Adolph Schaumer papers, 1929-1965
Table of Contents
Overview of the Collection
- Creator
- Schaumer, Adolph, 1898-1977
- Title
- Adolph Schaumer papers
- Dates
- 1929-1965 (inclusive)19291965
- Quantity
- 8.80 cubic ft. (20 boxes)
- Collection Number
- 06081
- Summary
- Adolph Schaumer was an assistant director and second unit director in the American motion picture and television industry. The collection contains screenplays and other documents related to the production of movies, most of them produced by Fox Film Corporation and Twentieth Century-Fox.
- Repository
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American Heritage Center, University of Wyoming
American Heritage Center
University of Wyoming
1000 E. University Ave.
Dept. 3924
Laramie, WY
82071
Telephone: 3077663756
ahcref@uwyo.edu - Access Restrictions
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There are no access restrictions on the materials for research purposes, and the collection is open to the public.
- Languages
- English
Historical Note
Adolph Schaumer was an assistant director and second unit director in the American motion picture and television industry.
Content Description
Collection contains drafts of scripts for film and television program, as well as documents related to the production of film and television programs, including set breakdown sheets and cross plots. Most of the materials in the collection are from films produced by Fox Film Corporation and Twentieth Century-Fox, including "Bachelor Flat" (1962), "Blue Denim" (1959), "Daddy Long Legs" (1955), "The Egyptian" (1954), "Fantastic Voyage" (1966), "The Girl Can't Help It" (1956), "Hell and High Water" (1954), "The Ox-Bow Incident" (1943), "The Proud Ones" (1956), "Shock Treatment" (1964), "Sons and Lovers" (1960), "State Fair" (1962), "There's No Business Like Show Business" (1954), "Voyage to the Bottom of the Sea" (1961), "Warlock" (1959), and "The Young Lions" (1958).
Use of the Collection
Restrictions on Use
Copyright InformationMaterials may not be used for commercial purposes.
Restrictions on Use
Statement on Potentially Harmful Language and Images Found in CollectionsThe American Heritage Center aspires to approach all areas of our work in ways that are respectful to those who create, use, and are represented in our collections. For a variety of reasons, however, users may encounter offensive or harmful language or images in some of our finding aids, catalogs, and collection materials.
Note that the AHC does not censor or alter contents of the collections as they provide context and evidence of a time, people, place, or event. Therefore, we encourage users to bring questions and concerns about descriptions in our finding aids to our attention via email or anonymous web-form. For more information, read our full statement.
Preferred Citation
Item Description, Box Number, Collection Name, Collection Number, American Heritage Center, University of Wyoming.
Administrative Information
Return to TopDetailed Description of the Collection
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I. Movies
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Description: “Almost Married” (Fox Film Corp.) (“Circumstances (Devil’s Triangle”)) – First Treatment by William Cameron MenziesDates: 1931Container: Box 1
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“Bachelor Flat” (Twentieth Century-Fox)
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Description: Final Script by Frank Tashlin (two copies)
One copy includes handwritten annotations and a staff list.
Dates: 1961Container: Box 1 -
Description: Set breakdown with indexDates: 1961Container: Box 1
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“The Bachelor’s Baby”(Twentieth Century-Fox) (unproduced)
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Description: Temporary by Wendell MayesDates: 1958Container: Box 1
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Description: Set breakdownDates: undatedContainer: Box 1
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Description: “Born to Fight” (“The Cross Pull”) (Fox Film Corp.) by Marion JacksonDates: 1932Container: Box 1
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“Blue Denim” (Twentieth Century-Fox)
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Description: First Draft Continuity by Edith Sommer and Philip DunneDates: 1959Container: Box 1
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Description: Final cross plotDates: 1959Container: Box 1
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“Bottoms Up” (Fox Film Corp.)
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Description: Final Shooting Script by G.B. DeSylva, David Butler, and Sid SilversDates: 1933Container: Box 1
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Description: Working progress scheduleDates: undatedContainer: Box 1
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Description: “Business and Pleasure” (“The Plutocrat”) (Fox Film Corp.) – Final Shooting Script by Booth Tarkington, adaptation and dialogue by William Conselman and Gene TowneDates: 1931Container: Box 2
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Description: “Captain January” (Twentieth Century-Fox) – set breakdown with indexDates: 1935Container: Box 2
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Description: “Charlie Chan in Paris” (Fox Film Corp.) – Final Shooting Script by Philip MacDonaldDates: 1934Container: Box 2
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“A Connecticut Yankee” (Fox Film Corp.)
