Archives West Finding Aid
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Humphrey W. Leynse Films and Papers, 1916-1977
Overview of the Collection
- Creator
- Leynse, Humphrey W. (Humphrey William), 1921-1977.
- Title
- Humphrey W. Leynse Films and Papers
- Dates
- 1916-1977 (inclusive)19161977
- Quantity
- 70 Linear feet of shelf space, (142 containers)
- Collection Number
- Cage 438 (collection)
- Summary
- Humphrey W. Leynse’s career in filmmaking began in 1957 as a Motion Picture Officer for the United States Information Service (USIS), first in Djakarta, Indonesia, and later in Seoul, Korea. He made more than fifty documentary films with USIS. In 1970 Leynse came to Washington State University as an Assistant Professor of Communications. The Humphrey W. Leynse Collection consists of films and pre-production material, audiotapes and phonograph records, photographs, miscellaneous papers, and memorabilia.
- Repository
-
Washington State University Libraries' Manuscripts, Archives, and Special Collections (MASC)
Manuscripts, Archives, and Special Collections
Terrell Library Suite 12
Pullman, WA
99164-5610
Telephone: 509-335-6691
mascref@wsu.edu - Access Restrictions
-
Specific written permission is required from the donor to publish extracts from the correspondence, diaries, logs, and journals of Humphrey W. Leynse. This restriction expired on January 1, 2000. Additionally, reproduction or distribution of the films requires written permission. In all cases, public use of the materials will include an appropriate credit line. The full statement of applicable restrictions can be found in Judith Leynse’s letter to the department that is dated December 21, 1979. This letter is in MASC’s office files.
- Languages
- English
Biographical NoteReturn to Top
Humphrey W. Leynse was born on June 22, 1921 in Peking, China. His parents, Reverend James and Anna Groenendyk Leynse, were Dutch Reformed Church Missionaries at the Presbyterian Mission in Peking. As a child, Leynse attended the Peking American School, where he first learned to speak English; previously he spoke only Dutch and Mandarin Chinese, and he remained fluent in these languages throughout his life. He also studied French and Indonesian.
Peking was Leynse’s home until age twenty, when he came to the United States to study at Pomona College in Pomona, California. World War II interrupted his education. He served in the U.S. Army and from 1943 to 1945 as a special agent in the Counter Intelligence Corps (CIC) in the Philippines and New Guinea. His duties included teaching the Chinese language, formulating an English-Indonesian dictionary, and engaging in combat duty as an Agent Investigator. During his time as an Agent Investigator then Sergeant Leynse investigated foreign political groups in the Manila area and helped to establish an informant network. The Army awarded him the Bronze Star in 1945.
At the end of the war, Leynse returned to Pomona to complete his studies for a bachelor’s degree in liberal arts. From 1949 through 1951 Leynse served as an educational advisor for the United States Department of the Army and as superintendent of an Educational Center in Karlsruhle, Germany. In 1951, Leynse returned to the Pacific (the Marshall Islands) as an administrator of the Department of the Interior. From1954 to 1957 he again worked for the State Department, investigating those Chinese visa applicants in Hong Kong who sought to emigrate to the United States under the Refugee Relief Act.
Leynse’s career in filmmaking began in 1957 as a Motion Picture Officer for the United States Information Service (USIS), first in Djakarta, Indonesia, and later in Seoul, Korea. He made more than fifty documentary films with USIS. It was during his time in Seoul that he met and married Judith L. Light, a journalist who was assigned to Seoul as a Motion Picture Officer.
Despite his successful career with USIS, Leynse tired of governmental bureaucracy and desired to produce his own full-length feature film. In 1966 he resigned his Foreign Service position and began the odyssey that led him, with Judith and their baby son, to the remote island of Ullung-Do, Korea, some 180 miles east of the mainland in the Sea of Japan. For two years he recorded the harsh life of the fishermen and their families on Ullung-Do. His film, Out There, a Lone Island, won Leynse several awards and was featured in various New York venues, including the Whitney Museum of American Art, the Museum of Modern Art, the American Film Festival, and the Ethnological Film Festival at the Museum of Natural History. Leynse made this film and many others under the auspices of Oceania Productions, a company he created in 1951 to produce educational and theatrical films concerning the Far East.
