Albert Zugsmith papers - Archives West

Albert Zugsmith papers, 1929-1985

Overview of the Collection

Creator: Zugsmith, Albert
Title: Albert Zugsmith papers
Dates: 1929-1985 (inclusive)
19291985
Quantity: 81.87 cubic ft. (106 boxes)
Collection Number: 07870
Summary: The Albert Zugsmith papers contain business and personal correspondence, clippings, financial and legal documents, publicity and advertising materials related to films that Zugsmith produced, wrote, and directed, scripts, outlines, and story treatments for both produced and unproduced movies, as well as production files, photographs, film reels, and vinyl records.
Repository: American Heritage Center, University of Wyoming
American Heritage Center
University of Wyoming
1000 E. University Ave.
Dept. 3924
Laramie, WY
82071
Telephone: 3077663756
ahcref@uwyo.edu
Access Restrictions: Access Restrictions
There are no access restrictions on the materials for research purposes, and the collection is open to the public.
Languages: English

Historical NoteReturn to Top

Albert Zugsmith (1910-1993) was a film producer, director, and writer of nearly 100 motion pictures. His Academy-Award winning "Written on the Wind," which starred Rock Hudson, Lauren Bacall, Robert Stack, and Dorothy Malone, was nominated for three Academy Awards. Other productions include "Touch of Evil," which was written and directed by Orson Welles and starred Welles, Charlton Heston, Janet Leigh, Akim Tamiroff, and Marlene Dietrich, "The Incredible Shrinking Man," "The Tarnished Angels," "High School Confidential," "The Beat Generation," "The Big Operator," "Dondi," "Fanny Hill," "Movie Star, American Style; or LSD, I Hate You," and "The Incredible Sex Revolution."

Content DescriptionReturn to Top

The Albert Zugsmith papers contain business and personal correspondence, clippings, financial and legal documents, publicity and advertising materials related to films that Zugsmith produced, wrote, and directed, and scripts, manuscripts, outlines, story treatments, synopses, prospectuses, and summaries for both produced and unproduced movies. Also included are production files for several films, photographs, film reels, and vinyl records, including promotional records for several of Zugsmith's movies. The collection also includes novels by Leane Zugsmith, Albert Zugsmith's sister.

Use of the CollectionReturn to Top

Restrictions on Use

The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.

Restrictions on Use

Statement on Potentially Harmful Language and Images Found in Collections

The American Heritage Center aspires to approach all areas of our work in ways that are respectful to those who create, use, and are represented in our collections. For a variety of reasons, however, users may encounter offensive or harmful language or images in some of our finding aids, catalogs, and collection materials.

Note that the AHC does not censor or alter contents of the collections as they provide context and evidence of a time, people, place, or event. Therefore, we encourage users to bring questions and concerns about descriptions in our finding aids to our attention via email or anonymous web-form. For more information, read our full statement.

Preferred Citation

Item Description, Box Number, Collection Name, Collection Number, American Heritage Center, University of Wyoming.

Administrative InformationReturn to Top

Related Materials

Albert Zugsmith Papers at UCLA; Albert Zugsmith Papers at the University of Iowa.

Acquisition Information

This material was received from Albert and Suzanne Zugsmith from 1983-1991.

Processing Note

The collection was processed by Roger Simon from May-November 2022.

Detailed Description of the CollectionReturn to Top

Series I. ClippingsReturn to Top

Container(s)	Description
Box
1	Dick Strout, Inc.	1962-1965, undated
1	“The Great Space Adventure”	1963
1	“Movie Star, American Style”	1966
1	“Night of the Quarter Moon”	1959
59	Smith Davis Corporation A scrapbook of clippings related to the Smith Davis Corporation (described as “an enterprise devoted to brokerage in the sale, leasing and financing of newspapers, radio and television stations” – Zugsmith v. Davis, 108 F. Supp. 913 (S.D.N.Y. 1952)), where Zugsmith worked before he began producing films. Also includes clippings of Zugsmith’s newspaper column “Boardway and Broadway.” Many of the clippings are loose.	1946-1949, 1958-1974, undated
1	Mamie Van Doren	1972, undated
1	Walter Winchell	1960, undated
60	In a scrapbook labeled “C.” Includes press releases and, as inserts, eight lobby cards for “Invasion, U.S.A.”	1950-1953
60	In a scrapbook labeled “B.” Includes movie pressbooks. Some of the clippings have come loose from the pages.	1952-1957
1	Includes clippings about and promotional materials for “Invasion, U.S.A.”	1952-1968, undated
59	In a scrapbook labeled “D.”	1953-1955
59	In a scrapbook labeled “A.”	1953-1955, 1966
1		1956-1968, undated
1	Includes clippings about “The Incredible Shrinking Man.”	1957-1968, undated

Series II. Collected BooksReturn to Top

Container(s)	Description
Box
	By Leane Zugsmith
Box
34	“All Victories are Alike” Inscribed by the author to her mother.	1929
34	“Goodbye and Tomorrow”	1931
34	“Home is Where You Hang Your Childhood and Other Stories” Inscribed by the author to her mother.	1937
34	“The Visitor” by Carl Randau and Leane Zugsmith Inscribed by Leane Zugsmith to her mother.	1944

	By Others
Box
33	“Bogie” by Joe Hyams Inscribed in 1975 by the author to Zugsmith.	1967
33	“The Chinese Room” by Vivian Connell	1965
33	“College Confidential” by Irving Shulman	1960
33	“High School Confidential” by Morton Cooper	1958
33	“Humphrey Bogart” by Nathaniel Benchley	1975
33	“Marilyn: A Biography” by Norman Mailer (first printing, hardcover)	1973
33	“The Shrinking Man” by Richard Matheson	1962
34	“There’s One in Every Town” by James Aswell Wrapped in a dust jacket for “The Incredible Sex Revolution.”	1951
33	“Tony Rome” by Marvin H. Albert	1967
34	“The Web of Days” by Edna Lee	1947

	Almanacs and Year Books
Box
34	“1977-8 International Film and Television Year Book”	1977
	“International Motion Picture Almanac”
Box
34		1969
34		1975
34		1977
34		1978
34		1980
34		1981

	“International Television Almanac”
Box
33		1969 (two copies)
33		1980
34		1981
34		1982

Series III. Collected PublicationsReturn to Top

Container(s)	Description
Box
1	“Aspects of Market Structure in the Broadcast Industry” by Timothy Larson (Ph.D., University of Utah, Communication Department, Media Research Center, Salt Lake City, UT) Includes a note from the author to Zugsmith: “Thank you for your information in the formative stages of this report. See the first few pages for an interpretation of our conversations.”	1979
1	“The Cinemeditor”	1968
1	“CJS Real Estate Newsletter” (Colson-Jewell Seibert Ltd.)	1966
1	“Cosmopolitan” Includes as an insert a 1958 note from Geoffrey Shurlock, then head of the Motion Picture Production Code, to Z about “The Ladykiller,” a story about George Cvek, published in the magazine by Judge Martin M. Frank.	1957-1958
1	“Daily Variety”	1962-1968
1	“The Dramatists Guild Quarterly”	1964-1965, 1975
1	“Film and Television Daily”	1966-1968
1	“Film Bulletin”	1966
1	“The Hollywood Reporter” Nine issues, including six copies of an issue that features a review of the film “Night of the Quarter Moon.”	1959-1968
1	“The Independent Film Journal”	1957
1	“International Photographer” Four copies of an issue that features a photospread on “The Beat Generation.”	1959
68	“Look”	1957
1	“Motion Picture Rights: United States and International” by Joseph S. Dubin	1965
1	“National General Corporation – 1966 Annual Report”	1966
1	“Official Summary of Security Transactions and Holdings” (U.S. Securities and Exchange Commission)	1965
1	Palm Springs	1975
1	Playbills “The Andersonville Trial,” “Duel of Angels,” “Five Finger Exercise,” “The Miracle Worker,” and “The Tenth Man.”	1960, undated
1	“Research Round-Up” (W.E. Hutton & Co.)	1965
1	“Take Another Look – An Invitation to the Decorative Arts – Thirteen half-hours for Public Television” (photocopy)	undated

Series IV. CorrespondenceReturn to Top

Container(s)	Description
Box
1	AB Anglo Film/Stig Berns (Stockholm, Sweden)	1964-1968, undated
1	ABC Messenger Service	1966
	A.B. Enterprises, Inc./Alexander Beck
Box
1		1963-1966, undated
1		1965-1966, undated

1	AB Europa Film/Norman Potts (Stockholm, Sweden)	1964-1965
1	A.B. Wivefilm/S.A.G. Swenson (Stockholm, Sweden)	1964-1965, undated
1	Agents	1957, undated
1	Air France/Trans-World Airlines – Luggage Issue	1964-1965, undated
1	Airways Rent-a-Car	1966
1	Aktiebolaget Svensk Filmindustri/Allan Ekelund (Solna, Sweden)	1963-1964
1	Alameda Films, S.A./Alfredo Ripstein (Mexico)	1964
1	The Albert Zugsmith Communications Corporation	1957-1965, undated
1	Albert Zugsmith Productions, Inc. – Advertising	1957-1959, undated
1	Alianza Cinematogrifica (Buenos Aires, Argentina)	1965-1966, undated
1	Allied Artists Corp.	1963-1965, undated
1	Allied Film Exchange, Inc.	1965-1966
1	American Express Company	1963-1966, undated
1	American Film Export Association (Vienna, Austria)	1963
1	American International Enterprises Corp.	1963
1	American International Pictures	1963-1964
1	American International Pictures – Boston	1965-1967, undated
1	American International Pictures – Chicago	1964-1966, undated
	American International Pictures – Cincinnati
Box
1		1965, undated
1		1965-1966

	American International Pictures – Cleveland
Box
1		1965, undated
1		1965-1966

2	American International Pictures – Dallas	1965-1967, undated
2	American International Pictures – Detroit	1965-1967
2	American International Pictures Exchange of Washington, D.C.	1966-1968, undated
2	American International Pictures – Indianapolis	1965-1966, undated
2	American International Pictures – Kansas City	1965-1966
2	American International Pictures – Los Angeles	1964-1965, undated
2	American International Pictures – Milwaukee	1965-1966, undated
2	American International Pictures – Minneapolis	1965-1966
2	American International Pictures – Philadelphia	1965-1967, undated
2	American International Pictures – Pittsburgh	1965-1966
2	American International Pictures – St. Louis	1965-1966, undated
2	American International Pictures – Washington, D.C.	1964-1967, undated
2	Amos Treat Associates, Inc./Susan Boyajian	1966
	AND Film/Turgut Demirag (Istanbul, Turkey)
Box
2		1964-1968, undated
2		1966-1982, undated
2		1982-1983, undated

2	Antoine Khoury Films (Cairo, Egypt)	1966, undated
2	Area Development Council of St. Lucie County (Florida)	1965, undated
2	ARFILM – INTERAMERICANA, C.A. (Caracas, Venezuela)	1964-1965
2	Argentina	1964-1968, undated
2	Karen Arney – Loan Payments	1967-1969, undated
2	Associated Booking Corp.	1967-1968, undated
2	Astral Films Limited (Toronto, Ontario, Canada)	1964-1967, undated
2	ATA Trading Corp./Harold G. Lewis	1966
2	Atlantic-Film/Reidar A. Marum (Oslo, Norway)	1964
2	Jack Atlas MGM inter-office memos.	1957-1958
2	William L. Atteberry/The Kissell Company	1973-1974, undated
2	Avon Films – Imports-Exports	1968
	A
Box
2		1957-1958
2		1959-1967, undated
2		1963-1964, undated

2	David Bader	1964-1965, undated
2	The Bank of New York	1956-1961
2	Banks	1956-1957, undated
2	Barnett Customs Brokers, Inc.	1962-1964, undated
2	Barnum Productions Corporation/Harry H. Thomas	1965, undated
2	“The Beachcombers” Includes a letter from Zugsmith to Nancy Sinatra.	1966, undated
	“The Beat Generation”
Box
2	Novelization Includes seven copies of the cover of the paperback novelization of the film.	1958-1959, undated
2	Party Includes a short note from Joan Crawford.	1958, undated
2	Includes a letter from Geoffrey Shurlock, then head of the Motion Picture Production Code, with a list of revisions that the screenplay would need in order to meet the requirements of the code, as well as other documents related to screenplay revisions, actors considered for roles in the film, music in the film, and a draft of “The Beat Generation Dictionary.”	1957-1959, undated
2		1957-1964, undated

2	Alexander Beck	1966-1967, undated
2	A. Harry Becker	1956-1959, undated
2	Berga Films/Vicente Alcala Berga (Paris, France)	1964-1965, undated
2	Bruno Bernard (Berlin, Germany)	1964
2	Betex, Inc.	1963
	“The Big Operator”
Box
2	Production Code Includes three copies of a letter from Geoffrey Shurlock, then head of the Motion Picture Production Code, in which he states the script for the film “would be unacceptable under the Code” because of “the sadism and violence with which the script is replete.” Also includes later memos dealing with attempts to make the film acceptable under the Code.	1958-1959
2	The film was based on a Paul Gallico story titled “The Adventure of Joe Smith, American,” which had previously been adapted as the 1942 film “Joe Smith, American.” Includes an inter-office memo that proposes substituting “a good labor union for the FBI and a racketeering labor union for the unidentified spies” in the earlier film.	1958-1959

2	Billing Issues and Complaints	1972-1980, undated
2	Ralph Black – “Invasion, U.S.A.”	1955
2	Blackburn & Company, Inc./Colin Selph	1961
2	Blazey Heating and Air Conditioning	1965-1966, undated
2	Blue Ribbon Pictures, Inc./George R. Pabst	1964
2	Bobby Limb Enterprises Pty. Limited/Graham L. Bond (New South Wales, Australia)	1962-1963
2	Mr. and Mrs. Nicholas Bolton (London, England)	1963-1964, undated
2	Bonded Film Storage	1964-1965
2	“Boxoffice”	1966
2	Don Bringgold	1965-1968
2	N.A. Dick Brown	1964-1965, undated
2	Bruce Duncan Co., Inc./Joe Sina	1966
2	Fulton Brylawski – Copyrighting of “Movie Star, American Style”	1966
2	Bufete Lebrija/Lic. Rafael Lebrija (Mexico City, Mexico)	1967-1968, undated
2	B	1964-1966, undated
2	California Water and Telephone Company/General Telephone Company	1965-1966
2	George Cameron, Jr.	1961, undated
3	CCC Film Productions (Berlin, Germany) – “Fanny Hill”	1964-1965, undated
3	Centrafilm N.V./D.J. van Leen (The Hague, Netherlands)	1964-1966
3	Central Theatre (Atlanta, GA)	1964
3	Centre International de L’Industrie du Cinema S.A. (Brussels, Belgium)	1965-1966
3	Chase House	1960-1966, undated
3	“The Chinese Room”	1967-1969, undated
3	Walter G. Chuck	1961-1962
3	Cinema Associates, Inc./Charles Kranz	1966
3	Cinema International Releasing/Marcia Silen	1974
3	C.I.S.I. Export/Michel Freudenstein (Rome, Italy)	1964
	City National Bank of Beverly Hills
Box
3		1952-1962, undated
3		1964-1968

3	City Share Trust Limited	1964-1965, undated
3	The Cleveland Trust Company	1954-1956, undated
3	Collection Companies	undated
	“College Confidential”
Box
3	Includes correspondence regarding the novel “Autumn Thunder” by Robert Wilder (Wilder wrote the novel “Written on the Wind,” the basis for the film of the same name that was produced by Zugsmith) and a “revised plot-line,” titled “The College Story,” of that novel.	1958-1959, 1972-1973, undated
3		1960-1967, undated

