as written: Gene Edstam; Edstam.
Eugene Ernest Edstam received his B.Arch from the University of
Washington in 1948.
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Sophomore year, 1945-1946 |
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Edstam 1 | Church Suggested assignment title: Hermitage.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 30 3/4 in
Sophomore design.Watercolor rendering and elevation of a walled church
complex on a hilltop setting. Plan shows a square chapel with an attached
building with living areas and rooms for housing pilgrims and attendants.
Section drawing shows shows two levels of the complex on the sloped site, with
the church on the upper level and the refectory and housing areas on the lower
level.
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circa 1945-1946 |
Architectural ornamentation class |
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Edstam 2 | Mosaic window Assignment title: Mosaic window with Gothic grisaille
work.
1 ornament class project : gouache/watercolor on paper ; 39 3/4 in x 31 in
Architectural ornamentation class project.Drawing shows a round stained glass window with image of a
saint and two dogs surrounded by acanthus leaves. Detail drawings of ornamented
cross, chalice, jamb statue, colonnade capital, and ornamental motif.
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circa 1945-1946 |
Arthur Edwards Edwards, Arthur E. (Artist)
Arthur Emlyn Edwards, Jr. received his B.Arch from the
University of Washington in 1940. Following graduation, he worked for Lytel
& Shorett, Seattle, 1940-1942 and 1944-1948; W. Henry Fey, Seattle,
1948-1951; then with John Graham, c.1953 to an unknown date, where he
participated in the design of several buildings for the 1962 World's Fair in
Seattle.
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5th year, 1939-1940 |
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Edwards A 1 |
An American Embassy in
Stockholm, Sweden 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 1/2 in x 60 1/4 in
Site plan of an embassy complex with buildings arranged a
series of square courtyards. Buildings house administrative offices,
chancellor, ambassador, library, exhibition area, dining room, kitchen, state
hall, orangerie, study, drawing room, and garage. Additional plan shows the
second floor of the embassy with ambassador's residence. Section drawing
through main building.
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circa 1939-1940 |
Donald Edwards Edwards, Donald (Artist)
Student name as written: Don Edwards.
Donald Edwards received his B.Arch from the University of
Washington in 1939.
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Junior year, 1937-1938 |
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Edwards D 1 | Customs house and immigration station Assignment title: Customs house and immigration station at
the United States/Canada border.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 3/4 in x 39 3/4 in
Junior design.Design drawing includes a rendering/elevation of a
single-story modernist building with attached covering for traffic lane and
plan showing traffic lanes and the customs and immigrations station and
buildings.
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1938 |
Ward Ellis Ellis, Ward (Artist)
Student name as written: W. Ellis.
Ward H. Ellis formed an independent architectural practice in
Seattle c.1932. He later worked as an architect with the United States Forest
Service.
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Senior year, 1928-1929 |
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Ellis 1 |
A Fine Arts Group 1 design/thesis drawing : gouache/watercolor with graphite on paper with
cheesecloth backing ; 27 in x 45 1/2 in
Senior design/thesis. Watercolor rendering/elevation and
section drawing of a group of buildings arranged symmetrically around a main
building with belltower. The group of buildings has similar architecture with
gabled roof and large dormer windows projected along side. Longitudinal section
drawing shows interior of main building.
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circa Spring 1929 |
George Engebretson Engebretson, George H. (Artist)
Student name as written: Geo. H. Engebretson; Geo.
Engebretson.
George H. Engebretson received his B.Arch from the University of
Washington in 1948.
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Sophomore year, 1945-1946 |
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item | ||
Engebretson 1 | Real estate sales office 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 29 3/4 in x 39 3/4 in
Sophomore design. Note that drawing is stamped "Autumn
Quarter 1948", however, this stamp is believed to have been applied in error
after the completion of the drawing.Watercolor perspective drawing of a modernist building with
wood exterior walls, flat roof, and offset heightened section with windowed
walls. Plot plan shows the location of the office with parking areas. Plan
shows the real estate office with sales office, architect's office, and
drafting room. Exterior elevation shows the front of building. Section drawing
through the drafting room.
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circa Autumn 1945 |
Junior year, 1946-1947 |
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Engebretson 2 |
A Casino... Assignment title: Casino and dance hall on waterfront.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 31 in x 39 3/4 in
Junior design.Perspective drawing of a circular building extended over the
water with attached entrance foyer and elevated walkway over parking lot. Plan
shows areas for gaming, dancing, and dining. Section drawings reveal the
structure of the building over land and water.
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circa 1946-1947 |
Engebretson 3 | Fire station Assignment title: Fire station for city of 10,000 in
Washington.
1 design drawing : gouache/watercolor with graphite, colored pencil,
and ink ; 31 in x 39 3/4 in
Junior design.Color perspective drawing of a modernist fire station
building with garage bays for fire trucks and practice tower. Exterior
elevations of the building's front and rear. Plans show the garage area and
lounge areas on the ground floor, second floor dormitory and administrative
areas, and basement storage. Section drawing reveals the fireman's pole.
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circa 1946-1947 |
5th year, 1947-1948 |
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item | ||
Engebretson 4 |
A Public Library Assignment title: Public library for large west coast
city.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 40 in x 58 1/2 in
5 document pages : typed ink on bond
5th year design with written assignment.Design includes an exterior elevation, small perspective
drawing, plans, and section drawing of a public library in the modernist style.
Ground floor plan and upper half-level plan show the library's stacks,
children's area, story room, and reading room connected to the administrative
areas via stacks and reference area. Administrative area includes offices for
cataloging, bindery, shipping and receiving, and lounge areas. A rear courtyard
connects the art and music library to main library building. A concept map
shows the different areas of the library as circles connected with lines.
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circa 1947-1948 |
G. A. Engstrom Engstrom, Gustav A. (Gustav Adolph) (Artist)
Student name as written: G. A. Engstrom.
Gustav Adolph Engstrom received his B.Arch from the University
of Washington in 1930.
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Freshman year, 1926-1927 |
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item | ||
Engstrom 1 | Horse-head sculpture 1 freehand drawing : charcoal on paper ; 19 in x 25 in
Freshman freehand drawing exercise of a horse-head
sculpture.
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circa 1926-1927 |
Engstrom 2 |
The
Wrestlerssculpture 1 freehand drawing : charcoal on paper ; 19 in x 25 in
Freshman freehand drawing exercise ofThe Wrestlerssculpture.
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circa 1926-1927 |
Mary Erckenbrack Erckenbrack, Mary, 1910-1992 (Artist)
Alternate name: Marguerite Deny Erckenbrack.Alternate name: Mary Erckenbrack Hennessy.
Mary Elizabeth Erckenbrack received her B.A. in Fine Arts from
the University of Washington in 1935, specializing in painting, architectural
ornament, and anatomical drawing. While at the University of Washington,
Erckenbrack met and was briefly married to architecture student A. E. Hennessy.
After graduating, Erckenbrack studied in Brazil and Argentina, 1938-1939,
before moving to San Francisco, where she became active in the North Beach art
scene as a ceramic artist. Erckenbrack has been exhibited at the Golden Gate
International Exposition, 1939-1940; the San Francisco Art Association, 1941;
and the Henry Art Gallery, University of Washington, 1947. Awards include 1st
prize in Oil Painting from the College Arts Association, 1934; 1st prize in
Sculpture from the Annual Exhibition of Northwest Artists, Seattle Art Museum,
1937; and a study grant from the Calouste Gulbenkian Foundation in Lisbon,
Portugal, 1964.Erckenbrack received several commissions from architects and
landscape architects for her ceramic and sculptural works, which were often
integrated with architectural design of the building. Her work includes ceramic
plaques in the Bagley Hall Library, University of Washington;
Ceramic Foo Dogsfor the Ping Yuen Housing Project
in San Francisco;Fountainat the Shriner's Hospital
in San Francisco;Carved and glazed muralat the
Hamilton Recreation Center in San Francisco;Prehistoric
animalsfor the Raynor Park Children's Playground in San Jose,
California; andStations of the crossfor the Hanna
Boys Center in Sonoma County, California.
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Architectural ornamentation class |
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item | ||
Erckenbrack 1 |
Stained Glass Window 1 ornament class project : gouache/watercolor with ink on paper with
matting ; 17 3/4 in x 22 1/2 in
Architectural ornamentation class project.Round stained glass window with centered circular design of
a female face encircled by a vine with acanthus leaves and outer bands in
contrasting colors.
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circa 1929-1931 |
Ruth Erickson Erickson, Ruth (Artist)
Ruth Erickson received her B.Arch from the University of
Washington in 1936.
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Freshman year, 1933-1934 |
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item | ||
Erickson 1 | Spring fountain and pavilion in park 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 27 in x 18 3/4 in
Monochromatic rendering/elevation of a park with Asian-style
pavilion atop a stone base with wall fountain.
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circa 1933-1934 |
Wilbert L. Erikson Erikson, Wilbert L. (Artist)
Student name as written: W. L. Erikson.
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Sophomore year, 1930-1931 |
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item | ||
Erikson 1 |
A Waterfall and
Fountain 1 design/analytique drawing : gouache/watercolor with graphite and white on
paper with cheesecloth backing ; 30 3/4 in x 39 3/4 in
Fourth sophomore analytique. Stamped with Society of Beaux
Arts Architects seal indicating that the design was judged in the national
competition.Charcoal rendering/elevation of a multi-level waterfall
fountain set into a rock face. Detail drawings of fountain sculptures, carved
wave pattern, and spitting heads surround the rendering.
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February 28, 1931 |
Lawrence G. Evanoff Evanoff, Lawrence G. (Artist)
Student name as written: L. G. Evanoff.
Lawrence G. Evanoff received his B.Arch from the University of
Washington in 1948.
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Freshman year, 1937-1938 |
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item | ||
Evanoff 1 | Classical window 1 design/analytique drawing : ink wash on paper ; 21 in x 15 in
Freshman analytique.Monochromatic rendering of an elongated window with pediment
and balcony set into a stone wall with detail drawings of lidded vase, balcony
balustrade, and other decorative elements and penciled plan and section
drawing.
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circa Autumn 1937 |
Evanoff 2 | Entrance portico 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 19 3/4 in x 28 in
Freshman analytique.Monochromatic rendering/elevation of a doorway with grille
housed in an entrance portico with pediment on a neoclassical building. Detail
drawings of Corinthian column capital and base, entablature, and pediment.
Penciled section drawing and plan.
|
May 1938 |
Evanoff 3 |
Fountain Brescia 1 historical drawing : graphite and ink on paper ; 27 3/4 in x 20 in
Freshman historical drawing exercise shows a niche with
sculptural fountain framed with columns, entablature, and arched pediment.
|
circa Winter 1938 |
Evanoff 4 | Memorial with columns 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 14 3/4 in x 21 3/4 in
Freshman analytique.Monchromatic rendering/elevation with penciled plan and
section drawing of an inscribed memorial tablet framed by two engaged columns
and entablature.
|
February 1938 |
Evanoff 5 | Wall, fountain, and stair in park 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 20 3/4 in x 28 in
Freshman analytique.Monochromatic rendering/elevation and partial plan of a
sculptural fountain in front of a wall with semi-circular stairway and
balustrade railing.
|
May 25, 1938 |
Sophomore year, 1938-1939 |
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item | ||
Evanoff 6 | End of an art museum 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 30 3/4 in x 39 3/4 in
Sophomore analytique.Monochromatic rendering/elevation of the exterior of a
smooth-faced building with and large relief sculpture on the upper stories and
three panels of architectural lattice on lower floors separated by unadorned
round columns. Detail drawing of lattice, column, and sculpture of ram.
Penciled plan and section drawing.
|
circa 1938-1939 |
Evanoff 7 |
Youth Hostel 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 30 3/4 in
Sophomore design.Design drawing includes watercolor renderings/elevations of
the facade and side elevation of a stone building with upper level wooden
siding in a mountain setting; multiple plans showing the first and second floor
dormitories, living areas, stables, and living areas;section drawing.
|
1938 |
Junior year, 1939-1940 |
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item | ||
Evanoff 8 | Church and rectory Assignment title: Episcopal/Catholic church and
rectory.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 31 in x 39 3/4 in
Junior design.Rendering/elevation of a modernist church with elongated
panel of a religious figure over entrance doorway and perpendicular attached
wing. Plan shows the layout of the site including the main worship area and a
group of buildings housing the administrative, education, and social areas.
Section drawing through the church shows entrance vestibule, stained glass
windows, and altar. Exterior side elevation/section of church.
|
March 11, 1940 |
Evanoff 9 |
Vocational school Assigment title: Endowed school for vocational trades.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 31 in x 40 in
Junior design.Watercolor rendering/elevation of a multi-story building in
the modernist style and plot plan showing the building's setting on a
triangular site. Plot plan and second floor plan show vocational classrooms,
administrative areas, library, and public spaces for students.
|
circa Autumn 1939 |
David Fey Fey, David (Artist)
Student name as written: D. Fey; Fey.
David Fey received his B.Arch from the University of Washington
in 1948.
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Freshman year, 1943-1944 |
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item | ||
Fey 1 | End pavilion of a public building 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 26 in x 22 in
Freshman analytique drawing provides a rendering/elevation
of a building pavilion facing a courtyard with three elongated windows
separated by engaged columns over the entrance with three arched doorways.
Detail drawings of column capital, chevron ornamentation, and decorative
grille. Penciled section drawing and plan.
|
circa Spring 1944 |
Fey 2 | Outdoor pavilion 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 20 in x 26 in
Monochromatic rendering/elevation of an outdoor pavilion,
rendered in a mountain setting, with square pillars supporting a simple
entablature with cornice and metal roof. Partial plan of the octagonal building
and partial section drawing drawn in pencil.
|
circa 1943-1944 |
Sophomore year, 1944-1945 |
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item | ||
Fey 3 | Centennial bridge Assignment title: Bridge on U.S. - Canada border: 100
years.
1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 31 in x 39 3/4 in
Sophomore analytique.Monochromatic rendering/elevation of a stone bridge over
water with inscribed memorial pillars on either end. Detail drawing of relief
at top of pillar.
|
1944 |
Fey 4 | Office and dog kennel Assignment title: Office and kennel for dog breeder.
1 design drawing : gouache/watercolor with graphite on... ; 30 3/4 in x 41 1/4 in
Watercolor rendering/elevation and plan of a single story
dog kennel shows a main building windowed wall and offset tower attached to a
smaller building housing kennel runs and shelters. Perspective drawing shows
the building facade. Section drawing through main building shows the windowed
showroom.
|
circa Spring 1945 |
James FitzGerald FitzGerald, James, 1910-1973 (Artist)
Student name as written: J. H. Fitzgerald.
James FitzGerald received his B.Arch from the University of
Washington in 1935. FitzGerald began his career as a painter, working on
WPA-funded murals in Colorado during the 1930. He received a Carnegie Graduate
Fellowship to study architecture at Yale University in 1938-1939, before
returning to the Northwest to execute his first public comission, a bas relief
on the Mercer Island Floating Bridge tunnel entry to Seattle, titled
Portal of the North
Pacific, 1939 (Lloyd Lovegren, architect).Notable commissions include bronze fountains at the IBM Building
in Seattle, 1962 (Minoru Yamasaki, architect); Seattle Public Library, 1960
(Bindon & Wright, architects); Fountain of the Northwest at Intiman
Theatre, 1962 (Kirk, Wallace, McKinley AIA and Associates, architects); the
Pinkham Fountain at Plymouth Congregational Church, 1967 (Naramore, Bain, Brady
& Johanson, architects); and at Waterfront Park in Seattle, 1974, with his
wife Margaret Tomkins (Bumgardner Partnership, architects).Outside Seattle, FitzGerald completed commissions for the
Washington State University in Spokane; Western Washington State University in
Bellingham; and at the State House Library in Olympia. National commissions
include sculptures at the US Federal Building in Ogden, Utah; and at Princeton
University, Princeton, New Jersey. FitzGerald held one person exhibitions at
the Seattle Art Museum, San Francisco Art Museum, and the Santa Barbara Museum
of Art. Group exhibitions include the Whitney Museum of American Art, the Art
Institute of Chicago, Denver Art Museum, Seattle Art Museum, the San Francisco
Art Museum, the Pennsylvania Academy of Fine Art, the Brooklyn Museum, and many
others. FitzGerald is credited by some as being part of the Northwest
School.
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Freshman year, 1930-1931 |
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item | ||
FitzGerald 1 | Classical window 1 design/analytique drawing : ink wash with graphite on paper ; 22 1/4 in x 16 1/4 in
Freshman analytique.Monochromatic rendering of an elongated window with pediment
and balcony set into a stone wall with detail drawings of cornice, balcony
balustrade, and other decorative elements. Penciled plan and section
drawing.
|
circa Autumn 1930 |
Junior year, 1932-1933 |
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item | ||
FitzGerald 2 |
Exhibition room for European
Jewellers - Chicago Exposition - 1933 Title as written by student: Exhibition room for Eurorean
Jewellers - Chicago Exposition - 1933. [sic]
1 sketch problem : gouache/watercolor with graphite on paper with
matting ; 22 in x 27 1/2 in
Junior sketch problem provides a plan with two interior
elevations of a jewelry showroom. Plan and side elvation shows multiple jewelry
cases interrupted by sculptural niches, while the end elevation of the doorway
shows lighting fixtures and decorative mural over doorway.
|
1932 |
Senior year, 1933-1934 |
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item | ||
FitzGerald 3 | Transportation terminal 1 sketch problem : gouache/watercolor with graphite and ink on paper
with matting ; 28 1/4 in x 22 1/4 in
Senior sketch problem.Watercolor rendering of a transportation terminal with
doorways for ground transportation under an arched dome with mural painted
along the back wall showing sea transport.
|
circa 1933-1934 |
Architectural ornamentation class |
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item | ||
FitzGerald 4 |
Jean de Latran Assignment title: Bishop's chair and staff.
1 ornament class project : gouache/watercolor with graphite on
paper ; 41 1/2 in x 34 in
Architectural ornamentation class project. Drawing is
inscribed with the name of student and instructor: Fitzgerald & Lionel
Pries.Watercolor drawing shows a jeweled chalice, jeweled
reliquary, hanging candle holder, embroidered cloth, and stone throne with
rounded back decorated with inscription and mosaic emblem.
|
circa 1932-1933 |
Jack Follett Follett, Jack L., 1916-1972 (Artist)
Jack Leon Follett received his B.Arch from the University of
Washington in 1939. Following graduation, he worked for R. V. Weatherby in
Longview, 1939; B. Dudley Stuart, Seattle, 1940; Lytel & Shorett, Seattle,
1940-1941; Siems-Drake Puget Sound, 1941-1942. He eventually joined with John
Graham & Company, Seattle and New York, and its parent company Michael
Baker, Jr., Inc., New York. He served as president of the John Graham &
Company and as director of the Baker corporation in New York. He participated
in the design of the Meridien and Enfield shopping center, Connecticut; and the
Lincoln Rochester Trust Company building (Chase Tower) in Rochester, New York,
c.1973
|
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Senior year, 1937-1938 |
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item | ||
Follett 1 | Student union building 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 59 3/4 in x 39 3/4 in
Design drawing provides a watercolor rendering/elevation the
smooth-faced facade of a rectangular building with offset entrance and terrace
and embellishment along the top; multiple plans; and a longitudinal section
drawing through the building that reveals a courtyard-facing wall with
colonnade walkway. Multiple plans show the ground floor library stacks, service
areas, and auditorium; upper level plan shows library and professors'
offices.
|
circa 1937-1938 |
C. G. Forssen Forssen, C. G. (Carl Gustav) (Artist)
Carl Gustav Forssen received his B.Arch from the University of
Washington in 1934. Following graduation, he worked for Smith, Carroll &
Johanson; Naramore, Bain, Brady & Johanson; John Graham & Company; and
as construction administrator for Richardson & Associates. Forssen's most
notable works include the design and construction of University Hospital,
Southcenter Shopping Center, and the Seattle-Tacoma Airport expansion.
|
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Sophomore year, 1930-1931 |
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item | ||
Forssen CG 1 |
Entrance to a Science
Building 1 design/analytique drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 30 3/4 in x 39 1/2 in
Second sophomore analytique. Stamped with the Society of
Beaux Arts Architects seal indicating the design was judged in the national
competition.Rendering/elevation of a windowless, smooth faced stone
building with elongated stone relief panel over the doorway and semi-circular
entranceways on either side of the front porch. Detail drawings of stone
columns, statues, lettering, and partial detail of the relief. Partial plan
shows porch and entrance; section drawing.
|
November 26, 1930 |
Forssen CG 2 |
A Hermitage 1 sketch problem : gouache/watercolor with graphite on paper with
matting ; 19 3/4 in x 30 in
Sophomore sketch problem [esquisse-esquisse].Colorful watercolor rendering/perspective of a stone
residence with gable roof, chimney, and wooden trim on a waterfront site with
penciled plan indicating the living areas.
|
circa 1930-1931 |
Forssen CG 3 |
A Wall Pulpit 1 sketch problem : gouache/watercolor with graphite and ink on paper
with matting ; 27 1/2 in x 20 in
Sophomore sketch problem.Watercolor rendering of an outdoor pulpit with richly
ornamented exterior, attached lectern, and awning on the upper level of a
building. Plan and section drawing show the projection of the pulpit from the
building.
|
circa 1930-1931 |
Senior year, 1933-1934 |
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item | ||
Forssen CG 4 |
Aquatic performance facility 1 sketch problem : graphite and pastel on paper with
matting ; 22 in x 28 in
Senior sketch problem [esquisse-esquisse].Rendering of an aquatic performance facility on a hill
overlooking a lake with boating activities.
|
circa 1933-1934 |
Forssen CG 5 |
A Small County
Courthouse 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 39 1/4 in x 35 in
Design drawing includes a watercolor rendering/elevation,
multiple plans, and a section drawing. Elevation shows a building with flat
roof and a heightened and projected center section with relief, horizontal
bands of inscription, and entrances at either end. Multiple plans include a
ground floor plan with courthouse lobby, reception hall, gymnasium, auditorium,
smoking lounge, memorial club, and stage; second and third floor plans of areas
housed in the heightened center section with courtoom, attorney's offices,
vault and administrative offices. Longitudinal section drawing reveals the
upper levels, sloped floor, and second story of the auditorium.
|
November 4, 1933 |
Lewis Forssen Forssen, C. Lewis (Carl Lewis) (Artist)
Student name as written: C. Lewis Forssen.
|
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Sophomore year, 1930-1931 |
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item | ||
Forssen CL 1 |
Waterfall and Fountain 1 design/analytique drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 30 3/4 in x 39 3/4 in
Fourth sophomore analytique. Stamped, indicating that the
design was judged in a competition and awarded a "Mention."Monochromatic rendering/elevation of a multi-level waterfall
fountain set into a rock face that overflows into a basin below. Detail
drawings of centaur fountain sculpture, carved pattern, and relief surround the
rendering. Plan and section drawing.
|
February 28, 1931 |
H. B. Foss Foss, Harold Byron (Artist)
Student name as written: H. B. Foss; Hal Foss.
Harold Byron Foss received his B.Arch from the University of
Washington in 1935. Foss opened his own indepenent architectural practice, H.
B. Foss Company, Juneau, 1935-1945. He added a partner in 1945, becoming Foss
& Malcolm, Architects, 1945-1949. In 1949, he partnered with Bjarne Olsen,
also an alumni of the Department of Architecture, as Foss & Olsen,
1949-1956; later partnering with Edward Sands, also an alumni, as Foss, Olsen
& Sands, 1956-1958. Foss left the firm in 1958 to open his own practice in
Palo Alto, California.
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Freshman year, 1930-1931 |
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item | ||
Foss 1 |
An Outdoor Theatre 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 25 3/4 in x 18 1/2 in
Freshman analytique.Watercolor rendering/elevation with plan and section drawing
of a classical style outdoor theatre with an Ionic colonnade along the back of
an elevated stage. Plan shows ascending, semi-circular rows of seating.
|
circa 1930-1931 |
Junior year, 1932-1933 |
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item | ||
Foss 2 |
An Architect's Residence and
Studio 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 33 1/2 in x 40 in
Junior projet.Watercolor rendering/elevation of a residence with
terracotta roof, partially enclosed courtyard, shutter windows along upper
level, and a side courtyard with obelisk. Plan shows layout of the building
with living areas and work areas on the ground level including a service court
and draughting room flanking the main court. Section drawing through the
building shows the business office, gallery with groin vault ceilings, kitchen,
and upper story living areas.
|
November 17, 1932 |
Foss 3 |
An Athletic Building for a
Boys' School 1 design drawing : watercolor with graphite and ink on paper with
cheesecloth backing ; 39 3/4 in x 31 in
Junior projet.Watercolor rendering/elevation of a brick recreation
building in the modernist style. Plans show the ground floor recreation and
locker areas and the mezzanine level with trophy hall. Section drawing through
the building shows the trophy hall, play courts and pool.
|
circa Autumn 1933 |
David A. Foster Foster, David A. (Artist)
|
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Sophomore year, circa 1926-1927 |
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item | ||
Foster 1 |
A Memorial Shaft 1 design/analytique drawing : gouache/watercolor with ink on paper with
cheesecloth backing ; 37 1/2 in x 28 in
Class B I analytique. Stamped with the Society of Beaux Arts
Architects seal indicating that the design was judged in the national
competition.Monochromatic rendering/elevation of a memorial shaft with
eagle on an engraved plinth and stepped base. Detail drawings of column shaft,
engraved lettering, and eagle. Penciled plan.
|
circa 1926-1927 |
John Frey Frey, John (Artist)
Student name as written: Frey.
|
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Junior year |
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item | ||
Frey 1 |
A Steamship Ticket
Office 1 design drawing : gouache/watercolor with graphite on
paper ; 31 in x 40 in
Watercolor design drawing has a rendering/elevation of the
building's facade, plan, and multiple section drawings. Building's facade has a
semi-circular front portico with relief panels against sides and a flat roof
over a windowed wall with entrance doors. Unmarked plan shows the public and
administrative areas with tile pattern in main lobby. Section drawings provide
a longitudinal section of the building and a view of the world map mural on a
curved wall above ticketing areas.
|
1944 |
Seth M. Fulcher Fulcher, Seth M. (Seth McCallen) (Artist)
Seth McCallen Fulcher received his B.Arch from the University of
Washington in 1941. He served with the U.S. Army Corps of Engineers, 1941-1946,
before opening his own practice as Seth Fulcher, Architect. Fulcher received an
Honor from the AIA Seattle chapter for his design of the P. Bradley Edes
residence in Bellevue, 1955. He was also known in the Seattle region for his
watercolor paintings.
|
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Freshman year, 1935-1936 |
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item | ||
Fulcher 1 |
La Fontaine du Triton 1 historical drawing : ink on paper ; 20 in x 27 1/4 in
Pen and ink freshman historical drawing exercise shows an
elevation of a fountain with a merman drinking from a large conch shell atop a
seashell-shaped basin pedestal supported by sculptural fish. Plans of the
seashell and fountain basins.
|
circa Winter 1936 |
Senior year, 1939-1940 |
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item | ||
Fulcher 2 | Vocational school Assignment title: Endowed school for vocational
trades.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 3/4 in x 39 3/4 in
Senior design.Watercolor rendering/elevation of a single-story modernist
building with flat roof, horizontal panels of windows, and offset entrance
portico with windowed doors. Plan shows vocational classrooms, administrative
areas, library, and public spaces for students. Section drawing reveals the
outdoor courtyard with fountain.
|
1939 |
5th year, 1940-1941 |
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item | ||
Fulcher 3 | Permanent facilities for summer music
camp 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 31 in x 39 1/2 in
Fifth year design.Watercolor rendering/elevations with section drawings of
multiple buildings in the modernist style with wood and stone exteriors and
upwards angled roofs that include the concert hall, mess hall, and typical
cabins. Section drawings reveal the interior of the concert hall and the
outdoor concert area. Elevation of mess hall and lounge shows the windowed
walls of the entrance portico and semi-circular dining room.
|
circa 1940-1941 |
Robert Fuller Fuller, Robert H. (Artist)
|
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Freshman year, 1926-1927 |
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item | ||
Fuller 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 19 3/4 in x 13 3/4 in
Freshman lettering exercise of Roman inscription capital
letters S, C, D, Z, H, N.
|
circa 1926-1927 |
Fuller 2 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 18 in x 14 in
Freshman lettering exercise of Roman inscription capital
letter V.
|
circa 1926-1927 |
Container(s) | Description | Dates |
---|---|---|
Alexander Galitzen Galitzen, Alexander (Artist)
Student name as written: A. Galitzin.
Alexander Galitzen received his B.Arch from the University of
Washington in 1931. He was awarded the Charles H. Bebb Prize and the Gladding
Mc-Bean Terra Cotta Prize during the 1929-1930 year.
|
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Senior year, 1930-1931 |
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item | ||
Galitzen 1 |
A Bus Terminal - Hotel Title as written by student: A Buss Terminal - Hotel.
[sic]
1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing and matting ; 30 1/4 in x 39 1/2 in
Entered in the 1930 Bebb Prize design competition and
awarded "3rd Prize, 1st Mention Placed."An art deco styled u-shaped building with multiple stories
wraps around an integrated bus terminal. Elevation drawing shows windows in the
upper levels of the building framed with vertical rows of decorative chevrons
from the top of the building to the glass-enclosed bus terminal on the ground
floor. Perspective drawing shows the building and the terminal's glass tunnel
from the street; multiple plans show different levels of the building and the
site for the hotel.
|
circa Autumn 1930 |
Galitzen 2 |
A Frontier Air Station 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing and matting ; 29 1/2 in x 39 1/2 in
Class B IV project. Watercolor rendering/elevation of facade
featuring central glass tower with ornamental clock and metalwork design
flanked by two smaller wings on either side serving as depature and arrival
gates. Plan shows the u-shaped walkway through the air station with the central
section in glass used as a observation and waiting room. Section drawing
through center section; small perspective drawing.
|
circa 1929-1930 |
Edwin R. Gamon Gamon, Edwin R. (Edwin Riley) (Artist)
Student name as written: E. R. Gamon.
Edwin Riley Gamon, Jr. received his B.Arch from the University
of Washington in 1957. After receiving his Washington architecture license in
1962, he worked as a staff architect for the H. W. Blackstock Lumber Company
before opening his own practice in Seattle as Edwin Gamon, Architect, in
1967.
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Sophomore year, 1954-1955 |
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item | ||
Gamon 1 | Entrance to a botanical garden 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 29 3/4 in
Grade II analytique.Site plan of a garden with walkways, roads, and terraces
adjoined by stairs and maze-like gardens.
|
Autumn 1954 |
Arnold Gangnes Gangnes, Arnold G. (Arnold Gordon), 1918-2003 (Artist)
Student name as written: Arnie Gangnes; Arn. Gangnes.
Arnold Gangnes received his B.Arch from the University of
Washington in 1942. Following graduation, he served in the U.S. Army Corps of
Engineers during World War II, rising to the rank of 2nd Lieutenant. After the
War had ended, he pursued graduate studies at the Massachusetts Institute of
Technology, where he received his M.Arch in 1946.He returned to the Pacific Northwest and worked briefly for
Naramore, Bain, Brady & Johanson, 1947, before opening his own office,
Arnold G. Gangnes and Associates, 1948-1960s. The firm initially specialized in
residential design, and the firm's works include the Michael Klapashh House in
Weed, California, 1948, which received the National AIA Honor Award in 1954. In
the late 1950s, the firm began to shift its focus from residential design to
non-residential and institutional projects, including the Cherry Street Clinic,
1958; the Seattle Times Building expansion, 1967; and the Pacific Maritime
Association Building in Seattle, 1959. As his career progressed, he devoted
himself to specialized design for the handicapped as an architect, author,
lecurer, and consultant. This led to his development of the master campus plan
for Western State Hospital in Steilacoom, c.1960; the Childhood Development and
Mental Retardation Center at the University of Washington, 1967-1969; and three
residential houses on the Fircrest Hospital [now Fircrest Residential
Habilitation Center] campus in Shoreline, 1969.Gangnes served on the Seattle Planning Commission, 1946-1950;
Treasure, AIA Seattle Chapter, 1953-1954; and on the Board of Directors, AIA,
1956-1959. He also had significiant involvement with the Association for
Retarded Children, serving on the State Board of Directors, 1952-1955; as well
as Chair of the Architectural Planning Committee, 1954-1969. In the 1970s,
Gerald Ford appointed Gangnes to serve on the U.S. President's Committee on
Mental Retardation.
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Senior year, 1939-1940 |
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item | ||
Gangnes 1 | Community center 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 3/4 in x 39 1/2 in
Senior design.Watercolor rendering/elevation of a community center complex
in the modernist style with two buildings connected via covered walkway. Plot
plan shows the placement of buildings on the site with playgrounds, parking,
and outdoor recreation areas. Plans of the entrance floor and basement reveal
an auditorium, bowling alleys, recreation and gathering areas.
|
June 1, 1940 |
5th year, 1941-1942 |
||
Orthodox Jewish synagogue and community
center 5th year design project with two sheets.
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item | ||
Gangnes 2a | Drawing 1An Orthodox Jewish
Synagogue 1 design drawing : gouache/watercolor with graphite on
paper ; 39 3/4 in x 60 in
Rendering/elevation of a smooth-faced building with
stepped-sides, colonnaded walkways, gate, and dome with Star of David, rendered
in a desert setting. Classmates' names inscribed in lower right corner:
Ethiopians McClure-Paddock.
|
circa 1941-1942 |
Gangnes 2b | Drawing 2 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 in x 40 1/4 in
Watercolor plan shows the synagogue on a triangular site
with attached buildings for the Talmud school, administration areas, and
rabbi's suite, around an interior courtyard. Section drawing through the temple
reveals the interior of the dome and rich architectural lattice work above
interior colonnade. Side elevation reveals a sloped site.
|
circa 1941-1942 |
Audrey Gerth Gerth, Audrey (Artist)
Alternate name: Audrey Truesdell.
|
||
Sophomore year, 1940-1941 |
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item | ||
Gerth 1 | West entrance to Bremerton Navy Yard 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 30 3/4 in x 39 3/4 in
Sophomore analytique.Watercolor rendering/elevation of the entrance to the
Bremerton Navy Yard shows a checkpoint for people and automobiles framed by an
eagle sculpture and a small building, opposite, with rounded windowed corner
and upward sloping roof. Detail drawing of sculpture and inscription lettering.
Lightly penciled plan.
|
March 6, 1941 |
Marshall Gill Gill, Marshall (Artist)
Student name as written: M. W. Gill.
Student Marshall Walter Gill died shortly after the end of the
1920-1921 academic year. He was the first place recipient of the Kellogg Prize
awarded by the Department of Architecture in 1919-1920, and the third place
recipient of the Kellogg Prize in 1920-1921.
|
||
Unknown dates |
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item | ||
Gill 1 |
A State Dining Room 1 design drawing : gouache/watercolor with ink on paper with
cheesecloth backing and matting ; 30 1/2 in x 39 1/2 in
Class B III projet. Stamped with the Society of Beaux Arts
Architects seal indicating the design was judged in the national
competition.Three interior elevations of dining room showing doorways,
windows, stage, fireplace, and ceiling plan.
|
circa 1919-1921 |
Luke K. Gjurasic Gjurasic, Luke K. (Artist)
Student name as written: L. K. Gjurasic.
Luke Gjurasic received his B.Arch from the University of
Washington in 1962.
|
||
Junior year, 1958-1959 |
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item | ||
Gjurasic 1 | Memorial plaza 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 29 1/2 in x 40 in
Junior analytique.Watercolor rendering/elevation of a windowless building with
horizontal, comb-shaped construction on the exterior. Building sits on a
terraced site with wide stairway leading to a lower terrace with several
sculptures. Detail drawing of sculpture.
|
Winter 1959 |
William B. Glynn Glynn, William B. (Artist)
Student name as written: Wm. B. Glynn.
William Bragdon Glynn received his B.Arch from the University of
Washington in 1925, where he was awarded the Charles H. Bebb Prize in
Architecture in 1923-1924. Glynn also served as President of the Department of
Architecture's student group Atelier in 1923-1924.
|
||
Senior year, 1923-1924 |
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Civic auditorium Class A project with two sheets.
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item | ||
Glynn 1a | Drawing 1:A Municipal
Auditorium 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 27 3/4 in x 19 3/4
in
Plan and section drawing show the entrance hall, foyer,
auditorium and stage for a municipal auditorium building on a plaza with
fountain.
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February 13, 1924 |
Glynn 1b | Drawing 2:A Civic
Auditorium 1 design drawing : charcoal and gouache/watercolor with graphite on
paper ; 16 1/2 in x 33 in
Watercolor rendering/elevation of a windowless
neoclassical building with front portico and decorative frieze and mouldings
along the upper levels.
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circa Winter 1924 |
Roger Gotteland Gotteland, Roger, 1914-1999 (Artist)
Student name as written: Gotteland.
Roger Jacques Gotteland received his Diploma from the Ecole des
Beaux Arts in Paris, France, 1934; B.Arch from the University of Washington,
1936. Following graduation, he worked as a Draftsman for Thiry & Shay,
1935-1939; then for Siems-Drake Puget Sound, 1940-1942. During World War II,
Gotteland served as an Architect with the U.S. Navy Engineers, 1942-1944. After
leaving the Navy, Gotteland opened his own practice as Roger J. Gotteland,
Architect, Seattle, and later as Gotteland & Associates, 1945-1959. Notable
works include the Savinoff Furniture Studio in Seattle, 1949; the Dr. John
Lehmann House, 1951; the Palisades Retreat Center in Federal Way, 1956; the
Seaman's Club in Seattle, 1957; and St. Luke's Church and School in Shoreline,
1957.Beginning in 1959, Gotteland partnered with Wojciech [Roy]
Koczarski as Gotteland & Koczarski. Gotteland & Koczarski designed the
Harvard Avenue Apartments in Seattle, 1959; Sacred Heart Church in Morton,
1962; St. Joseph Church in Lynden, 1963; and Egan Hall at St. John Church in
Seattle, 1963.
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Unknown dates |
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item | ||
Gotteland 1 |
An Observation Shelter 1 sketch problem : graphite with colored pencil on paper with
matting ; 28 in x 22 in
Sketch problem.Sketched rendering of a semi-circular observation tower in a
wooded and mountainous area. Plan reveals a restaurant and other public areas
inside the structure. Site plan shows the location of parking lots, highway,
and the viewing platform.
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circa 1938-1941 |
Gotteland 2 |
A Pulpit 1 sketch problem : graphite and colored pencil on paper with
matting ; 28 in x 22 in
Sketch problem.Sketched perspective and plan of a column pulpit with
decorative ornamentation and wraparound stairway.
|
circa 1937-1939 |
Carl F. Gould, Jr. Gould, Carl F., 1916-1992 (Artist)
Carl Gould, Jr. studied at the University of Washington and
abroad at Fontainebleau and before transferring to Yale University, where he
received his B.Arch in 1939.
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Edward Graef Graef, Edward (Artist)
Edward L. Graef received his B.Arch from the University of
Washington in 1930.
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Freshman year, 1926-1927 |
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item | ||
Graef 1 | Arch with graded wash 1 drawing exercise : ink wash on paper ; 20 in x 14 in
Freshman drawing exercise of a stone arch with watercolor
wash to show gradations in shadow and texture.
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circa 1926-1927 |
George Graham, Jr. Graham, George A. (Artist)
Student name as written: Graham.
George Graham, Jr. received his B.Arch from the University of
Washington in 1942. Following graduation, he worked for George W. Stoddard,
1943; Stuart & Durham, 1946-1947; and George W. Stoddard, 1947. Graham
became an architect and the head of the interior design department at Naramore,
Brady, Bain & Johanson during the 1950s and 1960s. Graham later worked as
an architect for Cedar Homes Manufacturing Corporation during the 1970s.
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Junior year, 1939-1940 |
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Graham G 1 | Theatre on a private estate 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 30 3/4 in
Junior design.Design drawing includes a watercolor rendering/elevation of
a building with rounded center section and two wings extending from either side
on a terraced site. Plot plan shows the main building's circular lobby,
auditorium, and stage on landscaped grounds with sunken garden and small pool;
section drawing reveals the auditorium and interior decoration of lobby.
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May 1940 |
Senior year, 1940-1941 |
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item | ||
Graham G 2 |
A Small Memorial Art Library
and Museum Assignment title: Memorial art library and museum.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 3/4 in x 39 3/4 in
Senior design.Watercolor rendering/elevation of an art museum building
with plans and section drawing. Elevation shows the front facade of the
modernist building with flat roof and a pattern of horizontal channels on a
mostly windowless exterior; offset portico houses a entrance doors behind a
geometric screen and relief panel. Plan shows the entrance lobby, sculpture
garden, library, administrative offices, and gallery areas. Section drawing
reveals lobby stairway and two levels of the gallery.
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November 2, 1940 |
5th year, 1941-1942 |
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item | ||
Graham G 3 |
A Memorial to Johann
Sebastian Bach Assignment title: Concert hall dedicated to J.S. Bach.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 59 3/4 in
5th year design project.Site plan shows auditorium with public areas, outdoor
terrace, library, reception room, spaces for musicians, and tower monument.
Section drawing through. Watercolor perspective drawing and elevation drawing
show tower and main entrance of auditorium.
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October 1941 |
Unknown dates |
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item | ||
Graham G 4 | Tomb in memorial hall 1 sketch problem : charcoal and pastel on paper with
matting ; 28 in x 22 in
Sketch of a tomb with Greek key motif in a hall with curved
walls framed by rectangular columns. Plan and section drawing.
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circa 1938-1941 |
John Graham, Jr. Graham, John, 1908-1991 (Artist)
John Graham, Jr., began his architectural training at the
University of Washington in 1926 before transferring to Yale University where
he received his B.F.A. in 1931. After a brief time in statistical merchandising
for retail establishments, Graham joined his father's successful architectural
practice in 1937, opening a branch office in New York City with Wilfred Painter
as partner. The office, Graham & Painter, New York, 1937-1942, focused on
department store design. After World War II began, business declined and Graham
closed the branch and began to design war housing and Federal Housing
Administration (FHA) housing that included Washington DC's Suburban Heights,
1944; and Sunny Brook, 1942; as well as Edgewater Park in Seattle, 1939.His father retired soon after in 1946, leaving his son his
architectural practice. Graham changed the name to John Graham and Company and
the firm began to specialize in the design of large shopping malls, designing
over seventy multi-million dollar shopping centers that included Northgate
Shopping Center in Seattle, 1950; and Capitol Court in Milwaukee, 1957; Lloyd
Center in Portland, 1960; and the Ala Moana in Honolulu, 1960. These regional
shopping centers were the first of their kind in the country.Graham was licensed to practice architecture in ten states, and
his firm went on to complete over 1,000 commercial projects that include the
Washington Natural Gas Headquarters, 1964; the Westin Towers in Seattle, 1969;
the Bank of California Building in Seattle, 1974; the Wells Fargo building in
San Francisco, 1966; the Alaska State Office Building in Juneau, 1975-1975; and
the Madigan Army Medical Center in Tacoma, 1984-1986. His most well-known
project, however, is the design and execution of the Space Needle he developed
with Victor Steinbrueck and John Ridley for the 1962 Seattle World's Fair.
Graham retired in 1986.
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Freshman year, 1926-1927 |
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item | ||
Graham J 1 |
Classical vase in niche 1 design/analytique drawing : ink wash on paper ; 25 1/4 in x 18 1/2 in
Monochromatic rendering/elevation of niche with vase framed
by two sets of Doric columns and pediment in a garden setting with detail
drawings of vase; column base, shaft, and capital; and mouldings. Lightly
penciled plan and section drawing.
|
circa 1926-1927 |
H. E. Grahn Grahn, Howard E. (Artist)
Student name as written: H. E. Grahn; H. Grahn.
Howard E. Grahn received his B.Arch from the University of
Washington in 1936.
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Senior year, 1934-1935 |
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item | ||
Grahn 1 | Hospital Assignment title: Research hospital in American city.
