Meg and Fred Karlin American Music collection, 1910-1970

I. Sheet Music

• Description: Assorted Sheet Music

  • “Albumblatt” (Op. 66) by Friedrich Grützmacher (G. Schirmer, NY, NY), undated;
  • “Album of Twenty-Four Pieces for Small Hands” by H. Engelmann (Theodore Presser Publisher, Philadelphia, PA), 1903;
  • “Angel Kisses – Reverie-Serenade” by Harry J. Lincoln (Vandersloot Music Publishing Co., Williamsport, PA), 1911;
  • “L’Argentine Mazurka” (“Silver Thistle”) (Op. 21) by E. Ketterer (Eclipse Publishing Co., Philadelphia, PA), 1907;
  • “L’Argentine Mazurka” (“Silver Thistle”) (Op. 21) by E. Ketterer (National Music Co., Chicago, IL), undated;
  • “Artistic Studies and Pieces – Book 11” by Mrs. A.M. Virgil (The Virgil Piano School Co., NY, NY), 1910;
  • “At Break of Day” by James H. Rogers (G. Schirmer, NY, NY), 1911;
  • “Autumn Sketches – A Book of Autumnal Impressions for the Piano” by Wilson G. Smith (Sam Fox Publishing Co., Cleveland, OH), 1912;
  • “Basket of Roses – A Novelette” by Fred G. Albers (Sam Fox Publishing Co., Cleveland, OH), 1913;
  • “Beautiful Bells Waltz” arranged by A.A. Rosenberg (A.A. Rosenberg, San Francisco, CA), undated;
  • “Behind the Eight Beat” by Freddie Slack (Robbins Music Corp., NY, NY), 1944;
  • “Bidin’ My Time” for piano in the modern idiom by George Gershwin (stylized by Cy Walter) (New World Music Cor., NY), 1944;
  • “Birth of the Flowers” – reverie for piano by Chas. E. Roat (Chas. E. Roat Music Co., Ltd., Battle Creek MI), 1905 (two copies) ;
  • “Bohm Album for the Piano – Vol. 1” by Carl Bohm (G. Schirmer, Boston, MA), 1908;
  • “Boogie Woogie Holiday – A Collection of Twelve Pieces for Piano” by Samuel Spivak (Belwin, Inc., NY, NY), 1944;
  • “Brazil” by Ary Barroso (Ethel Smith’s arrangement for Hammond Organ) (Chas. H. Hansen Music Co., NY, NY), 1939;
  • “Bride Bells – Waltzes” by Paul Rubens (M. Witmark & Sons), 1901;
  • “Brilliant Fantasia on the Opera ‘Il Trovatore’” (Op. 129) by Sydney Smith (G. Schirmer, NY, NY), 1913;
  • “Broken Links – Reverie” by Marie Greer MacDonald (Sol Bloom, Chicago, IL), 1900;
  • “By the Sea – A Group of 12 Four Hand Piano Pieces in Easy Grade” by Mathilde Bilbro (Hatch Music, Co., Boston, MA), 1918;
  • “By Moonlight” by Fr. Bendel (revised and fingered by Maurice Arnole) (Century Music Publishing Co., NY, NY), 1906;
  • “Captive Memories – A Suite for Piano” by Ethelbert Nevin (The John Church Co.), 1929;
  • “Carnaval de Venise” (Op. 22) by Jules Schulhoff, undated;
  • “Carnival Fancies” by Wm. K. Bassford (Theodore Presser, Philadelphia, PA), 1899;
  • “Cherry Blossoms” by Vallaire Troja (Century Music Publishing Co., NY, NY), 1905;
  • “The Chimes” – Reverie by Harry Armstrong (M. Witmark & Sons), 1912;
  • “Chimes at Twilight” by Leslie Taylor (Leo Feist, Inc., NY, NY), 1913;
  • “Ciribiribin” – Waltz by A. Pestalozza (arranged by Chas. J. Roberts) (Carl Fischer, NY, NY), 1909;
  • “Concerto for Piano” (Op. 16) by Edvard Grieg (Percy Grainger (ed.)) (G. Schirmer, Inc., NY, NY), 1920;
  • “Concerto in A Minor for the Piano” (Op. 54) by Robert Schumann (edited by Edwin Hughes) (G. Schirmer, Inc., NY, NY), 1918;
  • “Convent Bells” (Op. 116) by F. Spindler (Eclipse Publishing Co., Philadelphia, PA), 1905;
