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Ramiro Cortés papers, 1933-1988
Overview of the Collection
- Creator
- Cortés, Ramiro, 1933-1984
- Title
- Ramiro Cortés papers
- Dates
- 1933-1988 (inclusive)19331988
- Quantity
- 50 linear feet
- Collection Number
- MS 0513
- Summary
- The Ramiro Cortés papers (1933-1988) document the personal and professional life of the first significant Mexican-American composer, Ramiro Cortés (1933-1984), of serious twentieth-century music in the United States.
- Repository
-
University of Utah Libraries, Special Collections
Special Collections, J. Willard Marriott Library
University of Utah
295 South 1500 East
Salt Lake City, UT
84112-0860
Telephone: 8015818863
special@library.utah.edu - Access Restrictions
-
Twenty-four hour advanced notice encouraged. Materials must be used on-site. Access to parts of this collection may be restricted under provisions of state or federal law.
- Languages
- English
Historical NoteReturn to Top
Ramiro Cortés was born November 25, 1933, in Dallas, Texas, to Ramiro Cortés Sr. and Elvira Acosta Cortés, parents of Mexican origin. This marriage ended in divorce, when his father left the family in 1936. His brother, Arturo, was one year old. Ramiro began his piano studies at age eight and began composing at age eleven. When he was thirteen years old, his family moved to Denver, Colorado, where he continued his piano studies. He attended South High School where he composed many piano pieces, solo and choral works, and a musical show produced by his junior class. In 1950 he began theoretical studies with Joseph Iadone, a former student of Paul Hindemith. Cortés studied harmony, counterpoint, and twentieth century music with Iadone for two years.
In 1951 Cortés enrolled at the University of Denver where he received a full tuition scholarship. This enabled him to continue his studies with Iadone and begin a formal study of composition. Cortés submitted some of his compositions to the National Federation of Music Clubs' competition and was awarded the Charles Ives scholarship to study at the Indian Hill Music School in Stockbridge, Massachusetts, during the summer of 1952.
In the fall of 1952 he enrolled at the Yale School of Music and in 1953 was the recipient of the John Day Jackson Prize for his composition Introduction and Fugue for string quartet. Later that year he enrolled at the University of Southern California, where he studied with Halsey Stevens and Ingolf Dahl.
In 1954, Cortés received several awards for his works. Perhaps the most significant was the George Gershwin Memorial Award for Sinfonia Sacra which gave Cortés a great deal of national recognition.
Cortés was the recipient of the Steinway Centennial Award in 1955 for Piano Sonata and of the Los Angeles Philharmonic Prize for Yerma, A Symphonic Portrait. He received his bachelor of music degree from the University of Southern California that same year, and the following summer served as a fellow on the Huntington Hartford Foundation estate in Pacific Palisades.
During his year of graduate studies at the University of Southern California in 1956, Cortés continued his studies with Halsey Stevens and Ingolf Dahl. He received a Fulbright Scholarship to study composition with Goffredo Petrass in Rome. Later that year, he received first prize in the National Federation of Music Clubs Young Composers competition.
Cortés received a renewal of the Fulbright scholarship and spent a second year in Rome. The summer of 1958 was spent at the Huntington Hartford Foundation, where he worked on three sacred compositions which had been commissioned by the Concorda Society of Princeton. He was awarded first prize in the Broadcast Music Inc. Student Composers competition. The money from this award was used to finance Cortés' studies in composition at Princeton with Roger Sessions during the fall semester. While at Princeton, he composed a score commissioned by the Pittsburgh Bicentennial Association for a film on the history of Pittsburgh. While at Princeton, he also wrote a song cycle on poems by Herman Melville which earned him the George Bolek Memorial Award of the National Federation of Music Clubs. Cortés again returned to the Huntington Hartford Foundation for the summer of 1959.
In New York during February of 1960, Cortés married Nancee Heimbecher Charles--Charles was her professional name--whom he had met in junior high school. During that year he received the John Hay Whitney Foundation Fellowship. The most important score he produced was Symphony in Three Movements for small orchestra. He submitted this composition to the Queen Elizabeth of Belgium International Competition, and was awarded the silver medal.
Cortés enrolled at the Juilliard School of Music in 1961 and held the Rodgers and Hammerstein Scholarship. He received two additional awards while attending Juilliard: the Alexandre Gretchaninoff Memorial Prize and the Benjamin Prize. He finished course requirements for his master's degree in 1962. That same year he received an award from the National Institute of Arts and Letters.
Cortés worked as a computer programmer for Systems Development Corporation from 1963 to 1966 when he was invited to be a visiting lecturer at the University of California at Los Angeles. The following year he was offered a faculty position at the University of Southern California, and in 1970 he was promoted to associate professor with tenure. In 1971 he and Nancee separated and were divorced a year later. In 1972-1973 he served as composer in residence at the University of Utah and the following year he joined the faculty as chair of theory and composition. He continued to teach at the University of Utah until his death in 1984. Cortés spent 1978-1979 in Los Angeles on sabbatical from the University of Utah. In the latter year, he and Nancee were remarried. He studied the works of Igor Stravinsky extensively, and presented fifty-five lectures on the music of Stravinsky for the Utah radio station KUER in 1982. Ramiro Cortés died of heart failure July 2, 1984, in Salt Lake City, Utah, at age fifty-one.
Content DescriptionReturn to Top
The collection has been divided into eight sections. The first two boxes contain autobiographical and biographical materials, resumes, academic records, and items of a personal nature. There are also address books, membership lists, and daily and weekly planners. These include calendars dating from 1966-1984, which document the years Cortés spent teaching at the University of Southern California, the University of California at Los Angeles, and the University of Utah. Correspondence is housed in box three. Most of the personal letters are correspondence between Nancee from Ramiro dating from 1959-1976. General correspondence has been alphabetically arranged. Certificates, awards, diplomas, and miscellaneous information regarding schools, institutions, and competitions can be found in box four.
The second section contains newspaper and magazine articles dealing primarily with Cortés and his career. There are concert and recording reviews, and a few miscellaneous clippings dealing with subjects and people of interest to Cortés and his work.
The programs in the third section reflect the influence and popularity of Cortés' music in the academic community. They date from 1950 to 1993 and include programs, program notes, public performance lists, and selected reviews.
Section four, the smallest portion of the collection, consists of one box. It contains contracts, bills, rental catalogues, and royalty information.
Cortés' musical scores comprise the fifth and most extensive part of the collection. They are housed in boxes eight through fifty-five. The scores have been arranged by the type of work so as to coincide with the Annotated Catalogue of Compositions compiled by his assistant, Vicki Curry, adjunct assistant professor of music at the University of Utah. Works listed in the Composition Index are listed as found in Curry's index. To eliminate redundancy and confusion, only the title and date of each composition has been listed in this register. For a more detailed description on each composition, see the catalogue. A copy of the catalogue and detailed descriptions on each composition can be found in box fifty-six. Box fifty-seven contains two books with Cortés' handwritten lists of compositions.
Section six contains academic materials added to the collection in 1988. Teaching materials used by Cortés have been arranged numerically by course number in boxes fifty-eight through sixty-four. In addition to the course materials, this section also houses student papers, research grant materials and miscellaneous writings. Also included is a compilation of papers by various scholars entitled, "Articles on Ancient Music." Box sixty-seven contains miscellaneous writings including Cortés' poetry and personal notes.
Many of the materials in the seventh section were originally filed with the academic materials. However upon close examination, it was apparent that many of the files had been used after Cortés' death and prior to their deposition in the library. As a result, many items had been previously moved or misfiled. To ensure that everything was filed properly, works identifiable by course number were left with the course materials. Those not identified were removed and filed alphabetically by composer in this section. Individual works by some of the major composers have been listed for easier finding.
Boxes eighty-four through eighty-eight have been restricted at the request of Nancee Cortés. These boxes contain class materials, research materials, newspaper and magazine articles, compositions, correspondence, and Cortés' personal notes dealing with the work of Igor Stravinsky. These items are closed until the year 2011.
The eighth and final section is comprised mainly of miscellaneous published and unpublished materials used by Cortés in his teaching, research, and composing. Most of the publications have notations in the margins. Other items were of sentimental value to Cortés and it was decided to keep them with this portion of the collection. Box ninety-two contains miscellaneous poetry, literature, artwork, biographical information on composers Vladimir Ussachevsky and Richard Wagner, a few newsletters, and various programs. Box ninety-six contains a copy of The Liber Usalis, published in 1950, that was given to Cortés by Joseph Iadone, one of his first music teachers. A copy of the first edition of Finnegan's Wake, signed by author James Joyce, has been stored separately from the collection.
In order to avoid confusion, composition titles in the inventory have been listed in the following manner: Cortés' compositions are listed as found in Vicki Curry's Annotated Catalogue of Compositions, and compositions by composers other than Cortés have been italicized, regardless of classification or type of work.
Use of the CollectionReturn to Top
Restrictions on Use
The library does not claim to control copyright for all materials in the collection. An individual depicted in a reproduction has privacy rights as outlined in Title 45 CFR, part 46 (Protection of Human Subjects). For further information, please review the J. Willard Marriott Library’s Use Agreement and Reproduction Request forms.
Preferred Citation
Collection Name, Collection Number, Box Number, Folder Number. Special Collections, J. Willard Marriott Library, The University of Utah.
Administrative InformationReturn to Top
Arrangement
Organized in eight series: I. Personal Materials; II. Newspaper and Magazine Articles; III. Programs; IV. Contracts, Royalties, and Recording Information; V. Compositions; VI. Academic Materials; VII. Works by Other Composers; VIII. Miscellaneous Materials.