1 design drawing : graphite and ink on paper ; 39 3/4 in x 58 3/4 in
Section drawings with plot plan and floor plans for a
multi-story hospital in the modernist style with recessed entrance and
horizontal channels of windows leading to projected solariums at the end of the
patient floors. Plans include a typical floor plan with treatment areas,
laboratories, and kitchen; ground floor plan showing butcher, baker, and
autopsy lab; main floor plan showing administrative and outpatient corridor;
and plan for the top floor operating suite. Section drawing shows the terraced
site and the multi-story building with elevator shaft.
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circa 1934-1935 |
Grahn 2 | Shipyard Assignment title: A great shipyard: 6 ships per annum.
1 design drawing : ink wash with graphite on paper ; 39 3/4 in x 58 1/2 in
Third senior project.Site plan with elevation and section drawing shows the
facilities for a shipyard with drydock, outfitting basin, storage yard, heavy
machine shop, distributing yards, administrative offices, warehouse, and
blacksmith shop. Section drawing through building shows the depth of docks,
while a longitudinal section drawing through site shows the warehouse, shed,
and blacksmith shop.
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circa Winter 1935 |
Grahn 3 |
Tomb of Justinian and
Theodora 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 38 1/2 in x 32 3/4 in
Watercolor rendering/perspective of the interior of a tomb
with multi-story religious mural behind an altar. Plan and section drawing
reveal the shape of the tomb and stairs leading to the altar with fountains at
each landing.
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June 1935 |
5th year, 1935-1936 |
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New capitol in Rome: monument to
Fascismo 5th year design project with two sheets.
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item | ||
Grahn 4a | Drawing 1 1 design drawing : charcoal and gouache/watercolor with graphite on
paper ; 40 in x 58 3/4 in
Watercolor rendering of a site for a new capitol includes
an elevation profile.
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circa 1935-1936 |
Grahn 4b | Drawing 2 1 design drawing : charcoal and gouache/watercolor with graphite on
paper ; 40 in x 58 3/4 in
Site plan shows a plaza with three government buildings
and walkways leading to an obelisk. Rendering/elevation of one building shows
the facade with three elongated panels of windows on either side of the porte
cochere. Plans show the circular dictator's driveway surrounded by
administrative offices, banquet room, and terrace with guard area. Longitudinal
section shows the sloped site.
|
circa 1935-1936 |
Austin Grant Grant, Austin (Artist)
Austin Grant received his B.Arch from the University of
Washington in 1941. Following graduation, he worked as a Naval Architect at
Todd-Pacific Shipyards, 1941-1945; designer and partner at William R. Grant and
Son, Architects, Seattle, 1945-1954. In 1955, Grant partnered with fellow
University of Washington graduates Robert Chervenak and Ross Copeland as Grant,
Copeland, Chervenak & Associates, Seattle. The firm received many awards
for their designs including the AIA Seattle Chapter Honor Award in 1963 for St.
Peters Episcopal Church in Seattle, 1962; the AIA Seattle Chapter Honor Award
in 1966 for the Hugo Winkenwerder Forest Science Laboratory at the University
of Washington, 1964; and an AIA Seattle Chapter Honor Award for Our Savior's
Lutheran Church in Everett, 1969. Other notable works from the firm include the
Pilgrim Lutheran Church in Seattle, c.1955; Church of Christ the King in
Bellevue, c.1956; the King County Medical Services building, 1965; the Oroville
State Bank in Oroville; and the Myron Carroll House in Seattle.
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5th year, 1940-1941 |
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item | ||
Grant 1 |
A Labor Temple 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 1/2 in x 59 3/4 in
Design drawing provides multiple elevations of a modernist
building with multiple horizontal rows of windows and an attached section with
lower roof housing the auditorium. Section drawings through the auditorium and
lobby. Birds-eye perspective and multiple plans show lower floors arranged in a
U-shape around the lobby with a semi-circular reading terrace above ground
floor employment offices and administrative areas. Plans of typical floor and
the smaller top floor.
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circa 1940-1941 |
Edward Graudin Graudin, Edward R. (Artist)
Student name as written: E. R. Graudin.
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Freshman year, 1930-1931 |
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item | ||
Graudin 1 |
Lettering exercise 1 drawing exercise : ink with graphite on paper ; 19 3/4 in x 14 in
Freshman lettering exercise of Roman inscription capital
letters J, M, L, Q, D, V, G.
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circa 1930-1931 |
Robert H. Green Green, Robert H. (Artist)
Student name as written: R. H. Green.
Robert Hallis Green received his B.Arch from the University of
Washington in 1943. Following graduation, he served with the U.S. Navy,
1943-1946. After World War II had ended, he worked as Draftsman for McClelland
and Osterman, Architects, Seattle, 1949-1950; then as an Architect for the
Naval Shipyards in Bremerton, Washington, 1951-1952. He opened his own firm
with Donn Mueller Siebold as Green, Siebold and Associates, Seattle,
1954-1959.
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Sophomore year, 1940-1941 |
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item | ||
Green 1 | Commemorative wall sundial in garden 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 31 in x 39 3/4 in
Sophomore analytique.Monochromatic rendering/elevation with penciled plan and
section drawing of a wall-mounted sundial with angled numerals on a stone wall
behind a curved bench. Detail drawings of decorative trumpeter, sun, bench, and
inscription lettering.
|
November 1940 |
Barney Grevstad Grevstad, Barney, 1913-1982 (Artist)
Student name as written: B. Grevstad.
Barney Elmer Grevstad received his B.Arch from the University of
Washington in 1936. Following graduation, he worked for Loveless & Fey,
Seattle, 1938-1939; then for the Austin Company, 1940-1944. He partnered with
fellow alumni Paul Gordon Carlson and Frederick Eley as Carlson, Eley, Grevstad
& Peterson, Seattle, 1946-c.1949, and later as Carlson, Eley & Grevstad
(indicated by some sources as Carlson-Eley-Grevstad), c.1949-1972. The firm
dissolved when Grevstad retired in 1972. Notable works include the Mechanical
Engineering Building at the University of Washington, 1959; the Bagley Hall
addition at the University of Washington, 1963; and the Fairmount Park
Elementary School, 1964.
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Freshman year, 1931-1932 |
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item | ||
Grevstad 1 |
End Wing of a Public
Building Assignment title: End pavilion of a public building.
1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 18 1/4 in x 24 in
Freshman analytique provides a monochromatic
rendering/elevation of the end pavilion of a building with an elevated porch,
partially enclosed by Corinthian columns and balustrade, above a fountain.
Detail drawings of column base, shaft, and Corinthian capital; scroll; and
cornice. Section drawing and lightly penciled plan show the porch.
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circa 1930-1931 |
Grevstad 2 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 19 3/4 in x 14 in
Freshman lettering exercise of Roman inscription capital
letters J, I, P, M, T, U, K.
|
circa Autumn 1931 |
Sophomore year, 1932-1933 |
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item | ||
Grevstad 3 |
Court in a Residence 1 design/analytique drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 30 3/4 in x 39 3/4 in
Sophomore analytique.Monochromatic rendering/elevation of the interior court of a
residence with arched doorway with ornate tympanum, and freestanding columns in
the courtyard. Detail drawings of relief, column base and capitol, and lion
sculpture. Lightly penciled plan.
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circa 1932-1933 |
Senior year, 1934-1935 |
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item | ||
Grevstad 4 |
An Atelier for Wrot Iron
Work Assignment title: Studio for wrought iron craftsman.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 30 1/4 in
Senior design.Watercolor rendering/elevation of a single story studio with
chimney and wrought iron ornamentation around the windows and doorways. Site
plan shows the studio in a u-shape around the display court with forge room,
draughting rooms, library, showroom, and administrative areas. Section drawing
through building.
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circa Autumn 1934 |
Architectural ornamentation class |
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item | ||
Grevstad 5 |
A Modern Gaine Figure 1 ornament class project : gouache/watercolor with ink on paper ; 38 1/4 in x 9 3/4 in
Architectural ornamentation class project.Drawing shows the design of a pedestal with a stylized human
body used as a support subtructure for a horizontal form.
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circa 1933-1935 |
Grevstad 6 | Pompeiian wall 1 ornament class project : gouache/watercolor on illustration
board ; 20 in x 23 in
Architectural ornamentation class project.Painted elevation of a wall with rectangular sections, shown
with images of athletes and trophy cups, created by bands of contrasting color
with slender, painted columns and a decorative vine painted across the top of
panels.
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circa 1933-1935 |
John G. Groom Groom, John G. (Artist)
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Junior year, 1939-1940 |
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item | ||
Groom 1 |
A Photographic
Institute 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 3/4 in x 38 3/4 in
Watercolor rendering/elevation of a single-story building in
the modernist style with plan showing library, photographic processing areas,
auditorium, administrative areas, and outdoor court. Two section drawings
reveal the auditorium and courtyard-facing wall.
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circa 1939-1940 |
F. M. Gruber Gruber, Foster M. (Foster Moore) (Artist)
Student name as written: F. M. Gruber.
Foster Moore Gruber received his B.Arch from the University of
Washington in 1929.
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5th year, 1928-1929 5th year design/thesis project with two sheets.
|
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Stained glass studio |
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item | ||
Gruber 1a | Drawing 1 1 design/thesis drawing : charcoal and gouache/watercolor with graphite
and ink on paper with cheesecloth backing ; 30 1/2 in x 45 in
Rendering/elevation of the side of a stone building with
stained glass windows and a large chimney.
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circa 1928-1929 |
Gruber 1b | Drawing 2 1 design/thesis drawing : gouache/watercolor with graphite on paper with
cheesecloth backing ; 27 1/2 in x 39 in
Plan and section drawing of the studio shows working and
exhibition areas.
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circa 1928-1929 |
Harry Gustafson Gustafson, Harry L. (Artist)
Student name as written: Gustafson.
Harry Gustafson received his B.Arch from the University of
Washington in 1941.
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Architectural ornamentation class |
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item | ||
Gustafson 1 |
Stained Glass Window
Ornament Assignment title: Gothic round window.
1 ornament class project : gouache/watercolor with ink on tissue paper with
matting ; 33 3/4 in x 28 in
Architectural ornamentation class project.Round stained glass window with acanthus leaves arranged in
a pattern around a center medallion and framed in an outer ring inscribed with
student's name and project title.
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circa 1929-1931 |
Weldon Gwinn Gwinn, G. Weldon (Artist)
Student name as written: Weldon Gwinn.
Student became principal in his own architecture and
construction company, G. Weldon Gwinn Construction Company, Bellevue,
c.1950.
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Freshman year, 1937-1938 |
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item | ||
Gwinn 1 | Entrance portico 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 20 in x 28 in
Monochromatic rendering/elevation of a doorway with grille
housed in an entrance portico on a neoclassical building. Detail drawings of
Corinthian column capital, entablature, mouldings, and partial column plan.
Penciled section drawing and plan.
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circa Spring 1938 |
Rosalie Haas Haas, Rosalie (Artist)
Rosalie Haas received a B.Arch from the University of Washington
in 1922.
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Sophomore year, 1919-1920 |
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item | ||
Haas 1 |
A Memorial Gateway 1 design/analytique drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 28 1/2 in x 39 in
Class B III analytique. Stamped with Society of Beaux Arts
Architects seal indicating the design was judged in the national
competition.Watercolor rendering/elevation of a memorial gateway shows
an iron gate between two brick pillars with inscription and smaller arched
entrance with gate on each side. Detail drawings of finial, light fixture, iron
scroll, and lettering. Section drawing and plan.
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March 1, 1920 |
Eva Hageman Hageman, Eva (Artist)
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Freshman year, circa 1931-1932 |
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item | ||
Hageman 1 | Ink wash circles:Plate
1 1 drawing exercise : ink on paper ; 17 3/4 in x 13 1/2 in
Freshman drawing exercise of ink wash circles on paper with
separated gradations from dark to light.
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circa 1931-1932 |
W. P. Hagestad Hagestad, W. P. (Wallace P.) (Artist)
Wallace P. Hagestad received his B.Arch from the University of
Washington in 1939.
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Freshman year, 1934-1935 |
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item | ||
Hagestad 1 |
A Sarcophagus 1 historical drawing : ink on paper ; 19 3/4 in x 27 3/4 in
Pen and ink freshman historical drawing of an ornamented
church altar tomb with relief mouldings and recumbent sculpted figure in
constructed niche framed with entablature. Partial section drawings of
mouldings. Name inscribed on tomb: Joanni Andreae Bocciacio.
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March 18, 1935 |
James Haggland Haggland, James (Artist)
Student name as written: Haggland.
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Sophomore year |
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item | ||
Haggland 1 |
Carillon Tower 1 design/analytique drawing : gouache/watercolor on paper ; 19 3/4 in x 25 3/4 in
Sophomore design/analytique. Monochromatic
rendering/elevation of a streamline style carillon tower with elliptical arch
spanning the vertical height of tower, with projected mouldings and vertical
grille over carillon bells. Detail drawing of grille and sculpted animal.
Penciled plan shows the setting for the carillon tower atop a stepped base in a
small pool.
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circa 1943-1945 |
Sam Halfon Halfon, Samuel I. (Artist)
Samuel I. Halfon received his B.Arch from the University of
Washington in 1936. Following graduation, he worked for McClelland & Jones,
1936-1940. During World War II, he joined the U.S. Navy, 1940-1945. Once the
war had ended, he returned to Seattle to work for Chiarelli & Kirk,
1945-1946; then for Marcus Priteca, 1946-1947.
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Senior year, 1934-1935 |
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item | ||
Halfon 1 |
A Beach Club 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 30 3/4 in x 40 1/2 in
Rendering/elevation of beach club in the art deco style;
building plan shows the semi-circular main building with public and
administrative areas attached to a rectangular wing housing pools and terrace;
longitudinal section drawing of building shows pools and public areas. Small
site plan.
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circa 1934-1935 |
Halfon 2 |
Wrot Iron Atelier Assignment title: Studio for Wrought Iron Craftsman.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 1/2 in x 31 1/4 in
Class B project.Watercolor rendering/elevation of a single story studio with
wrought iron ornamentation around the windows and doorways. Site plan shows the
studio with display court, forging room, library, and administrative areas.
Section drawing through building.
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circa 1934-1935 |
5th year, 1935-1936 |
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National Buddhist shrine with cave
Buddha Senior/5th year design/thesis project with two sheets.
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item | ||
Halfon 3a | Drawing 1 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 40 1/2 in x 60 3/4
in
Watercolor rendering/section drawing through the domed
sanctuary of a Buddhist temple with large statue of Buddha in a circular room
with columned viewing area on second story. Section drawing through hallway
shows painted columns. Exterior elevation shows dome with statue alcoves around
the outside of building. Plan shows circular sanctuary in center of circular
building surrounded by perimeter rooms and hallways and stairways radiating
from sanctuary to outside.
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circa Autumn 1936 |
Halfon 3b | Drawing 2 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 40 1/2 in x 60 3/4
in
Watercolor rendering/section drawing through the interior
dome of a Buddhist temple. The heightened dome has walkway around the
ground-floor circular sanctuary with statue of Buddha and is approached by
stairs on either side through a hallway with relief panels and smaller shrines.
Plan shows living areas, dining areas, and recreation areas for monks, library,
archive, pilgrim dormitories, chapel, shrines, and interior walkways leading to
outside of building.
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circa Autumn 1936 |
item | ||
Halfon 4 |
A Riding and Polo Club Assignment title: Riding and polo club on highway.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 60 1/4 in
Class A project.Design drawing includes a watercolor perspective drawing of
an L-shaped building with stables. Site plan with additional floor plans shows
the main building with indoor riding room, tack room, locker areas, and lounge
connected to lounge lobby, library, trophy room, dining areas, and upstairs
living areas. Wings extended from main building partially wrap around a polo
field and house stables for visiting and resident horses.
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circa 1935-1936 |
Donald Hamilton Hamilton, Donald (Artist)
Student's name as written: D. Hamilton.
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Freshman year, 1933-1934 |
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item | ||
Hamilton 1 | End pavilion of public building 1 design/analytique drawing : ink wash on paper ; 23 1/2 in x 17 1/4 in
Freshman analytique provides a monochromatic
rendering/elevation of an elevated porch on the end pavilion of a building
partially enclosed by Corinthian columns and balustrade; detail drawings of
lidded vase, decorative mouldings, and Corinthian capital; lightly penciled
plan.
|
1933 |
Sophomore year, 1934-1935 |
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item | ||
Hamilton 2 | Courtyard in a two-story building 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 30 3/4 in
Sophomore analytique.Monochromatic rendering/elevation of a building's
courtyard-facing wall shows a lower level with colonnaded walkway and upper
level pediment windows separated by pilasters. Detail drawings of arch, column
capital, and entablature. Partial section drawing.
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February 8, 1935 |
Hamilton 3 |
A Sculptor's Studio
Home Assignment title: Sculptor's studio and residence in the
Cascades.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 40 in x 30 3/4 in
Watercolor rendering/elevation of a stone building with
terracotta roof on an embankment surrounded by water. Plan shows the residence
and two studios separated by a courtyard. Section drawing shows the profile of
the building on the sloped site, interior windows, and the upward-angled roof
of the studio.
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May 11, 1935 |
Robert Hanna Hanna, Robert (Artist)
Student's name as written: Bob Hanna.
Robert Mitchell Hanna received his B.Arch from the University of
Washington in 1959. After graduating, he worked with Seattle architect Richard
Hagg in the transformation of Seattle Center following the 1962 World's Fair.
He received his Master's degree in Landscape Architecture at Harvard University
in 1967, then worked for the Boston Redevelopment Authority. He started
teaching at the University of Pennsylvania in 1969, and remained on the faculty
of the Graduate School of Fine Arts, for over 30 years, becoming the first
Chairman of Environmental Design at the University in 1974. In 1976, with
university colleague, Laurie Olin, he formed Hanna/Olin Ltd, Landscape
Architects, which lasted until 1995 when the partnership divided into RM Hanna
Landscape Architects and Olin Partnership, both based in Philadelphia. Notable
projects include master plan for Battery Park City and waterfront in New York;
and the Westlake Square revitalization in downtown Seattle.
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Junior year, 1956-1957 |
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item | ||
Hanna 1 | Entrance to an art museum 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 29 3/4 in x 39 3/4 in
Junior analytique.Watercolor rendering/elevation of an art museum building on
a terrace with sculptures. Detail drawing of sculpture.
|
Autumn 1956 |
Robert Hanson Hanson, Robert A. (Artist)
Student name as written: Hanson.
Robert Hanson received his B.Arch from the University of
Washington in 1942. He worked for Butler, Stevens, and Sturtevant, 1940;
Boeing, 1940-1945; and Thomas, Grainger & Thomas, 1945-1947; then for
Naramore, Bain, Brady & Johanson, 1947-1948.
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Freshman year, 1937-1938 |
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Hanson 1 |
La Fontaine de S.
Spirito 1 historical drawing : ink on paper ; 20 in x 27 3/4 in
Pen and ink drawing of the ornate Fontaine de S. Spirito
with detail drawings of the coat of arms and lion-shaped spitting head.
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circa Winter 1938 |
Sophomore year, 1938-1939 |
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Hanson 2 | Church sanctuary and altar 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 30 3/4 in x 40 in
Sophomore analytique.Analytique shows the front and back elevations of a church
altar with ornately carved wooden molding and relief panels. Detail drawings of
carved wood and altar cross.
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circa 1938-1939 |
Junior year, 1939-1940 |
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Hanson 3 | Theatre on a private estate 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 3/4 in x 39 3/4 in
Design drawing includes a watercolor perspective drawing and
rendering/elevation of a building with heightened center section and two wings
extending from either side on a terraced site. Plot plan shows the auditorium,
stage, and public areas on landscaped grounds with semi-circular fountain and
sunken garden. Section drawing reveals the interior decoration of the
auditorium.
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circa Spring 1940 |
5th year, 1941-1942 |
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Hanson 4 | Residential housing facility Assignment title: Student co-op dorm at University of
Washington alumni prize competition.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 in x 59 1/2 in
5th year project. Drawing was entered in the 1942 Alumni
Prize competition.Design drawing provides a watercolor rendering/exterior
elevation of a modernist building with wood exterior and brick tower, multiple
plans, and a section drawing through the building. Plans the location of dorm
and library, living areas, dining room, and recreation areas on three floors.
Section drawing through building shows a football themed mural in lounge and a
windowed wall facing play area.
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circa 1941-1942 |
Noboru Hara Hara, Noboru (Artist)
Noboru Hara received his B.Arch from the University of
Washington in 1956.
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Junior year, 1953-1954 |
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Hara 1 | Entrance to an art museum Note: This project was typically assigned during the
Junior year of study; the "Autumn 1954" date written on the project is believed
to be incorrect and possibly added at a later date.
1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 31 1/4 in x 41 in
Junior analytique.Watercolor rendering/elevation of the entrance to art museum
building on a terrace with sculptures. The entrance is a gridded panel of glass
windows set into the face of the main building with portico. Detail drawings of
sculpture and stone.
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circa Autumn 1953 |
Thomas Hargis Hargis, Thomas F. (Artist)
Student name as written: Hargis.
Thomas F. Hargis Jr. received his B.Arch from the University of
Washington in 1940. Following graduation, he worked for John W. Maloney,
1940-1941; then Naramore & Brady, 1942; W. C. Nickum & Sons, 1943. He
returned to work for John W. Maloney, 1944; then for J. Lister Holmes &
Associates, 1945. He later opened his own practice in Yakima as Thomas F.
Hargis, Architect.
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Unknown dates |
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Hargis 1 |
Dining Room Furniture 1 sketch problem : gouache/watercolor with graphite on illustration
board ; 30 in x 20 in
Bird's eye perspective, rendered in watercolor, of a dining
room with windowed wall. Smaller drawings along the top show the elevation,
section, and detail of the dining room table with leaf.
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circa 1937-1940 |
Betty Jane Harper Harper, Betty Jane (Artist)
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Sophomore year, 1935-1936 |
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Harper B 1 | Roofed stair at Renaissance city hall 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 39 3/4 in x 29 3/4 in
Sophomore analytique.Monchromatic rendering/elevation of a roofed stair with
colonnade and wall fountain. Detail drawings of Doric column capital and base
and molding; partial plan.
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circa 1935-1936 |
Robert Harper Harper, Robert (Artist)
Student name as written: Robert N. Harper.
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Freshman year, 1937-1938 |
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Harper R 1 | Entrance portico 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 20 in x 28 in
Freshman analytique.Monochromatic rendering/elevation of three doorways with
grille housed in an entrance portico on a neoclassical building. Column plan
and detail drawings of Corinthian column capital and fluted column shaft,
entablature, mouldings, and grille. Penciled section drawing and plan.
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circa Spring 1938 |
Harper R 2 |
Fontaine S.S. Apostoli 1 historical drawing : ink on paper ; 20 in x 28 in
Pen and ink historical drawing provides an elevation with
detail drawing and plan of the Fontaine S. S. Apostoli.
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circa Winter 1938 |
F. J. Harthorne Harthorne, Francis J. (Artist)
Student name as written: F. J. Harthorne.
Francis Joseph Harthorne received his B.Arch from the University
of Washington in 1941. He worked for Hovind & Associates, 1953; rising to
partner in Hovind, Harthorne & Smith in 1955.
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Junior year, 1938-1939 |
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Harthorne 1 | Summer villa for American cardinals 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 40 in x 30 1/2 in
Junior design.Design drawing shows a rendering/elevation of an elegant
multi-story residence with terracotta roof on a terraced site with balustrade
stairway between levels. Site plan shows the ground floor with reception areas,
drawing room, library, and dining room, while smaller plan shows living areas
and chapel on the upper floor.
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circa Winter 1939 |
G. Y. Hayashitani Hayashitani, Yataka (Artist)
Student name as written: G. Y. Hayashitani; Y.
Hayashitani.
Yutaka Hayashitani received his B.Arch from the University of
Washington in 1929.
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Senior year, 1927-1928 |
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Hayashitani 1 |
An Aqueduct 1 design drawing : gouache/watercolor with graphite on paper with
cheesecloth backing ; 37 3/4 in x 28 1/2 in
Class B local project.Elevation of an arch bridge for an aqueduct over a ravine
with waterfall rendered in watercolor. The plan shows the aqueduct with a five
arches atop the deck of the bridge; the large arches at either abutment direct
traffic onto the bridge in an S-shape while the aqueduct continues in a
straight line on each side of the ravine. Section drawing through bridge wall
and aqueduct support.
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circa Autumn 1927 |
Hayashitani 2 |
A Doctors' and Dentists'
Office Bldg. Assignment title: Doctors/Dentists office building.
1 design drawing : watercolor wash with graphite and ink on paper
with cheesecloth backing ; 26 in x 39 1/2 in
Local project.Watercolor elevation of building facade with plans for two
floors and section drawing.
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circa 1927-1928 |
Hayashitani 3 |
Masonic Temple 1 design drawing : watercolor with graphite and ink on paper with
cheesecloth backing ; 60 1/4 in x 39 3/4 in
Class A II projet. Stamped with Society of Beaux Arts
Architects stamp indicating the design was judged in the national
competition.Watercolor elevation/rendering of a multi-story,
smooth-faced building with relief along upper edge and two lower end pavilions
flanking the main entrance with niches for sculptural figures on an elevated,
walled site. Plan shows Freemasonry imagery in tile pattern. Section drawing
shows the multiple stories of the building.
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circa 1927-1928 |
Hayashitani 4 |
A Riding School 1 design drawing : watercolor with graphite and ink on paper with
cheesecloth backing ; 28 1/2 in x 39 in
Class B II projet. Stamped with Society of Beaux Arts
Architects stamp indicating the design was judged in the national
competition.Elevation of building exterior, plan of facility showing
gallery seating area and arena, and section drawing.
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circa Autumn 1927 |
Bertram Heinz Heinz, Bertram (Artist)
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Freshman year, 1924-1925 |
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Heinz 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 19 3/4 in x 13 3/4 in
Freshman lettering exercise of Roman inscription capital
letters G, F, P, D, T, U.
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October 27, 1924 |
A. E. Hennessy Hennessy, Albert E. (Albert Ernest) (Artist)
Student name as written: A. E. Hennessy.
Albert Ernest Hennessy studied at the Ecole des Beaux Arts in
Fontainebleau, France, 1930, and received his B.Arch from the University of
Washington in 1932. Following graduation, he worked for Paul Thiry, 1933; then
for J. Lister Holmes, 1933; and Edwin Ivey, 1934-1936; and Naramore &
Young, 1936-1937. He worked for the Metropolitan Building Company, Seattle,
1937-1940. During World War II, he took a position with Siems-Drake Puget
Sound, 1940-1942; before joining the U.S. Navy, 1943-1944. In 1945, he joined
the firm of Smith, Carroll & Johanson, 1945-1950.
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Freshman year, 1927-1928 |
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Hennessy 1 | Memorial arch 1 design/analytique drawing : graphite and ink on paper ; 20 3/4 in x 30 1/4 in
Freshman analytique.Monochromatic rendering/elevation of a gateway with arch
flanked by two smaller arches with Corinthian columns and decorative relief of
soldiers in battle. Detail drawing of lettering, soldier statutes, Corinthian
capital, fluted column shaft, base, and entablature. Column plan and lightly
penciled section drawing.
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circa Spring 1928 |
Senior year, 1930-1931 |
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Hennessy 2 |
A Frontier Air Station 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 39 1/2 in x 30 3/4 in
Class B IV projet.Watercolor rendering/elevation of facade featuring windowed
center section with clock tower and metalwork design flanked by two smaller
wings on either side serving as administrative areas. Plan shows the u-shaped
walkway through the air station with the central section in glass used as a
observation and waiting room. Section drawing through center section; small
perspective drawing.
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circa 1931 |
5th year, 1931-1932 |
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Hennessy 3 |
A Monumental Band
Stand 1 design drawing : charcoal with colored pencil and ink on
paper ; 24 in x 34 in
Inscribed on front of drawing: I am a citizen of the United
States and will be under 27 years of age on July 1st, 1933.Design drawing includes a charcoal rendering of a
clamshell-style outdoor bandstand with ascending semi-circular rows of seating,
partial plan, and section drawing through bandstand.
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circa 1931-1932 |
Fred Herman Herman, J. Fred (John Fred) (Artist)
Student name as written: Fred Herman.Alternate name: John F. Herman.
John Fred Herman received his B.Arch from the University of
Washington in 1936.
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Junior years, 1932-1934 |
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Herman 1 |
An Athletics Building for a
Boys' School 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 31 1/2 in x 40 in
Junior project.Watercolor rendering/elevation of a modernist, brick
recreation building. Plans show the ground floor recreation and locker areas
and the mezzanine level with trophy hall. Section drawing through the building
shows the trophy hall, play courts and mezzanine.
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December 11, 1933 |
Herman 2 |
A Church Group Assignment title: Protestant church in a suburb of a large
city.
1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 30 3/4 in x 40 in
Junior design.Rendering/elevation of a brick church with decorative inlay
and two towers. Plan shows the layout of the church site including the main
worship area and a group of buildings housing the administrative, education,
and social areas connected by walkways .
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circa Spring 1933 |
Herman 3 |
Ferry Wharf Assignment title: Ferry wharf with railroad and bus.
1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 30 3/4 in x 39 3/4 in
Junior design.Rendering/elevation of an art deco style transportation
building on the water with ferry. Plan shows the ferry wharfs, passenger area,
and site/transit plan with building entrances for private cars, railroad, and
busses; section drawing through building shows the bus terminal.
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circa Winter 1933 |
Senior year, 1934-1935 |
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Herman 4 |
An Episcopal Cathedral
Group 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 40 in x 61 1/2 in
Senior design.Design drawing includes an elevation of the front of a
cathedral with vertical channels of stained glass windows and clock, connected
to a group of smaller buildings. Perspective drawing of the back of building.
Plot plan shows a quarter-circle site with cathedral and attached buildings
housing the bishop's and dean's offices, Synod Hall, living areas, refectory,
classrooms, clergy, and baptistry. Section drawing through nave.
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November 10, 1934 |
Herman 5 |
Tomb of Justinian and
Theodora 1 design drawing : gouache/watercolor with graphite and ink on paper
with surface preservative ; 41 1/2 in x 34 in
Senior design project.Watercolor rendering/perspective of the interior of a square
tomb in the interior of a sanctuary with multi-story religious mural and
striped pattern on walls and pillars . Plan and section drawing reveal the
shape of the tomb and stairs leading to the altar with fountains at each
landing.
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June 5, 1935 |
J. C. Herron Herron, Joseph C. (Artist)
Joseph C. Herron received his B.Arch from the University of
Washington in 1932.
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Senior/5th years, 1930-1932 |
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Herron 1 |
An Anti Air Craft
Amory 1 design drawing : charcoal and gouache/watercolor with ink on paper
with cheesecloth backing ; 40 1/4 in x 31 in
Rendering/elevation of a smooth-faced rectangular building
with arched entrance on the ground floor and an elongated panel of windows and
doorways set into the center of the facade. Two plans show the garage floor
with repair shop and the drill floor with administrative areas and trophy room.
Longitudinal section drawing.
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circa 1931 |
John B. Hessemer Hessemer, John B. (John Bailey) (Artist)
John Bailey Hessemer received his B.Arch from the University of
Washington in 1938. He worked as the principal architect in his own
architectural practice, John Hessemer, Architect, Seattle.
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Senior year, 1936-1937 |
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Hessemer 1 | Sculpture museum Assignment title: Sculpture museum in a city of
100,000.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 40 in x 31 in
Senior design.Watercolor rendering/elevation of a smooth-faced building
with entrance portico over three elongated panels of windows on a plaza with
fountain. Plans show the ground floor exhibition areas, and the basement level
with lecture hall and administrative areas. Multiple section drawings reveal
the interior of the exhibition area.
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1936 |
Takashi Higuchi Higuchi, Takashi (Artist)
Takashi Higuchi received his B.Arch from the University of
Washington in 1929.
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Freshman year, 1925-1926 |
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Higuchi 1 |
Une Fenetre Classique Assignment title: Classical window.
1 design/analytique drawing : gouache/watercolor with ink on paper ; 21 1/2 in x 15 1/2 in
Monochromatic rendering of an elongated window with pediment
and balcony set into a stone wall with detail drawings of pediment, decorative
elements, and balcony balustrade.
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circa 1925-1926 |
Higuchi 2 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 20 in x 14 in
Freshman lettering exercise of Roman inscription capital
letters J, U, L, O, G, H, D.
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circa 1925-1926 |
Senior year, 1928-1929 |
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Higuchi 3 |
An Office Building for
Physicians and Dentists Assignment title: Doctors/dentists office building.
1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 38 in x 26 1/2 in
Local project.Watercolor rendering/elevation of a two-story brick building
with front portico and fanlight over the main entrance; plan and section
drawings show both floors and reveal decorative elements such as floor patterns
and metalwork railings.
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circa 1927-1928 |
Unknown dates |
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Higuchi 4 |
A Bay of an Interior
Court 1 sketch problem : gouache/watercolor with graphite on
paper ; 27 1/2 in x 18 1/2 in
Sketch problem from unknown year. Believed to have been
drawn in the Sophomore, Junior, or Senior year.Watercolor rendering/elevation of an interior court with
large, fluted columns with capitals made of sculptural faces. Columns support a
porch over three stepped arch openings below panels of winged forms and foreign
language inscription. Penciled plan and section drawing.
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circa 1926-1928 |
Haruo Hirota Hirota, Haruo (Artist)
Haruo Hirota received his B.Arch from the University of
Washington in 1930.
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Freshman year, 1925-1926 |
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Hirota 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 19 3/4 in x 13 1/2 in
Freshman lettering exercise of Roman inscription capital
letters G, J, T, L, O, U, D.
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circa 1925-1926 |
Sophomore year, 1926-1927 |
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Hirota 2 |
A Civic Art Gallery 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 37 in x 29 in
Drawing entered in the Bebb Prize design competition and
awarded "1st Mention Placed."Elevation of building facade with "Seattle Art Gallery"
inscription and plan showing exhibition areas, auditorium, and tile pattern.
Section drawing through center section of building.
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November 1, 1926 |
Hirota 3 |
A Pavilion in a Park 1 design/analytique drawing : watercolor wash with graphite and ink on stiff
paper with cheesecloth backing ; 37 1/2 in x 27 3/4 in
Class B II analytique. Drawing is stamped with a Society of
Beaux Arts Architects seal indicating the design was judged in the national
competition.Rendering of Ionic style pavilion with fountain in a park;
rendering is framed by details of columns, urns, and frieze. Small plan and
section drawing penciled in lower right corner.
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December 15, 1926 |
Margaret Hoar Hoar, Margaret (Artist)
Alternate name: Margaret Hoar Waldo.
Maragaret Hoar received her B.F.A. from the University of
Washington in 1942.
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Unknown dates |
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Hoar 1 | Fireplace wall 1 interior elevation drawing : graphite and ink on paper ; 18 in x 29 in
Pen and ink interior elevation of an interior wall with
stone or brick fireplace and a set of windowed doors. Drawing also shows a
section drawing of the fireplace.
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circa 1937-1940 |
George V. Hogan Hogan, George V. (Artist)
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Sophomore year, 1933-1934 |
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Hogan 1 | Wall with niche and statue 1 design/analytique drawing : monochromatic watercolor with graphite on paper
with cheesecloth backing ; 30 1/2 in x 39 3/4 in
Sophomore analytique.Monochromatic rendering/elevation of a arched stone wall
niche with statue behind a fountain with sculptures framed by detail drawings
of the cornice, sculptures, and bust. Penciled section drawing and partial
plan.
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March 14, 1934 |
Dick Hooper Hooper, Dick (Artist)
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Freshman year, 1945-1946 |
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Hooper 1 | Classical entrance 1 historical drawing : ink wash on paper ; 29 in x 21 in
Advanced freshman historical drawing shows an entranceway
with plan, elevation, and section drawings in a monochromatic wash. Elevation
shows a doorway under entablature framed by Ionic columns on either side and
balustrade. The entranceway has an arched opening under entablature with relief
medallions on either side. Section drawing and plan show smaller areas off the
entrance with barrel-vaulted ceilings and similar medallions.
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circa Winter 1946 |
Henry B. Hoover Hoover, Henry B., 1902-1989 (Artist)
Student name as written: H. B. Hoover.
Henry Browne Hoover received his B.Arch from the University of
Washington in 1924, where he was awarded the Auburn Clay Works Prize in
Architecture in 1924. He received a scholarship to earn his M.Arch from Harvard
University in 1926, where he was awarded the Eliot Prize in 1925 and the Eugene
Dodd Medal for excellence in freehand drawing and watercolor in 1926. Following
graduation, Hoover worked part-time as a designer and draftsman for Fletcher
Steele, Landscape Architect, Boston, 1925-1926, before traveling abroad on the
Sheldon Fellowship, 1926-1927, and the Robinson Fellowship, 1927-1928, both
awarded through Harvard University.After returning to Boston, Hoover resumed his work as a designer
and draftsman for Fletcher Steele, 1929-1937, while serving as an instructor at
the Lowthorpe School of Landscape Architecture for Women from 1933 until 1945.
Beginning in 1937, Hoover began working independently in his own practice as
Henry B. Hoover, Architect, Boston, 1937-1942, while continuing his work
part-time with Fletcher Steele. During World War II, Hoover began doing
industrial radar design for the Raytheon Company in Waltham, Massachusetts,
1942-1945. He resumed his architecture practice after the war had ended,
partnering with Walter Hill as Hoover & Hill Associates, Cambridge,
1955-1962, and continuing his work in industrial design for Massachusetts
companies Product Design & Development, Inc. and Lytron, Inc. His
partnership ended after a stroke in 1962, but he resumed his practice the
following year, receiving a Design Award Citation from the Institute of
Electrical and Electronic Engineers (IEEE) for his design of a 1200 portable
radiometer. The practice lasted until his retirement in 1988.
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Junior year, 1922-1923 |
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Hoover 1 |
A College Club House 1 design drawing : gouache/watercolor with ink on paper with
cheesecloth backing ; 25 1/4 in x 28 in
Class B I projet. Junior projet.Multiple plans show the first and second floors of a college
club house. Section drawing through the main hall shows dining room and other
public areas on the two lower floors.
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circa Autumn 1922 |
Senior year, 1923-1924 |
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Hoover 2 |
The Decoration of a
Cabaret 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 32 in x 22 in
Class A II projet. Senior projet. Stamped with Society of
Beaux Arts Architects seal indicating the drawing was judged in the national
competition.Watercolor section drawing of an arched proscenium stage
with painted stripes, curtain canopy, and decorative border. Plan shows the
table arrangement and cabaret stage.
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December 8, 1923 |
Hoover 3 |
A Flagstaff Base 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 38 1/4 in x 27 1/2 in
Entered in the Emerson Prize competition. Stamped with
Society of Beaux Arts Architects seal indicating the design was judged in the
national competition.Watercolor rendering/elevation and detail drawing of a metal
flagstaff base on a stone plinth with decorative elements that include acanthus
leaves, lion heads, warriors, and several different patterned motifs. Plan of
base.
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circa 1923-1924 |
Hoover 4 | Fraternity house thesis 1 design/thesis drawing : ink on paper ; 18 1/2 in x 24 in
Thesis design drawing. Pen and ink plan of the ground floor
of a triangular building with commons, kitchen, pantry, game room, and lounges
for men and women. A circular entrance rotunda is placed at one apex of the
building with a hallway leading to an open courtyard in the middle of the
building.
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June 1924 |
Hoover 5 | Montlake bridge Title as written by student:The 1923
Bebb Prize - Projet for Montlake Bridge.
1 design drawing : charcoal and gouache/watercolor with graphite on
paper with cheesecloth backing ; 24 3/4 in x 38 in
Entered in the 1923 Bebb Prize design competition and
awarded "Second Medal."Watercolor and ink rendering/elevation of a proposed design
for Seattle's Montlake Bridge shows a metal drawbridge with lighted walkway
framed with lightly colored stone structures at each abutment with stairways
that lead down to the water. The control tower has a gothic arched entrance at
the bridge-level and a circle of windows at the top; the other, shorter
structure has a similar entrance. Plan shows traffic lanes.
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circa Autumn 1923 |
Hoover 6 |
A Municipal Market 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 22 in x 35 1/2 in
Class A IV projet.Watercolor rendering/elevation and section drawing of a
municipal market building on the water with boat shelters and stairways leading
up to the market. The market has a main building with colonnaded seating area
overlooking the water with colonnaded walkways moving towards smaller side
buildings. Section drawing through the main section reveals the depth of the
structure and an interior courtyard with fountain.
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circa Winter 1924 |
Unknown dates |
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Hoover 7 | Medieval interior 1 sketch problem : gouache/watercolor with graphite on
board ; 25 in x 16 3/4 in
Sketch problem. Believed to have been drawn in the
Sophomore, Junior, or Senior year.Watercolor rendering with penciled ceiling plan of the
interior of a stone building with arched doorway and exposed beam ceiling.
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circa 1922-1924 |
R. Bruce Hopkins Hopkins, Robert Bruce (Artist)
Student name as written: R. B. Hopkins.
Robert Bruce Hopkins studied at the University of Washington. He
worked for William Aitken, Seattle, 1927-1929; Stanley Piper, Bellingham, 1935;
William Mallis, 1935-1940; McClelland & Jones, 1940-1941; William Mallis,
1941-1942. During World War II, Hopkins joined the U.S. Navy, 1942-1945. After
the war ended, Hopkins returned to work for William Mallis, 1945-1948; leading
to the partnership Mallis, DeHart & Hopkins, 1948-1951 with William Mallis
and Joseph DeHart. Notable works from Mallis, DeHart & Hopkins include the
Nathan Eckstein Junior High School in Seattle, c.1950. After the partnership
ended, he formed his own architectural practice in Seattle as R. Bruce Hopkins,
Architect.
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Senior year, 1928-1929 |
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Hopkins 1 |
An Aquarium 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 34 3/4 in x 27 1/4 in
Class B IV projet. Stamped with Society of Beaux Arts seal
indicating the design was judged in the national competition.Rendering/elevation of an aquarium building with a
semi-circular wing on each side, sea serpent ornamentation above the doorway,
and boat-shaped stairway leading to water. Plan shows the park and the aquarium
building with tile pattern, a large, rectangular aquarium in the center of the
building and multiple aquarium tanks along each wall. Section drawing reveals
two stories with viewing along the upper and lower levels.
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March 1929 |
Frank D. Horsfall Horsfall, Frank D. (Artist)
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Sophomore year, 1940-1941 |
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item | ||
Horsfall 1 |
A Memorial Sundial 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 30 3/4 in x 39 1/2 in
Monochromatic rendering/elevation of a rectangular
wall-mounted stone sundial with Roman numerals. Detail drawings of angel relief
and carved Roman numerals. Plan; section drawing shows the sundial's
pointer.
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November 2, 1940 |
Helen Huntington Huntington, Helen (Artist)
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Freshman year, 1921-1922 |
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Huntington 1 |
Roman Ionic Order 1 drawing exercise : ink on paper ; 23 3/4 in x 18 in
Pen and ink drawing exercise of a Roman Ionic column
including reflected ceiling plan of capital and entablature; elevation and
section drawing of columns and entablature; and detail drawings of base, shaft,
capital, and entablature.
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circa 1921-1922 |
Huntington 2 |
Temple 1 drawing exercise : ink on paper ; 23 3/4 in x 18 in
Pen and ink drawing exercise of a Doric temple includes an
elevation of the temple's facade with staircase leading to double doors under a
pediment supported by peristyle columns; plan of entrance; section drawing
through entablature; and detail drawings of column base, shaft, capital, and
entablature.
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circa 1921-1922 |
Marvin Iles Iles, Marvin, 1917-1995 (Artist)
Marvin Stuart Iles received his B.Arch from the University of
Washington in 1949. He worked for J. Lister Holmes, 1946-1950; Naramore, Brady,
Bain & Johanson [NBBJ], 1950-1952; John Graham, 1952-1953; NBBJ, 1954-1956.