In 1970 Leynse came to Washington State University as an Assistant Professor of Communications. He was promoted to Associate Professor in 1975. Throughout his tenure at Washington State Leynse played an important part developing cinema instruction as part of the Washington State University’s mass media curriculum. In addition to his classes on film criticism, scripting, and documentary film, he taught the very popular "Masters of Cinema" course, which grew from an enrollment of thirty-seven students in the fall of 1970 to seven hundred in the spring of 1977. His film experience was also combined with his Asian interests in a course on Asian society as revealed through Asian films. Leynse also helped to produce one of the area’s most popular radio programs, "Moviegoers," which was written by students in his film criticism classes.
Leynse became ill in April of 1977. Despite this he was able to complete teaching all of his classes and missed only two weeks of the semester; when at one point he dropped in on one of his classes to see how things were going, he was given a spontaneous standing ovation by the students. Following surgery for a brain tumor, Leynse died on August 20, 1977, at the age of fifty-six.
Content DescriptionReturn to Top
The Humphrey W. Leynse Collection is divided into five series.
Series 1: Films and Pre-Production Material - The film collection of Humphrey W. Leynse at Washington State University Libraries consists of finished films, work prints, original film, sound tracks on 16mm and 35mm magnetic stock.
Series 2: Audiotapes and Phonograph Records - Includes sounds recorded for filmmaking, tapes for teaching college cinema courses, an index of lecture material, and records from Leynse’s personal collection.
Series 3: Photographs - The photograph collection consists of prints and negatives taken during Leynse’s youth in China, photographs taken by Leynse while producing films in the Orient and South Pacific, and pictures of artwork.
Series 4: Miscellaneous Papers - These include material on Leynse’s childhood in China and his professional life as a filmmaker and college professor.
Series 5: Memorabilia - This series includes mementos and materials from Leynse’s work and travels, such as puppets, rubber stamps, notebooks, scrolls, and medals.
Use of the CollectionReturn to Top
Restrictions on Use
Copyright restrictions apply.
Preferred Citation
[Item description] Humphrey W. Leynse Films and Papers, 1916-1977 (Cage 438)
Manuscripts, Archives, and Special Collections, Washington State University Libraries, Pullman, WA.
Administrative InformationReturn to Top
Arrangement
Series 1: Films and Pre-Production Material, ca. 1950-1970. - The film collection of Humphrey W. Leynse at Washington State University Libraries consists of finished films, work prints, original film, sound tracks on 16mm and 35mm magnetic stock. The collection includes four categories of films, arranged in numerical sequence.
Subseries 1.1, films numbered 1 to 25, are based on a list developed by Mrs. Judith Leynse, including those made by Leynse or his company, Oceania Productions. Subsereis 1.2, films numbered 26 to 47, are those Leynse made while working for the USIS-Korea. Subseries 1.3, films numbered 48 to 77, are those that Leynse collected. Subseries 1.4, Miscellaneous, includes those film materials (numbered 78 to 89) that were part of the original accession, but that were not described in the original inventory.
Note: Each listing in Series 1 contains information about the film, including credits, summary, length, sound, color, print size and type, and additional collateral materials such as work prints, out takes, sound tracks, or duplicate prints. All materials are numbered sequentially within each listing. Prints are generally ranked in sequence, from the final print back to the original filming. For example, Micronesia, film number 10, consisting of fifty related items, is numbered 10-1 through 10-50. This includes two final prints (10-1 and 10-2), a work print and its duplicate (10-3 and 10-4), one reel of sound track (10-5), two rolls of out takes (10-6 and l0-7), and forty-three rolls of original film (10-8 through 10-50).
Series 2: Audiotapes and Phonograph Records, 1952-1977, n.d. - Includes sounds recorded for filmmaking, tapes for teaching college cinema courses, an index of lecture material, and records from Leynse’s personal collection. The Leynse Audiotape and Record Collection consists of a variety of audio mediums including 3" 5" and 7" reels, some which play at 3 ¾, 7 ½, and 15 inches per second, cassettes, and 45rpm and 75rpm records. For listening convenience, all reel-to-reel items have been dubbed to cassette, re-numbered, and combined with the original cassette collection.
Subseries 2.1 (numbered 1-52) is a collection of tapes that were used in the production of some of the films that Leynse produced for Oceania Productions and those films that Leynse worked on while he was with USIS-Korea. The first fifteen tapes are recordings of music, songs, sounds from the South Pacific Islands, Hong Kong, and parts of Southeast Asia. Tapes 16-26 (including 19 and 19a) are similar, but they include recordings of soundtracks used in the production of some films produced by the USIS-Korea. Tapes numbered 27-36 were used in the production of Out There, a Lone Island (previously titled Under One Roof). The last set in this group (numbered 37-52) is a collection of sounds, songs, and radio programs from various parts of the Orient, some used in the production of Sumodo and Out There, a Lone Island.