  • “The Cosey Corner – A Novelette for the Piano” by Grace E. Kimball and John W. Bratton (W. Witmark & Sons), 1901;
  • “Crimson Blushes – Caprice” by Ida Lester (Century Music Publishing Co., NY, NY), 1902;
  • “Dancing Tambourine” – piano solo by W.C. Polla (Harms Inc., NY, NY), 1927;
  • “Danse des Coquelicots” by Abbie Gerrish-Jones (La Nativad Music Concern (San Francisco, CA), 1915) ;
  • “Day Dreams” – Reverie by Harry J. Lincoln (Vandersloot Music Publishing Co., Williamsport, PA), 1910;
  • “Doing Dishes” by Katherine Allan Lively (G. Schirmer, Inc., NY, NY), 1939;
  • “Dreams” – song for high voice by Nicholas Douty (Theodore Presser Co., Philadelphia, PA), 1914;
  • “Duet – Solo Edition” by J.S. Bach (arranged by Zay Rector Bevitt) (Zay Rector Bevitt, San Francisco, CA), 1933;
  • “Easter Lillies” – Waltzes by John T. Hall (Jerome H. Remick & Co.), 1909;
  • “‘Eloise’ Gavotte” for the piano by E.S. Phelps (F.A. North & Co.), 1889;
  • “The Evening Hour – Reverie for Piano” by Albert Küssner (L.C. Küssner, Chicago, IL), 1908 (two copies) ;
  • “Fair Debutante” for the piano by Jules Reynard(Sam Fox Publishing Co., NY, NY), 1922;
  • “Falling Waters” or “Waters of Yosemite” by J.L. Truax (McKinley Music Co.), 1908;
  • “Felicia” (“Valse”) (piano) by Vernon Eville (Boosey & Co.), 1916;
  • “Fifth Nocturne” by J. Leybach (Eclipse Publishing Co., Philadelphia, PA), 1909;
  • “Fifth Nocturne,” 1905 (pages missing) ;
  • “Firelight Dreams” – Reverie (Op. 260) by F.H. Losey (Vandersloot Music Publishing Co., Williamsport, PA), 1908 (three copies) ;
  • “5 Boogie Woogie Piano Solos” by Pete Johnson (Leeds Music Corp., NY, NY), 1941;
  • “Flower Pieces for Pianoforte” by Paul F. Johanning (White & Smith Music Publishing Co., Boston, NY, Chicago), 1899;
  • “Flower Song” (“Blumenlied”) (Op. 39) by Gustave Lange (Conservatory Publication Society , NY, NY), undated;
  • “Flower Song” (“Blumenlied”) (Op. 39) by Gustave Lange (De Luxe Music Co., NY, NY), undated;
  • “Friedrich Chopin’s ‘Werke’ – Band IV – Polonaisen für das Pianoforte” (explanatory notes and fingering by Dr. Theodor Kullak) (G. Schirmer, NY, NY), 1880;
  • “A Garden Matinee – Entr’Acte” by Rudolph Friml (Lyon & Healy, Chicago, IL), 1906;
  • “Gavotte Rococo” by Louis Victor Star (Art Publication Society, St. Louis, MO), 1913;
  • “Gems from the Opera ‘Robin Hood’” by Reginald de Koven (G. Schirmer, NY, NY), 1891;
  • “Glorious Morn” – Waltz by Hans Engelmann (McKinley Music Co.), 1917;
  • “Un Giorno in Venezia” for the pianoforte (Op. 25) by Ethelbert Nevin (The John Church Co.), 1898 (eight copies – one copy includes as an insert separate sheet music (1899) for “Alba”)
  • “Grizelda – Spinning Song” (Op. 64, No. 12) by C.W. Krogmann (G. Schirmer, Inc., NY, NY), 1903;
  • “Happy Hours” (Reverie) by Percy Wenrich (Will Rossiter, Chicago, IL), 1911 (two copies) ;
  • “The Herd Girl’s Dream” (“Traum der Sennerin”) – Idylle (Op. 45) by Aug. Labitzky (Joseph Flanner), 1909;
  • “Hochzeitsmusik” (“Wedding Music”) (Op. 45) (for piano four hands) by Adolf Jensen (G. Schirmer, NY, NY), 1903;
  • “The Home Series of the Great Masters for the Pianoforte – Book 10 – Rubinstein” edited and arranged by Ernest Haywood (Keith Prowse & Co., Ltd., London, England), 1932;