He formed a partnership with Douglas Cuykendall and Harold Blean as Cuykendall,
Iles & Blean, c.1956.
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5th year, 1948-1949 |
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item | ||
Iles 1 | Synagogue interior Assignment title: Interior of Orthodox Jewish
synagogue.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 29 3/4 in x 41 3/4 in
5th year design.Design drawing includes two watercolor section drawings,
elevation drawing of ark and temple plan. Section drawings and plan indicate
the temple has a seating balcony and a colonnade of slender rectangular
columns. Transverse section drawing shows a domed roof over the nave of the
temple. Elevation drawing of the golden ark shows it against a green marble
wall.
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circa 1948-1949 |
Norman Irvine Irvine, Norman (Artist)
Student name as written: N. Irvine.
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Senior year, 1933-1934 |
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Archaeology institute with museum and
spa |
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item | ||
Irvine 1a | Drawing 1 1 drawing : gouache/watercolor with graphite and ink on
paper ; 34 3/4 in x 59 1/4
in
Watercolor site plan shows a walled archaeological complex
on a terraced site with a stepped pyramid connected via walkway to an octagonal
structure overlooking several interior courtyards with pools and rectangular
monoliths.
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circa 1930-1935 |
Irvine 1b | Drawing 2 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 38 3/4 in x 61 in
Watercolor site plan shows an archaeological complex with
a multi-story hotel, theater, a museum, and spa rendered in a desert setting.
Octagonal hotel has a center court with fountains and gardens that leads to a
terraced site with Greek theater and museum. Dormitories arranged in cliff-side
dwellings for workers and students. Longitudinal section drawing shows the
terraced site with ornately decorated hotel and museum.
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circa Winter 1934 |
item | ||
Irvine 2 | Beach club 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 37 1/4 in x 56 1/2 in
Class B projet.Watercolor rendering and plan of a beach club with offset
semi-circular windowed structure with awnings and rooftop terrace approached by
symmetrical semi-circular stairways. Pool terrace extended on one side with
diving board and windowed section of building; smaller pool on lower terrace.
Section drawing through the semi-circular section of building.
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circa 1933-1934 |
Michael Yoshio Iwanaga Iwanaga, Yoshio (Artist)
Student name as written: Y. Iwanaga.
Michael Yoshio Iwanaga received his B.Arch from the University
of Washington in 1936. He was the recipient of the American Institute of
Architects (AIA) Award for Distinction in Design in 1936.
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Freshman year, 1931-1932 |
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item | ||
Iwanaga 1 | End pavilion of a public building 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 19 3/4 in x 26 1/4 in
Freshman analytique provides a monochromatic
rendering/elevation of an elevated porch on the end pavilion of a building
partially enclosed by Corinthian columns and balustrade with sculpture niches
on either side of the doorway; detail drawings of lidded vase, decorative
mouldings, and Corinthian capital; lightly penciled plan.
|
circa Spring 1932 |
Iwanaga 2 |
A Renaissance Tomb in the
Church of S. M. Sopra Minerva 1 historical drawing : ink on paper ; 27 1/4 in x 19 in
Pen and ink freshman historical drawing of an ornamented
church altar tomb with relief mouldings and partial section drawing.
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March 14, 1932 |
Sophomore year, 1932-1933 |
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item | ||
Iwanaga 3 |
Consolidated Ferries
Co. Assignment title: Ferry wharf.
1 design drawing : ink wash with graphite on paper ; 40 in x 61 3/4 in
Rendering/elevation of a transportation building on the
water with lighthouse clock tower. Site plan shows taxi circle around base of
lighthouse with traffic areas for buses and cars. Building has a center lobby
with rounded end pavilion housing restaurant. Basement plan shows loading and
unloading areas for the car ferry.
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circa Winter 1933 |
Iwanaga 4 | Wall sundial in garden 1 design/analytique drawing : gouache/watercolor with graphite on paper with
cheesecloth backing ; 30 3/4 in x 39 1/2 in
Fourth sophomore analytique.Monochromatic rendering/elevation of a rectangular
wall-mounted stone sundial fountain with Roman numerals. Detail drawings of
sculpture and decorative urn. Plan shows the wall and semi-circular fountain
pool; section drawing shows the sundial's pointer.
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circa 1932-1933 |
Junior year, 1933-1934 |
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item | ||
Iwanaga 5 |
An Aquarium 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 1/2 in x 31 in
Junior projet.Rendering/elevation of a octagonal aquarium building with
two side wings. Plan shows a large, octagonal aquarium pool in the center of
the building and multiple aquarium tanks along each wall. Section drawings
reveal the interior of the building.
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circa 1933-1934 |
5th year, 1935-1936 |
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item | ||
Iwanaga 6 |
Foro del Facismo Assignment title: New capitol in Rome: monument to
Fascismo.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 1/2 in x 60 in
5th year project.Design drawing includes a site plan, rendering/elevation,
section drawing, and multiple plans. Site plan shows a round plaza with
promenade leading to a complex of three government buildings arranged around a
fountain courtyard opposite a park with obelisk. Watercolor elevation of one
building shows a heightened center section with three panels of elongated
windows and two single-story wings wrapped around the entrance courtyard. Two
plans show the dictator's suite and offices, administrative suite, barracks,
archives, and entrances for dictators and royalty. Section drawing through
building and elevation profile along plaza.
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February 15, 1936 |
Iwanaga 7 |
A Y.M.C.A. Building Assignment title: YMCA and office building in southern US
city.
1 drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 60 1/4 in
5th year project.Watercolor rendering/elevation of the front and back of a
multi-story building with vertical rows of windows articulated by block-like
balconies. Multiple plans include a typical dormitory floor plan; first floor
plan showing recreation areas, pool, trophy room, auditorium, dining areas; 3rd
floor plan showing living areas with handball courts; 4th floor plan showing
dormitory rooms with running track. Section drawing through building.
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circa 1935-1936 |
Container(s) | Description | Dates |
---|---|---|
Ted Jacobsen Jacobsen, John T. (John Theodore), 1903- (Artist)
Student's name as written: J. Ted Jacobsen; J. T.
Jacobsen.
John Theodore Jacobsen received his B.Arch from the University
of Washington in 1924, and his M.Arch from the University of Pennsylvania in
1926. While at the University of Washington, he was awarded the Charles H. Bebb
Prize in Architecture, 1921-1922; the First Washington Brick and Lime Company
Prize, 1922-1923; and the Auburn Clay Works Prize in Architecture,
1923-1924.Upon graduation, Jacobsen traveled to Russia to design community
schools and then traveled throughout Europe, South America, and Africa. When he
returned to Seattle, he worked as a Draftsman for McClelland & Jones,
beginning in 1935; and as the principal architect in his own firm, John T.
Jacobsen, Architect. He also began teaching at the University of Washington and
completed several artistic works, including the large bas relief murals in
Suzzallo Library. During the Great Depression, Jacobsen worked with a small
group of architects as the principal designer on the Yesler Terrace Housing
Project, 1939-1941. When the McClelland & Jones partnership ended in 1946,
he joined Victor N. Jones as an Associate with Victor N. Jones and
Associate(s), 1946-1955 (some sources indicate a partnership may have existed
under the name Jones & Jacobsen, Associated Architects).Some of Jacobsen's notable works in Seattle include the Seattle
Trust Bank; his own residence in Madison Park, circa 1936; the George Horton
House, 1938; the Andrew Gunby House, 1939; Helen Bush Parkside School's Miller
Hall, c.1948; and Gerberding Hall at the University of Washington, 1949.Jacobsen moved to Hawaii in the late 1950s and established his
own firm. His work in Hawaii included the Ala Moana Shopping Center, with John
Graham Jr., 1959; the Ilikai Hotel, also with John Graham Jr., 1964; and
Charles Lindbergh's home, 1971.
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Sophomore year, 1921-1922 |
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item | ||
Jacobsen 1 |
Tile Treatment of a
Vestibule 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 28 in x 26 3/4 in
Sophomore analytique.Drawing includes a watercolor section drawing/rendering of a
tiled niche with fountain and tile plan and detail drawings of fish motif.
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December 16, 1921 |
Junior year, 1922-1923 |
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item | ||
Jacobsen 2 |
A College Club House 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 35 1/2 in x 26 in
Class B I projet. Stamped with Society of Beaux Arts
Architects seal indicating the design was judged in the national
competition.Watercolor rendering/elevation of the exterior of a college
club with terracotta roof and ornamentation, including arched windows and
fanlight over entrance. Multiple plans show the first and second floors of a
college club house. Section drawing through the main hall shows the ornately
decorated main hall and dining room.
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November 19, 1922 |
Senior year, 1923-1924 |
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Decoration of a cabaret Class A II projet. One drawing is stamped with a Society of
Beaux Arts Architects seal indicating that the design was judged in the
national competition.
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item | ||
Jacobsen 3a |
Drawing 1 1 design drawing : gouache/watercolor on paper with cheesecloth
backing ; 36 1/4 in x 24 1/2
in
Stamped with Society of Beaux Arts Architects seal
indicating that the design was judged in the national competition.Watercolor section drawing of an arched proscenium stage
with painted mural, decorative frieze and border. Plan shows the table
arrangement and cabaret stage.
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circa Autumn 1923 |
Jacobsen 3b | Drawing 2:The Decoration of
a Cabaret 1 design drawing : gouache/watercolor with graphite and ink on
paper with cheesecloth backing ; 23 1/4 in x 35 1/4
in
Watercolor section drawing shows the interior seating
areas of a cabaret theatre. A sunken area with tables and seating is framed by
an ornately decorated arched colonnade on the upper and lower levels.
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circa Autumn 1923 |
item | ||
Jacobsen 4 |
Proposed House for the Lambda
Chi Alpha Fraternity 1 design drawing : ink on paper ; 35 1/2 in x 25 1/4 in
Senior design. Address inscribed on drawing as 4505
Nineteenth Ave., University of Washington.Multiple plans show the basement, second, and third floors
of the proposed fraternity house. Section drawing through the main hall shows
public areas on the two lower floors.
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May 1924 |
Jacobsen 5 |
An Office Building
Lobby 1 sketch problem : gouache/watercolor with graphite on illustration
board ; 15 in x 20 in
Class A esquisse [sketch problem]. Stamped with Society of
Beaux Arts Architects seal indicating the drawing was judged in the national
competition.Sketch of an office building lobby with rectangular doorways
and arched openings on the upper level with coffered ceiling and colorful
ornamental mouldings.
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circa 1923-1924 |
Byron Jacobson Jacobson, Byron (Artist)
Student name as written: B. Jacobson.
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Freshman year, 1922-1923 |
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item | ||
Jacobson 1 |
Cornithian Order 1 drawing exercise : ink on paper ; 24 in x 18 in
Pen and ink drawing exercise of the Corinthian order
includes reflected ceiling plan; elevation and section drawing of columns and
entablature; and detail drawings of column base, shaft, capital, entablature,
balustrade, and acanthus leaf.
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circa 1922-1923 |
Jacobson 2 |
Doric Temple 1 drawing exercise : ink on paper ; 23 1/4 in x 18 in
Pen and ink drawing exercise of a Doric temple includes an
elevation of the temple's facade with staircase leading to grille and double
doors under a pediment supported by peristyle columns; plan of entrance;
section drawing through entablature; and detail drawings of column base, shaft,
capital, and entablature.
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circa 1922-1923 |
Jacobson 3 |
Entrance
YMCA. 1 measured drawing : ink on paper ; 18 in x 24 in
3 black and white photographs ; 3 in x 2 in
Freshman measured drawing exercise of the YMCA. Drawing
provides an elevation inscribed with measurements of the YMCA's entrance with
pointed arch moulding over the doorway, brick pattern at entrance, and
full-size profile of mouldings. Three small photographs of entrance adhered to
drawing. Written on front of drawing: Measured by HB, GB, BJ.
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circa 1922-1923 |
Arnold F. Jensen Jensen, Arnold F. (Artist)
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Freshman year, 1932-1933 |
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item | ||
Jensen 1 | Arch with graded wash 1 drawing exercise : ink wash on paper ; 19 1/2 in x 14 in
Freshman drawing exercise of a stone arch with watercolor
wash to show gradations in shadow and texture.
|
circa 1932-1933 |
Jensen 2 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 14 in x 19 3/4 in
Freshman lettering exercise of Roman inscription capital
letters C, M, D, H, E, U, N.
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circa 1932-1933 |
Artfield Johansen Johansen, J. Artfield (James Artfield) (Artist)
Full name: James Artfield Johnansen.Student name as written: Artfield Johansen.
James Artfield Johansen received his B.Arch from the University
of Washington in 1939. Following graduation, he worked for Lytel & Shorett,
1940-1941; then Austin Company, 1941-1944. During World War II, worked for the
U.S. Navy Public Works, 1944-1946.
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Junior year, 1936-1938 |
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item | ||
Johansen 1 |
Emergency hospital on a triangular site 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 1/2 in x 39 1/2 in
Junior design.Desgn drawing includes two exterior elevations of an
unornamented multi-story building with rows of rectangular windows, wraparound
corner, roof terrace, and ambulance garage; multiple plans show the different
floors of the hospital and include public and administrative areas, surgery
rooms, and morgue.
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circa 1937 |
Perry B. Johanson Johanson, Perry B. (Perry Bertil), 1910-1981 (Artist)
Perry Bertil Johanson received his B.Arch from the University of
Washington in 1934. Following graduation, he was employed as a Draftsman by
Smith & Carroll, Seattle, 1934-1936; rising to partner as Smith, Carroll
& Johanson, 1936-1951. He also worked in the partnership Naramore, Brady
& Johanson, 1942; and later as Naramore, Bain, Brady & Johanson [NBBJ],
1943-c.1981, who directed the design of additions to Harborview and Providence
hospitals, the University of Washington Medical School, and the University of
Washington Health Sciences Center. Johanson served as the president of the
Washington State AIA chapter, 1950-1951, and named a Fellow of the AIA in
1960.
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Sophomore year, 1930-1931 |
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item | ||
Johanson 1 |
A Family Mausoleum 1 design/analytique drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 30 3/4 in x 39 3/4 in
Class B II analytique. Stamped with Society of Beaux Arts
Architects seal indicating that the design was judged in the national
competition.Monochromatic rendering/elevation of a mausoleum on a
terraced hill. A monumental stone tower sits atop the mausoleum, and is
approached by a stairway and entrance on the second terrace of the hill.
Section drawing and plan show the mausoleum; detail drawings of stone carvings
and lettering on the tower.
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circa 1930-1931 |
Junior year, 1931-1932 |
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item | ||
Johanson 2 |
A Town House 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 39 3/4 in x 30 3/4 in
Class B V projet. Stamped with Society of Beaux Arts
Architects seal indicating the drawing was judged in the national
competition.Watercolor rendering/elevation of town house facade shows a
four story building in stone with metal gabled roof, upper level windows,
decorative relief, and door with decorative chevron pattern. Multiple plans
show three floors; section drawing.
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circa 1931-1932 |
Senior year, 1932-1933 |
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item | ||
Johanson 3 |
A City Residence Assignment title: Town house.
1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 59 in x 39 1/4 in
Class A projet. Exterior elevation of a multi-story row
house residence with stone exterior on the lower level and symmetrical panels
of elongated windows with balcony railing. Multiple plans show the ground
floor, second floor, third floor, and mezzanine levels with center courtyard,
servants' quarters, ballroom, and circular stairway leading to living quarters
on upper level. Section drawing reveals courtyard fountain, dining hall,
library, and ballroom.
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circa Autumn 1932 |
A National Research
Center Class A projet with two sheets.
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item | ||
Johanson 4a | Drawing 1:A National
Research Center 1 design drawing : gouache/watercolor with graphite and ink on
paper with cheesecloth backing ; 34 1/4 in x 60 1/2
in
Site plan for a research center shows buildings for the
natural sciences arranged on either side of a rectangular plaza leading to an
arrangement of administrative, museum, library, and auditorium buildings around
a center obelisk. Plaza is connected to housing, living areas, and recreation
areas for students, faculty, and employees.
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circa Spring 1933 |
Johanson 4b |
Drawing 2:Detail of a school
group 1 design drawing : gouache/watercolor with graphite and ink on
paper with cheesecloth backing ; 31 in x 42 1/2 in
Partial site plan includes plans of the library, museum,
and auditorium buildings arranged around a plaza.
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circa 1932-1933 |
item | ||
Johanson 5 |
Railroad Station 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 40 in x 59 1/2 in
Class A projet.Site plan of a railroad station includes a plan of a
multi-story T-shaped building with underground baggage handling areas, bus
terminal, train concourse, and ground transportation. Section drawing reveals
the windowed interior of the waiting lobby and two stories exiting to bus
concourse. Longitudinal section drawing reveals sculptural columns in lobby.
Isometric perspective drawing and plan of upper levels.
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circa 1932-1933 |
5th year, 1933-1934 |
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item | ||
Johanson 6 |
An American Academy in
Florence 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 33 1/4 in x 58 3/4 in
Senior design. Class A IV projet.Exterior elevation with multiple plans and a section drawing
of an Italiante style building on a city block. Multiple plans include a ground
floor plan showing classrooms, study areas, library, lecture halls, and ceiling
patterns; terrace plan; and second floor plan. Section drawing shows colonnaded
walkway and fountain in interior courtyard.
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circa 1933-1934 |
An American Embassy in Soviet
Russia Class A projet with two sheets.
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item | ||
Johanson 7a | Drawing 1:An American
Embassy for Soviet Russia 1 design drawing : charcoal and gouache/watercolor with graphite
and ink on paper with cheesecloth backing ; 58 1/4 in x 39 3/4
in
Rendering/elevation of a smooth-faced modernist building
with neoclassical elements and heightened center section with semi-circular
projection flanked by wings. Site plan provides ground floor plan of building
and terraced gardens.Section drawing reveals salon interior, courtyard-facing
balustrade, and drawing room.
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December 12, 1933 |
Johanson 7b |
Drawing 2 1 design drawing : watercolor wash with graphite, colored pencil,
white, and ink on paper with cheesecloth backing ; 31 in x 40 in
Rendering/elevation of the embassy shows a plain-faced
building with a semi-circular group of windows and two doorways. Ground floor
plan shows public areas, administrative areas, and provides some site
details.
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circa Autumn 1933 |
An Archeology Center Museum
and Winter Spa in Syria Assignment title: Archaeology institute with museum and
spa.
5th year design. Class A IX projet with two sheets.
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item | ||
Johanson 8a | Drawing 1 1 design drawing : gouache/watercolor with graphite and ink on
paper with cheesecloth backing ; 40 in x 62 3/4 in
Watercolor site plan shows an archaeological complex with
hotel, museum, and spa rendered in a desert setting. Walled walkway extends
over exhibition terraces to the hotel and museum plaza with a red, rectangular
pyramid tower. Interior courtyards are landscaped with pools and palm trees;
hotel windows are set into the terrace walls.
|
1934 |
Johanson 8b |
Drawing 2 1 design drawing : gouache/watercolor with graphite and ink on
paper with cheesecloth backing ; 40 in x 61 1/4 in
Watercolor site plan shows an archaeological complex with
offices and living quarters for archaeologists set into the cliffs with student
terraces and a separate building for workers and living and dining areas.
Centered on site is the hotel and lounge with great hall; a museum with tower;
and a smaller building with classrooms, auditoriums, and laboratories. Outdoor
exhibition terraces lead to orchestra area, cottages, and hotel terrace with
casino and dining room. Section drawing through the site shows colonnaded
walkway through student areas and the museum's courtyard above the sunken
terrace.
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1934 |
item | ||
Johanson 9 |
A Ceramic Plant and Memorial
Library 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 39 in x 60 in
Class A X projet.Watercolor rendering/elevation of a flat-roofed building
complex with inward-sloped walls and water tower. Plot plan and perspective
drawing shows the complex arranged in a semi-circle around a square tower.
Smaller section of building houses a memorial library and is attached to the
larger, main building; main building houses a circular reception area with
perimeter walkways leading to the preparation and curing areas, ateliers, stock
room, lumber and shipping areas with railroad platform. Small section drawing
through studio.
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circa 1933-1934 |
Johanson 10 |
A County Courthouse and
American Legion Memorial Auditorium 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 56 3/4 in x 38 1/2 in
Class A projet.Rendering/elevation with multiple plans of a flat-roofed
building with offset entrance and building sections of varying heights arranged
in an L-shape around a garden. Plans include a ground floor plan showing the
auditorium, stage, reception areas, memorial clubroom, dining room and
courthouse with lobby, vault, register of deeds, and office for superintendent
of schools; second and third floor plans show the gymnasium, attorney's
offices, jury room, and judges' offices. Longitudinal section drawing through
entrance lobby, gymnasium, and auditorium.
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circa Autumn 1933 |
Architectural ornamentation class |
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item | ||
Johanson 11 |
A Rose Window 1 ornament class project : gouache/watercolor on paper with
matting ; 19 1/2 in x 14 3/4 in
Architectural ornamentation class project.Round stained glass window depicting religious symbols and
figures above a row of narrow arched windows
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circa 1931-1933 |
James John, Jr. James John (Artist)
Student name as written: Jim John, Jr.
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Senior year, circa 1946-1947 |
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item | ||
John 1 | Transportation center 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 59 3/4 in
Senior design.Bird's eye perspective and exterior elevation of a
symmetrical building with flat roof and windowed entrance on either side of a
heightened center section. Multiple plans show the train and truck level with
passenger loading and warehouse areas; arrival and customs level; main
concourse with waiting areas and transit area for automobiles.
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circa 1946-1947 |
Marvel Johnson Johnson, Marvel, 1912-2003 (Artist)
Student name as written: Johnson.Alternate name: Marvel Johnson Blomdahl.
Marvel Marie Johnson received her B.Arch from the University of
Washington in 1937 and was awarded the AIA Second Award in Architecture.
Johnson completed the Dining Hall at Beach Park in Des Moines, Washington, in
1934, while on break from her studies during the Great Depression. Johnson is
one of the earliest female graduates of the UW architecture program.
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Senior year, 1935-1936 |
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item | ||
Johnson 1 | Shrine and cemetery in the mountains 1 design drawing : charcoal with graphite on paper ; 60 1/4 in x 40 1/2 in
Senior design.Rendering of a cemetery and worship site in an enclosed
rocky setting with water. Two large relief crosses and monumental religious
sculptures with relief on rock face.
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June 6, 1936 |
5th year, 1936-1937 |
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item | ||
Johnson 2 | Riding and polo club Assignment title: Riding and polo club on highway.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 61 1/4 in x 40 in
Senior design.Design drawing includes a watercolor perspective drawing of
a building with front terrace and attached stable and tower in a pastoral
setting with riding rings and road leading to highway. Plan shows ground floor
with stables for visiting horses, groomers, and resident horses arranged in an
L-shape around a practice ring; main building houses trophy room, dining area,
bar, tack rooms, and a covered riding ring arranged around a pool courtyard.
Additional plans show employee living areas, guest rooms, and resident horse
stable arranged in an L-shape around polo field.
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circa 1936-1937 |
Architectural ornamentation class |
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item | ||
Johnson 3 | Gothic round window 1 ornament class project : gouache/watercolor with ink on tissue paper over
board ; 24 1/4 in x 23 1/2 in
Architectural ornamentation class project.Round stained glass window with centered circular design of
a religious figure encircled by a narrow band and a contrasting outer band with
vine and acanthus leaves.
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circa 1934-1936 |
Norman Johnston Johnston, Norman J., 1918-2015 (Artist)
Norman Johnston was enrolled in the Department of Architecture
in 1937-1938 before receiving his B.A. in Art from the University of Washington
in 1942. Following graduation, he served in the Signal Intelligence Corps in
Alaska during World War II before receiving his B.Arch from the University of
Oregon, Eugene, in 1949; his M.U.P. [Urban Planning] from the University of
Pennsylvania in 1959; and his Ph.D. in Environmental History from the
University of Pennsylvania in 1964.Early in his career, Johnston apprenticed with Joseph H. Wohleb,
Olympia, 1945-1950; then as a planner for the City of Seattle Planning
Commission, 1950-1954; and as an architect with Nelson, Sabin & Varey,
Seattle, 1954-1956. He became an Assistant Professor in the Department of
Architecture, University of Oregon, 1956-1958.Dr. Johnston returned to Seattle as Associate Professor at the
Department of Architecture, University of Washington, 1960-1964; rising to
Professor in the Departments of Architecture, Landscape Architecture, and Urban
Design and Planning, 1964-1985. He also served as the Associate Dean at the
College of Architecture and Urban Planning, 1966-1985; and as Chair of the
Department of Architecture, 1983-1984. After he retired from the University in
1985, he continued teaching as anEmeritusProfessor
in Architecture, Landscape Architecture, and Urban Design and Planning.Johnston served on campus planning committees for Olympia's
Capitol Campus, the University of Washington, and Washington State University;
President of the AIA Seattle Chapter in 1981; and on the Washington State Board
of Registration for Architects. He was elected to the AIA College of Fellows in
1982, and received the AIA Seattle Medal in 1990 for his contributions in
shaping architectural practice and study. He was awarded the Jennie Sue Brown
Award for distinguished service from the AIA Washington Council in 1997.
Published works include
Cities in the
Round, 1983;
Washington's Audacious
State Capitol and Its Builders, 1988;
University of Washington:
the campus guide(Princeton Architectural Press), 2001; and
The Fountain and the
Mountain: the University of Washington Campus, 1895-1995, 2004.
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Freshman year, 1937-1938 |
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item | ||
Johnston 1 | Arch with graded wash 1 drawing exercise : ink wash on paper ; 20 3/4 in x 14 3/4 in
Freshman drawing exercise of a stone arch with watercolor
wash to show gradations in shadow and texture.
|
circa Autumn 1937 |
Johnston 2 | Classical window 1 design/analytique drawing : ink wash on paper ; 20 3/4 in x 14 3/4 in
Freshman analytique.Monochromatic rendering of an elongated window with pediment
and balcony set into a stone wall with detail drawings of pediment and balcony
balustrade; penciled plan and section drawing.
|
circa Autumn 1937 |
Johnston 3 |
Corinthian capital 1 design drawing : gouache/watercolor with graphite on
paper ; 17 1/4 in x 21 1/4 in
Detail drawing of a Corinthian capital.
|
circa 1937-1938 |
Johnston 4 |
Entrance portico 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 27 3/4 in x 19 3/4 in
Freshman analytique.Monochromatic rendering/elevation of three elongated
doorways with grille housed in the entrance portico of a neoclassical building.
Partial column plan and detail drawings of column and base, entablature, and
mouldings. Penciled section drawing and plan.
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1938 |
Johnston 5 |
Une Fontaine 1 historical drawing : ink on paper ; 20 in x 28 in
Full inscribed title: Une Fontaine - Fountain situated in a
court of the Convent of S.S. Apostoli.
Pen and ink Freshman historical drawing shows a fountain
from the courtyard of the Convent of S. S. Apostoli with tiered fountain pools
and statues of lions. Plan of fountain and detail drawing of coat of arms.
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circa Winter 1938 |
Johnston 6 |
Ink wash circles:Plate
1 1 drawing exercise : ink on paper ; 18 in x 12 3/4 in
Freshman drawing exercise of ink wash circles with separated
gradations from dark to light.
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circa Autumn 1937 |
Johnston 7 | Memorial with columns 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 15 in x 21 in
Freshman analytique.Monchromatic rendering/elevation with penciled plan and
section drawing of an inscribed memorial tablet framed by two engaged columns
and triglyphs with decorative horns.
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circa Winter 1938 |
Johnston 8 | Perspective study 1 drawing exercise : graphite and ink on paper ; 19 in x 25 in
Freshman drawing exercise of an angular, modern building
with sloped roof with plan, measuring point, station point, and vanishing point
perspective lines shown.
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circa 1937-1938 |
Johnston 9 |
Wall, fountain, and stair in park 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 21 in x 28 in
Freshman analytique.Monochromatic rendering/elevation and partial plan of a
tower fountain with decorative aquatic motif in front of a solid wall with
semi-circular stairway.
|
1938 |
William Joiner Joiner, William (Artist)
Student name as written: Wm. Joiner.
William T. Joiner received his B.Arch from the University of
Washington in 1941.
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Junior year, 1938-1939 |
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item | ||
Joiner 1 | Courthouse Assignment title: Small county courthouse facing park.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 31 in x 39 3/4 in
Junior design.Design drawing includes a rendering/elevation of a
courthouse building with three inset elongated grille panels over the doorways.
Multiple plans and section drawing show the two levels of the courthouse. Plans
indicate the judicial and administrative areas.
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April 29, 1939 |
5th year, 1940-1941 |
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item | ||
Joiner 2 | Manufacturing building 1 design drawing : graphite and ink on paper ; 39 1/4 in x 59 3/4 in
5th year design project.Multiple plans of manufacturing building include the first
floor with areas for shipping and receiving, storage, service areas, library,
and exhibit room; second and third floor factory areas with purchasing and
fiscal offices; fourth floor sales offices; and fifth floor executive offices
with rooftop terrace. Elevation of building from boulevard shows the smokestack
and sawtooth roof building with a facade of wide panels of gridded windows
interrupted by windowless sections. Longitudinal and transverse section
drawings.
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May 10, 1941 |
Architectural ornamentation class |
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item | ||
Joiner 3 |
Arabesque 1 ornament class project : gouache/watercolor with graphite on paper with
matting ; 36 1/2 in x 14 in
Architectural ornamentation class project.Painted panel with flowering vine motif and cornucopia with
student's initials in placard.
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April 7, 1940 |
A. Quincy Jones Jones, A. Quincy (Archie Quincy), 1913-1979 (Artist)
Archibald Quincy Jones received his B.Arch from the University
of Washington in 1936. He married, and later divorced, fellow UW architecture
alumni Ruth Schneider. Following graduation, he worked as a Draftsman for Roger
Honnold, 1936-1937; Designer, Burton Senott, 1937-1939; Designer, Paul R.
Williams, 1939-1940. During World War II, he worked for Allied Engineers,
1940-1942. Once the war had ended, he started his own architectural firm,
becoming the principal architect in A. Quincy Jones, Architects, Los Angeles,
1945-1950. In 1950, he partnered with architect Frederick E. Emmonds as Jones
& Emmonds, Architects, Los Angeles, 1950-1969. In 1975, Jones became the
Dean of the School of Architecture at the University of Southern California,
Los Angeles, 1975-1979. A monograph titled
A. Quincy Jonesdocumenting his
life and career and association with building magnate Joseph Eichler was
published in 2002.
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Junior year, 1933-1934 |
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item | ||
Jones AQ 1 |
College Library Assignment title: Small college library.
1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 39 1/2 in x 30 1/4 in
Class B projet. Junior design.Watercolor rendering/elevation of a brick college library
building with heightened center section with arched doorway flanked by two
wings. Plan shows the site and areas for stacks, administrative areas, and
public areas. Section drawing through the building reveals public areas,
stacks, and basement level.
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February 10, 1934 |
James P. Jones Jones, James P. (Artist)
Student name as written: J. P. Jones.
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Unknown dates |
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item | ||
Jones J 1 |
A Fun House 1 sketch problem : gouache/watercolor with graphite on paper with
matting ; 26 in x 20 in
Class B projet.Rendering of the dynamic facade for a fun house with text
explaining movement mechanisms and intended sound effects.
|
circa 1947-1950 |
Victor N. Jones Jones, Victor N. (Victor Noble), 1900-1969 (Artist)
Victor Noble Jarret Jones received his B.Arch from the
University of Washington in 1924, and his M.Arch from the University of
Pennsylvania in 1926. Early in his career, he worked as a Draftsman for Bebb
& Gould, Seattle, 1925; then as Draftsman for Wilson, Eyre, and John
Gilbert McIlvaine, Architects, Philadelphia, 1926. Following graduation, he
remained on the East Coast as a Designer for Charles Z. Klauder, Philadelphia,
1926-1928.He returned to Seattle in 1928, working for McClelland &
Pinneh, 1928-1930; rising to Partner in McClelland, Pinneh & Jones,
1930-1932; later as McClelland & Jones, 1933-1946. After the partnership
dissolved in 1946, he continued working in Seattle as Victor N. Jones &
Associate, 1946-1955; then as Jones, Lovegren, Helms & Jones until his
retirement in 1965. Projects include the first Medical School building at the
University of Washington, Seattle, ca. 1952; the Administration Building at the
University of Washington, Seattle, 1947-49; the Washington State Ferry
Terminal, Seattle, 1964-1967.Jones was active in the Washington State AIA chapter, serving as
President, 1945-1946.
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Senior year, 1923-1924 |
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Decoration of a cabaret Class A II projet with two sheets.
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item | ||
Jones V 1a | Drawing 1 1 design drawing : gouache/watercolor with graphite and ink on
paper with cheesecloth backing ; 36 in x 24 1/4 in
Drawing is stamped with a Society of Beaux Arts Architects
seal indicating that the design was judged in the national competition.Watercolor section drawing of an arched proscenium stage
with curtain canopy and decorative border. Plan shows the seating arrangement
and cabaret stage.
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circa Autumn 1923 |
Jones V 1b | Drawing 2:Decoration of a
Cabaret 1 design drawing : gouache/watercolor with graphite and ink on
paper with matting ; 21 in x 35 in
Watercolor section drawing shows the interior seating
areas of a cabaret theatre. A sunken area with tables and seating is framed by
ornately decorated arched colonnades on the upper and lower levels.
|
circa Autumn 1923 |
William Jones Jones, William (Artist)
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Junior year, 1934-1935 |
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item | ||
Jones W 1 |
Church group Assignment title: Episcopal church group.
1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 30 3/4 in x 39 3/4 in
Junior design.Rendering/elevation of a neo-classical stone church: a
symmetrical building with front pediment supported by Ionic columns; center
bell tower with clockface and u-shaped extension attached to the back of the
church appears as two wings. Plan shows the layout of the church including the
main worship area and the u-shaped area housing the administrative, education,
and social areas.
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circa Autumn 1934 |
Grant King King, Grant (Artist)
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Junior year, 1939-1940 |
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item | ||
King G 1 |
Highway Patrol
Headquarters Assignment title: State highway patrol headquarters.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 31 in x 39 3/4 in
Junior design.Design drawing includes a watercolor rendering of a
modernist brick building with a multi-story administrative section attached to
an elongated carport via covered walkway. Perspective drawing shows the the
site with carport and outdoor areas. Ground floor plan and second floor plan
show the administrative areas and additional areas for patrol officers. Section
drawing through lobby reveals the building's multiple levels.
|
1940 |
Architectural ornamentation class |
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item | ||
King G 2 |
Gothic Window or Roude Assignment title: Gothic round window.
1 ornament class project : gouache/watercolor with ink on paper and tissue
paper ; 28 in x 22 in
Architectural ornamentation class project.Round stained glass window with centered circular design of
a religious figure encircled by vines with acanthus leaves and an outer red
band with inscription.
|
circa 1940-1942 |
Paul Kirk Kirk, Paul Hayden, 1914-1995 (Artist)
Student name as written: Kirk.
Paul Hayden Kirk received his B.Arch from the University of
Washington in 1937. Following graduation, he worked as a Draftsman/Designer for
Dudley Smart, Architect, Seattle, 1939; then as a Designer for Henry Bittman,
Architect, Seattle, 1940-1941. During World War II, Kirk became Partner in
Stuart, Kirk, and Durham, Seattle, 1943-1944, with Bertram Stuart and Robert
Durham. He left the partnership once the War ended and established a
well-regarded, partnership with James Chiarelli from c.1944-1950. The
partnership, Chiarelli & Kirk, was especially known for creating modernist
structures in the Pacific Northwest Regional style that include the Crown Hill
Medical-Dental Clinic in Seattle, 1947; Lakewood Community Church, 1949; and
Samuel Crockett House on Mercer Island, 1950.He formed his own independent architectural practice, Paul
Hayden Kirk, AIA, Seattle, 1950-1957, and worked primarily on residences in
Seattle. Notable projects include the Lewis Dowell House in Seattle, 1954; and
the George Tavernities House in Seattle, 1952. He also became well-known for
many of his medical buildings that included the Lake City Clinic, 1952; the
Group Health Cooperative Northgate Clinic, 1958; and the McNair-Price Clinic in
Medford, Oregon, 1957-58. He received national attention for many of his
residential works, including the Frank Gilbert House in the Highlands, 1957;
the Bowman House in Kirkland, 1956; and the Evans House on Mercer Island, 1956.
He received an AIA Seattle award for his design of the University Unitarian
Church, 1959.Kirk established Paul Hayden Kirk and Associates in 1957 as his
reputation and business grew. In 1960, he promoted associates Donald S. Wallace
and David A. McKinley to partner, becoming Kirk, Wallace, McKinley and
Associates, Seattle, until his retirement in 1979 when the firm was passed on
to David McKinley. Notable works from this period include the Blair Kirk
residence on Mercer Island, 1968-1969; the Magnolia Branch Library, 1962-1964;
Resident Theater, now Intiman Theater, at Seattle Center, 1959-1962; the Edmond
Meany Hall at the University of Washington, 1974; and the Japanese Presbyterian
Church, 1963, with classmate Smith S. Nakata. Kirk was elected to the AIA
College of Fellows in 1959.
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Freshman year, 1932-1933 |
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item | ||
Kirk 1 |
Classical window 1 design/analytique drawing : ink wash on paper ; 16 1/2 in x 22 1/4 in
Monochromatic rendering of an elongated window with pediment
and balcony set into a stone wall with detail drawings of decorative elements
and balcony balustrade. Penciled plan and section drawing.
|
1933 |
Kirk 2 |
A Memorial Assignment title: Memorial chapel.
1 design/analytique drawing : ink wash with graphite on paper ; 21 3/4 in x 33 in
Freshman design/analytique.Monochromatic rendering/elevation of a stone memorial with
stylized portico and religious relief; stairs with wall inscription of names in
block lettering. Penciled plan shows the cross-shaped interior; section drawing
reveals interior with columns and statue.
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June 5, 1933 |
Kirk 3 |
A Sarcophagus 1 historical drawing : ink on paper ; 28 in x 19 3/4 in
Pen and ink freshman historical drawing of an ornamented
church altar tomb with recumbent sculpted figure in a niche with relief
mouldings; partial section drawings of base mouldings.
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circa 1932-1933 |
Kirk 4 |
Vase in niche 1 design/analytique drawing : gouache/watercolor with ink wash on
paper ; 26 in x 19 3/4 in
Monochromatic rendering/elevation of niche with vase framed
by two sets of Doric columns and entablature in a garden setting with detail
drawings of lidded vase, column capital and base, entablature triglyphs and
moulding. Penciled section drawing.
|
1933 |
Junior year, 1934-1935 |
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item | ||
Kirk 5a | Children's room with puppet theatre 1 sketch problem : gouache/watercolor with graphite and ink on
illustration board ; 30 in x 20 1/4 in
Junior sketch problem [esquisse-esquisse]. This is a 2-sided
drawing, with separate sketch problem (Church) in watercolor on the reverse
side.Watercolor sketch problem shows a children's room with
nursery rhyme border and painted ceiling of night sky with a small puppet
theatre set into a wall painted with images of alphabet blocks and clowns.
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circa 1934-1935 |
Kirk 5b |
Church 1 sketch problem : gouache/watercolor on illustration
board ; 30 in x 20 1/4 in
Sketch problem. This is a 2-sided drawing, with separate
sketch problem (Children’s room with puppet theatre) on the reverse side.Watercolor perspective drawing of a church with offset
bell-tower and a series of elongated windows along side.
|
circa 1934-1935 |
Senior year, 1935-1936 |
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item | ||
Kirk 6 | Church Assignment title: Non-sectarian religious center.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 31 in x 39 1/2 in
Watercolor rendering/elevation and plan of a church complex
featuring a church with entrance portico and attached steeple; attached
buildings house educational and administrative areas.
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December 14, 1935 |
Kirk 7 |
Hotel and casino on a Pacific atoll 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 59 3/4 in x 39 1/2 in
Site plan of an atoll with hangar, boathouse, cottages,
tennis court, swimming pool, and hotel rooms along a portion of the atoll's
perimeter. Curved main building houses a casino, lounge areas, dining room,
kitchen, and dancing terrace. Watercolor elevation of building with view
through lounge windows.
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March 13, 1936 |
Kirk 8 |
Ticket Office 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 31 in x 39 1/4 in
Note: Student is listed as a Senior in the 1935-1936 student
directory, however, this assignment would have been completed in the
Architectural Design II class, typically undertaken during the Junior year by
architecture students and continuing into the Senior year.Watercolor rendering/elevation of a brick building with two
wings featuring floor-to-ceiling windows and a quarter-circle glass lobby;
section drawings shows baggage and office areas; plan shows public and
administrative areas around the ticket lobby.
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November 9, 1935 |
5th year, 1936-1937 |
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item | ||
Kirk 9 | Athletic facilities building for high
school 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 1/2 in x 61 in
Watercolor rendering/elevation of a modernist building with
flat roof and offset circular windowed section with a set of double doors at
the entrance decorated with images of athletes. Multiple plans of the L-shaped
building show the ground floor and basement. Ground floor includes mess,
women's gym, and circular auditorium and cafe. Basement plan shows pool with
lockers on each side and separate gyms for men and women. Longitudinal and
transverse section drawings.
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March 13, 1937 |
Buddhist shrine Assignment title: National Buddhist shrine with cave
Buddha.
5th year design/thesis project with two sheets.
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item | ||
Kirk 10a | Drawing 1 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 40 in x 59 in
Watercolor section drawing through a Buddhist temple shows
the main sanctuary with large statue of Buddha under a conical dome.
Rendering/elevation of the outside of the temple shows the building as a
rounded pyramid with smaller dome at top. Plan of terrace at temple's top shows
garden reception areas, private chapel, and grand stairway with separate
entrances for pilgrims, monks, guests, and abbot. Plan of temple shows
concentric floors with dormitories for pilgrims and monks, kitchen and service
areas, dining room, and refectory. Floors are connected by stairways and
walkways radiating from the main sanctuary in the center of the temple.
|
December 12, 1936 |
Kirk 10b |
Drawing 2 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 40 in x 59 in
Watercolor section drawing through the walled site shows
an interior sanctuary on the ground level with sculptures and shrine with large
statue of Buddha. Stairway from main sanctuary leads to an enclosed room with
stairway downstairs. Section drawing through main sanctuary reveals a stairway
leading to the domed surface structure. Plan shows smaller sanctuarys and
stairways radiating outwards from the circular sanctuary in the center of the
building.
|
circa Autumn 1936 |
Architectural ornamentation class |
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item | ||
Kirk 11 |
Gothic round window 1 ornament class project : gouache/watercolor with ink on paper and tissue
paper with matting ; 27 3/4 in x 22 in
Architectural ornamentation class project.Round stained glass window with centered circular design of
cross with vine and acanthus leaves encircled by bands of contrasting
colors.
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circa 1934-1936 |
Unknown dates |
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item | ||
Kirk 12 |
Pattern for textile 1 sketch problem : gouache/watercolor on illustration
board ; 30 in x 20 in
Watercolor pattern of geometric shapes and figures in brown
and black, possibly derived from pre-Columbian forms.
|
circa 1934-1937 |
James M. Klontz Klontz, James M., 1920-2010 (Artist)
Student name as written: J. M. Klontz.
James Mathias Klontz received his B.Arch from the University of
Washington in 1943, where he was elected to the Tau Sigma Delta Honor Society
in Architecture and Allied Arts and awarded the AIA Medal for Distinction in
Design in 1943. He graduated during World War II and, following graduation,
served as an officer in the U.S. Army, 1943-1945, where he was awarded a Bronze
Star. Upon his return, Klontz began his architecture career with Bliss Moore,
Jr. & Associates in 1946, before beginning his own firm, James M. Klontz
and Associates (later, Klontz and Wrede), Seattle, in 1951. The firm became
known for his work in church and school architecture. Notable designs include
Our Lady of Fatima, Seattle, 1952 and 1968; Saint Mark's Church and School,
Shoreline, 1955-1956; the J.C. Penney department store, Bellevue, 1957; Seattle
Eye Clinic, Seattle, 1958; and Snohomish Junior High School, 1959. Klontz
continued to practice with various associates until his retirement in 2008.
