Archives West Finding Aid
Table of Contents
Richard Fielder papers, 1959-2010
Overview of the Collection
- Creator
- Fielder, Richard
- Title
- Richard Fielder papers
- Dates
- 1959-2010 (inclusive)19591967
- Quantity
- 102.49 cubic ft. (104 boxes) + .004 MB
- Collection Number
- 09490
- Summary
- Scripts, research, and correspondence of an American television writer.
- Repository
-
American Heritage Center, University of Wyoming
American Heritage Center
University of Wyoming
1000 E. University Ave.
Dept. 3924
Laramie, WY
82071
Telephone: 3077663756
ahcref@uwyo.edu - Access Restrictions
-
There are no access restrictions on the materials for research purposes, and the collection is open to the public.
- Languages
- English
Historical NoteReturn to Top
Richard Fielder was an American television screenwriter whose career began in 1958.
Content DescriptionReturn to Top
The collection includes Fielder's script files with scripts, outlines, correspondence, schedules, cast sheets, notes and research materials for television program episodes written by this television writer. There are also some television program proposals written by Fielder along with personal and professional correspondence.
Use of the CollectionReturn to Top
Restrictions on Use
Copyright InformationThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.
Restrictions on Use
Statement on Potentially Harmful Language and Images Found in CollectionsThe American Heritage Center aspires to approach all areas of our work in ways that are respectful to those who create, use, and are represented in our collections. For a variety of reasons, however, users may encounter offensive or harmful language or images in some of our finding aids, catalogs, and collection materials.
Note that the AHC does not censor or alter contents of the collections as they provide context and evidence of a time, people, place, or event. Therefore, we encourage users to bring questions and concerns about descriptions in our finding aids to our attention via email or anonymous web-form. For more information, read our full statement.
Preferred Citation
Item Description, Box Number, Folder Number, Collection Name, Collection Number, American Heritage Center, University of Wyoming.
Administrative InformationReturn to Top
Related Materials
There are no known other archival collections created by Richard Fielder at the date of processing.
Acquisition Information
The collection was received from Richard Fielder and the Estate of Richard Fielder from 1979-2020.
Processing Note
The collection was processed by Cynthia N. Choy in 1988, encoded by Kelly Law in 2017, and updated by Jamie Greene in January 2022.
Detailed Description of the CollectionReturn to Top
Series I. Script FilesReturn to Top
Contains original, original typescript, carbon, and/or mechanically reproduced scripts, treatments, and outlines for film and television written solely by Richard Fielder unless otherwise noted. Also includes correspondence, newspaper and magazine clippings, schedules, cast sheets, research material and notes.
Container(s) | Description | ||
---|---|---|---|
ABC Movie of the Week (MOW): |
|||
Box | |||
50 | "They Only Cry at Night" formerly "Island of the Innocent" (notes, step outline, and script drafts) |
undated | |
50-51 | "Topping Off" (step outline, research, story development, script drafts) |
1974 | |
51 | "The California Kid" |
1974 | |
77 | "Topping Off" script |
November 26, 1974 | |
Box | |||
10 | The A and R Man (Formerly: Goodbye Johnny), New Version (Non-Checkmate): carbon, and annotated original typescript and carbon mix of undated drafts, annotated carbon of spare pages, correspondence (2 items), inserts and notes |
1962 | |
77 | The A and R Man scripts |
February 6, 1962 | |
52 | Action Now: Peter Chernin file |
2010 | |
77 | The Actress, an original television play |
undated | |
Adam's War, a 6 hour series on the American Revolution: |
|||
Box | |||
27-28 | Parts 1-3 (scripts, drafts, revisions) |
1981 | |
28 | Development |
1981 | |
86 | Presentation/bible |
August 1980 | |
86 | Parts 1-3 script drafts |
March 27, 1981 | |
Box | |||
88 | Adam's Woman script drafts and notes |
May-July 1968 | |
59 | A Distant Trumpet screenplay from the novel by Paul Horgan |
December 12, 1962 | |
78 | Adventures in Paradise, a 1 hour television series theme and notes by James Michener |
undated | |
70 | The Agony and the Glory (Nisei in W.W. II) memos |
1987 | |
1 | Alcoa Premiere, "Ordeal in Darkness" by William P. McGivern and Richard Fielder: mimeograph of revised draft dated May 31 - 2
mimeographs of revised pages dated June 11 and June 15 |
1962 | |
59 | Alcoa Premiere "Ordeal in Darkness" by William P. McGivern |
June 4, 1962 | |
Alexander Hamilton project: |
|||
Box | |||
45 | Alexander Hamilton and Year of the French (outline, notes, and research) |
1978-1979 | |
45 | Proposal for 4 hour miniseries - Destiny: The Passion of Alexander Hamilton |
1989 | |
45 | Book: "Alexander Hamilton" by Ron Chernow |
2004 | |
45 | Research: Alex Hamilton Book and Treatment: GW pres. Years |
1989 | |
Box | |||
10 | The Alfred Hitchcock Hour,"Beast in View", from a novel by Margaret Millar: pencil drafts of outline and script, annotated mimeograph of synopsis dated March 16, annotated original typescript and carbon of undated drafts, carbon of first draft, notes |
1962 | |
1 | The Alfred Hitchcock Hour, "Beast in View" by James Bridges: mimeograph of revised draft dated January 23 |
1964 | |
1 | The Alfred Hitchcock Hour, Beast in View": 2 annotated original typescript and carbon mix, 2 annotated carbons of undated drafts (incomplete), carbon of undated draft (incomplete), notes |
1964 | |
10 | The Alfred Hitchcock Hour, "To Catch a Butterfly" (Formerly: "Can't Catch a Butterfly"), Prod. #16836: mimeograph of synopsis, annotated original typescript and mimeograph mix of undated draft, annotated carbon of draft dated February 1961, annotated mimeograph of draft dated February 13, annotated original typescript and carbon of revised pages, inserts and notes |
1961 | |
10 | The Alfred Hitchcock Hour, "To Catch a Butterfly", (Formerly: "Can't Catch a Butterfly"), Prod. #16836: annotated mimeograph of draft dated December 4 (Spec. Run), mimeograph of draft dated December 6 (F.R.) and of revised pages dated December 10 (F.R.),
notes |
1961 | |
1 | The Alfred Hitchcock Hour, " Night of the Owl" (Former title: "Whisper a Secret"): original pencil draft, annotated original typescript, annotated carbon of a later draft, 2 carbons of revised pages, mimeograph of draft and final draft of synopsis, notes |
1962 | |
1 | The Alfred Hitchcock Hour, "Night of the Owl": 2 mimeographs of draft dated June 18 - mimeograph of draft dated July 6 |
1962 | |
The Alfred Hitchcock Hour: |
|||
Box | |||
59 | "To Catch a Butterfly" scripts |
December 1962 | |
59 | "Night of the Owl" scripts |
June 18, 1962 | |
59 | "Beast in View" script |
undated | |
Box | |||
73 | Alexander the Great by Paul L. Ehrmann |
undated | |
72 | The Alleluia Kid |
undated | |
44 | America: George 1776 (drafts and research) |
2005 | |
44 | America: A celebration of America's last millennium (notes and research) |
undated | |
American Holiday - American Revolution TV series: |
|||
Box | |||
35 | Production proposal |
1974 | |
35 | Bryants War, a television series idea |
1974 | |
98 | American Splendor by Robert Pulcini and Shari Springer Berman |
2003 | |
46 | Andrew Jackson (script draft) |
March 23, 1995 | |
Apple's Way: |
|||
Box | |||
37 | "The Outing" script |
August 23, 1974 | |
88 | Story outline and presentation |
August 1973 | |
88 | "The Outing" script drafts |
1973-1974 | |
Box | |||
1 | Arrest and Trial, "A Flame In the Dark",original pencil draft of script, annotated carbon of story outline, mimeographs of "Procedures - Office of the District Attorney" and "Police Department Divisions", Los Angeles County Probation Department Information Series (nos. 1-4, 6, 8), research notes, cover letter and information on Juvenile Hall |
1963 | |
10 | Arrest and Trial, "A Flame in the Dark", Prod. #23323: mimeograph
of draft dated July 23 |
1963 | |
1 | Arrest and Trial, "A Flame In the Dark": annotated original typescript, notes |
1963 | |
2 | Arrest and Trial, "A Flame In the Dark", : 2 mimeographs and 2 carbons (1 copy annotated) of draft dated July 18 |
1963 | |
2 | Arrest and Trial, "A Flame in the Dark", : mimeograph of revised draft dated July 31 - 2 mimeographs of revisions and second revisions dated August 7 |
1963 | |
10 | Arrest and Trial, "Free Like Me" by Herb Meadow and Paul Mason, sample script, Prod. #23310: mimeograph of draft dated May 21 (F.R.) |
1963 | |
10 | Arrest and Trial, "My Name is Martin Burnham" by Larry Cohen, sample script, Prod. #23302: mimeograph of revised draft dated May 22 |
1963 | |
Arrest and Trial: |
|||
Box | |||
77 | "Free Like Me" by Herb Meadow and Paul Mason |
April-May 1963 | |
77 | "My Name is Martin Burnham" by Larry Cohen |
May 1963 | |
77 | "A Flame in the Dark" script |
July 1963 | |
59 | A Song for Jimmy (original television play) |
undated | |
37 | Asteroids, Eddie and the Boakyag Blues by Percy C.M. Butler Jr. |
1984 | |
77 | A Taste for Danger story outline |
undated | |
73 | The Battle of Brooklyn by JP Miller, a four hour teleplay in two parts |
October 13, 1981 | |
80 | B.C.I. screenplay |
November 1, 1980 | |
77 | Beauty and the Beast by Dick Fielder |
undated | |
10 | The Best Years, "The Cruellest Month": pencil drafts of synopsis and script, annotated carbons of outline, undated draft, and spare pages, annotated original typescript and carbon of undated drafts, cast list, notes |
undated | |
10 | The Best Years, "An Obelisk for Benny" by William Wood, sample script, Prod. #17207: mimeograph of revised draft dated October 18 |
1962 | |
59 | The Best Years: |
||
Box | |||
59 | "The Cruelest Month" scripts |
July 23, 1962 | |
59 | "An Obelisk for Benny" by William Wood script |
October 1962 | |
59 | Betrayal (original television play) |
undated | |
2 | Big Cesar by Lou Pelletier: mimeograph of story treatment for Disney dated December 20 |
1961 | |
73 | Black Angel by Steven Elkins, a four hour movie for television |
September 10, 1987 | |
89 | Black Diamond script by Jon T. O'Neal |
undated | |
2 | Black Saddle, "The Long Rider" by Antony Ellis: mimeograph of draft dated June 24 and of revisions dated from July 6 -September 4 |
1959 | |
88 | Black Saddle: "End of the Line" script |
undated | |
35 | Blood Brothers (most recent) |
undated | |
98 | Blue Moon by Gwendolyn Wayne and Mary Beth Fielder |
1998 | |
80 | Bonanza samples and story ideas |
1971-1972 | |
Born Free (scripts): |
|||
Box | |||
51 | "Brother to the Wind" |
April 1974 | |
51 | "Elsa's Odyssey" or " Wilderness Mother" |
1974 | |
52 | "Elephant Trouble" |
May 1974 | |
52 | "Death of a Hunter" |
1974 | |
52 | "Last night, Two man-Eating Lions…" |
1974 | |
52 | "A Matter of Survival" |
May 1974 | |
52 | "The Masai Rebels" formerly "The Rebels" |
1974 | |
52 | "The Trespassers" |
1974 | |
52 | "Last Safari" |
1974 | |
52 | "The Trek" |
1974 | |
52 | "The White Rhino" |
June 1974 | |
52 | Research and notes |
1974 | |
69 | Story outlines, notes, and series presentations |
1974 | |
69 | "Brother to the Wind" script |
April 22, 1974 | |
69 | "The Masai Rebels" |
June 3, 1974 | |
69 | "The Trespassers" |
July 22, 1974 | |
69 | "Elsa's Odyssey" scripts and various story ideas |
September 1974 | |
69 | "The Last Safari" step outline |
October 16, 1974 | |
Boston miniseries: |
|||
Box | |||
65 | Story outlines |
1987 | |
65 | Notes |
1987 | |
65 | Research |
undated | |
73 | Buck James: For Life by Paul F. Edwards |
January 2, 1987 | |
18 | Buckskin and Blanket Days by Thomas Henry Tibbles |
1905 | |
77 | Bull of the West script |
1972 | |
86 | Can't Catch a Butterfly script |
February 13, 1961 | |
48 | Cantabile by Barbara Hall |
October 17, 1989 | |
49 | CBS Playhouse: "Appalachian Autumn" by Earl Hammer |
July 24, 1969 | |
10 | Checkmate, "Play Melancholy Baby" (Former titles: "Goodbye Johnny" and "A View from the Top"): pencil drafts of synopsis, step-by-step, and script, annotated carbons of step-by-step and outline, annotated original typescript of undated draft, notes |
1961 | |
10 | Checkmate, "Play Melancholy Baby" by Richard Fielder and Mark Rodgers, Prod. #16236: mimeograph of revised draft dated April 25 (F.R.) |
1962 | |
2 | Checkmate, "Portrait of a Man Running", 1961: annotated original typescript and mimeograph mix and 2 mimeographs ( 1 copy annotated and incomplete) of draft dated July 14, correspondence between Richard Fielder, Dorothy and Dick Berg of Revue Productions, Inc. regarding script changes (3 items), annotated carbon of undated draft, mimeograph of final draft dated August 16, notes |
