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John Caldwell drawings, circa 1940s

Overview of the Collection

Creator
Caldwell, John, 1920-2002
Title
John Caldwell drawings
Dates
circa 1940s (inclusive)
Quantity
.04 linear feet, (1 pamphlet binder)  :  9 drawings
Collection Number
2022-012
Summary
The collection includes nine pencil drawings. They are believed to be created by John Caldwell, a Black serviceman, during World War II. One drawing depicts Seattle's Camp George Jordan, a camp for Black soldiers located at 1st Ave. S. and Spokane St., which operated between 1942 and 1947. The other drawings are portraits of unknown women and famous entertainers.
Repository
Seattle Public Library, Special Collections
1000 Fourth Ave.
Seattle, WA 98104-1109
Telephone: 206-386-4636
specialcollections@spl.org
Access Restrictions

Collection is open and available for use.

Languages
English
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Historical Note

Biographical Note

Little is known about the artist who created the drawings other than his name, John Caldwell. We assume that Caldwell was likely a Black soldier who passed through Camp George Jordan during World War II because of the presence of a drawing of the camp within the collection.

Researching World War II draft cards, ship passenger lists, census records and other historical documents library staff identified a John Caldwell who appears to be a good candidate for the artist. He was born in Carrier Mills, Illinois on June 20, 1920. His parents, Earnest and Edna, along with his older brother, Jessie James Caldwell appear on the 1920 census where Earnest's occupation is listed as a coal miner. The 1940 Census shows John working as a laborer in Carrier Mills before his World War II draft registration on April 2, 1941. His draft card notes that he is 5' 11'', 183 pounds with a dark brown complexion, black hair and brown eyes. His mother, Edna Caldwell is listed as his next of kin. Ship passenger lists note his arrival in Seattle on October, 30, 1947 from Okinawa, Japan aboard the S.S. U.S.A.T. General Omar Bundy. Later records show he lived in Hercules and Oakland, California through the 1980s and 1990s before passing away on September 26, 2002 in Martinez, California at the age of 82.

Historical Note

The U.S. Army's Port of Embarkation Administration established Camp George Jordan in July 1942 at a time when the armed forces were still heavily segregated. The camp, intended for Black soldiers, was located on the south side of Spokane St. between 1st Ave. S. and 2nd Ave. S. It was initially known as the First Avenue Camp but the name was changed to Camp Jordan in November 1943 after Sergeant George Jordan (1847-1904) of the 9th United States Calvary. Jordan was a Black soldier who was awarded the Congressional Medal of Honor for his bravery during the 1880 Battle of Tularosa in New Mexico.

Camp Jordan consisted of over 100 temporary tar paper structures. During the winter, the camp buildings were poorly heated and the grounds quickly turned to mud. During the summer, the buildings were too hot and the grounds full of dust. In addition to these factors, the area was subjected to constant soot and noise from passing trains. The camp was segregated with roughly 2,000 Black troops on one side of the street and white personnel and officers on the other side.

Soldiers at the camp helped with transportation logistics, driving troops from Fort Lewis and Fort Lawton to and from points of embarkation for overseas service. They also aided in the loading and unloading of cargo between ships, trains and warehouses, taking on difficult and physical work with little recognition or glory. One of the soldiers who passed through the camp, Sam Smith, went on to serve in the Washington State House of Representatives and become a Seattle City Councilmember. Camp Jordan remained active until March 1947.

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Content Description

The collection includes nine pencil drawings measuring about 12 x 9 inches. They are believed to be created by John Caldwell, a Black serviceman, during World War II. The drawings include an exterior view of Seattle's Camp George Jordan along with eight other portraits. The portraits include three drawings of Black women, one depicting a woman as she steps up to bat for a baseball game. Drawings of musician and performer Louis Armstrong and actor Humphrey Bogart are also included as well as three portraits of white women, one of whom may be Dorothy Lamour or Greta Garbo and two of whom are unidentified. The drawings are accompanied by a folder of biographical materials assembled by library staff while researching Caldwell's identity.

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Use of the Collection

Alternative Forms Available

The drawings in this collection have been digitized and made available through Seattle Public Library's Black Culture and History Collection:
https://cdm16118.contentdm.oclc.org/digital/collection/p16118coll37/id/2923/rec/1

Restrictions on Use

Copyright restrictions apply.

Preferred Citation

[ITEM DESCRIPTION], John Caldwell drawings, circa 1940s. 2022-012. Seattle Public Library, Seattle, WA.

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Administrative Information

Arrangement

This collection was processed at the collection-level.

Related Materials

The Marjorie Sotero Photograph Collection, which has been digitized, provides further images of Camp George Jordan and social activities among soldiers during World War II:
https://cdm16118.contentdm.oclc.org/digital/collection/p16118coll37/search/searchterm/sotero

The Black Heritage Society of Washington State also holds a Marjorie Polk Sotero collection:
https://www.bhswa.org/wordpress/collections/

Acquisition Information

This collection was purchased in 2021.

Processing Note

Acknowledgement of Harmful Content
The Seattle Public Library Special Collections Department is committed to creating an inclusive archive that documents the history of our diverse communities in a respectful manner. Our collections include historic materials that may contain images and outdated language which can be harmful due to issues such as racism, colonialism, sexism and homophobia. This content can provide important insight into the creator and context of the historic materials but can also reveal hurtful biases and prejudices.

We may decide to use or retain harmful language in our description when the terms have been used by the creator(s) of the materials to describe themselves or their community; when we have reused description created by the donor; when we have transcribed information directly from the materials; and when using national standards such as Library of Congress Subject Headings, which allow for standardized searching and retrieval of records. When including language from the original material in our finding aids or descriptions, we will indicate that this material comes directly from the original item by putting the language in quotes or prefacing it with a note that says the description is transcribed from the item or provided by the creator.

We will continually review our finding aids to identify harmful language and encourage you to contact us at specialcollections@spl.org if you find language that causes concern.

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Subject Terms

  • African American soldiers--Biography
  • World War, 1939-1945--African Americans--Biography

Form or Genre Terms

  • Drawings
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