Arranged alphabetically except compositions are arranged by instrument/performance ensemble.
Acquisition Information
Gift of Nancee Cortés from 1985-1989.
Processing Note
Processed by Karin Hardy in 1995.
Separated Materials
Photographs (P0264) and audio/visual material (A0264) were transferred to the Multimedia Division of Special Collections.
Related Materials
See also the Nancee Cortés papers (ACCN 1172).
Detailed Description of the CollectionReturn to Top
I: Personal MaterialsReturn to Top
Cortés' personal materials are comprised of autobiographical and biographical materials, resumes, academic records, information on the estate of his mother, Elvira C. Good, and other items of a personal nature. There are also address books, membership lists, and daily and weekly planners. These include calendars and daybooks dating from 1966 to 1984 which document the years Cortés spent teaching at the University of Southern California and the University of Utah. Correspondence is found in box three. Personal correspondence is mostly that written between Nancee and Ramiro Cortés which dates 1959-1976. General correspondence has been arranged alphabetically. Certificates, awards, diplomas and miscellaneous information regarding schools, institutions, and competitions are in box four.
Container(s) | Description | Dates | |
---|---|---|---|
Box | Folder | ||
1 | 1 | Academic Materials |
1952-1956 |
1 | 2 | Autobiography |
|
1 | 3 | Biographical Information, Published |
|
1 | 4 | Biographical Information, Unpublished |
|
1 | 5 | Birth Certificate |
1933 |
1 | 6 | Family Coat of Arms |
|
1 | 7 | Death--Letters of Condolence |
1984 |
1 | 8 | Death--Tributes |
1984 |
1 | 9 | Divorce
Legal papers concerning the marital settlement agreement between Ramiro and Nancee.
|
1971-1972 |
1 | 10-13 | Elvira C. Good Estate
Copy of Good's will, a death notice, and notices of hearing probate.
|
1981-1983 |
1 | 14 | Marriage Certificate and Wedding Announcements |
1960, 1979 |
1 | 15 | Military Forms (DD 48) |
1951-1963 |
1 | 16 | Passports |
1956-1970 |
1 | 17 | Resume |
|
1 | 18 | Tax Information
Music expenses.
|
1983 |
1 | 19 | Wills
Handwritten copies by Nancee and Ramiro.
|
1977-1978 |
1 | 20 | Wilton, Connecticut
Real estate information and 1965 calendar.
|
|
1 | 21 | Miscellaneous Materials |
|
Volume | |||
1 | 1-2 | South High School Yearbooks, Denver, Colorado |
1950-1951 |
Folder | |||
2 | 1 | Address Books |
|
2 | 2 | International Society for Contemporary Music
Southern California membership list.
|
1971 |
2 | 3 | University of Southern California
School of Music faculty and staff listing.
|
1971-1980 |
2 | 4 | Address Lists, Miscellaneous |
|
2 | 5-9 | Class schedules, University of California at Los Angeles |
1966-1968 |
Volume | |||
2 | 1-10 | Daily Planners |
1973-1984 |
Correspondence |
|||
Box | Folder | ||
3 | 1-13 | Letters to Nancee Cortés from Ramiro Cortés |
1960-1976 |
3 | 14 | Letters to Nancee Cortés |
undated |
3 | 15-16 | General Correspondence, A-B |
|
3 | 17 | General Correspondence, Banham, Paul |
|
3 | 18 | General Correspondence, C |
|
3 | 19 | General Correspondence, Durham, Lowell |
|
3 | 20-29 | General Correspondence, D-P |
|
3 | 30 | General Correspondence, Theodore Presser Co. |
|
3 | 31-33 | General Correspondence, R-T |
|
3 | 34 | General Correspondence, University of Utah |
|
3 | 35-36 | General Correspondence, V-W |
|
3 | 37 | General Correspondence, Miscellaneous |
|
3 | 38 | General Correspondence, Birthday Cards |
|
Awards and Honors |
|||
Box | Folder | ||
4 | 1 | American Society of Composers, Authors and Publishers Standard and Popular Awards
Panel report for standard awards.
|
1972-1973 |
4 | 2 | Friends of Harvey Gaul Award |
1953 |
4 | 3 | George Gershwin Memorial Award
Press release and fact sheet.
|
1955 |
4 | 4 | John Day Jackson Prize
Prize notification.
|
1953 |
4 | 5 | John Hay Whitney Foundation Fellowship
Press release.
|
1960 |
4 | 6 | National Federation of Music Clubs Young Composers Award
Letter of notification.
|
1953 |
4 | 7 | National Institute of Arts and Letters Grant
Award and program.
|
1961 |
4 | 8 | Queen Elizabeth of Belgium International Competition
Entry rules, letter of notification and acknowledgement of receipt of award.
|
1961 |
4 | 9 | Steinway Composition Contest Award |
1955 |
4 | 10 | Competitions
Miscellaneous information.
|
|
4 | 11 | South High School, Diploma |
1951 |
4 | 12 | University of Southern California, Diploma |
1955 |
4 | 13 | Awards and Prizes
Miscellaneous lists.
|
|
4 | 14-15 | Scholarships and Fellowships
Correspondence and certificates.
|
1951-1954 |
4 | 16 | Schools, Institutions, Foundations
General information.
|
II: Newspaper and Magazine ArticlesReturn to Top
The newspaper and magazine articles deal primarily with Cortés and his career and include concert and recording reviews. There are a few articles dealing with subjects and people of interest to Cortés and his work.
Container(s) | Description | Dates | |
---|---|---|---|
Box | Folder | ||
5 | 1-26 | Newspaper and Magazine Articles |
1955-1990 |
5 | 27 | Newspaper and Magazine Articles |
|
5 | 28 | Newspaper and Magazine Articles, Nancee Cortés |
|
5 | 29-32 | Miscellaneous Articles and Newsclippings |
III: ProgramsReturn to Top
The programs have been arranged in chronological order and date from 1950 to 1993. This portion of the collection shows the influence of Cortés' music in the academic communities across the country. There are also a few lists of public performances from the 1950s, 1970s, and 1980s as well as selected reviews.
Container(s) | Description | Dates | |
---|---|---|---|
Box | Folder | ||
6 | 1 | Public Performance Lists |
1955-1983 |
6 | 2 | Selected Reviews |
1955-1977 |
6 | 3-40 | Programs |
1950-1993 |
6 | 41-44 | Programs, Miscellaneous |
|
6 | 45 | Program Notes |
IV: Contracts, Royalties, Recording InformationReturn to Top
This portion of the collection is quite sparse, but contains various contracts, bills, rental catalogues, and royalty information.
Container(s) | Description | Dates | |
---|---|---|---|
Box | Folder | ||
7 | 1 | Contracts |
1969-1977 |
7 | 2 |
The Patriots
Bills and contracts.
|
|
7 | 3 | Rental Catalogues |
|
7 | 4-10 | Royalties |
1972-1982 |
V: CompositionsReturn to Top
This section houses Cortés' compositions in forty-nine boxes. They have been arranged to coincide with the Annotated Catalogue of Compositions completed in 1987 by Vicki Curry. The compositions are arranged by the type of work. For clarity, only the work and date of each composition has been listed. For a more complete description, see the catalogue. Copies of the catalogue and detailed information on each composition can be found in box fifty-six. Box fifty-seven contains two handwritten books in which Cortés listed his works.
Container(s) | Description | Dates | |
---|---|---|---|
Compositions--Works for Piano |
|||
Box | Folder | ||
8 | 1 | Theme |
|
8 | 2 | Prelude in G Sharp Minor for Piano |
1947 August-September |
8 | 3 | Prelude (Largo) for Piano |
1947 |
8 | 4 | March of the Drawfs [sic] for Piano |
1948 March 26 |
8 | 5 | Hungarian Danse in C Minor for Piano |
1948 |
8 | 6 | Fantasia in G Minor for Piano |
1948-1949 |
8 | 7 | Five Pieces for Piano |
1951 December 27-1952 March |
8 | 8 | Music for Piano: Seven Short Pieces, Revision |
1953 April |
9 | 1 | The Sea Gives Up Its Ghosts: Dance for Eve Gentry for Piano |
1952 September-October 9 |
9 | 1 | Piano Sonata |
1954 March-July |
9 | 2 | Canons and Interludes for Piano |
1955 March-November |
9 | 2 | Canons and Interludes for Piano, First Revision |
1957 September |
9 | 2 | Canons and Interludes, Second Revision |
1963 |
9 | 2 | Canons and Interludes, Third Revision |
|
9 | 3 | Three Pieces for Piano |
1955 November |
9 | 3 | Three Pieces for Piano, Revision |
1958 August |
9 | 4 | Second Piano Sonata |
1955 November-1956 December |
9 | 4 | The Genie of the Waters |
1956 June 16 |
9 | 4 | Prelude |
1956 July 31 |
9 | 4 | Variation for Piano Four Hands on a Theme of Ulysses Kay |
1967 January 7 |
9 | 4 | Three Variations on Mozart K. 457, Third Movement, Measures 1-16 |
1970 September 27 |
9 | 5 | Birthday Variation for Victoria Bond |
1971 May 6 |
9 | 5 | Brief Candles |
1973 May 19-28 |
9 | 5 | Brief Candles, Revision |
1984 |
9 | 6 | Third Sonata for Piano (first score LA) |
1978 |
9 | 6 | Third Sonata for Piano |
1981 June 22 |
Compositions--Works for Piano, Harpsichord, Organ, Voice, and Piano or Organ |
|||
Box | Folder | ||
10 | 1 | Stravinsky: Concerto in D for Strings, Version for Piano Four Hands |
circa 1982 |
10 | 1 | Little Lullaby |
1983 March 19 |
10 | 1 | Variations on a Theme Composed in Class for Marie Nelson's Harpsichord |
1973 April 8 |
10 | 1 | Rick's Harpsichord Fantasy |
1983 November 27-December 16 |
10 | 2 | Two Chorale Preludes for Organ |
1952 November 11-13 |
10 | 2 | Christ Lag in Todesbanden: Organ Prelude |
1960 October |
10 | 2 | Meditation on Christ Lag in Todesbanden for Organ |
1961 February |
10 | 3 | Guitarra: Three Songs for Mezzo Soprano and Piano on Poems by F. Garcia Lorca |
1954 April-July 7 |
10 | 3 | Three Spanish Songs: La Guitarra (The Guitar), Revision |
1957 March |
10 | 3 | Three Spanish Songs: Las Seis Cuerdas (The Six Strings), Revision |
1957 March |
10 | 3 | Three Spanish Songs: Adivinanza de la Guitarra (The Riddle of the Guitar), Revision |
1957 March |
10 | 4 | The Falcon for Soprano and Piano |
1956 February 18-28 |
10 | 4 | The Falcon, Revision |
September-October 1957 |
10 | 4 | Ode to a Nightingale for High Voice and Piano on the Poem by John Keats (1795 1821) |
December 18, 1970-April 8, 1971 |
10 | 4 | Ode to a Nightingale for High Voice and Piano
Pages one through fifteen.