1961 | |
10 | Checkmate, "Portrait of a Man Running" (Former titles: "The Big Vote" and "King of the Mountain"): pencil drafts of synopses, step-by-step, sequence, and script, annotated original typescripts of synopses, character descriptions, and undated draft, annotated carbons of synopsis and step-by-step, carbon of undated draft, correspondence, inserts and notes |
1961 | |
Checkmate: |
|||
Box | |||
81 | "Portrait of a Man Running" |
July 14, 1961 | |
81 | "Play Melancholy Baby" |
April 1962 | |
81 | Suspense ideas, formats, |
1961-1962 | |
Box | |||
79 | Chicken scripts and research |
1979 | |
2 | The Chrysler Theatre, "The Loving Cup" (Former title: "The Golden Girl"): annotated carbon of outline for second draft and of second draft dated December, mimeograph of final script dated December 30 |
1964 | |
10 | The Chrysler Theatre (Pay the Piper), "Double Jeopardy", Prod. #83172: pencil drafts of outline and script, annotated original typescript and carbon of 2 drafts of step-by-step, annotated carbons of first and second drafts of outline, annotated original typescript of undated draft, 2 carbons and photocopy of first draft, unattached pages, correspondence (1 item), notes |
1964 | |
10 | The Chrysler Theatre (Pay the Piper), "Double Jeopardy", Prod. #83172: 2 mimeographs of draft dated August 14 (1 copy annotated), mimeograph of draft dated August 21 (Spec. Run) |
1964 | |
11 | The Chrysler Theatre (Pay the Piper), "Double Jeopardy", Prod. #25548: 3 mimeographs (1 copy annotated) of draft dated August 21 (F.R.), 2 mimeographs each of draft dated October 1 (F.R.) (1 copy annotated) and of revised pages dated October 16, annotated original typescript and carbon pages of retakes and final post-shooting rewrites, correspondence (2 items), notes
|
1964 | |
11 | The Chrysler Theatre, "The Loving Cup" (Formerly: "The Golden Girl"), Prod. #25549: pencil drafts of outline, step-by-step, and script, annotated original typescript and carbon of 2 drafts dated October 1964, carbon and photocopy of outline, photocopy of outline by Douglas Fairbairn, annotated mimeograph of draft dated December 14 (Spec.), 2 mimeographs of draft dated December 28 (pp. 1-40 only), correspondence (3 items), inserts and notes |
1964 | |
2 | The Chrysler Theatre, "Think Pretty" by Garry Marshall and Jerry Belson: mimeograph of revised draft dated June 4 |
1964 | |
2 | The Chrysler Theatre, "White Snow, Red Ice" (Former titles: "To Live Or Not To Live", "Pay the Piper"), 1963: annotated original typescript of rough first draft, annotated photocopy of first draft, annotated carbons of revised pages |
1963 | |
2 | The Chrysler Theatre, "White Snow, Red Ice": annotated mimeographsof drafts dated January 9 and January 13 - 2 mimeographs each of revisions dated January 15, 1964 (with notes) to February 4, mimeograph of revisions dated January 23 and 24, annotated carbons of revised pages, notes |
1964 | |
Chrysler Theatre: |
|||
Box | |||
77 | "Double Jeopardy" scripts |
August 1964 | |
77 | "The Golden Girl" scripts |
December 1964 | |
77 | "The Loving Cup" scripts |
December 23, 1964 | |
77 | "White Snow - Red Ice" scripts |
January 1964 | |
Box | |||
2 | Chuka: annotated carbon and photocopy of first draft, annotated carbon of Step-By-Step, original typescript and carbon of unattached pages, inserts, notes |
1964 | |
2 | Chuka: annotated mimeograph of preliminary script dated July 5 - annotated mimeograph of second draft dated July 5, with annotated original typescript of revisions dated August 16 - mimeograph of second draft dated August 17, annotated mimeograph of work script dated September 6 (pp.123-130 missing)
|
1966 | |
2 | Chuka: mimeograph of shooting script dated September 6, annotated photocopy of shooting script dated September 6 with revisions, notes |
1966 | |
3 | Chuka: original typescript and carbon of revisions dated from August 26 to September 2, and undated revisions, carbon of production notes, notes, inserts |
1966 | |
3 | Chuka by Richard Jessup, Rod Taylor and Jack Jason: annotated photocopy of draft |
undated | |
81 | Chuka screenplay and Paramount Pictures contract |
1961-1967 | |
3 | Cimarron Strip, "The Beast That Walks Like a Man": carbon of draft dated July 12, with cover letter, carbon of Suggested Reconstruction dated June 28, handwritten and typed carbon of Step-By-Step, notes |
1967 | |
3 | Cimmarron Strip, "The Beast That Walks Like a Man" by Stephen Kandel and Richard Fielder: mimeograph of second re-draft dated July 14, mimeograph of final re-draft dated July 21 |
1967 | |
11 | Cimmarron Strip, "The Beast That Walks Like a Man" by Stephen Kandel, #1260-0708: annotated mimeograph of writer's draft dated May 18 and revised final draft dated June 27 |
1967 | |
3 | Cimmarron Strip, "The Legend of Jud Starr": pencil draft, original typescript of first draft, annotated carbon of Brief Step-By-Step, carbon of Alternate Step-By-Step dated February 24, carbon and photocopy of Step-By-Step outline, annotated photocopy of undated draft, carbon of script changes and cover letter to producers, notes |
1967 | |
11 | Cimmarron Strip, "The Legend of Jud Starr": annotated photocopy of rough first draft dated January 26, carbons of working version (or second draft) dated early February, third draft dated March and alternate step-by-step dated February 24, inserts and notes, 2 mimeographs of writer's draft dated March 15, mimeograph of second draft dated March 16 |
1967 | |
3 | Cimmarron Strip, "Till the End of Night": pencil draft, photocopy of story outline, correspondence between Richard Fielder and producers regarding script (3 items), mimeograph of first draft dated June 12 and of final draft dated August 16, notes |
1967 | |
11 | Cimmarron Strip, "Till the End of Night": carbons of outline, first draft and revised pages (annotated).
|
1967 | |
11 | Cimmarron Strip, "Time of the Jackals" (Later retitled: "Night of the Jackals"), #9797: 2 mimeographs of writer's draft dated December 14 |
1967 | |
3 | Cimmarron Strip, "Time of the Jackal" (Former title: "Night of the Jackal"): pencil draft, carbon and photocopy of outline for first draft story, annotated carbons and photocopies of Step Outlines, carbon of first draft and revised pages, notes |
1967 | |
Cimarron Strip: |
|||
Box | |||
47 | "The Legend of Jud Starr" |
April 14, 1967 | |
47 | "Till the End of Night" |
June 12, 1967 | |
47 | "The Beast that Walks Like a Man |
July 21, 1967 | |
68 | Chris's pilot and format |
1966 | |
68 | Sample Scripts - "The Roarer" |
April 27, 1967 | |
68 | "Last train to Paradise" outline and notes |
1966-1967 | |
68 | "The Legend of Jud Starr" script |
March 16, 1967 | |
68 | "Till the End of Night" script |
June 12, 1967 | |
68 | "The Beast that Walks Like a Man" script |
July 21, 1967 | |
68 | "Time of the Jackal" script |
December 14, 1967 | |
Box | |||
71 | Class of '65 "Fallen Idol" story outline |
undated | |
46 | Colorado: a Western series (story outline) |
1960 | |
81 | Colorado, a 60 minute western series proposal |
undated | |
3 | Condition: Red, "Labyrinth": carbon of story outline, original typescript and annotated carbon of first draft (pp. 1-3 and 44-48 missing), original typescript and carbon of rewritten pages from first draft |
undated | |
11 | Condition: Red, "Labyrinth": pencil drafts of outline and script, carbon of outline, annotated carbon of third draft, annotated original typescript and carbon of second draft pages revised for third draft, 3 pamphlets on the Royal Canadian Mounted Police, notes |
undated | |
76 | Condition Red: "Labyrinth" scripts |
undated | |
3 | Corrigan's Cove, "Passion Play, Part I: The Passivity" and "Passion Play, Part II: The Storm" by Abram S. Ginnes: mimeograph of revised draft of Part I dated February 10, and of revised draft of Part II dated February 11 |
1964 | |
81 | The Cruellest Month (Day) story outlines from DuPont and proposal |
1959-1969 | |
Countdown: |
|||
Box | |||
78 | "The Human Factor" story outline and notes |
undated | |
78 | "The Pandora Gene" by Anthony Lawrence |
undated | |
Box | |||
76 | Country Soul story outlines |
undated | |
81 | The Courage and The Passion: "The Girl in the Back Seat" script |
June 22, 1978 | |
73 | Cutter's Trail by Paul Savage: CBS Paul Savage pilot and script |
1968-1969 | |
77 | Dances with Wolves by Michael Blake |
March 30, 1989 | |
86 | Deadly Confession by Curt and Gita Kaufman |
1993 | |
82 | Death on Sunday story outline |
undated | |
52 | Deborah Simpson by Hesper Anderson |
1974 | |
11 | Dick Powell's Zane Grey Theatre, "Ambush", Prod. #3727: pencil draft of step outline and script, annotated original typescript, carbons of 2 drafts (1 draft annotated), mimeograph of undated draft, shooting schedule, correspondence, notes |
1960 | |
11 | Dick Powell's Zane Grey Theatre, "The Long Shadow", Prod. #3707: annotated original typescript, annotated typescript and carbon mix, 2 annotated carbons (1 with pencil inserts) and mimeograph of undated drafts, notes |
1960 | |
Dick Powell's Zane Grey Theatre: |
|||
Box | |||
47 and 82 | "The Pledge" |
undated | |
47 and 82 | "Ambush" |
undated | |
47 and 82 | "The Long Shadow" |
undated | |
47 and 82 | "Lone Woman" |
1959 | |
Box | |||
3 | A Distant Trumpet: pencil draft of story sequences, annotated carbon of final rough dated November 5, notes |
1962 | |
12 | A Distant Trumpet: carbons of first draft dated November 8 and November 14 (as written in weekly segments for Bill Wright) |
1962 | |
11 | A Distant Trumpet: annotated original typescripts and carbons of various drafts of notes, tentative story breakdowns and sequences dated from August 8 to August 17, annotated typescripts and carbons of story treatments dated from August 23 to September 5, annotated original typescript and carbon mix of first rough draft |
1962 | |
DMZ: |
|||
Box | |||
43 and 67-68 | Scripts and drafts |
1985-1986 | |
67 | Story development |
1985 | |
67 | Notes |
1984-1985 | |
68 | Revisions |
1984-1985 | |
68 | Potential research stories |
1984 | |
68 | P&L Co. (correspondence and notes) |
1987 | |
78 | Dream Me a Valley script |
undated | |
Dr. Kildare: |
|||
Box | |||
73 | "Shining Image" |
June 27, 1961 | |
73 | "The Chemistry of Anger" |
March 13, 1962 | |
73 | "Night of the Beast" |
October 17, 1963 | |
Box | |||
12 | Doctor Kildare, "The Chemistry of Anger" by Jerry McNeely, story by Marshall Goldberg, M.D., sample script, Prod. #6545: mimeograph of draft dated March 13, memo regarding character name changes |
1962 | |
3 | Doctor Kildare, "Night of the Beast" (Former title: "The Jungle"): original typescript of premise, 2 carbons of undated outline, original typescript and carbons of revised pages of outline (1 set dated May 31, 1963), mimeograph of outline dated May 31, correspondence between Richard Fielder and producers regarding script (4 items), certificates of authorship for story and script for "The Jungle" dated May 20 and June 17 and for script and polish for "Night of the Beast" dated July 12 and August 8 (with cover letters), notes |
1963 | |
3 | Doctor Kildare, "Night of the Beast", 1963: pencil draft, annotated original typescript of undated draft, annotated original typescript and carbon of undated draft, carbon of undated draft, mimeograph of draft dated October 7, notes |
1963 | |
12 | Doctor Kildare, "Night of the Beast", Prod. #6917: mimeograph of draft dated October 17 and of revised pages dated October 21 |
1963 | |
12 | Doctor Kildare, "Shining Image" by John T. Kelley, sample script, Prod. #6511: mimeograph of draft dated June 27, memo regarding character name changes |
1961 | |
Duke: The Real John Wayne: |
|||
Box | |||
25 | Early story, memos, notes, and revisions |
1996 | |
25-26 | Scripts, drafts, revisions, and beat sheets |
1996 | |
26 | Restructure |
1996-1997 | |
26 | Jim Goldman script |
1997 | |
27 | Original proposal - book contracts, etc. |
1995-1996 | |
27 | Notes and correspondence |
1995-1997 | |
Research (Books): |
|||
Box | |||
27 | "Duke: The Life and Times of John Wayne" by Donald Shepherd and Robert Slatzer with Dave Grayson |
1985 | |
27 | "Duke: The Real Story of John Wayne" by Jean Ramer |
1973 | |
27 | "John Wayne: My Life with the Duke" by Pilar Wayne |
1987 | |
27 | "John Wayne American" by Randy Roberts and James S. Olson |
1995 | |
27 | "John Wayne: The Actor, The Man" by George Bishop |
1979 | |
Duke (John Wayne: My Life with the Duke): |
|||
Box | |||
63 | Script |
October 20, 1997 | |
63 | Memos and contracts on indy-prod |
1997-1998 | |
63 | Research |
1995-1998 | |
