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Ladies Musical Club Records, 1891-2023

Overview of the Collection

Creator
Ladies Musical Club (Seattle, Wash.)
Title
Ladies Musical Club Records
Dates
1891-2023 (inclusive)
Quantity
41 boxes
Collection Number
1981.7337
Summary
The Ladies Musical Club Records are comprised of minutes, financial records, programs, photographs, scrapbooks, yearbooks and other publications, and some limited correspondence. The records offer a unique insight into the development of Seattle's classical music scene and also provide information on turn of the century Seattle.
Repository
Museum of History & Industry, Sophie Frye Bass Library

P.O. Box 80816
Seattle, WA
98108
Telephone: 2063241126 x102
library@mohai.org
Access Restrictions

The collection is open to the public by appointment.

Languages
English.
Sponsor
Funding for encoding this finding aid was provided through a grant awarded by the National Endowment for the Humanities.
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Historical Note

The Ladies Musical Club (LMC) of Seattle was organized officially on March 2, 1891. Twenty-four women attended a meeting at the home of Ellen Bartlett (Mrs. George) Bacon to create a club designed for the purpose of "developing the musical talent of its members, and stimulating musical interest in Seattle." At the very first meeting a constitution and bylaws were adopted. Membership in the club rapidly expanded, the roster having doubled by the end of the club's first year of existence. Most of the original members of the LMC were married middle-class women, who had received musical training. The club provided an important outlet for these trained musicians at a time when few women were able to pursue a professional music career.

The LMC initially offered two categories of membership: active and associate. Each prospective active member had to pass an audition before she was extended an invitation to join the club. Once accepted for membership, an active member was expected to perform regularly at the active members meetings, which were held the fourth Monday of each month from October through May. Associate members were not allowed to perform, but they could participate fully in the monthly "open meetings" and purchase tickets to club concerts. Under the club's first bylaws, associate membership was open only to women, but this category of membership was made available to men by the 1893/94 LMC season. By 1904, a third category of membership was established for students, but it was later discontinued.

An important new feature of club activity was adopted during the club's 1900/1901 season, when the LMC began sponsoring a series of public concerts by professional artists. Under the dedicated management of Rose Gottstein, who served as the concert manager from the program's beginnings until her death in 1939, the club was responsible for bringing some of the most internationally famous singers and instrumentalists of the day to Seattle. Among the performers who appeared during the Gottstein years were Teresa CarreƱo, Geraldine Farrar, Sergei Rachmanioff, Jascha Heifetz, and Marian Anderson. The artist recital series continued under various names until the 1980s when the increasing costs of booking professional artists of this caliber rose beyond club resources. The LMC, however, still works with the University of Washington to sponsor an annual concert series at Meany Hall.

Benevolent activities also were always an important component of the club's mission. The club helped support musical activity in Seattle early on by providing funds to organizations such as the Seattle Symphony and the Cornish School. It also ran a scholarship program that enabled promising music students to continue their professional training. Other notable early philanthropic ventures included contributions to the Children's Orthopedic Hospital and the Red Cross during the First World War. The LMC continues its long tradition of generosity by providing free concerts for the public at several venues in Seattle each season, and through its Music in Schools program, an outreach to bring music education to Seattle Public Schools.

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Content Description

The Ladies Musical Club Records are comprised of minutes, financial records, programs, photographs, scrapbooks, yearbooks and other publications, and some limited correspondence.

The LMC records offer a unique insight into the development of Seattle's classical music scene. They also provide information on turn of the century Seattle and include a variety of playbills from Seattle theaters and concert houses.

The scope of the LMC records is quite comprehensive up to the late 1940s. Records from the 1950s and 1960s do not include detailed minutes or financial records, but some of this information can be obtained from the yearbooks and scrapbooks. Records after the 1980s are more complete. As much as possible, the original organization of the material by the club's archivist has been preserved. Each of the twelve series that comprise the LMC records has its own descriptive note.