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Freshman year, 1939-1940 |
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item | ||
Klontz 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 14 3/4 in x 19 3/4 in
Freshman lettering exercise of Roman inscription capital
letters A, M, E, G, J, L, D.
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circa Autumn 1939 |
Sophomore year, 1940-1941 |
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item | ||
Klontz 2 | Commemorative wall sundial in garden 1 design/analytique drawing : goauche/watercolor with graphite on
paper ; 30 3/4 in x 39 3/4 in
Sophomore analytique.Monochromatic rendering/elevation with penciled plan and
section drawing of a square wall-mounted sundial with Roman numerals on a stone
wall above a planter box. Detail drawings of mouldings, Roman inscription
numerals, and planter box.
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November 2, 1940 |
William Knapp Knapp, William (Artist)
Student name as written: Knapp.
|
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Junior year |
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item | ||
Knapp 1 | Residence with lawn and garden 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 41 in x 30 1/2 in
Junior design.Design drawing provides two elevations of a residence with
two stories, plot plan, and plan of the first floor. Watercolor
renderings/elevations show a the facade and side of a residence with
horizontally-oriented siding interrupted by sections of vertically-oriented
siding and a second-story porch facing the lawn off the master bedroom over
floor-to-ceiling windows in the living room. Plot plan shows the location of
outdoor lawn, vegetable garden, and flower beds.
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circa 1950s |
Joan Knoff Knoff, Joan A. (Joan Ardis) (Artist)
Student name as written: Knoff.Alternate name: Joan Ardis Price.
Joan Knoff received her B.Arch from the University of Washington
in 1947.
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Sophomore years, circa 1941-1943 |
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item | ||
Knoff 1 |
A Paris Fashion Designer's
Pavillion 1 design drawing : gouache/watercolor with graphite on
paper ; 39 3/4 in x 31 in
Class B projet.Watercolor rendering/elevation of a rectangular pavilion
with semi-circular glass enclosure with Ionic colonnade and pool terrace.
Section drawing shows the interior area with floor to ceiling curtains.
|
circa 1941-1942 |
Junior year, 1944-1945 |
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item | ||
Knoff 2 | Church Assignment title: Small Catholic church on corner lot.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 29 in x 39 3/4 in
Junior design.Watercolor renderings/elevations of the front and side of a
smooth-faced church with little ornamentation. Plan shows the layout of the
church site including the main worship area, chapel, and preparation areas.
Section drawings show altar and nave seating.
|
circa 1944-1945 |
Roland Koepf Koepf, Roland (Artist)
Student name as written: R. Koepf.
Roland Koepf received his B.Arch from the University of
Washington in 1934.
|
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Sophomore year, 1930-1931 |
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item | ||
Koepf 1 |
An Out Door Pulpit 1 sketch problem : gouache/watercolor with graphite and ink on
paper ; 28 1/4 in x 21 in
Sophomore sketch problem.Watercolor rendering of an outdoor pulpit atop a large
column with zig-zag pattern projected from the side of the building. Two wooden
doors with ornamental mouldings open onto the pulpit from an upper story of the
building, protected by a semi-circular awning crowned with sculptural religious
figure . Penciled section drawing and plan show the projection of the pulpit
from the building.
|
December 15, 1930 |
Junior year, 1931-1932 |
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item | ||
Koepf 2 |
A Crematory 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 40 in x 31 in
Junior projet.Watercolor rendering/elevation of a crematory with walled
courtyard and smooth-faced towers reminiscent of a stepped pyramid. Plan shows
the columbaria, crematory, chapel, and the public and administrative areas.
|
circa Winter 1932 |
Koepf 3 |
An Italian Renaissance
Church 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 30 1/2 in x 39 3/4 in
Class B projet.Watercolor rendering/elevation of an Italian Renaissance
church shows the symmetrical stone building with heightened center section and
facade ornamented with carved pilasters, statues, and inset vault with
sculptures on the upper section. Section drawing through the center section
shows the profile of the pilasters as well as the elevation of the adjoining
pilasters. Partial plan shows the front half of the building.
|
circa 1931-1932 |
Koepf 4 |
A Suburban Bank 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 39 3/4 in x 30 1/2 in
First junior project.Watercolor rendering/elevation of the rectangular building
shows the facade with window grilles and terracotta roof. Plans and section
drawing show the teller lobby and administrative areas.
|
circa Autumn 1931 |
Senior year, 1932-1933 |
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item | ||
Koepf 5 | County court house Assignment title: Small county court house.
1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 39 1/2 x 31 1/2
Rendering/elevation of building's exterior with offset
entrance and elongated channels of windows. Multiple plans show ground floor
auditorium, lobby, stage, gymnasium, locker rooms, and reception areas; second
floor administrative offices and records vault; and third floor judicial
offices and courtroom. Section drawing through building.
|
November 4, 1933 |
Koepf 6 |
National Research
Center Assignment title: National scientific research center.
1 design drawing : charcoal and ink wash on paper with cheesecloth
backing ; 39 3/4 in x 60 1/2 in
Site plan of a research center campus with buildings for the
sciences, library, dormitory housing, administrative building, and museum. Plan
of the museum included.
|
circa Spring 1933 |
Palmer D. Koon Koon, Palmer D., 1906-2004 (Artist)
Palmer Dorsey Koon received his B.Arch from the University of
Washington in 1933. After graduating, Koon became a draftsman for the Mobile
Oil Company before joining the Civil Engineering Corps (Seebees) of the U.S.
Navy for five years during World War II. Koon retired from the U.S. Naval
Reserve as a Commander. Following the war, he joined with Olav Boen to form
Koon-Boen, Inc., a Seattle general construction company, that later became
B-E-C-K Constructors after partnering with Richard Egge and Eddie Cummins. The
firm was known for its work on publicly funded defense projects throughout
Alaska and the Western Pacific. Koon's work with the firm had lasted more than
50 years before his retirement in 2004.In 2002, Koon was named a Laureate of the University of
Washington for his lifetime giving, founding the Koon Family Fellowship at the
Information School, and creating the first endowed chair in Construction
Management at the College of Architecture and Urban Planning.
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Sophmore year, 1929-1930 |
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item | ||
Koon 1 |
A Decorative Fountain 1 design/analytique drawing : charcoal and gouache/watercolor with graphite and
ink on paper with cheesecloth backing ; 30 1/2 in x 39 3/4 in
Class B III analytique.Charcoal rendering of an art deco style tower fountain. A
ball atop acanthus leaves on a tiered base with carved wave design on a
triangular tower; the wave design continues in narrow sections with a vertical
row of spitting heads along the main section of the tower and sculptures of a
winged creature at the base. Detail drawings of sculptures, ball top, carved
pattern, and spitting heads surround the rendering. Lightly penciled section
and plan.
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circa 1930 |
Koon 2 |
Portico and a Pediment to a
Hall of Fame Assignment title: Portico and pediment.
1 design/analytique drawing : gouache/watercolor with graphite on paper with
cheesecloth backing ; 40 in x 29 1/4 in
Class B IV analytique.Analytique provides a rendering of a Classical style
building on water with elevation of the portico with grille and triangular
pediment with relief sculpture, entablature, and frieze in the Doric order;
elevation is surrounded by detail drawings of the carved stone, Doric capitol
and plinth with carved basin. Plan and section drawings illustrate the depth of
the portico and size of columns.
|
circa Winter 1930 |
Wesley Korman Korman, Wesley V., 1920-2004 (Artist)
Student name as written: Korman.
Wesley Korman received his B.Arch from the University of
Washington in 1948.
|
||
Sophomore year, 1941-1943 |
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item | ||
Korman 1 | West entrance to Bremerton Navy Yard 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 30 3/4 in x 39 3/4 in
Sophomore analytique.Watercolor rendering/elevation of an inscribed memorial
tablet in front of a stone wall with relief of nautical goddess. Detail drawing
of sculpture and inscription lettering. Lightly penciled plan.
|
circa 1941-1942 |
Rolland Lamping Lamping, Rolland Denny, 1907-1980 (Artist)
Student name as written: R. D. L.
Rolland Lamping received his B.Arch from the University of
Washington in 1934. Following graduation, he worked briefly for Smith, Carroll
& Johanson, Seattle, 1935-1936; then as Designer for Edwin J. Ivey,
Architect, Seattle, 1936-1945. During World War II, Lamping worked as an
architect for the U.S. Engineers Office.When Edwin Ivey died in an automobile accident in 1940, UW
alumni Elizabeth Ayer took over Edwin Ivey's architectural practice. Once World
War II had ended, Ayer and Lamping established a partnership as Ayer &
Lamping, Architects, Seattle, c.1945-1970. They continued to focus on
residential design, remodeling, and small commercial projects that blended
traditional styles with modern functional requirements. Notable works include
the Burrough Anderson House in Medina, 1968; the Lee Doud House in Tacoma,
1951; and the Robert F. Linden House in Bainbridge Island, 1962.
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Freshman year, 1930-1931 |
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item | ||
Lamping 1 | Vase in niche 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 26 1/2 in x 19 3/4 in
Freshman analytique.Monochromatic rendering of niche with vase framed by columns
and entablature under a scrolled pediment in a garden setting with plan,
section drawing, and detail drawings of lidded vase, pediment scroll, and
columns.
|
circa 1930-1931 |
Senior year, 1934-1935 |
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item | ||
Lamping 2 |
A Memorial Bridge Assignment title: Monumental bridge on Canadian
border.
1 design drawing : charcoal with ink on paper ; 39 3/4 in x 61 1/2 in
Senior design.Elevation of a bridge over water with memorial statue and
inscription. Plan shows traffic lanes and the American-Canadian customs and
immigrations building.
|
circa 1934-1935 |
Lamping 3 | Urban library 1 design drawing : ink wash with graphite on paper ; 38 1/4 in x 56 1/4 in
Senior design.Two-story urban library. Exterior elevation shows the
building's facade with relief medallions, frieze, and inscription; plan of both
floors; section drawing shows staircase and wall murals.
|
1934 |
Lester Landaal Landaal, Lester (Artist)
Student name as written: Landaal.
|
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Freshman year, circa 1922-1923 |
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item | ||
Landaal 1 |
The Ionic Order 1 drawing exercise : ink on paper ; 23 3/4 in x 18 in
Pen and ink drawing exercise of a Ionic column including
reflected ceiling plan of capital and entablature; elevation and section
drawings of columns and entablature; and detail drawings of base, shaft, and
capital.
|
circa 1922-1923 |
Warren Langton Langton, Warren (Artist)
Student name as written: W. Langton; Langton.
Warren Langton received his B.Arch from the University of
Washington in 1942.
|
||
Freshman year, 1934-1935 |
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item | ||
Langton 1 | Classical window 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 20 3/4 in x 14 3/4 in
Freshman design/analytique.Monochromatic rendering of an elongated window with pediment
and balcony set into a stone wall with detail drawings of decorative elements
and balcony balustrade. Penciled section drawing.
|
1934 |
Langton 2 |
Tombeau de Giovanni Della
Rouvere 1 historical drawing : ink on paper ; 27 in x 19 in
Pen and ink freshman historical drawing of an ornamented
church altar tomb with relief mouldings and recumbent sculpted figure in
constructed niche framed with entablature.
|
March 18, 1935 |
Langton 3 | Vase in niche 1 design/analytique drawing : gouache/watercolor with ink on paper ; 15 1/2 in x 22 1/4 in
Freshman analytique.Monochromatic rendering/elevation of niche in wall with vase
framed by Doric columns and pediment in a garden setting with column plan and
detail drawings of vase, entablature, column base and capital, pediment, and
other decorative elements; penciled section drawing.
|
Winter 1935 |
Langton 4 | Wall sundial 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 17 in x 22 3/4 in
Freshman analytique.Monochromatic rendering/elevation with penciled plan and
section drawing of a rectangular wall-mounted stone sundial with Roman
numerals.
|
1935 |
Junior year, 1936-1937 |
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item | ||
Langton 5 |
Northwest Indian Museum 1 design drawing : gouache/watercolor with graphite on paper with
cheesecloth backing ; 31 in x 39 3/4 in
Junior design.Watercolor rendering of a smooth-faced building with
decorative relief tiles, totem pole, and fountain. Plan shows site with
fountain pool and main building exhibit areas, lecture room, library, and
terrace. Section drawing through building shows interior courtyard.
|
1937 |
Langton 6 |
Principal staircase at an Andrew Mellon
Museum 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 40 in x 30 3/4 in
Junior design.Design drawing includes a partial plan and two section
drawings of an interior doorway and staircase in a neoclassical style building
with doorway pediment, entablature, decorative frieze, Corinthian columns, and
other classical elements.
|
1937 |
Langton 7 |
Studio and residence on
country estate of an architect Assignment title: Architect's studio and residence.
1 design drawing : colored pencil and ink on paper ; 39 3/4 in x 30 3/4 in
Pen and ink rendering/elevation of a flat-roofed residence
and studio in the modernist style on a terraced site. Alternate view of the
residence from the other side. Plans show one floor with exterior parking,
servants' areas, and living quarters; and other level with additional living
areas and working areas including library, drafting room, offices, and five car
garage.
|
1937 |
Senior year, 1937-1938 |
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item | ||
Langton 8 | Urban student center 1 design drawing : gouache/watercolor with ink on paper ; 39 3/4 in x 58 1/2 in
Senior design.Design drawing includes a rendering/elevation of a building
in the art deco style with gridded panelled windows down one side of the
building, an offset tower with flat roof and decorative ironwork over entrance
and window channels; multiple plans; and a section drawing that reveals
multiple stories. Plans show four stories of the building and a mezzanine level
with administrative and living areas, library, auditorium, servants' quarters,
game room, and dormitory housing for girls and boys.
|
circa 1937-1938 |
Wilbur Larson Larson, Wilbur (Artist)
|
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Freshman year, circa 1925-1926 |
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item | ||
Larson 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 14 in x 19 3/4 in
Freshman lettering exercise of Roman inscription capital
letters T, U, Y, G, E, X, N.
|
circa 1925-1926 |
Charles Lawrence, Jr. Lawrence, Charles A., 1914- (Artist)
Student name as written: Lawrence; Chas. Lawrence.
Charles Albert Lawrence received his B.Arch from the University
of Washington in 1938, and his M.Arch from the Massachusetts Institute of
Technology in 1939. After graduation, he returned to Seattle as a Draftsman for
McClelland & Jones, 1940-1942. During World War II, Lawrence worked as an
architect with the U.S. Army Corps of Engineers, 1942-1943.In 1946, Larwence partnered with fellow UW alumni, architect
George W. Hazen as Lawrence & Hazen, Architects, Seattle. Notable
residential works include the John Irwin House, 1940; the W. H. Connon, Jr.
House, 1940; the Patricelli House, 1947; and the Susan Anne Apartments, 1955.
The firm also did non-residential works that include the Dr. Anderson Medical
Clinic, 1959; the Crown Lutheran Church, 1962; the Bellevue First Baptist
Church, 1960; and their own offices at 8626 Roosevelt Way in Seattle, 1952,
which earned the firm an AIA National Merit Award in 1953.
|
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Freshman year, 1933-1934 |
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item | ||
Lawrence 1 | Classical window 1 design/analytique drawing : gouache/watercolor with graphite and ink on paper
on cheesecloth backing ; 22 1/4 in x 16 in
Monochromatic rendering of an elongated window with pediment
and balcony set into a stone wall with detail drawings of decorative elements
and balcony balustrade. Penciled section drawing.
|
circa Autumn 1933 |
Lawrence 2 | Facade of an embassy Note: Student has dated his signature as "Lawrence - '38";
however, it is believed this refers to his date of graduation rather than the
completion date of the drawing.
1 design drawing : ink wash with graphite on paper ; 21 in x 28 in
Freshman design provides an elevation of the facade of a
building with mansard roof, stone base, Cornithian colonnade, and entablature
on the upper level decorated with festoons.
|
circa 1933-1934 |
Sophomore year, 1934-1935 |
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item | ||
Lawrence 3 | Fountain and steps in park Note: Student has dated his signature as "Lawrence - 38";
however, it is believed this refers to his date of graduation rather than the
completion date of the drawing.
1 design/analytique drawing : gouache/watercolor on paper ; 24 in x 38 in
Sophomore analytique.Monochromatic rendering/elevation of a stone wall with steps
and fountain. Design features decorative elements such as urns, balustrade, and
pegasus sculptures on the fountain.
|
circa 1934-1935 |
Lawrence 4 |
Spring House 1 design/analytique drawing : gouache/watercolor with graphite on paper on
cheesecloth backing ; 30 3/4 in x 39 3/4 in
Monochromatic rendering/elevation of a pool and spring house
with Ionic colonnade encircling a basin with sculpture of women pouring water.
Plan shows the semi-circular design, colonnade, and location of locker areas;
section drawing through spring house; detail drawings of rooftop basin and
Ionic column with capital.
|
circa 1934-1935 |
Junior year, 1935-1936 |
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item | ||
Lawrence 5 |
A Concert Hall Assignment title: Concert hall on private estate.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 3/4 in x 39 3/4 in
Design drawing includes a watercolor rendering/elevation of
the building with exterior terrace and semi-circular niche for sculpture
fountain; plan showing the public areas, stage, and auditorium seating area;
and a section drawing revealing the interior of the auditorium.
|
circa Spring 1936 |
Lawrence 6 |
A Museum of Sculpture Assignment title: Sculpture museum in city of 100,000.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 3/4 in x 39 3/4 in
Junior design.Watercolor rendering/elevation of a smooth-faced building on
a plaza with fountain. The building's entrance portico covers an elongated
window panel over entrance doors and sculpture niche on each side. Plan shows
the ground floor exhibition areas and administrative areas. Section drawings
reveal the upper level of the building, and the interior of the exhibition
area.
|
circa Autumn 1935 |
Lawrence 7 |
A Savings and Loan
Asso. Assignment title: Savings and loan association.
1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 39 3/4 in x 30 3/4 in
Rendering/elevation of a bank building with lettered sign
and curved walls leading to the inset windowed entrance. Plans shows the lobby,
teller windows, desks, and administrative areas on the ground floor and the
storage and vault areas on the basement level. Section drawings include a view
of the teller windows and murals.
|
circa 1935-1936 |
Senior year, 1936-1937 |
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item | ||
Lawrence 8 |
A Research Hospital 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 58 3/4 in x 39 3/4 in
Rendering/elevation of the a multi-story building with
elongated balcony windows and projected center section. Multiple plans show
ground floor with dining preparation areas, dining lounge and top floor with
squash courts. Section drawing through building shows all levels of building
including rooms, suites, library, baths, and recreation areas.
|
circa 1936-1937 |
Fifth year, 1937-1938 |
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item | ||
Lawrence 9 |
A Spa Assignment title: Spa on wooded site with festival
hall.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 1/2 in x 60 in
Design drawing includes a site plan with several elevation
drawings of a rectangular fountain plaza with circular pumphouse, courtyard,
casino, festival hall, and outdoor beer garden connected via covered walkways.
Section drawing through casino and festival hall.
|
circa 1937-1938 |
Unknown dates |
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item | ||
Lawrence 10 |
A Flower Market 1 sketch problem : gouache/watercolor with graphite on paper with
matting ; 22 in x 28 in
Watercolor rendering/elevation and plan of a flower market
with center tower atop of an open-sided triangular area with low walls and
pillars at each apex. The center tower has a series of upside-down bell shapes
arching outward into a tiered appearance with lettering and flowers on each
tier. Each pillar has shelves filled with potted flowers.
|
circa 1935-1938 |
Lawrence 11 |
A War Memorial 1 sketch problem : charcoal and gouache/watercolor with ink on
paper ; 27 3/4 in x 21 3/4 in
Sketch problem. Drawing likely completed during the final
two years of study.Design sketch includes a site plan showing a memorial hall
with auditorium on a colonnaded plaza with cenotaph. Memorial hall and plaza
are rendered at the bottom of the drawing in ink and shown in section
drawing.
|
circa 1936-1938 |
Helene Lawson Lawson, Helene (Artist)
Alternate name: Helene Lawson Romaine.
|
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Freshman year, 1941-1942 |
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item | ||
Lawson 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 19 3/4 in x 13 3/4 in
Freshman lettering exercise of Roman inscription capital
letters Q, K, R, J, P, Z.
|
circa 1941-1942 |
P. H. Lenon Lenon, P. H. (Artist)
|
||
Junior year, 1931-1932 |
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item | ||
Lenon 1 |
An Italian Renaissance
Church 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 31 in x 39 3/4 in
Class B projet.Watercolor rendering/elevation of an Italian Renaissance
church shows the symmetrical building with heightened center section and facade
ornamented with carved pilasters and painted pediment. Section drawing through
the center section shows the profile of the pilasters as well as the elevation
of the adjoining pilasters. Half-plan shows the tile pattern.
|
circa 1931-1932 |
Myron Lewis Lewis, Myron (Artist)
Myron Lewis received his B.Arch from the University of
Washington in 1956.
|
||
Junior year, 1953-1954 |
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item | ||
Lewis 1 |
Entrance to an art museum Note: This project was typically assigned during the
Junior year of study; the "Autumn 1954" date written on the project is believed
to be incorrect and possibly added at a later date.
1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 30 3/4 in x 41 in
Junior analytique.Watercolor rendering/elevation of the entrance to art museum
building on a terrace with sculptures. The entrance is a gridded panel of glass
windows set into the face of the main building with three sets of double doors
at the bottom. Detail drawings of sculpture and stone.
|
circa Autumn 1953 |
Alan Liddle Liddle, Alan, 1922-2009 (Artist)
Student name as written: A. Liddle.
Alan Liddle received his B.Arch from the University of
Washington in 1948 after his studies, which began in 1940, were interrupted by
World War II. Following graduation, Liddle worked as a draftsman for the Tacoma
architecture firm Lea, Pearson, & Richards, 1948-1950, before taking up
studies in architecture at the Swiss Federal Institute of Technology in Zurich,
1950-1951. After his return to the United States, he established his own
architectural practice in 1952. Notable projects from this time include
Liddle's mountain cabin near the Southwest entrance to Mount Rainier National
Park, 1954; and his commission as a supervising architect on the Frank Lloyd
Wright-designed Chauncey Griggs House in Tacoma, 1954.Liddle's independent practice lasted until 1957 when he formed a
partnership with fellow Tacoma architect Robert Jones. Liddle & Jones
designed a number of noteworthy projects that include the Oceanography and
Marine Sciences Building at the University of Washington, 1967; Lundberg House,
1960; structures on the campus of the Charles Wright Academy in University
Place; Seward Elementary School, 1962; and the Home of Living Light at the
Seattle World's Fair, 1962.Liddle and Jones dissolved the partnership in 1968 and each
formed independent architectural practices. Liddle's designs continued to earn
awards and accolades and include his own home in Lakewood, 1969; the Galbraith
House, 1975; and the Dr. Huck House in Lakewood, 1971. In 1977, Robert Jacklin
became a junior partner in the firm, rising to full partner 1982; this
partnership lasted until Liddle's retirement in 1998. Over his career, Liddle
designed more than 100 homes and 50 commercial buildings, working mostly in the
modernist style.Liddle led the establishment of the Tacoma Landmarks
Preservation Commission in the 1960s, and was heavily involved as a Life
Trustee on the board of the Tacoma Art Museum. Liddle served as president of
the Southwest Washington Chapter of the American Institute of Architects,
1967-1968, and received the Charles Pearson Public Service Award from AIA. In
1970, Liddle was elected to the College of Fellows of the American Institute of
Architects (FAIA). His drawing collection was donated to the University of
Washington after his death.
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Freshman year, 1940-1941 |
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item | ||
Liddle 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 19 3/4 in x 14 3/4 in
Freshman lettering exercise of Roman inscription capital
letters Q, L, D, R, V, Y, J.
|
circa Autumn 1940 |
5th year, 1947-1948 |
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item | ||
Liddle 2 |
The Tacoma Public
Library Assignment title: Library for a major west coast city.
1 design drawing : graphite and ink on paper ; 30 3/4 in x 45 in
Inscribed on drawing: The Tacoma Public Library: through the
joining of municipal enterprise and private generosity offers perpetual access
to the knowledge of all ages.Large plan of a public library shows public and
administrative areas, with reading room, lobby, stacks, bindery, staff offices,
and outdoor reading courtyards including a children's courtyard attached to the
children's department on the second level. Two differing elevation of the
exteriors. Section drawings show the main reading room and children's
court.
|
circa Spring 1948 |
John Lippy Lippy, John Emmett (Artist)
Student name as written: J. E. Lippy.
|
||
Freshman year, 1922-1923 |
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item | ||
Lippy 1 |
The Doric Order 1 drawing exercise : graphite and ink on paper ; 23 3/4 in x 17 3/4 in
Pen and ink drawing exercise of the Doric order includes an
elevation of the column and entablature; reflected ceiling plan; section
drawing through entablature; and detail drawings of column base, shaft,
capital, and entablature.
|
circa 1922-1923 |
Lippy 2 |
The Tuscan Order 1 drawing exercise : ink on paper ; 24 in x 17 3/4 in
Pen and ink drawing exercise of the Tuscan order includes
detail drawings of base, shaft, capital, and entablature; section drawing
through columns and entablature; plan of column base; and ceiling plan of
column showing capital and soffits.
|
circa 1922-1923 |
Sophomore year, 1923-1924 |
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item | ||
Lippy 3 |
A Church Bay - The
Anterior Assignment title: Interior bay of a church.
1 design/analytique drawing : gouache/watercolor with ink on paper ; 38 1/4 in x 26 1/2 in
Class B III analytique. Stamped with Society of Beaux Arts
Architects seal indicating the design was judged in the national
competition.Elevation of the interior bay of church shows the triforium
and the gothic arched clerestory windows above a colonnaded aisle with windows.
Detail drawings of a jamb statue, stone arch with capital, and molding. Section
drawing and plan.
|
circa 1923-1924 |
Wallace Litchfield Litchfield, Wallace H. (Artist)
Wallace H. Litchfield received his B.Arch from the University of
Washington in 1930.
|
||
Freshman year, 1926-1927 |
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item | ||
Litchfield 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 17 1/4 in x 13 3/4 in
Freshman lettering exercise of Roman inscription capital
letter V.
|
circa 1926-1927 |
Harry Loners Loners, Harry K. (Artist)
Student name as written: H. Loners.
Harry Loners received his B.Arch from the University of
Washington in 1928. As a student, he was awarded the Gladding McBean Terra
Cotta Company Prize in 1925-1926.
|
||
Senior year, 1927-1928 |
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item | ||
Loners 1 |
A Varsity Boat Club 1 design/thesis drawing : gouache/watercolor with graphite on paper with
cheesecloth backing ; 55 3/4 in x 39 in
Senior design thesis.Rendering/elevation of a multi-story stone building with
gabled roof, dormer windows, and heightened tower housing a great hall.
Multiple plans show the housing and living areas. Section drawing reveals the
interior of the great hall.
|
circa Spring 1928 |
Leonard Lortz Lortz, Leonard (Artist)
Student name as written: Lortz.
|
||
Junior year, 1954-1955 |
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item | ||
Lortz 1 |
Entrance to a botanical garden 1 design/analytique drawing : gouache/watercolor with graphite on paper with
masking tape border ; 39 3/4 in x 29 3/4 in
Site plan of a garden with walkways, roads, and angled
terrace adjoined by stairs and gardens.
|
Autumn 1954 |
Losey, Blanche Morgan See also: Morgan, Blanche.
|
||
Jake Lounsbury Lounsbury, Jake C., 1914- (Artist)
Alternate name: J. C. Lounsbury.
Jake Lounsbury received his B.Arch from the University of
Washington in 1942. Following graduation, he worked as a Draftsman for the
Austin Company, 1940-1943; then as Draftsman for Chiarelli & Kirk,
1946-1947; and as Draftsman for William Mallis, 1947-1948. He returned to the
Austin Company, 1948-1951. Later career unknown.
|
||
Sophomore year, 1935-1936 |
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item | ||
Lounsbury 1 |
Entrance to grottoes Assignment title: Entrance to grottoes, Roquefort
cheese.
1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 30 1/4 in x 39 1/4 in
Sophomore analytique.Monochromatic rendering of a cave entrance with stonework
lattice and relief sculpture over a rectangular opening. Detail drawings of
gateway pillar, planter, and relief. Penciled plan in upper left corner.
|
circa 1935-1936 |
Unknown dates |
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item | ||
Lounsbury 2 | Tower 1 sketch problem : graphite on paper with matting ; 27 3/4 in x 22 in
Sketch problem.Pencil sketch of a wall with arched passage and attached
stone tower.
|
circa 1935-1942 |
Lloyd Lovegren Lovegren, Lloyd J., 1906-1989 (Artist)
Lovegren worked as an architect for the Seattle Parks
Department, 1933-1935. He later joined in the Jones, Lovegren, Helms &
Jones partnership. Lovegren worked with fellow alumni James FitzGerald in the
design of the Mount Baker Tunnel east portal, c.1940, and the . He also
designed Polynesian-themed Trader Vic's restaurant in Denver, 1954; Chicago,
1957; and Havana, Cuba, 1958. Lovegren served as the Washington State AIA
chapter president, 1955-1956.
|
||
Junior year, 1931-1932 |
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item | ||
Lovegren 1 |
A Meteorological
Station 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 39 3/4 in x 30 3/4 in
Class B II projet.Watercolor and ink rendering with elevation of the
building's facade shows a residential meterological station with five-story
weather tower in the center. Plans show the living areas on the first floor and
the work areas on the second floor; section drawing through the tower.
|
circa 1931-1932 |
Wendell Lovett Lovett, Wendell H. (Wendell Harper), 1922-2016 (Artist)
Wendell Harper Lovett received his B.Arch from the University of
Washington in 1947 after his studies, which began in 1940, were interrupted by
World War II. As a student, he was awarded the AIA Student Silver Medal for
Excellence in Design. After graduating, he continued his studies at the
Massachussetts Institute of Technology, receiving his Master of Architecture
degree in 1948.Prior to his graduate studies at MIT, he worked for Naramore,
Brady, Bain & Johanson, 1946-1948. Once graduated, he returned to Seattle
and took a position as Designer/Associate with Seattle architects Bassetti
& Morse, 1948-1951, where he designed the Hilltop planned community on Lake
Washington. Bassetti & Morse, with Lovett as the Associate Architect,
received the AIA National Grand Honor Award for the design of the Gamma Rho
Apartments in Seattle, 1953. During this time, he also accepted a part-time
teaching position at the University of Washington, 1948-1951.Lovett became Assistant Professor of Architecture at the
University of Washington, 1951-c.1960. He received a Fulbright award to teach
and serve as a guest critic at the Technical Institute in Stuttgart, Germany,
during the 1959-1960 academic year. He returned as an Associate Professor of
Architecture, 1960-1965, eventually rising to Professor of Architecture at the
University of Washington, 1965-1984. He was named Professor
Emeritusin 1984, and continued to teach part-time
through the early 1990s.Throughout his career, Lovett continued his work as an architect
in his own architecture practice as Wendell H. Lovett, Architect, which he
began in 1951. Notable works include the Gordon Giovanelli residence, named the
Seattle Times/AIA Home of the year in 1959; the Gerald and Jo Frey house in
Bellevue, which received an AIA Seattle Honor Award in 1972; his own
residences, which received AIA Seattle Honor Awards in 1953, 1955, 1961, and
1964; the Lovett Summer House on Crane island, which received an AIA Seattle
Exhibition Award in 1970; the Mr. and Mrs. Max Scofield house, which received
an AIA Seattle Award of Merit in 1978; the Charles Simonyi house in Medina,
which received an AIA Seattle Commendation in 1990; and the Cutler-Girder House
in Medina, which received an AIA Seattle Award of Merit in 1998.In addition to residences, Lovett received a Special Citation
for his design of he AIA Seattle Office in 1968. He also designed the Nuclear
Reactor Building at the University of Washington, c.1961, operating as The
Architects and Artist Group [TAAG], with Daniel Streissguth, Gene Zema, Gerard
Torrence, and Spencer Moseley.Lovett was the 1993 recipient of the AIA Seattle Medal. In 2005,
Lovett was recognized in the Roll of Honor by the University of Washington
College of Architecture and Urban Planning. Lovett has been named to the
College of Fellows of the AIA. His drawing collection was donated to the
University of Washington.
|
||
Freshman year, 1940-1941 |
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item | ||
Lovett 1 |
Arch with graded wash 1 drawing exercise : ink wash on paper ; 20 1/4 in x 14 3/4 in
Freshman drawing exercise of a stone arch with watercolor
wash to show gradations in shadow and texture.
|
circa Autumn 1940 |
Lovett 2 | Classical window 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 21 in x 16 in
Monochromatic rendering of an elongated window with pediment
and balconette set into a stone wall with detail drawings of pediment,
decorative elements, and balcony balustrade. Penciled plan and section
drawing.
|
circa Autumn 1940 |
Lovett 3 | End pavilion of a public building 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 25 1/2 in x 18 7/8 in
Freshman analytique provides a monochromatic
rendering/elevation of the end pavilion of a neo-classical building with an
elongated window partially framed by columns with Corinthian capitals. Detail
drawings of entablature; fluted column shaft, base, and Corinthian capital; and
pedestal urn with relief. Plan of Corinthian capital. Lightly penciled plan and
section drawing.
|
circa Spring 1941 |
Lovett 4 | Ink wash circles:Plate
1 1 drawing exercise : ink on paper ; 18 3/4 in x 13 3/4 in
Freshman drawing exercise of ink wash circles with separated
gradations from dark to light.
|
1940 |
Lovett 5 |
An Outdoor Stage 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 25 3/4 in x 19 3/4 in
Watercolor rendering/elevation with penciled plan of a
semi-circular outdoor theatre stage framed by an unornamented colonnade and and
two sculpture niches.
|
Spring 1941 |
Sophomore year, 1941-1942 |
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item | ||
Lovett 6 |
Exhibition pavilion Assignment title: Pavilion for fruit growers in Southern
Oregon.
1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 30 3/4 in x 39 3/4 in
Watercolor rendering/elevation of a curved modernist
building with windowed entrance portico. Plan reveals that the heighented
center section houses an exhibition room while the side wings house offices,
workspaces, and a movie viewing room. Section drawings show the interior of the
exhibition room.
|
circa Spring 1942 |
Senior/5th year, circa 1946-1947 |
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item | ||
Lovett 7 | Activity center at summer camp 1 design drawing : pastel with graphite and ink on paper ; 40 in x 60 in
Site plan of an activity center on waterfront site with
nature paths. Plan of the activity center; section drawing through main
building. Elevation drawing of the building's exterior demonstrates a shift to
the modernist style.
|
circa 1946-1947 |
Lovett 8 | Beach hotel Assignment title: Beach hotel in the Florida Keys.
1 design drawing : graphite and ink on paper ; 39 3/4 in x 60 in
Site plan shows beach hotel with parking lot, segregated
employee quarters, and cabins arranged around the perimeter of the site. Main
building houses library, music room, bar, lounge, kitchen, dining areas,
administrative offices, and opens onto outdoor recreation areas with
shuffleboard courts. Multiple plans show guest rooms, second floor guestrooms,
and rooftop dining terrace. Perspective drawing of main building's
exterior.
|
circa 1946-1947 |
Lovett 9 | Building in an open space 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 in x 39 1/2 in
Entered in the 1947 Alumni Prize Problem competition.
Inscribed on drawing: This is a building design in deliberate defiance of our
present city. The building covers only a small percentage of the site allowing
the free ground to resume its natural function. A spot of green trees, grass,
open sky, fresh air offered as a place of rest amid the urban agglomeration to
the joy a[nd] delight of m[an].Perspective drawing of a stone building in an urban location
with wraparound walkway leading to an elevated extension supported by square
arches. Multiple section drawings show the various levels of the structure,
while the site plan gives a better view of the expanse of outdoor areas
preserved by the architecture of the structure and provides the layout of
interior areas that include an information kiosk, concession stand, and
exhibition area.
|
Spring 1947 |
Lovett 10 |
Chimney 1 sketch problem : gouache/watercolor with graphite on paper with
matting ; 28 in x 22 in
Senior sketch problem.Watercolor rendering of a stone chimney and shingled roof
with a view of water in background.
|
circa 1946-1947 |
Lovett 11 | Department store and parking garage 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 62 in
Senior/5th year design.Watercolor elevation of a modernist building with flat roof
and offset windowed section housing department store areas. Multiple plans show
the department store and employee areas, basement, heating, storage, and
parking. Section drawing through building.
|
circa 1946-1947 |
Lovett 12 |
A Guest Cabin 1 sketch problem : gouache/watercolor with graphite on paper with
matting ; 22 in x 28 in
Senior sketch problem.Rendering of a cabin with glass walls and flat roof. The
modernist cabin is supported by narrow pillars, providing an area under the
cabin for a carport and outdoor living area. Plan of both levels.
|
circa 1946-1947 |
Lovett 13 | Transportation center 1 design drawing : graphite and ink on paper ; 40 in x 60 1/4 in
Design drawing includes an exterior elevation and
perspective drawing of a transportation terminal in the modernist style with
flat roof and gridded windows, and multiple plans showing platforms for trains,
ground transportation, and ferry wharfs. Section drawing through the termial
shows multiple levels including an observation deck, customs, freight deck,
baggage deck, and train platforms on ground level
|
circa 1946-1947 |
Harry Lund Lund, Harry (Artist)
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Freshman year |
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item | ||
Lund 1 | Arch with graded wash 1 drawing exercise : ink wash on paper ; 21 in x 15 in
Freshman drawing exercise of a stone arch with watercolor
wash to show gradations in shadow and texture.
|
unknown |
Richard Lytel Lytel, Richard E., 1936- (Artist)
Student name as written: Lytel.
Richard Edward Lytel received his B.Arch from the University of
Washington in 1931. He partnered with fellow alumni LaMonte Shorett as Lytel
& Shorett, Architects, in 1936
|
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Sophomore year, 1927-1928 |
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item | ||
Lytel 1 |
A Church Portico 1 design/analytique drawing : watercolor wash with graphite and ink on paper
with cheesecloth backing ; 38 1/2 in x 29 1/2 in
Class B II analytique. Stamped with Society of Beaux Arts
Architects seal indicating the design was judged in the national
competition.Monochromatic rendering/elevation of church portico
surrounded by detail drawings of jamb statues and stone work; lightly penciled
section drawing of entrance.
|
circa 1927-1928 |
Senior year, 1929-1930 |
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item | ||
Lytel 2 |
Restaurant in tower 1 design drawing : charcoal and gouache/watercolor with ink on paper
with cheesecloth backing ; 37 1/4 in x 24 3/4 in
Tower in the art deco style houses a two-story restaurant
with dining on the lower level and dancing and terrace on the upper level.
Rendering with elevation of the restaurant shows the exterior: a star-shaped
tower with glass-enclosed circular dining areas off each point of the star
extend out from the tower's midpoint; the tower is crowned with a vertical
banner of lights and observation deck. Plan shows the base and upper and lower
floors of the restaurant with the cantilever system outlined in red on the main
restaurant level.
|
circa 1929-1930 |
5th Year, 1930-1931 |
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Henry Art Gallery / Meany Theatre
addition 5th Year design projet with two sheets.
|
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item | ||
Lytel 3a | Drawing 1 1 design drawing : gouache/watercolor with graphite on
paper ; 18 1/2 in x 39 in
Watercolor rendering/elevation of a proposed addition to
the Henry Art Gallery and Meany Theatre on the University of Washington campus
shows three similarly-styled brick buildings on a plaza.
|
circa 1930-1931 |
Lytel 3b | Drawing 2 1 design drawing : gouache/watercolor on paper ; 20 in x 40 in
Watercolor rendering/elevation of a proposed addition to
the Henry Art Gallery on the University of Washington campus shows an alternate
view of the plaza with buildings.
|
circa 1930-1931 |
item | ||
Lytel 4 |
A Private Banking
House 1 design drawing : charcoal and gouache/watercolor with graphite and
ink on paper ; 39 3/4 in x 62 in
Class A IV projet.Rendering/elevation of a multi-story art deco building with
glass-and-steel chevron windows, stone pilasters, and iron grille over entrance
doors. Multiple floor plans show the main floor with public areas, ornately
decorated upper levels with rooftop garden, grand salon, dining room, and
administrative offices. Section drawing reveals entrance lobby and main banking
room. Penciled perspective drawing.
|
circa 1930-1931 |
Container(s) | Description | Dates |
---|---|---|
Charles MacDonald MacDonald, Charles Graham, 1910- (Artist)
Student name as written: C. MacDonald; C. G. MacDonald; Chas.
MacDonald.
Charles Graham MacDonald received his B.Arch from the University
of Washington in 1933, and his M.Arch from Harvard University in 1945.
Following graduation, MacDonald worked for Walter Gropius in Cambridge,
1945-1946. He then moved to Los Angeles to work for Wurdeman & Becket,
Architects, 1946-1947. He returned to Seattle in 1947, working for J. Lister
Holmes, 1947-1952, becoming as partner in the firm of Holmes, McClure, Adkison
& MacDonald, 1952-1954, with offices in Seattle and Spokane. He joined with
Robert Dietz as Dietz & MacDonald, Architects.
|
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Freshman year, 1928-1929 |
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item | ||
MacDonald C 1 | Classical window 1 design/analytique drawing : ink wash with graphite on paper ; 21 3/4 in x 15 1/2 in
Freshman analytique.Monochromatic rendering of an elongated window with pediment
and balcony set into a stone wall with detail drawings of pediment, decorative
elements, and balcony balustrade.
|
circa 1928-1929 |
MacDonald C 2 | Planter with shade and shadow 1 drawing exercise : charcoal with graphite, colored pencil, and white
on paper ; 24 1/2 in x 36 1/2 in
Freshman drawing exercise shows two views of a planter with
animal head and ornamental vines, one view with shade and shadow added.
|
circa 1928-1929 |
Senior/5th years, 1931-1933 |
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item | ||
MacDonald C 3 |
Naval Academy 1 sketch problem : charcoal on paper ; 36 in x 20 1/4 in
Senior sketch problem.Charcoal drawing shows the site plan for a naval academy
with small rendering of chapel and surrounding buildings at bottom. Site plan
shows a walkway from the entrance gate and drill yard extending the length of
the site to the chapel with officers' and enlisted mens' barracks lining the
sides. Two intersecting walkways lead to a sports stadium, academy, academic
buildings, and dormitory areas.
|
circa 1931-1933 |
MacDonald C 4 |
A Small Opera House 1 design/analytique drawing : gouache/watercolor with pastel and charcoal on
paper with cheesecloth backing ; 40 in x 59 1/2 in
Senior design/analytique.Design drawing for an opera house includes a plan and a
longitudinal section drawing in watercolor showing the driveway, entrance,
stair hall, seating area, stage, and green room. Design features a hydraulic
stage seen in the plan, section drawing, and a penciled elevation.
|
circa 1931-1932 |
Lawrence MacDonald MacDonald, Lawrence E. (Artist)
Student name as written: Larry E. MacDonald.
Lawrence Edward MacDonald received his B.Arch from the
University of Washington in 1942. In 1950, he worked for Engineering
Associates. Later career unknown.
|
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Freshman year, 1937-1938 |
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item | ||
MacDonald L 1 |
Fountain, Brescia 1 historical drawing : ink on paper ; 27 3/4 in x 19 3/4 in
Freshman historical drawing exercise shows a niche with
sculptural fountain framed with columns, entablature, and arched pediment.
|
circa Winter 1938 |
William MacLaurin MacLaurin, William A. (Artist)
Student name as written: MacLaurin.