3	Communications Corporation of America/The Albert Zugsmith Communications Corporation/Ruth Zugsmith	1963-1964, undated
3	Conde Productions Includes a story synopsis titled “The Long Chain.”	1965, undated
3	Consolidated Film Industries, Inc.	1965-1966, undated
3	Continental Distributing Inc	1963-1964
3	Continental Pictures Company/Certificate of Business under Fictitious Name	1956, undated
3	Cosmopolitan Film/Chris D. Nebe (Munich, West Germany)	1964
3	George Costello	1964, undated
3	County National Bank and Trust Company	1955-1956, undated
3	Paula Courtland	undated
3	Douglas Crawford (London, England)	1962-1963, undated
3	Crescendo Film Productions Ltd./Ronald Rietti (London, England)	1964, undated
3	Crown International Pictures, Inc.	1964-1965
3	Crystal Pictures, Inc. – “Fanny Hill”	1964-1965
	“The Cult”
Box
3	Includes agreements.	1970
3	Includes agreements and other financial documents.	1970-1973, undated

3	Jack Cushingham	1959-1964, undated
3	C	1962-1967, undated
3	David P. Hilliard & Associates/Dieter Dengler and David P. Hilliard	1966
3	Davis Film Distributors, Inc./Stanton Davis	1964
	De Luxe Laboratories
Box
3		1965-1968, undated
3		1966-1967

3	Dick Strout, Inc./Dick Strout	1963-1965, undated
3	Direct Mail Company of America	1965
3	Directors Guild of America, Inc. – Jo Ann Meredith Correspondence regarding a letter to the DGA by Jo Anne Meredith about Zugsmith’s conduct during the shooting of “The Great Space Adventure” in the Philippines. In a letter to Joe Youngerman of the DGA, Zugsmith referred to Meredith’s statements as “defamatory and slanderous.”	1963
3	Dramatic Publishing Co.	1968
3	The Dramatists Guild, Inc.	1964
3	Stanley Dubens (London, England)	1963-1964
3	Duca Compagnia Cinematografica/Tullio Bruschi (Rome, Italy)	1964
	Dun & Bradstreet
Box
3		1967-1968, undated
3		1968, undated

3	Richard H. Dunlap – “The Chinese Room”	1966
3	DurMen International Films	1966
3	Dwyer-Curlett & Co.	1954-1957
3	D	1964-1966, undated
3	E. & J. Gallo Winery/Vernon S. Mullen	1965
	Ebenstein and Company
Box
3		1963-1964
3		1963-1966

3	Gus Edson, 1963-1966
3	Harry, Bob, and Joyce Eisen, 1963
3	Ellis Films, Inc./Jack Ellis, 1963-1964
3	Embassy Pictures Corp./Joseph E. Levine, 1965
3	Empresa Cines Unidos/Gonzalo Ulivi (Caracas, Venezuela), 1964-1967
3	Ernestus Film (Düsseldorf, Germany)	1963
3	European Film Agency/L.D. Maylath (Amsterdam, Netherlands)	1966-1968, undated
3	Famous Players Corp. to Exchanges	1965-1966, undated
3	Famous Players Corp. v. CCC Film Productions Breach-of-contract claim.	1964-1969, undated
3	Famous Players Corp. v. Torgesen	1965-1966
3	Fanfare Corporation – “Violated” (“The Rapist”)	1973-1976, undated
	“Fanny Hill”
Box
4	Argentina Sale	1966
4	Bruce Duncan Co., Inc.	1965
4	Rizzoli Film Distributors, Inc./Irving Sochin	1964-1965
4		1964-1967, undated
4	Includes clippings and lists of cast and staff.	1965-1970, undated

4	The Farmers and Merchants National Bank of Los Angeles	1955-1957
4	Favorite Films of California, Inc.	1964-1967, undated
4	C.E. Feltner, Jr.	1979
4	Gabriel Figueroa Figueroa was the cinematographer on “The Chinese Room” and “The Phantom Gunslinger.”	1967, undated
4	Filmservis (Piran, Yugoslavia)	1957-1964
4	Financial Mostly regarding possible radio-station, television-station, and newspaper purchases.	1954-1959, undated
4	Folkparkernas Artistformedling/Erik Jarnklev (Stockholm, Sweden)	1967
	Billy Frick
Box
4	Frick appeared in two films produced by Zugsmith, “Fanny Hill” and “Phantom Gunslinger.” Some of the correspondence between Frick and Zugsmith refers to a possible film project about Hitler’s sex life. Includes letters to Zugsmith from Frick on postcards promoting “The Plot to Murder Hitler,” an episode of the TV series “Appointment with Destiny” in which Frick played Hitler. Also includes clippings (some with nudity) about “The Plot to Murder Hitler,” other Hitler film projects, and Hitler.	1961-1973, undated
4		1963
4		1964-1965, undated

4	Fujiyama Productions, Inc./Choichi Minemura (Tokyo, Japan)	1963-1964
4	F	1963-1964, undated
4	General Film Enterprises Co. Ltd./Milton Stavrou	1972-1973, undated
4	General Film Laboratories	1966
4	Gentry International	1966
4	George T. de Hueck & Associates	1968
4	Glen Glenn Sound	1966
4	Globus Film/Vlado Teresak	1963
4	Goggin v. The Times-Mirror Co.	1957, undated
4	A. Zev Goldberg Includes photos of and correspondence regarding the immigration status of actor Helen Mu Hung.	1964-1966, undated
4	Evelyn B. Grippo – “Report on Swinging”	1974, undated
4	Guarantee Bank and Trust Company	1954-1959
4	Gulf American Land Corp.	1965, undated
	G
Box
4		1959-1965
4		1963-1967, undated

4	Hartford Accident and Indemnity Company/Hartford Fire Insurance Company Group	1963
	Robert Hill
Box
4		1959-1964, 1975, undated
4		1963-1964, undated

4	Hogan-Feldmann, Inc.	1965-1966
4	Hogan v. Gene Autry	1966
4	Holland – “Fanny Hill”	1964-1965
4	Hollywood State Bank	1954-1956, undated
4	Howard A. Anderson Co. v. Famous Players Corp. Breach-of-contract claim.	1966-1971, undated
	Howco Exchange
Box
4		1964-1966, undated
4		1965-1968, undated

5	Howco Exchange – Atlanta	1965, undated
5	Howco Exchange – Legal Dispute	1965-1968, undated
5	Howco Exchange – Memphis	1965-1967
5	Hyatt Corp. of America	1965
5	H	1976-1980, undated
5	Imperial Pictures, Inc.	1965-1966, undated
5	Import Film (The Hague, Holland)	1966, undated
5	Independent Film Distributors of Wisconsin, Inc. – “Fanny Hill”	1964-1965
	Insurance
Box
5		1954-1960, undated
5		1956-1960

5	International Export & Finance Company	1965
5	International Films Company/Isam Yusbachi (Beirut, Lebanon)	1961-1963
5	Investments	1962
5	Irving Trust Company/E.W. Wanek	1955
5	Ivar Theatre/Stanley Seiden	1964-1965, undated
5	I Includes a document, from The Research Institute of America, Inc., titled “10 Ways to Draw Tax-Sheltered Money from the Company.”	1964-1966, undated
5	Jacksonville	1965, undated
5	Werner Jäger	1972
5	Jalal Productions Ltd./Jalal Dinn (Karachi, Pakistan)	1967, undated
5	Jerome Siegel Associates	1972-1973
5	Jerry Rosen Agency/Jerry Rosen	1965-1966
5	Jolly Joyce Agency/Jolly Joyce	1965-1966, undated
5	Joseph Brenner Associates	1964
5	J. Robert Mendte, Inc./ J. Robert Mendte	1974
5	Kalinhof Brothers Ltd./Sam Kalinhof (Tel Aviv, Israel)	1963-1964
5	V. Kalistratov (Moscow, U.S.S.R.)	1965, undated
5	Kay Em Film Co.	1966
5	KMIR-TV (Palm Springs, CA)	1976
5	I.B. Kornblum and David H. Kornblum (law offices)	1963-1965, undated
5	KSHO-TV – Frank Oxarart v. Nate and Merv Adelson	1965, undated
5	Costas Kyprou (Athens, Greece)	1979-1980, undated
5	K	1959-1966, 1979, undated
5	Lankar Productions/Roger Gentry	1973-1981, undated
5	La Pac Agency/Maurice Boerez (Paris, France)	1966-1968, undated
5	Niels Larsen/The Niels Larsen Enterprises (Madrid, Spain)	1965-1966, undated
5	Niels Larsen (Los Angeles, CA)	1972
5	Don Leon Includes a letter from attorney Louis Nizer regarding a dispute between Paramount and some of its stockholders, including Zugsmith.	1965-1977, undated
5	Library of Congress – Exchange and Gift Division	1965-1967
5	William Loeb, Jr.	1965, undated
5	Longridge Avenue Property – Sale	1965-1975, undated
5	Los Angeles	1965, undated
5	L	1963-1966, 1977-1979, undated
5	Dick Mahdessian (Cairo, Egypt)	1965, undated
5	Jayne Mansfield A letter, signed by Mansfield, stating that she would appear in the never-filmed “The Man Who Grew Younger.” See also “Famous Players Corp. v. Jayne Mansfield” in the series “Legal.”	1963
5	“The Man Who Grew Younger” – Cables	1963
5	Al Marks	1979
5	Michael Mascioni	1979, undated
	Masterpiece Pictures, Inc.
Box
5		1965-1966
5		1965-1968

5	M. Corson Investments/Morris Corson	1963-1964
5	Metro-Goldwyn-Mayer	1964-1965
5	Metromedia, Inc. dba Television Station KTTV, Channel 11	1965, undated
5	Mexico	1964-1968, undated
5	Michael Arthur Film Productions (Vaduz, Liechtenstein)	1964-1965, undated
5	Linda Miller Miller worked for Zugsmith at Famous Players Corp. Includes notes and clippings.	1968, undated
	Peter Miller
Box
5		1973-1981, undated
5		1974-1976

5	Miller and Jacobs (attorneys)	1962-1974, undated
5	Miller, Hunter & Company – Albert Zugsmith Productions, Inc.	1957-1960
5	Miller, Hunter & Company – Photoplay Associates, Inc.	1961
5	Leon Mirell/Selmur Productions, Inc.	1967-1968
	Miscellaneous
Box
5		1952-1980, undated
5		1956-1982, undated
6		1958-1980, undated
6	Includes photocopies of declarations regarding the custody of Zugsmith and his wife’s granddaughter.	1967-1968, undated

	Mitchell, Silberberg & Knupp
Box
6	Famous Players Corporation	1957-1962, 1972
6	Film Storage	1956-1960, undated
6	KCOK Promissory Note	1958
6	K.W. Boat Sales, Inc.	1959, undated
6	Producers Artists Corporation	1958-1959
6	Universal Pictures Agreement Regarding an agreement in which Zugsmith agreed not to take any writing credit for the script of “Money, Women, and Guns.”	1958
6		1953-1965, undated
6		1958-1962
6		1958-1973, undated
6		1959-1966
6		1961-1963
6		1961-1967
6		1962-1963
6		1963-1971, undated

6	Motion Picture Association of America – Registered Titles	1955-1968, undated
6	“Movie Star, American Style”	1965-1966, undated
6	Mundial Film, S.A. (Madrid, Spain)	1968
	National Telefilm Associates, Inc./Berne Tabakin
Box
6		1964-1968, undated
6		1972, undated

6	Nenny, Miller & Hunter/Gottfried, Miller & Hunter (CPAs) – American Pictures Corporation – Taxes	1954-1958
6	Nenny, Miller & Hunter/Miller, Hunter & Company (CPAs)	1956-1961, undated
6	S.I. Newhouse	1975-1976, undated
	“Night of the Quarter Moon”
Box
6	Censorship/Ratings Boards	1958-1959
6	Includes MGM inter-office memos, as well as the music score and lyrics for the song “The Night of the Quarter Moon” by Sammy Kahn and James Van Heusen.	1958-1959, undated
6	Includes MGM inter-office memos.	1957-1959, undated

6	Novaris Film/Peer Guldbrandsen (Albertslund, Copenhagen, Denmark)	1965, undated
6	N	1958
6	Oklahoma City	1965
6	“On Her Bed of Roses”	1965
6	“Operation Mermaid” Some of the documents refer to the film as “Bay of St. Michel” or “Pattern for Plunder.” See also “QQQQ Corporation v. Herts Lion International Corp.” in the series “Legal.”	1963-1965, undated
6	Osterr Presseburo/Erwin H. Aglas (Linz, Austria)	1963, undated
6	Pakistan	1963-1967
6	Pan-World Film Exchange – Buffalo	1965
6	Peat, Marwick, Mitchell & Co./Robert Miller, 1979	1977-1979
6	Harvey Pergament/Cavalcade Pictures, Inc.	1977-1979
	“The Phantom Gunslinger” (“The Ghost Rider”)
Box
6		1966-1967, undated
6		1967-1969, undated

6	Bob Phillips	1976
7	“Playboy Magazine”	1963-1968, undated
7	Henry Plitt/ABC Films, Inc.	1963-1964, undated
7	Francisco Lara Polop/Eva Film S.L. (Madrid, Spain)	1967-1968, undated
	James W. Porter
Box
		1972-1973, undated
	Includes a photo of a nude woman.	1973-1974, undated

7	Samuel H. Post	1969-1972
7	“The President’s Girl Friend” Includes a short telegram from Mamie Van Doren.	1972-1973
7	P	1964-1966, undated
7	Quinn Martin Films	1979
7	Emilio Rabasa	1966-1967
7	Milton Rackmil/Universal-International Pictures	1957, undated
7	Radio and Television Properties	1955-1963, undated
7	Regency Productions Corp./Robert Seidelman	1970-1971
7	Kay Reid	undated
7	RKM Film Productions (Buenos Aires, Argentina)	1968, undated
7	Ashley L. Robison	1954-1959, undated
7	Rene’ Roska	1972
7	Rustcraft Broadcasting Company/Jack N. Berkman	1965, undated
7	R	1955-1967, 1979, undated
7	Sagitario Films (Mexico)/Clasa Films Mundiales – “The Chinese Room”	1966-1967, undated
7	Sagitario Films S.A. (Mexico) – “The Phantom Gunslinger”	1966-1968, undated
7	Samoa	1957-1965, undated
7	Sapphire Film Enterprises/Adul Razzaq (Lahore, Pakistan)	1967-1968
7	“Sappho Darling” Includes clippings and a “report on percentage engagement” for a drive-in in New London, CT.	1969-1972, undated
7	Savings and Loans Deposits	1960-1961, undated
	Scandinavian Airlines System
Box
7		1979
7		1979, undated

7	Rex Schepp	1957-1958, undated
7	Screen Actors Guild Includes copies of "Codified Basic Agreement of 1952 and 1956 Supplement," "Memorandum Agreement of 1960," and "Digest of Screen Actors Guild Contracts."	1960-1966, undated
7	Screen Gems Inc./Screen Guild Productions	1961-1968
7	Screen Guild Productions	1965-1967, undated
7	Screen Guild Productions – Oklahoma	1965-1966
7	Seacoast Properties Company/Edward C. LaBrecque	1975-1979
7	Serta Mattresses	1966
7	Mohammad Khan Shokoohi (Tehran, Iran) Includes photos.	1963-1965, undated
	Smith and Harder
Box
7		1964-1968, undated
7		1965-1967, undated

	Sound-Film GMBH (Munich, Germany)
Box
7		1972
7		1973

7	Spain	1967
7	SRS Merchandising Inc./Selwyn Rausch	1971
7	State of California – Division of Corporations	1968
7	Richard Steger	1963, undated
7	Robert Steiner	1964-1966
7	Ster Films (Johannesburg, South Africa)	1972
7	W. Donald Stewart Two letters to Z from Stewart, who had previously been the Defense Department’s chief investigator, as well as clippings that mention Stewart.	1974-1979
	Arnold Stoltz
Box
7	“Movie Star, American Style”	1966
7		1966

7	Stonehenge Productions/Pamela Monroe	1979
7	Storer Broadcasting Company (Miami, FL)	1962-1965, undated
7	Stuart Wetzel Associates, Inc./Stuart Wetzel	1971-1973
7	Studio Hamburg (Hamburg, Germany)	1964
7	Joe Sugar/Cinerama Releasing Corp. – “The President’s Girl Friend”	1972
7	Sweden	1963-1966, undated
7	S	1964-1973, undated
7	Tahiti	1967-1974, undated
	Alfredo Talarewitz (Barcelona, Spain)
Box
7		1972-1973
8		1972-1978, undated