|
|
10 | 5 | Ode to a Nightingale for High Voice and Piano
Pages five through eleven, in English.
|
|
10 | 5 | Ode to a Nightingale for High Voice and Piano
Pages four through nine.
|
|
10 | 5 | Ode to a Nightingale for High Voice and Piano
Miscellaneous materials.
|
|
10 | 6 | Ode to a Nightingale for High Voice and Piano, Revision |
1980 December 22-1981 January 11 |
Compositions--Works for Voice and Piano or Organ |
|||
Box | Folder | ||
11 | 1 | I Am No Subject Unto Fate |
1971 October-November |
11 | 1 | I Am No Subject Unto Fate
Pencil sketches.
|
|
11 | 1 | The Haven |
1975 October 8 |
11 | 2 | De Profundis, A Song Cycle |
1976 December 31-1977 January 22 |
11 | 3 | Song Anthology
No. 1: Under the Greenwood Tree (from As You Like It).
|
1980 March 17 |
11 | 3 | Song Anthology
No. 2: Full Fathom Five (from The Tempest).
|
1980 March 18 |
11 | 3 | Song Anthology
No. 3: Still to Be Neat.
|
1980 March 18 |
11 | 3 | Song Anthology
No. 4: Come Live With Me and Be My Love.
|
1980 March 21 |
11 | 3 | Song Anthology
No. 5: The Garden of Love.
|
1980 March 27 |
11 | 3 | Song Anthology
No. 6: There Is Sweet Music Here.
|
1980 March 30-April 1 |
11 | 3 | Song Anthology
No. 7: The Sick Rose.
|
1980 April 2 |
11 | 3 | Song Anthology
Copies of numbers five through seven.
|
1980 |
11 | 4 | Song Anthology
No. 8: Like To the Falling of a Star.
|
1980 April 5 |
11 | 4 | Song Anthology
No. 9: Oh Do Not Wanton with Those Eyes.
|
1980 April 12 |
11 | 4 | Song Anthology
No. 10: I Dare Not.
|
1980 April 13 |
11 | 4 | Song Anthology
No. 11: Hence All You Vain Delights.
|
1980 April 14-15 |
11 | 4 | Song Anthology
No. 12: A Farewell (And If I Did What Then?).
|
1980 April 15-16 |
11 | 4 | Song Anthology
No. 13: Go, Lovely Rose.
|
1980 April 26 |
11 | 4 | Song Anthology
No. 14: Why So Pale and Wan.
|
1980 June 30 |
11 | 5 | Song Anthology
No. 15: Why Art Thou Slow, Death.
|
1980 July 4 |
11 | 5 | Song Anthology
No. 16: Plain Dealing (Well, Well, 'Tis True).
|
1980 July 5, 8 |
11 | 5 | Song Anthology
No. 17: Upon Julia's Clothes (When as in Silks My Julia Goes).
|
1980 July 9 |
11 | 5 | Song Anthology
No. 19: This Living Hand.
|
1980 July 18 |
11 | 5 | Song Anthology
No. 20: She Dwelt Among the Untrodden Ways.
|
1980 July 19 |
11 | 5 | Song Anthology
No. 21: Ask Me No More.
|
1980 July 21 |
item | |||
11 | 7 | Song Anthology
No. 22: Crossing The Bar.
|
1980 July 26 |
Folder | |||
11 | 6 | Song Anthology
No. 23: When Lovely Woman Stoops to Folly.
|
1980 July 28 |
11 | 6 | Song Anthology
No. 24: I Am No Subject Unto Fate.
|
1971; 1980 |
11 | 6 | Song Anthology
No. 25: A Spirit Haunts the Year's Last Hours.
|
1976 December 31 |
11 | 6 | Song Anthology
No. 26: Sudden Light.
|
1980 August 8 |
11 | 6 | Song Anthology
No. 27: The Last Invocation.
|
1977 January 22 |
11 | 6 | Song Anthology
No. 28: The World Is Too Much With Us.
|
1976 December 16-17 |
11 | 6 | Five Songs |
1980 April 26-July 21 |
Compositions--Voice and Piano or Organ, Voice with Instruments |
|||
Box | Folder | ||
12 | 1 | Stephen Foster's Jeanie with the Light Brown Hair |
1980 November 11 |
12 | 1 | To the Sacred Moon (Theocritus) |
1980 December 22-1981 January 11 |
12 | 1 | Commitment of Two Lives to Single Hopes |
1981 July 14-15 |
12 | 2 | Tre Sonetti di Cavalcanti |
1983 July 15-16 |
12 | 2 | A Nocturnal upon S. Lucies Day for Tenor Voice and String Quartet on the Poem by John Donne (1573 1631) |
1956 February-1957 December |
12 | 3 | A Nocturnal upon S. Lucies Day for Tenor and String Quartet on the Poem by John Donne, Revision |
1966 August |
12 | 4 | America: A Cycle of Four Songs for Soprano and String Orchestra on Poems by Herman Melville (1819 1891) |
1958 October-November |
12 | 4 | America: Song Cycle on Poems by Herman Melville for Soprano Voice and String Sextet or String Orchestra, Revision |
1963 |
Compositions--Voice with Instruments, Choral Works |
|||
Box | Folder | ||
13 | 1 | Reve Parisien de Charles Baudelaire |
1971 December 17-1972 February 11 |
13 | 2 | Reve Parisien de Charles Baudelaire, Revision |
1973 July-August |
13 | 3 | Reve Parisien de Charles Baudelaire, Second Revision |
1981 |
13 | 4 | Igor Stravinsky: Pribaoutki Arranged for Voice, Violin, Clarinet and Piano |
1982 March 30 |
13 | 4 | Hark, Hark! The Lark! for Mixed Chorus, Unaccompanied on a Poem by William Shakespeare |
1949 |
13 | 4 | Last Leaves of Autumn |
circa 1950 |
13 | 4 | Questing for Chorus of Mixed Voices, Unaccompanied |
1950 |
13 | 5 | Three Cinquains for Four Part Chorus of Mixed Voices, Unaccompanied |
1950-1951 |
13 | 5 | Three Cinquains for Chorus of Mixed Voices on Poems of Adelade Crapsey, Revision |
1953 April 4 |
13 | 5 | Quartet For Chorus of Mixed Voices, Unaccompanied, on Original Poems by James Stanley Brakhage |
1951 |
13 | 5 | Quartet for Chorus of Mixed Voices on Original Poems by J. S. Brakhage, Revision |
1953 April |
13 | 5 | Missa Brevis (Kyrie Gloria) for S.S.A. and Eleven Woodwind Instruments |
1953 December-1954 February |
Compositions--Choral Works, Chamber Music |
|||
Box | Folder | ||
14 | 1 | Two Songs (1. To the Old, Long Life... 2. Slow, Slow, Fresh Fount...) |
1955 March |
14 | 1 | Music for Reformation Vespers, Princeton University Chapel |
1958 September-October |
14 | 1 | Motet for Chorus and Organ |
1959 March |
14 | 1 | Three Motets for Chorus of Mixed Voices, Unaccompanied |
1959 December |
14 | 2 | A Shakespeare Song for Mixed Chorus (Soprano, Tenor, and Bass Soloists) with Piano Accompaniment |
1959 January |
14 | 2 | A Shakespeare Song from a Midsummer Night's Dream (Act II, Scene II), Revision |
1966 November-December |
14 | 2 | Put Out to Sea (Thalassa) |
1973 January 13-February 16 |
14 | 2 | A Nocturnal Upon S. Lucies Day |
1979 October-November |
14 | 3 | Turn Back, O Man |
1982 July 17 |
14 | 3 | Fantasia Mexicana for Two Violins |
1947 |
14 | 3 | Quintet for Piano and Strings |
1949 |
14 | 3 | Overture to a Shakespearean Tragedy Transcribed for Piano and String Quartet |
1952 March |
14 | 4 | Overture to a Shakespearean Tragedy Transcribed for Flute, Clarinet, Violin, Cello, Trumpet, and Piano |
1952 April 28 |
14 | 4 | First String Quartet |
1952 July 16-August 6 |
14 | 5 | String Quartet |
1952-1953 |
Compositions--Chamber Music |
|||
Box | Folder | ||
15 | 1 | Flamenquerias: Divertimento for Woodwind Trio |
1953 January-March |
15 | 1 | Divertimento for Woodwind Trio, Revision |
1957 March |
15 | 2 | Quintet for Piano and Strings |
1953 October-November |
15 | 3 | Night Music for Sixteen |
1954 November-December |
15 | 4 | Canto I. (Night Music) for Sixteen, Revision |
1956 March-July |
15 | 5 | Introduction and Dirge for Brass and Percussion |
1955 January-March |
16 | 1-3 | Chamber Concerto No. I for Violoncello Solo and Twelve Wind Instruments |
1958 February-January |
16 | 4-5 | Chamber Concerto for Violoncello Solo and Twelve Wind Instruments, Revision |
1961 November-December |
16 | 6-9 | Chamber Concerto for Cello and Twelve Winds, Revision |