William Alexander MacLaurin received his B.Arch from the
University of Washington in 1937. He was appointed to the University of
Washington School of Architecture in 1940 to assist with the creation of a city
planning curriculum instituted the following year.
|
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Sophomore year, 1930-1931 |
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item | ||
MacLaurin 1 | Outdoor pulpit 1 sketch problem : gouache/watercolor with graphite and ink on paper
with matting ; 27 3/4 in x 22 in
Sophomore sketch problem.Rendering of a covered pulpit with wraparound stairway; plan
drawn on matting.
|
circa Fall 1930 |
MacLaurin 2 |
A Polo Stable 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 41 in x 32 in
Sophomore local projet.Watercolor rendering with elevation of a polo stable in
stone with steeply gabled green roof. Plan shows the rectangluar complex
wrapped around a stone courtyard with the living room and chimney tower to the
right of the entrance and stable enclosures along the back and left walls.
Section drawing reveals a two-story building with recreation area above the
stables and feed tower.
|
May 9, 1931 |
Junior year, 1931-1932 |
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item | ||
MacLaurin 3 |
A Suburban Bank 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 32 1/2 in x 40 in
Junior projet.Watercolor rendering/elevation of the rectangular building
shows a windowless facade with doorway grille and geometric patterns inlaid
into the brick along the base. Plans and section drawing show the teller lobby
and administrative areas.
|
November 7, 1931 |
MacLaurin 4 |
Wrot Iron Atelier Assignment title: Atelier for wrought iron craftsman.
1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 30 3/4 in x 40 1/2 in
Class B II projet.Watercolor and ink rendering of a brick building with
geometric brick inlay and decorative metal grille; plan of building shows the
studio with forging room, museum, and administrative areas. Section drawing
through building shows the forge room. Entrance grille inscribed with
classmate's name: Chiarelli / Iron Monger.
|
December 12, 1931 |
Senior year, 1932-1933 |
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item | ||
MacLaurin 5 |
Aquarium and
Planetarium 1 design competition drawing : gouache/watercolor with graphite and ink on
paper ; 55 1/2 in x 39 3/4 in
Title as written by student: Aquarium and Planitarium.
[sic]Senior design drawing. Drawing was entered in the Bebb Prize
design competition and awarded "First Mention."Design drawing includes a watercolor rendering/elevation,
plan, section drawing, and site plan with topographic details.
Rendering/elevation shows a domed building on a walled and terraced site with
stairway leading to entrance. Plan shows the circular lecture hall with
stairway to basement aquarium. Longitudinal section drawing through the site
shows the entrance gate, terraced stairs, and building with basement aquarium
connected to the planetarium and lecture hall via lobby.
|
circa 1932-1933 |
5th year, 1936-1937 |
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item | ||
MacLaurin 6 | Buddhist shrine Assignment title: National Buddhist shrine with cave
Buddha.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 59 3/4 in
Plan with watercolor section drawings of a Buddhist shrine
show an oval sanctuary with stairways and hallways leading to rooms for
pilgrims and monks arranged around the main sanctuary. Section drawing through
main sanctuary reveals a statue of Buddha and a colonnade walkway around the
perimeter of sanctuary.
|
circa Fall 1936 |
MacLaurin 7 | Shrine and cemetery in the mountains 1 design drawing : charcoal and graphite on paper ; 61 in x 40 in
Rendering of cliff-side worship site with doorway at base
leading to the upper cliff with Christian altar and monumental religious
statue. Relief of religious figures in cliff face.
|
circa 1936 |
Unknown dates |
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item | ||
MacLaurin 8 |
Treatment of a Proscenium
Elevation 1 sketch problem : gouache/watercolor with graphite on paper with
matting ; 22 in x 28 in
Sketch problem.Watercolor rendering/elevation of a proscenium with sun
design on curtain and painted sky above the stage. Penciled section drawing
shows the projecting proscenium arch; penciled plan on matboard.
|
circa 1930-1937 |
Katherine MacLeran MacLeran, Katherine (Artist)
Katherine MacLeran received her B.A./B.S. from the University of
Washington in 1937.
|
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Freshman year, 1934-1935 |
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item | ||
MacLeran 1 | Vase in niche 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 16 1/2 in x 22 1/4 in
Freshman analytique.Monochromatic rendering/elevation of niche in wall with vase
framed by Doric columns and open-topped pediment in a garden setting with
column plan and detail drawings of vase and entablature.
|
February 21, 1935 |
Frank Marolich Marolich, Frank (Artist)
Frank J. Marolich received his B.F.A. in Art from the University
of Washington in 1937.
|
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Freshman year, 1932-1933 |
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item | ||
Marolich 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 13 3/4 in x 19 3/4 in
Freshman lettering exercise of Roman inscription capital
letters D, M, C, J, U, O, L.
|
circa 1932-1933 |
Douglas Mason Mason, Douglas (Artist)
Student name as written: D. Mason.
Douglas Mason received his B.Arch from the University of
Washington in 1943.
|
||
Sophomore year, 1940-1941 |
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item | ||
Mason 1 | Church sanctuary Assignment title: Sanctuary for Catholic or Episcopalian
church.
1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 39 1/2 in x 31 in
Sophomore analytique.Monochromatic rendering/section drawing shows a church altar
and pointed brick chancel arch with painted religious imagery. Detail drawings
of metal light fixture, candle, and altar cloth.
|
circa 1940-1941 |
Robert Massar Massar, Robert (Artist)
Student name as written: R. J. Massar; Massar.
Robert (Bob) Massar received his B.Arch from the University of
Washington in 1940. In 1946, he was listed in partnership with fellow UW alumni
Bliss Moore as Moore & Massar, Architects. From 1943-1963, Robert Massar
and his wife Phyllis Dearborn Massar, also a graduate of the University of
Washington, worked as architectural photographers documenting examples of
Modernism and the International style in the Pacific Northwest.
|
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Junior year, 1936-1937 |
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item | ||
Massar 1 | Airport terminal building Assignment title: Small airport terminal building.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 30 3/4 in
Junior design.Rendering/elevation of building facade shows building with
round, windowed tower rising from center section. Plans shows main floor with
public and administrative areas including a semi-circular observation area in
the base of the tower. Perspective drawing shows the airport with runways;
section drawing through building shows the observation area and waiting
room.
|
circa 1936-1937 |
Massar 2 | Sculpture museum Assignment title: Sculpture museum in city of 100,000.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 31 3/4 in x 39 1/2 in
Junior design.Watercolor rendering/elevation of a smooth-faced building
with decorative frieze. Ionic columns form an entrance portico housing an
elongated window panel with grille over the entrance doors. Plan shows the
ground floor galleries and administrative areas. Section drawings reveal the
interior of the galleries and partial basement level.
|
circa Autumn 1936 |
Massar 3 |
Sports lodge Assignment title: Winter sports lodge on south slope of
mountain.
1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 30 3/4 in x 39 1/4 in
Watercolor rendering/elevation of a three-story building on
a sloped site with exposed timber walkway along upper left and covered walkway
that leads to cabins. Plans of all floors of main building show the
recreational and lodge areas. Partial section drawing through lodge.
|
circa Autumn 1936 |
5th year, 1939-1940 |
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item | ||
Massar 4 | Art and architecture building 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 1/2 in x 59 1/2 in
Senior/5th year design.Watercolor elevation of a building with heightened center
section and post-and-bean ornamentation along the top with a colonnaded
entrance leading to a courtyard. Plans and birds-eye perspective show interior
courtyard with lecture halls, bookstore, faculty areas, library, and studios
arranged around the courtyard; additional rooms in the two-story building
include the sculpture studio, interior decorating office, second floor library,
engineering rooms, exhibition hall, drafting rooms, and auditorium.
Longitudinal section drawing shows entrance with drafting room above,
courtyard-facing wall, and stairway to facilities on upper level.
|
circa 1939-1940 |
Thomas Matsumoto Matsumoto, Thomas T. (Artist)
Student name as written: T. T. Matsumoto.See also: The T. T. Matsumoto album (PH Coll 19) contains
black and white photographs of esquisses and analytiques Matsumoto completed as
a student.
Japanese student Takashi (Thomas) Matsumoto was awarded the
Gladding-McBean Terra Cotta Company Prize in 1924-1925. He practiced
architecture and Seattle and Tokyo, Japan, designing the Franklin Building,
Seattle, in 1963.
|
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Freshman year, 1923-1924 |
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item | ||
Matsumoto 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 17 in x 12 3/4 in
Freshman lettering exercise of Roman inscription capital
letter V.
|
circa 1923-1924 |
Sophomore year, 1924-1925 |
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item | ||
Matsumoto 2 |
A Dormer Window Title as written by student: A dormar window. [sic]
1 sketch problem : gouache/watercolor with graphite on illustration
board ; 20 in x 15 in
Sophomore sketch problem provides a watercolor
rendering/elevation, plan, and section drawing of an elongated dormer window
with balustrade balcony projecting from a metal roof.
|
January 22, 1925 |
Matsumoto 3 |
A Facade on a
Courtyard 1 design/analytique drawing : ink wash on paper ; 28 in x 19 in
Sophomore analytique.Monochromatic rendering/elevation with section drawing and
plan of a three-story building with metal roof and balustrude railing with
colonnaded passage along the ground level and windowed doorways with pediment
and balustrade railing on the middle level. Detail drawings of arch and column
capitals and base.
|
March 21, 1925 |
Matsumoto 4 |
An Interior Bay of
Church 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 38 3/4 in x 27 1/4 in
Class B III analytique. Stamped with Society of Beaux Arts
Architects seal indicating the drawing was judged in the national
competition.Rendering of the interior bay of a church, as viewed through
an arched opening with tomb, shows the open bay with arched opening and tomb on
the opposite side under a row of clerestory windows. Relief pilaster and candle
holders are highly detailed. Partial plan and section drawing penciled along
edges of drawing.
|
circa 1924-1925 |
Matsumoto 5 |
A Spring House in the
Cascades 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 37 1/4 in x 24 in
Class B projet.Monochromatic rendering/elevation of the facade of an
Asian-style spring house with sweeping roof on a cliff-top setting with deck
and pergola surrounding the structure on three sides. Plan shows the fountain,
basin, and tile pattern with dragon motif; section drawing shows fountain and
the open style of the building.
|
April 10, 1925 |
Fumio Matsuzawa Matsuzawa, Fumio (Artist)
Student name as written: F. Matsuzawa.
Fumio Matsuzawa received his B.Arch from the University of
Washington in 1929.
|
||
Freshman year, circa 1924-1925 |
||
item | ||
Matsuzawa 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 19 3/4 in x 13 3/4 in
Freshman lettering exercise of Roman inscription capital
letters G, H, N, B, U, D.
|
circa 1924-1925 |
Unknown dates |
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item | ||
Matsuzawa 2 | Bay in loggia with entrance 1 sketch problem : gouache/watercolor with graphite on paper with
cheesecloth backing ; 25 1/4 in x 18 3/4 in
Sketch problem shows an entrance with walkway along the
upper level with red rail. Thick red pillars framing the entrance support a
lintel decorated with Asian-style ornamentation. Penciled section drawing and
plan.
|
circa 1926-1928 |
Roger Matthews Matthews, Roger (Artist)
|
||
Freshman year |
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item | ||
Matthews 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 14 3/4 in x 19 3/4 in
Freshman lettering exercise of Roman inscription capital
letters I, M, H, B, T, D.
|
unknown |
John Mattson Mattson, John I., 1894-1980 (Artist)
Student name as written: J. I. Mattson.
Finnish-born John Ivar Mattson received his B.Arch from the
University of Washington in 1925. Following graduation, he worked as the
principal architect in his own practice, John I. Mattson, Architect, Seattle,
1929-1949. In 1950, he partnered with Edgar Putnam to form Mattson, Smith &
Putnam, 1950-1953. The firm changed its name to Mattson, Putnam & Simkins,
with the addition of Robert Simpkins, c.1953, and later to Mattson &
Putnam, c.1954. The partnership dissolved in 1954, and John Mattson became the
principal in his own firm, John I. Mattson & Associates, Architects,
c.1955.
|
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Freshman year, 1921-1922 |
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item | ||
Mattson 1 |
Entrance Doorway, Delta Kappa
Epsilon House, Seattle, Wash. 1 measured drawing : ink on paper ; 23 3/4 in x 18 in
1 photograph : black and white photograph
Freshman measured drawing assignment of the Delta Kappa
Epsilon fraternity house doorway at the University of Washington. Drawing
includes an elevation, section drawing, and partial plan of the entrance
portico with detail drawings of casework, mouldings, vase, and trigylphs. Small
photograph of entrance adhered to drawing. Inscribed on front of drawing: Drawn
by J. I. Mattson, Measured by J. M., E. M., & C. B.
|
April 4, 1922 |
Senior year, 1924-1925 |
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item | ||
Mattson 2 |
King County State Bank Thesis
Design 1 design/thesis drawing : gouache/watercolor with graphite and ink on
paper ; 33 1/4 in x 20 3/4 in
Senior design thesis.Watercolor longitudinal section drawing and ground floor
plan shows the interior of a bank lobby with classical columns and decorative
elements. Plan shows additional offices and administrative areas. Section
drawing reveals the basement safe and money lift.
|
circa Spring 1925 |
Don May May, Donald (Artist)
Student name as written: Don May.Full name believed to be Donald Francis May based on student
directory listing.
|
||
Unknown dates |
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item | ||
May 1 | Cabin in snow 1 sketch problem : gouache/watercolor with graphite on paper with
matting ; 22 in x 28 in
Watercolor rendering of a stone cabin with wooden door and
chimney in a snowy, wooded setting. Penciled plan shows the furniture
arrangement.
|
circa 1936-1938 |
Richard Mayo Mayo, Richard W. (Artist)
Student name as written: R. W. Mayo.
Richard Mayo received his B.Arch from the University of
Washington in 1958.
|
||
Junior year, 1955-1956 |
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item | ||
Mayo 1 |
Observation platform at Gatty Falls 1 analytique drawing : gouache/watercolor with ink on paper ; 30 in x 39 1/2 in
Junior analytique, Grade II analytique. Inscribed on
drawing: Gatt...Discovered...Watercolor rendering/elevation of a stone and wood
observation shelter in the modernist style with flat roof and open sides on a
stone foundation overlooking a waterfall. Detail drawings of wooden posts,
stairwell, and lettered sign.
|
Autumn 1955 |
Robert McClelland McClelland, Robert F., 1892-1977 (Artist)
Robert "Jack" Fulton McClelland received architectural training
from the University of Washington and the Massachussets Institute of
Technology. McClelland worked as a draftsman for eight years before earning his
Washington State architectural license in 1922. The following year, in 1923, he
formed a partnership with Edward F. Pinneh, as McClelland & Pinneh,
Seattle, 1923-1930. The firm expanded in 1930 to include fellow UW alumni and
architect Victor N. Jones, as McClelland, Pinneh & Jones,
Seattle,1930-1932. Pinneh left the firm in 1933 and the remaining firm,
McClelland & Jones, Seattle, dissolved in 1946. Notable designs from
McClelland & Jones include the Bremerton Ferry Terminal, 1938; Nordstrom's
Store, 1937; and the Seattle Labor Temple, 1942.After Jones left the firm, McClelland formed a partnership with
Hugo Osterman in 1947 as McClelland & Osterman. Notable earlier designs of
the firm include the Gladding, McBean & Company Building, 1954; and Burke
House, 1956; however, the firm became known for their design of suburban banks
in the 1950s and 1960s, and the partnership produced designs for the the
Mid-Columbia Bank in Pasco, 1953; the People's National Bank of Washington,
1957; and Seattle First National Bank in Olympia, 1959.McClelland was a member in the Seattle Chapter of the AIA,
serving as chapter president from 1934-1936.
|
||
Unknown dates |
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item | ||
McClelland 1 | Country club 1 design drawing : gouache/watercolor with ink on paper with cloth
backing ; 41 1/2 in x 34 in
Watercolor and ink rendering/elevations of the front and
back of a Tudor style clubhouse with porte cochere and setting for golfers.
|
1914 |
Royal McClure McClure, Royal Alfred, 1917- (Artist)
Royal Alfred McClure received his B.Arch from the University of
Washington in 1942. As a student, he worked for Seattle architect J. Lister
Holmes, 1939-1942. After graduating, McClure was drafted into the United States
Army during World War II, working mainly as an architectural engineer for the
Air Force flight program. Though accepted into Frank Lloyd Wright's
architecture school at Taliesin, McClure received his M.Arch from Harvard
University, c.1946. while working in Boston as a Designer for Samuel Glaser,
Architect.After graduating, McClure took a position as the Acting Head of
the Department of Architecture, University of Idaho, 1947-1948. He then
partnered with fellow alumni Tom Adkison as Adkison & McClure, Spokane,
1948-1952. The firm designed several notable projects which were widely
published, including the Studio Apartments, 1949; the Stephan Dental Clinic,
1950, which received an AIA Chapter Award; Cornelius House, 1951; and a small
block of residences in Spokane's South Hill neighborhood, 1951. Notable
projects outside Spokane include the Charles Decker House in Moscow, Idaho,
1952; the design for the E.S. Cherry House in California, 1952; and Thomas
Meenach House, which received the Spokane AIA Award in 1959.McClure received the Wheelwright Travel Fellowship from Harvard
in 1953. Upon his return, he partnered with former employer J. Lister Holmes
and Charles MacDonald as Holmes, McClure, Adkison & MacDonald, 1953-1954,
with offices in Seattle and Spokane. The firm returned to Adkison & McClure
in 1954 and they continued their work in Spokane, receiving several large
commissions throughout the 1960s. Notable projects include the Spokane
Unitarian Church, 1961; JFK Pavilion/Martin Centre at Gonzaga University, 1965;
Wilcox Hall and Elgin Rosco Hall at the University of Washington, 1964. The
firm's design for the Joel E. Ferris High School received the Spokane AIA Award
in 1963. McClure left the partnership in 1966 to open his own architectural
firm in Seattle, where he designed the Gil and Erselle Eade House at Hunts
Point, 1969. McClure retired in 1977.
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Junior year, 1938-1939 |
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item | ||
McClure 1 | Sculptor's residence and studio 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 3/4 in x 39 3/4 in
Junior project.Watercolor rendering/elevations of a stone building in the
modernist style on a clifftop site. Elevations show the windowed facade and
both sides of the building. Partial plan shows living areas, studio, and
terrace overlook.
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circa Spring 1939 |
Unknown dates |
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item | ||
McClure 2 | Fire station Assignment title: Office and fire station for residential
development.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 31 in x 39 3/4 in
Watercolor rendering/elevation of a brick building in the
modernist style with sections of floor-to-ceilling windows and a chain across
the driveway linking the building to a wall on the other side. Elevations show
multiple views of the building including the back of the building with fire
engine garage doors and the side of the building with view of windowed living
areas. Plan.
|
circa 1938-1942 |
Donald McDonald McDonald, Donald N., 1904- (Artist)
Student name as written: D. N. McDonald; Don McDonald.
Donald McDonald received his B.Arch from the University of
Washington in 1928, where he received the Frederick and Nelson Small House
Competition Prize in 1927. He worked as Senior Draftsman for the City of
Seattle, 1927-1930. He worked in partnership with Van Stimson as Stimson &
McDonald, Architects, Seattle, 1932-1940; and later with Charles Miller as
McDonald & Miller, Architects, Seattle, c.1946. He opened his own
architectural practice in 1947 as Donald N. McDonald, Architect, Seattle,
1947-1951. He was listed as a partner in the practice of Earle W. Morrison,
Seattle, c.1954-1955.
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Freshman year, 1924-1925 |
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item | ||
McDonald 1 |
Doric Order Assignment title: Vase in niche.
1 design/analytique drawing : gouache/watercolor with ink on paper ; 21 1/2 in x 15 1/2 in
Freshman analytique.Monochromatic rendering of niche with vase framed by Doric
columns and entablature in a garden setting with plan, section drawing, and
detail drawings of vase, column, and entablature.
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March 18, 1925 |
McDonald 2 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 19 3/4 in x 13 3/4 in
Freshman lettering exercise of Roman inscription capital
letters Q, H, N, J, Y, L.
|
October 27, 1924 |
Doug McFarland McFarland, Phillip D. (Artist)
Student as written: Doug McFarland.
Phillip McFarland partnered with Wallace Bonsall as McFarland -
Bonsall, Architects, Los Angeles, 1946-1952. The firm became McFarland, Bonsall
& Thomas, Architects, Los Angeles, 1952-1954, with the addition of Robert
Hyle Thomas as partner. McFarland, Bonsall & Thomas designed the Bank of
Apple Valley in Apple Valley, California, which was awarded an AIA Merit Award
in 1955. After the departure of Robert Thomas, the firm continued to operate as
McFarland - Bonsall, c.1954. Later career unknown.
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Sophomore year, 1929-1930 |
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item | ||
McFarland 1 |
Romane Museum Alternate title on drawing: Private museum.
1 drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 39 1/4 in x 30 1/2 in
Watercolor rendering/elevation of the building facade shows
a Romanesque building with terra cotta roof and arched doorway with ornante
tympanum. Plan shows tile pattern; section drawing reveals colonnade in the
main gallery, back courtyard, and other Romanesque elements.
|
May 10, 1930 |
Junior year, 1931-1932 |
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item | ||
McFarland 2 |
A Suburban Bank 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 39 3/4 in x 31 1/4 in
Class B I projet. Junior project.Watercolor rendering/elevation of the smooth-faced
rectangular building shows the facade with narrow windows and geometric doorway
grille with eagle statue. Plan shows the tile pattern; section drawing shows
the teller lobby and administrative areas.
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circa Autumn 1931 |
McFarland 3 |
Suburban police station 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 31 in x 40 3/4 in
Junior project.Two watercolor and ink renderings/elevations of a one-story
art-deco building with horizontal lines running the length of the building and
geometric pattern on the doorways. Plan shows the v-shaped building with public
areas, magistrate's court, prison cells, and administrative areas
|
circa 1932 |
McFarland 4 |
The Wrought Iron Atelier of
one Hans Aloyus Markul von Klopner Assignment title: Studio for wrought iron craftsman.
1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 39 3/4 in x 30 1/2 in
Junior project.Watercolor and ink rendering/elevation of a brick building
with gothic arched door and decorative metal grille; plan of building shows the
studio with forge room, museum, and administrative areas. Section drawing
through building shows the forge room.
|
December 12, 1931 |
Ross McKee McKee, R. Ross (Artist)
Robert Ross McKee, Jr., received his B.Arch from the University
of Washington in 1939.
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Junior year, 1936-1937 |
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item | ||
McKee 1 | Sports lodge Assignment title: Winter sports lodge on south slope of
mountain.
1 design drawing : charcoal with colored pencil on paper ; 39 3/4 in x 31 in
Rendering/elevation of a three-story building on a
snow-covered site at the foot of the mountains. Plot plan and basement plan
show the recreational and lodge areas, including a private game enclosure and
skating rink. Partial section drawing through lodge shows game room and lounge.
Perspective drawing shows people gathered at the entrance.
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circa Autumn 1936 |
5th year, 1938-1939 |
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item | ||
McKee 2 | School of fine arts and crafts with
showroom 1 design drawing : gouache/watercolor with charcoal, ink, and colored
pencil on paper ; 39 3/4 in x 31 in
Watercolor rendering/elevation of the side of a smooth-faced
building, inscribed with the school, with flat roof over sections of varying
heights and a windowed corridor overlooking student court. Multiple plans show
the library, sculpture court, and main corridor with clerestory windows leading
to exhibit rooms, studios, workshops and classrooms for painting, architecture,
fashion and textile design, leatherworking, printing, pottery, industrial
design, and furniture design.
|
circa 1939 |
William McKinney McKinney, William E. (Artist)
Student name as written: Waldo E. McKinney; W. E.
McKinney.
William "Waldo" Emerson McKinney received his B.Arch from the
University of Washington in 1926, where he was awarded the Charles H. Bebb
Prize in Architecture in 1926-1927. Following graduation, he worked for J.
Lister Holmes, 1926-1929; then for George W. Stoddard, 1933-1935. From
1935-1940, he operated his own architectural practice before joining the
U.S.Army during World War II, 1940-1945. After his return to Seattle, he worked
for Bain, Overturf, Turner & Associates, 1945-1947.
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Sophomore year, 1923-1924 |
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item | ||
McKinney 1 | Classical vase in niche 1 design/analytique drawing : gouache/watercolor with ink on paper ; 22 1/2 in x 16 1/4 in
Freshman analytique.Monochromatic rendering of niche with vase framed by Doric
columns and open bed pediment in a garden setting with detail drawings of vase,
entablature, column, and other decorative elements.
|
March 18, 1924 |
McKinney 2 |
Measured Details of Ionic
Order to Entrance Facade of Sub-marine Building, Seattle 1 measured drawing : pen and ink on paper ; 22 in x 16 in
Freshman measured drawing exercise.Measured drawing of the Ionic column entrance facade at the
Submarine Building in Seattle; includes elevation, plan, and detail drawings of
columns, base, and entablature.
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April 21, 1924 |
Junior year, 1924-1925 |
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item | ||
McKinney 3 |
A Loggia Entrance 1 design drawing : charcoal and gouache/watercolor on paper with
cheesecloth backing ; 19 1/2 in x 26 in
Design drawing includes a watercolor rendering/elevation,
plan, and section drawing of a loggia shows a colonnaded opening with three
windowed doorways with ornamented tympana and entablature. Section drawing
reveals sculpture niche along the adjacent wall.
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April 13, 1925 |
McKinney 4a |
A Tool House 1 sketch problem : charcoal and gouache/watercolor with graphite on
illustration board ; 15 in x 20 in
Sophomore sketch problem [esquisse-esquisse]. This is a
2-sided drawing, with a separate sketch problem (A
Waiting Shelter) on the reverse side.Drawing includes a rendering, plan, and section drawing of
an octagonal stone building with wooden doorway. Date is taken from Department
of Architecture received stamp.
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April 21, 1925 |
McKinney 4b |
A Waiting Shelter 1 sketch problem : charcoal and gouache/watercolor with graphite on
illustration board ; 20 in x 15 in
Sophomore sketch problem [esquisse-esquisse]. This is a
2-sided drawing, with a separate sketch problem (A Tool
House) on the reverse side.Neoclassical waiting shelter for a bus with terracotta roof,
arched entrance, and an open exit with columns on the street side.
|
December 4, 1924 |
Senior year, 1925-1926 |
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item | ||
McKinney 5 |
A Civic Art Gallery 1 design drawing : gouache/watercolor with graphite on paper with
cheesecloth backing ; 35 in x 26 1/2 in
Entered in the Bebb Prize design competition and received
awards for "1st Prize" and "1st Mention Placed."Elevations of colonnaded building with landscaping and
sculptures; plan; and ceiling plan.
|
circa 1926 |
Alex McPhee McPhee, Alex. S. (Artist)
Student name as written: A. S. McPhee.
|
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Freshman year, 1922-1923 |
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item | ||
McPhee 1 |
The Doric Order 1 drawing exercise : ink on paper ; 23 7/8 in x 18 in
Pen and ink drawing exercise of the Doric order includes an
elevation of the column and entablature; reflected ceiling plan; section
drawing through entablature; and detail drawings of column base, shaft,
capital, and entablature.
|
December 8, 1922 |
Alan McRae McRae, Alan (Artist)
|
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Freshman year, 1938-1939 |
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item | ||
McRae 1 | Arch with graded wash 1 drawing exercise : ink wash on paper ; 21 in x 15 in
Freshman drawing exercise of a stone arch with watercolor
wash to show gradations in shadow and texture.
|
circa 1938-1939 |
Robert Merriman Merriman, Robert (Artist)
Student name as written: Merriman.
Robert Merriman received his B.Arch from the University of
Washington in 1957.
|
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Junior year, 1954-1955 |
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item | ||
Merriman 1 |
Entrance to a botanical garden 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 39 3/4 in x 30 in
Grade II analytique.Site plan of a garden with walkways, roads, and angled
terrace with fountain adjoined by stairs and gardens.
|
Autumn 1954 |
William Meyer Meyer, William J. (Artist)
|
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Sophomore year, 1933-1934 |
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item | ||
Meyer 1 |
A Family Mausoleum 1 design/analytique drawing : gouache/watercolor with graphite on paper with
cheesecloth backing ; 30 3/4 in x 39 3/4 in
Sophomore analytique.Monochromatic rendering/elevation of a semi-circular
mausoleum with square columns alternating with memorial urns atop a base with
multiple niches. Detail drawings of memorial urn and niche; plan; and section
drawing.
|
February 5, 1934 |
Harry Meyers Meyers, Harry T. (Artist)
|
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Freshman year, 1924-1925 |
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item | ||
Meyers 1 |
Lettering exercise 1 drawing exercise : ink with graphite on paper ; 16 3/4 in x 13 in
Freshman lettering exercise of Roman inscription capital
letter V.
|
circa Autumn 1924 |
Daniel Miller Miller, Daniel (Artist)
Dan Fletcher Miller received his B.Arch from the University of
Washington in 1952.
|
||
Architectural ornamentation class |
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item | ||
Miller Da 1 |
Mosaic window Assignment title: Mosaic window with Gothic grisaille
work.
1 ornament class project : gouache/watercolor with ink on paper ; 40 in x 30 3/4 in
Architectural ornamentation class project. Date inscribed on
drawing: Anno Domini MCMXLII [1942].Drawing shows a round stained glass window with image of
madonna and child surrounded by vine and leaves. Detail drawings of ornamented
cross, embroidered tapestry, and statue.
|
circa 1945-1947 |
Doryanne Miller Miller, Doryanne (Artist)
Doryanne Miller received her B.Arch from the University of
Washington in 1941.
|
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Junior year, 1938-1939 |
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item | ||
Miller Do 1 | County courthouse Assignment title: Small county courthouse facing park.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 3/4 in x 39 3/4 in
Junior design.Design drawing includes a rendering/elevation of a
courthouse building with entrance portico and grille housing windowed doors.
Multiple plans and section drawing show the two levels of the courthouse. Plans
indicate the judicial and administrative areas.
|
circa Spring 1939 |
5th year, 1940-1941 |
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item | ||
Miller Do 2 |
Permanent facilities for summer music
camp 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 3/4 in x 40 in
5th year design.Watercolor rendering/elevations with section drawings of
multiple buildings in the modernist style with wood and stone exteriors and
upwards angled roofs that include the concert hall, mess hall, and typical
cabins. Elevation drawings show the outdoor concert hall and the windowed walls
of the mess hall and lounge.
|
circa 1940-1941 |
Roberta Miller Miller, Roberta Constance (Artist)
Student name as written: R. C. Miller.
|
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Freshman year, 1932-1933 |
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item | ||
Miller R 1 | Niche with vase 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 22 1/2 in x 16 1/2 in
Freshman analytique.Monochromatic rendering/elevation with penciled plan and
section drawing of niche with vase framed by Doric columns and open-topped
pediment in a garden setting with detail drawings of column base and capital,
entablature, and vase.
|
circa 1932-1933 |
Virginia Miller Miller, Virginia (Artist)
Student name as written: V. C. Miller.
|
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Sophomore year, 1938-1939 |
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item | ||
Miller V 1 | Church sanctuary altar 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 31 in x 39 3/4 in
Sophomore analytique.Analytique shows a rendering/elevation of an altar table
beneath an ornately carved wooden triptych and additional elevation of the
adjacent arch. Detail drawings of carved wooden triptych figure, molding, and
altar cross. Penciled plan.
|
1939 |
Miller V 2 | End of an art museum 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 31 in x 40 in
Sophomore analytique.Monochromatic rendering/elevation showing a partial view of
a smooth-faced building with an inscribed band of artists' names and a circular
base supporting a large statue in front of a panel of inset architectural
lattice. Detail drawing of lattice, sculpture, and lettering. Penciled plan and
section drawing.
|
circa 1938-1939 |
Miller V 3 | Rostrom and memorial tablet 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 31 in x 39 3/4 in
Sophomore analytique.Monchromatic rendering/elevation of a rostrum with stairs on
either side and two Doric columns framing an inscribed memorial tablet against
the back wall. Detail drawings of eagle sculpture, festoon relief panel, column
capital, and base. Penciled plan and section drawing.
|
circa 1938-1939 |
Senior year, 1940-1941 |
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item | ||
Miller V 4 | Memorial library and museum 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 60 in
Multiple elevations show the east and south elevation of a
memorial library. The modernist design has a flat-roof and sections of gridded
windows and a heightened section with vertical band of windows and side
courtyard. Plan shows ground floor reading room, faculty study rooms,
administrative areas, bindery, and outdoor reading areas. Longitudinal section
drawing shows the multiple stories containing stacks and offices in the
building's heightened area.
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circa Autumn 1940 |
Architectural ornamentation class |
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item | ||
Miller V 5 |
Gothic round window 1 ornament class project : gouache/watercolor with ink on paper and tissue
paper with matting ; 38 in x 28 in
Architectural ornamentation class project.Round stained glass window with centered circular design of
a religious figure with inscription encircled by a vine with acanthus leaves
and bands of small circles in contrasting colors. Drawing is marked: Commended:
A+
|
circa 1939-1941 |
Eddie Mills Mills, Eddie L. (Artist)
Student name as written: E. L. Mills.
|
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Freshman year, 1940-1941 |
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item | ||
Mills 1 | Classical window 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 21 in x 15 3/4 in
Freshman analytique.Monochromatic rendering/elevation with penciled plan and
section drawing of an elongated window with balcony set into a stone wall with
detail drawings of vase and balcony balustrade.
|
circa Autumn 1940 |
Mills 2 | Outdoor stage 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 25 1/2 in x 19 3/4 in
Freshman analytique.Watercolor rendering/elevation with penciled plan showing an
outdoor theatre with Ionic colonnade and semi-circular seating area.
|
circa Spring 1941 |
Alfred Moberg Moberg, Alfred F. (Artist)
Student name as written: A. F. Moberg.
|
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Freshman year, 1924-1925 |
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item | ||
Moberg 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 16 3/4 in x 12 3/4 in
Freshman lettering exercise of Roman inscription capital
letter V.
|
circa Autumn 1924 |
Sophomore year, 1925-1926 |
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item | ||
Moberg 2 |
A Tomb Arranged Like
Napoleans Title as written by student.
1 design/analytique drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 40 in x 29 3/4 in
Class B II analytique. Stamped with Society of Beaux Arts
Architects stamp indicating the design was judged in the national
competition.Analytique shows interior elevation and section of rotunda
with tomb, plan of floor pattern, and detail drawings of Cornithian capital and
statue.
|
circa 1925-1926 |
Senior year, 1928-1929 |
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item | ||
Moberg 3 |
A Masonic Temple 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 59 1/2 in x 41 in
Class A IV projet. Stamped with the Society of Beaux Arts
Architects seal indicating that the design was judged in the national
competition.Watercolor rendering/elevation of a building with stepped
sides on an elevated, walled site with tower and relief of religious figures.
Plan shows Freemason imagery in tile pattern. Section drawing shows interior of
building and tower.
|
circa 1928-1929 |
Bjarne Moe Moe, Bjarne, 1904-1980 (Artist)
Student name as written: B. Moe; Barney Moe.
|
||
Freshman year, 1924-1925 |
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item | ||
Moe 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 19 3/4 in x 13 3/4 in
Freshman lettering exercise of Roman inscription capital
letters J, L, O, B, U, D.
|
October 27, 1924 |
Moe 2 | Temple of love 1 design/analytique drawing : graphite and ink on paper ; 14 1/4 x 20 1/4 in
Monochromatic rendering/elevation of a circular temple with
Ionic columns and sculpture in center. Plan and detail drawings of column
capital, entablature, horn, and other decorative elements.
|
circa Spring 1925 |
Sophomore year, 1925-1926 |
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item | ||
Moe 3 |
A Commemorative Tablet 1 design/analytique drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 37 1/2 in x 26 1/4 in
Class B I analytique. Stamped with the Society of Beaux Arts
Architects seal indicating that the design was judged in the national
competition.Rendering of memorial tablet surrounded by detail drawings
of balustrade, bas relief, and columns.
|
circa 1925-1926 |
Junior year, 1927-1928 |
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item | ||
Moe 4 |
A Riding School 1 design drawing : charcoal pencil and watercolor wash with graphite
and ink on paper with cheesecloth backing ; 28 in x 39 in
Class B II projet. Stamped with the Society of Beaux Arts
Architects seal indicating that the design was judged in the national
competition.Watercolor elevation of building facade; plan shows smaller
building attached via gallery seating to a larger building housing ring and
stables. Penciled section drawing.
|
circa Autumn 1927 |
Senior year, 1928-1929 |
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item | ||
Moe 5 |
An Airport Terminal for
Seattle 1 design drawing : watercolor wash with graphite, colored pencil, and
ink on paper with cheesecloth backing ; 39 1/4 x 28 1/4 in
Senior design.Entered in the 1928 Bebb Prize design competition and
awarded "1st Mention."Rendering/elevation of building facade shows building with a
large metal tower rising from center section. Plans show basement and main
floor; detail section drawing shows the arched dome of the waiting area,
stairwells, and tower.
|
October 22, 1928 |
Harold Monson Monson, Harold (Artist)
|
||
Freshman year, circa 1925-1926 Date of freshman year based on earliest listing found in the
University of Washington student directories.
|
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item | ||
Monson 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 17 1/4 in x 13 1/4 in
Freshman lettering exercise of Roman inscription capital
letter.
|
circa 1925-1926 |
Earl Montgomery Montgomery, Earl (Artist)
|
||
Freshman year, 1921-1922 |
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item | ||
Montgomery 1 |
Corinthian Order 1 drawing exercise : ink on paper ; 24 in x 18 in
Pen and ink drawing exercise of the Corinthian order
includes reflected ceiling plan; elevation and section drawing of columns and
entablature; and detail drawings of column base, shaft, capital, entablature,
scroll, balustrade, and acanthus leaf.
|
circa 1921-1922 |
Montgomery 2 |
Entrance Doorway, Delta Kappa
Episilon House, Seattle, Wn. 1 measured drawing : ink on paper ; 24 1/4 in x 18 in
1 photograph : black and white photograph ; 3 in x 2 in
Freshman measured drawing assignment of the Delta Kappa
Epsilon fraternity house doorway at the University of Washington. Drawing
includes an elevation, section drawing, and partial plan of the entrance
portico with detail drawings of casework, mouldings, vase, and trigylphs. Small
photograph of entrance adhered to drawing. Written on front: Drawn by E. M.,
Measured by C. B. - J. M. - E. M. - April 4, 1922.
|
April 12, 1922 |
Bliss Moore, Jr. Moore, Bliss, 1913-1951 (Artist)
Bliss Moore, Jr. received his B.Arch from the University of
Washingon in 1939. Moore worked as a Draftsman for J. Lister Holmes, 1936; then
as an architect with the National Park Service, 1937. He returned to Seattle
and joined Smith, Carroll & Johanson as a designer, 1938-1940; then worked
as a designer with Young & Richardson, 1941-1944. He partnered with fellow
UW alumni Robert Massar as Moore & Massar, Architects, Bellevue,
c.1946-1948, before he opened his own architectural practice as Bliss Moore,
Jr., Architect, Bellevue, 1948-1951.Notable works include the Dr. Herb Day House in Bellevue, 1944;
Bellevue Shopping Square, 1948; Crabapple Restaurant, 1948; the Art Hainsworth
Housing Development in Bow Lake, 1948; and his design for the Anacortes Fire
and Police Station, 1952. His design for his own residence in Bellevue received
an honorable mention in the 1947 Home and Garden design competition. He served
as a member of the King County Planning Commission.
|
||
Sophomore year, 1933-1934 |
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item | ||
Moore B 1 |
A Garage and Guest Suites for
A Country Residence 1 design drawing : gouache/watercolor with graphite, white, and ink
on paper ; 39 3/4 in x 30 3/4 in
Sophomore project.Watercolor renderings/elevations of two views of the guest
suites for a country residence on a terraced site above a multi-car garage.
Plans show the garage level and terrace level with living and garage areas.
|
April 5, 1934 |
Junior year, 1936-1937 |
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item | ||
Moore B 2 |
Northwest Indian Museum 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 31 in x 39 3/4 in
Junior design.Watercolor rendering of a smooth-faced building with inward
sloping walls and two totem poles rising from the center section.. Plan shows
site with main building's exhibition room, lecture room, library, and interior
courtyard. Section drawing through building reveals courtyard-facing wall and
the interior decoration of the entrance hallway and exhibition room.
|
May 8, 1937 |
Moore B 3 |
Staircase Assignment title: Principal staircase at the Andrew Mellon
Museum.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 30 3/4 in
Junior design.Design drawing includes a plan and two section drawings of
an interior staircase in a neoclassical style building with relief medallions,
statues, grille, columns, and other classical elements.
|
February 6, 1937 |
Maurice Moore Moore, Maurice I. (Artist)
Student name as written: M. Moore.
Maurice Israel Moore received his B.Arch from the University of
Washington in 1944.
|
||
Freshman year, 1939-1940 |
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item | ||
Moore M 1 | Arch with graded wash 1 drawing exercise : ink wash with graphite on paper ; 21 in x 15 in
Freshman drawing exercise of a stone arch with watercolor
wash to show gradations in shadow and texture.
|
circa Autumn 1939 |
Moore M 2 | Classical window 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 21 in x 15 in
Freshman analytique.Monochromatic rendering/elevation with penciled plan and
section drawing of an elongated window with pediment and balcony set into a
stone wall with detail drawings of decorative elements and balcony
balustrade.
|
circa Autumn 1939 |
Sophomore year, 1940-1941 |
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item | ||
Moore M 3 | Bandstand at Naval Academy 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 30 3/4 in x 40 in
Sophomore analytique.Monochromatic rendering/elevation of a clamshell-style
outdoor bandstand with stepped stage and nautical-themed sculpted relief panels
on either side of the bandstand. Plan and section drawing show the bandstand
with backstage areas. Detail drawing of Roman inscription lettering and
sculpted relief figure.
|
circa 1940-1941 |
Moore M 4 |
Church sanctuary Assignment title: Sanctuary of Catholic or Episcopal
church.
1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 30 1/2 in x 39 3/4 in
Sophomore analytique.Monochromatic rendering/section drawing shows a church altar
with cross and candles in front of a wall with painted religious imagery and
embroidered tapestry. Detail drawings of cross, candle holder, and embroidered
tapestry. Small plan and section drawing of chancel.
|
circa 1940-1941 |
Blanche Morgan Morgan, Blanche (Artist)
Alternate name: Blanche Morgan Losey.
Blanche Morgan Losey studied fine arts at the University of
Washington during the 1930s. She worked as the principal designer for the
Federal Theatre Project and later as the stage set designer and costume
designer for its subsidiary, the Seattle Negro Repertory Theatre Company,
1937-1939. She also worked as Director of Frederick & Nelson's interior
design department. Notable interior design works include the Seattle Opera
House at the Century 21 World's Fair in Seattle.Morgan was an accomplished watercolor artist and member of the
Northwest Watercolor Society and National Association of Women Artists. She
exhibited at the National Association of Women Artists, New York; Oakland Art
Museum, Oakland, California; and the Seattle Art Museum.
|
||
Unknown dates |
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item | ||
Morgan 1 | Building with ornamentation Unsigned drawing was transferred from the Blanche Morgan
Losey estate and has been attributed to Blanche Morgan. Circa date taken from
Blanche Morgan's listing in the 1930-1931 UW student directory
1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 30 7/8 in
Watercolor rendering/elevation of a Baroque style building
with detail drawings of decorative urn and panel motif. Section drawing through
the entrance reveal the curved forms of the elaborate decorations on the upper
level. Watercolor plan.
|
circa 1930-1931 |
James Morrow Morrow, James W. (Artist)
Student name as written: J. W. Morrow.
|
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Sophomore year, circa 1946-1947 |
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item | ||
Morrow 1 |
A Furniture Center for the
Creation of Fine Furniture 1 design drawing : gouache/watercolor with ink on paper ; 30 in x 40 in
Front and rear perspective drawings show the single-story
facade of a modernist building with large windows and multi-story rear view of
a flat-roofed structure with patio. Interior elevation shows skylit office with
wood paneling and floor to ceiling windows leading to patio. Plot plan shows
exhibition, design, manufacturing, administrative, and parking areas.
|
circa 1946-1947 |
Kaichi Murata Murata, K. Kaichi (Artist)
Alternate name: Kay K. Murata.