8	Technicolor Corporation of America	1967, undated
8	Tele-Broadcasters, Inc./Television Company of America, Inc.	1956-1961, undated
	Thilo Theilen (Munich, Germany)
Box
8	Includes clippings.	1972
8		1972-1974, undated

8	Time, Inc. – Books Department/Candida Donadio	1968
8	Times Film Corporation/Felix J. Bilgrey	1968, undated
8	Ivan Tors	1967-1968
	Trans American Broadcasting Corp.
Box
8		1956-1961, undated
8		1956-1962, undated

8	Trans-National Communications Inc/Richard Feldman	1968
8	Tufnell, Satterthwaite & Co., Ltd. (insurance brokers) (London, England)	1963
	Twentieth Century-Fox Film Corp.
Box
8	Includes a letter to Zugsmith from Richard D. Zanuck.	1965-1968, undated
8		1968

8	T	1964-1968
8	Universal Traders/D.P. Mishra (Bangkok, Thailand)	1968
8	Vantage Press	1972, undated
8	Venezuela	1964-1968, undated
8	Jan Verswiiver (Antwerp, Belgium)	1967
8	“Violated”	1977-1979, undated
8	Vista Enterprises	1967
8	George Waldman	1964
8	Walt Disney Productions – “The Great Space Adventure”	1963
8	Walter Reade-Sterling Inc./Walter Reade, Jr.	1964
8	Warner Bros. Pictures	1964
8	Fredericka Webb v. Albert Zugsmith (Mexico – labor dispute)	1967-1968, undated
8	Jerome Weber	1962-1968, undated
8	Orson Welles A short note from Welles to Zugsmith.	undated
	Western Union
Box
8		1965, undated
8		1966

8	Westhampton Film Corp./Henry S. White	1964
8	Wheeler Film Company	1964-1967
8	Joanne P. Wholey	1966, undated
	Robert Wilder
Box
8		1958-1965, undated
8		1958-1966, undated
8		1972

8	Willmark Service System, Inc./Edward J. Bernstein	1964-1965, undated
8	W. Francis Wilson (law offices)	1964-1965, undated
8	Walter Winchell	1960-1968, undated
8	Writers Guild of America Includes financial documents and agreements.	1966-1973, undated
8	Writers Guild of America Insurance	1961-1972
8	Writers Guild of America, West, Inc.	1960-1965, undated
	W
Box
8		1963-1966
8		1965, undated

8	Youngman v. Zugsmith	1969-1970
8	Jack Zide/American International Pictures of the Mid-East	1964-1965
8	Michael Zide	1964-1967, undated
8	Michael Zide and Jack Zide	1964-1966, undated
8	Michael Zide – “Fanny Hill” dispute	1965-1966, undated
8	Includes three short notes from Joan Crawford.	1954-1956
8		1964-1968
8	Includes letters from Dorothy Malone and Russ Tamblyn, as well as a letter from Zugsmith to Mamie Van Doren.	1972-1975
8		Undated

Series V. FilmReturn to Top

Container(s)	Description
Box
	35mm – Audio track only
Box
52	“The Incredible Sex Revolution” One roll, in a canister labeled “Incredible Sex Revolution.”	undated
50	“The Incredible Sex Revolution” One roll, labeled “Spool Three.”	undated
50	“The Incredible Sex Revolution” One roll, labeled “Spool Four.” Also labeled “‘On Her Bed of Roses’ – auto dia – 12/31/65.”	1965, undated
48	Unidentified One roll, labeled “FX-1 – R-3,” in a canister labeled “FX-1 – R-3.”	undated
48	Unidentified One roll, labeled “FX-1 – R-4,” in a canister labeled “FX1 – R-4.”	undated
48	Unidentified One roll, labeled “FX-2 – R-4,” in a canister labeled “FX2 – R4.”	undated
48	Unidentified One unlabeled roll in a canister labeled “MX-2 – R-4.”	undated
53	Unidentified One reel, labeled “R124-71605 – 79B.”	undated
51	Unidentified One roll, labeled “Loop Lines – 1 – R-6.”	undated
51	Unidentified One roll, labeled “Work Trk. – R.8.”	undated
52	Unidentified Five rolls in a canister labeled “5 Rolls Audio.” One roll is labeled “oger heavy breathing”; another is labeled “oger breathing”; another is labeled “oger growels”; another is labeled “oger idle.”	undated
52	Unidentified One roll, labeled “Ogre,” in a canister labeled “Ogre.”	undated
52	Unidentified Seven rolls in a canister labeled “7 Rolls Audio.” Two of the rolls are labeled “lascivious oger”; another is labeled “oger reacts to flash lite”; another is labeled “oger death”; another is labeled “oger snorts”; another is labeled “oger breathing”; and another is labeled “oger [illegible] people first.”	undated
51	Unidentified One unlabeled roll.	undated
105	Unidentified	undated

	35mm – B&W – Negative
Box
43	“Bed of Roses” One unlabeled roll in a yellow box labeled “Safe Film 4.”	undated
42	Director Whitney – Camera Caramico One roll, labeled C84-2, in a yellow box labeled “Safe Film 6.”	undated
42	Director Whitney – Camera Caramico One roll, labeled 165B-2, in a yellow box labeled “Safe Film L.”	undated
42	Director Whitney – Camera Caramico One roll, labeled 168-1, in a yellow box labeled “Safe Film L.”	undated
42	Director Whitney – Camera Caramico One roll, labeled 200-1, in a yellow box labeled “Safe Film L.”	undated
43	Director Whitney – Camera Caramico One roll, labeled 228-90, in a yellow box labeled “Safe Film 15.”	undated
42	Director Whitney – Camera Caramico One roll, labeled 309-91, in a yellow box labeled “Safe Film 18.”	undated
42	Director Whitney – Camera Caramico One roll, labeled 309-96, in a yellow box labeled “Safe Film 18.”	undated
43	Director Whitney – Camera Caramico One roll, labeled 33671, in a yellow box labeled “Safe Film 16.”	undated
43	Director Whitney – Camera Caramico One roll, labeled 64287, in a yellow box labeled “Safe Film 4.”	undated
43	Director Whitney – Camera Caramico One roll, labeled 69538, in a yellow box labeled “Safe Film 16.”	undated
43	Director Whitney – Camera Caramico One roll, labeled 72730, in a yellow box labeled “Safe Film 15.”	undated
43	Director Whitney – Camera Caramico One roll, labeled 72877, in a yellow box labeled “Safe Film 15.”	undated
43	Director Whitney – Camera Caramico One roll, labeled 72659, in a yellow box labeled “Safe Film 15.”	undated
43	Director Whitney – Camera Caramico One roll, labeled 73364, in a yellow box labeled “Safe Film 15.”	undated
42	Director Whitney – Camera Caramico One unlabeled roll in a yellow box labeled “Safe Film 17.”	undated
42	Director Zugsmith – Camera Reza One roll, labeled R823-177, in a yellow box labeled “Safe Film 6.”	undated
42	Director Zugsmith – Camera Reza One roll, labeled T-212, in a yellow box labeled “Safe Film 17.”	undated
42	Director Zugsmith – Camera Reza One roll, labeled 730-192, in a yellow box labeled “Safe Film 6.”	undated
43	“Movie Star, American Style” One roll, labeled D608-85, in a yellow box labeled “Safe Film 10.”	undated
43	“Movie Star, American Style” One roll, labeled 45070, in a yellow box labeled “Safe Film 16.”	undated
43	“Movie Star, American Style” One roll, labeled 53-D69425, in a yellow box labeled “Safe Film 16.”	undated
43	“Movie Star, American Style” One roll, labeled 53-DO7143, in a yellow box labeled “Safe Film 16.”	undated
43	“Movie Star, American Style” One roll, labeled 509-28, in a yellow box labeled “Safe Film 16.”	undated
43	“Movie Star, American Style” One roll, labeled 509-41, in a yellow box labeled “Safe Film 16.”	undated
43	“Movie Star, American Style” One roll, labeled 530-70-301, in a yellow box labeled “Safe Film 16.”	undated
43	“Movie Star, American Style” One roll, labeled 603-92, in a yellow box labeled “Safe Film 10.”	undated
43	“Movie Star, American Style” One roll, labeled 606-68, in a yellow box labeled “Safe Film 10.”	undated
43	“Movie Star, American Style” One roll, labeled 606-69, in a yellow box labeled “Safe Film 10.”	undated
43	“Movie Star, American Style” One roll, labeled 76546, in a yellow box labeled “Safe Film 16.”	undated
44	“Movie Star, American Style” – Director Whitney – Camera Caramico One roll, labeled 11C-76437, in a yellow box labeled “Safe Film 13.”	undated
44	“Movie Star, American Style” – Director Whitney – Camera Caramico One roll, labeled 33C-68477, in a yellow box labeled “Safe Film 14.”	undated
43	“Movie Star, American Style” – Director Whitney – Camera Caramico One roll, labeled 309-95, in a yellow box labeled “Safe Film 4.”	undated
43	“Movie Star, American Style” – Director Whitney – Camera Caramico One roll, labeled 53-D07227, in a yellow box labeled “Safe Film 16.”	undated
43	“Movie Star, American Style” – Director Whitney – Camera Caramico One roll, labeled 53-D07286, in a yellow box labeled “Safe Film 16.”	undated
43	“Movie Star, American Style” – Director Whitney – Camera Caramico One roll, labeled 70334, in a yellow box labeled “Safe Film 16.”	undated
43	“Movie Star, American Style” – Director Whitney – Camera Caramico One roll, labeled 94544, in a yellow box labeled “Safe Film 10.”	undated
43	“Movie Star, American Style” – Director Whitney – Camera Caramico One roll, labeled 94668, in a yellow box labeled “Safe Film 10.”	undated
43	“Movie Star, American Style” – Director Whitney – Camera Caramico Two unlabeled rolls in a yellow box labeled “Safe Film 4.”	undated
43	“Movie Star, American Style” – Trims One roll, labeled 94472, in a yellow box labeled “Safe Film 10.”	undated
43	Producer Robert Caramico – Executive Producer Arnold Stoltz One roll, labeled 94955, in a yellow box labeled “Safe Film 10.”	undated
43	Starring Robert Strauss – Del Moore One roll, labeled 94889, in a yellow box labeled “Safe Film 10.”	undated
43	Unidentified One roll, labeled R413-39, in a yellow box labeled “Safe Film 4.”	undated
42	Unidentified One roll, labeled T-212, in a yellow box labeled “Safe Film 17.”	undated
44	Unidentified One roll, labeled 11C-76472, in a yellow box labeled “Safe Film 13.”	undated
44	Unidentified One roll, labeled 11C-76509, in a yellow box labeled “Safe Film 13.”	undated
43	Unidentified One roll, labeled 29-D44804, in a yellow box labeled “Safe Film 16.”	undated
43	Unidentified One roll, labeled 29-D44994, in a yellow box labeled “Safe Film 16.”	undated
44	Unidentified One roll, labeled 33C-68410, in a yellow box labeled “Safe Film 14.”	undated
44	Unidentified One roll, labeled 33C-67692, in a yellow box labeled “Safe Film 14.”	undated
43	Unidentified One roll, labeled 45087, in a yellow box labeled “Safe Film 16.”	undated
43	Unidentified One roll, labeled 504-114, in a yellow box labeled “Safe Film 11.”	undated
43	Unidentified One roll, labeled 53-D69520, in a yellow box labeled “Safe Film 16.”	undated
43	Unidentified One roll, labeled 53-D69576, in a yellow box labeled “Safe Film 16.”	undated
43	Unidentified One roll, labeled 53-D69603, in a yellow box labeled “Safe Film 16.”	undated
43	Unidentified One roll, labeled 53-D69766, in a yellow box labeled “Safe Film 16.”	undated
43	Unidentified One roll, labeled 53-D69800, in a yellow box labeled “Safe Film 16.”	undated
43	Unidentified One roll, labeled 53-D69888, in a yellow box labeled “Safe Film 16.”	undated
43	Unidentified One roll, labeled 53-D69946, in a yellow box labeled “Safe Film 16.”	undated
43	Unidentified One roll, labeled 53-D70342, in a yellow box labeled “Safe Film 16.”	undated
43	Unidentified One roll, labeled 53-D70353, in a yellow box labeled “Safe Film 16.”	undated
43	Unidentified One roll, labeled 53-D70385, in a yellow box labeled “Safe Film 16.”	undated
43	Unidentified One roll, labeled 53D07172, in a yellow box labeled “Safe Film 16.”	undated
43	Unidentified One roll, labeled 53-D07182, in a yellow box labeled “Safe Film 16.”	undated
43	Unidentified One roll, labeled 53-D07189, in a yellow box labeled “Safe Film 16.”	undated
43	Unidentified One roll, labeled 69589, in a yellow box labeled “Safe Film 16.”	undated
43	Unidentified One roll, labeled 69822, in a yellow box labeled “Safe Film 16.”	undated
43	Unidentified One roll, labeled 69844, in a yellow box labeled “Safe Film 16.”	undated
43	Unidentified One roll, labeled 69866, in a yellow box labeled “Safe Film 16.”	undated
43	Unidentified One roll, labeled 69923, in a yellow box labeled “Safe Film 16.”	undated
43	Unidentified One roll, labeled 73117, in a yellow box labeled “Safe Film 15.”	undated
43	Unidentified One roll, labeled 73276, in a yellow box labeled “Safe Film 15.”	undated
43	Unidentified One roll, labeled 73370, in a yellow box labeled “Safe Film 11.”	undated
43	Unidentified One roll, labeled 76538, in a yellow box labeled “Safe Film 16.”	undated
43	Unidentified One roll, labeled 94604, in a yellow box labeled “Safe Film 10.”	undated
43	Unidentified One roll, labeled 94734, in a yellow box labeled “Safe Film 10.”	undated
43	Unidentified One roll, labeled 94819, in a yellow box labeled “Safe Film 10.”	undated
42	Unidentified Two rolls, in a yellow box labeled “Safe Film 6.”	undated
42	Unidentified One unlabeled roll in a yellow box labeled “Safe Film 9.”	undated
43	Unidentified One unlabeled roll in a yellow box labeled “Safe Film 11.”	undated
44	Unidentified One unlabeled roll in a yellow box labeled “Safe Film 14.”	undated
42	Unidentified One unlabeled roll in a yellow box labeled “Safe Film 18.”	undated
42	Unidentified Two unlabeled rolls in a yellow box labeled “Safe Film L.”	undated

	35mm – B&W – Positive
Box
	“Christine Keeler Affair”
Box
76	Reel 1	undated
77	Reel 2	undated
78	Reel 3	undated
74	Reel 5	undated

	“Fanny Hill”
Box
71	Reel 1	undated
79	Reel 1	undated
72	Reel 2	undated
80	Reel 2	undated
72	Reel 3	undated
81	Reel 3	undated
73	Reel 4	undated
82	Reel 4	undated
73	Reel 5	undated
83	Reel 5	undated
84	Reel 6	undated

	“The Incredible Sex Revolution”
Box
75	Spool 1	undated
85	Reel 1	undated
86	Reel 2	undated
87	Reel 3	undated
88	Reel 4	undated
89	Reel 5	undated
53	Unlabeled roll	undated

	“Invasion, U.S.A.”
Box
53	One roll.	Undated
49	Seventeen unlabeled rolls in a canister labeled “Invasion U.S.A.”	Undated

	“Movie Star, American Style”
Box
90	Reel 1	undated
91	Reel 2	undated
74	Reel 3	undated
92	Reel 4	undated
93	Reel 5	undated

	“On Her Bed of Roses”
Box
69	Reel 1	undated
69	Reel 2	undated
70	Reel 3	undated
70	Reel 4	undated
71	Reel 5	undated

47	Producer George Stern – Title “G.R. West” One roll in a canister labeled “G.R. West 1.”	undated
47	Producer George Stern – Title “G.R. West” One roll in a canister labeled “G.R. West 2.”	undated
	“That Kind of Girl”
Box
103	Reel 4	undated
104	Reel 5	undated