4 | The Dupont Show With June Allyson: mimeographs of opening and closing host spots for shows between September 30 to November 17 |
1960 | |
4 | The Dupont Show With June Allyson, "Dark Fear" (Former title: "Night Song"): 2 mimeographs of draft dated July 19, mimeograph of revised draft dated August 5 |
1960 | |
12 | The Dupont Show With June Allyson, "Dark Fear" (Formerly: "Night Song"), from a story by Nora Lofts, Prod. #3410: pencil drafts of step outline and script, annotated mimeograph of outline, annotated original typescript and carbon of undated drafts, carbon and mimeographs of unattached pages, mimeograph of final shooting script and revised pages dated August 8, notice regarding title change, notes |
1960 | |
4 | The Dupont Show With June Allyson, "End of a Mission": carbons of 2 undated outlines, 2 carbons of undated draft, 2 mimeographs of draft dated September 23, mimeograph of revised draft dated November 1, 1960, inserts, notes |
1960 | |
12 | The Dupont Show With June Allyson, "End of a Mission": annotated original typescript of outline, annotated mimeographs of outline dated August 25 and September 1, annotated original typescript and 2 carbons of first and second drafts, notes |
1960 | |
4 | The Dupont Show With June Allyson, "The Haven", (Former titles: "The Island", "The Storm", "Storm Warning"): annotated original typescripts of drafts titled "The Island", "Storm Warning" and "The Haven", carbon of undated draft, annotated carbon of rewrite dated December 1960, annotated original typescript and carbon mix of rewrites dated January 7, 1961, notes |
1960-1961 | |
4 | The Dupont Show With June Allyson, "The Haven": mimeograph of first draft dated January 5, 2 mimeographs of revised draft
dated January 11, mimeograph of revised draft dated January 24 |
1961 | |
12 | The Dupont Show With June Allyson, "Hit and Run", 1960: pencil draft, annotated original typescript and carbon of undated drafts and old pages, carbon of notes for rewrite, notes |
1960 | |
12 | The Dupont Show With June Allyson, "Hit and Run", adapted by George Bruce: annotated mimeograph of draft dated July 11 |
1960 | |
12 | The Dupont Show With June Allyson, "I Hit and Ran" (Formerly: "Hit and Run"), by Richard Fielder and George Bruce, Prod. #3404: 3 mimeographs (1 annotated) of draft dated August 8 |
1960 | |
12 | The Dupont Show With June Allyson, "The School of the Soldier", from a story by Paul David, Prod. #3434: annotated original typescript of teleplay by Paul David, pencil version, annotated original typescript and carbon of undated drafts, mimeograph of draft dated October 26, notes |
1960 | |
12 | The Dupont Show With June Allyson, "Without Fear": annotated mimeograph of outline, pencil version, annotated original type script and 2 annotated carbons of undated drafts, annotated carbons of old pages, mimeograph of undated draft (pp.1-14 only), notes |
undated | |
4 | The Dupont Show With June Allyson, "The School of the Soldier": 4 mimeographs of revised draft dated November 30, 1960, mimeograph of revised draft dated December 7 |
1960 | |
4 | The Dupont Show With June Allyson, "Without Fear" by Marge Baumer (story outline) and Richard Fielder (script): mimeographs of story outline, of draft dated December 8, and of revised draft dated December 13, notes |
1960 | |
The Du Pont Show with June Allyson: |
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Box | |||
76 | "Dark Fear" scripts |
August 8, 1960 | |
76 | "I Hit and Ran" scripts |
September 6, 1960 | |
76 | "The School of the Soldier" scripts |
October-December 1960 | |
76 | "End of a Mission" |
November 2, 1960 | |
76 | "The Haven" script |
January 24, 1961 | |
76 | "A Song for Patti" outline |
September 1960 | |
Box | |||
Eagle One: |
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Box | |||
76 | Story outlines |
1979 | |
76 | Series projections |
March 1979 | |
35 and 76 | Script and drafts |
1979 | |
52 | Early writing attempts |
1940-1950 | |
Eight is Enough: |
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Box | |||
71 | Story and character projections |
1977-1978 | |
71 | "Triangles" by Bruce Shelley |
July 9, 1977 | |
51 | Elizabeth Blackwell, M.D.: The Story of the First Woman Doctor (outline, |
1975 | |
35 and 82 | EM for Magic scripts, notes, and pilot story |
1978 | |
12 | Empire, "The Day the Empire Stood Still" by Richard Fielder and Frank Nugent, Prod. #3479: pencil draft and carbon of outline by Richard Fielder, mimeograph of script final draft by Frank Nugent dated December 28 |
1961 | |
93 | Empire: The Day the Empire Stood Still by Frank Nugent |
December 28, 1961 | |
The Empty Cradle: |
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Box | |||
18 and 73 | Notes |
1981-1983 | |
18 and 73 | Scripts and drafts |
1981-1983 | |
18 | Book: "Infertility: A Guide for the Childless Couple" by Barbara Eck Menning (research) |
1981 | |
Box | |||
4 | End of the Line: carbon |
undated | |
Executive Suite: |
|||
Box | |||
35 | Episode no. 8 - "Re: The Fear of Falling" |
August 1976 | |
74 | "Re: The Secret" and "Re: The Trap" parts 1-2 of augmented pilot |
June 28, 1976 | |
74 | "Re: The Serpent's Tooth" |
June 29, 1976 | |
74 | "Re: The Porno Ploy" |
July 8, 1976 | |
74 | "Re: A Day full of Surprises |
July 26, 1976 | |
74 | Digest of character backgrounds |
July 13, 1976 | |
74 | Miscellaneous script pages |
1976 | |
Box | |||
73 | Fame: "Parent Pressure" aka "Bruno's Song" by Bruce Shelley |
September 9, 1981 | |
59 | The Family Holvak (formerly Holvak) - "The Long Way Home" script and story outline |
June 1975 | |
82 | Fantastic Journey: "An Act of Love" script and notes |
November 1976 | |
79 | Far From Home by Michael de Guzman |
September 17, 1985 | |
70 | Fatal Truth: MOW treatment (Fred Silverman Company) |
1991 | |
73 | Father Murphy: "The Father Figure" by Michael McGreevey |
May 3, 1982 | |
52 | Favoring Madison and Rudolph |
undated | |
77 | Fickle Finger story for a 90 minute-2 hour screenplay, |
undated | |
Fire and Ice: |
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Box | |||
45 | Scripts (original television play draft) |
1957 | |
45 | Half sheets, sequence |
1957 | |
93 | Original television play by Richard Fielder |
undated | |
Box | |||
73 | First Kill by Josek Anderson |
December 1, 1981 | |
90 | Follow the Sun story idea/outline |
undated | |
"For Love and Glory" (air title on CBS) also called Shenandoah or Dixie |
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Box | |||
17 | Shenandoah scripts (drafts, revisions, and notes) |
1991-1992 | |
18 | Dixie scripts |
1991-1992 | |
35 | For Love and Honor "Old Friends" by Stephen Downey |
September 16, 1983 | |
Fort Bridger: |
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Box | |||
70 | Pilot script - pencil outlines to development to script |
1975 | |
70 | Step outlines |
1975 | |
47 and 71 | Script drafts |
1975 | |
49 | Frank Fielder old scripts: |
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Box | |||
49 | "Jack and the Beanstalk" |
undated | |
49 | "The Five Little Peppers" |
undated | |
49 | "Hansel and Gretel" |
undated | |
49 | "Tom Sawyer" |
undated | |
Frank Lloyd Wright (FLW): |
|||
Box | |||
88 | Story proposals "The Wings of an Eagle: The Passion of Frank Lloyd Wright" |
1997-1999 | |
88 | Correspondence and memos |
1994-1997 | |
88 | Research |
1997-1999 | |
89 | "An Autobiography: Frank Lloyd Wright" (Xerox copy) |
1977 | |
89 | "The Valley of the God-Almighty Jonses" by Maginel Wright Barney (Xerox copy) |
1965 | |
89 | Newspaper clippings (Xerox copies) |
1916-1996 | |
89 | Transcripts of Correspondence: 1. Mirriam Noel, 2. Catherine Tobin Wright, 3. Daughter Catherine, 4. Sam John, 5. Miscellaneous |
1912-1969 | |
89 | Timeline of buildings, projects, and travel |
1953 | |
89 | Excerpts from writings about Wright |
1910-1922 | |
Box | |||
70 | Freedom! (Cinque): MB theme/story transcript |
undated | |
64 | From Mourning to Knight by Lorraine Davies Knopf |
August 18, 1980 | |
46 and 77 | The Furlough (scripts and drafts) |
1957 | |
Gemini Man (formerly The New Invisible Man): |
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Box | |||
81 | Script by Leslie Stevens and notes |
January-April 1976 | |
81 | "Escape Hatch" by Leslie Stevens |
June 8, 1976 | |
81 | "The Fixer" script draft and story outline |
May 1976 | |
81 | "Smithereens" script by Frank Telford |
June-July 1967 | |
81 | "I Can Explain Everything -- Maybe -- If Everyone Will Just Stop Shooting at Me" script by Frank Telford |
June 30, 1976 | |
81 | "Eight…Nine…Ten…You're Dead" |
July-September 1976 | |
Generations: |
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Box | |||
36-37 | Part 1 (scripts, drafts, and revisions) |
1992-1993 | |
37 | Miniseries proposal to Geoffery Cowan and Julian Fowles |
1993 | |
37 | Treatments |
1993 | |
37 | Complete script |
1993 | |
37 | Outline for a 6 hour limited series |
1992-1993 | |
37 | Book: "Generations: An American Family" by John Egerton (copy for review) |
1983 | |
89 | Bible (story idea memos and treatments) |
1992 | |
89 | Pitch/proposal, memos, and notes |
1992-1993 | |
90 | Parts 1-2 script drafts |
1992-1993 | |
90 | Third-tenth hour script drafts |
1992-1993 | |
90 | Research |
1992-1993 | |
90 | Notes |
1992-1993 | |
Box | |||
51 | George Marshall: General of the Army (story outline, script drafts, research, and notes) |
1991 | |
George Washington: |
|||
Box | |||
19 | Part I (scripts, drafts and revisions) |
1983 | |
19 | Part I production notes, yellow daily notes |
1983 | |
19 | Part I historical notes and comments |
1983 | |
19-20 | Part II (scripts, drafts, revisions, and treatments) |
1983 | |
20-21 | Part III (scripts, drafts, revisions, and treatments) |
1983 | |
21-22 | Part I-IV scripts |
1981-1986 | |
22 | Screenplay by Sidney Carroll and Richard Fielder (drafts) |
1981 | |
22 | 8-hour mini series script revisions and guide |
1983 | |
22-23 | The Presidential Years (scripts, drafts, revisions) |
1984-1986 | |
23 | The Forging of a Nation (scripts, notes, and staff lists) |
1986 | |
24 | Contract |
November 14, 1979 | |
24 | Correspondence |
1981-1986 | |
24 | Cast list |
undated | |
24 | Tentative sequence/location schedule |
1983 | |
24 | Production notes |
1983 | |
24 | Publicity, Emmy program, mementos |
1981-1986 | |
Research materials: |
1983-1987 | ||
Box | |||
24 | Notes |
1983 | |
24 | "George Washington: The Rebel and the Patriot, 1762-1777" by Rupert Hughes (copy) |
1927 | |
24 | "George Washington: The Savior of the States, 1777-1781" by Rupert Hughes (copy) |
1940 | |
24 | "Liberty without Anarchy: A History of the Society if Cincinnati" by Minor Myers, Jr. (copy) |
1983 | |
25 | "Sally Cary" by Wilson Miles Cary (copy) |
1916 | |
25 | Book: "New Light on 1776 and All That" by Richard Bissell |
1975 | |
25 | Washington's Accounts from June 1775 to June 1783 (facsimile copy) |
1983 | |
98 | Notes and research materials |
1982-1985 | |
98 | Sequel research material |
1984-1985 | |
98 | Book: George Washington and Winchester, Virginia 1748-1758 by Garland R. Quarles |
1974 | |
25 | Video: George Washington: The Forging of a Nation, part 1-2 (2 VHS) |
1987 | |
57 | Audio: George Washington: The Forging of a Nation, classroom material for use with the eight-hour mini-series (cassette tape and publications) |
1983 | |
93 | Story notes |
1986 | |
93 | Pencil versions, parts II and III |
1979 | |
93 | Enthusiastic comments by Jim Flexner and Richard Morris |
1982 | |
93 | Mementos - correspondence, notes, comments, etc.. |
1983 | |
93 | Filming memorabilia - for the record |
1983-1984 | |
93 | Post production (RF to DG memo on Napoleon and first CBS viewing of GW) |
1984 | |
93 | Script comments, correspondence |
1982-1984 | |
93 | Script timing and reports |
1982-1984 | |
93 | Historians and accuracy notes |
1982-1984 | |
93 | Publicity |
1982-1984 | |
93 | Publicity clippings |
1982-1984 | |
93 | CBS 1. Program practices 2. Bob Markell |
1984 | |
93 | GW temp lines and looping |
1982-1984 | |
93 | GW credits and formats and supers and Larry Rosenthal |
1982-1984 | |
93 | George Washington correspondence and credits |
1982-1984 | |
93 | GW 90 min and teaser, reprises, trophies, Phil Shimkins documentary |
1984 | |
93 | GW main title, teaser, trailer and bumper reprise |
1984 | |
93 | School letters - thank yous from teachers and pupils |
1984 | |
93-94 | Publicity |
1982-1986 | |
94 | Publicity - CBS cover sheets |
1983-1984 | |
94 | Publicity - TV guides |
1986 | |
94 | Video - Electronic Press Kit (U-matic tape) |
undated | |
94 | Mementos, etc. |
1983 | |
94 | GW Program practices, etc. |
1979-1984 | |
94 | Projects |
1986 | |