Japanese student Yki (Kay) Kaichi Murata received a B.Arch from
the University of Washington in 1929.
|
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Junior year, 1927-1928 |
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item | ||
Murata 1 |
A Riding School 1 design drawing : watercolor wash with graphite, colored pencil, and
ink on paper with cheesecloth backing ; 31 in x 39 1/2 in
Class B II projet. Stamped with the Society of Beaux Arts
Architects seal indicating that the drawing was judged in the national
competition.Watercolor elevation of building facade; plan shows smaller
building attached via gallery seating to a larger building housing ring and
stables. Penciled section drawing.
|
circa Autumn 1927 |
Neil Murray Murray, Neil G. (Artist)
Student name as written: N. Murray.
|
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Sophomore year, 1937-1938 |
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item | ||
Murray N 1 |
Marine Museum Assignment title: Entrance to Beebe Marine Museum.
1 design/analytique drawing : gouache/watercolor on paper ; 30 3/4 in x 39 3/4 in
Sophomore analytique.Monochromatic rendering/elevation of a museum's entrance
shows the front portico of a windowless building with stairway leading to
water; three doorways mark the entrance, each with decorative marine life mural
and decorative grille; partial plan; section drawing through front porch and
stairway. Detail drawings of decorative fish motif, panel above doorway,
lettering, and dolphin frieze.
|
February 5, 1938 |
Junior year, 1938-1939 |
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item | ||
Murray N 2 | Summer villa for American cardinals 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 3/4 in x 40 in
Junior design.Design drawing shows a watercolor rendering/elevation of an
elegant residence with terracotta roof on a terraced site with balustrade
stairway between levels. Plan shows the ground floor with reception areas,
drawing room, library, living areas, and chapel on landscaped grounds.
|
circa 1938-1939 |
Richard Murray Murray, Richard (Artist)
Student name as written: R. Murray.
Richard Murray received his B.Arch from the University of
Washington in 1948.
|
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Freshman year, 1939-1940 |
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item | ||
Murray R 1 |
Lantern Assignment title: Stone lantern.
1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 21 in x 27 in
Freshman analytique.Monochromatic analytique has an elevation of a stone lantern
with domed top on a base of columns and entablature with decorative grille over
illuminated area. Detail drawing of the Doric columns and entablature. Penciled
plan and section drawing show the shape of the lantern.
|
February 28, 1940 |
Sophomore year, 1940-1941 |
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item | ||
Murray R 2 |
Corner service station 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 3/4 in x 39 3/4 in
Perspective drawing shows a circular service station with
windowed walls and illuminated sign on a corner block. Two elevations from the
south and east show service island for automobiles. Site plan shows the corner
location with driveways.
|
circa Spring 1941 |
Senior year, 1946-1947 |
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item | ||
Murray R 3 | Recreation center Assignment title: Activity center at summer camp.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 42 in x 59 3/4 in
Watercolor, graphite, and ink rendering/elevation of a
modernist building on a wooded, waterfront site. Plan of activity center and
site plan showing facilities suggest a summer camp.
|
circa 1946-1947 |
Frank Nagamine Nagamine, Frank N. (Artist)
Student name as written: F. Nagamine; F. N. Nagamine.
Frank Nobuichi Nagamine received his B.Arch from the University
of Washington in 1927. He was awarded the Gladding McBean Terra Cotta Company
Prize in 1926-1927.
|
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Freshman year, 1922-1923 |
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item | ||
Nagamine 1 |
The Doric Order 1 drawing exercise : ink on paper ; 23 3/4 in x 18 in
Pen and ink drawing exercise of a Doric column including
plan of entablature; and detail drawings of base, shaft, capital, and
entablature.
|
circa 1922-1923 |
Nagamine 2 |
The Tuscan Order 1 drawing exercise : ink on paper ; 23 3/4 in x 18 in
Pen and ink drawing exercise of the Tuscan order includes
detail drawings of column base, shaft, capital, and entablature; section
drawing through columns and entablature; plan of column base; and ceiling plan
of column showing capital and soffits.
|
circa 1922-1923 |
Sophomore year, 1923-1924 |
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item | ||
Nagamine 3 |
A Family Tomb 1 design/analytique drawing : charcoal and ink wash on paper with cheesecloth
backing ; 27 3/4 in x 19 1/2 in
Class B II analytique.Monochromatic rendering/elevation with plan and section
drawing of a mausoleum. The mausoleum has a simple cornice with Greek key motif
and an inset entrance portico formed by two heavy columns housing a door with
decorative grille. Plan and section drawing reveal the interior of the building
with a windowed area for housing stacked coffins.
|
December 19, 1923 |
Junior year, 1924-1925 |
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item | ||
Nagamine 4 |
A Beach Club 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 27 1/4 in x 37 1/2 in
Class B V projet. Stamped with Society of Beaux Arts
Architects seal indicating the design was judged in the national
competition.Rendering/elevation of beach club in Spanish revival style
with terracotta roof, arched windows, and walkways; building plan; section
drawing of building shows roof framing, fireplace, and basement level.
|
May 18, 1925 |
Taniji Nakagawa Nakagawa, Taniji H., 1899-1973 (Artist)
Student name as written: T. H. Nakagawa.
Japanese student Taniji Nakagawa studied Architecture and
Engineering at the University of Washington. Nakagawa was forcibly relocated
from the West Coast with his family to the Japanese internment camp at Minidoka
circa 1942. Later career unknown.
|
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Freshman year, 1922-1923 |
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item | ||
Nakagawa 1 |
Cornithian Order 1 drawing exercise : ink on paper ; 24 in x 18 in
Pen and ink drawing exercise of the Corinthian order
includes an elevation of the column and entablature; reflected ceiling plan;
section drawing through entablature; and detail drawings of base, shaft,
capital, balustrade, and entablature.
|
circa 1922-1923 |
Nakagawa 2 |
The Doric Order 1 drawing exercise : ink on paper ; 23 3/4 in x 18 in
Pen and ink drawing exercise of the Doric order includes an
elevation of the column and entablature; reflected ceiling plan; section
drawing through entablature; and detail drawings of base, shaft, capital, and
entablature.
|
circa 1922-1923 |
Nakagawa 3 |
The Ionic Order 1 drawing exercise : ink on paper ; 23 3/4 in x 18 in
Pen and ink drawing exercise of an Ionic column including
plan of capital and entablature; elevation and section drawing of column and
entablature; and detail drawings of base, shaft, capital, pediment, and
entablature.
|
circa 1922-1923 |
Nakagawa 4 |
Stairway, Philosophy Hall, U
of W Assignment title: Philosphy hall stairway.
1 measured drawing : ink on paper ; 23 3/4 in x 18 in
Freshman measured drawing exercise of the stairway in
Philosophy Hall, now Savery Hall, at the University of Washington. Drawing
includes a plan of stairway, cross-section of stairs, front and side
elevations, section drawing of handrail moulding, and cross-sections at two
different points on the banister. Inscribed on drawing: Measured by F. N. &
T. H. N.
|
June 15, 1923 |
Nakagawa 5 |
The Tuscan Order 1 drawing exercise : ink on paper ; 23 3/4 in x 18 in
Pen and ink drawing exercise of the Tuscan order includes
detail drawings of base, shaft, capital, and entablature; section drawing
through columns and entablature; plan of column base; and ceiling plan of
column showing capital and soffits.
|
circa 1922-1923 |
George Nakashima Nakashima, George, 1905-1990 (Artist)
Student name as written: Geo. Nakashima.
George Katsutoshi Nakashima received his B.Arch from the
University of Washington in 1929, where he was awarded the Gladding McBean
Terra Cotta Company Prize in 1927 and 1928; the Charles H. Bebb Prize in
Architecture in 1928; and a scholarship to the Fontainebleau School of Fine
Arts (Prix Fontainebleau from L'Ecole Americaine des Beaux Arts) in 1928. After
his return from Europe, he continued his studies at M.I.T., earning a Masters
in Architecture in 1930. Following graduation, he worked as a mural painter and
architectural designer in the New York area until he moved to Paris in 1933,
before joining the architectural offices of Antonin Raymond in Tokyo. In 1937,
Nakashima began his work designing a religious sanctuary in Pondicherry, India.
He briefly returned to Japan, married, and returned to Seattle in 1940. Shortly
after opening a small furniture studio with his wife, the Japanese attacked
Pearl Harbor and Nakashima was forcibly relocated from the West Coast with his
family to the Japanese internment camp at Minidoka in 1942. While at Minidoka,
Nakashima learned carpentry from a Japanese carpenter.Antonin Raymond sponsored his release from the camp and
Nakashima settled in New Hope, Pennsylvania. He eventually opened his own
woodworking shop, which focused heavily on the natural beauty of wood. The
studio designed a furniture line for Kroll, over 200 items for Nelson
Rockefeller, and designed interiors at Columbia University and the
International Paper Corporation. In addition to his woodworking, Nakashima is
credited with the design of the Church of Christ the King in Katsura, Kyoto,
and the Monastery of Christ in the Desert in New Mexico. He published a book on
his aesthetic philosophy titled
The soul of a tree:
a master woodworker's reflections.Nakashima's creations are now
held in the New York Metropolitan Museum, the Boston Museum of Fine Arts, the
Victoria and Albert Museum in London, and the National Museum of Modern Art in
Tokyo. The woodworking studio continues to be run by his daughter, Mira
Nakashima.
|
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Freshman year, 1925-1926 |
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item | ||
Nakashima 1 | Temple of love 1 design/analytique drawing : gouache/watercolor with ink on paper ; 22 1/4 in x 16 1/4 in
Freshman analytique.Monochromatic rendering/elevation of a circular temple with
Ionic columns and sculpture in center with plan and detail drawings of column,
entablature, and other decorative elements.
|
May 5, 1926 |
Junior year, 1927-1928 |
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item | ||
Nakashima 2 |
An Aqueduct 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 23 1/2 in x 35 in
Class B local project.Elevation of an arch bridge for an aqueduct over a ravine
with waterfall rendered in watercolor. The plan shows the aqueduct with a five
arches atop the deck of the bridge and a small viewing platform for pedestrians
centered on either side; the large arches at either abutment direct traffic
onto the bridge in an S-shape while the aqueduct continues in a straight line
on each side of the ravine. Section drawing of aqueduct arch.
|
November 5, 1927 |
Nakashima 3 |
A Riding School 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 27 1/4 in x 38 3/4 in
Class B II projet. Stamped with Society of Beaux Arts
Architects seal indicating the design was judged in the national
competition.Watercolor rendering/elevation of the riding school shows a
u-shaped building with a main building and two smaller wings partially
enclosing a front courtyard; plan shows the main building with ring and
attached gallery seating and the two wings with stables. Penciled section
drawing.
|
circa Autumn 1927 |
Senior year, 1928-1929 |
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item | ||
Nakashima 4 | Airport passenger station 1 design drawing : gouache/watercolor with graphite on paper with
cheesecloth backing ; 45 in x 28 in
Watercolor plan of a building with parking lot, waterfront
patio, seaplane parking, and boat docks. Plan of building shows tile pattern in
center room. Penciled section drawing shows the building with a large
tower.
|
circa 1928 |
Nakashima 5 |
An Entertainment
Pavilion 1 design drawing : gouache/watercolor with graphite, white, and ink
on paper with cheesecloth backing ; 29 in x 36 1/4 in
Class B IV projet. Stamped with Society of Beaux Arts
Architects seal indicating the design was judged in the national
competition.Rendering with elevation of a symmetrical building with two
adjoined hexagonal structures with arched windows and decorative grilles and
tiled roof behind a partial wall and colonnade encircling the building. Plan
shows decorative floor pattern and site with gardens and fountains; section
drawing through one hexagonal building reveals skylight and engaged columns on
the upper level.
|
circa 1928-1929 |
Nakashima 6 |
Masonic Temple 1 design drawing : gouache/watercolor with ink on paper with
cheesecloth backing ; 59 1/2 in x 39 1/2 in
Class A IV projet.Watercolor rendering/elevation shows a smooth-faced building
with gabled roof, colonnaded walkway on upper level, and pediment with masonic
symbols. A landscaped plaza and symmetrical stairs lead to the entrance.
Section drawing shows the four-story building with library extended to
side.
|
circa 1928-1929 |
Unknown dates |
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item | ||
Nakashima 7 |
Bridge 1 freehand sketch : graphite on paper ; 7 in x 8 1/4 in
Freehand sketch of an arched stone bridge over water in a
city with people at the water's edge.
|
circa 1925-1929 |
Smith Nakata Nakata, Smith S., 1928-1997 (Artist)
Smith S. Nakata received his B.Arch from the University of
Washington in 1959 and was named a Fulbright Scholar for study in Japan,
1963-1964. Following graduation from the Department of Architecture, he was
employed as a Draftsman/Designer for Minoru Yamasaki, also a graduate of the
University of Washington Department of Architecture, in Detroit, Michigan; then
as a Draftsman/Designer for Fred Bassetti, Seattle; and as Designer for John
Sato, Seattle. He formed the partnership Kleinsasser Nakata Architects,
Seattle; then worked as the Principal Architect in his own firm, Smith Nakata
Associates. Notable works include the Japanese Presbyterian Church in Seattle,
1963, with Kirk, Wallace, McKinley & Associates, which received an Award of
Merit from the AIA in 1965. Although the original design is primarily
attributed to David McKinley, Jr., Nakata is responsible for subsequent
additions to the church, including the Christian Education Wing, 1985, as Smith
Nakata Associates.
|
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Junior year, 1956-1957 |
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item | ||
Nakata 1 |
Entrance to an art museum 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 29 3/4 in x 39 1/2 in
Grade II analytique.Watercolor rendering/elevation of a smooth-faced art museum
building with multiple rectangular sections on a terrace with sculptures.
Detail drawing of sculpture, wooden supports, and wall texture.
|
Autumn 1956 |
Minor Nealand Nealand, Minor (Artist)
Student's name indecipherable; appears to be written as M. Ni
Alond.Drawing is to Minor Nealand based on directory and yearbook
research.
|
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Freshman year, circa 1922-1923 |
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item | ||
Nealand 1 | Classical vase in niche 1 design/analytique drawing : ink wash on paper ; 21 3/4 in x 15 3/4 in
Monochromatic rendering/elevation of niche with vase framed
by Doric columns and entablature with plan, elevation drawing of columns, and
detail drawings of vase and entablature.
|
circa 1922 |
Donna Nelson Nelson, Donna (Artist)
|
||
Sophomore year, 1940-1941 |
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item | ||
Nelson 1 | Bandstand at Naval Academy 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 30 3/4 in x 40 in
Sophomore analytique.Monochromatic rendering/elevation of a clamshell-style
outdoor bandstand with stepped stage and walls extending from either side of
the bandstand with relief decoration. Plan and section drawing show the
bandstand with backstage areas. Detail drawing of Roman inscription lettering
and sculpted relief eagle.
|
circa 1940-1941 |
Jerry Nevius Nevius, Jerry (Artist)
Jerry Nevius studied at the University of Washington before
transferring to the School of Architecture at the University of California. In
addition to these works, his senior design is photographed in the 1936
University of California School of Architecture Annual held in the Lionel Pries
Collection.
|
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Freshman year, 1930-1931 |
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item | ||
Nevius 1 | End pavilion of a public building 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 26 in x 19 3/4 in
Freshman analytique.Freshman analytique provides a monochromatic
rendering/elevation of an elevated porch above a fountain on the end pavilion
of a building partially enclosed by Corinthian columns and balustrade with
sculpture niches on either side of the windowed door; detail drawings of
Corinthian capital and fluted shaft, entablature, fountain, and lion
fountainhead; lightly penciled plan and section drawing.
|
Spring 1931 |
Sophomore year, 1933-1934 |
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item | ||
Nevius 2 |
Entrance portico 1 design/analytique drawing : gouache/watercolor with graphite on paper with
cheesecloth backing ; 40 in x 30 1/2 in
Watercolor and graphite rendering/elevation of an entrance
portico on a brick building. Doorway with open-bed pediment and fanlight is
housed in a portico with four Corinthian columns supporting a balcony with
decorative metal railing. Detail drawings of carved stone, column capital, and
sundial. Penciled plan and section appears on tablet stones.
|
October 28, 1933 |
Earl Newbeury Newbeury, Earl (Artist)
Earl Presley Newbeury received his B.Arch from the University of
Washington in 1925.
|
||
Senior year, 1923-1924 |
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item | ||
Newbeury 1 | Decorated loggia 1 design drawing : gouache/watercolor with graphite on
paper ; 21 1/2 in x 27 3/4 in
Senior design.Design drawing includes a watercolor rendering and section
drawing of a colonnaded walkway around a rectangular courtyard with fountain
ornamented with painted entablature and terracotta roof. Detail drawings of
column capital and decorative mouldings.
|
December 20, 1923 |
Country club thesis Senior design/thesis with two sheets.
|
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item | ||
Newbeury 2a | Drawing 1:A Country Club:
Thesis Submitted for Degree of Bachelor of Architecture 1 design/thesis drawing : gouache/watercolor with graphite and ink on
paper ; 18 in x 35 1/2 in
Watercolor rendering of a country club in the Tudor
Revival style with stone exterior, arched windows around a courtyard, and
gabled roof with dormer windows.
|
May 28, 1924 |
Newbeury 2b | Drawing 2:Main floor
plan 1 design/thesis drawing : gouache/watercolor with ink on paper ; 23 in x 36 1/2 in
Plan of the main floor shows the locker room, lounge, game
areas, kitchen, and grill room.
|
circa Spring 1924 |
Erval J. Newcomer Newcomer, Erval J. (Artist)
Student name as written: J. Newcomer.
|
||
Freshman year, 1941-1942 |
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item | ||
Newcomer 1 | Footbridge 1 sketch problem : gouache/watercolor with graphite on
paper ; 19 in x 27 3/4 in
Watercolor rendering of a timber-framed bridge over water
with post-and-lintel style abutments supporting an arched span with planked
walkway.
|
circa Spring 1942 |
Oliver K. Noji Noji, Oliver K., 1904-1989 (Artist)
Oliver K. Noji received his B.Arch from the University of
Washington in 1928, where he was awarded the Gladding McBean Terra Cotta
Company Prize in 1927. Noji was forcibly relocated to the Japanese internment
camp at Tule Lake circa 1942. Career unknown.
|
||
Freshman year, 1924-1925 |
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item | ||
Noji 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 19 3/4 in x 13 3/4 in
Freshman lettering exercise of Roman inscription capital
letters G, D, Q, J, O, L.
|
October 27, 1924 |
Junior year, 1926-1927 |
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item | ||
Noji 2 |
A Marine Museum 1 design drawing : watercolor with graphite and ink on paper with
cheesecloth backing ; 38 3/4 in x 27 in
Class B III projet. Stamped with Society of Beaux Arts
Architects seal indicating that the drawing was judged in the national
competition.Rendering/elevation of the exterior shows museum on water
with dock and nautical-themed frieze; building plan; section drawing shows
central gallery and rotunda.
|
February 21, 1927 |
Noji 3 |
A School Administration
Bldg. 1 design drawing : gouache/watercolor with graphite on paper with
cheesecloth backing ; 19 3/4 in x 27 3/4 in
Class B V projet.Watercolor rendering/elevation of a Romanesque building. The
building's projected entrance facade shows an arched entrance under an upper
register of arched windows. The entrance and is attached to a heightened center
section of the building flanked with a shorter, radiating wing on each side.
Section drawing through the building shows the varying levels of the ceiling
inside the building and the triple-arched doorways inside.
|
May 25, 1927 |
Senior year, 1927-1928 |
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item | ||
Noji 4 |
Masonic Temple 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 32 1/2 in x 21 1/2 in
Design was awarded an H.C. and marked "negligent esquisse"
in the classroom competition, indicating that the final design showed too much
variation from the earlier sketch (esquisse) and therefore disqualified.Elevation of temple facade in monochromatic wash shows a
multi-story building with inset elongated windows panels in the center section
over the entrance and attached to a larger rear building. Plan of first floor
and second floors; section drawing through building reveals auditorium and
entrance lobby.
|
February 9, 1928 |
Harry Nordquist, Jr. Nordquist, Harry E. (Artist)
Student name as written: H. Nordquist.
Harry Nordquist received his B.Arch from the University of
Washington in 1933.
|
||
Freshman year, 1928-1929 |
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item | ||
Nordquist 1 | Classical window Note: Student's name and year is inscribed on drawing as
"Harry Nordquist '33"; however, this is believed to refer to the student's year
of graduation.
1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 16 1/2 in x 22 1/4 in
Monochromatic rendering of an elongated window with pediment
and balcony set into a stone wall with detail drawings of decorative elements
and balcony balustrade. Penciled plan and section drawing.
|
circa 1928-1929 |
Nordquist 2 | Corinthian capital 1 drawing exercise : ink wash with graphite on paper ; 23 1/2 in x 17 3/4 in
Freshman drawing exercise. Monochromatic detail drawing of
Corinthian column capital with watercolor wash indicating curved or shadowed
areas.
|
circa 1928-1929 |
Nordquist 3 |
Gargoyle with shade and shadow 1 drawing exercise : charcoal with ink on paper ; 18 1/2 in x 25 in
Freshman drawing exercise shows two views of a winged lion
gargoyle, one with shade and shadow added.
|
circa 1928-1929 |
Sophomore year, 1929-1930 |
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item | ||
Nordquist 4 |
A Triumphal Arch 1 design/analytique drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 29 3/4 in x 39 3/4 in
Class B III analytique. Stamped with the Society of Beaux
Arts Architects seal indicating that the design was judged in the national
competition.A triumphal arch for the Olympic stadium is set into a block
of smooth stone etched with a global map; a frieze depicting athletes circles
the base of the arch and two pedestals set into alcoves on each side of the
arch are topped with sculptures of athletes . Elevation drawing is surrounded
by detail drawings of carved stone, lettering, decorative frieze, and the
sculpture of the discus thrower. Plan for one half of the arch; section drawing
through arch shows the frieze wrap around the inside of the arch.
|
circa 1929-1930 |
Architectural ornamentation class |
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item | ||
Nordquist 5 |
Arabesque 1 ornament class drawing : gouache/watercolor with graphite and ink on
paper ; 27 3/4 in x 11 1/4 in
Architectural ornamentation class project.Painted panel with flowering vine motif and cornucopia atop
a sculptural base with student's name.
|
circa 1930-1933 |
Container(s) | Description | Dates |
---|---|---|
James O'Brien O'Brien, James W. (Artist)
Student name as written: J. O'Brien.
|
||
Sophomore year, 1947-1948 |
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item | ||
O'Brien 1 | Art museum wing Assignment title: Wing of art museum to display
Davidanalytique.
1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 31 in x 39 3/4 in
Probably sophomore analytique.Monochromatic section drawing and plan of an art museum wing
with clerestorey windows focusing light onto theDavidstatue. Detail drawings of sculptures.
|
circa 1947-1948 |
Fred Ogura Ogura, Fred K. (Artist)
Student name as written: F. K. Ogura.
Fred Kohshi Ogura received his B.Arch from the University of
Washington in 1931.
|
||
Senior year, 1929-1930 |
||
item | ||
Ogura 1 |
A Town House 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing
Class B V projet. Stamped with Society of Beaux Arts
Architects seal indicating the design was judged in the national
competition.Watercolor rendering with elevation of town house facade
shows a four story building in stone with metal gabled roof, upper level
balustrade, arch stones, and grille around windows and door. Multiple plans
show three floors; section drawing shows the windows facing the light
court.
|
circa 1929-1930 |
Andrew Oien Oien, Andrew (Artist)
Student name as written: A. Oien.
Andrew Oien received his B.Arch from the University of
Washington in 1931. His son, Anders Oien, also studied architecture at UW.
|
||
Freshman year, 1927-1928 |
||
item | ||
Oien 1 | Classical vase in niche 1 design/analytique drawing : ink wash on paper ; 23 in x 17 in
Freshman analytique.Monochromatic rendering of niche with vase framed by Doric
columns in a garden setting with detail drawings of lidded vase, column, and
entablature.
|
circa 1927-1928 |
Oien 2 | Classical window 1 design/analytique drawing : ink wash on paper ; 22 1/2 in x 16 1/4 in
Freshman analytique of a classical window with arched
pediment and balustrade with detail drawings of balustrade, pediment, and
ornamental lidded vase.
|
circa 1927-1928 |
Oien 3 | Memorial arch 1 design/analytique drawing : graphite and ink on paper ; 31 in x 20 in
Monochromatic rendering/elevation of a monumental gateway
with arch flanked by sets of engaged Corinthian columns, and framed with
entablature and crowned with a sculpture of a goddess with horses and
accompanying warriors. Detail drawings of Corinthian capital, fluted column
shaft, and base, pediment, mouldings, and inscription lettering. Penciled plan
and section drawing.
|
June 1928 |
Oien 4 |
A Theatre Assignment title: Classical outdoor theatre.
1 design/analytique drawing : ink wash on paper ; 22 3/4 in x 16 3/4 in
Freshman analytique.Watercolor rendering/elevation of a classical style outdoor
theatre with two rectangular pillars and an Ionic colonnade and frieze along
the back of an elevated stage. Plan shows the theatre stage; detail drawings of
column, entablature, and other decorative elements.
|
May 2, 1928 |
Sophomore year, 1928-1929 |
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item | ||
Oien 5 |
Elements and Theory of
Architecture 1 design/analytique drawing : ink wash on paper ; 26 1/2 in x 20 in
Sophomore analytique shows a rendering of a temple with
warriors shown through an elevation of the columns and entablature. Detail
drawings of column base, shaft, and Corinthian capital; cornucopia horn; and
entablature.
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November 3, 1928 |
Oien 6 |
A Fountain 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 40 in x 30 3/4 in
Sophomore analytique. Stamped with Society of Beaux Arts
Architects seal indicating the drawing was judged in the national
competition.Monochromatic watercolor rendering/elevation of a fountain
with Baroque style ornamentation. A square fountain with large niches for
fountain spouts that pours into a pool with classical style sculptures of
bathing centuaurs. A sculpture of a woman playing with children balances on the
finials of the fountain's column shafts. Detail drawings of column,
ornamentation, and bathing centaur sculpture. Partial plan; section drawing
through the fountain.
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February 9, 1929 |
Oien 7 |
A Studio and Residence for a
Sculptor 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 26 1/2 in x 20 in
Local problem.Watercolor rendering/elevation of the facade of a sculptor's
studio and residence with angled doorways for the garage separated by double
doors with grille under an upper level with three elongated windows that angle
upwards over the metal roof as skylights. Plans show living areas and
studio.
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May 13, 1929 |
Junior year, 1929-1930 |
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Oien 8 |
A Chapel 1 design drawing : charcoal with graphite on paper ; 39 1/2 in x 31 in
Junior projet.Charcoal and graphite rendering/elevation of a stone chapel
with steeple on an embanked site. Plan shows the chapel with pews and altar;
longitudinal section drawing shows the steeple, seating area, altar, and arched
windows along the nave.
|
June 7, 1930 |
Oien 9 |
Hotel and Bus Terminal 1 design drawing : charcoal and gouache/watercolor with graphite and
ink on paper ; 39 3/4 in x 31 1/2 in
Entered in the Bebb Prize design competition and awarded
"2nd Prize, 1st Mention Placed."An art deco style building with h-shaped hotel tower rising
above a ground floor with integrated bus terminal. Two plans show the bus
terminal and a typical hotel floor.
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February 3, 1930 |
Oien 10 |
An Outdoor Ice Rink and
Clubhouse 1 design drawing : charcoal and gouache/watercolor with graphite on
paper with cheesecloth backing ; 30 1/2 in x 39 3/4 in
Local problem.Rendering of an oudoor ice rink at night illuminated by the
attached clubhouse. Elevation shows the back of the club house: a steeply
gabled roof and decorative chimney tops the brick exterior; three arched
entrances off the rink to an open area with seating, fireplace and grill. Plans
of the ground and first floor; section drawing shows additional vacant area
beneath the gable and the roof framing.
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November 19, 1929 |
Senior year, 1930-1931 |
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Monastery in the mountains Senior design. Class A projet with two sheeets.
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item | ||
Oien 11a |
Drawing 1 1 design drawing : charcoal with gouache/watercolor and ink on
paper ; 22 3/4 in x 36 1/2
in
Watercolor and charcoal rendering of a walled monastery in
a rugged setting.
|
circa 1930-1931 |
Oien 11b |
Drawing 2:A Monastery 1 design drawing : charcoal with gouache/watercolor and ink on
paper ; 36 1/2 in x 30 in
Drawing is stamped with Society of Beaux Arts Architects
seal indicating the design was judged in the national competition.Site plan shows the monastery with living areas, work
areas, study and worship areas, and exterior spaces including gardens and
courtyards. Perspective drawing shows the walled monastery on a hilltop
setting. Partial section drawing through courtyard and church.
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circa 1930-1931 |
item | ||
Oien 12 |
A University Club 1 design drawing : gouache/watercolor with colored pencil and ink on
paper ; 18 1/2 in x 37 in
Senior project. Class A III projet.Multiple plans show the second, third, and seventh floor of
a university club with dining room and grille, library, lounge, and athletic
facilities.
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circa 1930-1931 |
5th year, 1931-1932 |
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item | ||
Oien 13 | Opera house 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 29 1/2 in x 22 3/4 in
Monochromatic site plan shows an opera house on landscaped
grounds with plan of the building's ground floor showing reception area, stage,
auditorium, foyers, and other areas for musicians and the public.
|
circa 1931-1932 |
Robert O'Leary O'Leary, Robert (Artist)
Student name as written: B. O'Leary.
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Freshman year, 1931-1932 |
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O'Leary 1 |
An End Pavilion of a Public
Building 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 24 3/4 in x 18 1/2 in
Freshman analytique.Elevation/rendering of the end pavilion of a neoclassical
building with stone base and Corinthian columns and entablature framing a
windowed porch on the upper level. Detail drawings of entablature; decorative
relief panel; vase; acroterion; Greek key motif on soffit; and Corinthian
column base, shaft, and capital. Plan and section drawing of porch.
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May 7, 1931 |
O'Leary 2 | Vase in niche 1 design/analytique drawing : ink wash with graphite on paper ; 25 in x 17 3/4 in
Freshman analytique.Watercolor rendering with penciled plan and section drawing
of niche in wall with vase framed by Doric columns and entablature with detail
drawings of lidded vase, column, entablature, and other decorative
elements.
|
February 6, 1932 |
Sophomore year, 1932-1933 |
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item | ||
O'Leary 3 |
A Private Library 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 32 1/2 in x 44 in
Rendering/elevation of the entrance to a public library with
statues at each end.Double doors have decorative panels and are framed on three
sides by decorative moulding. Plan shows the building with large hallway and
exhibition room, guard station, library, stacks, and office.
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June 2, 1933 |
Junior year, 1933-1934 |
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O'Leary 4 |
A Small Yacht Club Assignment title: Yacht club on Lake Washington.
1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 19 3/4 in x 30 1/4 in
Class B projet. Junior problem.Junior design drawing provides a watercolor
rendering/elevation of a modernist building on a terraced site with waterfront
setting; plan shows layout of site and building with dining room lobby, and
lounge; section drawing.
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circa Winter 1934 |
O'Leary 5 |
A Suburban Railroad
Station 1 design drawing : watercolor wash with graphite and ink on paper
with cheesecloth backing ; 30 1/2 in x 20 1/2 in
Class B projet. Junior projet.Watercolor rendering/elevation of modernist railroad station
with flat roof, glass doors, and offset clock tower. Plan shows the station
with railroad platforms, ticketing office, parking areas, and taxi entrance.
Section drawings shows lobby and train platforms.
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circa 1933-1934 |
Henry Olschewsky Olschewsky, Henry J., 1907-1945 (Artist)
Henry Olschewsky received his B.Arch from the University of
Washington in 1931, where he was the University of Washington recipient of the
Alpha Rho Chi medal. He worked as a professor in the University of Washington
Department of Architecture from 1932 until his death in 1945.
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Sophomore year, 1928-1929 |
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item | ||
Olschewsky 1 |
A Fountain 1 design/analytique drawing : monocromatic watercolor wash with graphite and ink
on paper with cheesecloth backing ; 30 3/4 in x 39 3/4 in
Class B III analytique. Stamped with the Society of Beaux
Arts Architects seal indicating that the design was judged in the national
competition.Monochromatic rendering of stone pillar fountain in the art
deco style with decorative relief along central panel and statues of monkeys
and fish circling the fountain's base. Rendering is surrounded by detail
drawings of fish statues, columns, and relief. Partial plan and section drawing
penciled in lower corners.
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circa 1928-1929 |
Olschewsky 2 |
A Post Office 1 design drawing : gouache/watercolor with ink on paper with
cheesecloth backing ; 39 3/4 in x 30 1/2 in
Class B I projet. Stamped with Society of Beaux Arts
Architects seal indicating that the design was judged in the national
competition.Rendering/elevation of a post office building facade with
five elongated windows with metal grilles separated by ridged pilasters with
two doorways on either side; plan shows decorative tile pattern in lobby, mail
processing areas, alley, and garage; section drawing through center of building
shows the ornate lobby leading to skylit metalwork grille service counters and
administrative areas. Detail drawings of ornamentation on facade.
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circa 1928-1929 |
Olschewsky 3 |
A Restaurant on the
Water 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 30 3/4 in x 39 1/2 in
Class B II projet. Stamped with Society of Beaux Arts
Architects seal indicating that the design was judged in the national
competition.An art deco styled building with observation tower and
boat-shaped front terrace leading to waterfront. Watercolor rendering with
elevation shows the skylit main building and outdoor seating areas with striped
awnings and decorative, free-standing columns and semi-circular colonnade
surrounding the outdoor seating area. Plan shows layout of site, building, and
decorative tile pattern. Section drawing through tower.
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circa 1928-1929 |
Junior year, 1929-1930 |
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Olschewsky 4 |
A Beach Cottage 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 38 in x 24 1/4 in
Watercolor rendering/elevation of a u-shaped stone cabin
with timber posts and ornamentation. Plan shows the layout of the house and the
site. Partial section drawing through the cabin.
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circa 1929-1930 |
Olschewsky 5 |
A Frontier Air Station 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 39 3/4 in x 30 3/4 in
Class B IV projet.Watercolor rendering with elevation of facade featuring
central glass tower with ornamental clock and metalwork design flanked by two
smaller wings on either side. Plan shows the u-shaped layout of the air station
with the central section in glass used as a observation and waiting room.
Section drawing through center section; small perspective drawing indicates
landing area and location of nearby hangars.
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circa 1929-1930 |
Olschewsky 6 |
A Town Hall 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 39 3/4 in x 30 1/2 in
Class B V projet. Stamped with Society of Beaux Arts
Architects seal indicating that the design was judged in the national
competition.Symmetrical brick building with terracotta roof, center
tower, and portico with clock and decorated pediment atop an arched colonnade
in the Ionic order. Rendering with elevation; plan shows three wings off the
octagonal lobby and the lobby's tile pattern; longitudinal section drawing
shows the interior dome over the lobby and the colonnaded courtroom in the back
of the building.
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circa 1929-1930 |
Bjarne Olsen Olsen, Bjarne Carl (Artist)
Student's name as written: B. Olsen; Barne Olsen.
Bjarne Carl Olsen received his B.Arch from the University of
Washington in 1938. Following graduation, he worked as a Draftsman for B.
Dudley Stuart, Architect, 1938-1939. He then went on to work as a designer for
H. B. Foss, Architect, Juneau, 1939-1941. He returned to Seattle, working for
Naramore, Brady, Bain & Johanson [NBBJ], 1941-1945. Olsen returned to
Juneau to partner with H. B. Foss as Foss & Olsen, 1949-1956. Olsen later
partnered with University of Washington alumni Edward Sands as Olsen &
Sands, Juneau, 1956-1968.
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Freshman year, 1931-1932 |
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item | ||
Olsen 1 | Arch with graded wash 1 drawing exercise : ink wash on paper ; 19 3/4 in x 14 in
Freshman drawing exercise of a stone arch with watercolor
wash to show gradations in shadow and texture.
|
circa 1931-1932 |
Olsen 2 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 14 in x 20 in
Freshman lettering exercise of Roman inscription capital
letters J, L, N, O, A, H, D.
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circa Autumn 1931 |
Olsen 3 | Vase in niche 1 design/analytique drawing : ink wash with graphite on paper ; 19 in x 25 1/4 in
Freshman analytique.Watercolor rendering with penciled plan and section drawing
of niche in wall with vase framed by two sets of Doric columns and entablature
with detail drawings of lidded vase, fluted column shaft, column base,
decorative moulding, and entablature.
|
February 8, 1932 |
Sophomore year, 1932-1933 |
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item | ||
Olsen 4 |
Carillon tower on an island 1 design drawing : gouache/warercolor with graphite and ink on paper
with cheesecloth backing ; 39 1/2 in x 30 3/4 in
Watercolor rendering/elevation of a residence with square
carillon tower on an island. Plan shows tower, living areas, and terrace with
stairs leading to water. Section drawing through tower.
|
circa Spring 1933 |
Junior year, 1934-1935 |
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item | ||
Olsen 5 |
A Country Courthouse 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 31 in x 40 in
Junior design VII.Rendering/elevation of a classically inspired courthouse
building with elongated panels of windows and centered entrance portico housing
a windowed entrance facade behind a row of columns. Multiple plans and section
drawing show the two levels of the courthouse. Plans indicate the judicial and
administrative areas.
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circa 1934-1935 |
Olsen 6 |
Elementary school with athletic
facilities 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 31 in x 39 1/2 in
Watercolor rendering/elevation of a smooth-faced building
with horizontal rows of windows spanning the length of the building. Site plan
and building plan show the main building with library, classrooms, auditorium,
administrative offices, gymnasium, and athletic fields for girls and boys.
Section drawing through the building shows the entrance hall and
auditorium.
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circa 1934-1935 |
Olsen 7 | Studio for wrought iron Craftsman 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 1/4 in x 31 in
Watercolor rendering/elevation of a single story studio with
wrought iron ornamentation around the windows and doorways. Site plan shows the
studio with display garden, exhibition courtyard, draughting studios, forging
room, library, and administrative areas. Section drawing through the
building.
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circa Autumn 1934 |
Olsen 8 |
A Yacht Club Assignment title: Yacht club on Lake Washington.
1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 19 3/4 in x 29 in
Junior design drawing provides a watercolor
rendering/elevation of a modernist building on a terraced site with waterfront
promenade; plan shows layout of site and building with bar, lounge, dining
room, and outdoor dining terrace; section drawing.
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circa 1934-1935 |
Architectural ornamentation class |
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item | ||
Olsen 9 | Bishop's chair, crown, and cross 1 ornament class project : gouache/watercolor with graphite and ink on
paper ; 40 in x 31 1/4 in
Architectural ornamentation class project. Student has
inscribed his name in Latin on the drawing: Biarni Olseni.Watercolor drawing shows a jeweled crown, jeweled cross, and
stone throne with embroidered cushion and rounded back with inscription and
mosaic emblem.
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circa 1934-1936 |
Unknown dates |
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item | ||
Olsen 10 |
A Skating Shelter 1 sketch problem : gouache/watercolor on paper with
matting ; 22 in x 28 in
Sketch problem, estimated to be either Sophomore-level or
Junior-level.Watercolor rendering of an open-sided timber shelter with
elevated floor.
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circa 1932-1935 |
Robert Olwell Olwell, Robert F. (Artist)
Student name as written: R. Olwell; Olwell.
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Sophomore year, 1936-1937 |
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item | ||
Olwell 1 |
Loganberry Wine 1 sketch problem : gouache/watercolor on paper with
matting ; 28 in x 21 1/4 in
Sophomore sketch problem.Conceptual sketch shows a circular wine bar with sculptural
wine glass rising from center filled with loganberries and encircled by a
lettered sign.
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1937 |
Olwell 2 |
Musicians' gallery at end of ballroom 1 design/analytique drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 31 in x 39 3/4 in
Sophomore analytique.Monochromatic rendering/section drawing of a semi-circular
gallery at the end of an ornately decorated ballroom. Detail drawings of coat
of arms, and pilaster capitals. Plan shows the semi-circular layout of the
musicians' gallery atop a set of double-doors. Section drawing through the end
gallery shows the lip of the stage, mezzanine level, and chandelier.
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1936 |
Unknown dates |
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item | ||
Olwell 3 | Baptismal font 1 sketch problem : charcoal and gouache/watercolor with graphite on
paper with matting ; 27 3/4 in x 23 in
Sketch problem.Watercolor and charcoal rendering of a religious sculpture
on a stepped stone base; religious figures in relief on base.
|
circa 1936-1938 |
Lester Oquist Oquist, Lester, 1914-2008 (Artist)
Lester Carl Oquist received his B.Arch from the University of
Washington in 1944.
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Freshman year, 1933-1934 |
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item | ||
Oquist 1 | Classical window 1 design/analytique drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 22 3/4 in x 15 1/2 in
Monochromatic rendering of an elongated window with balcony
set into a stone wall with detail drawings of decorative elements and balcony
balustrade. Penciled section drawing.
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circa Autumn 1933 |
Oquist 2 |
An Embassy Assignment title: Facade of an embassy.
1 design drawing : ink wash on paper with matting ; 20 in x 30 in
Freshman design provides an elevation of the facade of a
neoclassical building with stone base and exterior colonnade with Corinthian
columns and entablature on the upper level.
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circa 1933-1934 |
Junior year, 1935-1936 |
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item | ||
Oquist 3 |
Sculpture museum Assignment title: Sculpture museum in a city of
100,000.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 31 in x 39 3/4 in
Watercolor rendering/elevation of the entrance facade of a
sculpture museum with decorative frieze panels flanking the glass entrance
portico. Plan shows the layout of the museum with exhibition area, lecture
hall, and administrative areas. Section drawing shows the decorated exhibition
room.
|
circa Autumn 1935 |
Unknown dates |
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item | ||
Oquist 4 |
An Oratory 1 sketch problem : gouache/watercolor with graphite and gold ink on
paper ; 28 1/2 in x 21 3/4 in
Sketch problem shows a small oratory rendered in a forest
setting with a brightly colored painted facade showing the four apostles and
other religious imagery. An altar is visible though the arched entrance. Plan
and section drawing reveal the interior of the oratory.
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circa 1934-1936 |
Thor Osbo Osbo, Thor (Artist)
Thor T. Osbo received his B.Arch from the University of
Washington in 1948. After graduating, he partnered with fellow alumni LaMonte
Shorett to design the Maple Lane School for Girls, 1960. He later worked
independently as Thor Osbo, Architect.
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Sophomore year, circa 1940-1941 |
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item | ||
Osbo 1 |
Church sanctuary Assignment title: Sanctuary of a Catholic or Episcopalian
church.
1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 31 in x 39 3/4 in
Sophomore analytique.Monochromatic analytique includes a rendering/elevation of a
church altar with medallion cross and altar table with candles. Detail drawings
of cross-shaped lighting fixture, sculpted religious figures in medallion, and
altar rails at the entrance to the chancel. Small plan and section drawing.
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circa 1940-1941 |
Junior year, circa 1941-1942 |
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item | ||
Osbo 2 |
Theatre Assignment title: Small theatre on large site.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 3/4 in x 39 1/2 in
Junior design.Watercolor rendering/elevation of a modernist building with
curved entrance portico housing a windowed wall and two fountains on either
side. Plan shows auditorium seating areas, stage, and backstage areas.
Longitudinal section drawing is marked to show the line of vision from an
auditorium seat.
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circa 1941-1942 |
Hugo Osterman Osterman, Hugo, 1906-1996 (Artist)
Student name as written: H. Osterman.