45	Unidentified One roll, labeled “FX-1 – R-1 – Tails,” in a canister labeled “FX1 – R1.”	undated
46	Unidentified One roll, labeled “FX-1 – R-2 – Tails,” in a canister labeled “FX1 – R-2.”	undated
47	Unidentified One roll, labeled “FX1 – R5,” in a canister labeled “FX1 – R-5.”	undated
45	Unidentified One roll, labeled “FX-1 – R-6 – Tails,” in a canister labeled “FX1 – 96.”	undated
48	Unidentified One roll, labeled “FX-1 – R-7,” in a canister labeled “FX1 – R7.”	undated
47	Unidentified One roll, labeled “FX1 – R8,” in a canister labeled “FX1 – R-8.”	undated
46	Unidentified One roll, labeled “FX-1 – R-9 – Tails,” in a canister labeled “FX-1 – R-9.”	undated
45	Unidentified One roll, labeled “FX-1 – R-10 – Tails,” in a canister labeled “FX-1 – R-10.”	undated
46	Unidentified One roll, labeled “FX-2 – R-1 – Tails,” in a canister labeled “FX-2 – R-1.”	undated
45	Unidentified One roll, labeled “FX-2 – R-2 – Tails,” in a canister labeled “FX2 – R2.”	undated
45	Unidentified One roll, labeled “FX-3 – R-2 – Tails,” in a canister labeled “RX3 – R-2.”	undated
45	Unidentified One roll, labeled “MX-2 – R-7 – Tails,” in a canister labeled “R2 – MX7.”	undated
50	Unidentified One roll, labeled “R-4 – Loop.”	undated
46	Unidentified One roll, labeled “R6 – MX-1 – Tails,” in a canister labeled “RX6 – MX1.”	undated
47	Unidentified One roll, labeled “R8 – MX1,” in a canister labeled “R-8 – MX-1.”	undated
46	Unidentified One roll, labeled “R-8 – MX-2 – Tails,” in a canister labeled “R8 – MX2.”	undated
46	Unidentified One roll, labeled “R-8 – MX-3,” in a canister labeled “R8 – MX-3.”	undated
47	Unidentified One roll, labeled “R9 – MX-2,” in a canister labeled “R9 – MX-2.”	undated
53	Unidentified One roll, labeled “75-1,” in a canister labeled “75-1.”	undated
49	Unidentified One unlabeled roll in a canister labeled “2300.”	undated
49	Unidentified One unlabeled roll in a canister labeled “3101.”	undated
49	Unidentified One unlabeled roll in a canister labeled “9777.”	undated
49	Unidentified One unlabeled roll in a canister labeled “18750.”	undated
44	Unidentified One roll, labeled “Loop Lines -1 – R-5,” in a canister labeled “Stage 5.”	undated
50	Unidentified One roll, labeled “Loop Lines #1 – Tails – R-9.”	undated
50	Unidentified One roll, labeled “Loop Lines – R-1 – Tails.”	undated
44	Unidentified One roll, labeled “Loop # 1 – R-7,” in a canister labeled “Stage 5.”	undated
44	Unidentified One unlabeled roll in a canister labeled “Stage 5.”	undated
48	Unidentified One unlabeled roll in a canister labeled “35mm – General Film Laboratories.”	undated
53	Unidentified One unlabeled roll in a canister labeled “Unidentified.”	undated
53	Unidentified One unlabeled roll.	undated

	35mm – Color – Negative
Box
43	“Movie Star, American Style” One roll, labeled D608-108C, in a yellow box labeled “Safe Film 4.”	undated
43	“Movie Star, American Style” One roll, labeled 29733, in a yellow box labeled “Safe Film 2.”	undated
43	“Movie Star, American Style” One roll, labeled 606-65C, in a yellow box labeled “Safe Film 2.”	undated
42	“Movie Star, American Style” One roll, labeled 608-106C, in a yellow box labeled “Safe Film 12.”	undated
43	“Movie Star, American Style” One roll, labeled 609-90C, in a yellow box labeled “Safe Film 2.”	undated
43	“Wedge” One roll, labeled 29436, in a yellow box labeled “Safe Film 2.”	undated
43	Unidentified One roll, labeled 28089, in a yellow box labeled “Safe Film 4.”	undated
43	Unidentified One roll, labeled 29225, in a yellow box labeled “Safe Film 2.”	undated
43	Unidentified One roll, labeled 29405, in a yellow box labeled “Safe Film 2.”	undated
43	Unidentified One roll, labeled 65242, in a yellow box labeled “Safe Film 2.”	undated
43	Unidentified One roll, labeled 65758, in a yellow box labeled “Safe Film 2.”	undated
43	Unidentified One roll, labeled 65576, in a yellow box labeled “Safe Film 2.”	undated
43	Unidentified Three unlabeled rolls in a yellow box labeled “Safe Film 4.”	undated
42	Unidentified Four unlabeled rolls in a yellow box labeled “Safe Film 12.”	undated

	35mm – Color – Positive
Box
	“The Phantom Gunslinger”
Box
94	Reel 1	undated
95	Reel 2	undated
96	Reel 3	undated
97	Reel 4	undated
98	Reel 5	undated

	“Sex Prohibito”
Box
99	Reel 1	undated
100	Reel 2	undated
101	Reel 4	undated
102	Reel 5	undated

106	Unidentified Possibly reel 3 of “Sex Prohibito.”	undated

51	35mm – Assorted One roll (possibly unexposed) labeled “EFX.”	undated
	16mm
Box
51	“Bubble Up”	undated
51	“Fanny Hill” – Trailer	undated
49	Unidentified Five rolls, labeled “Angels’s Home Opener,” “Angels Tryout,” “Angels Tryouts,” “Chaveve Trevine,” and “Stengal on Banking,” in a canister labeled “16mm.”	undated
42	Unidentified One silent color roll, labeled "417 EC 32," in a “Scotch Magnetic Tape” box.	undated
42	Unidentified Assorted silent clips, both color and B&W, in a “Scotch Magnetic Tape” box.	undated
52	Unidentified One roll (possibly unexposed) in a canister labeled “16mm.”	undated

Series VI. FinancialReturn to Top

Container(s)	Description
Box
8	Abbey Rents	1965
8	ABC Messenger Service	1965-1966, undated
8	Academy Addressing & Mailing	1965
8	Accounts Receivable Itemized Trial Balance Reports	1966-1968
8	Acteson Paper Company	1965-1966
8	The Albert Zugsmith Corporation – Projected Cash Flow	1956-1957
8	Allied Artists Pictures, Corp. Outside Producers Reports of box office grosses for “Sex Kittens Go to College,” “Confessions of an Opium Eater,” and “Dondi.”	1963
9	American Express	1963-1967
	“The Beat Generation”
Box
9	Daily Progress Reports	1958-1959
9	Employment and Music-License Agreements	1958-1959
68	Picture Estimate	1958

68	“The Big Operator” – Picture Estimates One of the estimates is titled “I Was Kidnapped.”	1959
9	Birns & Sawyer (film equipment)	1965-1966
9	Brass Rail Hofbrau	1966
9	Bri-Son Company, Inc. (office supplies)	1966-1967
9	Budgets	1967-1974, undated
9	Bullock’s (department store)	1965
9	B	1965-1966, undated
9	Cameras	1967-1968, undated
9	Chester B. Baker Service (editing equipment)	1965-1967
9	“The Chinese Room” – Budget	1966-1967, undated
9	The Cleveland Trust Company	1955-1956
9	Sidney Cohen (CPA)	1967
9	“College Confidential” – Statement of Accounting	1967
9	Comprehensive Service Corporation (movie equipment and supplies)	1965
9	Co-Production Agreements	1960-1966
9	“The Cult” – Robert Hill Writing Contract	1965
9	Custom Print Shop	1965-1966
9	Daily Reports	1966
9	Deluxe Laboratories, Inc.	1965-1967
	Desert Empire Television Corporation/KMIR-TV
Box
9		1968-1975, undated
9		1970-1976, undated

9	Diners Club	1965-1967
9	Direct Mail Company of America	1965
9	Directors Guild of America, Inc.	1965-1972, undated
9	Distribution Agreements	1961-1974, undated
9	Distribution Reports For “Fanny Hill,” “The Incredible Sex Revolution,” “On Her Bed of Roses,” and “Movie Star, American Style.”	1966
9	Doctors’ Bills	1967
9	D	1965-1966
9	Employment Agreements	1953-1975
9	Enterprise Printers and Stationers, Inc.	1965-1968
9	Erro Film Service	1965-1966
	Exchanges
Box
9	October-December 1968	1965-1969, undated
10	April 1969	1969
10	1969	1968-1969
10	1969	1969

10	Exchange Trial Balances	1966
10	Famous Players Corp. – Taxes	1960-1967, undated
10	“Fanny Hill” – Distribution Reports	1965-1966
38	“Fanny Hill” – Flash Grosses In a three-ring notebook labeled “Fanny Hill – Keep for Zug.” Tabbed by cities and countries.	undated
10	“Fanny Hill” – Weekly Billing and Collection Reports	1965-1966, undated
10	Fidelity and Deposit Company of Maryland – Employee Application	undated
10	Film Budgets	1951, 1965-1973, undated
10	“Filming Price Guide – France – August 1967”	1967
10	Flame-X-Control Corp.	undated
10	Flax Bronston (advertisers’ service)	1965-1966
10	F	1965-1967, undated
10	General Film Laboratories	1965-1966
10	General Insurance Agency Includes documents that refer to “libel action vs J. Amado Araneta, Geor. Nader, et al.”	1965-1968
10	General Ledger – Trial Balance Sheets	1966-1968
10	General Music Corporation	1965
10	Gestetner Corporation (office supplies)	1965-1968
10	Gilboy Co. of Los Angeles (air freight) Includes a letter in which the company was asked to inspect seven prints of “Fanny Hill” and determine which were the foreign version, which contained nude scenes.	1965-1968
10	Glen Glenn Sound Company	1965-1966
10	Glenn Valley Motor Hotel	1967
10	Greenblatts (liquor and delicatessen)	1965-1967
10	Guarantee Bank	1972
10	Guarantee Bank and Trust Co.	1954-1955
10	Hippie film (“The Cult”) Referred to in one of the documents as “The Plastic Hippie Harem Murders.”	1970
10	Hollywood Accessories Co.	1965-1966
10	Hollywood Film Co.	1965-1967
10	Hollywood Office Appliance Co.	1965-1966
	“How to Break into the Movies”
Box
10	Contracts	1958-1959
10	Paperback Royalty Statement	1966

10	H.R.J. Building Maintenance Co.	1966
10	H	1965-1966, undated
10	IBM	1967-1968
	“The Incredible Sex Revolution”
Box
10	Budget and Bills	1965, undated
10	Assorted	1965-1967, undated

	Insurance Policies
Box
10		1951-1967, undated
10		1954-1966, undated
10		1954-1968, undated
10		1955-1974, undated

10	J & R Film Company	1965
10	Johnson & Tannenbaum (attorneys)	1967
10	J	1965-1966
10	K.W. Boat Sales	1959-1960, undated
10	K	1965-1966
10	Labor Releases	1977
10	Donald Leon/Leon Film Enterprises Includes correspondence.	1969-1973, undated
10	Leon Film Enterprises Photocopies of distribution reports for the films “The Very Friendly Neighbors” and “The Love Machine.”	1971
10	Loew’s Incorporated Includes Producer’s Statements of box office grosses for “Night of the Quarter Moon,” “High School Confidential,” “The Beat Generation,” and “The Big Operator.”	1958-1959
10	MacEnerney’s Stationers	1968
68	“The Man Who Grew Younger” – Picture Estimate	1957
10	“Menage Au Trois” (probably “Sappho Darling”) – Budget	1968-1969, undated
10	Metro-Goldwyn-Mayer, Inc. – Producer’s Statements and Foreign Free Statements	1958-1962
11	Mike and Albert Zugsmith Productions, Inc. – 1958 Taxes	1959
	Miscellaneous
Box
11		1957-1975, undated
11		1965-1972, undated

11	Miscellaneous Expense Reimbursements	1965-1968, undated
11	Mitchell, Silberberg & Knupp (attorneys)	1959-1962
	“Movie Star, American Style”
Box
11	Graham Lee Mahin Writing Contract	1965-1966
11	Paid Bills	1966, undated
11	Assorted	1966, undated

11	Moviola Manufacturing Co.	1965-1966
11	National Airlines	1965
11	National Screen Service Corp.	1965-1967, undated
	“Night of the Quarter Moon”
Box
11	Box Office Notes	undated
11	Daily Progress Report	1958-1959
68	Picture Estimates	1958

11	Nosseck Projection Theatre	1966-1967
11	N	1966
11	Office Machines Inc.	1967
	Office Supplies
Box
11		1964-1965, undated
11		1965, undated

	“On Her Bed of Roses”
Box
11	Income	1966-1968, undated
11	Paid Bills	1965-1966, undated

11	Osterr. Presseburo (Linz, Austria)	1965
11	O	1965-1966
11	Pacific Coast Studio Directory	1966-1968
11	Pacific Telephone	1962-1967, undated
11	Panorama Stationers	1965-1966, undated
11	Panza’s Lazy Susan (restaurant)	1966-1968, undated
	Paramount Pictures
Box
11	Includes clippings and other documents related to a dispute between Paramount and some of its stockholders, including Zugsmith.	1964-1966, undated
11	Photocopy: “Paramount Pictures Corporation in account with [Estate of] William C. Handy, Carlos Castel Associates, George Garabedian (Assignee October 10, 1957), Nathaniel (Nat ‘King’) Cole, and Communications Corporation of America under agreements dated August 2, 1957 – ‘St. Louis Blues’ – Released April 1958 – Cumulative statement of account at the close of the period ended – Domestic-12/25/71 – Foreign-11/27/71.”	1971-1972

11	“Paris Model” – Picture Budget Detail	1953
68	Payroll Records	1965
11	Peat, Marwick, Mitchell & Co. (CPA) Tax documents.	1971
11	“The Phantom Gunslinger”	1967, undated
11	Pickwick Bookshops	1968
11	Pitney-Bowes	1965-1967
11	Production Costs	undated
11	Profit & Loss Statements Includes spreadsheets for the films “Movie Star, American Style,” “On Her Bed of Roses,” “The Incredible Sex Revolution,” and “Fanny Hill.”	1966
11	Purchase Orders	1965
11	P	1965-1966, undated
11	REA Express	1968
11	Richard Einfeld Productions	1966
11	Screen Producers Guild, Inc.	1954-1955
11	76 Union	1965-1967, undated
	Smith and Harder (CPA)
Box
11		1965-1966
11		1967

	Standard Business Forms (office supplies and stationery)
Box
11		1965
11		1965-1966

11	Standard Oil Company of California, Western Operations, Inc.	1958-1968
12	State of California – Division of Real Estate	1954-1966
12	Stationery	1965-1968
12	Arnold Stoltz	1965-1973
12	Subscriptions	1966-1967
12	Taxes	1953-1954, 1965-1967, undated
12	Technicolor, Inc.	1965-1968
12	“The Thing with Two Heads” – Employment Contract Zugsmith had a cameo role in the film.	1972
12	3M Business Products Sales Inc./Thermo-Fax Sales, Inc.	1965-1968, undated
12	“Tom Jones Rides Again” – Budget	undated
12	“Touch of Evil” (“Badge of Evil”) – Production Budget	1957
12	Trans American Broadcasting Corp. – Loan Agreement	undated
12	TV/Recorders (sound recording service)	1965
12	“Two Roses and a Golden Rod” Producer’s Report # 1, as well as a synopsis of the story.	1970, undated
12	Typewriter Center	1967
12	T	1965-1966, undated
12	Unemployment Insurance	1965-1966
12	United Contractors (roofing contractors)	1976-1979, undated
12	U	1965-1966
12	Value Line In a three-ring notebook labeled “The Value Line Investment Survey.”	1975, undated
12	V	1965-1966
	Whitney Corp.
Box
12	Bank Reconciliation	1965-1966, undated
12	Payroll Data	1966, undated
68	Payroll – 1965	1965