94 | Correspondence and memos |
1983-1984 | |
94 | Contracts, Agreements, memos, etc. |
1982-1983 | |
94-95 | Reviews and articles |
1983-1987 | |
95 | Part II costume notes |
undated | |
95 | General of the Army story idea |
1991 | |
95 | Loop lines, memos etc. |
1984 | |
95 | Proof report |
1989 | |
95 | Letters of congrats |
1984 | |
95 | Newsletter: George Washington, vol. 1, no. 2 |
1983 | |
95 | Credits |
1984 | |
95 | Emmy Awards Banquet program |
September 16, 1984 | |
95 | Production |
1983 | |
95 | Shooting schedules and status |
1983 | |
95 | Budget |
1983 | |
95 | Casting and headshots |
1982 | |
95 | Script timing and revised step outlines |
1983 | |
96 | Staff and crew lists, parts 2 and 3 |
1983 | |
96 | Story outlines and continuity |
1983 | |
96 | Scripts, notes, edits |
1983-1984 | |
96 | Parts 1-4 bound script |
1983 | |
96-97 | Part 1 scripts |
1981- 1983 | |
97 | Part 2 scripts |
1983 | |
97 | Part 3 scripts |
1982-1983 | |
97-98 | Part 4 scripts |
1983 | |
98 | Script as filmed |
1983 | |
98 | George Washington: The Forging of a Nation parts 1 and 2 script |
1986 | |
98 | George Washington: The Presidential Years part 2 |
1986 | |
Box | |||
68 | Get Proteus series concept and research |
undated | |
John O'Hara's Gibbsville: |
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Box | |||
38 | "Trapped" and "In the Silence" scripts |
1976 | |
65 | "All the Young Girls" script |
June 16, 1976 | |
65 | "The Grand Gesture" (formerly "The Arrivals") script |
July 12, 1976 | |
65 | "How Old, How Young" script |
July 26, 1976 | |
65 | "Andrea" script |
August 31, 1976 | |
65 | "Trapped" scripts |
October 1976 | |
65 | Contracts and research |
1976 | |
50 | The Golden Guru (four hour miniseries): |
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Box | |||
50 | Outlines |
1988-1989 | |
50 | Scripts |
1987-1989 | |
50 and 57 | Research |
1985-1987 | |
50 | Step outline and notes |
1989 | |
50 | Correspondence |
1987-1988 | |
64 | Step outlines, parts 1-2 |
1988-1989 | |
64 | Research and outlines |
1986-1989 | |
64 | Research: "Bhagwan: The God That Failed" by Hugh Milne (Xerox copy) |
1986 | |
64 | Memorandum and correspondence |
1987-1989 | |
86 | Goodbye to All That script |
undated | |
83 | The Greatest Gift: "The Long Way Home" |
March 31, 1975 | |
80 | The Guardians by Lan O'Kun |
undated | |
4 | Gunsmoke, "Time of the Jackals" by Richard Fielder and Paul Savage: mimeograph of first draft dated April 12 |
1968 | |
47 | Gunsmoke - TV: |
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Box | |||
74 | "No Tomorrow" script drafts and story outline |
September 1971 | |
47 and 74 | "The Rat Trap" script drafts, story outlines, and notes |
April-March 1972 | |
47 and 74 | "Like Old Times" script drafts and story outlines |
October 1973 | |
74 | Story ideas - "Rachel" and others |
1971-1973 | |
82 | Hacksaw screenplay by Michael Petryni |
undated | |
49 | Half-sheets and outlines: |
||
Box | |||
49 | "Betrayal" |
undated | |
49 | "Hillbilly" |
undated | |
49 | "The Burning Hand" |
1948 | |
49 | "Can't Catch a Butterfly" |
undated | |
49 | "Father to the Man" |
undated | |
49 | "Dream Me a Valley" |
undated | |
49 | "The Actress" |
undated | |
49 | "A Song for Jimmy" |
undated | |
49 | "Death Takes a Furlough" |
undated | |
49 | "See No Evil" |
undated | |
49 | "You Know the Business" |
undated | |
49 | "Cinderella" |
undated | |
49 | "Beauty and the Beast" |
undated | |
49 | "Wyatt Earp" |
undated | |
82 | Hart to Hart: "Serving up Murder" script by Kenneth Alan Berg |
February 28, 1981 | |
Hawaii: |
|||
Box | |||
16 | Book: "Hawaii" by James A. Michener |
1959 | |
15-16 | Drafts, revisions, and treatments |
1992-1993 | |
16 | Parts I and II |
1992-1999 | |
16 | Gerald Green treatment |
1990 | |
16 | Story Treatment for a 4-hour mini series |
1992 | |
16 | Notes |
1990-1999 | |
71 | Story treatment for a four hour miniseries |
April 16, 1992 | |
71 | Script |
March 15,1993 | |
71 | Research and memos |
1991-1993 | |
71 | Proposal for miniseries, research notes, and story notes |
1991-1992 | |
71 | by James A. Michener (Xerox copy) |
undated | |
Box | |||
52 | Hawaii Five-O: We Hang Our Own |
April 1974 | |
Heartfire: The Passion of Dorothy Day |
|||
Box | |||
42 | The story of Dorothy Day scripts and notes |
1984 | |
71-72 | Scripts and revisions |
1984-1985 | |
72 | "Dorothy Day" proposal for a special television drama and story outline notes |
1980 | |
72 | "The Weekend" and "Dorothy Day" pitches for 2 hour movies |
1980 | |
72 | Comments from Linda Seger, Script Consultant |
1986 | |
72 | Research |
1983-1984 | |
Hec Ramsey: |
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Box | |||
72 | Heck screenplay by Harold Jack Bloom |
December 10, 1971 | |
72 | "A Hard Road to Vengeance" script |
September 6, 1973 | |
47 and 72-73 | "Only Birds and Fools" |
1973 | |
73 | Story research |
1973 | |
77 | Hell Town script |
October 23, 1984 | |
98 | High School act one script |
undated | |
51 | Holvack: "The Long Way Home" (script drafts) |
1975 | |
82 | Home Video teleplay by Marshall Herskovitz |
January 8, 1987 | |
4 | In and Out,"The Homecomings" by Edward deBlasio: mimeograph of story outline |
undated | |
4 | Indictment, "The Committee": pencil draft, photocopy of draft dated September 1, annotated photocopy of revised Act II from above draft, mimeograph of draft dated October 9, pencil Step-By-Step, notes |
1964 | |
4 | Indictment, "The Committee" by Evan Hunter: annotated original typescript of first draft teaser, annotated photocopy of undated revised draft |
1964 | |
Insight: |
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Box | |||
43 | The Loveable Slob script |
1981 | |
43 | The Weekend script |
1981 | |
43 | The Man Who Mugged God script |
1979 | |
43 | The Alleluia Kid script |
1979 | |
70 | In the Dead of the Night story, notes, and research |
1987 | |
In the Heat of the Night: |
|||
Box | |||
76 | Teleplay by James Lee Barrett |
December 15, 1987 | |
76 | "Body Heat" outline |
December 9, 1987 | |
76 | "Fate" outlines |
January 1988 | |
76 | "Fate" scripts |
January-February 1988 | |
Box | |||
49 | Ironside: |
||
Box | |||
49 | "Too Many Victims" |
1970 | |
49 | "Beyond a Shadow" |
1970 | |
49 | "The Quincunx"" |
1970 | |
81 | Ironside sample, "The Riddle in Room Six" by Stephen J. Cannell and Albert Aley |
1970 | |
90 | It Can't Happen to Me script |
September 15, 1977 | |
44 | Ivanhoe series (drafts and outline) |
1957 | |
Jake's Way: |
|||
Box | |||
48 | Pilot drafts |
undated | |
48 | Research |
undated | |
82 | Script drafts and notes |
1978-1979 | |
98 | Joan of Arcadia, pilot by Barbara Hall |
2003 | |
30 | John Paul II by Chris Knopf |
June 19, 1981 | |
Joshua Tree: |
|||
Box | |||
46 | Story outline and notes |
1977 | |
78-79 | Script drafts |
1977-1978 | |
79 | "Robbo's boy" by Edward DeBlasio script and outline |
April 1978 | |
79 | "The Girl in the Back Seat" script drafts |
April 22,1978 | |
79 | "Thunderbird" story outline |
May 3, 1978 | |
79 | Outlines, proposals, notes, and call sheets |
1977-1978 | |
Box | |||
79 | Julie in the Morning, an original screenplay and story notes |
1971-1972 | |
49 | Kate II (outline, notes, and drafts) |
undated | |
78 | The Kennedy Center Presents: First Monday in October by Jerome Lawrence and Robert E. lee |
February 9, 1979 | |
12 | Kilimanjaro, "The Snare", #130: mimeograph of first draft dated August 18 |
1965 | |
4 | Kilimanjaro, "The Snare": pencil draft of synopsis, tentative Step-By-Step, and script rough draft, carbon and annotated photocopy of undated story outline, annotated carbon and photocopy of story outline dated July with business cards attached, correspondence between Richard Fielder and Julio di Benedetto of Banner Associates regarding script revisions (2 items), annotated mimeograph of character descriptions and carbon of revision, notes |
1965 | |
4 | Kilimanjaro, "The Snare": annotated carbons and photocopies of first draft and of second draft, original typescript and carbons of revised pages dated August 24, 1965 and September 2, 1965, mimeograph pages from first draft replaced by revised pages dated August 24, 1965, notes |
1965 | |
77 | "Kilimanjaro" and "The Snare" script |
August 18, 1965 | |
Kingston: Confidential: |
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Box | |||
85 | "You're Going to Love It, Baby" script draft |
November 15, 1976 | |
85 | "Woman in the Dark" outlines, scripts, and notes |
November 1976 | |
85 | "Forget Me Forever" script drafts and step outline |
January 1977 | |
85 | "In Real Life" step outline and script drafts |
January 1977 | |
85 | "Eight Columns Across the Top" scripts |
February 1977 | |
85 | Notes |
1976-1977 | |
4 | Kraft Suspense Theatre, "Nobody Will Ever Know": pencil story outline and script first rough draft, annotated original typescript and carbon of later draft of story outline, annotated original typescript of rough first draft, annotated carbon of first draft (missing pages used in second draft), second draft, and second draft Step-By-Step, annotated original typescript and carbon mix of rough second draft, carbons of new pages for second and third drafts, correspondence between Richard Fielder, James McAdams, and Frank Rosenberg regarding script revisions (3 items), inserts, notes |
1964 | |
12 | Kraft Suspense Theatre, "Nobody Will Ever Know", Prod. #25614 2 mimeographs (1 copy annotated) of draft dated January 6, (Spec. Run), mimeograph of draft dated January 12 (Full Run), 2 mimeographs of rewrite dated January 21 (not R. Fielder's) with notes on his opinion of final draft |
1965 | |
4 | Kraft Suspense Theatre, "Traitor Bait" by Roger H. Lewis: original typescript of outline dated June 29, photocopy and mimeograph of 2 drafts of story outline |
1964 | |
77 | Kraft Suspense Theatre: "Nobody Will Ever Know" script |
January 1965 | |
98 | The Lame Shall Enter First by Mary Elizabeth Fielder |
November 26, 1984 | |
35 | Last of the Mohicans by Michael Mann - based on the novel by James Fenimore Cooper and 1936 screenplay by Philip Dunne |
1990-1991 | |
The Last Taboo: |
|||
Box | |||
43 | Scripts and drafts |
1980 | |
43 | Outline |
1980 | |
43 | Story |
1980 | |
43 | Research |
1980 | |
89 | Teleplay |
February 26, 1980 | |
5 | Law of the Plainsman, "Cavern of the Wind": mimeograph of draft dated February 16 |
1960 | |
47 and 77 | Law of the Plainsman: "Cavern of the Wind" script |
1960 | |
Lee and Grant (Flags of Glory): |
|||
Box | |||
30-31 | Parts 1-2, four hour miniseries (scripts, drafts, treatments, and revisions) |
1994 | |
31 | Outline |
undated | |
31 | Contracts and correspondence |
1993-1994 | |
31 | Memos, correspondence, and research |
1993-1994 | |
31-33 | Lee and Grant and the American Civil War (scripts, drafts, and revisions) |
1998-1999 | |
32 | Outline and notes |
1998 | |
32 | Screenplay |
May 1999 | |
33 | Timeline and outlines |
1998 | |
33-34 | Flags of Glory, parts 1-2 (scripts, drafts, revisions, and treatments) |
1999-2003 | |
Research materials: |
|||
Box | |||
34 | Lee, Grant, and the Civil War research |
1998-1999 | |
35 | "R.E. Lee" Freeman, vol. 1 and 2 (copy) |
1934 | |
35 | "The Lee's of Virginia" by Paul C. Nagel (copy) |
1990 | |
35 | "Log Cabin, Stone Home" by R. William Heidicker (copy) |
April 29, 1991 | |
Box | |||
98 | Lee and Grant and The American Civil War, part 1 script by Richard Fielder and Dan Curtis |
undated | |
Box | |||
69 | L.E.E.G. - Espie Sanchez (presentation, notes, and research) |
1976-1981 | |
69 | Letters Home and Love and War, television series ideas |
undated | |
Liberty! A Novel about the American Revolution: |
|||
Box | |||
35 | Part 1: Adam's War (drafts with revisions) |
undated | |
35 | Part 2: Bridgets War (drafts with revisions) |
undated | |
35-36 | Part 3: George's War (drafts with revisions) |
undated | |
36 | Part 4: Adam, Bridget, and George's War (drafts with revisions) |
undated | |
36 | Complete 1st draft |
undated | |
36 | Research: "Martha Washington" by Patricia Brady |
2005 | |
73 | Liberty! a novel about the people of the American revolution |
2011 | |
89 | Liberty or Death: The Birth of the Bill of Rights proposals and notes |
May 1991 | |
98 | The Life Aquatic with Steve Zissou |
undated | |
The Lion of Whitehall by McDowell Platt: |
|||
Box | |||
45 | Script |
1984 | |
45 | Book: "The Lion of Whitehall: Cassius Marcellus Clay" by William H. Townsend |
1967 | |
45 | Research: Kentucky State Shrine by David C. Greene |
1972 | |
47 | The Long Night (script) |
undated | |
Lucan: |
|||
Box | |||
71 | Script by Michael Zagor |
February 16, 1977 | |
71 | "Tommy Can't Talk" story outline |
June 30, 1977 | |