Hugo William Osterman received his B.Arch from the University of
Washington in 1928, where he was awarded the AIA Medal for Distinction in
Design in 1927. As a student, he studied at the Ecole des Beaux Arts in
Fontainebleu, France, with classmate Paul Thiry. Following graduation, he
worked in the offices of his father, Henry Osterman, Walla Walla, and as
Draftsman for Arthur P. Loveless, Seattle, 1927-1930.He worked as a designer for McClelland & Jones, 1930-1942.
In 1947, Osterman formed a partnership with Robert F. McClelland. Operating as
McClelland & Osterman, the firm designed the Gladding, McBean & Company
building in Seattle, 1954; the Lundquist-Lilly Men's wear store in Seattle,
1955; and the interior remodel of the Nordstrom Shoe Store in downtown Seattle,
1960. The firm began to specialize in modern, suburban banks throughout the
state including the Seattle First National Bank in Olympia, 1959; the
Mid-Columbia Bank in Pasco, 1953; and the People's National Bank in Kirkland,
1964. He retired from the firm in 1976. Osterman was an active member of the
AIA Seattle Chapter, serving as the chapter's president in 1961.
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Freshman year, 1923-1924 |
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item | ||
Osterman 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 19 3/4 in x 13 3/4 in
Freshman lettering exercise of Roman inscription capital
letters O, J, L, H, I, N.
|
November 2, 1923 |
Sophomore year, 1924-1925 |
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item | ||
Osterman 2 |
Decoration of a Loggia 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 20 in x 28 in
Sophomore analytique.Colorful watercolor rendering/elevation with plan and
section drawing of three doorways, each with painted mural, separated by
columns.
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circa 1924-1925 |
Junior year, 1925-1926 |
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item | ||
Osterman 3 |
A Country Chapel 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 1/4 in x 26 1/4 in
Class B projet.Design drawing includes a watercolor rendering/elevation and
plan of a stone chapel with steeple and half-timbered upper story on a wooded
site; section drawings reveal main altar and seating.
|
circa Winter 1926 |
Osterman 4 |
An Interior Bay of a
Church 1 design/analytique drawing : gouache/watercolor with graphite and ink on paper
on cheesecloth backing ; 38 in x 26 1/4 in
Class B III analytique. Stamped with Society of Beaux Arts
Architects seal indicating the drawing was judged in the national
competition.Elevation of the interior bay of church shows Venetian
arched windows with stained glass on the upper level and a row of stained glass
windows behind a colonnade on the lower level. Detail drawings of a carved
cross, stone arch with capital and the balustrade. Section drawing and
plan.
|
circa 1926 |
Senior years, 1926-1928 |
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item | ||
Osterman 5 |
Entrance to Cowen Park 1 design drawing : gouache/watercolor with graphite on
paper ; 28 1/2 in x 20 3/4 in
Watercolor rendering and plan of a park entrance shows a
pedestrian walkway between two stone pillars with section drawing between
pillars and detail drawing of lantern.
|
circa Winter 1928 |
Osterman 6 |
A Memorial Chapel 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 29 1/4 in x 20 in
Entered in the Paris Prize design competition [First
Premiated Paris Prize]. Stamped with Society of Beaux Arts Architects seal
indicating the drawing was judged in the national competition. Inscribed on
drawing: I am a citizen of the U.S. and will be under 27 years of age on July
1, 1928.Watercolor rendering with plan and section drawing of a
mountainside terrace with chapel featuring geometric brick inlay and an open
arched doorway with metal grille providing a view of the altar.
|
circa 1928 |
Osterman 7 |
A Municipal High
School 1 design/thesis drawing : gouache/watercolor with ink on paper with
cheesecloth backing ; 50 3/4 in x 40 1/4 in
Senior design thesis.Watercolor rendering/elevation of a neoclassical style
building with columned portico and side wings around an entrance courtyard.
Building end pavilions have stained glass separated by pilasters under a gabled
roof. Plot plan shows building with classrooms, study hall, administrative
offices, auditorium, gymnasiums for boys and girls, natatorium, lunch room, and
library. Additional building houses machine shop, boiler room, and woodworking
area.
|
circa Spring 1928 |
William Paddock Paddock, William (Artist)
Student name as written: Bill Paddock.
William E. Paddock received his B.Arch from the University of
Washington in 1943.
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Freshman year, 1939-1940 |
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item | ||
Paddock 1 |
Lantern Assignment title: Stone lantern.
1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 27 in x 21 in
Freshman analytique.Monochromatic analytique has an elevation of a stone lantern
with domed top on a base of columns and entablature. Elevation is visible
through a detail drawing of the Doric columns and entablature. Penciled partial
plan shows the shape of the lantern.
|
circa Spring 1940 |
Sophomore year, 1940-1941 |
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item | ||
Paddock 2 |
Church sanctuary Assignment title: Sanctuary for Catholic or Episcopal
church.
1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 40 in x 31 in
Sophomore analytique.Monochromatic analytique includes an elevation of a church
altar with crucifixion cross hung against the wall, altar table, and benches.
Detail drawings of cross, lighting fixture and sculpted bench base. Small plan
and section drawing.
|
1940 |
Paddock 3 | Commemorative wall sundial in garden 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 31 in x 39 3/4 in
Sophomore analytique.Monochromatic rendering/elevation with penciled plan and
section drawing of a square wall-mounted sundial on a stone wall above a bench.
Sun dial has a sculpture figure as the base of the pointer with inscribed
symbols as the sundial numbers. Detail drawings of sculptural figure, bench,
Roman letter inscription, and symbols.
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circa Autumn 1940 |
Ivan Palmaw Palmaw, Ivan M. (Artist)
Ivan Palmaw graduated from the University of Washington in 1929.
He partnered with Frank Baker and George Stewart as Baker, Stewart &
Palmaw, Architects, Seattle, 1934-1939. Later career unknown.
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Sophomore year, 1925-1926 |
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item | ||
Palmaw 1 |
A Commemorative Tablet 1 design/analytique drawing : ink wash on paper with cheesecloth
backing ; 30 in x 39 1/2 in
Class B I analytique. Stamped with Society of Beaux Arts
Architects seal indicating the drawing was judged in the national
competition.Rendering of commemorative tablet surrounded by detail
drawings of bricks, bas relief, and Corinthian capitol.
|
circa 1925-1926 |
Palmaw 2 |
A Fountain in a Theater
Courtyard 1 design drawing : gouache/watercolor with graphite and white on
paper with cheesecloth backing ; 24 3/4 in x 37 1/2 in
Elevation of a fountain in a colonnaded theatre courtyard
setting: the domed building and ornate decorative elements suggest a mosque.
Penciled plan shows a hexagonal courtyard. Detail drawings of fountain with
Arabic writing and decorative elements.
|
circa Spring 1925 |
Palmaw 3 |
A Portico of a Church 1 design/analytique drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 25 3/4 in x 34 3/4 in
Class B II projet. Stamped with Society of Beaux Arts
Architects seal indicating the design was judged in the national
competition.Elevation of an entrance portico for a church shows three
doors flanked by columns with Latin inscription and religious images above
doorways. Detail drawings show column and capitol, Corinthian-styled fonts,
lettering, and relief sculptures on doors.
|
circa 1925-1926 |
Senior year, 1928-1929 |
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item | ||
Palmaw 4 |
A Department Store 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 57 in x 32 in
Class A II projet.Rendering/elevation of a multi-story building with centered
channel with decorative panel and observation area. Illuminated Macy's sign
projected atop building. Multiple plans show ground floor, entrance lobby, and
offices; typical floor plan; 13th floor dining and kitchen areas; and 14th
floor picture gallery with sculpture room and library. Section drawing.
|
circa 1928-1929 |
Richard Parker Parker, Richard O., 1920-2003 (Artist)
Student name as written: Dick Parker.
Richard Owen Parker received his B.Arch from the University of
Washington in 1942. He worked for Robert L. Durham, 1946-1954, and then for
George W. Stoddard, 1954-1956. He later worked as Richard O. Parker and A. K.
Arai Associate. Together, Parker and Arai designed the White River Buddhist
Temple in Auburn, 1963-1964; and the Shinran Shonin 700th Anniversary Memorial
Hall addition to the Seattle Buddhist Church in Seattle, 1963-1964.
|
||
Freshman year, 1938-1939 |
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item | ||
Parker 1 | Arch with graded wash 1 drawing exercise : ink wash on paper ; 21 in x 15 in
Freshman drawing exercise of a stone arch with watercolor
wash to show gradations in shadow and texture.
|
circa 1938-1939 |
Parker 2 | End pavilion of a public building 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 19 in x 24 1/4 in
Freshman design provides an elevation of the end pavilion of
a neoclassical building with stone base and Corinthian columns and entablature
framing a windowed porch on the upper level. Detail drawings of vase;
entablature; column base, shaft, and capital. Penciled plan and section drawing
of porch.
|
1939 |
Parker 3 |
A Tomb 1 historical drawing : ink on paper ; 27 3/4 in x 20 in
Freshman drawing exercise.Pen and ink freshman historical drawing of an ornamented
church altar tomb with recumbent sculpted figure framed in an atlar with relief
mouldings, religious sculptures, and entablature.
|
circa Winter 1939 |
Jack Paterson Paterson, John (Artist)
Alternate name: Jack Paterson.Alternate name: John S. Paterson.
|
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Junior year, 1927-1928 |
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item | ||
Paterson 1 |
An Air Port Passenger
Station 1 design drawing : gouache/watercolor with colored pencil and ink on
paper with cheesecloth backing ; 37 1/2 in x 29 in
Entered in the Bebb Prize design competition, 1927-1928.Watercolor plan of an airport passenger station shows a
terrace leading to main building with connective tunnels leading to a baggage
handling area and hangar. Section drawing reveals the interior of the main
building, while a small rendering in white shows a possible hangar.
|
circa 1927-1928 |
Paterson 2 |
An Air Transport Terminal
Station 1 design drawing : gouache/watercolor with graphite and ink wash on
paper with cheesecloth backing ; 37 1/2 in x 61 1/2 in
Junior design. Stamped with Society of Beaux Arts Architects
seal indicating this design was judged in the national competition.Watercolor rendering/elevation of the facade of an air
transport terminal with heightened entrance arch with clock and two glass-domed
walkways extending from each side and connected to projections with elongated
channels of windows. Multiple plans show the ground floor, first floor, and
roof show the main concourse with administrative areas, ticketing counter,
radio and telegraph counter, areas for inbound and outbound trains, and slips
for airplanes. Section drawing through terminal.
|
circa Spring 1928 |
Paterson 3 |
An Aqueduct Title as written by student: An Aquaduct. [sic]
1 design drawing : gouache/watercolor wash with graphite and white on
paper with cheesecloth backing ; 23 1/2 in x 35 in
Class B local project.Elevation of an arch bridge for an aqueduct over a ravine
with waterfall rendered in watercolor. The elevation shows the aqueduct as a
large arch atop the deck of the bridge with a small viewing platform for
pedestrians centered on the side; the plan indicates that the large arches at
either abutment direct traffic onto the bridge in an S-shape while the aqueduct
continues in a straight line on each side of the ravine. Section drawing of
aqueduct support column.
|
November 5, 1927 |
Paterson 4 |
A Small Office Building for
Doctors and Dentists Assignment title: Doctors/Dentists office building.
1 design drawing : gouache/watercolor wash with graphite, colored
pencil, and ink on paper with cheesecloth backing ; 38 in x 26 1/2 in
Local projet.Watercolor elevation of a two-story building; plan and
section drawings show both floors.
|
circa 1927-1928 |
Senior year, 1928-1929 |
||
Masonic temple Class A IV projet with two sheets.
|
||
item | ||
Paterson 5a | Drawing 1:A Masonic
Temple 1 design drawing : gouache/watercolor with graphite and ink on
paper with cheesecloth backing ; 25 3/4 in x 39 in
Elevation of temple facade in monochromatic wash shows a
multi-story tiered building flanked by obelisks and a central stairway leading
to entrance. Handwritten below name: I am a citizen of the United States.
|
circa 1928 |
Paterson 5b | Drawing 2:A Masonic
Temple 1 design drawing : ink wash on paper with cheesecloth
backing ; 35 3/4 in x 35 1/2
in
Plan and section drawing on ink wash background shows a
tile pattern through the temple. Plan is unlabeled, however it shows the
columned entrance lobby with projected wings on either side. Section drawing
shows the multiple stories of the building, central stairway, and
fireplace.
|
circa 1929 |
5th year, 1929-1930 |
||
item | ||
Paterson 6 |
A Tourist Hotel in
Colorado 1 design drawing : graphite, tempera, and ink on paper ; 26 in x 38 1/2 in
5th year design, completed in Fontainebleu, France.Rendering of a flat-roofed adobe-style building with
multiple stories on a mesa. Plan of building shows site details, a single row
of guest rooms, and public areas, including a glass enclosed restaurant that
extends beyond the mesa's edge.
|
circa 1929-1930 |
Paterson 7 |
A Zoological
Laboratory 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 61 1/2 in x 39 in
Title as written by student: A Zoological Labatory.Class A V projet. Stamped with Society of Beaux Arts
Architects seal indicating the drawing was judged in the national
competition.Rendering/elevation of zoological building with two glass
domes and symmetrical entrance stairway with columns and entrance decorated
with relief along roof edges. Plan shows lecture hall and administrative
offices in the main building connected to the glass domes housing cages for
small mammals, canivores, and aviary, with enclosed observation passages
through the cages; observation bridge extends through the center of the complex
and spans the amphibian and reptile pools; offices along the back include
laboratories, library, and quarantine area. Section drawing shows a museum on
the upper level.
|
circa 1929-1930 |
Lawton Patten Patten, Lawton M., 1905-1992 (Artist)
Student name as written: L. Patten.
Lawton Mike Patten received his B.F.A. from the University of
Washington in 1928. Following graduation, he worked for Sullivan W. Jones,
Architect, New York. He later worked as a professor of architecture at the
University of Iowa, where he authored the book
Architectural
Drawingin 1962.
|
||
Unknown dates |
||
item | ||
Patten 1 |
Windows 1 freehand sketch : graphite on paper ; 11 in x 8 1/2 in
Freehand sketches of multiple windows including shuttered
windows, dormer, and an arched doorway. Inscribed on front of drawing: A. L.
Gurtill, Copied by L. Patten.
|
circa 1924-1928 |
James Paul Paul, James R. (Artist)
Student name as written: Paul, J. R.
James Richard Paul received his B.Arch from the University of
Washington in 1948. Following graduation, he worked for Waldo B. Christenson,
1949-1950; later Decker & Christenson, 1950-1952; then for J. Lister
Holmes, 1952-1953; and John Graham, 1953-1957.
|
||
Unknown dates |
||
item | ||
Paul 1 |
A Flower Market 1 sketch problem : gouache/watercolor with graphite on paper with
matting ; 22 in x 28 in
Sketch problem; believed to be a Sophomore, Junior, or
Senior sketch.Watercolor perspective drawing of a flower market building.
The modernist building has a curved exterior with narrow walls separating the
exterior into stalls under a flat roof. Site plan for the building showing
parking area and public areas is drawn in pencil on the matting.
|
circa 1945-1948 |
Kay Paulson Paulson, Kay (Artist)
|
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Freshman year, 1937-1938 |
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item | ||
Paulson 1 | Arch with graded wash 1 drawing exercise : ink wash on paper ; 21 in x 15 in
Freshman drawing exercise of a stone arch with watercolor
wash to show gradations in shadow and texture.
|
circa 1937-1938 |
Richard Pearce Pearce, Richard J. (Artist)
Student name as written: R. J. Pearce.
Richard J. Pearce received his B.Arch from the University of
Washington in 1926, where he was awarded the Auburn Clay Works Prize in
1923-1924 and the Charles H. Bebb Prize in 1925-1926. Following graduation, he
worked as a faculty member in the Department of Architecture from 1928-1932
until his death in an avalance on Mount Rainier. He was succeeded in this
position by alumni Henry Olschewsky.
|
||
Sophomore year, 1923-1924 |
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item | ||
Pearce 1 |
A Candy Shop 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 32 3 /4 in x 28 in
|
circa Autumn 1923 |
Junior year, 1924-1925 |
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item | ||
Pearce 2 |
Crematory 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 28 1/2 in x 32 1/4 in
Class A II projet. Stamped with Society of Beaux Arts
Architects seal indicating the design was judged in the national
competition.
|
December 8, 1924 |
Senior year, 1925-1926 |
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item | ||
Pearce 3 | Cenotaphe 1 design drawing : gouache/watercolor with graphite on
paper ; 20 3/4 in x 29 in
Entered in the 1926 Bebb Prize design competition and
awarded "2nd Prize, 2nd Medal."Watercolor rendering/elevation of a cenotaph on a plaza.
|
1926 |
Pearce 4 | Temple 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 12 in x 33 1/4 in
Monochromatic rendering/elevation of an elongated stone
building with heightened center dome and arched entrances leading to an
attached, larger, rear building.
|
circa 1925-1926 |
Unknown dates |
||
item | ||
Pearce 5 |
Boston Museum of Fine
Arts 1 drawing : gouache/watercolor with graphite on illustration
board ; 19 in x 36 1/4 in
No student name on drawing. Drawing attributed to Richard J.
Pearce.Watercolor elevation shows a proposed neoclassical building
for the Boston Museum of Fine Arts.
|
circa 1926-1928 |
Pearce 6 | Memorial building 1 design competition drawing : gouache/watercolor with graphite and ink on
illustration board ; 29 3/4 in x 20 in
Entered in the Paris Prize preliminary design competition.
Stamped with Society of Beaux Arts Architects seal indicating the drawing was
judged in the national competition. Inscribed on drawing: Harvard University.
19 Trowbridge St., Cambridge, Mass. I am a citizen of the U.S. and will be
under 27...Rendering/perspective with plan and partial section drawing
of a building with gothic features and steps leading to a stone wall with
memorial inscription over doorway.
|
circa 1926-1928 |
Pearce 7 | Section through domed building 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 14 in x 22 3/4 in
Section drawing through a domed building reveals the
entrance, domed room, and additional ground floor rooms behind the dome.
|
circa 1924-1926 |
Peterson These sketches are inscribed with the name Peterson; however, it
is unknown whether they were completed by A. V. Peterson, Leslie Peterson, or a
different student with the same last name. As there are no similar sketches in
the collection, a circa date cannot be assigned.
|
||
Unknown dates |
||
item | ||
Peterson 1 | Gothic church 1 freehand sketch : graphite on paper ; 11 3/4 in x 8 1/2 in
Freehand sketch of a church facade with Gothic features.
|
unknown |
Peterson 2 | 1 1/2 minute sketches 1 freehand sketch : graphite on paper ; 9 in x 12 in
Two freehand sketches: one perspective sketch looking up a
stairway along a wall; one perspective sketch of the adjoining walls on a
building's exterior. Handwritten note indicates these were completed in 1 1/2
minutes.
|
unknown |
Alfons Victor Peterson Peterson, Alfons Victor (Artist)
Student name as written: A. V. Peterson.
Alfons Victor Peterson received his B.Arch from the University
of Washington in 1949. Following graduation, he worked for the Seattle Parks
Department, 1949-1951. In 1951, he formed a partnership with John W. Adams as
Peterson & Adams, Architects. The firm was hired by the City of Seattle to
construct shelter houses at the playing fields in Beacon Hill, Queen Anne, and
the University District, c.1951; and Fire Station No. 8 on Queen Anne Hill,
1964.
|
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Freshman year, 1938-1939 |
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item | ||
Peterson AV 1 | Arch with graded wash 1 drawing exercise : ink wash on paper ; 21 in x 15 in
Freshman drawing exercise.Stone arch with watercolor wash to show gradations in shadow
and texture.
|
circa 1938-1939 |
Peterson AV 2 | End pavilion of a public building 1 design/analytique drawing : gouache/watercolor with ink on paper ; 25 in x 19 in
Freshman analytique.Monochromatic rendering/elevation of the end pavilion of a
neo-classical building with an elongated window framed by engaged columns with
Corinthian capitals. Detail drawings of relief vase on pedestal, decorative
mouldings, column base, and Corinthian capital . Plan of column capital.
Penciled plan and section drawing.
|
circa 1938-1939 |
Peterson AV 3 | Niche with vase 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 22 1/2 in x 16 1/4 in
Freshman drawing exercise.Monochromatic rendering/elevation of niche with vase framed
by engaged Doric columns and entablature with open-topped pediment in a garden
setting with penciled plan and section drawing, and detail drawings of vase,
balustrade, column base, capital, and entablature.
|
circa 1938-1939 |
Sophomore year, 1939-1940 |
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item | ||
Peterson AV 4 |
Tomb of Rudolph P. Valentino Assignment title: A tomb for a great actor in the
movies.
1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 39 3/4 in x 30 3/4 in
Sophomore analytique.Monochromatic analytique with section drawings of a domed
mausoleum. Section drawing reveals a circular walkway with thick round columns
overlooking a circular tomb with sarcophagus. Plan shows the circular walkway
overlooking the sarcophagus. Detail drawing of inscription lettering and
sarcophagus.
|
circa Winter 1940 |
Leslie Peterson Peterson, Leslie H., 1911-2000 (Artist)
Leslie Harold Peterson received his B.Arch from the University
of Washington in 1935. Following graduation, he worked for William Aitken,
Seattle, 1936-1937; Donald M. McDonald, Seattle, 1937-1939; Austin Co.,
1940-1946; and then with Carlson, Eley, Grevstad & Peterson, 1946-1949.
|
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Senior year, 1934-1935 |
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item | ||
Peterson L 1 |
An Episcopal Cathedral
Group 1 design drawing : gouache/watercolor with ink on paper ; 39 in x 59 3/4 in
Senior design. Class A projet.Watercolor rendering/elevation the front and rear of of
church with apse and radiating chapels, spire, colonnaded walkway, and
Romanesque arched entrance doorway with decorative tympanum and double doors
Site plan shows the cathedral connected via courtyard walkway to additional
buildings housing administrative offices, library, classrooms, refectory,
baptistry, bishop's living areas, and service areas.
|
circa Autumn 1934 |
John Phillips, Jr. Phillips, John Otis (Artist)
John Otis Phillips, Jr. received his B.Arch from the University
of Washington in 1938. He was the University of Washington recipient of the
Alpha Cho Rhi Medal in 1938. Following graduation, he took a position with
Archibald N. Torbitt, 1938-1940; then with George W. Stoddard, 1940-1941. He
served in the U.S. Navy during World War II, 1941-1946. Once World War II had
ended, he returned to work for George W. Stoddard, 1946-1956.
|
||
Sophomore year, 1934-1935 |
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item | ||
Phillips 1 |
Entrance to a School of
Architecture 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 31 in x 39 3/4 in
Sophomore analytique.Monochromatic rendering/elevation of a double-door and
transom window decorated with grille surrounded by ornamental relief squares.
Plan shows locations of planter and Corinthian capital on the front porch.
|
March 9, 1935 |
Phillips 2 |
Memorial arch frontispiece Asisgnment title: Frontispiece.
1 design competition drawing : ink on paper with matting ; 40 in x 30 in
Ink drawing of a stone memorial arch with interior frieze,
Corinthian columns, and engraved entablature with detail drawings of relief,
Corinthian capital, warrior sculpture, and entablature rendered as fallen and
broken pieces of the arch. The drawing is rendered as an engraving, similar to
a book frontispiece.
|
circa 1934-1935 |
Orr Pickering Pickering, E. Orr (Artist)
Student name as written: Orr Pickering.
|
||
Freshman year, 1922-1923 |
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item | ||
Pickering 1 |
The Doric Order 1 drawing exercise : ink on paper ; 23 3/4 in x 18 in
Pen and ink drawing exercise of the Doric order includes an
elevation of the column and entablature; reflected ceiling plan; section
drawing through entablature; and detail drawings of base, shaft, capital, and
entablature.
|
circa 1922-1923 |
Pickering 2 |
The Ionic Order 1 drawing exercise : ink on paper ; 23 3/4 in x 18 in
Pen and ink drawing exercise of the Ionic order includes an
elevation of the column and entablature; ceiling plan; section drawing through
entablature; and detail drawings of base, shaft, capital, and entablature.
|
circa 1922-1923 |
Pickering 3 |
The Tuscan Order 1 drawing exercise : ink on paper ; 24 in x 18 in
Pen and ink drawing exercise of a Tuscan column includes
detail drawings of base, shaft, capital, and entablature; section drawing
through portico; plan of column base; and ceiling plan of column showing
soffits.
|
circa 1922-1923 |
Sophomore year, 1923-1924 |
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item | ||
Pickering 4 |
A Country Chapel 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 30 1/2 in x 22 in
Sophomore analytique. Class B projet.Design drawing includes a watercolor rendering/elevation and
plan of a stone chapel with wooden doors and bell; section drawings reveal main
altar and seating.
|
circa Winter 1926 |
Warren J. Pollock Pollock, Warren J. (Artist)
|
||
Freshman year, 1933-1934 |
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item | ||
Pollock 1 | Classical window 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 21 1/4 in x 15 3/4 in
Freshman analytique.Monochromatic rendering of an elongated window with pediment
and balcony set into a stone wall with detail drawings of decorative elements
and balcony balustrade. Penciled plan and section drawing.
|
1933 |
Gordon Powers Powers, Gordon F., 1916- (Artist)
Gordon Powers received his B.Arch from the University of
Washington in 1940. He served as a Sargeant in the Air Force during World War
II, before returning the United States. He registered with the American
Institute of Architects, Southern California Chapter, in 1954, and worked as
Partner in the firm Powers, DeRosa, and Daly, 1955-1964, and later as Gordon
Powers, Architect. Powers became known for his "atomic age" architecture and
themed bowling alley design. Notable projects include the Java Lanes in Long
Beach, 1958; Kona Lanes in Costa Mesa, circa 1958; Covina Bowl in Covina,
California; the Marina Shopping Center in Long Beach; and the Celebrity Sports
Bowl (for client Walt Disney) in Denver, circa 1960. Other notable works
include is own residence, the Gordon F. Powers House in Seal Beach; and the
Sheraton Beach Inn in Huntington Beach, California.
|
||
Freshman year, 1934-1935 |
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item | ||
Powers 1 | End pavilion of public a building 1 design/analytique drawing : gouache/watercolor with ink on paper ; 18 1/2 in x 25 in
Freshman design provides an elevation of the end pavilion of
a neoclassical building with stone base and Corinthian columns and entablature
framing a windowed porch on the upper level. Detail drawings of cornucopia horn
and column with base, capital, and entablature. Penciled plan and section
drawing of porch.
|
1935 |
Sophomore year, 1935-1936 |
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item | ||
Powers 2 |
Garden with stair and waterfall 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 31 1/4 in x 30 in
Sophomore analytique.Watercolor rendering/elevation of a stairway leading to a
triple-arched Doric colonnade on a wall with waterfall fountain on lower
section. Detail drawings of statue and planter. Partial plan penciled along
side of drawing.
|
November 2, 1935 |
Robert Price Price, Robert B., 1915-1981 (Artist)
Student name as written: Bob Price.
Robert Billsbrough Price received his B.Arch from the University
of Washington in 1946, and his M.Arch from the Massachussetts Institute of
Technology in 1948. As a student at the University of Washington, his studies
were interrupted by World War II, where he served in the United States Navy,
1942-1946, rising to the rank of Lieutenant.Following graduation from MIT, Price returned to Tacoma and
worked for James C. Gardiner, 1948-1949, before opening his own practice as
Robet B. Price, Architect, Tacoma, in 1949. Price's firm designed many
residences, commercial buildings, and public buildings, but specialized in
educational institutions that include the John S. Baker Junior High School in
Tacoma, 1955; Mount Tahoma High School in Tacoma, 1961; the Sherman Elementary
School in Tacoma, 1954; Puyallup Junior High School in Puyallup, c.1959; the
Olson Physical Education Building at Pacific Lutheran University in Olympia,
1969; and the Recreation Pavilion at Evergreen State College in Olympia,
1973.Over his career, Price was awarded 59 national, regional, and
local awards for his designs. He received awards for the Tacoma Fire Station,
No. 17, 1955; the Joe Long Jr. House on American Lake, 1956; Hoyt Elementary
School in Tacoma, 1958; and his own architectural office, 1963. His modern
residential design named the "The Calypso," a model home for the Glennwood
subdivision in Lakewood, received the AIA-Sunset Western Home Award contest in
1955. Other notable projects include the World of Commerce and Industry
Building 37 at the Century 21 Exposition, 1962; the Tacoma Bicentennial
Pavilion, 1976; the Ginko Petrified Forest museum, 1956; the Church of Christ
Scientist in Olympia, 1950; the Harbine Monroe House in Gig Harbor, 1958; the
Sky Terrace Apartments in Tacoma, 1961; Tacoma Fire Station No. 1, 1968; as
well as several apartment buildings for the Tacoma Housing Authority.Price was a member of the Tacoma Society of Architects, the
Tacoma Art League, Allied Arts, and the American Institute of Architects,
Washington and Southwest Washington Chapters. He also served as a member of the
National Committee of AIA Department of Education and Research, and served on
the Tacoma Building Code Committee. Price was elected to the AIA College of
Fellows in 1966.
|
||
Freshman year, 1938-1939 |
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item | ||
Price 1 | End pavilion of a public building 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 24 3/4 in x 18 3/4 in
Freshman analytique.Monochromatic rendering/elevation of an upper-level porch
with elongated windos on the end pavilion of a building partially enclosed by
Corinthian columns and balustrade; detail drawings of decorative mouldings,
entablature, column base, shaft, and Corinthian capital; penciled section
drawing.
|
circa 1939 |
Price 2 |
A Tomb 1 historical drawing : ink on paper ; 27 3/4 in x 19 3/4 in
Pen and ink freshman historical drawing of an ornamented
church altar tomb with relief mouldings and recumbent sculpted figure in
constructed niche with religious tympanum and framed with entablature.
|
circa 1939 |
Architectural ornamentation class |
||
item | ||
Price 3 |
Gothic round window 1 ornament class project : gouache/watercolor with ink on paper and tissue
paper ; 37 3/4 in x 28 in
Architectural ornamentation class project.Round stained glass window with vine and acanthus leaves
arranged in a pattern around a female religious figure with inscribed band
around the outside of the window.
|
circa 1940-1942 |
Ragnar Qvale Qvale, Ragnar, 1915-2001 (Artist)
Norwegian-born Ragnar Qvale studied architecture at the
University of Washington. He left the University of Washington after being cast
as a Nazi officer in the film
Four Sons, 1940,
and as a stunt double in
Sun Valley
Serenade, 1941. During World War II, Qvale joined the United States
Navy as a pilot, 1942-1946.After World War II ended, Qvale returned to Los Angeles to
pursue architecture, establishing his own architecture firm as Ragnar C. Qvale
and Associates. The firm designed the interior spaces of the Hotel Sahara in
Las Vegas, 1952; the Sands Hotel in Phoenix, 1956; and Crawford Shopping Center
in Montebello, California, 1958. His interest in historic preservation led him
to establish Q. A. Architectural Arts, an architectural firm specializing in
watercolor renderings of buildings from architectural records.
|
||
Freshman year, 1936-1937 |
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item | ||
Qvale 1 | Entrance to a fine arts school 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 18 in x 24 in
Monochromatic watercolor rendering/elevation of entrance
doors to a fine arts school under a simple cornice and framed by a smooth-faced
projection with square relief panels. Penciled plan shows stairs with planters
on each side; section drawing through entrance shows projection of
entrance.
|
June 7, 1937 |
Irvine Rabel Rabel, Irvine B. (Artist)
Irvine B. Rabel received his B.A. in Business Administration
from the University of Washington in 1929.
|
||
Freshman year |
||
item | ||
Rabel 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 20 in x 14 in
Freshman lettering exercise of Roman inscription capital
letters R, E, C, J, U, L.
|
circa 1924 |
Boris Rachmanoff Rachmanoff, Boris A. (Artist)
Alternate name: Bob Rachmanoff.Student name as written: B. Rachmanoff.
|
||
Freshman year, 1926-1927 |
||
item | ||
Rachmanoff 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 18 in x 14 in
Freshman lettering exercise of Roman inscription capital
letter V.
|
circa Autumn 1926 |
Junior year, 1928-1929 |
||
item | ||
Rachmanoff 2 |
An Aquarium 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 36 1/2 in x 30 in
Junior project. Class B IV projet. Stamped with Society of
Beaux Arts Architects seal indicating the design was judged in the national
competition.Rendering/elevation of the side an aquarium building. The
square entrance hall has a circular roof and attaches to a rectangular wing
housing the main aquarium and multiple semi-circular wells along the outer
walls with ornately designed exterior decoration. Plan shows a park with curved
walkways and the aquarium building.
|
March 1929 |
Rachmanoff 3 |
Restaurant in the Air 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 27 in x 23 3/4 in
Junior project.Watercolor rendering/elevation of a restaurant tower with
vestibule supported by metal trusses at the mid-point of the tower and an
observation deck at highest level. Penciled tower plan, ground level plan,
vestibule plan, and section drawing.
|
February 1929 |
Victor Rasumoff Rasumoff, Victor (Artist)
Student name as written: V. Rasumoff.
|
||
Freshman year, 1929-1930 |
||
item | ||
Rasumoff 1 |
Museum Assignment title: Museum entrance.
1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 22 1/4 in x 16 1/4 in
Freshman analytique.Design/analytique drawing includes a watercolor
rendering/elevation of a building facade with portico housing an arched doorway
with relief tympanum and metalwork door; detail drawings of grille, column
capital and base; penciled plan and section drawing.
|
March 17, 1930 |
Arthur Read Read, Arthur S. (Artist)
Student name as written: A. S. Read.
Arthur Read received his B.Arch from the University of
Washington in 1948.
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Freshman year, 1945-1946 |
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Read 1 | Classical entrance 1 historical drawing : ink wash on paper ; 29 in x 21 1/4 in
Advanced freshman historical drawing shows an entranceway
with plan, elevation, and section drawings in a monochromatic wash. Elevation
shows a doorway under entablature framed by Ionic columns on either side and
balustrade. The entranceway has an arched opening under entablature with relief
medallions on either side. Section drawing and partial plan show smaller areas
off the entrance with barrel vaulted ceilings and similar medallions.
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January 30, 1946 |
Unknown dates |
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Read 2 |
A Painter's Studio 1 sketch problem : gouache/watercolor with graphite on
paper ; 21 3/4 in x 28 3/4 in
Sketch problem.Design drawing includes multiple elevations of a flat-roofed
building with large panels of windows and balcony; plans for the ground floor
and balcony floor show the living areas, studio areas, and outdoor courtyard;
section drawing reveals studio.
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circa 1947-1949 |
Norma Reeck Reeck, Norma L. (Artist)
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Freshman year, 1939-1940 |
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Reeck 1 | Arch with graded wash 1 drawing exercise : ink wash on paper ; 21 3/4 in x 15 in
Freshman drawing exercise of a stone arch with watercolor
wash to show gradations in shadow and texture.
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circa 1939-1940 |
Theodore Reid Reid, Theodore (Artist)
Student name as written: Theodore J. Reid.
Theodore J. Reid received his B.Arch from the University of
Washington in 1949.
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Freshman year, 1941-1942 |
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Reid 1 | Tomb 1 historical drawing : ink on paper ; 27 3/4 in x 19 3/4 in
Pen and ink freshman historical drawing of an ornamented
church altar tomb with relief mouldings and recumbent sculpted figure in
constructed niche framed with entablature. Inscribed on tomb: Ioanni de Rvvere
[Joanni de Rouvere].
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circa Winter 1942 |
Junior year, 1946-1947 |
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Reid 2 | Casino and dance hall on waterfront 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 in x 39 3/4 in
Junior design. Date penciled on the front as 1940-42 was
added after the drawing's completion and is believed to be incorrect.Watercolor perspective drawing of a building on a waterfront
embankment with attached entrance lobby and lounge leading to an outdoor
terrace and circular room with domed roof extended over the water. Plan shows
areas for entertainment, dancing, and dining. Section drawings reveal the
structure of the building over land and water and the domed ballroom.
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circa 1946-1947 |
Reid 3 | Library Assignment title: Public library in suburban residential
area.
1 design drawing : graphite and colored pencil on paper ; 31 3/4 in x 43 3/4 in
Large plan of a public library shows public and
administrative areas, with reading room, lobby, stacks, bindery, staff offices,
and outdoor reading courtyards including a children's courtyard attached to the
children's department on the second level. Elevation of the exterior and
multiple section drawings.
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circa 1946-1947 |
Reid 4 | Residence on waterfront Assignment title: Seattle residence on the shore of Lake
Washington.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 31 in x 39 1/2 in
Junior design.Watercolor perspective drawing of the front and back of a
modernist residence on landscaped grounds with stone walls and wooden exterior.
Plot plans shows the residence with attached greenhouse and carport with auto
court and lawn with ground floor living areas, second floor bedrooms, and beach
access. Interior perspective drawing of living room with wall of
floor-to-ceiling windows opposite couch seating. Section drawing through living
room, entry, and kitchen.
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circa 1946-1947 |
Unknown dates |
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Reid 5 | Footbridge 1 sketch problem : gouache/watercolor with graphite on paper with
matting ; 22 1/2 in x 28 in
Sketch problem.Watercolor rendering of a stone arch bridge over water with
decorative urns on each abutment.
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circa 1942-1949 |
Reid 6 |
A Ventilator 1 sketch problem : gouache/watercolor with graphite on paper with
matting ; 28 in x 22 in
Sketch problem.Watercolor rendering of a ventilator in a desert setting
with pyramids in the background. The rectangular pillar-shaped ventilator is
decorated with Egyptian motifs and has arched ventilator openings in the upper
register. Stepped ventilator base has room for seating.
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circa 1942-1949 |
Richard Relf Relf, Richard C. (Artist)
Student name as written: Dick Relf.
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Freshman year, circa 1925-1926 |
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Relf 1 | Ink wash circles:Plate
1 1 drawing exercise : ink on paper ; 17 3/4 in x 13 in
Freshman drawing exercise of ink wash circles on paper with
separated gradations from dark to light.
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circa 1925-1926 |
Burr Richards Richards, Burr, 1917-1996 (Artist)
Burr Richards received his B.Arch from the University of
Washington in 1946. Prior to graduating, Richards served in the Naval Reserve,
rising to the rank of Lieutenant Commander. Following graduation, he worked for
Young and Richardson, Seattle, 1946-1947; G. A. Pehrson, Spokane, 1947-1948;
Victor Jones & Associates, 1948-1949; Bain, Overturf & Turner,
1949-1950; Sturat & Durham, 1951-1952; then partnered with Barnard Carmin
as Richards & Carmin, 1953-1956; and Richards & Burr, c.1957; and as
the Principal in Burr Rutherford Architects. Notable works include the Miller
House on Mercer Island, 1953; the MacRae House, 1957; the Henry Isaacson Sr.
House in the Highlands, 1970; the Campbell/Foss House in Medina, 1960; and the
Lindley House on Hunts Point, 1970. His own residence in Bellevue, 1958, was
featured inSunset Magazine.
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Architectural ornamentation class |
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Richards 1 | Gothic round window 1 ornament class project : gouache/watercolor with ink on paper and tissue
paper ; 28 in x 22 in
Architectural ornamentation class project.Round stained glass window with centered circular design of
a face encircled by vines and acanthus leaves and contrasting outer band.
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circa 1940-1942 |
Edwin Richardson Richardson, Edwin R. (Artist)
Student name a written: E. R. Richardson.
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Freshman year, 1923-1924 |
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Richardson E 1 | Arch with graded wash 1 drawing exercise : ink wash on paper ; 19 3/4 in x 13 3/4 in
Freshman drawing exercise of a stone arch with watercolor
wash to show gradations in shadow and texture.
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November 23, 1923 |
Stephen Richardson Richardson, Stephen H. (Stephen Hinley), 1910-1984 (Artist)
Student name as written: Steve Richardson.
Stephen Hinley Richardson attended the University of Washington
before receiving his M.Arch from the Massachusets Institute of Technology in
1935. Following graduation, he worked as a draftsman for Floyd A. Naramore,
Architect, 1935-1938; then as a designer for Naramore & Brady,
1938-1941.In 1941, Richardson partnered with Arrigo Young as Young &
Richardson, 1941-1952. The firm changed names to Young, Richardson, Carleton
& Detlie in 1952 to reflect a growing partnership with William H. Carleton
and John Detlie, 1952-1956. The firm designed Gaffney's Lake Wilderness Lodge
in Maple Valley, 1952, which received the National AIA Honor Award from the AIA
and was later declared a King County Landmark as a significant example of
post-World War II design. Other notable works from this period include Terry
Lander Hall, 1953 and 1957, and McCarty Hall, 1963, at the University of
Washington; the Seattle Parks Administration Building, 1948; Gethsemane
Lutheran Church, 1954; and the Carl Erickson House at Hunts Point, 1954When Detlie left the firm in 1956, the name changed to Young,
Richardson & Carleton until 1967 when the firm changed its name again to
The Richardson Associates (later TRA). The firm completed many modernist
projects that include Issaquah High School, 1961; the concourses at
Seattle-Tacoma Airport, 1963-1965; and the Bloedell Hall addition to St. Marks
Cathedral, 1957-1959. Richardson retired from the firm in 1970.
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Freshman year, 1930-1931 |
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Richardson S 1 | Arch with graded wash 1 drawing exercise : ink wash with graphite on paper ; 20 in x 14 in
Freshman drawing exercise of a stone arch with watercolor
wash to show gradations in shadow and texture.
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Autumn 1930 |
Richardson S 2 | Ink wash circles:Plate
1 1 drawing exercise : ink on paper ; 17 in x 13 in
Freshman drawing exercise shows ink wash circles with
separated gradations from dark to light.
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circa 1930-1931 |
Kenneth Ripley Ripley, Kenneth, 1910-1997 (Artist)
Student name as written: K. Ripley; Rip.
Kenneth St. Clair Ripley received his B.Arch from the University
of Washington in 1933. Following graduation, he worked for R. E. Thomas,
Architect, Boise, 1935-1936. He returned to Seattle to work for William Aitken,
Architect, 1936-1937. Later career unknown.
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Freshman year, 1928-1929 |
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Ripley 1 | Ram with shade and shadow 1 drawing exercise : charcoal with colored pencil and white on
paper ; 24 1/2 in x 36 1/2 in
Freshman drawing exercise shows two views of a planter with
winged ram and flowering ornamental vines, one view with shade and shadow
added.
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circa 1928-1929 |
5th year, 1932-1933 |
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Ripley 2 |
A National Research
Center Assignment title: A national scientific research
center.
1 design drawing : gouache/watercolor with charcoal, pastel, and ink
on paper with cheesecloth backing and surface fixative ; 39 1/4 in x 55 in
Site plan for a research center shows museum and auditorium
building, library, theatre, and administrative buildings arranged around a
circular plaza connected via pathways to additional buildings for science labs,
farm, coal tar pit, fraternity housing, and living and recreation areas for
faculty and employees.
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circa Spring 1933 |
Harry Roberts Roberts, Harry (Artist)
Student name as written: Roberts.
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Junior year, 1946-1947 |
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Roberts 1 | Fire station Assignment title: Fire station for city of 10,000 in
Washington.
1 design drawing : gouache/watercolor on paper ; 30 1/4 in x 39 1/2 in
Junior design.Color perspective drawing of a modernist fire station
building with garage bays for fire trucks connected to administrative building
and brick practice tower. Exterior elevation. Plans show the garage area,
dormitory, and administrative areas on the ground floor, second floor alarm
room, and basement storage. Section drawing through main building.
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circa 1946-1947 |
Jay Robinson, Jr. Robinson, Jay C. (Artist)
Student name as written: Robinson.
Jay Robinson, Jr. received his B.Arch from the University of
Washington in 1941.
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Architectural ornamentation class |
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item | ||
Robinson 1 | Arabesque 1 ornament class project : gouache/watercolor with graphite on paper with
matting ; 40 in x 14 in
Architectural ornamentation class project.Painted panel with flowering vine motif and classical female
form.