1978 |
17 | 1 | A Nocturnal Upon S. Lucies Day for String Quartet |
1958 December |
17 | 1 | Nocturne (Tis the Year's Midnight) |
1975 February-March |
17 | 2 | Trio in One Movement |
1959 April-September |
17 | 2 | Trio in One Movement, In-Between Version |
1964 |
17 | 3 | Trio in One Movement, Final Version |
1965 |
17 | 3 | String Quartet |
1959 October-December |
17 | 4 | Incursion: A Dance Work |
1962 February 28 |
17 | 4 | Chamber Piece for Nine Players |
1963 |
17 | 5 | Chamber Piece for Nine Players |
1963 |
17 | 5 | String Quartet (Silvermine Version) |
1962 April 19 |
17 | 5 | Duo for Flute and Oboe |
1966 December-1967 March 22 |
18 | 1 | The Brass Ring |
1967 August 20 |
18 | 2 | The Brass Ring, Revision |
1967 |
18 | 3-4 | Three Movements for Five Winds |
1967 July 13-1968 February 4 |
18 | 5 | Variations on a Theme by Halsey Stevens |
1968 November 9 |
19 | 1 | Study in Black |
1970 |
19 | 1 | Charenton Variations for Flute, Oboe, Clarinet, Bassoon, Piano, Violin, Viola, Cello |
1970 December 16 |
19 | 2-3 | Charenton Variations for Eleven Instruments |
1978 |
19 | 4 | Double Fugue from Charenton Variations |
|
19 | 4 | Capriccio for Woodwind Quartet |
1971 April 5-June 14 |
19 | 4 | Fugue No. IV from "The Well Tempered Clavier," Vol. I, by J. S. Bach |
1972 March 17 |
19 | 5 | Machaut: Ma Chiere Dame |
1973 November 30 |
19 | 5 | Homage to Jackson Pollock |
1976 December 30 |
20 | 1 | String Quartet |
1977 June 5 |
20 | 2-4 | Little Suite, Chamber Version |
1979 September 12 |
20 | 5 | Untitled Version of Concerto for Violin and Strings for String Quartet |
1981 |
20 | 5 | Untitled Version of Violin Concerto for String Quartet and Piano |
|
21 | 1-3 | Trio for Clarinet, Cello, and Piano |
1981 |
21 | 4 | Concertino (1920) by Igor Stravinsky |
1982 April 24 |
21 | 5 | Second String Quartet |
1983 May 1-September 2 |
22 | 1 | "Le Jour S'endort," by Dufay |
|
22 | 1 | "O Alter Duft," by Arnold Schoenberg, Op. 21 |
|
22 | 1 | J. S. Bach, Cantata No. 4 "Christ Lag in Todesbanden" |
|
22 | 1 | "Dido's Lament," by Purcell |
|
22 | 2 | Untitled (from Bach: Musical Offering) |
|
22 | 2 | J. S. Bach: Musical Offering, Canon a Four |
|
22 | 2 | Duo for Violin and Piano |
1954 October-November |
22 | 2 | Duo for Violin and Piano, Revision |
1963 |
22 | 3 | Sonata for Violin and Piano |
1956 March-April |
22 | 3 | Elegy for Violin and Piano |
1958 August |
22 | 3 | Partita for Solo Violin |
1970 October 16-1971 March 16 |
22 | 3 | Sonata for Violin and Piano |
1971-1972 |
22 | 4-5 | Sonata for Violin and Piano |
1971-1972 |
Compositions--Violin, Viola, Violoncello, Flute, Clarinet, Alto Saxophone, Trumpet |
|||
Box | Folder | ||
23 | 1-2 | Suite for Violin and Piano |
1980 November-December |
23 | 3 | Duo |
|
23 | 3 | Homage to Jackson Pollock for Viola Alone |
1968 January 4-March 29 |
23 | 4 | Three Lyric Pieces for Violoncello and Pianoforte |
1955 December-1956 January |
23 | 4 | Two Lyric Pieces for Cello and Piano |
1958 August |
23 | 4 | Untitled for Solo Cello |
1970 May 14 |
23 | 4 | Cello Sonata |
1976-1977 March 16 |
23 | 5 | Cello Sonata |
1976-1977 March 16 |
23 | 6 | "Gavotte for Cello and Piano," by W. A. Mozart |
|
23 | 6 | Elegy for Flute and Piano |
1952 August |
23 | 6 | Elegy for Flute and Piano, Revision |
1957 March |
23 | 6 | Sonata for Flute and Piano |
|
23 | 7 | Duo for Clarinet and Piano |
1984 |
23 | 7 | Five Studies for Alto Sax |
1968 August 28 |
23 | 7 | Trumpet Sonata |
1978-1979 |
23 | 7 | Trumpet Sonata, Revision |
1980 |
Compositions--Works for Full Orchestra |
|||
Box | Folder | ||
24 | 1 | Overture to a Shakespearean Tragedy for Orchestra |
1951 August |
24 | 1 | Overture to a Shakespearean Tragedy for Orchestra, Revision |
1952 March |
24 | 2 | Sinfonia Sacra for Orchestra |
1952-1954 |
24 | 3 | Sinfonia Sacra for Orchestra |
1952-1954 |
24 | 3 | Sinfonia Sacra, Revision |
1959 May-June |
24 | 4-5 | Yerma: Symphonic Portrait of a Woman for Orchestra |
1955 June-July |
25 | 1-7 | Yerma: Symphonic Portrait of a Woman for Orchestra |
1955 June-July |
26 | 1-3 | Xochitl, for Orchestra |
1955 August-September |
26 | 4 | Xochitl: A Symphonic Portrait, Revision |
1958 August |
26 | 5 | Symphony No. II for Orchestra |
1954-1956 November |
27 | 1 | Symphony No. III for Large Orchestra |
1956 December-1957 February 20 |
Volume | |||
27 | 1-2 | Symphony No. III for Large Orchestra |
1956 December-1957 February 20 |
Folder | |||
27 | 2 | Sinfonia Breve No. II |
1955-1958 |
Volume | |||
27 | 3 | Sinfonia Breve No. I |
1953-1958 |
27 | 3 | Sinfonia Breve No. II |
1955-1958 |
27 | 3 | Sinfonia Sacra, Revision |
1959 May-June |
Folder | |||
28 | 1 | Symphony in One Movement |
1958 November-December |
28 | 1 | Symphony in Three Movements for Small Orchestra |
1960 September-1961 January 25 |
28 | 2-3 | Six Lyric Pieces for Small Orchestra |
1961 February 22 |
28 | 4 | Music for a Pantomime for Orchestra |
1962 May 21 |
28 | 4 | The Eternal Return |
1963-1964 |
28 | 5 | The Eternal Return |
1963-1964 |
28 | 6 | The Eternal Return: Introduction and Rondo for Orchestra |
1966 October 10 |
29 | 1 | Suite for Orchestra |
1965 |
29 | 2 | Charenton Variations for Chamber Orchestra |
1968 August 30-1969 February 23 |
29 | 3 | Charenton Variations, Revision |
1970 January 11 |
29 | 4-5 | Movements in Variation |
1972 October 15 |
30 | 1-6 | Movements in Variation |
1972 October 15 |
31 | 1-4 | Little Suite for Orchestra |
1975 |
32 | 1-4 | Little Suite for Orchestra |
1975 |
33 | 1 | Symphony No. II |
1978 |
33 | 1 | Symphonic Celebration |
1979 August 27 |
Volume | |||
33 | 1 | Symphony No. II |
1978 |
Folder | |||
33 | 2-4 | Symphonic Celebration |
1979 August 27 |
Volume | |||
33 | 2 | Symphonic Celebration |
1979 August 27 |
Folder | |||
34 | 1-6 | Symphonic Celebration |
1979 August 27 |
35 | 1-5 | Symphonic Celebration |
1979 August 27 |
Compositions--Works for Full Orchestra, Works for Chamber Orchestra, Works for String Orchestra |
|||
Box | Folder | ||
36 | 1 | Tchaikovsky Piece from Nutcracker |
1979 November |
36 | 1 | Pictures at an Exhibition by Modest Mussorgsky |
|
36 | 1 | Rameau, Tambourin |
|
36 | 1 | Miscellaneous Masters |
|
36 | 1 | Five Short Pieces for Chamber Orchestra |
1952 February |
36 | 2 | Variations for Chamber Orchestra |
1956 May 18-20 |
36 | 3 | Four Pieces for Baritone Voice and Chamber Orchestra |
1958-1959 February |
Volume | |||
36 | 1 | Four Pieces for Baritone Voice and Chamber Orchestra |
1958-1959 February |
Folder | |||
36 | 4 | Introduction and Allegro |
1961 November |
36 | 5 | The Fascination of What's Beautiful |
1984 |
36 | 6 | Introduction and March for Strings |
1952 August 14 |
36 | 6 | Slow Dance for Strings (From Prometheus) |
1961 March-April 27 |
Compositions--Works for String Orchestra |
|||
Box | Folder | ||
37 | 1 | Concertino for Strings |
1961 May |
37 | 2-3 | Meditation on Christ Lag in Todesbanden for String Orchestra |