  • “Home, Sweet Home” (Op. 3) by J.H. Slack (Eclipse Publishing Co, Philadelphia, PA), 1906;
  • “How Can I Go On Without You?” by Frank Westphal (Famous Music Corp., NY, NY), 1932;
  • “Idle Hours” – Novelette by John T. Hall (John T. Hall Music Publishing Co., NY, NY), 1905;
  • “Impromptus Op. 90 & Op. 142” & “Moments Musicaux Op. 94” (for piano solo) by Franz Schubert (The B.F. Wood Music Co.), 1925;
  • “Indolence – Intemezzo” by Jason V. Mathews (Continental Music Co., NY, NY), 1903 (two copies);
  • “In the Upper Garden” – Reverie by Lillian M. Burns (A.W. Perry & Sons’ Music Co., Sedalia, MO), 1911;
  • “In Twilight” (“In Stiller Abendstunde” – Melody (Op. 123) by Carl Gänschals (Century Music Publishing Co. NY, NY), undated;
  • “The Jewels of the Madonna – An Opera” by Ermanno Wolf-Ferrari (G. Schirmer, Inc., NY, NY), 1911;
  • “Klavier-Concerte zu 4 Händen – Band III – C moll und D dur” by W.A. Mozart (C.F. Peters, Leipzig, Germany), undated;
  • “Laces and Graces” by Gustave Salzer and John W. Bratton (W. Witmark and Sons, NY, NY), 1903 (sixteen copies) ;
  • “The Last Hope” by Louis Moreau Gottschalk (arranged by Sigfrid Stenhammar) (Armstrong Music Publishing Co.), NY, NY), 1899;
  • “Listen to the Mockingbird” (“Paraphrase de Concert”) by Edward Hoffman (Century Music Publishing Co., NY, NY), 1907;
  • “Listen to the Mocking Bird” with variations (Op. 48) by Louis A. Drumheller (Eclipse Publishing Co., Philadelphia, PA), 1908;
  • “Longing for Home” (“Heimweh”) (Op. 117) by Albert Jungmann (De Luxe Music Corp., NY, NY), 1918;
  • “Love and Devotion” – Meditation by Louis A. Drumheller (Jos. Morris, Philadelphia, PA), 1907 (three copies) ;
  • “Love Poem” – Reverie by Louis Lustman (arranged by Lars Sorensen) (Blasius & Sons, Philadelphia, PA), 1907;
  • “Lovey Mary” by Charles Kohlman (Howley, Haviland & Dresser), 1903;
  • “Lovey Mary” by Charles Kohlman (Howley, Haviland & Dresser), 1904;
  • “Love’s Ecstasy “ (“L’ Estasi d’ Amour”) by Sydney P. Harris (F.J. Lawson Co., NY, NY), 1914;
  • “Love’s Golden Dream” (“Redowa”) by George Stevens (Arnett-Delonais Co., Chicago, IL), 1908 (two copies);
  • “Love’s Reverie – Waltzes” by John Martin (Brehm Brothers, Erie, PA), 1905;
  • Lustspiel Ouverture” – Comedy (Op. 73) by Béla Kéler (Eclipse Publishing Co., Philadelphia, PA), 1905;
  • Lustspiel Ouverture” – Comedy (Op. 73) by Béla Kéler (Eclipse Publishing Co., Philadelphia, PA), 1907;
  • “Manhattan Moonlight – A Modern Composition for the Piano” by Louis Alter (Robbins Music Corp., NY, NY), 1930;
  • “Marche Mignonne (Op. 15, No. 2) Eduardo Poldini (G. Schirmer, NY, NY), 1905
  • “Master Series for the Young – Vol. III – Haydn” (selected and edited by Edwin Hughes) (G. Schirmer, Inc. NY, NY), 1919;
  • “Mayflower” – Waltzes by E. Van Alstyne (Frank K. Root & Co., Chicago, IL), 1897;
  • “Meditation for the Piano” by C.S. Morrison (The John Church Co.), 1910 (two copies) ;
  • “Melody at Twilight” – Meditation for piano or organ by John Martin (Brehm Brothers, Erie, PA), 1905;
  • “Melody in F.” by Anton Rubinstein (Eclipse Publishing Co., Philadelphia, PA), 1907;
  • “Memories” by Albert Küssner (L.C. Küssner, Chicago, IL), 1906;
  • “Menuet a l’Antique” (Op. 14, No. 1) by J.J. Paderewski (Eclipse Publishing Co., Philadelphia, PA), 1919;
