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Eddie Sato was a Japanese-American artist who grew up in Seattle. In 1942, at age 19, Sato was incarcerated with other Seattle Japanese Americans at the Puyallup Assembly Center, called "Camp Harmony," in Puyallup, Washington. Sato served as a staff artist for the Camp Harmony newspaper, sketching scenes of everyday life at the camp. After his later transfer to the Minidoka relocation Center in Minidoka, Idaho, he began to publish cartoons in The Minidoka Irrigator starring a young boy named “Dokie.” Dokie’s name was chosen through a contest organized by the editors of the Irrigator and derived from that of the incarcerations center. The series ran until May 1943, when Sato enrolled in the US army and left Minidoka.

Sato subsequently fought in the U.S. Army's 442nd Battalion (also known as the 442nd Regimental Combat Team), a highly decorated, all-Nisei unit that took part in the Allied invasion of Italy. Immediately following this demobilization in 1945, Sato began producing cartoons once again, creating new characters and adventures in several narrative strips. As far as can be determined, none of these cartoon strips were published, although Sato produced a few Dokie cartoons for The Northwest Times, “[t]he only all-English Neisei newspaper in the Pacific Northwest,” beginning in March 1947. Dokie re-introduces himself to readers in a front-page article of the March 7, 1947 issue, entitled “Yes, Dokie Has Returned from the Wars. He Surely Misses Camp Life.” Sato later worked as a commercial artist in Chicago. Digitized issues of The Northwest Times can be found through the Library of Congress here.

In later life Sato worked as a commercial artist in Chicago and was involved in efforts to gain recognition for those incarcerated during WWII.