Tomás Ybarra-Frausto photograph collection, circa 1969-1979
Table of Contents
Overview of the Collection
- Collector
- Ybarra-Frausto, Tomás, 1938-
- Title
- Tomás Ybarra-Frausto photograph collection
- Dates
- circa 1969-1979 (inclusive)19601980
- Quantity
-
145 photographic prints (1 box and 1 folder) ; sizes vary
1 slide - Collection Number
- PH0437
- Summary
- Photographs of Chicano artists, plays, protests, La Escuelita community center, and other activities related to Chicanos in Washington State
- Repository
-
University of Washington Libraries, Special Collections
Special Collections
University of Washington Libraries
Box 352900
Seattle, WA
98195-2900
Telephone: 2065431929
Fax: 2065431931
speccoll@uw.edu - Access Restrictions
-
Entire collection can be viewed on the Libraries’ Digital Collections website. Permission of Visual Materials Curator required to view originals. Contact Special Collections for more information.
- Additional Reference Guides
These materials form part of the Tomás Ybarra-Frausto Papers, which are described and indexed in the guide to the Tomás Ybarra-Frausto Papers .
- Languages
- English
Biographical Note
Tomás Ybarra-Frausto taught in the Romance Languages and Literature Department at the University of Washington from 1970 until 1976. He was an instructor of Chicano culture and history and was actively involved in proposals for a Chicano Studies Program at the University. He was also interested in the activities of Chicano artists, theater and dance groups, student movements, farm workers associations, educational associations, and self-help organizations in Washington, Idaho and, Oregon.
Content Description
The collection includes photographs relating to the activities of Chicano artists, students, and organizations in Washington State. Among the organizations represented are: La Escuelita in Granger, Washington, Teatro del Piojo, a theatrical group focused on portraying the Chicano experience, and Movimiento Estudiantil Chicano de Aztlán (MECHA), a student organization that promotes higher education, culture and history.
Use of the Collection
Alternative Forms Available
View the digital version of the collection
Restrictions on Use
Restrictions may exist on reproduction, quotation, or publication. Contact Special Collections, University of Washington Libraries for details.
Administrative Information
Return to TopDetailed Description of the Collection
-
Events and meetings
-
Construction of La Escuelita, 1969
La Escuelita was a community center founded in Granger, Washington (with its population of 50% Chicano residents) whose mission was to provide an environment that would foster a positive self-image and encourage intellectual and spiritual development through language, games, and folkdance.
-
Description: La Escuelita entrance
Note on verso: "'La Escuelita' formerly Granger's old Catholic Church".
Dates: circa 1969Container: Box/Folder 1/1, Item 1 -
Description: People painting ceilingDates: circa 1969Container: Box/Folder 1/1, Item 2
-
Dates: circa 1969Container: Box/Folder 1/1, Item 3
-
Description: Escuelita member tearing down beamsDates: circa 1969Container: Box/Folder 1/1, Item 4
-
Dates: circa 1969Container: Box/Folder 1/1, Item 5
-
Description: Escuelita members sanding archesDates: circa 1969Container: Box/Folder 1/1, Item 6
-
Description: Escuelita member Gustavo changing music near archesDates: circa 1969Container: Box/Folder 1/1, Item 7
-
Description: Ceiling beams and archesDates: circa 1969Container: Box/Folder 1/1, Item 8
-
Description: Repainted beams and wallsDates: circa 1969Container: Box/Folder 1/1, Item 9
-
Description: Escuelita member Irene Castilleja sweeping floorDates: circa 1969Container: Box/Folder 1/1, Item 10
-
Description: Mrs. Castaneda and her daughter sawing boardDates: circa 1969Container: Box/Folder 1/1, Item 11
-
Description: Cupboards built by Gustavo GarciaDates: circa 1969Container: Box/Folder 1/1, Item 12
-
Description: Varnished and installed cupboardsDates: 1969Container: Box/Folder 1/1, Item 13
-
Description: Library shelvesDates: 1969Container: Box/Folder 1/1, Item 14
-
Dates: circa 1969Container: Box/Folder 1/2, Item 15
-
Dates: 1969Container: Box/Folder 1/2, Item 16
-
Description: Job Corp volunteers sanding tableDates: 1969Container: Box/Folder 1/2, Item 17