  • “Menuet a l’Antique” (Op. 14, No. 1) by J.J. Paderewski (De Luxe Music Co., NY, NY), undated;
  • “The Merry Bobolink” (Op. 15, No. 10) by C.W. Krogmann (The B.F. Wood Music Co., Boston, MA), 1898;
  • “Mirth and Gayety – Caprice” (Op. 118) by Carl Wilhelm Kern (Theodore Presser Co. Philadelphia, PA), 1908;
  • “Moods of a New Yorker” for piano by Zez Confrey (The Boston Music Co., Boston, MA), 1932;
  • “Moonbeams on the Lake – Reverie” by John J. Fitzpatrick (Will Wood, NY, NY), 1908 (four copies);
  • “Moon Kiss – Novelette” by Less S. Roberts (Will A. Young, Fort Wayne, IN), 1912;
  • “Moonlight – A Serenade” by Neil Moret (Whitney Warner Publishing Co., Detroit, MI/Shapiro Remick & Co., NY, NY), 1904 (seven copies);
  • “Moonlight Love” by Chas. L. Johnson (Forster Music Publisher, Inc., Chicago, IL), 1917;
  • “Moonlight Reverie” by M. Viola Allen (McKinley Music Co.), 1914 (two copies);
  • “Moonlight Serenade” by Gordon Bingham (McKinley Music Co.), 1906;
  • “Moon Moths – Three Melodies for the Piano” by Albert Küssner (L.C. Küssner, Chicago, IL), 1897;
  • “The Mosquitoes’ Parade” (“A Jersey Review”) by Howard Whitney (W. Witmark & Sons), 1899;
  • “Murmuring Zephyrs” by Adolf Jensen (translated by R. Niemann, fingered and revised by Rudolf Thaler) (Eclipse Publishing Co., Philadelphia, PA), 1909;
  • “Musette” by Ferde Grofé (Robbins Music Corp., NY, NY), 1928;
  • “Nanette” by Adam Carroll (Robbins Music Corp., NY, NY), 1927;
  • “The Ninepins Quadrille” by (H.M. Fairshild, NY, NY), undated;
  • “Nocturne in Blue” for the piano by David W. Guion (G. Schimer, Inc., NY, NY), 1942;
  • “The Old Cathedral Chimes” – Nocturne by Samuel H. Speck (Eclipse Publishing Co., Philadelphia, PA), 1905;
  • “The Old Cloister Clock” by Charles Kunkel (Kunkel Brothers Music Co., St. Louis, MO), 1909;
  • “Old Dutch Peasant’s Songs Suite” by Julius Roentgen (Art Publication Society, St. Louis, MO), 1913;
  • “Old Oaken Bucket” (Op. 93) by Louis A. Drumheller (Eclipse Publishing Co., Philadelphia, PA), 1909;
  • “On the Meadow” (“Auf der Wiese”) (Op. 95, No. 2) by H. Lichner (Eclipse Publishing Co., Philadelphia, PA), 1907;
  • “Orchids in the Moonlight” (piano solo) by Vincent Thomas (T.B. Harms Co., NY, NY), 1949;
  • “Panderella” (A Ballet Dance) by J. Stanley Royce (F.J.A. Forster Music Publisher, Chicago, IL), 1914;
  • “The Palms” (“Les Rameaux”) by J. Faure (Jos. J. Kaiser Music Publishing Co., NY, NY), 1903;
  • “The Pixies Carnival for Solo Piano” (Op. 32) by A.L. Brown (The B.F. Wood Music Co.), 1906;
  • “Poet and Peasant” (“Dichter und Bauer”) – Overture by Franz von Suppe (Eclipse Publishing Co., Philadelphia, PA), 1905;
  • “Poet and Peasant” (“Dichter und Bauer”) – Overture by Franz von Suppe (Eclipse Publishing Co., Philadelphia, PA), undated;
  • “Poupée Valsante” (waltz for piano) by Ede Poldini (The B.F. Wood Music Co.), 1904;
  • “Un Peu d’Amour – Valse” by Lao Silesu (arranged by H.M. Higgs) (Chappell & Co., Ltd., London, England), 1913;
  • “The Princess Royal” (“Schottische) by Monroe H. Rosenfeld (Leo Feist, NY, NY), 1906;
  • “The Prison Serenade” – Waltz by William T. Kahler (arranged for piano by Nina Jeanette Wadsworth) (The International Music Publishing Co., Inc.), 1904;