12	Whitney Hotel Corp. – 1965 Income-Tax Returns	1966
12	Wm H. Müller & Co. (London, England)	1966
12	Writers Guild of America, Inc. – Union Labor Life Insurance Co.	1970-1972
12	Assorted Agreements	1963-1964
12	Assorted Corporate Annual Reports and Financing Summaries	1965-1966
12	Assorted	1965-1972, undated

Series VII. LegalReturn to Top

Container(s)	Description
Box
12	Allied Artists Pictures Corp.	1963
12	American International Pictures of Nebraska and Iowa – Distribution Agreement	1965, undated
12	American Pictures Corporation	1954-1965, undated
12	The Authors League of America, Inc. – Constitution	undated
12	“The Big Operator” Includes correspondence and other documents related to music for the film, contractual requirements for credits, writing credits as determined by the Arbitration Committee of the WGA, contractual conditions for actors Mamie Van Doren and Steve Cochran to appear in the film, for Charles Haas to direct the film, and for Robert Smith to write the film.	1958-1959, undated
12	Robert Camarico – Contract (supplying of services, facilities, and materials) – “Psychopathia Sexualis” and “Movie Star, American Style”	1965-1966
	“The Chinese Room”
Box
12	Assignments of Rights to Famous Players Corp. by Blair Robertson	1966
12	Co-Production Agreement (English and Spanish)	1966

12	Nat King Cole – “Night of the Quarter Moon” An agreement that Cole would appear in the film.	1958
12	Directors Guild of America – Basic Agreements	1960-1964
12	The Dramatists Guild, Inc. – Constitution	undated
12	“Effects of California Law Relating to Community Property, Joint Tenancy, Tenancy in Common, and Separate Property”	1956
12	Estate of Harry W. Hammond v. Commissioner of Internal Revenue (United States Tax Court) – opening brief for petitioner The decision is reported at 14 T.C.M. 83 (1955).	undated
	Famous Players Corp. v. Araneta
Box
12	Depositions	1966, undated
12	Evidence File	1962-1963, undated
	“The Great Space Adventure”
Box
12	Costs	1966, undated
12	Assorted	1965-1966, undated

12	Plaintiffs’ Complaint	undated
12	Assorted	1963, undated

	Famous Players Corp. v. Jayne Mansfield A suit for breach of contract and other claims regarding Mansfield’s agreement to appear in the never-filmed “The Man Who Grew Younger.” See also “Jayne Mansfield” in the series “Correspondence.”
Box
12	Pleadings and Correspondence	1962-1969, undated
13	Assorted	1964-1968, undated

13	Famous Players International Corporation – Articles of Incorporation and By-Laws	1965, undated
13	Favorite Films of California, Inc. Agreements, amendments to agreements, and correspondence.	1964-1967
13	General Music Corporation – Contract – “The Incredible Sex Revolution”	1965
13	Lawrence M. Glass – assignment of rights for “certain literary and dramatic material” to Famous Players Corp.	1961
13	“The Ghost Rider” Agreement for the sale of the story “The Ghost Rider” from Sig Maitles to Famous Players for a proposed TV series starring Audie Murphy, as well as correspondence.	1964-1966
13	Cliff Halle – Assignment of Rights for “The House of Fanny Hill: or Save a Young Girl from a Fate Worse than Death”	1964
13	Suzanne Jakobsen – Agreement to act as a consultant and sales promoter for the film “The Rapist” (“Violated”)	1973
13	Margaret Rose Keil – Acting Contract	1965
	Legal Notices – “Atlantic City Reporter”
Box
13	Proofs of publications of legal ads for “The Hippie Murder” (“The Cult”) and “Too Young.”	1967, undated
13	Proofs of publications of legal ads for “Sappho” (“Sappho Darling”), “Tom Jones Rides Again,” and “Chaucer’s Canterbury Tales.”	1968

13	Janet Louie – Acting Contract Includes correspondence and a court order approving the contract (Louie was a minor at the time).	1965-1966
13	Mercury Film Co., Inc. – Distribution Agreement Distribution agreement regarding “Movie Star, American Style,” “On Her Bed of Roses,” and “The Incredible Sex Revolution.” Also includes correspondence.	1966
13	Metro-Goldwyn-Mayer-Zugsmith Agreement	1959
13	Victoria Paige Meyerink Includes an employment agreement between Famous Players and child actor Victoria Paige Meyerink, as well as correspondence between Zugsmith and Jeanne Bair Meyerink, Victoria’s mother, regarding the never-filmed “Little Miss Detective.”	1967
13	Motion Picture Production Code/Censorship	1956-1959
13	“Movie Star, American Style” – Contracts	1966, undated
13	“The Plastic Hippie Harem Murders” (“The Cult”) – Agreement	1970
	“Psychopathia Sexualis”
Box
13	Contracts	1965
13	Copyright Registration Includes a dust jacket for Krafft-Ebing’s “Aberrations of Sexual Life” and a clipping.	1965, undated

13	QQQQ Corporation v. Herts Lion International Corp. Documents related to a breach-of-contract case involving the film “Operation Mermaid” (referred to in some of the documents as “Bay of St. Michel” and “Pattern for Plunder”). See also “Operation Mermaid” in the series “Correspondence.”	1963-1965, undated
13	Quitclaim – “St. Louis Blues”	1963
13	“Screen Directors’ Guild of America, Inc. – Basic Agreement of 1958”	1958
13	Smith Davis Corporation – Tax Litigation Correspondence, court documents, and other documents regarding a dispute over taxes owed by the Smith Davis Corporation, which had employed Zugsmith from 1947-1950, and Zugsmith.	1953-1956, undated
13	Standard Business Forms (office supplies) Documents related to a legal dispute over work done on Christmas cards.	1966
13	Arnold Stoltz – Contract – “Magic of L.S.D.”	1965
13	Suomi Filmi Oy (Finland) – Distribution/Exhibition Agreement – “Fanny Hill”	1965
13	Title Registration Reports	1965-1968
13	Richard Tretter – “Employment Agreement – Day Player” for “Psychopathia Sexualis”	1965
13	Walter Winchell – Tax-Return Documents	1961
13	Writers Guild of America – Basic Agreements	1960, 1970-1973
13	Zugsmith v. First Commodity Corporation of Boston	1981
	Zugsmith v. Audie Murphy
Box
13		1964-1966, undated
13		1965-1969, undated

Series VIII. Music and AudioReturn to Top

Container(s)	Description
Box
	Audio Tape – Reels
Box
40	“Be My Love” “Max – very rough – 7½ copy.”	undated
41	“Dupont # 9940 – Major of Saint 10 – foreign version”	1961
40	“The Flesh Eaters”	undated
40	“Flesh Eaters – Radio Tape” (3 reels)	undated
40	“The Hollywood Country Store”/“Like Art”/“Ring-A-Ding”/“I Wonder”/“Give Us a Break” (3 reels)	undated
40	“The Incredible Sex Revolution” (two 1” reels)	undated
40	“Narrasion”	undated
40	“Whiskey Mash”	undated
41	“‘Wire Service’ Reissue NARR” Includes a "Sound Report" from Glen Glenn Sound Co.	1959
40	Unidentified (six 1” reels)	undated
41	Unidentified (eight 1” reels)	undated
40	Unidentified In a box addressed to Paul Hanner, Astral Films Ltd., Toronto, Ontario, Canada.	undated
40	Unidentified On a small plastic reel.	undated

	Music Scores
Box
13	Music for “The Beat Generation” “The Beat Generation,” “The Beat Generation Blues,” “Speed, Speed, Speed!” “The Beat is Ours,” “I’m Off to the Moon,” and “I’ve Got the Real-Gone Nothing Blues.”	1958
13	Music for “Movie Star, American Style” “She’s a Movie Star, American Style” and “Skippy’s Song.”	1966
13	Music co-written by Sid Kuller “Give Us a Break,” “The Hollywood Country Store,” “I Wonder,” “Like Art,” and “Ring-A-Ding.”	undated

	Vinyl Records
Box
	LPs
Box
56	“Back to the Beat Joint,” “Cool M.G. Music,” “Success at Last,” “End Title” – 1749 – 5-29-59	1959
54	“Beat Generation” (fast version – instrumental only) – October 6, 1958 – P-589 – 2005-3 – rehearsal not cued	1958
54	“Beat Generation” (med version – instrumental only) – October 6, 1958 – P-589 – 2004-1 – rehearsal not cued	1958
55	“Beat Generation” (orchestra accomp. For Cathy Crosby vocal) – P-589 – 2403-1 – rehearsal not cued – October 6, 1958	1958
54	“Chevy Show – June 16, 1958” (incomplete)	1958
54	“Dondi”	undated
55	“Dondi” – 6003 – ‘Jingle Bells,’ ‘Meadow in the Sky,’ ‘Dondi’ (two copies)	undated
55	“Dondi – 6003 – M12-2, M13-2, M33-2, M41-6, M43-1”/“Dondi Score – ‘Jingle Bells,’ ‘Jingle Bells’ – short version, ‘Meadow in the Sky, ‘Dondi,’ undated [PRB box 54]--“Dondi” – 6003 – M12-2, M13-2, M33-2, M41-6, M43-1/‘Jingle Bells’ – D1-8, ‘Jingle Bells’ – D1-9, ‘Meadow in the Sky’ – D2-7, ‘Dondi’ – D3-2, undated [PRB box 55]--“Dondi” – 6003 – M12-2, M13-2, M33-2, M41-6, M43-1/M61E-3, M61E-4, M71B-1, M32A-4, M32A-5, M32E-1, M32D-1, M42-1, undated/‘Jingle Bells’ – D1-8, ‘Jingle Bells’ – short version – D1-9, “Meadow in the Sky” – D2-7, ‘Dondi’ – D3-2	undated
55	“Dondi” – 6003 – M51-1, M51-2, M51-4, M52-2, M61B-1, M61C-1, M-61CC-1, M61CC-2, M61D-1, M61D-2 /M61E-3, M61E-4, M71B-1, M32-4, M32-5, M32E-1, M32D-1, M42-1	undated
55	“Dondi” – 6003 – M51-1, M51-2, M51-4, M52-2, M61B-1, M61C-1, M-61CC-1, M61CC-2, M61D-1, M61D-2 /M61E-3, M61E-4, M71B-1, M32A-4, M32A-5, M32E-1, M32D-1, M42-1	undated
55	“Dondi” – 6003 – M53A-3, M53A-5, M21-2, M22-1, M61A-3, M81-4, M81B-2, M81A-3, M101-1, M103-1, M103-3/M42-2, M53A-5, M62-3, M62A-1, M62B-1, M33-1, M111-5, M14-6, M22A-1, M32-1, M61-3	undated
55	“Dondi” – 6003 – M61-3, M63A-3, M53A-5, M21-2, M22-1, M61A-3, M-81-4, M81B-2, M81A-1/M 42-2, M 62-3, M62A-1, M 62B-1, M33-1, M111-5, M 111-6, M22A-1, M 32-1	undated
55	“Dondi” – 6003 – M71-2, M71-3/M71-4	undated
55	“Dondi” – 6003 – M71-3, M71-4/M101-1, M103-1, M71-2	undated
54	“Dondi” – 6003 – M71-3, M71-5”/“Dondi – 6003 – M21-2, M22-1, M81-4, M81B-2, M81A-3, M101-1, M103-1, M103-3, M71-2”	undated
54	“Fortune Train” – parts 1 and 4	undated
54	“Fortune Train” – parts 2 and 5	undated
54	“Fortune Train” – parts 3 and 6	undated
56	Hip Talk Story – “Christopher Columbus” by John Drew Barrymore (from “High School Confidential”) (four copies)	undated
54	“‘King Kong’ – The Original Stage Cast”	undated
55	Kofy Editorial – ‘Beatnicks’ – 1-8-58	1958
56	Jerry Lee Lewis – transcribed radio interview for “High School Confidential” (eight copies)	undated
54	“Movie Star, American Style” – Original Soundtrack (six copies)	undated
54	“Piano Tempo” – not cued – 1744 – 9/9/58 – 2003-1/ “Piano Tempo” – cued – 1744 – 9/9/58 – 2003-1	1958
54	“Possibly: High School Confidential – Jerry Lee Lewis”	undated
54	“Night of ¼ Moon” – September 16, 1958 – Prod. 1744 – 2404-1 (both sides)	1958
54	“Night of the Quarter Moon” – duet – London & Jones – not cued – intercut – 1744 – 2005-6-12 – 9/9/58	1958
54	“Night of the Quarter Moon” – duet – London & Cole – not cued – slow version – 1744 – 2004-2 – 9/9/58/“Night of the Quarter Moon” – duet – London & Cole – not cued – fast version – 1744 – 2004-3 – 9/9/58	1958
54	“On Her Bed of Roses” – Motion Picture Soundtrack (three copies – one is damaged)	undated
54	“Sam Hall for Scene #269 (extraverse) – Lawman # 1809”/“Sam Hall (intercut) (M3288321) – Lawman # 1809”	undated
54	“‘Slaughter on Tenth Avenue’ and Other Ballet Selections”	undated
54	“Some Day You’ll Be Sorry” by Louis Armstrong – October 6, 1958 – P-589 – 2402-1 – rehearsal not cued	1958
55	“Some Day You’ll Be Sorry” (fast version instrumental only) – P-589 – 2007-2 – rehearsal not cued – October 6, 1958	1958
54	“Soundtrack from ‘The Benny Goodman Story’”	undated
54	“Tokyo File 212” by Albert Glasser (both sides)	undated
54	“Top Banana” – Original Broadway Cast	undated
54	“Touch of Evil” – Music from the Soundtrack	undated
54	“To Whom It May Concern” – September 16, 1958 – Prod. 1744 – 2405-1 – not cued (both sides)	1958
54	Mamie Van Doren – transcribed radio interview for “High School Confidential” (four copies)	undated
54	“Written on the Wind” – soundtrack/“Four Girls in Town” – soundtrack	undated
54	Unlabeled	undated

	Singles (45rpm or 78 rpm)
Box
57	“Adam and Eve” by Paul Anka (from “The Private Lives of Adam and Eve”) by Paul Anka/“Puppy Love” by Paul Anka (two copies)	undated
57	“The Beat Generation” by Louis Armstrong and his All-Stars/“Someday You’ll Be Sorry” by Louis Armstrong and his All-Stars (two copies)	undated
57	“The Beat Generation” by Mamie Van Doren/“I’m Grateful” by Mamie Van Doren (four copies)	undated
57	“The Big Operator” by Van Alexander/“The Shake” by Van Alexander (two copies)	undated
57	“College Confidential” – spot announcements Side 1 – 1, 2, and 3; Side 2 – 4, 5, and 6.	undated
57	“Dondi” by The Cappello Kids”/“Dream Your Tears Away” by The Cappello Kids	undated
57	“Dondi” by The Do-Re-Mi Children’s Chorus/“He’ll Love You as You Are” by The Do-Re-Mi Children’s Chorus	undated
57	“Dondi” by Patti Page/“A City Girl Stole My Country Boy” by Patti Page	undated
57	“Fanny Hill: Memoirs of a Woman of Pleasure” Side I tracks: 1,2, and 3 – 60 seconds each; Side II tracks: 1,2, and 3 – 20 seconds each; 4 – 10 seconds.	undated
57	“Fanny Hill: Memoirs of a Woman of Pleasure” (sixteen copies) Track 1 – 60 seconds; Track 2 – 20 seconds.	undated
57	“Female on the Beach” by Victor Young/“I Love Your Gypsy Heart” by Victor Young	undated
57	“High School Confidential” by Jerry Lee Lewis/“Fools Like Me” by Jerry Lee Lewis” (19 copies)	undated
57	“High School Drag” by Phillipa Fallon (from “High School Confidential”)/“Christopher Columbus Digs the Jive” by Phillipa Fallon (from “High School Confidential”) (7 copies)	undated
57	“I Concentrate on You” by Billy Daniels/“I Never Knew” by Billy Daniels	undated
57	“I Guess I’ll Dress Up for the Blues” by Carmen McRae (from “The Square Jungle”)/“Come Down to Earth, Mr. Smith” by Carmen McRae	undated
57	“The Incredible Shrinking Man” by Ray Anthony/“This Could be the Night” by Ray Anthony (52 copies)	undated
57	“I Remember Her So Well” by Tommy Leonetti (from “Fanny Hill”)/“I Believe You” by Tommy Leonetti	undated
57	“Lonely Boy” by Paul Anka (from “Girls Town”)/“Your Love” by Paul Anka	undated
57	“Movie Star, American Style or; LSD, I Hate You” (19 copies) Track 1 – 50 seconds; Tracks 2 and 3 – 20 seconds each; Track 4 – 10 seconds.	undated
57	“The Night of the Quarter Moon” by Andy Ackers/“Lovers’ Island” by Andy Ackers	undated
57	“So It’s Goodbye” by Paul Anka/“Just Young” by Paul Anka (2 copies)	undated
57	“Theme from ‘Female on the Beach’” by Leo Diamond/“Destiny” by Leo Diamond” (12 copies)	undated
57	Mamie Van Doren interview – “The Private Lives of Adam and Eve”	undated
57	“Written on the Wind” by the Four Aces/“Someone to Love” by the Four Aces (2 copies)	undated