-
Description: Sink built by Escuelita membersDates: circa 1969Container: Box/Folder 1/2, Item 18
-
Description: Job Corp volunteers unloading plywoodDates: circa 1969Container: Box/Folder 1/2, Item 19
-
Description: Volunteer Maria Gamboa taking break outsideDates: circa 1969Container: Box/Folder 1/2, Item 20
-
Dates: circa 1969Container: Box/Folder 1/2, Item 21
-
Description: Escuelita members, Gustavo Garcia, Guillermo Castaneda, Maria Gamboa, and Irene Castilleja taking break outsideDates: circa 1969Container: Box/Folder 1/2, Item 22
-
Dates: circa 1969Container: Box/Folder 1/2, Item 23
-
Dates: circa 1969Container: Box/Folder 1/2, Item 24
-
Dates: circa 1969Container: Box/Folder 1/2, Item 25-26
-
La Escuelita, After Construction, undated
-
Description: Cupboards with potteryDates: undatedContainer: Box/Folder 1/3, Item 27
-
Description: Cupboards and sink areaDates: undatedContainer: Box/Folder 1/3, Item 28
-
Description: Ceiling beams with festive decorationsDates: undatedContainer: Box/Folder 1/3, Item 29
-
Description: General interiorDates: undatedContainer: Box/Folder 1/3, Item 30
-
Description: Window above La Escuelita entryway with "Calmecac" artwork
Calmécac means "school of learning" in Nahuátl, a dialect in the Uto-Aztecan language family.
Dates: undatedContainer: Box/Folder 1/3, Item 31
-
-
-
United Farm Workers gathering in Granger, Washington, circa 1969
-
Description: César Chávez speaking at La EscuelitaDates: circa 1969Container: Box folder:oversize OS3, Item 32
-
Description: César Chávez speaking at Granger High SchoolDates: circa 1969Container: Box folder:oversize OS3, Item 33
-
Description: Attendees listening to César ChávezDates: circa 1969Container: Box folder:oversize OS3, Item 34
-
-
Meetings at U.S. Penitentiary on McNeil Island in Steilacoom, Washington, 1969-1970
-
Description: Two men shaking hands in front of American flag and United Farm Workers flag on September 14, 1969Dates: 1969Container: Box/Folder 1/4, Item 35
-
Description: Attendees on September 14, 1969Dates: 1969Container: Box/Folder 1/4, Item 36
-
Description: Speakers and performers in front of Viva La Raza poster and United Farm Workers flag on January 16, 1970Dates: 1970Container: Box/Folder 1/5, Item 37-48
-
Description: Attendees on January 16, 1970Dates: 1970Container: Box/Folder 1/6, Item 49-52
-
-
MECHA Retreat at Pack Forest in Eatonville, Washington, 1971
Movimiento Estudiantil Chicano de Aztlán (MECHA) is a student organization that promotes higher education, culture and history. MECHA was founded in 1969 on the principles of self-determination, political involvement, and education for the liberation of Chicano people.
-
Description: People seated at MECHA RetreatDates: circa 1971Container: Box/Folder 1/7, Item 53
-
Description: Woman at MECHA RetreatDates: 1971Container: Box/Folder 1/7, Item 54
-
-
Mexican Folk Art Exhibition at Western Washington State College in Bellingham, Washington, circa 1961-1977
-
Description: Men preparing for exhibition and hanging artworkDates: circa 1961-1977Container: Box/Folder 1/8, Item 55
-
Description: Tomás Ybarra-Frausto holding horse figurineDates: circa 1961-1977Container: Box/Folder 1/8, Item 56
-
Description: Tomás Ybarra-Frausto pointing to artworkDates: circa 1961-1977Container: Box/Folder 1/8, Item 57
-
Description: Pottery displayDates: circa 1961-1977Container: Box/Folder 1/8, Item 58
-
-
-
Demonstrations and protests
-
Dates: 1969Container: Box folder:oversize OS3, Item 59
-
Chicano Moratorium in Seattle, Washington, 1970
-
Description: Young men and women at Chicano MoratoriumDates: 1970Container: Box/Folder 1/9, Item 60-61
-
-
Description: MECHA student demonstration outside of Padelford Hall at the University of Washington in Seattle, Washington
Note on verso: "Chicanas, Daily, 1/30/70 - pg. 2, Dr. Ricardo Aguire archive".
This photograph accompanied an article inThe Dailyon January 30, 1970. The article, entitled "30 Chicanos March," discussed the Chicano student demonstration over the lack of disciplinary action taken against a teaching assistant in the romance language department. The teaching assistant, Luis Larios from Barcelona, Spain, was accused of admonishing two Chicano students for "the use of their mother tongue".