1962 March |
37 | 4 | Untitled Version of Concerto for Violin and Strings for String Orchestra |
1980 |
37 | 4 | Igor Stravinsky: Pas de Deux from Orpheus |
1982 April 6 |
37 | 4 | Little Lullaby (for Strings) |
1983 March 19 |
37 | 5 | Music for Strings |
1983 March 13-April 14 |
37 | 6 | J. S. Bach, Cantata No. 4, Christ Lag in Todesbanden, Sinfonia |
|
37 | 6 | "Erotik," by Edvard Grieg, Op. 43, No. 21 |
|
37 | 6 | Mozart Minuetto |
|
Compositions--Works for String Orchestra, Solo Concertos |
|||
Box | Folder | ||
38 | 1 | R. Schumann: Traumerei |
|
38 | 1 | Scriabine: Prelude, Op. 11, No. 4 |
|
38 | 1 | Schoenberg: Op. 19, No. III |
|
38 | 2 | Concerto for Solo Violin and Strings |
1964 October-1965 March 30 |
38 | 3 | Violin Concerto, Odd Version |
1967 |
38 | 4 | Concerto for Violin and Strings, Revision |
|
38 | 5-7 | Concerto for Violin and Strings |
1983 |
Compositions--Solo Concertos |
|||
Box | Folder | ||
39 | 1-5 | Concerto for Harpsichord and String Orchestra |
1971 June 20-1972 April 20 |
Volume | |||
39 | 1-2 | Piano Concerto |
1975 |
Folder | |||
40 | 1-5 | Piano Concerto |
1975 |
41 | 1-6 | Piano Concerto |
1975 |
Compositions--Solo Concertos, Works for Band |
|||
Box | Folder | ||
42 | 1-2 | Piano Concerto |
1975 |
42 | 3 | Bridges |
1973 March 31 |
42 | 4 | Finale for Bridges |
1982 January 24 |
42 | 5 | Bridges (last part) |
|
42 | 5 | Concerto for Alto Sax and Band |
1977 June 10-1977 July 19 |
42 | 6 | Contrasts |
1979 December 30 |
Compositions--Works for Band |
|||
Box | Folder | ||
43 | 1-4 | Contrasts |
1979 December 30 |
Compositions--Works for Band, Stage Works |
|||
Box | Folder | ||
44 | 1 | Untitled Composition for Band |
|
44 | 1 | Steps to Broadway |
1949-1950 |
44 | 2 | Steps to Broadway |
1949-1950 |
44 | 3 | Steps to Broadway |
1949-1950 |
44 | 3 | Low Valley for Voice and Piano |
1950 |
44 | 3 | You Were There |
1950 |
44 | 3 | Weeping Willow |
1950 |
44 | 3 | Alone With You |
1950 |
44 | 4 | The Christmas Garden |
1955 December 16-20 |
44 | 4 | Pittsburgh |
1959 March 12-April 15 |
44 | 5 | Pittsburgh |
1959 March 12-April 15 |
Compositions--Stage Works |
|||
Box | Folder | ||
45 | 1-3 | Prometheus |
1960 February-May 30 |
Volume | |||
45 | 1-2 | Prometheus |
1960 February-May 30 |
Folder | |||
45 | 4 | LowDown |
1962-1963 |
46 | 1 | Music for She Stoops to Conquer by Oliver Goldsmith |
1970December-1971 February |
46 | 2 | The Eternal Return |
1981 June-September |
46 | 3-4 | Incidental Music for Anthony and Cleopatra |
1974 |
46A | 1 | The Eternal Return |
1981 June-September |
46A | 1 | "The Purification," An Opera in One Act on the One Act Verse Play by Tennessee Williams |
|
46A | 1 | Centennial Film |
|
46A | 2-3 | The Patriots |
1975-1976 June 1 |
47 | 1-6 | The Patriots |
1975-1976 June 1 |
48 | 1-3 | The Patriots |
1975-1976 June 1 |
Volume | |||
48 | 1 | The Patriots |
1975-1976 June 1 |
Folder | |||
49 | 1-19 | The Patriots |
1975-1976 June 1 |
Volume | |||
49 | 1 | The Patriots |
1975-1976 June 1 |
Folder | |||
50 | 1-8 | The Patriots |
1975-1976 June 1 |
50 | 9 | The Patriots
Publicity, programs.
|
|
Miscellaneous Compositions |
|||
Box | Folder | ||
51 | 1 | Composition Sketches |
1968-1979 |
51 | 2 | Songs |
1980 |
51 | 3 | Opera Sketches |
Summer 1981 |
51 | 4 | Quaderno Musicale, Roma |
1958 |
51 | 4 | Miscellaneous Compositions |
|
Miscellaneous Pencil Sketches |
|||
Box | Folder | ||
52 | 1 | Absent from Thee
Treble voice with piano, four measures.
|
|
52 | 1 | Clarinet, Viola, Violoncello, Piano
Measures one through eight.
|
|
52 | 1 | Finale, Incomplete |
1969 |
52 | 1 | Music for a Comedy Overture
Pages one and two.
|
|
52 | 1 | No. 784 String Orchestra
Various pages, timings included.
|
|
52 | 1 | Orchestra |
|
52 | 2 | Orchestra I Lento
Winds, timpani, strings. Pages one and two.
|
|
52 | 2 | Orchestra, Horn, Strings |
|
52 | 2 | Orchestra, Chimes, Piano |
|
52 | 2 | Orchestra with Piano
Page eleven.
|
|
52 | 2 | Orchestra Adagio
Page one, measures one through eight.
|
|
52 | 2 | Orchestra Allegro Sherzoso
Odd pages.
|
|
52 | 3 | Orchestra Piece, Fifth Movement
Pages one through eighteen.
|
1972 September 10 |
52 | 3 | Quartet in One Movement
Violin, clarinet, cello, piano. Pages one through four.
|
|
52 | 3 | Stage
End of act I, scene one.
|
|
52 | 3 | Stage
End, scene two.
|
|
52 | 4 | Strings
Part of full orchestra with piano.
|
|
52 | 4 | Tenor or Soprano with Piano
No words.
|
|
52 | 4 | Treble with Piano |
1968 August 11 |
52 | 4 | Treble with Strings, Revision
Page fifteen.
|
1968 December 29 |
52 | 4 | Treble, Cello, Piano, Halsey Stevens
Pages three and four.
|
|
52 | 5 | Treble Voice with Piano
Pages ten through twelve.
|
|
52 | 5 | Viola and Piano
Pages one through four.
|
1970 March 4 |
52 | 5 | Voice and Piano |
|
52 | 5 | Woodwinds, Horn, Harp, Strings
Measures sixteen through twenty.
|
|
52 | 5 | Sarabande, Celli I
Measures one through six.
|
1969 March 31 |
53 | Pencil Sketches |
||
54 | Pencil Sketches |
||
55 | Pencil Sketches |
||
Composition Information |
|||
Box | Folder | ||
56 | 1-2 |
Annotated Catalogue of Compositions by Viki Curry |
|
56 | 3 | Composition Information Forms
Works for piano.
|
|
56 | 4 | Composition Information Forms
Works for harpsichord and organ.
|
|
56 | 5 | Composition Information Forms
Voice and piano (or organ).
|
|
56 | 6 | Composition Information Forms
Voice with instruments.
|
|
56 | 7 | Composition Information Forms
Choral works.
|
|
56 | 8 | Composition Information Forms
Chamber music.
|
|
56 | 9 | Composition Information Forms
Violin, viola.
|
|
56 | 10 | Composition Information Forms
Violoncello, flute.
|
|
56 | 11 | Composition Information Forms
Clarinet, alto saxophone, trumpet.
|
|
56 | 12 | Composition Information Forms
Works for full orchestra.
|
|
56 | 13 | Composition Information Forms
Works for chamber orchestra.
|
|
56 | 14 | Composition Information Forms
Works for string orchestra.
|
|
56 | 15 | Composition Information Forms
Solo concertos.
|
|
56 | 16 | Composition Information Forms
Works for band.
|
|
56 | 17 | Composition Information Forms
Stage works.
|
|
56 | 18-19 | Compositions, Miscellaneous Lists |
|
Personal Notes |
|||
Box | Volume | ||
57 | 1 | A Record Book of Compositions |
|
57 | 2 | Chronological List of Works by Ramiro Cortés |
VI: Academic MaterialsReturn to Top
The academic materials that had been kept at the University of Utah Department of Music in Gardner Hall since Cortés' death were added to the collection in 1988. Teaching materials used by Cortés have been arranged numerically by course number and date from the late 1960s to 1984. In addition to the course materials, there are student papers, research grant materials, and miscellaneous writings. With these writings is a compilation of papers by various scholars (including Cortés) entitled "Articles on Ancient Music." Box sixty-seven contains miscellaneous writings including Cortés' poetry and personal notes.
