Robert C. Frankenberg papers

Overview of the Collection

Creator: Frankenberg, Robert C.
Title: Robert C. Frankenberg papers
Dates: 1957-1963 (inclusive)
19571963
Quantity: 1.5 linear feet, (1 container)
Collection Number: Coll 042
Summary: Robert Clinton Frankenberg (1911-2001) was a book illustrator. He was trained at the Art Students League in New York City and began teaching at the School of Visual Arts in 1947. He has illustrated many books for children that appear in the collection. The collection contains various illustrations and detailed working notes.
Repository: University of Oregon Libraries, Special Collections and University Archives
UO Libraries--SCUA
1299 University of Oregon
Eugene OR
97403-1299
Telephone: 5413463068
spcarref@uoregon.edu
Access Restrictions: Collection is open to the public. Collection must be used in Special Collections and University Archives Reading Room. Collection or parts of collection may be stored offsite. Please contact Special Collections and University Archives in advance of your visit to allow for transportation time.
Additional Reference Guides: See the Current Collection Guide for detailed description and requesting options.
Languages: English
Sponsor: Funding for encoding this finding aid was provided through a grant awarded by the National Endowment for the Humanities.

Historical Note

Robert Clinton Frankenberg (1911-2001) was trained at the Art Students League in New York City and began teaching at the School of Visual Arts in 1947. He later became an Administrator at the School of Visual Arts. Much of his work has appeared in a variety of leading American magazines. In 1984, he won the school's Annual Distinguished Artist-Teacher of the Year Award.

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Content Description

The Robert Clinton Frankenberg Papers are particularly outstanding for the detailed notes and information provided by the artist. He explains his techniques, the processes used by the printer and publisher, and significant and/or unusual facts in regard to specific illustrations. His work shows careful research and attention to detail; he is flexible in style, equally capable of rendering the humorous scenes in The Lucky Laceys, the formality of the coronation in Queen Victoria or the action and intensity of Florence Nightingale.

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