Dates: 1970Container: Box/Folder 1/9, Item 62 -
Demonstration at King County Courthouse in Seattle, Washington, 1972
-
Dates: 1972Container: Box/Folder 1/10, Item 63
-
Dates: 1972Container: Box/Folder 1/10, Item 64
-
Dates: 1972Container: Box/Folder 1/10, Item 65
-
Dates: 1972Container: Box/Folder 1/10, Item 66
-
-
-
Theater - Teatro del Piojo
Teatro del Piojo, "Theater of the Louse," was a theatrical group founded in 1970 and directed at its outset by Ybarra-Frausto. Teatro del Piojo toured the West Coast region with humorous and satirical “actos” portraying the Chicano experience.
-
Performance images inThe Daily, 1971-1972
An article about El Teatro del Piojo was included in the UW student publicationThe Dailyon May 11, 1971, as part of a special Viva La Raza edition ofThe Daily.
-
Dates: 1971Container: Box/Folder 1/11, Item 67
-
Description: Four performers wearing dark robes, masks, and "Sistema" and "Educativo" signs hold white sheetDates: 1971Container: Box/Folder 1/11, Item 68
-
Dates: 1971Container: Box/Folder 1/11, Item 69
-
Description: Tomás Ybarra-Frausto and two guitarists sing on stage
Note on verso: "Daily 5/10/72".
This image was not included inThe Dailyon May 10, 1972.
Dates: 1972Container: Box/Folder 1/11, Item 70
-
-
Performances at U.S. Penitentiary on McNeil Island in Steilacoom, Washington, 1972
-
Description: Tomás Ybarra-Frausto holding a hat with another man on stage
Note on verso: "To El Carnal Tomas, from Los Vatos de MASH, Tony [ilg], MASH President".
Dates: 1972Container: Box/Folder 1/12, Item 71 -
Description: Sally Cantu and three other people on stage
Note on verso: "To La Carnala Sally, from Los Vatos de MASH, Tony [ilg], MASH President".
Dates: 1972Container: Box/Folder 1/12, Item 72 -
Description: Sally Cantu and five other people on stage
Note on verso: "To La Carnala Celia, from Los Vatos de MASH, Tony [ilg], MASH President".
Dates: 1972Container: Box/Folder 1/12, Item 73 -
Description: Tomás Ybarra-Frausto with female guitarist and others on stage
Note on verso: "To El Teatro del Piojo, from Los Vatos de MASH 1/24/72, Tony [ilg], MASH President".
Dates: 1972Container: Box/Folder 1/12, Item 74 -
Description: Performers kneel on stage
Note on verso: "To El Teatro del Piojo, from Los Vatos de MASH, Tony [ilg], MASH President".
Dates: 1972Container: Box/Folder 1/12, Item 75 -
Description: Tomás Ybarra-Frausto and others on stage with Viva La Raza sign and United Farm Workers flag
Note on verso: "To El Teatro del Piojo, from Los Vatos de MASH 1/24/72, Tony [ilg], MASH President".
Dates: 1972Container: Box/Folder 1/12, Item 76 -
Description: Tomás Ybarra-Frausto and others on stage with cross
Note on verso: "To El Teatro del Piojo, from Los Vatos de MASH, Tony [ilg], MASH President".
Dates: 1972Container: Box/Folder 1/12, Item 77 -
Dates: 1972Container: Box/Folder 1/12, Item 78
-
-
Performances at UFWOC Benefit in Sunnyside, Washington, 1972
-
Dates: 1972Container: Box/Folder 1/13, Item 79
-
Dates: 1972Container: Box/Folder 1/13, Item 80
-
Dates: 1972Container: Box/Folder 1/13, Item 81-83
-
-
Performances at Washington State Penitentiary in Walla Walla, Washington, undated
-
Description: Contact sheet containing 36 images of El Teatro del Piojo performance at Washington State Penitentiary in Walla Walla, Washington
Note on verso: "#44, Salazar".
Dates: undatedContainer: Box/Folder 1/14, Item 84 -
Contact sheet containing 36 images of El Teatro del Piojo performance at Washington State Penitentiary in Walla Walla, Washington, undated
Container: Box/Folder 1/14, Item 85
Note on verso: "#45, Salazar".