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Description: script “A Connecticut Yankee in King Arthur’s Court” by Hayden Talbot and Emmett Flynn (adaption continuity and dialogue)Dates: 1930Container: Box 2
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Description: script “A Connecticut Yankee in King Arthur’s Court” by William M. ConselmanDates: undatedContainer: Box 2
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“Daddy Long Legs” (Twentieth Century-Fox)
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Description: Final by Phoebe and Henry EphronDates: 1954Container: Box 2
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Description: Set breakdown sheetsDates: undatedContainer: Box 2
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“Delicious” (Fox Film Corp.)
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Description: Final Shooting Script by Guy Bolton and Sonya LevienDates: 1931Container: Box 2
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Description: Routine of: “New York Rhapsody”Dates: undatedContainer: Box 2
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Description: “Do It Again” (Twentieth Century-Fox) – Final by Edmund Hartmann (unproduced)Dates: 1961Container: Box 3
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“Down to Earth” (Fox Film Corp.)
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Description: Second Run by Homer Croy, first dialogue and continuity by Edwin BurkeDates: 1932Container: Box 3
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Description: Final Shooting Script by Homer Croy, first dialogue and continuity by Edwin Burke (two copies)Dates: 1932Container: Box 3
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“Do You Love Me”
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Description: Script “Kitten on the Keys” – Revised Shooting Final by Robert Ellis and Helen LoganDates: 1945Container: Box 3
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Description: Script “Kitten on the Keys” – Second Revised Shooting Final by Robert Ellis and Helen Logan, additional dialogue by Dorothy BennettDates: 1945Container: Box 3
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“The Dud Avocado” (Twentieth Century-Fox) (unproduced)
Container: Box
Based on the novel by Elaine Dundy.
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Description: Fourth Draft Screenplay by Edith Sommer and Philip DunneDates: 1959Container: Box 3
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Description: Fourth Draft Screenplay with revised pages and handwritten annotationsDates: 1959Container: Box 4
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Description: Assorted
Includes set breakdown sheets and lists of interior and exterior sets.
Dates: undatedContainer: Box 4
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Description: “The Egyptian” (Twentieth Century-Fox) – Shooting Final Script by Philip DunneDates: 1954Container: Box 4
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Description: “Elopement” (Twentieth Century-Fox) – first temporary production cross plotDates: 1951Container: Box 4
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“Fantastic Voyage” (Twentieth Century-Fox)
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Description: First Draft by Harry Kleiner (three-ring notebook)
Includes a call sheet and handwritten notes.
Dates: 1964Container: Box 4 -
Description: Script (three-ring notebook)
Includes revised script pages, a list of “starting dates and length of run for the principal characters," and handwritten notes.
Dates: 1965Container: Box 4 -
Description: set breakdown sheets with index (three-ring notebook)
Includes handwritten notes.
Dates: 1964Container: Box 5 -
Description: set breakdown sheets with indexDates: 1964Container: Box 5
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Description: final production cross plotDates: 1964Container: Box 5
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“Fate is the Hunter” (Twentieth Century-Fox)
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Description: Revised First Draft Screenplay by Harold MedfordDates: 1963Container: Box 5
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Description: final production cross plotDates: 1964Container: Box 5
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“Five Weeks in a Balloon” (Twentieth Century-Fox)
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Description: First Draft Screenplay by Charles Bennett, Irwin Allen, and Albert GailDates: 1961Container: Box 5
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Description: set breakdown sheetsDates: undatedContainer: Box 5
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“Flaming Star” (Twentieth Century-Fox)
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Description: script “The Brothers of Flaming Arrow” – Final by Nunnally JohnsonDates: 1958Container: Box 5
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Description: script “Flaming Lance” – Revised Final by Nunnally JohnsonDates: 1958Container: Box 6
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Description: set breakdown sheetsDates: undatedContainer: Box 6
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Description: “The Gay Caballero” (Twentieth Century-Fox) – script “Ghost of the Cisco Kid” – Revised Final by Albert DuffyDates: 1940Container: Box 6
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“The Girl Can’t Help It” (Twentieth Century-Fox)
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Description: script “Do Re Mi” – Shooting Final by Frank Tashlin
Includes revised script pages, staff and cast lists, and set breakdown sheets with index.