Box | |||
46 | Malinche and Lovers Leap (story ideas by Roberta Dacks) |
1991 | |
The Man Who Mugged God: |
|||
Box | |||
71 | Script drafts |
1979 | |
71 | Notes |
1979 | |
71 | Insight films |
1977-1979 | |
Box | |||
Marcus Welby M.D.: |
|||
Box | |||
38 | Scripts, story submissions, and projections |
1974-1975 | |
83 | "A Woman's Place" script |
November 4, 1970 | |
83 | "The Day After Forever" script drafts and teaser |
March-November 1972 | |
83 | "The Tree" script drafts, notes, and teaser |
September 1972 | |
83 | "The Tall Tree" script drafts and notes |
May-June 1973 | |
83 | "A Question of Fault" script |
July 1973 | |
83 | "The Comeback" (formerly "Billy's Doctor) script drafts, notes, and shooting schedules |
October 1973 | |
83 | "A Cry in the Night" scripts and story submissions |
October 1973 | |
83 | "Angela" script drafts, story outline, notes, and shooting schedules |
December 1973 | |
84 | "The Royal Malady" story submission |
December 5, 1973 | |
84 | "I've Promised You a Father, Timmy…" (crossover with Owen Marshall, Counselor at Law) scripts, notes, and shooting schedules |
January 1974 | |
84 | "Who Can Steal My Soul" story outlines and submission |
April 1974 | |
84 | "The Healer" parts 1-2 story outline/submission, script drafts, step outline, |
September 1974 | |
84 | "Tomorrow May Never Come" story outline and script drafts |
June-July 1975 | |
84 | "Wither Thou Goest I Will Go" script draft |
July 28, 1975 | |
84 | "Outrage" story outline |
undated | |
84 | "Calculated Risk" script |
September 1975 | |
84 | "Broken Dreams" story outline/submission, script drafts |
January 1976 | |
84 | "Vanity Case" |
February 1976 | |
84 | Projections |
1976-1977 | |
84 | Notes |
1970-1981 | |
85 | Research |
1974-1978 | |
85 | Photographs, memo pad, and stationary |
1970-1980 | |
Margaret Mead: |
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Box | |||
37-38 | Scripts, drafts, and contract |
1982 | |
70 | Step outlines and revisions |
1982-1988 | |
70 | Script drafts |
1982-1988 | |
70 | Research |
1982-1988 | |
52 | Maria by Gita and Curt Kaufman (outline) |
April 26, 1986 | |
69 | Maria by Curt and Gita Kaufman (original screenplays) |
1989-1996 | |
46 | Matlock (scripts, story ideas, and notes) |
1987-1990 | |
43 | The Mawkish Wedding by Bruce Wagner |
undated | |
MIA: |
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Box | |||
37 | Screenplay by Robert Nathan, from his novel |
1970 | |
37 | Winterkill screenplay, based on novel by Robert Nathan |
1982 | |
Miracle at Philadelphia: |
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Box | |||
42 | Part 1 (scripts, drafts, notes, sheet version) |
1986-1987 | |
42 | Research materials: bibliography and notes |
1986-1987 | |
42 | Directors - production breakdown |
1986-1987 | |
42 | Miracle casting list |
1986-87 | |
74 | Story treatment |
March 7, 1986 | |
74-75 | Script drafts, parts 1-2 |
1986-1987 | |
75 | Memos and correspondence |
1986 | |
Box | |||
82 | Most Wanted: "The Deprogrammer" |
April 1977 | |
47 and 63 | The Most Wanted Woman (aka Mrs. Sundance) script drafts and story outlines |
1975-1976 | |
Mr. Keene: |
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Box | |||
87 | "The Man Who Changed Minds" pilot script drafts |
August 1969 | |
87 | "For All Good Reasons" script drafts |
September 14, 1969 | |
87 | "Tracer!" 4 version mimeo |
August-September 1969 | |
87 | "Tracer" Working drafts |
1969 | |
87 | "Tracer" pilot development |
1969 | |
87 | Notes and contracts |
1969 | |
Box | |||
47 | Mrs. Sundance with Villa! (script, story outlines, and notes) |
1975 | |
44 | Mystery Movie "Mc Cloud" (drafts, notes, and research) |
1971 | |
89 | Nancy Drew Nickerson - Housewife Sleuth story idea by Catherine Bacos |
undated | |
Napoleon: |
|||
Box | |||
29 | Story outline |
August 11, 1984 | |
29 | Parts 1-5, a limited series (scripts, drafts, revisions, and treatments) |
1985 | |
29-30 | Proposal for a four-hour miniseries |
1999-2000 | |
Research materials |
1984-1985 | ||
Box | |||
30 | Daughter to Napoleon (copy) |
1976 | |
30 | Napoleon in Love (copy) |
1979 | |
30 | Memoirs of Napoleon Bonaparte, vol. 1 (copy) |
undated | |
89 | Treatment for a limited series |
November 16, 1984 | |
89 | Notes |
1984-2000 | |
45 | Nark - Police Story (notes and outline) |
1977 | |
46 | Night of the Jackal (script draft) |
January 22, 1968 | |
46 | The Night they Drove Old Dixie Down (story idea) |
1991 | |
90 | The Norseman: An Alaskan Saga original screenplay by James W. Nordstrom |
September 1, 1983 | |
41 | North and South II: |
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Box | |||
41 | Scripts, drafts, outlines, and notes |
1985 | |
41 | Story Boards |
1985 | |
41 | Outlines and notes |
1985-1986 | |
41 | Revisions |
1985-1986 | |
41 | Script changes, originals |
1985 | |
41 | My script - "original scenes and pages, as I wrote out-of-sequence" |
1985 | |
42 | First days of shooting w/ new scenes |
1985 | |
North and South: |
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Box | |||
91 | Script by Douglas Heyes |
1984 | |
91 | Episode five by William D. Gordon and Douglas Heyes |
March 1, 1984 | |
91 | Episode six by B.W. Sandefur |
April 27, 1984 | |
91 | Episode seven by Guerdon Trueblood |
April 30, 1984 | |
91 | Script revisions, notes, and edits |
1985-1987 | |
92 | Part II, episode one, Love and War by Patricia Green |
1985 | |
92 | Part II revised step outline and script revisions |
1985-1986 | |
92 | Part II scripts |
1985-1986 | |
92 | Notes from Richard's desk |
1985-1987 | |
92 | Research |
1985-1987 | |
93 | Research: Civil War order of battle |
undated | |
93 | Press kits |
1987 | |
Box | |||
12 | Old Ramon: pencil drafts of story line and treatment, annotated carbons of 2 drafts of story line, 2 annotated original typescript and carbon mix and 2 annotated carbons of undated drafts of treatment, correspondence (3 items), notes |
1962 | |
79 | Old Ramon treatment |
undated | |
Owen Marshall, Counselor at Law: |
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Box | |||
85 | "The Ghost of Silky Blue" script |
undated | |
85 | "Snatches of Crazy Song" script |
October 8, 1973 | |
85 | "A Foreigner Among Us" script by Jerry McNeely |
December 11, 1973 | |
85 | "I've Promised You a Father, Timmy" part 2 (crossover with Marcus Welby M.D.) scripts and notes |
January 1974 | |
85 | "The Ghost of Buzz Stevens" story outline and scripts |
February 1974 | |
Box | |||
The Paper Chase: |
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Box | |||
30 | Bell and Love by Richard Kramer and Richard Fielder |
October 24, 1978 | |
58 | "Tomorrow's Child" script drafts and notes |
1978 | |
58 | "Bell and Love" script |
1978 | |
46 | Partners by Christopher Knopf and David F. Felser (pilot draft) |
July 30, 1991 | |
5 | Pay The Piper, "One Embezzlement, Well Done, and Two Margaritas" by Luther Davis: mimeograph of second revision dated October 23 |
1965 | |
68 | Planet of the Apes sample scripts and series concept |
1974 | |
46 | Platinum by Dean Andre, Bob Siner, Nancy Rosenthal (series concept) |
1989 | |
46 | The Plot to Seize the White House (proposal and notes) |
1991 | |
Police Story: |
|||
Box | |||
86 | "Gamblers" script |
January 25, 1974 | |
86 | "The Assassins" script |
May 22, 1974 | |
86 | "Nark" step outlines and notes |
June 1977 | |
Box | |||
Police Woman: |
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Box | |||
68 | "Hardcore" story outline and notes |
1974 | |
68 | "Seven Veils to Murder" script |
June 29, 1974 | |
68 | "Seven Eleven" script |
July 10, 1974 | |
68 | "Run, Baby, Run" |
July 1974 | |
68 | "The End Game" script |
July 29, 1974 | |
98 | Prejudice of the Eye by Thomas La Franchi |
1996 | |
69 | The Profane Comedy by Roy Huggins sample (story for a 2-hour feature) |
January 16, 1968 | |
63 and 74 | Project 70 "So Help Me": CBS (script drafts, notes, and correspondence) |
1969 | |
5 | Project 120, "The Hanged Man" (Former title: "A Grave Too Soon") by Jack Laird and Stanford Whitmore: mimeograph of revised draft dated August 21, carbon of unfinished pages, correspondence to Richard Fielder from Jack Laird regarding rewrite/added scenes (1 item), notes |
1964 | |
5 | Project 120, "Prince Nicky" (Former titles: "Hold Back the Dawn", "The Deceivers"): 2 carbons of story outline (1 copy annotated), annotated carbon of undated first draft, 2 annotated mimeographs of first draft dated May 28, photocopy and mimeograph mix of first draft (Short Run) dated May 29, annotated carbon of undated draft, annotated original typescript, carbon and photocopy mix of undated second draft and of unattached pages |
1964 | |
5 | Project 120, "Prince Nicky": pencil drafts of story outline, Step-By-Step and script rough draft, annotated carbon of rewrite notes dated February 6 and revised Step-By-Step dated February 12, carbon of undated draft, annotated carbon of undated draft (incomplete), annotated original typescript and carbon mix of unattached pages, 2 mimeographs of first draft dated March 22, (Spec. Run), notes |
1966 | |
5 | Project 120, "Prince Nicky": mimeograph of first draft dated April 14 - 2 mimeographs of revisions dated May 31, annotated carbon and mimeographs of undated revisions, carbon of "Non-Fiesta Version", correspondence from Jerry Adler to Dick Lewis and Billy Graham, and from Dick Lewis to Richard Fielder regarding script changes (3 items), notes |
1966 | |
12 | Project 120, "Prince Nicky" (Formerly: "The Deceivers"), based upon "Hold Back the Dawn", Prod. #83150: annotated mix of original typescript, carbon, mimeograph and photocopy of extra pages |
1964 | |
13 | Project 120, "Prince Nicky", Prod. #83150: annotated carbon of undated draft, 3 mimeographs (1 copy annotated) of first draft script dated August 25 (S.R.) |
1964 | |
13 | Project 120, "Prince Nicky", Prod. #26501: mimeograph of first draft dated April 14 (F.R.), unattached pages, notes |
1966 | |
79 | Project 120: "Prince Nicky" teleplay script |
August 25, 1964 | |
74 | The Quest story outlines and notes |
undated | |
80 | Quinn Martin's Tales of the Unexpected: "No Way Out" script drafts, revisions, and outlines |
1977 | |
83 | Rafferty: "Its All in Your Mind" script |
August 5, 1977 | |
70 | Ratfink script drafts and notes |
1981 | |
13 | Rawhide, "Incident of El Toro" by Charles Larson: mimeograph of first draft dated May 22 |
1962 | |
13 | Rawhide, "Incident of the Mountain Man": pencil drafts of outline, tentative sequence, and script, annotated carbons of outlines, annotated original typescript of first draft dated September 21, carbon of second draft dated October 2 with rewrites, annotated original typescript and carbon of undated drafts, notes |
1962 | |
5 | Rawhide, "Incident of the Prodigal Son" (Former title: "Incident of the Runaway"), 1961-1962: mimeograph of final drafts dated August 10,1961 and July 11, 1962 |
1961-1962 | |
13 | Rawhide, "Incident of the Prodigal Son" (Formerly: "The Runaway"), Prod. #8507: pencil drafts of outline and script, annotated original typescripts and carbons of narrative synopses, undated drafts and unattached pages, mimeograph of final draft dated August 10, notes |
1961 | |
Rawhide: |
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Box | |||
47 and 63 | "Incident of the Prodigal Son" |
August 10, 1961 | |
47 | "Incident of the Runway" |
1962 | |
47 and 63 | "Incident of the Mountain Man" |
1962 | |
Red River: |
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Box | |||
42-43 | Scripts and drafts |
1987 | |
43 | Revisions |
1987 | |
43 | Outline and notes |
1986-1987 | |
43 | Research: Dialogue continuity on 1947 script |
1947 | |
43 | Promotional material |
1988 | |
43 | Screening lists |
1988 | |
58 | Script drafts |
1987 | |
58 | Story outline |
1987 | |
58 | Notes |
1987 | |
58 | Edits and correspondence |
1987 | |
Box | |||
60 | Regina "Suddenly Love" by Katherine E. Coker |
1982 | |
Return of the Boomerang (Adam's Woman): |
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Box | |||
46 | Screenplay |
August 11, 1968 | |
60 | Screenplay drafts |
1968 | |
60 | Shooting Scripts |
November 1968 | |
60 | Correspondence regarding edits to script |
1968-1969 | |
60 | Screenplay by T.E.B. Clarke with notes on rewrite |
undated | |
60 | Research: Australia |
1968 | |
60 | Notes |
1965-1968 | |
60 | Credit Determination |
1969-1970 | |
60 | Contract and correspondence |
1968 | |
R.I.S.K. (formerly Countdown) |
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Box | |||
82 | Screenplay drafts |
1976-1980 | |
82 | Pilot development |
1976-1980 | |
82 | Notes |
1976-1980 | |
Box | |||