Container(s) | Description | Dates | |
---|---|---|---|
Course Materials |
|||
Box | Folder | ||
58 | 1-2 | Music 10c, Musicianship
Assignments, examinations.
|
|
58 | 3-5 | Music 11c, Harmony
Assignments, final examination.
|
|
58 | 6-7 | Music 107A, Composition
Assignments, final examination.
|
|
58 | 8-9 | Music 133a, Theory I
Assignments, quizzes, examinations.
|
|
58 | 10-12 | Music 133b, Theory II
Assignments, quizzes, examinations.
|
|
59 | 1-2 | Music 156, Theory I
Assignments, examinations.
|
|
59 | 3-5 | Music 157, Theory II
Assignments, quizzes, examinations.
|
|
59 | 6-7 | Music 158, Theory III
Assignments, quizzes, examinations.
|
|
59 | 8 | Music 158, Theory III
Miscellaneous materials.
|
|
59 | 9 | Music 233a
Assignments, quizzes, and examinations.
|
|
59 | 10 | Music 233b
Examinations.
|
|
59 | 11-13 | Music 234a, Counterpoint
Assignments, quizzes, examinations.
|
|
59 | 14 | Music 234b, Counterpoint
Examinations.
|
|
59 | 15 | Music 237a, 237b
Examinations, miscellaneous materials.
|
|
59 | 16 | Music 337a
Examinations.
|
|
59 | 17 | Music 356, Theory II
Quizzes, examinations.
|
|
59 | 18 | Music 357, Theory II
Quizzes, examinations.
|
|
59 | 19 | Music 358, Theory III
Quizzes, examinations.
|
|
60 | 1-3 | Music 547, Orchestration I
Orchestration notebooks.
|
|
60 | 4 | Music 547, Orchestration I
Bowing exercises.
|
|
60 | 5 | Music 547, Orchestration I
Exercise for harp.
|
|
60 | 6-8 | Music 547, Orchestration I
Assignments.
|
|
60 | 9-10 | Music 547, Orchestration I
Quizzes, examinations.
|
|
60 | 11 | Music 547, Orchestration I
Miscellaneous class materials.
|
|
60 | 12 | Music 548, Orchestration II
Orchestration workbook.
|
|
60 | 13-14 | Music 548, Orchestration II
Assignments, examinations.
|
|
60 | 15 | Music 549, Orchestration III
Orchestration workbook.
|
|
60 | 16-17 | Music 549, Orchestration III
Assignments, examinations.
|
|
60 | 18-20 | Miscellaneous Orchestration Materials |
|
60a | 1 | Music 547, Orchestration I |
|
60a | 2 | Music 548, Orchestration II |
|
60a | 3 | Music 549, Orchestration III |
|
60a | 4 | Miscellaneous Materials |
|
61 | 1-3 | Music 556, Counterpoint
Diagrams, quizzes, examinations.
|
|
61 | 4-5 | Music 557, Counterpoint
Quizzes, examinations.
|
|
61 | 6 | Music 558, Counterpoint
Quizzes.
|
|
61 | 7 | Music 558, Counterpoint
Examinations (master copy and key).
|
|
61 | 8 | Music 558, Counterpoint
Examinations (completed student copies).
|
|
61 | 9-10 | Counterpoint Workbooks |
|
61 | 11 | Counterpoint Assignments |
|
61 | 12 | Counterpoint Materials
Notes from counterpoint and orchestration classes.
|
|
61 | 13 |
Modal Counterpoint in the Style of the Sixteenth Century by Ernst Krenek |
1959 |
61 | 14 | Counterpoint Examples |
|
61 | 15 | Music 627, Twentieth Century Analytical Techniques
Examinations.
|
|
61 | 16 | Music 628, Twentieth Century Analytical Techniques
Examinations.
|
|
61 | 17-20 | Music 629, Twentieth Century Analytical Techniques
Examinations, composer lists, musical examples.
|
|
61 | 21 | Music 629, Twentieth Century Analytical Techniques
Miscellaneous class materials.
|
|
62 | 1 | Music 651, Advanced Formal Procedures
Assignments, examinations.
|
|
62 | 2-3 | Music 652, Advanced Formal Procedures
Examinations, fugue subjects.
|
|
62 | 4 | Music 653, Advanced Formal Procedures
Examinations.
|
|
62 | 5 | Music 653, Advanced Formal Procedures
Miscellaneous class materials.
|
|
Miscellaneous Course Materials |
|||
Box | Folder | ||
63 | 1-3 | Understanding Music, Lecture Notes |
|
63 | 4-5 | Lecture Notes |
|
63 | 6-9 | Assignments and Class Materials |
|
63 | 10-12 | Graduate Entrance Examinations |
|
63 | 13 | Examinations |
|
63 | 14-17 | Musical Examples |
|
63 | 18-21 | Composer Lists |
|
63 | 22-23 | Lists of Orchestration Tapes |
|
64 | 1-3 | University of Southern California
Roll books, teaching materials, and miscellaneous.
|
1967-1970 |
64 | 4-8 | University of Utah
Course lists, examinations, roll books, and miscellaneous.
|
1974-1982 |
65 | 1 | David A. Morales
"Stravinsky's `Oedipus Rex.'"
|
1971 |
65 | 2 | John Thow
"Debussy's Pelleas et Melisande: Thematic Usage in Acts I and IV."
|
1971 |
65 | 3-7 | Research Grant Materials |
1974-1978 |
65 | 8 | Research Grant Materials, Miscellaneous Compositions |
|
Miscellaneous Writings (A-Z)
This box contains research papers written by Cortés. Also included, in folders one through twenty one, are various additional authors.
|
|||
Box | Folder | ||
66 | 1-21 | "Articles on Ancient Music"
Contributing authors include Dragan Plamenac, Lloyd Hibberd, Leo Schrade, Ramiro Cortés, Jeanne Marix, Leonard Ellinwood, Manfred F. Bokofzer, and Helen E. Bush.
|
|
66 | 22 | "Comparative Analysis of the Overtures Beethoven Wrote for his Opera `Fidelio'" |
|
66 | 23 | "Comparative Dualism in Augustine and Marx" |
|
66 | 24 | "The Eternal Return," Libretto |
|
66 | 25 | "Music Theory and Practice" |
|
66 | 26 | "The Piano Music of Ramiro Cortés"
Treatise by Roland Pitt.
|
1989 |
66 | 27-37 | "Production of a Shakespearean Tragedy" |
1951 |
66 | 38 | "The Twelve Tone Music of Luigi Dallapiccola" |
|
66 | 39 | "Works By Modern Composers" |
1951 |
67 | 1 | Poetry |
|
67 | 2-15 | Personal Notes |
|
67 | 16 | Lists of Compositions and Performances |
|
67 | 17 | Record of Compositions |
|
68 | Personal Notes
Two sets of index cards, arranged alphabetically by composer. Cards are possible reference tools to Cortés' personal library and detail music and recording information.
|
VII: Works by Other ComposersReturn to Top
These materials were originally filed with the academic materials, but it was apparent that many of the materials had been used since Cortés' death and had been misfiled. Works identifiable by course number were kept with the course materials in Section VI. Those not identified were removed and filed alphabetically by composer in this section. These materials include various compositions and score fragments and Cortés' notations and analyses concerning many of each composer's works. Materials in this section include score fragments, compositions, class materials, research notes. Boxes 84 through 88 have been restricted at the request of Nancee Cortés. These boxes contain class materials, research materials, newspaper and magazine articles, compositions, correspondence, and Cortés' personal notes dealing with the works of Igor Stravinsky. These items are closed until 2011.
Container(s) | Description | Dates | |
---|---|---|---|
Box | Folder | ||
69 | 1 | Bach, Johann Christian: Sonata
|
|
69 | 2 | Bach, Johann Sebastian: Canons |
|
69 | 3 | Bach, Johann Sebastian: Cantatas |
|
69 | 4-7 | Bach, Johann Sebastian: Chorale Preludes |
|
69 | 8 | Bach, Johann Sebastian: Chorale Harmonizations
Harmonized Chorales and Chorale Melodies.
|
|
69 | 9 | Bach, Johann Sebastian: Chorale Harmonizations |
|
69 | 10 | Bach, Johann Sebastian: Concertos
Brandenburg Concertos.
|
|
69 | 11 | Bach, Johann Sebastian: Fugues and Preludes
The Art of Fugue.
|
|
69 | 12 | Bach, Johann Sebastian: Fugues and Preludes
Fugue in F Major.
|
|
69 | 13 | Bach, Johann Sebastian: Fugues and Preludes
Organ Fugue in F Major.
|
|
69 | 14 | Bach, Johann Sebastian: Fugues and Preludes
Organ Fugue in G Minor.
|
|
69 | 15 | Bach, Johann Sebastian: Fugues and Preludes
Organ Passacaglia and Fugue in C Minor.
|
|
69 | 16 | Bach, Johann Sebastian: Fugues and Preludes
Toccata in E Minor.
|
|
69 | 17 | Bach, Johann Sebastian: Fugues and Preludes
Toccata in D Minor.
|
|
69 | 18-26 | Bach, Johann Sebastian: Fugues and Preludes
The Well Tempered Clavier, Volumes I and II.