Dates: 1956Container: Box 6 -
Description: “Do Re Mi” – revised final production cross plotDates: 1956Container: Box 6
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Description: “Good Morning, Miss Dove” (Twentieth Century-Fox) – revised final production cross plotDates: 1955Container: Box 6
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“Handle with Care” (Fox Film Corp.)
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Description: script “The Chaplin Story” by Frank Craven and Sam MintzDates: 1932Container: Box 6
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Description: script “Divided by Two” – Final Shooting Script by Frank Craven and Sam MintzDates: 1932Container: Box 6
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Description: “Have a Heart” (MGM) – ScriptDates: undatedContainer: Box 7
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Description: “Heartbreak”(Fox Film Corp.) – Script – adaptation and dialogue by William ConselmanDates: 1931Container: Box 7
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“Hell and High Water” (Twentieth Century-Fox)
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Description: Shooting FinalDates: 1953Container: Box 7
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Description: Revised Shooting FinalDates: 1953Container: Box 7
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Description: Assorted
Includes set breakdown sheets, a cast list, an advance schedule, and a final production cross plot.
Dates: 1953, undatedContainer: Box 7
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“High Heels” (Twentieth Century-Fox) (unproduced)
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Description: First Draft Screenplay by Lloyd Shearer and Daniel FuchsDates: 1958Container: Box 7
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Description: set breakdown sheetsDates: undatedContainer: Box 7
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Description: “High Society Blues” (Fox Film Corp.) – Script by Howard J. GreenDates: 1929Container: Box 7
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“Hold Me Tight” (Fox Film Corp.)
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Description: manuscript “Department Store” by Gertrude RigdonDates: 1932Container: Box 8
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Description: “Department Store” – Third version continuity and dialogue by Gladys LehmanDates: 1932Container: Box 8
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Description: “Department Store” – Final Shooting Script by Gladys LehmanDates:Container: Box 8
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Description: “Hold That Girl” (Fox Film Corp.) – Revised Final Shooting Script by Dudley Nichols and Lamar TrottiDates: 1933Container: Box 8
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Description: “Hoopla” (Fox Film Corp.) – Final Shooting Script by Bradley King and Joseph Moncure MarchDates: 1933Container: Box 8
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“Hound-Dog Man” (Twentieth Century-Fox)
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Description: Final by Winston Miller and Fred Gipson (two copies)
One copy includes handwritten annotations.
Dates: 1959Container: Box 8 -
Description: set breakdown sheetsDates: undatedContainer: Box 8
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Description: production cross plot – for preproduction planning onlyDates: 1959Container: Box 8
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“The Hunters” (Twentieth Century-Fox)
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Description: Revised Shooting Final by Wendell MayesDates: 1958Container: Box 9
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Description: set breakdown sheets with indexDates: 1958Container: Box 9
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Description: revised set breakdown sheets with indexDates: 1958Container: Box 9
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“Iris” (Twentieth Century-Fox) (unproduced)
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Description: Temporary Script by Max N. BenoffDates:Container: Box 9
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Description: Assorted
Includes a list of “scenes required from stock library” and a list of process plates for following sets.”
Dates: 1959Container: Box 9
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Description: “Jimmy and Sally” (Fox Film Corp.) – Final Shooting Script by Marguerite and Paul Schofield, revised by William ConselmanDates: 1933Container: Box 9
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Description: “Just Imagine” (Fox Film Corp.) – ScriptDates: undatedContainer: Box 9
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“The Last Wagon” (Twentieth Century-Fox)
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Description: Revised Final Script by Delmer Daves, based on a screenplay by James Edward GrantDates: 1956Container: Box 9
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Description: Assorted
A map of locations for the movie and a list regarding second-unit work.