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circa 1938-1941 |
John Rohrer Rohrer, John A., 1914-2004 (Artist)
John Abram Rohrer received his B.Arch from the University of
Washington in 1937, where he was awarded the AIA Second Award in Architecture
as a graduating student. As a student, he met and married fellow UW
architecture classmate Ruth Williams. Following graduation, he worked as a
designer for John T. Jacobsen, Architect, 1938; then as a designer for John
Graham and Company, Seattle, 1939. During World War II, he accepted a position
as the Assistant District Architect with the Austin Company, 1940-1945. He
joined the University of Washington as a drawing instructor, c.1945, becoming
Instructor in Basic Drawing and Illustration in 1948 and later as an Associate
Professor, retiring in the late 1980s. He continued his work in architecture as
Designer and Illustrator with Naramore, Brady, Bain & Johanson [NBBJ],
c.1955. Throughout his career, he worked in his own practice as John Rohrer,
AIA, Architect, and as consultant to a variety of architecture firms,
specializing in artist renderings and presentation drawings. He designed his
own residence, the John Rohrer House, which was featured in
McCall'smagazine as a Home of the Month in 1954,
and is now a Seattle Landmark.
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Freshman year, 1932-1933 |
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Rohrer 1 | Classical window 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 20 3/4 in x 14 3/4 in
Monochromatic rendering of an elongated window with pediment
and balcony set into a stone wall with detail drawings of decorative elements
and balcony balustrade. Penciled plan and section drawing.
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circa Autumn 1932 |
Rohrer 2 | End pavilion of a public building 1 drawing exercise : ink on paper ; 18 in x 12 7/8 in
Freshman analytique provides a monochromatic
rendering/elevation of an upper-level porch on the end pavilion of a building
with arched windows partially enclosed by Corinthian columns and balustrade;
detail drawings of decorative mouldings, scroll, and Corinthian capital;
penciled plan.
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circa Autumn 1932 |
Rohrer 3 | Ink wash circles:Plate
1 1 drawing exercise : ink on paper ; 18 in x 12 7/8 in
Freshman drawing exercise of ink wash circles with separated
gradations from dark to light.
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circa Autumn 1932 |
Rohrer 4 | Lettering exercise 1 drawing exercise : ink on paper ; 14 1/2 in x 20 3/8 in
Freshman lettering exercise of Roman inscription capital
letters C, M, D, N, J, L, H.
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circa Autumn 1932 |
Rohrer 5 | Vase in niche analytique 1 design/analytique drawing : gouache/watercolor with ink on paper ; 19 7/8 in x 25 7/8 in
Monochromatic rendering/elevation of niche with vase framed
by Doric columns and entablature in a garden setting with penciled plan,
elevation of columns, and detail drawings of vase, entablature, inscription
lettering, and other decorative elements.
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circa 1932-1933 |
Rohrer 6 |
War Memorial Assignment title: Memorial chapel.
1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 21 1/2 in x 28 3/4 in
Monochromatic rendering/elevation of a memorial with
egg-shaped dome and cross atop an octagonal base. Penciled plan and section
drawing reveal the interior of the memorial.
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circa 1932-1933 |
Sophomore year, 1933-1934 |
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Rohrer 7 |
Cemetery Entrance 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 1/4 in x 39 3/4 in
Rendering/elevation with plan and section drawing of a
cemetery entrance shows a terraced site with small building and memorial prayer
inscribed on terrace walls. Site plan shows the building with restrooms,
offices, vault, and private rooms with outdoor terrace overlooking an open area
with roads on either side.
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May 28, 1934 |
Rohrer 8 |
An Elementary School Assignment title: An elementary school with athletic
facilities.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 31 in x 39 1/2 in
Class B projet.Watercolor rendering/elevation of a brick building with
recessed and heightened center section with entrance stairway. Site plan shows
the main building with library, classrooms, auditorium, administrative offices,
gymnasium, and athletic fields for girls and boys. Section drawing through the
building shows the entrance hall, auditorium, and gymnasium.
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March 16, 1935 |
Rohrer 9 |
A Family Mausoleum 1 design/analytique drawing : monochromatic watercolor wash with graphite and
white on paper with cheesecloth backing ; 30 3/4 in x 39 3/4 in
Monochromatic rendering/elevation of a mausoleum with domed
roof in snow. Detail drawings of lettering, carved cross, and relief carvings
on either side of the door. Section drawing shows skylit rotunda and tombs.
Lightly penciled plan shows the cross-shaped building.
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circa Winter 1934 |
Rohrer 10 |
A Garage on a Country
Estate Assignment title: Garage and guest suites for country
residence.
1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 40 in x 31 in
Plan shows the mirrored layout of two residences on a
courtyard, enclosed on one side by the garages. Two watercolor
renderings/elevations show the multi-car garage with decorated doors and a view
of the residential buildings from the interior court.
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April 5, 1934 |
Rohrer 11 | Semi-circular portico and entrance 1 design/analytique drawing : gouache/watercolor with ink on paper ; 39 3/4 in x 30 7/8 in
Class B projet. Inscribed on drawing: Georgian.Monochromatic rendering/elevation of a semi-circular portico
with Corinthian columns and entablature projected from a brick building with
set of double doors. Detail drawings of Corinthian capital, column base, footed
basin, decorative mouldings, and inscription lettering. Plan of entrance
portico. Penciled section drawing.
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October 28, 1933 |
Rohrer 12 | Wall with niche and statue 1 design/analytique drawing : gouache/watercolor with ink on paper ; 30 7/8 in x 40 in
Monchromatic rendering/elevation of a wall with niche
housing a spitting head fountain flanked by Corinthian columns, sculpted
figures, and ornate entablature with inscription. Fountain is rendered in a
park setting with detail drawings of sculpted animal and Corinthian capital,
penciled plan of fountain basin, and section drawing through fountain.
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March 14, 1934 |
Rohrer 13 | Well head 1 design/analytique drawing : monochromatic watercolor wash with graphite on
paper with cheesecloth backing ; 30 3/4 in x 40 in
Monchromatic rendering/elevation of a well head shown as a
basin with carved head with two columns supporting a metalwork arch with the
chain and well bucket. Detail drawings of letering, column capitals, statues,
and carved head. Lightly penciled section drawing.
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December 9, 1933 |
Junior year, 1934-1935 |
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item | ||
Rohrer 14 |
An Airport Assignment title: Small airport terminal building.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 7/8 in x 30 7/8 in
Design drawing provides a watercolor rendering/elevation
with plan and section drawing of an airport. The modernist Aduwa Airport has a
flat roof with sections of varying heights and glass entrance doors; plan of
ground floor shows parking areas, entrance lobby with baggage and ticketing
kiosk, administrative offices and windowed waiting room; longitudinal section
drawing through airport reveals a partial upper level in terminal building and
covered walkways leading to airplanes.
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November 9, 1935 |
Rohrer 15 |
An Airport Waiting
Station 1 sketch problem : charcoal on paper with matting ; 22 in x 27 3/4 in
Sketch problem [esquisse-esquisse].Charcoal rendering of an airport waiting area with curved
walls of windows.
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circa 1934-1935 |
Rohrer 16 |
An Aquarium 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 5/8 in x 30 7/8 in
Class B projet.Rendering/elevation of an aquarium building with flat roof,
windowed sides, and a projected center section with entrance portico and
sculptures on each side. Plan shows the park and the aquarium building with
tile pattern, and a large, rectangular aquarium in the center of the building
with walkways and multiple aquarium tanks along each wall and work areas along
back wall. Section drawings reveal two stories with viewing along the upper and
lower levels.
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circa 1934-1935 |
Rohrer 17 |
A Dairy Farm 1 design drawing : gouache/watercolor with graphite on
paper ; 30 3/4 in x 39 5/8 in
Design drawing provides a watercolor rendering/elevation
with plan and section drawing. The dairy farm consists of building with living
areas connected via walkway to a dairy building housing a milking shed, silo,
equipment storage areas, and feeding room. Section drawing through feeding
shed.
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circa 1934-1935 |
Rohrer 18 |
An Open-Air Museum 1 design drawing : gouache/watercolor with graphite on
paper ; 31 in x 39 3/4 in
Watercolor perspective of the site for an open-air museum
shows a terraced sculpture garden with walkways, fountain, and decorative
frieze along walls. Section drawing shows the terraced site; elevation of wall
section shows frieze of a battle scene.
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February 9, 1935 |
Rohrer 19 |
A Small Country
Courthouse 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 30 7/8 in
Watercolor rendering/elevation with plans, longitudinal
section drawing, and perspective drawing of a county courthouse with projected
heightened center section with gabled roof, entrance doors, and upper-level
decorative grille with statue, flanked by recessed wings with flat roof and
rows of windows on both stories separated by decorative band inscribed with
classmates' last names. Plan reveals that the center section houses the
entrance lobby on the ground floor and the courtroom on the upper level. Plans
also show the council chamber, committee rooms, chamber rooms, administrative
offices, clerk of court, law library, and attorneys' offices.
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May 11, 1935 |
Senior year, 1935-1936 |
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item | ||
Rohrer 20 |
A Church Group: a
non-sectarian church and religious institute 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 7/8 in x 30 7/8 in
Class B projet.Design drawing provides a watercolor rendering/elevation of
a church with attached buildings, plan, section drawing, and perspective
drawing. Rendering/elevation shows the side of church with spire and offset
courtyard with covered walkway and attached buildings with set of
outward-facing entrance doors. Plan shows the auditorium, classrooms, living
areas, administrative offices, assembly rooms, and social hall. Section drawing
reveals church and classroom interiors. Perspective drawing of entrance and
covered walkway.
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December 14, 1935 |
Rohrer 21 |
A Monument to Irish
Independence 1 sketch problem : charcoal and gouache/watercolor with ink on
paper ; 35 3/4 in x 30 in
Charcoal sketch problem [esquisse-esquisse] shows the plan
and rendering for a monument to Irish independence with broad walkway in hilly
terrain.
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circa 1935-1936 |
Rohrer 22 | New capitol in Rome: monument to
Fascismo 1 design drawing : gouache/watercolor with graphite on
paper ; 39 1/2 in x 61 in
Watercolor rendering of a circular plaza with three towers
on the edge of a river with streets extending from the plaza like spokes;
bridge across river leads to a plaza of government buildings with athlete's
stadium.
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circa 1935-1936 |
Architectural ornamentation class |
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item | ||
Rohrer 23 | Pompeiian wall 1 ornament class project : gouache/watercolor on illustration board with
surface fixative ; 22 in x 24 1/4 in
Architectural ornamentation class project.Painted elevation of a wall with rectangular sections, each
with a painted images from Roman mythology, created by painted bands of
contrasting color and slender columns.
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circa 1934-1936 |
Rohrer, Ruth Williams See: Williams, Ruth
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Frank Rommel Rommel, Frank (Artist)
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Freshman year, 1938-1939 |
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item | ||
Rommel 1 | Arch with graded wash 1 drawing exercise : ink wash on paper ; 21 in x 15 in
Freshman drawing exercise of a stone arch with watercolor
wash to show gradations in shadow and texture.
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circa 1938-1939 |
Anne Ross Ross, Anne (Artist)
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Freshman year, circa 1923-1924 |
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item | ||
Ross A 1 |
Doric Order 1 drawing exercise : ink on paper ; 24 in x 17 3/4 in
Pen and ink drawing exercise of the Doric order includes an
elevation of the column and entablature; ceiling plan; section drawing through
entablature; and detail drawings of column base, shaft, entablature, and
capitals with rosette and fleur de lis.
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circa 1923-1923 |
Robert Ross Ross, Robert H. (Robert Hugh) (Artist)
Student name as written: Rob't. H. Ross.
Robert Hugh Ross received his B.Arch from the University of
Washington in 1941.
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Sophomore year, 1937-1938 |
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item | ||
Ross R 1 | Baptistry or sanctuary 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 31 in x 39 1/2 in
Sophomore design.Monochromatic section drawing of the interior of a domed
room with sculptural font and skylights. Detail drawings of religious sculpture
and ornamentation on fountain basin. Partial plan reveals shape of fountain
basin and placement of columns.
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circa 1937-1938 |
Ross R 2 |
An exclusive kindergarden in
the suburban section of a large city 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 3/4 in x 39 3/4 in
Sophomore design.Sophomore design project includes a watercolor
rendering/elevation, plan, and section drawing of a modernist building with
flat roof featuring hanging vines and sections of varying heights housing
naproom, modeling room, storybook nook, and administrative offices. Courtyard
behind building has sandbox and outdoor track. Longitudinal section drawing
through site. Naproom is decorated with illustrations of storybook
characters.
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June 4, 1938 |
Ross R 3 | Garden pavilion on country estate 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 3/4 in x 39 3/4 in
Sophomore design.Colorful watercolor perspective of a windowed pavilion on
beach with mansard roof and classical decorative elements with balustrade
stairway leading to waterfront walkway. Design drawing also includes a garden
elevation and section drawing revealing ornately decorated interior of garden
room and fireplace. Multiple plans show the garden level and the waterfront
level with boat garage.
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May 7, 1938 |
Junior year, 1938-1939 |
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item | ||
Ross R 4 |
A Boys' Athletic
Pavillion Assignment title: Athletic facilities for boys' school of
250.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 1/4 in x 39 3/4 in
Junior design.Watercolor rendering/elevation of a brick building; building
plans show the main building with trophy room, lockers, squash courts, pool,
and gymnasium. Section drawing shows lockers and trophy room.
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February 11, 1939 |
Ross R 5 | Dairy farm 1 design drawing : gouache/watercolor with graphite on
paper ; 31 in x 39 3/4 in
Design drawing provides two watercolor renderings/elevations
with plan of a dairy farm with terracotta roof. The dairy farm consists of a
residence with living areas connected via gated courtyard and covered walkway
to a dairy building housing a calving room, milking stalls, wash areas, and
feeding area arranged around a cow yard with drinking tough.
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circa 1938-1939 |
Ross R 6 |
Palazzo Cardinal Assignment title: Summer villa for American cardinals.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 30 3/4 in
Junior design.Design drawing shows a rendering/elevation of an multi-story
residence with Italianate features such as a terracotta roof, stone terrace,
and large windows framed with arched mouldings and decoraive tympana. Site plan
shows roofline of residence and extensive gardens. Additional plans include a
ground floor plan showing interior courtyard with pools and planters surrounded
by a colonnaded walkway providing access to dining and reception areas,
library, chapel, and sacristry; and upper level plan with living areas for
servants and guests.
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circa Winter 1939 |
Ross R 7 | Sculptor's residence and studio 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 1/2 in x 30 3/4 in
Junior design.Watercolor rendering/elevation of a building complex with
entrance courtyard and asian motif in ornamentation and landscaping. Plans
shows site with gardens and building with administrative areas, study and
workrooms, gallery, and living areas. Section drawing through courtyard reveals
a round, windowed entrance, sculpture niche, and similarly styled decoration
along interior-facing walls. Student signed name with dragon illustration.
|
circa Spring 1939 |
Senior year, 1939-1940 |
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item | ||
Ross R 8 | School for industrial arts 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 31 in x 39 1/2 in
Senior design.Watercolor rendering/elevation of a building with offset
entrance and courtyard; building is extended to side under a sawtooth roof with
relief medallions representing fields of study. Plan shows the site with
outdoor garden and patio as well as the building with library, administrative
offices, lecture and locker rooms arranged along a hallway adjoining workrooms
for industrial arts study. Section drawing through the building shows the
skylit workspace of the classrooms under the sawtooth roof.
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October 21, 1939 |
Ross R 9 | Yacht club 1 design drawing : ink on paper ; 39 1/4 in x 31 in
Drawing is marked '40 indicating the drawing was completed
during 1940, however, it is unknown whether this project is a Senior level
project or a 5th year level project.Design drawing provides two exterior elevations and two
plans showing a modernist boathouse with flat roof, enclosed exterior walkways,
and wooden siding. Plans show the two levels of boathouse with administrative
areas, slips, shop, and workrooms on lower level, and public areas such as
kitchen, dining areas, clubroom, and locker rooms on upper level. Small section
drawing shows stairway to boat slips and position of boathouse over water.
Drawing is marked "H.C."
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1940 |
5th year, 1940-1941 |
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item | ||
Ross R 10 | AIA building with restaurant and club
rooms 1 design competition drawing : graphite, ink, and colored pencil on
paper ; 31 1/2 in x 40 in
5th year design.Two exterior elevations with section drawing and multiple
plans for a multi-story building. Plans for basement and five floors shows the
building houses a restaurant, administrative and AIA offices, exhibition
spaces, piano bar, lounge, workspaces, and library.
|
circa 1940-1941 |
Ross R 11 | Permanent facilities for summer music
camp 1 design drawing : ink on paper ; 31 1/4 in x 39 1/2 in
5th year design.Pen-and-ink elevations and section drawings of a group of
buildings in the modernist style with wood and stone exteriors and pitched
roofs. Drawings show the exterior of the concert hall, waterfront lounge, mess
hall on cantilevered base, practice rooms, and outdoor concert hall. Site
profile provides a section drawing of the concert hall as well as typical
cabins. Drawings are artfully rendered in landscape with trees and rocks.
|
1940 |
Unknown dates |
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item | ||
Ross R 12 | Study for a library 1 sketch drawing : graphite, ink, and colored pencil on
paper ; 24 7/8 in x 30 1/2 in
This drawing is believed to have been used as a study and
not submitted as a finished drawing.Rendering/elevation of the exterior of a smooth-faced
modernist building with multi-story tower and single-story entrance with
adjacent courtyard wall lettered with the names of authors. Plan shows building
with landscaped outdoor study and main reading room adjacent to the tower with
stacks, reserve room, periodical room, and circulation areas. Notes and
handwritten equations on drawing.
|
circa 1937-1941 |
Jean Roth Roth, Jean, 1915-1971 (Artist)
Alternate name: Jean Roth Driskel.
Jean Roth Driskel studied at the University of Washington for
four years before receiving a tuition scholarship to study at the Art Center
School in Los Angeles, California for four years beginning in 1938. Her
scholarship was rescinded after the 1938-1939 school year due to being married,
and Driskel never received her architecture degree. Driskel passed her
California licensing exam by examination in 1948. She apprenticed as a
draftsman with A. R. Walker, Los Angeles, 1942-1946 and worked as a designer
with former classmate A. Quincy Jones, 1946-1948. She then established her own
practice in South Pasadena beginning in 1948. She briefly partnered as Driskel,
Tryon & Foy, 1965-1967, and later as Tryon & Driskel, in 1967-1968,
before returning to individual practice in South Pasdena, California in 1968.
As the first woman to be elected officer in the California chapter of the AIA,
she served as Secretary of the AIA Pasadena Chapter, 1961-1962; Vice President,
1967; President, 1968; and Director, 1969. Driskel also served as President of
the Los Angeles Chapter of the Association of Women in Architecture, 1954; and
later as the National President of the Association of Women in Architecture,
1954-1956. Jean Roth Driskel was the third woman to be elected to the AIA
College of Fellows.
|
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Freshman year, 1933-1934 |
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item | ||
Roth 1 | Classical window 1 design/analytique drawing : gouache/watercolor with graphite on paper with
cheesecloth backing ; 20 3/4 in x 14 3/4 in
Freshman analytique.Monochromatic rendering of an elongated window with pediment
and balcony set into a stone wall with detail drawings of decorative elements
and balcony balustrade. Penciled plan and section drawing.
|
circa Autumn 1933 |
Clarence Rueger Rueger, Clarence R. (Artist)
Student name as written: C. R. Rueger.
Clarence Rueger received his B.Arch from the University of
Washington in 1931.
|
||
Junior year, 1928-1929 |
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item | ||
Rueger 1 |
A Post Office 1 design drawing : gouache/watercolor with ink on paper with
cheesecloth backing ; 39 3/4 in x 30 1/2 in
Class B I projet. Stamped with Society of Beaux Arts
Architects seal indicating the design was judged in the national
competition.Elevation of building facade with three stone-arched
doorways topped with decorative relief tympana; plan shows decorative tile
pattern in lobby, mail processing areas, and parking lot; section drawing
through center of building shows an ornate lobby with Corinthian pilasters,
metalwork grille service counters, and stone inlay on the walls. Detail
drawings of decorative metal flag holders.
|
circa 1928-1929 |
Rueger 2 |
A Restaurant on the
Water 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 30 1/2 in x 39 3/4 in
Class B II projet. Stamped with Society of Beaux Arts
Architects seal indicating the design was judged in the national
competition.A Spanish Revival building with decorative arched doorway
and striped awnings with steps leading to a waterfront promenade. Watercolor
rendering with elevation shows the main building with terracotta roof and a
space for outdoor seating areas and an open space with semi-circular colonnade.
Plan shows layout of site and main building with seating arrangement. Section
drawing of main building and site reveals a two-story building with table and
the arched bridge under the steps leading to the waterfront.
|
circa 1928-1929 |
5th year, 1930-1931 |
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item | ||
Rueger 3 |
Bus Terminal Hotel 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 39 3/4 in x 31 1/2 in
Entered in the Bebb Prize design competition and awarded
"First Mention Placed."An art deco styled h-shaped building with multiple stories
wraps around an integrated bus terminal on one side. Elevation drawing shows
horizontal rows of windows in the upper levels of the building; the lower level
houses the bus terminal and is marked by a stylized red sign with two
decorative towers in red, white, and blue rising from the entrance to the bus
terminal. Two plans show the bus terminal and a typical hotel floor.
|
circa Autumn 1930 |
John C. Rushmore Rushmore, John C., 1921-2001 (Artist)
Student name as written: Rushmore.
John Charles Rushmore received his B.Arch from the University of
Washington in 1949. Following graduation, Rushmore worked for Victor Jones
& Associates, c.1949-1953, before opening his own practice as John Rushmore
& Associates, Bellevue, in 1953 until his retirement in 1998. Notable works
include the Tradewell Market in Columbia City, 1957; the Bellevue/John Danz
Theatre, 1961; the Theta Chi Fraternity House addition and skybridge at the
University of Washington, 1964; and the Eighth Street Building in Bellevue,
1960.
|
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Junior year, 1946-1947 |
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item | ||
Rushmore 1 | Casino and dance hall on waterfront 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 29 1/2 in x 39 1/2 in
Junior design.Design drawing includes a watercolor perspective drawing,
plan, and section drawing of waterfront building with waterfront terrace and
hexagonal dining room. Plan shows areas for gaming, dancing, and dining.
Section drawings show the interior of the building through the kitchen, dining
room, and dance area.
|
circa 1946-1947 |
Rushmore 2 | Sarcophagus on an island 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 31 in x 39 3/4 in
Note: Student was enrolled as a Junior in the 1946-1947
school year, however, this assignment would have been completed in the
Architectural Design I class, typically undertaken during the Sophomore year
and extending into the Junior year.Watercolor rendering/elevation with plan of small island
terrace with a stone pillar capped with sarcophagus with relief image of angel.
Detail drawing of the pier, angel relief, and Roman inscription lettering.
Lightly painted plan shows the stairway from the boat landing to the
pillar.
|
circa Autumn 1946 |
Senior year, 1947-1948 |
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item | ||
Rushmore 3 |
A Washington State Building
at a World's Exposition 1 design drawing : gouache/watercolor and white with graphite and ink
on paper ; 29 3/4 in x 39 1/2 in
Senior design.Colorful perspective drawings show the interior and exterior
of a building endcapped with wooden paneling and walls of windowed glass on
each side connected to a wooden deck and covered walkway. Plan shows the
building houses a theatre, restrooms, and information desk and an additional
covered lounge on the opposite side of the deck. Interior perspective drawing
and section drawing shows a tree in the center landscaped section of the
building.
|
Winter 1948 |
5th year, 1948-1949 |
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item | ||
Rushmore 4 | Synagogue interior Assignment title: Interior of Orthodox Jewish
synagogue.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 29 3/4 in x 39 3/4 in
5th year design.Design drawing includes two watercolor section drawings,
elevation drawing of ark and temple plan. Section drawings and plan indicate
the temple has a seating balcony and a colonnade of slender columns.
Longitudinal section drawing shows an upward angled roof over the seating area
of the temple. Transverse section drawing shows the bimah against a wooden
paneled wall.
|
circa 1948-1949 |
George Vernon Russell Russell, George Vernon, 1905-1989 (Artist)
George Vernon Russell received his B.Arch from the University of
Washington in 1928. He studied at the Ecole des Beaux Arts in Fontainebleu,
France, 1928. As a student he received the MIT Prize and the J. P. Alaux Prize
in 1928.Following graduation, Russell worked as a Draftsman for Edward
Necarsulmer, Architect, New York, 1929-1930; Draftsman, York & Sawyer,
Architects, New York, 1930-1932; Designer, Edward Necarsulmer, Architect, New
York, NY, 1932; and Designer, Reginald Johnson, Architect, Los Angeles,
1933-1934. Russell partnered with Douglas Honnold as Honnold & Russell,
Architects, Los Angeles, 1935-1942; with Eduardo J. Samaniego as Russell &
Samaniego, Architects, Los Angeles, 1946-1950; before forming George Vernon
Russell and Associates, Architects, Los Angeles in 1951.Notable works include the Flamingo Hotel in Las Vegas, c.1946;
the Hollywood Reporter Building in Hollywood, c.1946; and the Joyce Shoe
Company in Pasadena, c.1950. Russell was elected to the College of Fellows of
the American Institute of Architects (FAIA) in 1958.
|
||
Senior year, 1927-1928 |
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item | ||
Russell 1 |
A Mountain Inn 1 design/thesis drawing : gouache/watercolor with charcoal, graphite and ink
on paper with cheesecloth backing ; 29 3/4 in x 49 in
Senior design/thesis.Watercolor rendering/elevation of a multi-story mountain
lodge on a rocky bluff with terraced observation areas. The stone lodge has
multiple chimneys, half-timbered ornamentation and exterior walkways on the
upper levels. Plan of ground floor.
|
1928 |
Jack Ryan Ryan, John Lee (Artist)
Student name as written: Jack Ryan.
|
||
Freshman year, 1938-1939 |
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item | ||
Ryan 1 | Tomb 1 historical drawing : ink on paper ; 20 1/4 in x 28 1/2 in
Pen and ink freshman historical drawing of a footed
ornamented church altar tomb with recumbent sculpted figure with detail
drawings of relief mouldings. Inscribed on tomb: Alex VI.
|
circa Winter 1939 |
Sophomore year, 1939-1940 |
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item | ||
Ryan 2 | Dog kennel Assignment title: Veterinarian office and kennel.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 30 3/4 in x 39 in
Sophomore design.Watercolor rendering/elevation of a single story dog kennel
shows a main building with steeply pitched roof and projected entrance with
ornamentation. Main building is attached to a smaller building housing kennel
runs and shelters. Perspective drawing shows the building facade. Plan and
section drawing.
|
circa Spring 1940 |
Ryan 3 |
A Restaurant in Woods Assignment title: Restaurant for hikers and cyclists in
wooded area.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 31 in x 39 3/4 in
Watercolor rendering/elevation of a modernist stone and
glass building with outside dining terrace in a wooded area. Section drawing
and plan.
|
circa Spring 1940 |
Unknown dates |
||
item | ||
Ryan 4 | Light standards 1 sketch problem : graphite on paper with matting ; 28 in x 22 in
Sketch problem.Rendering/elevation of a stairway framed by walls supporting
two light columns with vertical rows of decorative ornamentation.
|
circa 1940-1942 |
Container(s) | Description | Dates |
---|---|---|
Dean Sanders Sanders, Dean H. (Dean Harris) (Artist)
Student name as written: Dean Sanders.
Dean Harris Sanders received his B.Arch from the University of
Washington in 1940. Following graduation, he worked for the Boeing Company,
1941-1945. He worked for Henry Bittman, Architect, Seattle, 1945-1953. After
Bittman's death in 1953, Sanders partnered with Henry Bittman's son, Harold
Bittman, and Harold Adams as Bittman, Adams & Sanders, Seattle, 1954. The
firm continued without Adams as Bittman & Sanders, Seattle, 1955 to an
unknown date. Notable works include the Addressograph Multigraph Agency,
c.1954, in South Lake Union.
|
||
Freshman year, 1932-1933 |
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item | ||
Sanders 1 | Memorial chapel 1 design/analytique drawing : ink wash with graphite on paper ; 17 1/2 in x 23 3/4 in
Watercolor rendering with penciled plan and section drawing
of a walled plaza with smooth-faced chapel. Chapel has relief ornamentation
along the top with centered entrance under an elongated window with cross. Plan
of chapel; section drawing through chapel reveals the interior with memorial
wall plaques. Classmates' names are lettered on the plaza wall.
|
June 5, 1933 |
Sophomore year, 1933-1934 |
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item | ||
Sanders 2 | Semi-circular portico and entrance 1 design/analytique drawing : gouache/watercolor with graphite on paper with
cheesecloth backing ; 40 in x 30 3/4 in
Sophomore analytique.Elevation of a semi-circular portico for a brick building
shows a double door with cornice, framed by columns supporting a small balcony.
Detail drawings show column base and capital, frame, and decorative urn.
Section drawing and plan of the portico.
|
October 28, 1933 |
Senior year, 1935-1936 |
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item | ||
Sanders 3 |
Concert Hall on Private
Estate 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 30 3/4 in
Senior design.Design drawing includes a watercolor rendering/elevation of
the building; plan showing the foyer, stage, and auditorium seating area; and a
section drawing revealing the windowed walkways along each side of the
auditorium.
|
June 6, 1936 |
Edward Sands Sands, Edward , 1910-1996 (Artist)
Student name as written: E. Sands.
Edward Elmer Sands received his B.Arch from the University of
Washington in 1937. He worked as a Draftsman for Floyd A. Naramore, Architect,
Seattle, 1934-1940, and later as a Designer for Naramore and Brady, Architects,
Seattle, c.1940-1941. Sands became Design Chief for Siems Drake in Puget Sound,
c.1941-1943, before working as a Supervising Engineer for the United States
Army Corps of Engineers, Seattle, 1943-c.1946. He returned to private
architectural practice, working for Waldo B. Christenson, Seattle, 1946-1949.
He later joined fellow alumni Bjarne Olsen's architectural practice in Juneau,
Alaska, as Olsen & Sands, 1956-1968; later as Sands & Ackley,
Architects, 1969-1974. The firm changed names to Ackley & Associates,
Inc.,1974-1979, however, it is unknown whether Edward Sands remained involved
with the firm after Sands & Ackley.
|
||
Freshman year, 1931-1932 |
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item | ||
Sands 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 14 in x 20 in
Freshman lettering exercise of Roman inscription capital
letters J, A, L, X, O, M.
|
circa Autumn 1931 |
Sands 2 | Vase in niche 1 design/analytique drawing : gouache/watercolor with graphite and ink wash on
paper ; 17 3/4 in x 24 3/4 in
Freshman analytique.Watercolor rendering with penciled plan and section drawing
of niche in wall with vase framed by Doric columns and arched pediment in a
garden setting with detail drawings of vase, column base and shaft, and
entablature.
|
1932 |
F. I. Sather Sather, F. I. (Artist)
Student's full name unknown.
|
||
Freshman year, 1934-1935 |
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item | ||
Sather 1 |
Tomb of Joanni
Arberino 1 historical drawing : ink on paper ; 27 1/2 in x 20 in
Pen and ink freshman historical drawing of an ornamented
church altar tomb with relief mouldings and recumbent sculpted figure in
constructed niche framed with entablature. Inscribed name on tomb: Joanni
Arberino Jocobi.
|
March 18, 1935 |
Unknown dates |
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item | ||
Sather 2 | Library Assignment title: Large public library, large stack
wing.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 1/2 in x 58 3/4 in
Watercolor elevation of a multi-story library building with
panels of elongated windows separated by fluted pilasters and decorated with
images of people. Multiple plans show the administrative areas, circulation
desks, bindery, exhibition areas, and cataloging department on the ground
floor; and a include a typical stack plan which shows working areas in a
windowed reading room. Section drawing through main building shows a heightened
section for reading room, memorial lobby, and workspace. Exterior elevation of
building's side.
|
circa Autumn 1940 |
Savery, Winifred Ceis See: Winifred Ceis.
|
||
Winston Schleef Schleef, Winston H., 1914-2000 (Artist)
Winston Schleef received his B.A./B.S. in General Studies and a
certificate in Naval Studies from the University of Washington in 1938. As a
student, Schleef was active in the Naval ROTC; following graduation, Schleef
served in the U.S. Navy Supply Corps, rising to the rank of Rear Admiral.
|
||
Sophomore year, 1935-1936 |
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item | ||
Schleef 1 | End pavilion in a garden 1 design/analytique drawing : charcoal and gouache/watercolor with graphite on
paper with cheesecloth backing ; 30 3/4 in x 39 3/4 in
Monochromatic rendering/elevation of a pavilion with
colonnade set into a stone wall. Detail drawings of planted cactus, column
shaft and capital; plan; section drawing through the pavilion.
|
circa 1935-1936 |
Ruth Schneider Schneider, Ruth (Artist)
Student name as written: R. Schneider.
Ruth Schneider married, and later divorced, fellow UW
architecture classmate and Los Angeles architect A. Quincy Jones.
|
||
Freshman year, 1933-1934 |
||
item | ||
Schneider 1 | Classical window 1 design/analytique drawing : ink wash with graphite on paper with cheesecloth
backing ; 22 1/4 in x 16 in
Freshman analytique.Monochromatic rendering of an elongated window with pediment
and balcony set into a stone wall with detail drawings of decorative elements
and balcony balustrade. Penciled plan and section drawing.
|
circa 1933-1934 |
Schneider 2 | Classical vase in niche 1 design/analytique drawing : gouache/watercolor with graphite and paper on
cheesecloth backing ; 22 1/2 in x 16 3/4 in
Freshman analytique.Monochromatic rendering of niche in wall with vase framed by
Doric columns and open-topped pediment in a garden setting with detail drawings
of lidded vase, column, and entablature. Penciled plan.
|
circa 1933-1934 |
Schneider 3 | Columns with spring 1 design/analytique drawing : monochromatic watercolor wash with graphite on
paper with cheesecloth backing ; 30 3/4 in x 39 3/4 in
Monchromatic rendering/watercolor of a peristyle: two rows
of columns with decorated entablature contain a small court with fountain.
Detail drawings of basins and Doric columns; plan and lightly penciled section
drawing show the fountain.
|
circa 1933-1934 |
Schneider 4 | Facade of an embassy 1 design drawing : ink wash on paper ; 20 1/2 in x 28 in
Freshman design provides an elevation of the facade of a
neoclassical building with stone base and exterior colonnade with Corinthian
columns and entablature on the upper level; partial section drawing through
colonnade; half-plan.
|
circa 1933-1934 |
Sophomore year, 1934-1935 |
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item | ||
Schneider 5 | Entrance to architecture school 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 30 1/4 in x 40 1/4 in
Sophomore analytique.Monochromatic rendering/elevation of a double-door with
relief panels of symbolic imagery and transom window with grille. The entrance
is ornamented with a wall relief, Ionic columns, and curved horn sculptures on
each side of the door. Partial section drawing shows locations of columns and
horn on front porch.
|
circa Winter 1935 |
Junior year, 1935-1936 |
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item | ||
Schneider 6 | Airport terminal building Student's title indecipherable.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 31 in x 30 in
Junior design.Rendering/elevation of a flat-roofed building with windowed
tower rising from center section. Plans shows main floor with public and
administrative areas and runway outside the building. Section drawing through
building shows the baggage area and tower.
|
circa 1935-1936 |
Schneider 7 | Bandstand 1 sketch problem : charcoal on paper with matting ; 22 in x 27 3/4 in
Junior sketch problem.Charcoal rendering of circular stage enclosed by an Ionic
colonnade supporting entablature and a flat roof. Penciled drawings on
back.
|
circa 1935-1936 |
Schneider 8 |
Casino de la Mer Assignment title: Casino on an island.
1 design drawing : gouache/watercolor with graphite and ink on
paper ; 31 in x 39 3/4 in
Junior design.Watercolor rendering/elevation of a building with terracotta
roof, terrace, and semi-circular atrium on an island with palm trees. Plan show
areas for gaming, dancing, dining, and the boat landing. Partial plan shows the
administrative and storage areas under the terrace. Section drawing reveals the
interior of the round dancing atrium and the gaming area.
|
circa 1935-1936 |
Architectural ornamentation class |
||
item | ||
Schneider 9 | Bishop's throne, crown, and cross 1 ornament class project : gouache/watercolor with graphite on
paper ; 40 in x 30 3/4 in
Architectural ornamentation class project.Watercolor drawing shows a jeweled crown, jeweled cross, and
stone throne with embroidered cushion and rounded back with inscription and
mosaic emblem.
|
circa 1935-1937 |
Schneider 10 | Gothic round window 1 ornament class project : gouache/watercolor with ink on paper and tracing
paper with matting ; 28 1/4 in x 28 in
Architectural ornamentation class project.Round stained glass window with acanthus leaves arranged in
a pattern around a dark blue center and framed in an outer ring inscribed with
student's name and project title.
|
circa 1935-1937 |
Thornton Drexel Scott Scott, T. Drexel, 1912-1996 (Artist)
Alternate name: T. Drexel Scott.Alternate name: Thornton Drexel Scott.
T. Drexel Scott received his B.Arch from the University of
Washington in 1941. After World War II ended, Scott worked as an associate
architect in the firm of Luther E. McCoy, Vancouver. He continued as an
architect and builder in the Vancouver, Washington, area.
|
||
Senior year, 1940-1941 |
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item | ||
Scott 1 |
Architectural Competition
Alumni Prize Assignment title: AIA building with restaurant and club
rooms.
1 design drawing : ink wash with graphite on paper ; 31 1/2 in x 40 in
Senior design. Design for the AIA building was submitted to
the Alumni Prize architectural competition and awarded "1st Prize, 2nd
Medal."Exterior elevations with section drawing and multiple plans
for a multi-story building. Plans for basement and six floors shows the
building houses a restaurant, gallery, bar, lounge, atelier room, offices,
workspaces, and library.
|
circa 1940-1941 |
Seth Seablom Seablom, Seth H. (Artist)
Student name as written: H. Seablom.
Seth Seablom received his B.Arch from the University of
Washington in 1961. Following graduation, he was awarded the AIA Tau Sigma
Delta scholarship to study at the University of Pennsylvania, where he earned
his M.Arch and M.C.P. in 1963. Seablom received a Fulbright award in 1963. He
became a Fellow of the American Academy in Rome in 1968. He returned to
Seattle, working with Jones and Jones and as Seth Seablom, Architect.
|
||
Junior year, 1958-1959 |
||
item | ||
Seablom 1 |
A Memorial Plaza 1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 29 1/2 in x 40 in
Grade II analytique.Watercolor rendering/elevation of a building with gridded
facade supported by pillars on a sculpture plaza. Detail drawing of sculpture
and pergola.
|
Winter 1959 |
Menalkas Selander Selander, Menalkas, 1913-2003 (Artist)
Student name as written: Selander.
Menalkas "Mac" Selander graduated from the Art Institute of
Seattle. After World War II, he worked as a commercial artist and painter in
Portland, particularly well-known for desert scenes and watercolor paintings of
the Oregon coastline, until his retirement in the mid-1970s. After retirement,
he took up woodcarving and jewelry-making. His work is held in the Portland Art
Museum and the Smithsonian American Art Museum.
|
||
Freshman year, 1932-1933 |
||
item | ||
Selander 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 14 in x 19 3/4 in
Freshman lettering exercise of Roman inscription capital
letters U, N, I, V, O, F, W.
|
circa 1932-1933 |
Baldwin Shay, Jr. Shay, A. Baldwin (Artist)
Student name as written: Baldwin Shay.Alternate name: Anel Baldwin Shay, Jr.
Anel Baldwin Shay, Jr. received his B.A/B.S. in General Studies
from the University of Washington in 1940. His name is listed in the Garden of
Remembrance memorial at Benaroya Hall and the Interrupted Journey World War II
memorial on the University of Washington campus in memory of those who died in
combat or in direct support of allied forces during World War II.
|
||
Sophomore year, 1936-1937 |
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item | ||
Shay 1 | Mortuary chapel for Alpine community 1 design drawing : gouache/watercolor with graphite and ink on paper
with cheesecloth backing ; 30 3/4 in x 39 3/4 in
Watercolor rendering of a stone chapel with cemetery in a
mountain area. Plan and section drawing show the columbarium and chapel.
|
1937 |
Loyle Shearer Shearer, Loyle O. (Artist)
Student name as written: L. O. Shearer.
|
||
Sophomore year, 1945-1946 |
||
item | ||
Shearer 1 | Real estate sales office 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 30 1/2 in
Sophomore design.Watercolor perspective drawing of a modernist building with
stone and wood exterior walls, flat roof, and windowed entry covered by a porte
cochere leading to an observation deck opposite the building. Plan shows the
real estate sales office, architect's office, drafting room, and parking areas.
Exterior elevation shows the front of building. Section drawing through the
sales room.
|
circa Autumn 1945 |
Junior year, 1946-1947 |
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item | ||
Shearer 2 | Casino and dance hall on waterfront 1 design drawing : gouache/watercolor with graphite and ink on
paper ; 39 3/4 in x 30 3/4 in
3 photographs : black and white photographs
Junior design.Perspective drawing of a circular building with domed roof
extended over the water with attached entrance on waterfront embankment. Plan
shows lounge, outdoor terraces, and areas for dancing and dining. Section
drawings reveal the structure of the building over land and water. Attached
photographs show a model of the structure completed by the student.
|
circa 1946-1947 |
Fred Sheel Sheel, Fred (Artist)
|
||
Freshman year, 1931-1932 |
||
item | ||
Sheel 1 | Classical window 1 design/analytique drawing : gouache/watercolor with graphite and ink on
paper ; 26 1/4 in x 19 3/4 in
Monochromatic rendering of an elongated window with pediment
and balcony set into a stone wall with detail drawings of ornamental motif,
classical vase, decorative scroll, and acroterion. Penciled plan and section
drawing.
|
December 15, 1931 |
Stan Shepard Shepard, Stan (Artist)
|
||
Freshman year, 1939-1940 |
||
item | ||
Shepard 1 | Lettering exercise 1 drawing exercise : ink with graphite on paper ; 14 3/4 in x 19 3/4 in
Freshman lettering exercise of Roman inscription capital
letters V, W, A, S, H, E, P.
|
October 16, 1939 |
Robert Shields Shields, Robert M., 1917-2012 (Artist)
Student name as written: Robt. Shields; R. Shields; R. M.
Shields; Shields.
Robert Shields received his B.Arch from the University of
Washington in 1941. Following graduation, Shields served in the U.S. Navy and
upon returning, formed a partnership with fellow alumni Bert Tucker and Roland
Terry as Tucker, Shields & Terry, Architects, Seattle, 1947-c.1951. When
Roland Terry left in 1951, the partnership continued as Tucker & Shields,
1951- c.1964, and focused primarily on custom residences throughout the Seattle
area. Notable works include the Canlis Charcoal Broiler in Seattle, 1950; the
Bud Burnett House in Seattle, 1950; and the Harold and Eunice Keller House,
c.1950. After Tucker & Shields, Robert Shields operated independently,
primarily designing residences until the late 1970s. Shields designed over 100
residences in the Seattle area. He was an occasional lecturer at the University
of Washington Department of Architecture and School of Art.
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Freshman year, 1936-1937 |
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Shields 1 |
Fontainbleau School of
Architecture Title as written by student.Assignment title: Entrance to a fine arts school.
1 design/analytique drawing : gouache/watercolor with graphite on
paper ; 18 in x 24 in
Monochromatic watercolor rendering/elevation of the entrance
to a school of architecture. The double doors are ornamented with Classical
motifs and framed by a wide moulding with inscription above doorway. Penciled
plan shows stairs with planters on each side; section drawing through entrance
shows projection of mouldings.
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circa Spring 1937 |
Shields 2 | Perspective of house:Plate
7 1 drawing exercise : ink on paper ; 17 in x 22 in
Perspective drawing ex |