5 | The Road West, "Part I: This Land Is Ours", 1965: pencil draft, carbons of rough first draft and first submitted draft, 2 mimeographs of draft dated September 13, mimeograph of draft dated September 21, notes |
1965 | |
5 | The Road West, "Part I: This Land Is Ours" and "Part II: An Eye For An Eye", 1965: annotated original typescripts of rough first drafts of Parts I and II |
1965 | |
6 | The Road West, "Part II: An Eye For An Eye": pencil drafts of Part II, The Virginian frame, Step-By-Steps, vignettes, revisions, 2 carbons of first draft Step-By-Step (1 copy annotated), annotated carbon and photocopy of second draft of Step-By-Step, carbon of rough first draft, notes |
1965 | |
6 | The Road West, "Part II: An Eye For An Eye": annotated carbon of revised first draft and revisions, annotated photocopy of first draft dated October 18 and extra pages, annotated original typescript of Step-By-Step for "Act III", correspondence between Richard Fielder, J. McAdams, and Norman Macdonnell regarding revisions (2 items), notes |
1965 | |
6 | The Road West: 2 mimeographs of first draft dated October 21, 3 mimeographs of revised first draft dated October 26 (1 copy annotated and missing pages 22-24 and 78-79), 2 mimeographs of revised pages dated October 26, 3 mimeographs of revised second draft dated November 1, annotated mimeograph
of revised second draft dated November 12, 3 mimeographs of revisions dated November 8 |
1965 | |
6 | The Road West: 2 mimeographs and photocopy of revised final draft dated November 18, mimeograph of revised pages dated from November 1 to December 15, carbons of revised pages from November, carbon of The Virginian frame with revisions, cast sheets, Projected Production Schedule, correspondence from Richard Fielder to J. McAdams, N. Macdonnell and Vincent McEveety regarding script revisions (2 items), notes |
1965 | |
6 | The Road West, "Ashes and Tallow and One True Love" by Pat Fielder: mimeograph of story outline and of draft dated July 11, photocopy of draft dated June 27 |
1966 | |
6 | The Road West, "Beyond the Hill" by Dick Nelson (story outline) and Leon Tokatyan (script): mimeograph of story outline, photocopy of revised draft dated August 1 |
1966 | |
6 | The Road West, "Doctor Story (Working title)" by Andy Lewis: photocopy and mimeograph of story outlines, photocopy of draft dated August 18, mimeograph of draft dated September 22 |
1966 | |
6 | The Road West, "Eleven Miles To Eden" by Don Ingalls (script) and Robert Schlitt (story outline): photocopy of story outline dated October 17, 1966 and of script draft dated December 6, 1966,mimeograph of draft dated January 5, 1967, cast sheet |
1966-1967 | |
7 | The Road West, "Elizabeth's Odyssey" by Kathleen Hite: mimeographs of story outline and of drafts dated June 14 and August 10, photocopy of draft dated June 13 |
1966 | |
7 | The Road West, "Fair Ladies of France" by Robert Crean: photocopy of story outline dated June 1, and of draft dated July 19, mimeograph of draft dated November 29, and of revised draft dated December 9 |
1966 | |
7 | The Road West, "Woman in the House" (Former titles: "Whom God Hath Joined", "The Farmer and The Lady") by Halsted Welles: photocopy of story outline and of drafts dated June 9, and August 25 |
1966 | |
7 | The Road West, "Woman in the House" by Gerald Sanford: photocopy of first draft dated September 27 |
1966 | |
7 | The Road West, "The Gunfighter" by Richard Nelson: mimeograph of story outline, of draft dated May 16, and of revisions dated from June 16 to June 20, shooting and release schedules, cast sheet |
1966 | |
7 | The Road West, "Have You Seen the Aurora Borealis?" by Gerald Sanford: photocopy of first draft dated June 14, and of second draft dated August 16 |
1966 | |
7 | The Road West, "The Insider" by Leon Tokatyan, R. F. Graham and Dick Nelson: mimeograph of story outline by Leon Tokatyan and of draft by Leon Tokatyan, R. F. Graham and Dick Nelson dated November 21, cast sheet |
1966 | |
7 | The Road West, "Kansas...You Dry and Thirsty Land!" by James Menzies: mimeograph of story outline and draft dated May 19 |
1966 | |
7 | The Road West, "Laurel Is a Lovely Name" by Harold Gast, (never filmed): mimeograph of story outline, photocopy of draft dated June 13, and of second draft dated July 6 |
1966 | |
7 | The Road West, "Laurel Is a Lovely Name" (Former title: "A Gift Horse") by Tina and Les Pine: photocopy of draft dated August 31 |
1966 | |
7 | The Road West, "Lejeune" by Mark Rodgers: mimeograph of story outline, photocopy of drafts dated May 25, June 7, and October 5 |
1966 | |
7 | The Road West, "Live By the Sword" by Frank Fielder: original typescript of story outline, correspondence to Richard Fielder from Frank Fielder and J. McAdams regarding outline |
1966 | |
7 | The Road West, "Lone Woman" (Former title: "Only the Young Shall Dream"): pencil draft of Step-By-Step and of script second draft, mimeograph of story outline, carbon and 2 photocopies (1 copy annotated) of draft dated June 8, annotated photocopy of draft dated June 14, original typescript and carbons of pages 46 and 47, correspondence between Richard Fielder, J. McAdams, and N. Macdonnell regarding script (3 items), notes |
1966 | |
13 | The Road West, "Lone Woman", Prod. #27713, 1966: mimeograph of draft dated June 15 (F.R.), 2 sets of mimeographs of revisions dated from June 16 to July 5, revised pages, correspondence (1 item), notes |
1966 | |
7 | The Road West, "Long Journey For a Small Friend" by Gerald Sanford, (never filmed): mimeograph of 2 drafts of story outlines, photocopy of drafts dated May 31, and July 5 |
1966 | |
7 | The Road West, "A Mighty Hunter Before the Lord" by John Dunkel: carbon of story outline, annotated photocopy of first draft dated April 14, mimeograph of draft dated June 15 |
1966 | |
7 | The Road West, "Never Chase a Rainbow" (Former title: "Dream Me a Valley"): pencil draft, annotated original typescript of rough draft, carbon of undated draft, carbon and annotated mimeograph of revisions, correspondence from J. McAdams to Richard Fielder regarding script (1 item), notes |
1966 | |
7 | The Road West, "Never Chase a Rainbow", 1966: photocopy of story outline, carbon of first draft, 2 mimeographs of draft dated May 11, mimeograph of draft dated May 13, 1966, annotated photocopy of revised draft dated May 19, annotated mimeograph of revisions dated May 19 |
1966 | |
8 | The Road West, "Never Chase a Rainbow" (Former title: "The Girl From Treasure Hill") by D. C. Fontana: photocopy of story outlines dated September 15, and October 10, 3 mimeographs of draft dated December 22 |
1966 | |
8 | The Road West, "Never Chase a Rainbow" by Richard Fielder, D. C. Fontana, Richard Nelson and Dean Riesner: 3 mimeographs of draft dated January 3, and of revisions dated from January 6 to January 10, cast sheet, correspondence |
1967 | |
13 | The Road West, "Never Chase a Rainbow", Prod. #27710: annotated original typescript of outline, photocopy of draft dated June 2, 2 mimeographs of draft dated June 6, correspondence (1 item), notes |
1966 | |
8 | The Road West, "Pariah" by Hal Sitowitz: photocopy of draft dated September 9 |
1966 | |
8 | The Road West, "Piece of Tin" by Clyde Ware: mimeograph of story outline, photocopy of first draft dated June 9, and of second draft dated June 15, mimeograph of revised draft dated August 4, and of revisions dated August 8 |
1966 | |
8 | The Road West, "Reap the Whirlwind": pencil draft of outline and script, photocopy of story outline, annotated carbon and photocopy of first draft dated October 3, 1966, 3 mimeographs of draft dated October 10, (1 copy annotated), mimeograph of revised draft dated October 14, 2 mimeographs of revisions dated October 17, original typescript and carbons of revisions and notes on proposed revisions, correspondence to Richard Fielder from B. Franklin Kamsler regarding per diem for The Road West (1 item), notes |
1966 | |
13 | The Road West, "Reap the Whirlwind", Prod. #27729: 2 mimeographs of draft dated October 20, mimeograph of revisions dated from October 24 to October 26, notes |
1966 | |
8 | The Road West, "Ride To Glory": pencil draft of Step-By-Step and script first draft, carbon and mimeograph of 2 story outlines, annotated original typescript of undated draft (incomplete), carbons of 2 sets of undated revisions, cast sheet, notice of tentative writing credits, notes |
1966 | |
8 | The Road West, "Ride To Glory": 3 mimeographs of revised draft dated December 1, 4 mimeographs of revised draft dated December 5, mimeograph of revisions dated from December 6 to December 16 |
1966 | |
13 | The Road West, "Ride to Glory", Prod. #27739: annotated carbon of first draft (pages missing), carbon (pages missing) and annotated photocopy of second draft, mimeograph of draft dated November 28 (Short Run), annotated unattached pages, correspondence (2 items), notes |
1966 | |
8 | The Road West, "The Runaway" by Frank Fielder: carbon of story outline |
1966 | |
8 | The Road West, "Shaman" (Former title: "The Beast of Tartan") by Bud Freeman (story outline) and Andy Lewis (script): mimeograph of story outline, photocopy of draft dated July 6 |
1966 | |
8 | The Road West, "To Light a Candle" by James Menzies: photocopy of story outline dated June 1, and of second draft dated July 5 |
1966 | |
8 | The Road West, "A War For the Gravediggers" (Former title: "To Reign In Hell") by Herman Miller and David Levinson: mimeograph of story outline written by Herman Miller, photocopy of Part I of draft written by Herman Miller dated October 11, 1966, mimeograph of draft written by David Levinson and Herman Miller dated February 2,1967 |
1966-1967 | |
8 | The Road West, "Witness" by Norman Katkov, (never filmed): photocopy of draft dated August 16 |
1966 | |
8 | The Road West, "Witness" by Harvey Perr, (never filmed): photocopy of draft dated October 20 |
1966 | |
The Road West |
1966 | ||
Box | |||
47 | Final draft |
1965 | |
47 | "Ride to Glory" |
1966 | |
47 | "Never Chase a Rainbow" |
1966 | |
47 | "Lone Woman" |
1966 | |
66 | Script drafts |
1965 | |
66 | "Never Chase A Rainbow" |
June 1966 | |
66 | "Lone Woman" |
July-August 1966 | |
66 | "Reap the Whirlwind" |
October 1966 | |
66 | "Ride to Glory" |
November 1966 | |
66 | "The Runaway" |
1965-1967 | |
66 | "Live by the Sword" |
1965-1967 | |
66 | "To Light a Candle" |
1966-1967 | |
66 | "Woman In the House" |
1966-1967 | |
66 | "Have You Seen the Aurora Borealis?" |
1966-1967 | |
66 | "Mouthful of Hell" formerly "Sanctuary" |
1966-1967 | |
66 | "The Horse Thief" |
1966-1967 | |
66 | "As I was Wanderin' Easy" |
1966-1967 | |
66 | "Insider" |
1966-1967 | |
66 | "Beyond the Hill" |
1966-1967 | |
66 | "A War for the Gravediggers" |
1966-1967 | |
66 | "Eleven Miles to Eden" |
1966-1967 | |
66 | "A Long Ride to Leavenworth" |
1966-1967 | |
66 | "Shaman" |
1966-1967 | |
66 | "Fair Ladies of France" |
1966-1967 | |
66 | "Andy" formerly "Curly" and "LeJeune" |
1966-1967 | |
66 | "The Gunfighter" |
1966-1967 | |
66 | "Kansas, You Dry and Thirsty Land" |
1966-1967 | |
66 | "The Lean Years" |
1966-1967 | |
66 | "Elizabeth's Odyssey" |
1966-1967 | |
67 | "A Mighty Hunter Before the Lord" |
1966-1967 | |
67 | "Piece of Tin" |
1966-1967 | |
67 | "Ashes and Tallow and One True Love" |
1966-1967 | |
67 | "The Power of Fear" |
1966-1967 | |
67 | "Pariah" |
1966-1967 | |
67 | Story outlines rejected by studio or network |
1966-1967 | |
67 | Press material and reviews, etc., general correspondence |
1965-1967 | |
67 | History of development |
1965 | |
67 | Contract and history of dispute |
1966-1967 | |
44 | The Roaring Twenties (notes and story) |
2000 | |
44 | Robert E. Lee by Jeb Roseback (outline for miniseries) |
October 3, 1983 | |
8 | Robert Taylor's Detectives, "The Hiding Place" by Donald S. Sanford: mimeograph of draft dated April 10 |
1959 | |
8 | Robert Taylor's Detectives, "The Long Drive" by Stanley Niss: mimeograph of revised draft dated April 23 |
1959 | |
35 | Sam Houston by James Goldman, a 4-hour miniseries |
undated | |
Sara formerly Sarah: |
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Box | |||
72 | "The Sod House" script |
January 7, 1975 | |
72 | "Sarah" formerly "The Revolt of Sarah Perkins" script |
1975 | |
72 | "The Rescue" script |
December 1975 | |
72 | "The Simpelton" script and outline |
1975-1976 | |
43 and 69 | Scandal Hall (scripts, drafts, outlines, notes, and research) |
1977-1978 | |
68 | See No Evil |
undated | |
Separate But Equal: |
|||
Box | |||
35 | Script |
1990 | |
35 | NAACP research |
undated | |
Seven Brides for Seven Brothers (scripts and outlines by episode): |
|||
Box | |||
38 | "Challenges" #8202 |
1982 | |
38 | "Daniel's Song" #8203 |