Dates: undatedContainer: Box 9
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Description: “The Last Years” (apparently unproduced) – ScriptDates: undatedContainer: Box 9
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“The Lost World” (Twentieth Century-Fox)
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Description: Final Draft Screenplay by Irwin Allen and Charles Bennett (three-ring notebook)Dates: 1959Container: Box 10
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Description: Shooting Final Screenplay by Irwin Allen and Charles BennettDates: 1960Container: Box 10
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Description: “Love That Brute” (Twentieth Century-Fox) – Script “Turned Up Toes” – Final Script by John Lee MahinDates: 1949Container: Box
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“The Man Who Broke the Bank at Monte Carlo” (Twentieth Century-Fox)
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Description: Final by Nunnally JohnsonDates: 1935Container: Box 10
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Description: “Monte Carlo” – set breakdown sheets with indexDates: 1935Container: Box 10
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“Mardi Gras” (Twentieth Century-Fox)
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Description: Revised Final by Winston Miller
Includes documents related to the music in the movie.
Dates: 1958Container: Box 10 -
Description: Shooting Final by Hal Kanter
Includes five sets of additional and revised pages.
Dates: 1958Container: Box 10 -
Description: Shooting Final by Hal Kanter (two copies)
Includes blue revised script pages.
Dates: 1958Container: Box 11 -
Description: Revised Shooting Final by Hal Kanter
Includes two sets of additional and revised pages.
Dates: 1958Container: Box 11 -
Description: set breakdown sheets with indexDates: 1958, undatedContainer: Box 11
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“Mister Scoutmaster” (Twentieth Century-Fox)
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Description: script “Be Prepared” – Revised Final by Leonard Praskins and Barney SlaterDates: 1953Container: Box 11
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Description: Assorted
Includes Includes cast, staff, bit, lists, location sheet, list of process shots, Art Department breakdown and set list, a shooting schedule, a script breakdown with index, final produection cross plot, and typewritten notes with annotations.
Dates: 1953, undatedContainer: Box 11
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“Move Over, Darling” (Twentieth Century-Fox)
Container: Box
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Description: Final by Hal Kanter and Jack SherDates: 1963Container: Box 11
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Description: Assorted
Includes shooting schedule, set breakdown sheets with index, and second revised final production cross plot.
Dates: 1963, undatedContainer: Box 12
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Description: “Mr. Belvedere Rings the Bell” (Twentieth Century-Fox) – “Mr. Belvedere Blows His Whistle” – final production cross plotDates: 1951Container: Box 12
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Description: “My Heart Tells Me” (Twentieth Century-Fox) (unproduced) – set breakdown sheets with index
Gregory Ratoff is listed as director, and Schaumer is listed as assistant director. According to an article published in “The New York Times” on August 27, 1946, "Twentieth Century-Fox has named Nancy Guild to replace Jeanne Crain as leading woman opposite Victor Mature in 'My Heart Tells Me,' formerly labeled 'I Live Alone' and originally called 'No Wedding Ring.' Gregory Ratoff will direct the picture from a story by Gene Markey which deals with the problems of a returning veteran."
Dates: 1946Container: Box 12 -
“My Weakness” (Fox Film Corp.)
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Description: First Rough Draft by B.G. De SylvaDates: 1933Container: Box 12
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Description: Script by B.G. De Sylva (dialogue) and David Butler (continuity)Dates: 1933Container: Box 12
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“On the Threshold of Space” (Twentieth Century-Fox)
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Description: Shooting Final Script by Simon WincelbergDates: 1955Container: Box 12
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Description: set breakdown sheets with indexDates: 1955Container: Box 12
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Description: revised final production cross plot (two copies)
One copy includes handwritten annotations.
Dates:Container: Box 12
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Description: “The Ox-Bow Incident” (Twentieth Century-Fox) – Final Script by Lamar TrottiDates: 1942Container: Box 12
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Description: “Paris Underground” (United Artists) – Script by Boris Ingster and Gertrude PurcellDates: undatedContainer: Box 12
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“The Proud Ones” (Twentieth Century-Fox)
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Description: ScriptDates: 1955Container: Box 13
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Description: Assorted
Includes set breakdown sheets with index, a one line schedule, a final production cross plot, a shooting schedule, and cast, staff, and bit lists.