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Use of the Collection

Alternative Forms Available

View selections from the collection in MOHAI's online collections.

Restrictions on Use

The Museum of History & Industry is the owner of the materials in the Sophie Frye Bass Library and makes available reproductions for research, publication, and other uses. Written permission must be obtained from MOHAI before any reproduction use. The museum does not necessarily hold copyright to all of the materials in the collections. In some cases, permission for use may require seeking additional authorization from the copyright owners.

Preferred Citation

Ladies Musical Club Records, Museum of History & Industry, Seattle

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Administrative Information

Arrangement

  • Series I: Artist photographs, 1901-1957
  • Series II: Programs, 1891-1983
    • Subseries A: Artist recitals, 1891-1983
    • Subseries B: Members concerts, 1891-1983
  • Series III: Publications, 1891-1980
  • Series IV: Financial records, 1891-1944
  • Series V: Minutes and other records of meetings, 1891-1954
    • Subseries A: Minutes, 1891-1942
    • Subseries B: Attendance records, 1905-1954
    • Subseries B: Club members
  • Series VI: Scrapbooks, 1891-1983
    • Subseries A: Ladies Musical Club scrapbooks, 1891-1983
    • Subseries B: Mrs. Carlson's scrapbooks, 1929-1966
  • Series VII: Miscellaneous subject files, 1893-2018
    • Subseries A: Anniversaries and histories, 1941-2018
    • Subseries B: Concert manager's files, 1944-1966
    • Subseries C: Miscellaneous subjects, 1893-1941
  • Series VIII: Realia, 1940s
  • Series IX: Minutes, Publications, and Programs, 1954-2011
  • Series X: Audiovisual
  • Series XI: Presidents Books, 1974-2023
  • Series XII: Music in Schools, 1991-2018

Location of Collection

13b.1.10

Location of Collection

13b.2.2-7

Acquisition Information

The first set of materials forming the Ladies Musical Club Records was presented by the club's archivist, Leotta (Mrs. Erroll) Rawson, to the Museum of History & Industry in a ceremony marked by a concert on September 27, 1981. The records donated on behalf of the club at that time consisted primarily of a comprehensive set of yearbooks and scrapbooks, an extensive set of programs, and a large collection of autographed photographs of the many internationally renowned performers who had participated in the club-sponsored series of concerts in Seattle from 1901 through 1939. Other records forming a part of the original gift included minutes and financial records dating from the club's founding through the 1940s. At the time it was decided to fully process the Ladies Musical Club Records, another set of albums containing concert programs from the 1970s and early 1980s, not recorded on the original accession, had been located in the museum. Mrs. Rawson apparently gave these albums to the museum at another time after the date of the initial donation. A set of similar materials, consisting mainly of scrapbooks and photographs, also turned up at the museum. These items came from the collection of Adeline (Mrs. Henning) Carlson, (possibly acquired through Rawson) but this collection apparently was never formally accessioned. The later concert programs and the Carlson materials have been integrated with the records from the original accession.

Past president Dorene Kenkman donated additional material in 2013, covering the years 1974-2011. These records were comprised primarily of the club's Presidents Books, a comprehensive record of the club's activities during each president's term.

Processing Note

Processed by Helice Koffler in 2001. Additional material was donated in 2013 and was processed by Alyssa Enders.

President's books, originally housed in looseleaf binders, were disassembled and foldered in order.

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Detailed Description of the Collection

Names and SubjectsReturn to Top

Subject Terms

  • Clubs--Washington (State)--Seattle
  • Concerts--Washington State--Seattle
  • Music--Societies, etc.
  • Women musicians--Washington State--Seattle
  • Women--Societies and clubs

Personal Names

  • Carlson, Adeline
  • Gottstein, Rose

Geographical Names

  • Seattle (Wash.)

Form or Genre Terms

  • Photographic prints
  • Publicity photographs
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