	Sixteen-Inch Diameter
Box
58	“Acid Blues” without vocal – 2/25/66	1966
58	“Honey Bunny Song,” “Miss ‘B’” – 2/25/66	1966
58	“Little Joe Horner,” “Acid Blues” (with vocal) – 2/25/66 (2 copies)	1966
58	“Skippy’s Song,” “Main Title Song” – 2/25/66	1966
58	“Skippy’s Song,” “Title Song” – 2/25/66	1966

	Ten-Inch Diameter
Box
54	“Adam & Eve – Main Title” (4 copies)	undated
55	“All of You” by Joi Lansing” – 3-15-62/“Masquerade”	1962, undated
56	“Brother” by Don Reid/“In God We Trust” by the Sportsmen	undated
54	“Carmen – Gypsy Dance” by Rafael Mendez/“La Virgen dela Macarena,” by Rafael Mendez	undated
54	“College Confidential” – 1898 – MUI-5	undated
54	“‘College Confidential’ – Northern Music”	undated
54	“Dondi” by Larry and Rod	undated
56	“Dondi Oh Dove Via” by Larry Bright	undated
54	“‘Dress Up for the Blues’ – Prod. # 1804”	undated
54	“Female on the Beach”	undated
54	“Female on the Beach” by Bill Lee	undated
54	“Female on the Beach” – Pevney – 1788	undated
54	“Female on the Beach” by Kay Scott	undated
55	“Give Me a Gentle Girl”/“Gentle Girl”	undated
54	“Gunga Din”	undated
54	“Heaven Help You” by Fain and Webster	undated
56	“High School Confidential” mention on “Club Oasis” with Spike Jones – NBC-TV – June 21, 1958	1958
56	“I Guess I’ll Dress Up for the Blues”	undated
56	“I Had to Find Out Myself” by Teri Music	undated
56	“Platinum High”	undated
56	“Platinum High School” by Conway Twitty	undated
54	“Rumbas” – RCA Victor – Popular Collector’s Issue	undated
54	“Sam Hall for Scene #1 – Lawman # 1809 – M322”/“Sam Hall for Scene 269 (alt) – Lawman # 1809 – M333”	undated
54	“Sam Hall for Scene #55 – Lawman # 1809 – M321”/“Sam Hall for Scenes 22 and 23 – Lawman # 1809 – M320”	undated
54	“Sam Hall for Scene #111 (first alternate) – Lawman # 1809 – M325”/“Sam Hall for Scene 191 – Lawman # 1809 – M326”	undated
54	“‘Sam Hall’ – M 556”	undated
56	“Slaughter on Tenth Avenue” by Les Brown and His Band of Renown	undated
55	Standard Sound Effects 106 – Airplane Maneuvers (continuous)/Airplane Effect (continuous)	undated
55	Standard Sound Effects 112 – Jet Fighter Plane/Stinson 4 Passenger Plane	undated
55	Standard Sound Effects 117 – Four Engine Airplane/Four Engine Landings	undated
55	Standard Sound Effects 201 – Automobile Effect (Deusenberg)/Automobile Effects	undated
55	Standard Sound Effects 500 – Military Effects/Explosion Effects	undated
55	Standard Sound Effects 502 – Battle Effects/Explosions	undated
55	Standard Sound Effects 505 – Military Effects – World War II/Battle Effects – World War II	undated
54	“‘That Move’ – Arnold 1840”	undated
56	“They’ll Never Stop Us”	undated
54	“Time Will Tell” by Harold Lloyd, Jr. (demo record)/“Middle of a Dream” by Harold Lloyd, Jr. (demo record)	undated
54	“Written on the Wind”	undated

	Twenty-Inch Diameter
Box
57	“The Big Operator” by Van Alexander/“Olivera Street” by Van Alexander	1959
57	“The Girl in a Lonely Room” by Ray Anthony	1957

13	Lyrics for unidentified song	undated

Series IX. Photographs, Negatives, Slides, and TransparenciesReturn to Top

Container(s)	Description
Box
	Negatives
Box
13	“Fanny Hill”	undated
41	“The Incredible Sex Revolution” In a box with an address label from John Urie & Associates to Zugsmith.	undated
13	“Night of the Quarter Moon”	undated

	Photos
Box
13	“The Beat Generation”	1958, undated
13	“The Big Operator”	undated
62	“The Chinese Room” Twelve large, matted B&W photos.	undated
62	Steve Cochran Inscribed by Cochran to Zugsmith and his wife Ruth.	undated
68	Circus Most of the photos include the German-language title “Deutscher National-Zirkus.”	undated
13	“Das Licht der Liebe”/“The Light of Love” Stills from a German film that featured actor Paula Wessely.	undated
13	“Dondi”	undated
	“Fanny Hill”
Box
13	B&W Photos	undated
13	Color Photos	undated

14	Billy Frick as Hitler (nudity)	undated
14	“Geständnis einer Sechzehnjährigen”/“Confession of a Sixteen Year Old Girl” Stills from a German film.	undated
14	“Ich unde Meine Frau”/“I and My Wife” Stills from a German film that featured actor Paula Wessely.	undated
14	“The Incredible Sex Revolution” (nudity)	1965, undated
14	“Jedermann”/“Everyman” Stills from a German film that featured actor Paula Wessely.	undated
14	“Lulu”/“No Orchids for Lulu” Stills from a German film based on two plays – “Erdgeist” (“Earth Spirit”) and “Die Büchse der Pandora” (“Pandora’s Box”) – by Frank Wedekind.	undated
14	“Maria Theresia” Stills from a German film that featured actor Paula Wessely.	undated
14	“Menage Au Trois” (probably “Sappho Darling”)	undated
	“Movie Star, American Style”
Box
63	Sheet with multiple photos	undated
14		Undated

	"Night of the Quarter Moon"
Box
14	Cast and Crew	1958
14		Undated

68	“Sappho Darling” (nudity) Includes credit cells.	undated
14	“Unter Achtzehn”/“Under Eighteen” Stills from a German film that featured actor Paula Wessely.	undated
14	Mamie Van Doren	undated
14	“Weg in die Vergangenheit”/“Return to the Past” Stills from a German film that featured actor Paula Wessely.	undated
14	Assorted B&W Photos (nudity)	1968, undated
14	Assorted Color Photos	undated
14	Assorted Publicity Photos (nudity)	undated
	Slides
Box
14	“On Her Bed of Roses”	1965
41	Unidentified (four small boxes)	1969

14	Transparencies – “Fanny Hill”	undated

Series X. Production FilesReturn to Top

Container(s)	Description
Box
14	“The Beat Generation” Includes main title billing, cast list, assistant director’s reports, picture estimate, wardrobe plot, lyrics to songs, music breakdown, lists of underwater shots and wardrobe changes, shooting schedules, and a “plan for musical background and Beatnik routines.”	1958, undated
14	“The Big Operator” Includes daily progress reports, inter-office memos regarding cast hires, assistant director’s reports, a pre-production schedule, a preliminary set list, staff and cast lists, picture estimate, and a press book.	1958-1959, undated
14	“Dondi” – Disc Log – The Todd-Ao Corp.	1960
	“High School Confidential”
Box
14	Shooting Schedules	1958
14	Storyboards (photocopies)	undated

14	“The Incredible Shrinking Man” – Storyboards A bound volume of drawings, as well as two sets of photocopies of those drawings.	undated
	“Movie Star, American Style”
Box
68	Howard A. Anderson Co. Special Photographic Effects	1966
14	Location Permits	1966
14	Notes Taken During Screenings	1966
14	Assorted Includes schedules, multiple daily code sheets, a wardrobe plot, stage logs, transportation breakdown, a shooting schedule, a partial list of production items, and handwritten notes.	1966, undated

15	“Night of the Quarter Moon” Includes an employer’s report of industrial injury, an illness report for actor Julie London, a wardrobe plot, a picture estimate, cast lists, and assistant director’s reports, as well as correspondence and script pages.	1958-1959, undated
15	“The Private Lives of Adam and Eve” – Shooting Schedules	1959
15	“Tom Jones Rides Again” – Shooting and Cast Schedules	undated
15	“Top Banana” – Credits Layout and Percentages	1953
15	“The Very Friendly Neighbors”	1969, undated
15	Assorted Shooting Schedules	undated

Series XI. Publicity and AdvertisingReturn to Top

Container(s)	Description
Box
15	Alexander Film Co.	undated
15	Americana	1975, undated
	“The Beat Generation”
Box
63	Poster – one-sheet – “This Rebel Age” (re-release title)	1961
15	“‘The Beat Generation’ Dictionary”	undated
15	Press Campaign Includes an invitation to a press preview of the film.	1959, undated

	“The Big Operator”
Box
63	Poster – one-sheet – “Anatomy of the Syndicate” (re-release title - two copies)	1961
61	Pressbook	1959
15	Assorted	1959, undated

15	“The Chinese Room”	undated
15	Cinetarium Film Corporation	1964, undated
15	“College Confidential”	1960, undated
	"Dondi"
Box
63	Poster – one-sheet	1961
15	Assorted	1961, undated
68	Assorted	undated

15	Famous Players Corporation – Logo and Artwork	undated
	"Fanny Hill"
Box
63	Ad Campaign (two copies)	undated
68	Lobby Cards	1965
63	Poster – 54” x 38” – “La Cugina Fanny” (Italian-language title)	undated
63	Posters (two) – 26” x 18” – “La Cugina Fanny” (Italian-language title)	1966
15	Assorted	1964-1965, undated

15	Film and Music Catalogs	1965-1968, undated
15	Foreign Studios, Films, and Countries	1958-1965, undated
15	Geyer Oswald Inc.	undated
	“Girls Town”
Box
68	Circular	undated
63	Poster (two copies) – one-sheet – “The Innocent and Damned” (re-release title)	1961
61	Pressbook	1959

15	“Hawaii” Promotional materials for the 1966 film.	1966
	“High School Confidential”
Box
63	Poster – one-sheet	1958
63	Poster – one-sheet – “The Young Hellions” (re-release title)	1961
61	Pressbook (four copies)	1958

	“The Incredible Sex Revolution”
Box
15	Press Release “Sex Revolution Film by Famous Psychologist” by Dr. Lee Gladden	undated
63	Poster – half sheet	1965
63	Poster – insert (three copies)	1965
15	Assorted	undated

15	“The Incredible Shrinking Man” – Reports on Preview Comments Two separate reports based on “cards which were picked up at the theatre, and cards which were mailed to the studio.”	1956
61	“Invasion, U.S.A.” – Pressbook	undated
15	“The Magic Fountain”	1964
15	Mailing List – New York Exhibitors	1965
	“Movie Star, American Style”
Box
64	Calendar (thirty-three copies) – 1966-1967 (nudity)	1966
68	Lobby Cards	1966
65	Poster – 40” x 60”	1966
66	Poster – 40” x 60”	1966
67	Poster – 82” x 24”	undated
63	Poster (two copies) – half-sheet	1966
63	Poster (two copies) – insert	1966
61	Pressbook (twenty copies)	undated
15	Synopsis	undated
15	Assorted	undated

	“Night of the Quarter Moon”
Box
15	Alternate Regular Trailer	1959
15	Champagne-Chicken Picnic Includes a guest list, correspondence, and photocopies of pictures.	1958
63	Poster – one-sheet – “Flesh and Flame” (re-release title)	1961
61	Pressbook	1959
15	Assorted Includes a pressbook for the re-release of the film as “Flesh and Flame,” as well as the re-release of “The Beat Generation” as “This Rebel Age.”	1958, undated

	“On Her Bed of Roses”
Box
68	Ad Campaign	undated
15	Credits	undated
63	Poster – half-sheet	1966
63	Poster – one-sheet	1966
61	Pressbook (ten copies)	undated

15	“Operation Mermaid”	undated
68	“The Phantom Gunslinger”	undated
63	“Platinum High School” – Poster – one-sheet – “Trouble at Sixteen” (re-release title)	1961
	“The Private Lives of Adam and Eve”
Box
63	Poster – one-sheet	1960
61	Pressbook	1960

63	“Sappho Darling” – Poster (twenty copies) – one-sheet	undated
15	“Special Teaser Campaign”	undated
63	“Star in the Dust” – Poster – one-sheet	1956
63	“Top Banana” – Poster – one-sheet	1954
15	Mamie Van Doren	undated
16	Vantage Press	undated
68	“Violated!”	undated
16	Zugsmith Biographical Information	undated
68	Assorted Broadsides and Fliers	undated
16	Assorted Films and Television Shows	undated

Series XII. Scripts, Manuscripts, Outlines, Story Treatments, Synopses, Prospectuses, and SummariesReturn to Top

Container(s)	Description
Box
	“Athens: Private Eyeful”/“Honolulu: Private Eyeful”/“Copenhagen: Jane, Sally, Tom/Etc.”
Box
16	First Draft Script “Copenhagen: Jane, Sally, Tom/Etc.” by Susanne and Albert Zugsmith “Designed for a Feature Film for both Theatres and Television and as a Pilot for a TV Series.”	undated
16	Third Draft Script “Honolulu: Private Eyeful” by Susanne and Albert Zugsmith “Designed for a Feature Film for both Theatres and Television and as a Pilot for a TV Series.” “There are some adult scenes in this script that are designed for the theatrical film and are not intended for use in the television version of the film.”	undated
16	Fourth Draft Script “Athens: Private Eyeful” by Susanne and Albert Zugsmith “Designed for a Feature Film for both Theatres and Television and as a Pilot for a TV Series.” “There are some adult scenes in this script that are designed for the theatrical film and are not intended for use in the television version of the film.”	undated

16	“Bat Masterson” – episode “The Prescott Campaign” by Ellis Kadison	1960
16	“The Battle for Earth” by Arthur Orloff	1956
16	“Beach Bum”	undated
	“The Beat Generation”
Box
16	Complete – “Subject: Taboo” by Lawrence Roman	1958
16	Incomplete by Richard Matheson and Lewis Meltzer	1958
16	Notes for Rewrite – “Beat and Naked Generation” by Lewis Meltzer	1958
17	Script – “Subject: Taboo” by Richard Matheson	1958
17	Temporary Incomplete – “Subject: Taboo” by Richard Matheson	1958

	“The Big Operator”
Box
17	“I Was Kidnapped!” (Incomplete) by Robert Smith	1958
17	“Kidnapped”/“I Was Kidnapped” by Robert Smith	1958