Dates: 1956, undatedContainer: Box 13
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Description: “Rackety Rax” (Fox Film Corp.) – First Treatment by William ConselmanDates: 1932Container: Box 13
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“The Raid” (Twentieth Century-Fox)
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Description: Revised Shooting Final by Sydney BoehmDates: 1953Container: Box 13
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Description: set breakdown sheets and set construction listDates: 1953Container: Box 13
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“The Right Approach” (Twentieth Century-Fox)
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Description: “The Live Wire” – Revised Final by Oscar Brodney (two copies)Dates:Container: Box 13
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Description: “The Live Wire” – Revised by Oscar Brodney
Includes handwritten annotations.
Dates: 1960Container: Box 13 -
Description: Assorted
Includes lists of cast, bits, staff, and crew, a call sheet, set breakdown sheets with index, and final production cross plot.
Dates: 1960, undatedContainer: Box 13
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Description: “Roxie Hart” (Twentieth Century-Fox) – Final Script by Nunnally JohnsonDates: 1941Container: Box 14
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“Seven Thieves” (Twentieth Century-Fox)
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Description: Revised First Draft Screenplay by Sydney BoehmDates: 1959Container: Box 14
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Description: Script with handwritten annotationsDates: undatedContainer: Box 14
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Description: set breakdown sheets with indexDates: 1959, undatedContainer: Box 14
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“She Learned about Sailors” (Fox Film Corp.)
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Description: Fourth Draft by William Conselman and Henry JohnsonDates: 1934Container: Box 14
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Description: working progress scheduleDates: undatedContainer: Box 14
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“Shock Treatment” (Twentieth Century-Fox)
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Description: Revised Final by Sydney BoehmDates: 1963Container: Box 14
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Description: Assorted
Includes cast and bit lists, financial documents, set breakdown sheets with index, a letter regarding the use of animals in the movie, furst temporary production cross plot, and final production cross plot.
Dates: 1963, undatedContainer: Box 14
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Description: “Sons and Lovers” (Twentieth Century-Fox) – Shooting Final by Gavin LambertDates:Container: Box 15
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“State Fair” (Twentieth Century-Fox)
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Description: Final by Richard L. BreenDates: 1961Container: Box 15
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Description: Shooting Final by Richard L. Breen with revisions by Hal Kanter
Includes handwritten notes.
Dates: 1961Container: Box 15 -
Description: set breakdown sheets with indexDates: undatedContainer: Box 15
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Description: “The Story on Page One” (Twentieth Century-Fox) – Script – FinalDates: 1959Container: Box 15
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Description: “Straight, Place and Show” (Twentieth Century-Fox) – Script – Revised Final by Allen Rivkin and M.M. Musselman, additional dialogue by Lew BrownDates: 1938Container: Box 15
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Description: “Sunny Side Up” (Fox Film Corp.) – Script - First VersionDates: undatedContainer: Box 16
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Description: “Swingin’ Along” (Twentieth Century-Fox) – “The Schnook” – first temporary production cross plotDates: 1960Container: Box 16
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“There’s No Business Like Show Business” (Twentieth Century-Fox)
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Description: Revised Final Script by Phoebe and Henry EphronDates: 1954Container: Box 16
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Description: Assorted
Includes wardrobe plot, a list of inserts, set breakdown sheets, and revised final production cross plot.
Dates: 1954Container: Box 16
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Description: “Three Little Girls in Blue” (Twentieth Century-Fox) – Final Script by Valentine DaviesDates: 1945Container: Box 16
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Description: “Three on a Honeymoon” (Fox Film Corp.) – Final Shooting Script by Edward T. Lowe and Raymond Van SickleDates: 1934Container: Box 16
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“Under Two Flags” (Twentieth Century-Fox)
Container: Box
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Description: Second Temporary Script by W.P. LipscombDates: 1935Container: Box 16
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Description: Revised Shooting Final, Part OneDates: 1935Container: Box 16
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Description: Revised Shooting Final, Part ThreeDates: 1936Container: Box 16
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Description: ScriptDates: undatedContainer: Box 17
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Description: Assorted
Set breakdown sheets (Brower Unit – Lloyd A-23) and tentative production cross plot.