  • “Qui Vive Galop” (Op. 12) by Wilhelm Ganz (edited and fingered M. Greenwald) (Century Music Publishing Co., NY, NY), 1908;
  • “Rag Doll” by Nacio Herb Brown (Sherman, Clay & Co., San Francisco, CA), 1928;
  • “Reverie of Spring” for piano by Jean Berger (Ben Ritchie Co., Boston, MA), 1911;
  • “Rianza -Waltz” by Harry Armstrong (M. Witmark & Sons), 1909;
  • “Rib Joint” by Freddie Slack (Robbins Music Corp., NY, NY), 1944;
  • “Rippling Water” by William T. Pierson (Church, Paxson and Co., NY, NY), 1908;
  • “Rondino” (Op. 1, No. 5) by Ralph K. Elicker (Eclipse Publishing Co., Philadelphia, PA), 1907;
  • “Rose Leaves – An Idyll” by Glenn W. Ashleigh (Victor Kremer Co.), 1905 (two copies) ;
  • “Rustic Sketches for the Piano” by J.R. Morris (Boosey & Co., NY, NY), 1915;
  • “Sand Dunes – An Oriental One-Step” by Byron Gay (Will Rossiter, Chicago, IL), 1918;
  • “Scenes from an Imaginary Ballet – A Suite of Five Pieces for Pianoforte” by Samuel Coleridge-Taylor (G. Schirmer, NY, NY), 1911;
  • “Sea Pieces” by Edward Mac Dowell, 1899 (cover missing);
  • “Sextet from Lucia” by Donizetti (words by A. Lamb) (Eclipse Publishing Co., Philadelphia, PA), 1912;
  • “Sextet from Lucia” by Donizetti (edited and fingered by Maurice Arnold) (De Luxe Music Co., NY, NY), 1912;
  • “The Shepherd Boy” by G.D. Wilson (Eclipse Publishing Co., Philadelphia, PA), 1906;
  • “The Shepherd Boy” by G.D. Wilson (Eclipse Publishing Co., Philadelphia, PA), 1907 (two copies) ;
  • “The Shepherd Boy” by G.D. Wilson (De Luxe Music Co., NY, NY), 1908;
  • “The Shepherd’s Song” (Op. 258) by Fritz Spindler (De Luxe Music Co., NY, NY), undated;
  • “Silver Stars” (“Silbersterne”) (Op. 327, No. 3) by Carl Bohm (Eclipse Publishing Co., Philadelphia, PA), 1902;
  • “Sleepless Nights for the Pianoforte” (Op. 82) by Stephen Heller Augener & Co., London, England), undated;
  • “Slumber-Song” (Moravian folk-tune) by Angela Diller (arr.) (G. Schirmer, Inc., NY, NY), 1923;
  • “Slumber Song” (Op. 101, No. 6) by Cornelius Gurlitt (G. Schirmer, NY, NY), undated;
  • “Sonatinas for the Piano – Vol. I” by Friedrich Kuhlau (revised and fingered by Ludwig Klee) (G. Schirmer, NY, NY), 1893;
  • “The Sousa March Folio” (The John Church Co.), 1902;
  • “The Sousa March Folio – Piano Accompaniment” (The John Church Co.), 1903 (two copies) ;
  • “Sparklets” for the piano by Walter E. Miles (Sam Fox Publishing Co., Cleveland, OH), 1911;
  • “Spring Song” by Felix Mendelssohn (Eclipse Publishing Co., Philadelphia, PA), 1905;
  • “Spring Song” by Felix Mendelssohn (Eclipse Publishing Co., Philadelphia, PA), 1907;
  • “The Storm” by H. Weber (De Luxe Music Corp., NY, NY), 1918;
  • “Strange Cargo” by Freddie Slack (Robbins Music Corp., NY, NY), 1940;
  • “Starlight Reverie” by John A. Seidt (John A. Seidt, Baltimore, MD), 1901 (two copies) ;
  • “Star of the West” by Herman M. Hartman and Hampton Durand (McKinley Music Co.),1906;
  • “Suite for Two Pianos” (Op. 15) by Anton Arensky (edited by Louis Oesterle) (G. Schirmer, Inc. NY, NY), 1908;
  • “Sunbeams and Shadows” (“Sonnen-strahlen und Schatten”) – A Tone-Poem by Robert A. Keiser (Vandersloot Music Publishing Co., NY, NY), 1901;
  • “Sun Kissed Waves – Waltz” by H.H. Hartmann (arranged by A.M. Weller) (Weller-Hartmann Music Publishing Co.), 1908;