17	“Black Power!” by Louis Jackson	undated
17	“The Bob Cummings Show” – episode “Bob and the Pediatrician” by Paul Henning and Dick Wesson Includes a Call Sheet and Shooting Schedule for another episode of the series, as well as a handwritten note.	1959
17	“The Bog People” (Tom McGowan Productions) Includes as an insert “‘The Bog People’ – Theme.”	1976
17	“Business is Good” by Carl Thomas Manuscript and partial screenplay. Includes a handwritten note to Zugsmith from Thomas.	undated
17	“The Case of Adolf Witch or ‘Witch Adolf Hitler’” by Robert Hill	undated
17	“Chaucer’s ‘The Canterbury Tales’” by Robert Hill	undated
17	“Child from the Stars” by Thad Swift, Budd Bankson, and Charles Nuetzel	1979
17	“Children of the Corn” by Stephen King (Second Draft Revised – photocopy)	1980
	“Chinatown” by Robert Towne
Box
17	Script (photocopy)	undated
17	Third Draft (photocopy)	1973

	“The Chinese Room” by Zugsmith
Box
17	Script	1966
17	Script – Adapted for Mexico	undated

17	“Cloud Cover” by William Maron Includes a letter to Zugsmith from Maron with multiple copies of a synopsis of the story. Also includes a clipping about a short film made by Maron.	1964, undated
17	“Come the Revolution” by Robert Hill	undated
	“Confessions of an Opium Eater”
Box
17	Script by Robert Hill	1961
17	Script by Seton I. Miller and Robert Hill	1961
17	Script	undated

	“Conquest and Desire” by Robert Smith
Box
17	First Draft “The story of the Cid.” A note on the cover says, “Original from which Conquest & Desire rewrite was made.”	undated
18	Final Screenplay	undated
18	Partial Script	undated
18	Script	undated

	“The Crocodile Kiss” by Robert Hill
Box
18	First Draft Screenplays “Original story by Albert Zugsmith.”	1957
18	Treatment	1957

18	“Crosstown” by George Zuckerman Based on Zuckerman’s “Cosmopolitan Magazine” novelette, which was adapted in 1953 as “99 River Street.”	undated
	“Cry Hard, Cry Fast” Based on the novel of the same name by John D. MacDonald.
Box
18	First Draft Screenplay by Gil Doud	1956
18	Final Screenplay by Robert Hill	1956

18	“The Cult” by Robert Hill Includes the following notes on the cover: (1) “Hippie Murders”; (2) “Manson Murders.”	undated
18	“Das Licht der Liebe”/“The Light of Love” Synopsis of a German film that featured actor Paula Wessely.	undated
18	“The Decameron” Includes a breakdown of stories (“The First Day – first through tenth ‘novells’”; “The Second Day – first through seventh ‘novells.’”). Also includes a clipping from “Playboy” – “Madame Filippa’s Defense,” adapted from “The Decameron” by Blake Jackson.	undated
18	“Deep Water, Yellow Gold” by Chauncey Monroe Barrymore Includes copies of three letters regarding Mickey Rooney’s interest in the script. Also Includes as inserts photos and resumes of Barrymore and Janet Claire Barrymore.	1976-1979
	“Denise”/“The Revenge of Denise” by Edwin D. Krell
Box
18	Script	1979
18	Script	1981
18	Assorted	1981, undated

18	“The Diktat” by Maurice Boerez	undated
18	“Dondi Goes to the Moon” by Gus Edson	1960
18	“The Double Helix” by Harry Wiland	undated
18	“Elfego Baca” Script pages from two episodes of the show, which was part of the TV series “The Magical World of Disney.”	1958
18	“The Emperor Jones” From the play by Eugene O’Neill.	1956, undated
18	“Empty Hands” by Joe Hyams and Pat Strong	undated
19	“The Fabulous and Astounding Adventures of Baron Munchausen” by Zugsmith and Robert Hill	1958
	"Fanny Hill"
Box
19	Characters and Script Pages	undated
19	Dialogue by Reel	undated
19	Dialogue Script by Robert Hill	1964
19	Play by Zugsmith (3-ring notebook)	undated
19	Script by Robert Hill (bound volume) Includes handwritten revisions.	undated
19	Script with handwritten revisions and correspondence	1964, undated

19	“The Fantastic Shrinking Girl” by Richard Matheson	1956
	“Female on the Beach”
Box
19	Play “Beseiged [sic] Heart” by Robert Hill The basis for the film.	undated
19	Revised Final Screenplay by Robert Hill	1954
19	Script “Female of the Town” by Robert Hill	undated
20	Second Revised Final Screenplay by Robert Hill	1954-1955

20	“The 4th Caper” by Hal Marshall	1980
20	“Frawley at the Executive Level” by M.L. Batchelder	undated
20	“Geständnis einer Sechzehnjährigen”/“Confession of a Sixteen Year Old Girl” Synopsis of a German film.	undated
20	“The Girl in the Kremlin” (“Stalin is Alive!”)	1957
	“Girl of the South Pacific”
Box
20	Script by Robert Hill	undated
20	Synopsis “Girls of the South Pacific” (Universal Story Department)	1954

20	“The Goat Man” by Bart Burns	1955
20	“Great Day for Camping” “A treatment for a motion picture by Harry Essex & Albert Zugsmith.”	1981
	“The Great Space Adventure”
Box
20	“The Great Green Og” by Robert Smith	undated
20	“The Missing Link” by Robert Hill	1956
20	Script “The Naked World” by Robert Smith	undated
20	Synopsis “The Naked World” by Robert Smith	undated

20	“Gunpowder” by Robert Smith	undated
20	“High School Confidential” by Lewis Meltzer	1958
	“House Party”
Box
20	First Draft Screenplay by Robert Hill	1955
20	Revised Treatment by Robert Hill	1955
20	Treatment by Warren Duff	1956
20	Treatments-Synopses by Lewis Clay	1954

20	“Howard Hughes – Frozen – Kidnapped – Alive!” by Alfred and Vickie Golden	1976
	“How to Break into the Movies”
Box
20	First Draft Screenplay by Hal Biller and Austin Kalish	undated
20	Paperback Book by Zugsmith	1963
20	Script by Hal Biller and Austin Kalish “Typed yellow, from which 1st draft Multilith was typed. Multilith script is dated Nov. 12, 1959.” Includes handwritten revisions.	undated
20	Story Synopsis by Hal Kanter	1958, undated
20	By Robert Hill	1958
21	By Sid Kuller and Zugsmith “Lyrics by Sid Kuller. Music by Lyn Murray & Jeff Alexander.”	undated
21	By Robert Smith	1957
21	Assorted Pages	1957

	“How to Live Joyously to 125”
Box
21	Drafts of Chapters	undated
21	Manuscript In an orange notebook labeled “How to Live Joyously to 125 and Get Shot by a Jealous Husband or Wife – by Dr. Vance O’Day as told to Susanne and Albert Zugsmith.”	undated
21	Original Notes Ina three-ring notebook labeled “How to Live Joyously to 125.”	undated
21	Synopsis by Vance O’Day as told to Susanne and Albert Zugsmith	undated
21	Assorted	undated

21	“Ich unde Meine Frau”/“I and My Wife” Synopsis of a German film that featured actor Paula Wessely.	undated
21	“The Immortalists” by Alvin Steinberg Includes as inserts a letter from Steinberg to Zugsmith, a photocopy of an article titled “Physics and Life Prolongation” by Gerald Feinberg, a photocopy of a letter to Steinberg from R.C.W. Ettinger, president of the Cryonics Association, and a list of major characters in the script.	1980
21	“The Incredible Sex Revolution” by Zugsmith	undated
	“The Incredible Shrinking Man”
Box
21	Final Screenplay	1956
21	First Draft Screenplay by Richard Matheson	1956
21	Step Outline by Richard Matheson	1955
21	Synopsis of Richard Matheson’s novel by Eve Wasserman Includes a short “foreword” by Raymond Crossett.	1955

	Individual Scenes
Box
22	A-B “Another Part of the Forest,” “All Fall Down,” “Baby Doll,” “Bahama Passage,” “Battle of Angels,” “Bell, Book, and Candle,” “The Big Knife,” “The Big Sleep,” “Born Yesterday,” “Boy Meets Girl,” and “Bus Stop.”	undated
22	C-G “The Caine Mutiny,” “Camino Real,” “The Case of Lela Cade,” “Cat on a Hot Tin Roof,” “The Chrysanthemums,” “The Children’s Hour,” “A Clearing in the Woods,” “Detective Story,” “Double Indemnity,” “Fallen Angel,” “Franny and Zooey,” “The Girl on the Baggage Truck,” “Golden Boy,” “Goodbye, Columbus,” and “The Great Magoo.”	undated
22	H-O “His Girl Friday,” “I am a Camera,” “The Lady’s Not for Burning,” “A Letter to Three Wives,” “The Long Goodbye,” “Machinal,” “Night unto Night,” “Not Too Narrow,” “Not Too Deep,” “Of Mice and Men,” “Once in a Lifetime,” “One Touch of Venus,” and “Orpheus Descending.”	undated
22	P-T “The Palm Beach Story,” “Personal Appearance,” “The Postman Always Rings Twice,” “The Pure in Heart,” “Rear Window,” “Remains to be Seen,” “Requiem for a Heavyweight,” “The Skin of Our Teeth,” “Some Day I’ll Go,” “Spring Song,” “Sullivan’s Travels,” “Summer and Smoke,” and “To Have and Have Not.”	undated

22	“Introducing Suzie”/“The Activist” by Monroe Manning, Mickey Rooney, and John Myhers “Story by Mickey Rooney.”	undated
22	“The Isle of Widows” “A film by Iwe Ribic. German script: Wolf Neumeister.”	undated
22	“Jedermann”/“Everyman” Synopsis of a German film that featured actor Paula Wessely.	undated
22	“The Joker is Wild” by Oscar Saul and William Bowers (first 53 pages only)	1956
22	“The Klan Rides Again!” by Zugsmith and Douglas J. Nesbitt	undated
22	“The Longest Shot” by Clinton Bebell and Christopher French Includes as inserts two copies of “a treatment for a film by Albert Zugsmith based upon the novel.”	undated
22	“The Loved and the Lonely” by Harry Essex and Peter Packer	undated
	“Love Tahitian Style”/“Girl on the Road”
Box
22	Scripts by Zugsmith and Robert Hill – with handwritten revisions	undated
22	Script by Zugsmith and Robert Hill – with handwritten revisions to cast of characters	undated
22	Script “Girl on the Road” Includes as an insert a page of handwritten notes.	undated
23	Scripts with revisions In a three-ring notebook. Includes correspondence from Hill to Zugsmith.	1973-1974, undated

23	“Lulu”/“No Orchids for Lulu” Synopsis of a German film based on two plays – “Erdgeist” (“Earth Spirit”) and “Die Büchse der Pandora” (“Pandora’s Box”) – by Frank Wedekind.	undated
23	“Madame M – The Lady of the World” “Based on the novel ‘Madame M’ by Irwin H. Aglas.”	undated
23	“Magnum Thrust” by R. Jon Emr	1980
	“Man in the Shadow”
Box
23	Final Screenplay “Pay the Devil” by Gene L. Coon	1956
23	Step Outline “Pay the Devil” by Gene L. Coon	1956

	“The Man Who Grew Younger”
Box
23	Complete by Oscar Brodney	1957
23	Incomplete by Oscar Brodney	1957
23	Outline “The Impossible Adventures of Jason James” or “The Man Who Grew Younger” by Zugsmith	undated
23	Script Changes	1957
23	Script “The Man Who Lived Forever” by Robert Hill	1957
23	Script “The Man Who Lived Forever” by Robert Hill (three-ring notebook)	1957
23	Script “The Man Who Grew Younger” by Robert Hill	1957
24	Script “The Man Who Grew Younger or How a Blonde Changed My Life” by Robert Hill	undated
24	Script “The Man Who Grew Younger or How a Blonde Changed My Life” – with handwritten revisions	undated
24	Story Treatment by Oscar Brodney	1957

24	“Maria Theresia” Synopsis of a German film that featured actor Paula Wessely.	undated
24	“Mark Twain’s Adam and Eve – The First Love Story of Mankind” A summary, from the Universal-International Pictures Story Department, of a screenplay by Aben Kandel.	1955
24	“The Maze” by Robert Hill	1957
24	“Miracle of the Fishes”/“The Velvet Lash” by John Fante	1955
24	“The Mist” by Dennis Etchison Based on the novella by Stephen King.	undated
	“Money, Women, and Guns”
Box
24	First Draft Screenplay “Money, Women, and Dreams” by George Zuckerman	1955
24	Manuscript “Round-Up” by Robert Blees and Harry Essex Includes a “legal comparison” of “Round-Up” with the 1932 film “If I Had a Million.”	1955, undated
24	Step Outlines “Money, Women and Dreams” by George Zuckerman	1955
24	Treatment “Money, Women, and Dreams” by George Zuckerman	1955
24	Assorted Includes a synopsis, by Francis A. Cassidy, of the story “Round-Up,” a memo to Zugsmith from Essex and Blees, and a “Basic Line.” Zugsmith did not produce the 1958 film, and the only writer credited on the film is Montgomery Pittman.	1955, undated

24	“Monogamy Anonymous” by Zugsmith and J.R. Conroy “Based on ‘The Great Saugus Divorce Case’ by J.R. Conroy.”	undated
	“Movie Star, American Style”
Box
24	Script by Zugsmith and Graham Lee Mahin “Based on a story by Albert Zugsmith.”	undated
25	Script Continuity	1966

25	“Network” by Paddy Chayefsky (photocopy)	undated
	“Night of the Quarter Moon”
Box
25	Novel by Franklin Coen (three-ring notebook)	undated
25	Script Revisions	1957
25	Story Treatment	1958

25	“Nostalgia Never Hangs Its Hat” by Herb Rose	undated
25	“Nymphet” by Robert Smith	undated
25	“The Old Man” by Eve Kaufman and Peter Kassan (photocopy) Probably inspired by the life of Aristotle Onassis.	undated
25	“Once They Were Young” by Lewis Clay “Based on a story by Albert Zugsmith.”	1955
25	“One Wife is Enough” by Lawrence Roman	1957
	“Only the Second Richest Man in the World”
Box
25	Chapters 3-5	undated
39	Manuscript “The Human Bestiary or The Naked Generation” In a three-ring notebook labeled “Naked Generation.” Includes handwritten revisions.	undated
39	Manuscript “A Lion for the Human Zoo” In a three-ring notebook labeled “Old Pages Generation.” Includes handwritten revisions.	undated
35	Manuscript “Only the Second Richest Man in the World” by Zugsmith and Allen Elgart (six copies)	undated

	“Pacific Run”
Box
25	Script by Aben Kandel and Herbert Kline	undated
25	Suggested Step Outline	1955

25	“Paris Model” by Robert Smith (three-ring notebook)	1953
25	“The President’s Boy Friend” by Zugsmith and Robert Jackson Hill “Based on the original stories by Albert Zugsmith and the novels ‘The President’s Boy Friend’ and ‘The President’s Girl Friend’ by Albert Zugsmith and Robert Jackson Hill.”	1982
26	“The President’s Boy Friend” by Zugsmith and Robert Jackson Hill “Based on the original stories by Albert Zugsmith and the novels ‘The President’s Boy Friend’ and ‘The President’s Girl Friend’ by Albert Zugsmith and Robert Jackson Hill.” Two copies - one is in a three-ring notebook, and the other is in a bound notebook.	1982
	“The President’s Girl Friend”
Box
26	List and Descriptions of Characters by Zugsmith and Robert Jackson Hill, undated [Box 26]
36	Manuscript by Zugsmith and Robert Jackson Hill (three copies)	1972
36	Manuscript by Zugsmith and Robert Jackson Hill In two three-ring notebooks labeled “The President’s Girl Friend – Manuscript” and “President Girlfriend.”	undated
37	Manuscript with handwritten revisions by Zugsmith In a three-ring notebook labeled “Girl Friend Old Pages 2.”	undated
37	Manuscript In a three-ring notebook labeled “Girl Friend.”	1972, undated
37	Notes In a three-ring notebook labeled “Girl Friend – Notes.”	1971-1972, undated
26	Pages with Handwritten Revisions	undated
26	Synopsis by Zugsmith and Robert Jackson Hill	undated