-
Description: Image 16: men and women seatedDates: undatedContainer: Box/Folder 1/14, Item 86
-
-
-
Outdoor Performances, undated
-
Description: Tomás Ybarra-Frausto, wearing a "Patron" sign, and man in sombrero perform inLas dos caras del patroncitoDates: undatedContainer: Box/Folder 1/15, Item 87
-
Dates: undatedContainer: Box/Folder 1/15, Item 88
-
-
Rehearsals, undated
-
Description: Contact sheet containing 34 images of El Teatro del Piojo rehearsal with Tomás Ybarra-FraustoJohn A. Moore, Office of Information Services, University of Washington, No. M-13997 (photographer)Dates: undatedContainer: Box/Folder 1/16, Item 89
-
Description: Contact sheet containing 30 images of El Teatro del Piojo rehearsal including portraits of Tomás Ybarra-FraustoJohn A. Moore, Office of Information Services, University of Washington, No. M-13998 (photographer)Dates: undatedContainer: Box/Folder 1/16, Item 90
-
-
Performances at Ethnic Cultural Theatre at University of Washington in Seattle, Washington, undated
-
Description: Performers in costumes hold up scarvesDates: undatedContainer: Box/Folder 1/17, Item 91
-
Description: Tomás Ybarra-Frausto, wearing a "Patron" sign, and others perform inLas dos caras del patroncitoDates: undatedContainer: Box/Folder 1/17, Item 92
-
Dates: undatedContainer: Box/Folder 1/17, Item 93
-
Description: Spotlit woman kneels holding book on stageDates: undatedContainer: Box/Folder 1/17, Item 94
-
Description: Performers in yellow capes sit and stand in front of banner reading "Reflexiones de la Raza"
Note on verso: "Frank & Estela Martinez".
Dates: undatedContainer: Box/Folder 1/17, Item 95
-
-
Performances in unknown venue with solid background, undated
-
Description: Performers on stageDates: undatedContainer: Box/Folder 1/18, Item 96-110
-
Description: Men in sound boothDates: undatedContainer: Box/Folder 1/18, Item 111
-
-
Performances in unknown venue with curtained background, undated
-
Dates: undatedContainer: Box/Folder 1/19, Item 112
-
Description: Women kneels next to man lying downDates: undatedContainer: Box/Folder 1/19, Item 113
-
Dates: undatedContainer: Box/Folder 1/19, Item 114
-
Dates: undatedContainer: Box/Folder 1/19, Item 115
-
Dates: undatedContainer: Box/Folder 1/19, Item 116
-
Dates: undatedContainer: Box/Folder 1/19, Item 117
-
Dates: undatedContainer: Box/Folder 1/19, Item 118
-
-
Dates: undatedContainer: Box/Folder 1/20, Item 119
-
Dates: undatedContainer: Box/Folder 1/20, Item 120
-
Dates: undatedContainer: Box/Folder 1/20, Item 121
-
Description: Man creates a sign with the word "Charlie"Dates: undatedContainer: Box/Folder 1/20, Item 122
-
-
People
-
Description: Jose Correa, Antonio Salazar, Eron Maltos and Jesus Lemos
Notes on verso: "UMAS + Huelga banner, Daily 1/28/69 p. 11", "left to right: Jose Correa, Antonio Salazar, Eron Maltos, Jesus Lemos".
This image accompanied an article about the United Mexican-American Students group in the UW student publicationThe Dailyon January 28, 1969.
Dates: 1969Container: Box/Folder 1/21, Item 123 -
Description: Two women and a man in front of a carDates: 1969Container: Box/Folder 1/21, Item 124
-
Description: Four people pose on a lawnDates: 1969Container: Box/Folder 1/21, Item 125
-
Dates: 1970Container: Box/Folder 1/21, Item 126
-
Description: Jimmie Flores and Sally Cantu at U.S. Penitentiary on McNeil Island in Steilacoom, Washington
Notes on verso: "Jimmie Flores & Sally Cantu (Carnala)", "Sally: you bring the beauty in this picture. I'm just there. Smile.", "Taken at McNeil Island, 'Mash' anniversary. Feb. 21, Sun. 1971", "My home add. in L.A. Jimmie G. Flores, 738 La Verne Ave. East L.A. Cal. 90022, 'The Shadow Of Your Smile' remember that song?".