  • “A Sunset Romance” – tone poem for the piano by Dena Caryll (Will Rossiter, Chicago, IL), 1916;
  • “A Tangled Skein” (“Love Yarn”) by Sol Levy (M. Witmark & Sons), 1912-1913;
  • “Theme from the Symphonic Variations” by Cesar Franck (arranged as piano solo by King Palmer) (W. Paxton & Co. Ltd., London, England), 1944;
  • “Then You’ll Remember Me” by Michael W. Balfe (translated by Charles Voss, revised, fingered and annotated by W.S.B. Mathews) (Art Publication Society, St. Louis, MO), 1913;
  • “Thine Own” (:Dein Eigen”) by Gustave Lange (Conservatory Publication Society, NY, NY), 1905;
  • “Tie-Ro – Novelette” by Ed Rosenbaum, Jr. (Helf & Hager Co., NY, NY), 1906;
  • “To a Daisy” by Mae Aileen Erb (The B.F. Wood Music Co.), 1912;
  • “Tom Jones: Three Dances” (pianoforte solo) by Edward German (Chappell & Vo., Ltd., London, England), 1907;
  • “Tulips” for the Piano by Walter E. Miles (Sam Fox Publishing Co., Cleveland, OH), 1916;
  • “Twilight Shadows – Reverie Transcription” by F.W. Vandersloot (Vandersloot Music Publishing Co., Williamsport, PA), 1916;
  • “Twinkling Shadows - Reverie” by Jerome Heller (Church, Paxson and Co., NY, NY), 1910;
  • “Twinkling Stars” by Jerome Heller (Church, Paxson and Co., NY, NY), 1913;
  • “Under the Stars” for the piano by J. Anton Dailey (Sam Fox Publishing Co., Cleveland, OH), 1913;
  • “Vanessa” – Piano Solo by Bernie Wayne (Meridian Music Corp., NY, NY), 1952 (two copies);
  • “Wandering Thoughts – Reverie” by Robert B. Kellogg (McKinley Music Co., NY, NY), 1905 (two copies);
  • “We’re in the Navy Now – A Musical Journey Around the World – Thirty-One Piano Recreations Introducing Themes and Dance Rhythms of Many Nations” by John Thompson (The Willis Music Co., Cincinnati, OH), 1929;
  • “Where Memory Dwells” – Meditation (Op. 89) by Louis Drumheller (Jos. Norris, Philadelphia, PA), 1909;
  • “Where Memory Dwells … Meditation …” (Op. 89) by Louis Drumheller (Jos. Norris, Philadelphia, PA), 1909;
  • “Whisperings of Love – Valse Sentimentale” by C. Kinkel (Eclipse Publishing Co., Philadelphia, PA), 1907;
  • “Whisperings of Love – Valse Sentimentale” by C. Kinkel (Eclipse Publishing Co., Philadelphia, PA), 1919;
  • “William Tell – Overture” by Rossini (Eclipse Publishing Co., Philadelphia, PA), 1923;
  • “The Willow” by Mary Turner Salter (Oliver Ditson Co., Boston, MA), 1905;
  • “Woodland Echoes” (Op. 34) by Addison P. Wyman (revised and fingered by Rudolf Thaler) (Eclipse Publishing Co., Philadelphia, PA), 1908;
  • “Woodland Home Mazurka” by L. Küssner (L.C. Küssner, Chicago, IL), 1901;
  • “Zum Vortrag – 9 Leichte und Mittelschwere Klavierstücke zum Gebrauch beim Unterrichte” (Op. 58) by Philipp Scharwenka (G. Schirmer, NY, NY), undated;
  • “Zwanzig Kinderstücke für das Pianoforte” by Ernest Fr. Helm (Breitkopf & Hartel), undated (pages missing) ;
  • publication “New Music – A Quarterly of Modern Compositions” (April 1933) – includes “Suite for Piano” by Richard Donovan and “Prelude No. 4” by Arthur E. Hardcastle;
  • unidentified pages (3 & 4) of sheet music – A.P.S. 6719, undated;
  • unidentified pages (3-5) of sheet music – Moon W. 4, undated;
  • unidentified page (7) of sheet music – Gloriana W. 6, undated.

  Dates: 1890-1952, undated
  Container: Box 1
  Location: I. Sheet Music