	“The President’s Wife”
Box
37	Chapters 1 and 2 In a three-ring notebook labeled “End of the World - Novel.”	undated
38	Assorted In a three-ring notebook labeled “Wife Treatment.”	1971, undated
38	Assorted In a three-ring notebook labeled “Wife 2.”	1971, undated
38	Assorted In a three-ring notebook labeled “The President’s Wife Invites You to the End of the World – You Won’t Be Able to Stay Away – Script.”	1972, undated
38	Assorted In a three-ring notebook labeled “President’s Wife – Zuggy."	undated
39	Assorted In a three-ring notebook labeled “Wife-Characters-Old Pages.”	undated

	“The Private Eye or Blue Diamond, Private Eye”/“The Hippie Murder Case”
Box
26	Treatment	1967
26	Assorted	1968, undated

26	“The Private Lives of Adam and Eve” by Robert Hill	1959
26	Proposed Projects	1967-1972, undated
26	“The Pro’s?” by Wesdon Bishop	1967
26	“Pursuit” – episode “Calculated Risk” by Dick Berg	1958
	“Rapine!”
Box
26	First Draft Screenplay by Zugsmith and Ika Panayotovic “Based on a treatment for the screen by Ika Panayotovic.” “This is based on a true event which took place in Kragujevac during the German occupation of Yugoslavia in World War II. We call our Kragujevac by the fictitious name of Breg.”	undated
27	First Draft Screenplay by Zugsmith and Ika Panayotovic “Based on a treatment for the screen by Ika Panayotovic.” “This is based on a true event which took place in Kragujevac during the German occupation of Yugoslavia in World War II. We call our Kragujevac by the fictitious name of Breg.”	undated
27	Treatment “Rapine at Sunrise” by Ika Panayotovic “A treatment for a film based on a true event which took place in Kragujevac during the occupation in World War II.”	undated

27	“Raw Edge” by Harry Essex and Robert Hill	1955
27	“Report on Swinging”	undated
27	“The Richest Man in the World” by Ian Shand	undated
27	“Riverboat” – episode “Jessie Quinn” by Tom Seller (cover only)	1959
27	“Sappho Darling”	undated
27	“77 Sunset Strip” – episode “Return to San Dede: ‘Capital City’” by Montgomery Pittman	1960
27	“Sex Laboratory”/“The Fantastic, Unbelievable Incredible Love Machine” by Albert Zugsmith	undated
27	“Slaughter in Harlem” by Zugsmith	1971
	“Slaughter on Tenth Avenue”
Box
27	First Draft Screenplay “The Man Who Rocked the Boat” by Lawrence Roman	1956
27	Second Revised Final Screenplay by Lawrence Roman	1957
27	Step Outline “The Man Who Rocked the Boat” by Lawrence Roman	1956

27	“Smilin’ Jack” by Don George and Don Manning Script for an episode of a proposed TV series (“created especially for Rex Barton”) based on the comic strip by Zack Mosley. Also includes a letter to Zugsmith (referred to as “Alfred Zucksmith”) from Rex Barton and a music score for the song “Smilin’ Jack” by Dr. R.A. Winters.	1965, undated
27	“Sneak Preview (Teen Age Gang) (Girl Gang)” by Zugsmith and Robert Hill	undated
27	“The Snuff Out Murders”/“The Equalizers”/“Eyeful” Includes a step outline, memos with script suggestions, and revised script pages.	1976, undated
27	“Sons of the Gun” by Michael Kraike and Mickey Rooney “From an original story by Mickey Rooney.”	undated
	“South of the Sun”/“Hot Wind in Acapulco” Based on the novel “South of the Sun” by Wade Miller, a pseudonym for Robert Allison Wade and H. Bill Miller, who wrote the novel “Badge of Evil,” which was adapted as “Touch of Evil” and produced by Zugsmith.
Box
27	Scripts by Robert Hill	1957
27	Step Outline by Robert Hill	1957
27	Treatment by Zugsmith	1954

27	“Space Girls” by Robert Hill “Based on an original story by Albert Zugsmith.”	undated
28	“Space Girls” by Robert Hill “Based on an original story by Albert Zugsmith.”	undated
28	“The Square Jungle” by Richard Alan Simmons	1955
28	“Stranger in a Strange Land” A photocopy of a Columbia Pictures Corporation summary of the novel by Robert A. Heinlein.	1961
	“Street Girl”
Box
28	“The Girl on the Sunset Strip aka Street Girl” by Zugsmith	undated
28	“Street Girl – The Psychology of a Prostitute” by Zugsmith and Suzanne Suzan	undated
39	Assorted In a three-ring notebook labeled “Street Girl – Old Pages.”	undated

28	“Street without End” – Suggestion for Remake/Synopsis (photocopy)	undated
28	“Summer Wind” – Outline	1985
	“Swingers’ Report”
Box
28	“Bob and Geri”	1974, undated
28	“Conversation about Swinging”	undated
28	Synopsis by Zugsmith	undated
28	Assorted Includes handwritten notes, short manuscripts, correspondence, and clippings, fliers, and publications about “swinging.”	1972-1974, undated

28	“Swing High, Swing Low”/“Swingers”	undated
28	“Tahiti”/“The Advocate”/“Seven Tahitian Wives”/“The Seven Brides of Tahiti”/“Seven Riviera Brides” by Zugsmith	undated
28	“The Tarnished Angels” (“Pylon”) by George Zuckerman (photocopy)	1956
	“The Tattered Dress”
Box
28	Final Screenplay by George Zuckerman Includes a note on a character’s name change and a list of actors’ salaries.	1956
28	First Draft Screenplay by George Zuckerman	1956

28	“Theodorus” by Peter Muller Probably inspired by the life of Aristotle Onassis.	undated
28	“These Steps Lead Down” by Jane Doe	undated
	“This Rebel Generation”/“Nymphet – The Eager Young Girl”
Box
28	“Baby Sex” by Robert Hill	1959
29	Script “Nymphet – The Eager Young Girl” by Robert Hill and Zugsmith	1959
29	Temporary Complete Script “The Eager Young Girl” by Robert Hill	1959
29	Temporary Incomplete Script “The Eager Young Girl” by Robert Hill	1959
29	Temporary Incomplete Script “This Rebel Generation” by Lewis Meltzer	1959

29	“Threesome” as modified by Robert Hill and Zugsmith	undated
	“Tom Jones Rides Again”
Box
29	Script “Tom Jones & Fanny Hill Ride Again!” by Robert Hill Labeled as “a musical comedy.”	undated
29	Script “Tom Jones in Memoirs of a Coxcomb with Fanny Hill” by Robert Hill	undated
29	Script “Tom Jones is not Lady Chaterby’s Lover Cries St. James Bond as Fanny Hill Rides Again!” by Robert Hill	undated
29	Script “Tom Jones is not Lady Chaterby’s Lover Cries St. James Bond as Fanny Hill Rides Again!” by Robert Hill – with handwritten revisions	undated
29	Script “Tom Jones is not Lady Chaterby’s Lover Cries St. James Bond as Fanny Hill Rides Again!” by Robert Hill – German-Language	undated
29	Script “Tom Jones Rides Again” by Robert Hill	undated
29	Script “Tom Jones Rides Again!!” by Robert Hill and Zugsmith Two copies, each with handwritten revisions.	undated
	Script “Tom Jones Rides Again!!!” by Robert Hill and Zugsmith Two copies, each with handwritten revisions.	undated

29	“Touch of Evil” – First Draft Screenplay “Badge of Evil” by Paul Monash (3-ring notebook)	1956
30	“The Trail of Tears” by Wesdon Bishop	undated
30	“The Trouble Shooters” by Sprague Vonier “A series of 26 high adventure action-suspense stories.”	undated
30	“Two Hours from L.A.” by Ian Shand “An original treatment for a 90 minute screenplay for cinema or T.V.”	undated
30	“The Umbra”/“Ghost Detective”/“Ghost Private Eyeful,” by Zugsmith and Robert Jackson Hill “A treatment for a modern feature film and television series.” Alternate titles: “I Never Woke Up,” “The Ghost Returns,” “The Ghost Comes Back,” “Revenge of the Ghost,” “The Ghost Avenger,” “The Ghost Walks,” “No, Honey, There’s No Such Thing as a Ghost,” “Don’t Be Scared, There’s No Such Thing as a Ghost,” and “But I Don’t Believe in Ghosts.”	1972
30	“Unter Achtzehn”/“Under Eighteen” Synopsis of a German film that featured actor Paula Wessely.	undated
	“The Unvanquished” Based on the novel of the same name by William Faulkner.
Box
30	Complete (# 5) A memo, from “The Gielguds” to Zugsmith, with a detailed “story line.”	1957
30	Photocopy	1958
30	Script by Robert Wilder (# 71)	1957
30	Temporary Complete by Robert Wilder and Franklin Coen (four copies – ## 12, 13, 15, and 77)	1958
30	Temporary Complete by Sidney Howard (# 4323)	1938
30	Temporary Complete (# 68)	1957-1958
30	Temporary Complete (# 4323)	undated
30	Temporary Incomplete (# 1)	1957-1958
30	Temporary Incomplete (# 2)	1957-1958
30	Temporary Incomplete by Franklin Coen (photocopy) (# 1)	1958
30	Temporary Incomplete by Robert Wilder and Franklin Coen (# 3)	1958

30	“The Verdict is Your” – episode “Irwin vs. Merritt” Includes a list of script changes and a cast list.	1960, undated
30	“The Very Friendly Neighbors” by Zugsmith	undated
	“Violated!”
Box
30	Script “The Rapist!” by William Maron and Zugsmith – with handwritten notes and revisions	undated
31	Script “The Rapist” by William Maron and Zugsmith – with handwritten revisions	undated
31	Script “The Rapist” by William Maron and Zugsmith – with handwritten revisions	undated
31	Script “The Rapist” by Zugsmith and William Maron – with handwritten revisions	undated
31	Script “The Rapist” by Zugsmith and William Maron – with handwritten revisions	undated

31	“The Visitor” by Carl Randau and Leane Zugsmith	undated
	“Voyage to Lilliput”
Box
31	First Draft Screenplay by Richard Matheson “Original screen story by Richard Matheson and Albert Zugsmith.”	1956
31	Step Outlines by Richard Matheson	1956
31	Treatment by Richard Matheson	1957
31	Treatment Number One “Gulliver’s Travels” by Richard Matheson “Original screen story by Richard Matheson and Albert Zugsmith.”	1957

31	“The Way We Are” by Robert Jackson Hill	undated
31	“Weg in die Vergangenheit”/“Return to the Past” Synopsis of a German film that featured actor Paula Wessely.	undated
31	“The Wild and the Wicked” by Robert Wilder and Zugsmith Based on the novel “Walk with Evil” by Robert Wilder.	undated
31	“Written on the Wind” by George Zuckerman (photocopy)	1955
31	“The Young Detectives” by William Maron	1965
32	“The Young Detectives” by William Maron	1965
32	“Young Man with a Gun” by Robert Smith	undated
32	Unidentified	undated

Series XIII. AssortedReturn to Top

Container(s)	Description
Box
32	Valerie Allen Two notebooks with handwritten notes and script pages as inserts. Allen was in the Talent Department at Paramount Studios.	1957, undated
32	“Bitsy” by Ray Bailey Comic-strip artwork.	undated
32	Business cards	undated
32	George Cvek– transcript of direct examination and cross-examination of	undated
32	Forward Book “Submitted to Universal-International of possible motion pictures for Albert Zugsmith to produce.”	1954
32	Notes – Film Projects In a three-ring notebook labeled “Scripts.” Includes notes on “Confessions of an Opium Eater,” “Dondi Goes to the Moon,” “Bitty,” “Carnival Kid,” “The Fabulous and Astounding Adventures of Baron Munchausen,” “Hot Sands (Wind) in Acapulco,” “How to Break into the Movies,” “Life Guard,” “1,000,000 Pushcart”/“The Million Dollar Pushcart”/“Walk with Evil,” “One Wife is Enough,” “Eager Young Girl”/“This Rebel Generation,” “The Unvanquished,” “The Man Who Lived Forever”/“The Man Who Grew Younger,” “Conquest and Desire,” “Space Girls,” “Teen Age Girls,” “The Naked World”/“The Missing Link,” “Pacific Run”/“Girls of the South Seas”/“Girls of the South Pacific”/“Honolulu,” “The Road to Guadalupe,” “H-Day,” “Nymphet”/“A School for Girls,” and “Dondi Goes Native in Brooklyn.” Also includes some correspondence.	1957-1961, undated
32	Resumes	1965-1967, undated
32	Ticket – Film “The Diary of Anne Frank” – Invitational Premiere – Egyptian Theatre (Los Angeles, CA)	1959

Series XIV. Documents related to the donation of the collection to the American Heritage CenterReturn to Top

Container(s)	Description
Box
	Collection Appraisal Forms (bound volumes)
Box
	Correspondence & Documents
Box
32	1 of 3	undated
32	2 of 3	undated
32	3 of 3	undated

32	Library	undated
	Manuscripts
Box
32	1 of 5	undated
32	2 of 5	undated
32	3 of 5	undated
32	4 of 5	undated
33	5 of 5	undated

33	Photographica	undated
33	Production Records	undated
33	Publicity	undated
33	Sound Recordings	undated
	Subject Communications
Box
33	1 of 3	undated
33	2 of 3	undated
33	3 of 3	undated

33	“1985 Contributions to the University of Wyoming (Appraisals)”	1985

Names and SubjectsReturn to Top

Subject Terms

Motion picture authorship -- United States -- 20th century.
Motion picture producers and directors -- United States -- 20th century.
Motion pictures -- Production and direction -- United States.
Motion pictures -- United States -- 20th century.
Screenwriters -- United States -- 20th century.
Television authorship -- United States -- 20th century.

Archives West Finding Aid

Table of Contents

Albert Zugsmith papers, 1929-1985

Overview of the Collection

Historical NoteReturn to Top

Content DescriptionReturn to Top

Use of the CollectionReturn to Top

Restrictions on Use

Restrictions on Use

Preferred Citation

Administrative InformationReturn to Top

Related Materials

Acquisition Information

Processing Note

Detailed Description of the CollectionReturn to Top

Series I. ClippingsReturn to Top

Series II. Collected BooksReturn to Top

Series III. Collected PublicationsReturn to Top

Series IV. CorrespondenceReturn to Top

Series V. FilmReturn to Top

Series VI. FinancialReturn to Top

Series VII. LegalReturn to Top

Series VIII. Music and AudioReturn to Top

Series IX. Photographs, Negatives, Slides, and TransparenciesReturn to Top

Series X. Production FilesReturn to Top

Series XI. Publicity and AdvertisingReturn to Top

Series XII. Scripts, Manuscripts, Outlines, Story Treatments, Synopses, Prospectuses, and SummariesReturn to Top

Series XIII. AssortedReturn to Top

Series XIV. Documents related to the donation of the collection to the American Heritage CenterReturn to Top

Names and SubjectsReturn to Top

Subject Terms

Processed by Roger Simon
2022

Archives West Finding Aid

Table of Contents

Albert Zugsmith papers, 1929-1985

Overview of the Collection

Historical NoteReturn to Top

Content DescriptionReturn to Top

Use of the CollectionReturn to Top

Restrictions on Use

Restrictions on Use

Preferred Citation

Administrative InformationReturn to Top

Related Materials

Acquisition Information

Processing Note

Detailed Description of the CollectionReturn to Top

Series I. ClippingsReturn to Top

Series II. Collected BooksReturn to Top

Series III. Collected PublicationsReturn to Top

Series IV. CorrespondenceReturn to Top

Series V. FilmReturn to Top

Series VI. FinancialReturn to Top

Series VII. LegalReturn to Top

Series VIII. Music and AudioReturn to Top

Series IX. Photographs, Negatives, Slides, and TransparenciesReturn to Top

Series X. Production FilesReturn to Top

Series XI. Publicity and AdvertisingReturn to Top

Series XII. Scripts, Manuscripts, Outlines, Story Treatments, Synopses, Prospectuses, and SummariesReturn to Top

Series XIII. AssortedReturn to Top

Series XIV. Documents related to the donation of the collection to the American Heritage CenterReturn to Top

Names and SubjectsReturn to Top

Subject Terms

Processed by Roger Simon2022

Processed by Roger Simon
2022