1982 | |
39 | "I Love you Molly McGraw" #8204 |
1982 | |
39 | "The Election" #8205 |
1982 | |
39 | "Man in the White Hat" #8206 |
1982 | |
39 | "Catch a Falling Star" #8207 |
1982 | |
39 | "Gold Fever" #8209 |
1982 | |
40 | "Rodeo" #8210 |
1982 | |
40 | "Dreams" #8211 |
1982 | |
40 | "Heritage" #8212 |
1982 | |
40 | "Promised Land" #8213 |
1982 | |
40 | "The Killer" #8214 |
1982 | |
40 | "Winner" #8215 |
1982 | |
40 | "Deadly High" #8219 |
1982 | |
40 | "Round Up" #8220 |
1982 | |
40 | "The Rescue" #8221 |
1982 | |
40 | "Christmas Song" #8222 |
1982 | |
40 | "Neighbors" outline |
1982 | |
40 | "Winter Roses" # 8223 |
1982 | |
41 | "A Ring for Hannah" #8224 |
1983 | |
41 | Tavard Unity Productions, Inc. contracts |
1982 | |
41 | Fan letters |
1982-1983 | |
60 | "Daniels Song" outlines |
June 1982 | |
60-61 | "A House Divided" outlines and scripts |
July 1982 | |
61 | "Neighbors" scripts, notes, and revisions |
August 1982 | |
61 | "Heritage" scripts and story outline |
October 1982 | |
61 | "Dreams" script |
October 1982 | |
61 | "Promised Land" scripts |
October 1982 | |
61 | "The Killer" scripts |
November 1982 | |
61 | "Deadly High" scripts |
November 1982 | |
62 | "Winner" scripts |
November 1982 | |
62 | "Christmas Song" scripts |
November 1982 | |
62 | Miscellaneous scripts |
1982-1983 | |
62 | Edits and notes |
1982-1983 | |
62 | Prod (production) |
1982-1983 | |
62 | Call sheets and production requirements |
1982-1983 | |
62 | Memos and production schedules |
1982 | |
63 | Story ideas and research |
1976-1982 | |
63 | CBS correspondence, program practices, research reports |
1983 | |
63 | Fan mail |
1982-1983 | |
63 | Casting |
1982 | |
63 | Production Reports |
1982 | |
Shenandoah (Dixie): |
|||
Box | |||
70 | Stories |
1992 | |
70 | Memos, notes, research |
1992 | |
70 | Statement of arbitration |
1992 | |
Box | |||
44 and 71 | Sherman's March (drafts, story and notes) |
2000-2001 | |
90 | She Who Would Disband Armies: A Comedy in Three Acts by Dan Ryan and Marty Isadore |
1985 | |
98 | The Show, original screenplay by John Oldach |
undated | |
8 | Shoot The Works: mimeograph (incomplete). |
undated | |
45 | Sins of The Mother (shooting script) |
1990 | |
70 | Sins of the Mother reviews |
1991 | |
76 | Skin Deep story outline and research |
undated | |
Sky Blue: |
|||
Box | |||
88 | Movie treatment |
1972 | |
88 | Ballooning research |
1966-1983 | |
8 | Slattery's People, "What Is the Life of One Politician?" by Preston Wood: mimeograph of first draft dated June 24 |
1965 | |
8 | Slattery's People, "Why the Lonely...Why the Misbegotten?" by Barry Trivers: mimeograph of final draft dated July 7 |
1964 | |
49 | Sleeping Beauty (script) |
undated | |
8 | A Song for Patty (Former titles: "NIGHT SONG", "YOU KNOW THE BUSINESS"): pencil drafts of story and step outlines, annotated original typescript and carbon of 2 story outlines, carbon of revised version of story outline, annotated carbon of undated draft, notes |
1960 | |
Sons and Daughters: |
|||
Box | |||
64 | "The Locket" script |
July 1974 | |
64 | Projection |
July 19, 1974 | |
52 | Starcrossed by Richard Fielder (a television proposal) |
undated | |
46 and 59 | State Fair - pilot film (script drafts, notes, story outlines) |
1975 | |
Stolen Women: |
1996 | ||
Box | |||
45 | Shooting script |
1996 | |
79-80 | Script drafts |
1984-1990 | |
80 | Revisions |
1990 | |
80 | Research, story, memos, and notes |
1989-1990 | |
Story boards (MGM): |
|||
Box | |||
41 | Battle of Trenton drawings |
undated | |
41 | Battle of Monmouth drawings |
undated | |
41 | Battle of Long Island drawings |
undated | |
Box | |||
59 | The Story of Linn Yann by Christopher Knopf and David A. Simons |
1983 | |
8 | Street Corner by Richard Fielder: annotated original typescript and carbon of Tentative Step-By-Step, annotated carbon of revised version of Step-By-Step, carbons and photocopies of transcribed excerpts from taped interviews, research notes, articles and reprints |
1960-1963 | |
9 | Street Corner by Richard Fielder (script and treatment) and Shimon Wincelberg (treatment): carbon and mimeograph of 2 versions of treatment by Shimon Wincelberg dated March 18, and April 17, mimeograph of treatment by Richard Fielder dated August 16, annotated carbon for treatment dated lated July-early August, correspondence between Richard Fielder, George Golitzen and a representative of H. N. Swanson, Inc. regarding the Street Corner project |
1963 | |
9 | Street Corner: carbon of rough first draft dated October, annotated original typescript and carbons of spare pages, mimeograph of first draft dated November 1 |
1963 | |
13 | Street Corner: pencil versions of script, step-by-step summary, and scene rhythm, annotated carbons of character list and unatatched pages |
1963 | |
81 | Street Corner screenplay drafts |
1963 | |
49 and 70 | Summer Stock by Mary Beth Fielder (step outlines, scripts, drafts, and notes) |
1988 | |
46 | Tahoe (screenplay) |
1980 | |
69 | Tahoe (story approach and script) |
1979-1980 | |
9 | The Tall Man, "Debt of Honor" (Former title: "The Avenger"): pencil draft of story outline and script rough draft, 2 mimeographs of draft dated July 21, notes |
1961 | |
13 | The Tall Man, "Debt of Honor": carbon of story idea, annotated carbon of outline, annotated original typescript and carbon of undated drafts, notes |
1962 | |
9 | The Tall Man, "The Girl From Paradise": pencil draft of story outline and script rough draft, mimeograph of story outline dated September 25, and of draft dated October 31 |
1961 | |
13 | The Tall Man, "The Girl from Paradise": carbon of outline, original typescripts of undated (annotated) and first drafts, annotated original typescript and carbon mix and carbon of second draft, annotated carbons of unattached pages, inserts and notes |
1962 | |
9 | The Tall Man, "The Long Night": pencil rough draft, mimeograph of draft dated September 20, 2 mimeographs of revisions dated October 3, notes |
1961 | |
13 | The Tall Man, "The Long Night": annotated carbon of outline, annotated original typescript and carbon of undated drafts |
1962 | |
9 | The Tall Man, "Night of the Hawk": pencil draft of Step-By-Step and script rough draft, 2 mimeographs of revisions dated January 18, 2 mimeographs of draft dated January 22 |
1962 | |
13 | The Tall Man, "Night of the Hawk", Prod. #14080: annotated carbon of outline, annotated original typescript and carbon of undated drafts, mimeograph of draft dated January 12 (F.R.) |
1962 | |
9 | The Tall Man, "The Woman in Black": pencil draft of story outline and script rough draft, annotated carbon of rough story outline, mimeograph of draft dated March 9 |
1962 | |
14 | The Tall Man, "The Woman in Black": original typescript and carbon of 2 drafts of outline, annotated original typescript and carbon of undated drafts, unattached rewrite pages, correspondence (1 item), notes |
1962 | |
The Tall Man: |
|||
Box | |||
47 and 78 | "Night of the Hawk" |
January 12, 1962 | |
47 and 78 | "Debt of Honor" |
1961-1962 | |
47 and 78 | "The Woman in Black |
1961-1962 | |
47 and 78 | "The Girl from Paradise" |
1961-1962 | |
47 | Notes |
1962 | |
78 | "The Long Night" |
1961-1962 | |
Box | |||
9 | Tears by Jack Jason: annotated carbon of story outline |
undated | |
69 | Teenage Special "To Climb a Mountain" script and notes |
1981 | |
Television plays: |
|||
Box | |||
48 | "The Actress" |
undated | |
48 | "A Song for Jimmy" |
undated | |
48 | "You Know the Business" |
undated | |
48 | "Dream Me a Valley" |
undated | |
Test Pilot School series: |
|||
Box | |||
70 | "Born to Fly" notes and research |
1985-1986 | |
70 | Research |
1987 | |
Box | |||
9 | This Gun for Hire: mimeograph of series format dated November 12 |
1963 | |
9 | This Gun for Hire, "To Live Or Not To Live": pencil drafts of story sequence, story outline, and script rough first draft, 2 carbons and mimeograph of story outline dated December 11, annotated original typescript and carbon of spare pages 11 to 15 of story outline, correspondence from Richard Fielder regarding script (1 item), notes |
1963 | |
41 | Throwaways by Maxine Herman |
1991 | |
41 and 89 | Timepiece scripts and schedule |
1996 | |
9 | The Town That Lost Itself by DeWitt Coop (rejected): photocopy of story outline |
1963 | |
70 | The Troublemakers memos, and research |
July 1987 | |
True Stories: |
|||
Box | |||
48 | "Jimmy Sue, I love You" (drafts) |
May 1991 | |
48 | "Charge it to God-Research" (drafts) |
1991-1992 | |
Tsunami: |
|||
Box | |||
44 | Story memos |
1999 | |
44 | Two hour movie script |
1999 | |
98 | Story and information |
1999 | |
Box | |||
30 | Turquoise Dawn - Dennis Brown's Play |
May 3, 1988 | |
36 | Two From Galilee - based on a book by Marjorie Holmes |
undated | |
76 | Two From Galilee script drafts and notes |
1995 | |
71 | Values scripts and notes |
undated | |
9 | The Virginian: mimeograph of series format, carbon of character descriptions, mimeograph of character addition, set sets, correspondence to Richard Fielder from J. McAdams regarding story, notes |
1962-1965 | |
14 | The Virginian, "The Horse Fighter", Prod. #26223: pencil drafts of step-by-step, outlines, and script, annotated original typescript of step-by-step, annotated carbon of synopsis and first draft (not complete), list of "wild horse" stock footage, original typescript and carbons of old opening, notes, 2 mimeographs of first draft dated September 1 (S.R.) |
1965 | |
14 | The Virginian, "The Horse Fighter", Prod. #26223: carbon of second draft and unattached pages, annotated original typescript and carbon mix of draft dated September 10, correspondence (2 items), inserts and notes, 2 mimeographs of draft dated September 13 (F.R.), 2 mimeographs of revisions dated September 17 (F.R.) |
1965 | |
9 | The Virginian, "The Nobility of Kings", 1965: pencil draft of preliminary Step-By-Step and script rough draft, annotated carbon of Step-By-Step Outline, photocopy of story outline, annotated original typescript of rough first draft, carbon of revised first draft, correspondence to Richard Fielder from J. McAdams regarding script, notes |
1965 | |
14 | The Virginian, "The Nobility of Kings", from a story by Jim McAdams, Prod. #26213: mimeograph of draft dated June 22 (F.R.). Script file fragments |
1965 | |
The Virginian: |
|||
Box | |||
47 | "The Nobility of Kings" |
1965 | |
47 | "Long Way Home" |
1969 | |
47 | "The Horse Fighter" |
1965 | |
80 | "Ride a Cocked Horse" script by E.M. Parsons |
June 1963 | |
80 | "Loser Take All" script by Frank Fenton |
July 6, 1964 | |
80 | "The Horse Fighter" script |
October 4, 1965 | |
80 | "The Nobility of Kings" script |
June 22, 1965 | |
80-81 | "Long Way Home" aka "Storm Warning" script drafts, story outline, NBC mimeo copies |
February-May 1969 | |
81 | Contracts and correspondence (includes Mike Franklin letter) |
1969 | |
Box | |||
88 | Wait for Me prospects for production |
1970-1972 | |
46 and 78 | The Walls Come Tumbling Down step outline and television movie proposal |
1990-1991 | |
The Waltons: |
|||
Box | |||
45 | "The Dream" story idea and notes |
1973 | |
45 | "The Odyssey" story idea and notes |
1973 | |
45 | "The Townie" (script drafts and notes) |
1973 | |
64 | "The Braggart" script, notes, and research and "The Townie" shooting schedule and script |
July 1973 | |
Box | |||
78 | The Way of an Eagle script |
undated | |
The Weekend: |
|||
Box | |||
72 | Script by Jim McGinn |
April 9, 1981 | |
72 | Script |
June 16, 1981 | |
72 | Notes |
1981 | |
Westside Medical: |
|||
Box | |||
65 | "The Devil and the Deep Blue Sea" script drafts and story outlines |
1976 | |
65 | "Covenant" script draft |
1976 | |
35 | The Whole Nine Yards by Leon Tokatyn and Diana Bell Tokatyn |
February 4, 1983 | |
45 and 77 | When Sailors Come Home from the Sea scripts |
1979 | |
46 | Wild Horses (script, correspondence, and research) |
1991 | |
9 | The Wild, Wild, West, "The Greatest Train Robbery" by Stephen Kandel: mimeograph of draft dated May 18, cover letter, script fragments |
1965 | |
52 | The Wings of a Dove (proposal for a 2 hour special on Elizabeth Seton) |
1975 | |
48 | Wings of and Eagle: The Passion of Frank Lloyd Wright (proposal, notes, story outline, drafts) |
1999-2002 | |
58 | "Winterkill" from the novel MIA by Robert Nathan (screenplay drafts, shooting script) |
1982 | |
44 | With This Gun: Frank D. Gilroy's treatment |
undated | |
30 | Women of San Quentin by Mark Rodgers |
January 6, 1983 | |
68 | Women Who Wait for Men scripts |
January 1980 | |
49 | Irving Wallace's, "The Word" by Robert L. Joseph and Dick Berg (prospectus) |
undated | |
59 | Irving Wallace's "The Word" (screenplay drafts, step outlines, and research) |