|
|
69 | 27-28 | Bach, Johann Sebastian: Fugues and Preludes |
|
Johann Sebastian Bach |
|||
Box | Folder | ||
70 | 1 | Inventions |
|
70 | 2 |
Musical Offering
|
|
70 | 3-6 |
Organ Works
|
|
70 | 7 |
Passion Music
|
|
70 | 8 | Suites |
|
70 | 9-12 | Miscellaneous |
|
Box | Folder | ||
71 | 1 | Bartok, Bela: Bagatelles |
|
71 | 2 | Bartok, Bela: Bluebeard's Castle
|
|
71 | 3 | Bartok, Bela: Concertos |
|
71 | 4 | Bartok, Bela: Divertimento for String Orchestra
|
|
71 | 5 | Bartok, Bela: Folk Songs |
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71 | 6 | Bartok, Bela: Fugue |
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71 | 7 | Bartok, Bela: Mikrokosmos |
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71 | 8 | Bartok, Bela: String Quartets |
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71 | 9 | Bartok, Bela: Der Wunderbare Mandarin
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71 | 10 | Bartok, Bela, Miscellaneous |
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71 | 11 | Berg, Alban |
|
Ludwig van Beethoven |
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Box | Folder | ||
72 | 1 | Bagatelles |
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72 | 2 | Chamber Music |
|
72 | 3 | Concertos
Piano Concerto No. 3.
|
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72 | 4 | Fugues |
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72 | 5 |
Omnibus
|
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72 | 6 | Quartets |
|
72 | 7-11 | Sonatas |
|
73 | 1-2 | String Quartets |
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73 | 3 | Symphonies
Symphony No. 3 in E Flat Major (Eroica).
|
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73 | 4-7 | Symphonies |
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74 | 1-3 | Trios |
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74 | 4 | Miscellaneous |
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Box | Folder | ||
75 | 1 | Berlioz, Hector |
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75 | 2 | Bizet, Georges |
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75 | 3 | Bloch, Ernest |
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75 | 4 | Bourget, Paul |
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75 | 5 | Brahms, Johannes: Chorale Preludes |
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75 | 6 | Brahms, Johannes: Intermezzi |
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75 | 7-10 | Brahms, Johannes: Piano Works |
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75 | 11 | Brahms, Johannes: Sonatas |
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75 | 12 | Brahms, Johannes: Symphonies |
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75 | 13 | Brahms, Johannes: Miscellaneous |
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76 | 1 | Britten, Benjamin |
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76 | 2 | Bruckner, Anton |
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76 | 3 | Busoni, Ferruccio |
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76 | 4 | Chavez, Carlos |
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76 | 5 | Chopin, Frederic: Ballades |
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76 | 6 | Chopin, Frederic: Etudes |
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76 | 7 | Chopin, Frederic: Mazurkas |
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76 | 8 | Chopin, Frederic: Nocturnes |
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76 | 9 | Chopin, Frederic: Preludes |
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76 | 10-13 | Copland, Aaron |
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76 | 14 | Couperin, Francois |
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76 | 15 | Czerny, Carl |
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77 | 1-3 | Dallapiccola, Luigi |
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77 | 4 | Debussy, Claude: Nocturnes |
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77 | 5 | Debussy, Claude: Preludes |
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77 | 6 | Debussy, Claude: Quartets |
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77 | 7 | Debussy, Claude: Sonatas |
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77 | 8 | Debussy, Claude: Miscellaneous |
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77 | 9 | Dufay, Guillaume |
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77 | 10 | Duparc, Henri |
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77 | 11 | Elgar, Edward |
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77 | 12 | Faure, Gabriel |
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77 | 13 | Fischer, Johann Kaspar Ferdinand |
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77 | 14 | Franck, Cesar Auguste |
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77 | 15 | Gardane, Antoine |
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77 | 16 | Gesualdo, Carlo |
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77 | 17 | Gluck, Christoph Willibald |
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77 | 18 | Granados, Enrique |
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77 | 19 | Grantham, Donald |
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77 | 20 | Grieg, Edvard |
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78 | 1 | Haieff, Alexei |
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78 | 2 | Halle, Adam de la |
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78 | 3 | Handel, George Frideric |
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78 | 4-5 | Haydn, Joseph |
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78 | 6 | Henze, Hans Werner |
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78 | 7-15 | Hindemith, Paul |
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78 | 16 | Hoffman, Richard |
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78 | 17 | Ives, Charles Edward |
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79 | 1 | La Montaine, John |
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79 | 2 | Liszt, Franz: Mazeppa
|
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79 | 3 | Liszt, Franz: Sonatas |
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79 | 4-6 | Liszt, Franz: Symphonies |
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79 | 7 | Liszt, Franz: Tasso
|
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79 | 8 | Liszt, Franz: Waltzes |
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79 | 9-11 | Liszt, Franz: Miscellaneous |
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79 | 12 | Lorca, Federico Garcia |
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79 | 13 | Machaut, Guillaume de |
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79 | 14-17 | Mahler, Gustav |
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79 | 18 | Matos, Manuel G. |
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79 | 19 | Mendelssohn, Felix |
|
79 | 20 | Messiaen, Oliver |
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79 | 21 | Monteverdi, Claudio |
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79 | 22 | Montsalvage, Xavier |
|
Wolfgang Amadeus Mozart |
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Box | Folder | ||
80 | 1-3 | Concertos |
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80 | 4 | Minuets |
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80 | 5 | Sonatas |
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80 | 6-7 | Symphonies |
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80 | 8 | Miscellaneous |
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81 | 1-2 | Miscellaneous |
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Box | Folder | ||
81 | 3 | Mussorgksy, Modest Petrovich |
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81 | 4 | Nelson, Marie Barker |
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81 | 5 | Pachelbel, Johann |
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81 | 6 | Palestrina, Giovanni Pierluigi da |
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81 | 7 | Pergolesi, Giovanni Battista |
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81 | 8 | Persicchetti, Vincent |
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81 | 9-10 | Petrassi, Goffredo |
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81 | 11 | Poulenc, Francis |
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81 | 12 | Prez, Josquin des |
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81 | 13 | Prokofiev, Sergei |
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81 | 14-17 | Ravel, Maurice |
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82 | 1-2 | Rimsky Korsakov, Nikolai Andreyevich |
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82 | 3 | Scarlatti, Alessandro |
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82 | 4-6 | Schoenberg, Arnold |
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82 | 7 | Schubert, Franz: Sonatas |
|
82 | 8 | Schubert, Franz: Symphonies |
|
82 | 9 | Schubert, Franz: Miscellaneous |
|
82 | 10 | Schuetz, Heinrich |
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82 | 11 | Schumann, Robert: Piano Works |
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82 | 12-14 | Schumann, Robert: Symphonies |
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82 | 15 | Schumann, Robert |
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83 | 1 | Scriabine, Alexander: Preludes |
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83 | 2 | Scriabine, Alexander: Sonatas |
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83 | 3 | Scriabine, Alexander: Miscellaneous |
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83 | 4 | Sessions, Roger |
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83 | 5 | Shostakovich, Dmitri |
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83 | 6 | Sibelius, Jean |
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83 | 7 | Stevens, Halsey |
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83 | 8 | Strauss, Johann |
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83 | 9-11 | Strauss, Richard |
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Stravinsky, Igor
This subseries contains class materials, research materials, magazine and newspaper articles, compositions, correspondence and Cortés' personal notes dealing with the work of Igor Stravinsky.
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|||
Box | Folder | ||
84 | 1-5 | Newspaper and Magazine Articles |
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84 | 6-16 | Class Materials
Handouts, notes, notebooks, and miscellaneous.
|
|
Box | |||
85 |
Stravinsky, Igor Compositions
Descriptions written by Cortés for each work are in box 88. See also description for box 84.
|
||
Box | Folder | ||
85 | 1 |
Abraham and Isaac
|
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85 | 2 |
Agon
|
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85 | 3 |
Apollo Musagetes
|
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85 | 4 |
Cantata
|
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85 | 5 |
Cat's Cradle Songs
|
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85 | 6 |
Concertino
|
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85 | 7 |
Concerto for Two Solo Pianos
|
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85 | 8 |
Divertimento
|
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85 | 9 |
Duo Concertant
|
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85 | 10 |
The Fairy's Kiss
|
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85 | 11 |
Faun and Shepherdess
|
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85 | 12-13 |
Firebird
|
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85 | 14 |
The Firebird Ballet
|
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85 | 15 |
Fireworks
|
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85 | 16 |
Five Easy Pieces
|
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85 | 17 |
Four Norwegian Moods
|
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85 | 18 |
Four Studies for Piano
|
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85 | 19 |
Histoire Du Soldat
|
|
85 | 20 |
In Memorian Dylan Thomas
|
|
85 | 21 |
Les Noces
|
|
85 | 22 |
Oedipus Rex
|
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85 | 23 |
Orpheus
|
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85 | 24 |
Pastorale
|
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85 | 25 |
Petrushka
|
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85 | 26 |
Piano-Rag Music
|
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85 | 27 |
Pribaoutki
|
|
86 | 1 |
Rag-Time
|
|
86 | 2 |
The Rake's Progress
|
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86 | 3-5 |
The Rite of Spring
|
|
86 | 6 |
Rites of Spring
|
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86 | 7 |
Le Roi des Etoiles
|
|
86 | 8 |
Scherzo a la Russe
|
|
86 | 9 |
Scherzo Fantastique Pour Grand Orchestre
|
|
86 | 10 |
Septet
|
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86 | 11 |
Study for Pianola
|
|
86 | 12 |
Suite No. 1 for Small Orchestra
|
|
86 | 13 |
Suite No. 2 for Small Orchestra
|
|
86 | 14 |
Suite Italienne
|
|
86 | 15 |
Symphonies of Wind Instruments
|
|
86 | 16 |
Symphony in E Flat
|
|
86 | 17 |
Symphony in Three Movements
|
|
86 | 18 |
Symphony of Psalms
|
|
86 | 19 |
Three Songs from William Shakespeare
|
|
86 | 20 |
Threni
|
|
86 | 21 | Miscellaneous |
|
87 | 1-5 |
Stravinsky: Les Noces
|
1972 |
87 | 6 |
Octet for Wind Instruments
|
|
87 | 7-8 |
The Rite of Spring
|
|
87 | 9 |
The Soldier's Tale, Three Pieces for String Quartet, Zvezdoliki
|
|
87 | 10 |
Stravinsky, Vol. I |
|
87 | 11 | Miscellaneous Compositions |
|
Stravinsky, Igor--Miscellaneous
See description for Box 84.