Dates: 1935-1936Container: Box 17
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“Voyage to the Bottom of the Sea” (Twentieth Century-Fox)
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Description: Revised Shooting Final by Irwin Allen and Charles Bennett
Includes a set of revised script pages.
Dates: 1961Container: Box 17 -
Description: set breakdown sheets with indexDates: undatedContainer: Box 17
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Description: Assorted
Includes three memos from director Irwin Allen regarding construction savings, animals, and miniature shooting, lists for characters, staff, cast, bit, interviews, and ship personnel as indicated working in control room, production schedule, shooting final production cross plot, final revised production cross plot, and handwritten notes.
Dates: 1960-1963, undatedContainer: Box 17
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Description: “Warlock” (Twentieth Century-Fox) – Final Script by Robert Alan AurthurDates: 1958Container: Box 17
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“The White Parade” (Fox Film Corp.)
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Description: Script by Rian James and Jesse Lasky, Jr. (adaptation), Sonya Levien and Ernest Pascal (screenplay)Dates: 1934Container: Box 17
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Description: Revised Final Shooting Script by Rian James and Jesse Lasky, Jr. (adaptation), Sonya Levien and Ernest Pascal (screenplay)Dates: 1934Container: Box 17
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Description: “Windblast”
Apparently unproduced. Includes set breakdown sheets and two copies of "Air Force Requirements for 'Windblast.'"
Dates: undatedContainer: Box 18 -
Description: “Young America” (Fox Film Corp.) – Final Shooting Script by William ConselmanDates:Container: Box 18
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“The Young Lions” (Twentieth Century-Fox)
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Description: First Draft Continuity by Edward AnhaltDates: 1957Container: Box 18
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Description: Final Script by Edward AnhaltDates: 1957Container: Box 18
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Description: set breakdown sheets with indexDates: 1957Container: Box 18
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Description: Assorted
Includes lists for bits, characters, music, required stock shots, plates to be made, tentative departures, and World War II equipment to be used in France. Also includes wardrobe breakdown, temporary schedules, a memo regarding wardrobe for Montgomery Clift, a map of locations, an advance schedule, first temporary production cross plot, reviised final production cross plot, a letter to director Edward Dmytryk, and financial documents.
Dates: 1957, undatedContainer: Box 19
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“Young People” (Twentieth Century-Fox) –
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Description: Temporary Script by Edwin Blum and Don EttlingerDates: 1940Container: Box 19
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Description: Final Script by Edwin Blum and Don EttlingerDates: 1940Container: Box 19
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Description: “You’re a Sweetheart” (Universal Pictures) – script “Young Man’s Fancy” – Revised FinalDates: undatedContainer: Box 19
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Description: set breakdown sheets - unidentified projectsDates: undatedContainer: Box 19
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II. Television
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Description: “Adventures in Paradise” (Twentieth Century-Fox Television) - season 3, episode 8 - “The Fires of Kanua”
Includes the revised final script by Edward Lasko, revised script pages, and two call sheets.
Dates: 1961Container: Box 19 -
Description: “Five Fingers” (Twentieth Century-Fox Television) – season 1, episode 1 – “Station Break” – FinalDates: 1959Container: Box 19
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Description: “Halls of Montezuma” (Twentieth Century-Fox Television) (unproduced) – “The Pied Pipers of the Pacific” – Final by Samuel Fuller
A "blueprint" for a TV series.
Dates:Container: Box 20 -
“Voyage to the Bottom of the Sea” (Twentieth Century-Fox Television) – season 1, episode 1 – “Eleven Days to Zero”
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Description: Revised Final Script by Irwin AllenDates: 1963Container: Box 20
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Description: Script (three-ring notebook)Dates: undatedContainer: Box 20
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Description: Assorted
Set breakdown sheets with index and a call sheet.
Dates: 1963Container: Box 20
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III. Assorted
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Description: Handwritten notes and a blank document titled "Location Personnel and Requirements"Dates: undatedContainer: Box 20
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Names and SubjectsReturn to Top
Subject Terms
- Motion picture industry.
- Television industry.
Form or Genre Terms
- Screenplays.