1977-1978 | |
18 | Yearbook by Paul L. Ehrmann |
undated | |
The Yearling: |
|||
Box | |||
46 | 5-part miniseries (script drafts, notes, and prospectus) |
1978 | |
78 | Screenplay, parts 1-2, a limited series based on Marjorie Kinnan Rawlings book |
undated | |
78 | Presentation/proposal |
undated | |
77 | You Know the Business, an original television play |
undated | |
46 and 63 | Youngblood, action adventure series for television (script, projection, and proposals) |
1967 | |
44 | The Young Pioneers "The Sky in the Window" by Robert Pirosh and Kathryn Powers |
December 14, 1977 | |
52-53 and 98 | Unidentified miscellaneous script pages, edits, and notes |
1964-2005 | |
Research Files (miscellaneous): |
|||
Box | |||
53 | Library info and research Term paper research |
1969 | |
53 | Sickles the Incredible by W.A. Swanberg |
1956 | |
53 | The Last Cowboy by Jane Kramer (copy for review) |
1977 | |
53 | The General's Wife: The Life of Mrs. Ulysses S. Grant (Julia Dent Grant) |
1959 | |
53 | Current Changes +Possible Outs memos and Ulysses S. Grant G. Perret |
1972-99 | |
54 | Behind the Scenes or Thirty years a Slave and four years in the White House by Elizabeth Keckley |
1988 | |
54 | W.W. II "Death March" in Germany, ETC |
2001 | |
54 | The Chisholm trial by Borden Chase |
undated | |
54 | Cities on a Hill by Frances Fitzgerald |
undated | |
54 | Revolutionary War Research |
2007 | |
54 | Light Horse Harry Lee: And the Legacy of the American Revolution |
1981 | |
54 | A History of Britain: The Wars of the British 1603-1770 by Simon Schama |
2001 | |
54 | The Unknown American Revolution: The Unruly Birth of Democracy and the Struggle to Create America by Gary B. Nash |
2005 | |
Research Writing/Writing Samples |
|||
Box | |||
54 | Sharrra Rebellion |
undated | |
54 | Cape Cod Quakers |
undated | |
54 | Hemingway |
undated | |
54 | A.E. Coppand Story |
undated | |
54 | A Soldier of the Great War |
undated | |
54 | Pigs in Heaven |
undated | |
54 | Trinity |
undated | |
54 | Cold Mountain |
undated | |
54 | Navy documents |
1970-1990 | |
54 | Notes from Roy |
undated | |
54 | Reveille in Washington by Margaret Leech (copy) |
1941 | |
54 | Research from Tribute to Western Movies |
June 2011 | |
54 | Mags, etc. Historical Research |
undated | |
54 | New Project research |
undated | |
54 | Active writing file: young adult novels, correspondence and articles |
2011-2012 | |
55 | Notes |
1960-2000 | |
55 | Magazine articles on the American Revolution and the founding fathers of America |
1980-1998 | |
57 | Audio: Songs of Rebels and Redcoats (cassette tape) |
1976 | |
57 | Audio: Colonial Singing Games and Dances (cassette tape) |
1977 | |
99 | Important Research: Hec Ramsey, Western, Waltons, State Fair |
1970 | |
99 | Research - Revolutionary War and after |
1968 | |
99 | Article on Mormon Killers for M.B. |
1988 | |
99 | Medical research |
1975 | |
99 | Research: Condition Red - 1. Canada 2. Sales, etc. 3. CIA 4. RCMP 5. Czechoslovakia 6. Russia or Foreign Service 7. Federal Investigations |
undated | |
99 | Research notes from Back Projects: 1. Best Years--College and Education 2. Proj. 120-Spain-Society-Yugoslavia-U.S. Foreign Service 3. Yachting 4. Life in Newport 5. Corporation Life 6. Spying 7. On Women 8. St. Paul Apomas 9. Africa |
1967 | |
99 | Laser Research |
1985-1987 | |
99 | 1920's research |
undated | |
99 | Bermuda |
1974 | |
99 | Abe Lincoln Research |
1897-19447 | |
99 | Research: Cattle Industry |
undated | |
99 | New York State Police research, includes detailed police investigation reports on various crimes |
1976-1980 | |
99 | 4 Chaplains: Sea of Glory by Francis Beauchesne Thornton (Xerox copy) |
1953 | |
99 | 4 Chaplains: The Men The Ship by Chester J. Szymczak (Xerox copy) |
1976 | |
Folder | |||
99 and Digital | ahcdm_09490_001 | 4 Chaplains research (CD) |
1998-2004 |
99 | Mary White Ovington and the Rise of the NAACP, a thesis by Daniel Walter Cryer (Xerox copy) |
1977 | |
99 | Arrogant Aussie: The Rupert Murdoch Story by Michael Leapman (Xerox copy) |
undated | |
99 | Cities on A Hill by Francis FitzGerald (Xerox copy) |
undated | |
100 | Christian Marriage Counseling literature |
undated | |
100 | The Legendary "Buckaroo" |
undated | |
100 | The Poling Family notebook |
undated | |
100 | Miscellaneous research (notes, clippings, and articles) |
1966-1998 |
Series II. Professional PapersReturn to Top
Container(s) | Description | Dates |
---|---|---|
Box | ||
55 | Academy of Television Arts and Sciences (membership card, Emmy Award ballots and invitations) |
1990-1993 |
100 | Alliant 2004 - credits and resume |
2004 |
100 | Art prints |
undated |
100 | Art prints, etc. - material for children's school work |
1960 |
Artifacts: |
||
Box | ||
55 | Skeleton Key |
undated |
55 | Coins and buttons |
undated |
100 | Magnifying ruler and razor |
undated |
56 | Audio: Mozart Musical Masterpieces (CD) |
2005 |
100 | Audio: air/ground communications and space shuttle flights (2 cassette tapes) |
1977 |
101 | Bibles |
1958-1959 |
101 | Biographical information - Richard Fielder |
1986 |
1 | Book: Jessup, R., Chuka
|
1961 |
1 | Calendar: Norcross Blue Book |
1962 |
101 | Catalogs and forms - tape boxes, books, scripts etc. |
undated |
55 | College admission material |
1970-1990 |
101 | Communion breakfast 1964, also samples of other mercy events |
1964 |
Contracts: |
||
Box | ||
101 | Welby and State Fair |
1974 |
101 | CBS Contract |
March 1967 |
101 | Contracts |
1985-1988 |
101 | CBS pilot |
1967 |
101 | 1. Gunsmoke 2. Univ (mystery movie) |
1971 |
101 and 104 | Coronado house information |
undated |
1 | Correspondence: Contains mainly personal correspondence between Richard Fielder and his wife Tavia, to Richard and Tavia Fielder from friends, and from his parents and brothers. Includes notes, cards, postcards, and newspaper clippings. Also contains some professional correspondence regarding his screenplay Street Corner, and replies from several network and production companies regarding television programming ideas. Arranged in folders: Personal Correspondence, 1960 (47 items). Personal Correspondence, 1962 (23 items). Professional Correspondence, 1950, 1962-1963 |
1950, 1960, 1962-1963 |
55 | Correspondence |
1960-2000 |
Correspondence: |
||
Box | ||
101 | CBS Memo on "Salt and Pepper" |
1966 |
101 | MGM development memos |
1987 |
101 | Miscellaneous correspondence |
1970-2000 |
Box | ||
101 | Credit file - arbitrations, etc. |
1990-1999 |
101 | Global Unity Day |
June 12, 1983 |
55 | Golden Globe Awards |
1974 |
101 | HBO and network MOW's and Mini's |
1987-1988 |
101 | Legal - Fredric G. Dunn, Attorney at Law - divorce |
1993 |
101 | Lists: Box Content - briefcase and office |
January 2001 |
101 | Lists of scripts and research notes |
undated |
1 | Lists: Contains handwritten lists of phone numbers and various business matters needing attention, 1 folder |
undated |
101 | MGM announcement: script lists |
1988 |
101 | Miscellaneous Hollywood file: (1) Synopsis of Live for Life and Hungarian (2) Albert Paulsen's reviews |
undated |
101 | Miscellaneous folder, Church of Air, Elaine's Article |
1964 |
101 | Newsletter: Writers Guild of America, West (WGA) |
1977-1981 |
1 | Newspapers, Newspaper and Magazine Clippings: Contain clippings for story ideas sent to Richard Fielder from the M. D. Productions Service- 1961: with letter from Richard Fielder's father - 1962. 1 folder |
1961-1962 |
57 and 101 | Newspaper clippings |
1946-1999 |
56 | New York Magazines |
1951-1952 |
1 | Notes: Contains notes for Checkmate, "Cue For Murder" |
undated |
10 | Pamphlet: Promotional brochure for the Montecito, offering rooms and apartments for rent |
undated |
101 | Pamphlets: 1. Educational, 2. Health, 3. Home, etc. |
undated |
10 | Periodical: Look, Vol. 26 (no. 25), December 4, 1962: contains an article on the Street Corner project by Chandler Brossard, "Kids in Trouble", pp. 109-119 |
1962 |
1 | Periodical: The Hollywood Reporter, Vol.159 (no.13), Friday, July 29 |
1960 |
101 | Phone Directory |
1989 |
10 | Program: 1 program for the St. Joseph's Preparatory School 22nd Annual Career Forum, May 11 |
1966 |
Projects: |
||
Box | ||
101 | Current writing |
2000 |
102 | MGM-UA memos and projects (Including Boston and Guru) |
1987-1989 |
Box | ||
102 | Development drafts and research |
1987-1988 |
102 | "Starcrossed" notes and research |
1987-1989 |
102 | "Starcrossed" (research on Russia) |
1987 |
102 | MGM-UA development projects |
1987-1988 |
102 | New Projects |
1987 |
102 | Development projects info |
1986-1987 |
Box | ||
1 | Proposals: Contains notes on program ideas and a program proposal authored by Richard Fielder: Arrest and Trial, author unknown, 1962-1963: mimeograph of draft dated June 1, 1962, 2 mimeographs of revised draft dated January 18, 1963 with cover letter from Lee Rosenberg of H. N. Swanson, Inc. "A Television Program Presentation: Welcome to Wonderland", no date: 11 mimeographs "Notes on a Program Idea: First Person Singular", no date: 6 mimeographs "Notes on a Program Idea: Violence", no date: 6 mimeographs |
1962-1963 |
102 | Proposals |
|
102 | Proposals: John Brown: Mine Eyes Have See the Glory |
1993 |
102 | Publication: Harper's Magazine, Centennial Issue |
October 1950 |
102 | Publicity: Saving Private Ryan |
undated |
1 | Schedule: Contains a schedule and route map for Line 21 (Culver City-Hollywood-Lockheed-Burbank Line) of the Los Angeles Metropolitan Transit Authority, effective November 18 |
1962 |
56 | School documents |
undated |
102 | School and skating |
1979-1985 |
104 | Scrapbooks: Winds of War |
1983 |
102 | Speeches and miscellaneous writing |
1970-1971 |
Story and project ideas: |
||
Box | ||
56 | Story memos/ideas submitted to MGM/UA |
1986-1988 |
102 | New series ideas-Research material |
1984 |
Sample TV series formats: |
||
Box | ||
102 | 1. The Prosecutors |
1964 |
102 | 2. The Lost Men |
1964 |
102 | 3. The Best Years |
1962 |
102 | 4. 400 independence N.W. |
1964-1965 |
102 | 5. Breakdown |
1961 |
102 | 6. Follow the Sun; 7. Esperanza (Jim McAdams) |
1965 |
102 | Series idea on the Seeking Man Today (Originally for Dick Kiley) |
1961 |
102 | Story ideas -"National Forest Service" |
undated |
102 | Story ideas - Anthologies, story outline "Journey to Nowhere" |
undated |
102 | Second Chance (Night School; Adult Ed.) |
undated |
102 | To Each His Own (nighttime soap opera) |
undated |
New television series ideas (CBS) and screenplay ideas: |
||
Box | ||
102 | End of Mission |
1965 |
102 | Jazz in Russia |
1965 |
102 | Troubador |
1965 |
102 | Young generation story ideas |
1963 |
102 | Current projects |
1968 |
102 | Current story idea work folder, college and youth scene research |
1969 |
102 | Quotations and wisdoms, etc., miscellaneous ideas |
undated |
102 | Miscellaneous story possibilities: Mari's list of old plays, Night they Drove Old Dixie Down, Einstein research |
1966-1989 |
102 | Story ideas |
1988 |
102 | Suspense story ideas: Outline "Cry of the Owl", story ideas for Kraft suspense theater, "Down the Road a Piece" (Tiger Bay), 87th Precinct, N.Y. violence Idea, Mystery Ship article |
1962 |
102 | Recent Sample series formats: "Conflict" (CBS); Panlold; Laredo (univ); "Wide Country" |
1965 |
102 | Story Ideas - MGM-UA |
1986-1988 |
102 | The Walter Ciszek Story |
1987 |
103 | Ideas pitched for GE theater or movie of the week |
1974 |
103 | Ideas |
1974 |
103 | Story Ideas: Disney memo; Eliz Barrett; Land of Burnt Thigh |
1994 |
103 | Footsteps: project idea memo and notes for Footprints in the Sand |
1997 |
103 | Mark Twain: A Love Story outline and notes |
December 1991 |
103 | Walk Me to Freedom: The Story of Biddy Mason story idea by Seth Polson |
1979-1999 |
103 | Honest Cop story idea |
April 1985 |
103 | In Safe Hands (possibility for Family Channel) |
1996 |
103 | The Doctor Mary Walker Story |
1995 |
103 | Miscellaneous story possibilities |
1996 |
103 | Story idea memos and AJ (Andrew Jackson) memos |
1994 |
103 | TV series ideas: "A Time to Live" "Never turn Back" "Where do we go from here" "The Wings of a Dove" "Wild Blue" |
undated |
Box | ||
9 | Subject File: Disneyland, Marineland, and other excursions, contains programs, pamphlets, postcards, ticket stubs, maps, brochures and leaflets |
undated |
56 | Video: "Zodiac" Directors Cut (DVD) |
2007 |
56 | Wedding announcements and records |
1976 |
103 | Writers Guild |
1982 |
Names and SubjectsReturn to Top
Subject Terms
- Television authorship.
- Television programs -- United States.
- Western television programs -- United States.
Form or Genre Terms
- Television scripts.
Occupations
- Television writers.