|
|||
Box | Folder | ||
88 | 1 | Correspondence
To and from Cortés relating to his studies of Stravinsky's works.
|
1968-1982 |
88 | 2-8 | Music Descriptions
Descriptions of Stravinsky's works.
|
|
88 | 9 | Miscellaneous Materials |
|
Box | Folder | ||
89 | 1 | Surinach, Carlos |
|
89 | 2 | Tchaikovsky, Peter |
|
89 | 3 | Telemann, Georg Philipp |
|
89 | 4 | Varese, Edgard |
|
89 | 5-7 | Vaughan Williams, Ralph |
|
89 | 8 | Verdi, Giuseppe |
|
89 | 9 | Villa Lobos, Heitor |
|
89 | 10 | Vivaldi, Antonio |
|
89 | 11 | Wagner, Richard |
|
89 | 12 | Wakefield, Sherril |
|
89 | 13 | Weber, Carl Maria von |
|
89 | 14 | Webern, Anton von |
|
89 | 15 | Wolf, Hugo |
|
90 | Miscellaneous Compositions |
||
Oversize |
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Box | Folder | ||
91 | 1 | Beethoven, Ludwig van; Brakhage, Stanley; Debussy, Claude |
|
91 | 2 | Falla, Manuel de; Harsanyi, Tibor; Hindemith, Paul; Hoffman, Richard; Liszt, Franz |
|
91 | 3 | Mendelssohn, Felix |
|
91 | 4 | Monteverdi, Claudio; Pergolesi, Giovanni Battista; Pyrker, Johann Ladislav; Ravel, Maurice |
|
91 | 5 | Ruggles, Carl; Schubert, Franz; Schumann, Robert |
|
91 | 6 | Stevens, Halsey; Tchaikovsky, Peter |
|
91 | 7 | Miscellaneous Materials
Famous Symphonic Poems in Score.
|
1938 |
VIII: General Published and Unpublished MaterialsReturn to Top
This section is comprised mainly of miscellaneous published and unpublished texts used by Cortés in his teaching, research, and composing. Most of the published materials have notations in the margins. Other items were of sentimental value to Cortés. Box 92 contains miscellaneous poetry, literature, and artwork as well as a few newsletters. Two items are of particular interest: The Liber Usalis, given to Cortés by Joseph Iadone, one of his first music teachers, and a first edition copy of Finnegan's Wake signed by the author, James Joyce.
Container(s) | Description | Dates | |
---|---|---|---|
Miscellaneous Files |
|||
Box | Folder | ||
92 | 1 | "Block out for William Faulkner's `As I Lay Dying'" |
|
92 | 2 |
Boosey and Hawkes Incorporated Newsletters
|
1981-1982 |
92 | 3 | Brakhage, Stanley
Poem entitled, "Lines for Christmas."
|
1950 |
92 | 4 |
Journal of the Arnold Schoenberg Institute, Vol. I, No. I |
1976 |
92 | 5 |
New Music of Darmstadt
|
1957 |
92 | 6 | Ussachevsky, Vladimir
Biographical pamphlets and program from Ussachevsky's 75th birthday celebration in 1990.
|
|
92 | 7 | Wagner, Richard
Program and newspaper articles about the film Wagner and miscellaneous notes by Cortés concerning Wagner's life and music.
|
|
92 | 8 |
Death of a Salesman, Program |
1950 |
92 | 9 |
A Streetcar Named Desire, Program |
|
92 | 10-14 |
Film Music Notes
Official publication of the National Film Music Council.
|
1949-1953 |
92 | 15 | Miscellaneous Artwork |
|
92 | 16 | Miscellaneous Poetry |
|
92 | 17 | Miscellaneous Materials
Program for the film Napoleon.
|
1981 |
Publications |
|||
Box | Folder | ||
93 | 1 |
Aida, Giuseppe Verdi
Libretto.
|
|
Volume | |||
93 | 1 |
Anthology for Musical Analysis, Charles Burkhart, Third Edition. Holt, Rinehart and Winston, New York |
1978 |
93 | 2 |
Essentials of Eighteenth Century Counterpoint, Neale B. Mason. Wm. C. Brown Company Publishers, Dubuque, Iowa |
|
Folder | |||
93 | 2 |
Four Literary Historical Walks, Elizabeth Kray. The Academy of American Poets, New York |
1982 |
93 | 3 |
Life Magazine, "To the Moon and Back," Special Edition |
1969 |
Volume | |||
94 | 1 |
Musical Acoustics, Charles A. Culver. The Blakiston Company, New York
Third edition.
|
1951 |
94 | 2 |
Musical Form, Ellis B. Kohs. Houghton Mifflin Company, Boston |
1976 |
Folder | |||
94 | 1-12 |
Projects in Musicianship, Vol. I-ll, Anthony E. Vazzana. University of Southern California |
1966 |
Volume | |||
95 | 1 |
The Technique of Choral Composition, Archibald T. Davison, Oxford University Press, London |
1945 |
95 | 2 |
Text Book of Gregorian Chant, Dom Gregory Sunol, O.S.B., Monk of Montserrat |
1930 |
Folder | |||
95 | 1-8 |
Workbook for Chromatic Harmony, Justine Shir Cliff, Stephen Jay, Donald J. Rauscher. The Free Press, New York |
1965 |
Volume | |||
96 | 1 |
The Liber Usalis, McLaughlin & Reilly Company, Boston |
1950 |
96 | 2 |
Finnegan's Wake, James Joyce, First Edition. Faber and Faber Limited, London
Signed by the author. This book is stored separately from the collection.
|
1939 |
Folder | |||
97 | 1 |
An Aural Approach to Orchestration, Ellis B. Kohs
Signed by the author.
|
|
97 | 2 |
Pan Pipes of Sigma Alpha Iota, C. F. Peters Corporation, New York |
1958 |
Volume | |||
97 | 1 |
Elementary Training for Musicians, Paul Hindemith Second Edition. Associated Music Publishers, Inc., New York |
1949 |
98 | 1 |
Example of Gregorian Chant and Works by Orlandus Lassus, Giovanni Pierlugi Palestrina and Marx Antonio Ingegneri, Gustave Fredric Soderlum. New York |
1946 |
98 | 2 |
Historical Anthology of Music, Archibald T. Davison and Willi Apel. Harvard University Press, Cambridge |
1950 |
98 | 3 |
Proceedings of the American Academy of Arts and Letters and the National Institute of Arts and Letters
|
1962 |
98 | 4 |
Standard Song Classics, Ralph L. Baldwin and E.W. Newton. Ginn and Company, Boston |
1913 |
98 | 5 |
Study Guide for the Enjoyment of Music, Rubin Bergreen and John Castellini. W.W. Norton and Company Inc., New York |
1970 |
98 | 6 |
Teaching Music: The Human Experience, Shirley Mullins |
1985 |
98 | 7 |
Treatise on Instrumentation, H. Berlioz-R. Strauss, translated by Theodore Front. Edwin F. Kalmus, New York |
1948 |
98 | 8 |
Typical Piano Pieces and Songs for Student of Music Appreciation, selected by Clarence G. Hamilton. Oliver Ditson Company, Philadelphia |
1921 |
99 | 1 |
Artforum
|
January 1973 |
99 | 2 |
Erich Lachmann Collection of Historical Stringed Musical Instruments, Allan Hancock Foundation, University of Southern California, Los Angeles |
1950 |
100 | 1 |
Bach's Ornaments, Walter Emery, Novello & Company, Limited, Kent |
1973 |
100 | 2 |
Goffredo Petrassi, John S. Weissmann, Edizioni Suvini Zerboni, Milano |
1957 |
100 | 3 |
Luigi Dallapiccola, Roman Vlad, Edizioni Suvini Zervoni, Milano |
1957 |
100 | 4 |
The Marriage of Figaro: An Opera in Four Acts, W.A. Mozart, Broude Brothers, New York
Signed by Maurice Abravanel.
|
|
100 | 5 |
La Tecnica Dell'Orchestra Contemporanea, A. Casella and V. Mortari, G. Ricordi and C. |
1950 |
Box | |||
101 | Miscellaneous Items
This box contains various items of value to the composer, including the 1961 Concours Musical International Reine Elisabeth de Belgique Third Prize medal; a University of Utah Centennial token, and Cortés' Palmer Cadencia metronome.
|
Names and SubjectsReturn to Top
Subject Terms
- Composers--Utah
- Music--Instruction and study--Utah
- Music--Manuscripts--Utah
Personal Names
- Cortés, Nancee
- Cortés, Ramiro, 1933-1984--Archives
- Stravinsky, Igor, 1882-1971
Corporate Names
- University of Utah--Faculty
- University of Utah--History
Form or Genre Terms
- Articles
- Audiocassettes
- Correspondence
- Scores
- Sound recordings