Dates: 1970Container: Box/Folder 1/21, Item 127 -
Description: Eddie Chavez, Pelon Robles, Sally Cantu, Jimmy "Hick" Flores, and Tacheula Alvarez at U.S. Penitentiary on McNeil Island in Steilacoom, Washington
Notes on verso: "Los Vatos de 'Maravilla'", "L. to R., Eddie Chavez, Pelon Robles, Sally Cantu, Jimmy 'Hick' Flores, Tacheula Alvarez", "Dec. 11th 71, You're surrounded by a whole lot of bad guys I'm only kidding (Simply overtaken by passion of hate)."
Dates: 1971Container: Box/Folder 1/21, Item 128 -
Description: Children and workers in a fieldDates: 1971Container: Box/Folder 1/21, Item 129-131
-
Description: Roberto Maestas speaking at a gathering of young peopleBrian Haughton (photographer)
This gathering is likely related to a sit-in on April 5, 1973 in the Mayor's office in Seattle, Washington. Maestas organized the sit-in in an attempt to compel Seattle Mayor Wes Uhlman to sign leases to establish a Chicano ethnic center at the old Beacon Hill School.
Dates: circa 1973Container: Box/Folder 1/22, Item 132 -
Description: Portrait of Antonia Castañeda
Together with Tomás Ybarra-Frausto and Joseph Sommers, Castañeda edited the bookChicano literature, text and context, published in 1972.
Dates: undatedContainer: Box/Folder 1/22, Item 133 -
Description: Portrait of Joseph Sommers
Together with Tomás Ybarra-Frausto, Sommers edited the bookModern Chicano writers : a collection of critical essays, published in 1979.
Dates: undatedContainer: Box/Folder 1/22, Item 134 -
Dates: undatedContainer: Box/Folder 1/22, Item 135
-
Description: Residents of Lander Hall, Chicano House at University of Washington in Seattle, WashingtonDates: undatedContainer: Box/Folder 1/23, Item 136-137
-
Description: Groups of young people outdoorsDates: undatedContainer: Box/Folder 1/24, Item 138-142
-
Description: Man standing in front of fireplace with "El Teatro Campesino" poster on wall
El Teatro Campesino, "Farmworkers' Theater", is a theater company whose mission is to dramatize the plight and cause of farmworkers.
Dates: undatedContainer: Box/Folder 1/24, Item 143 -
Dates: undatedContainer: Box/Folder 1/24, Item 144
-
Description: Two men in conversation with woman in the backgroundDates: undatedContainer: Box/Folder 1/24, Item 145
-
-
Description: Color poster (slide)
This item does not appear to be in CONTENTdm, so the link was removed.
Poster reads: "Comunismo no es crear conciencia con el dinero sino crear riqueza con la conciencia. 1868-1968. Cien anos de lucha. 28 de Sept. Octavo aniversario de los CDR". English translation: "Communism is not the money to create awareness but to create wealth consciousness. 1868-1968. Hundred years of struggle. Sept 28. Eighth anniversary of the CDR".
Comités de Defensa de la Revolución (CDR), or Committees for the Defense of the Revolution, was established by Fidel Castro on September 28, 1960 to promote social welfare and allow Cuban citizens to report "counter-revolutionary" activity.
Dates: 1979Container: Box/Folder 1/25, Item 146
Names and SubjectsReturn to Top
Subject Terms
- Chicano movement--Washington (State)--Seattle
- Chicano movement--Washington(State)
- Civil rights demonstrations--Washington (State)--Seattle--Photographs
- College students--Washington (State)--Seattle--Photographs
- Community centers--Washington (State)--Granger--Photographs
- Mexican American college students--Photographs
- Mexican American college students--Washington (State)--Seattle--Photographs
- Mexican American college teachers--Photographs
- Mexican American college teachers--Washington (State)--Seattle--Photographs
- Mexican American theater--Washington (State)
- Mexican Americans--Washington (State)--Photographs
- Mexican Americans--Washington (State)--Seattle--Photographs
- Theater--Political aspects--Washington (State)--Seattle
- Visual Materials Collections (University of Washington)
- Workers' theater--Washington (State)
Personal Names
- Chavez, Cesar, 1927-1993--Photographs (photographer)
- Ybarra-Frausto, Tomás, 1938- --Photographs
Corporate Names
- McNeil Island Penitentiary--Photographs
- Movimiento Estudiantil Chicana/o de Aztlán (University of Washington)
- Teatro del Piojo (Organization)
Geographical Names
- Granger (Wash.)--Photographs
Form or Genre Terms
- Photographic prints
- Photographs
