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Richard-Gabriel Rummonds private press collection , 1949-2003

Overview of the Collection

Title
Richard-Gabriel Rummonds private press collection
Dates
1949-2003 (inclusive)
Quantity
78 linear feet, (52 containers)
Collection Number
Coll 612, /repositories/2/resources/9111 (aspace_uri)
Summary
Richard-Gabriel Rummonds is one of the foremost handpress printers in the twentieth century. This collection consists of material documenting his career as a private press printer, including imprints of his own and others' works as well as book arts and technical materials.
Repository
University of Oregon Libraries, Special Collections and University Archives
UO Libraries--SCUA
1299 University of Oregon
Eugene OR
97403-1299
Telephone: 5413463068
spcarref@uoregon.edu
Access Restrictions

Collection is open to the public. Collection must be used in Special Collections and University Archives Reading Room. Collection or parts of collection may be stored offsite. Please contact Special Collections and University Archives in advance of your visit to allow for transportation time.

Additional Reference Guides

See the Current Collection Guide for detailed description and requesting options.

Languages
English
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Historical Note

Richard-Gabriel Rummonds is one of the foremost handpress printers of the late twentieth century. He was born on April 26, 1931 in Long Beach, California. He attended Syracuse University in 1949-1950, in the School of Fine Arts, with the intention of majoring in set and costume design. He also attended University of California Berkeley intermittenly between 1950 and 1954, where he majored in English and Creative Writing. Rummonds became part of the staff of the Occident, the student-run literary arts magazine, during this time and served as the editor for the Spring 1954 edition.

In 1966 in Quito, Ecuador Rummonds founded his own imprint, Plain Wrapper Press, using it to publish his own poetic works. In 1968 he met Veronese printer Giovanni Mardersteig's son Martino who introduced him to iron handpress printing. From 1969 on, Rummonds printed all of imprints on an iron handpress. In 1970, Rummonds moved all of his work to Verona, Italy, where he remained until 1982. It was during his time in Verona that Rummonds earned acclaim throughout the world of fine press printing, including Siete Poemas Sajones / Seven Saxon Poems by Jorge Luis Borges with impressions by Arnaldo Pomodoro.

Rummonds also managed an expansive teaching career. Between 1977-1996, he taught in the Graduate School of Library Service at the University of Alabama in Tuscaloosa, Alabama and was the founding director of the the school's MFA in the Book Arts Program. Additionally, he offered workshops on printing on iron handpresses throughout the world as well as giving numerous lectures on fine printing.

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Content Description

This collection contains material documenting the career of Richard-Gabriel Rummonds, including imprints of his own and others' works as well as book arts and technical materials. The material within is roughly organized into sections consisting of: imprints from Rummonds' own presses, Plain Wrapper Press and Ex Ophidia; unpublished, original samples, and ephemera prints, some of which served as prospectus for published monographs, mainly printed by other private presses; extensive material documenting the processes, art, and professional components of printing and hand presses; material from John DePol, a noted New York printmaker and wood engraver; and material from Rummonds' teaching career.

Rummonds himself organized and cataloged much of this material prior to its transfer to the University of Oregon. He defined imprints from Plain Wrapper Press and Ex Ophidia books as his own personal collection, with a separate collection containing imprints from other private press printers. He described much of the latter as "ephemera," defined as "printed or written items which originally served some specific purpose and were not expected to be retained or preserved," according to the Ephemera Society. Accordingly, much of the material in this category consists of such items as programs and invitations, as well as samples of poems or other literary works used for test or prospectus purposes.

Rummonds defined his technical and reference library as books and material used in Verona and Cottondale during his printing career, as well as material he used in Los Angeles and Seattle while working on his book Printing on the Iron Handpress. The related book arts material includes paper specimens and ink and typesetting samples.

Material related to John DePol, collected by Rummonds, documents DePol's career as a printer, and was organized separately from the rest of Rummonds' collection.

Other material includes photographs and posters as well as some educational and lecture material that Rummonds used in his teaching career, including examples of student work.

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Administrative Information

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Detailed Description of the Collection

Names and SubjectsReturn to Top

Subject Terms

  • Hand presses
  • Printers
  • Printing--History
  • Printing--Specimens

Form or Genre Terms

  • Printed ephemera
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