Subseries 2.2 of the audiotape collection includes tapes (numbered 53-170) that Leynse recorded for use in teaching college courses about cinema, especially history and criticism. These consist of conversations and discussions recorded from television and radio programs, speeches, and readings from autobiographies. Among some of the subjects are film directors such as Robert Altman, Ingmar Bergman, Frank Capra, Alfred Hitchcock, John Huston, Arthur Penn, and Orson Welles, all of whom discuss their careers in films and filmmaking. Leynse also recorded famous scenes from films like Casablanca (Bogart and Bergman) and High Noon (Gary Cooper). Leynse made these tapes by recording television programs such as "The History of the Movies," "The Men who Made the Movies," "The Moviegoers," and others on more specific subjects such as Japanese cinema and the impact of film on black culture.
There are 171 cassettes total that include MASC recordings of approximately 310 reel-to-reel tapes and fifty-four cassettes from the original collection. Original tapes numbered 235, 244, 245, 259, 271, 275, 279, and 281 to 284 are absent from the archive.
The lecture material portion of the collection was indexed by Leynse on 3 x 5 file cards and divided alphabetically into two categories: "People and Things" and "Films." The numbers indexed refer to the originally numbered item. This index can be found in Box 95.
Subseries 2.3: consists of fourteen phonograph records of music from various countries, including China, Thailand, and Germany.
Subseries 2.4: consists of Leynse’s original reel-to-reel tapes.
Series 3: Photographs, 1931-1962, n.d. - The photograph collection consists of prints and negatives taken during Leynse’s youth in China, photographs taken by Leynse while producing films in the Orient and South Pacific, and pictures of artwork.
The material is arranged into four subseries: 3.1, Prints and Negatives; 3.2, Glass Transparencies; 3.3, Transparencies; and 3.4, Oversize. The hand-colored prints are mostly of landscape scenes and pictures of ornate temples and castles. The snapshots are more tourist-oriented, featuring images of the Leynse family at various sites in China. The glass transparencies are of the Chinese people, many portraits and scenes of people working, and seem to be an attempt to capture the culture in photographs.
Series 4: Miscellaneous Papers, 1916-1977, n.d. - These include material on Leynse’s childhood in China and his professional life as a filmmaker and college professor. Series 4 has been divided into seven subseries:
Subseries 4.1, Clippings, 1916-1976, consists of newspaper and magazine articles that Leynse collected over the years as a source of information for his film classes and for personal reference. This series has been divided into two groups: The Film Industry, and, Movies. The Film Industry pertains to directors, stars, and countries that have made an impact on film. Movies deals with news items on individual films.
Subseries 4.2, Oceania Productions, 1954-1973, contains company records, including all costs and profits associated with movie production, letters to investors, purchase orders, expenses, and employee information. These records show how Leynse attempted to distribute Out There, a Lone Island (originally titled Under One Roof), and includes magazine articles, primarily in English, with some in Korean. This subseries has been divided into two groups: Chronology, and Brochures and Pamphlets. Chronology contains closed accounts, correspondence, receipts, shipping invoices, bills, and film bookings of the company formed by Leynse in 1951 to produce educational and theatrical films dealing with the Far East. The material in this group dates from 1954 through 1973. The second group, Brochures and Pamphlets, includes film brochures for many of Leynse’s movies and the photoprints for the pamphlet on his film Micronesia.
Subseries 4.3, Writings for Publication, 1945-1975, is divided into Short Story Manuscripts and Magazine Articles, and, Book Materials. Short Story Manuscripts and Magazine Articles consists of Leynse’s short story material, much of which was submitted for publication. Book Materials includes drafts, proofs, and copies of Leynse’s book, Selected Short Subjects, a study of Asian, documentary, and propaganda films.
Subseries 4.4, Washington State University, 1908-1977, consists largely of Leynse’s classroom material. Included are lecture notes, tests, syllabi, handouts, news articles, film schedules, reserve material, and other readings. Also included is a small amount of correspondence, travel fund requests, and other material related to Washington State University.
Subseries 4.5, Film-Related Material, 1957-1976, consists of various production components of Leynse’s film-making activities, such as director’s manuals, working notes, scripts, subject and descriptive treatments, recording assignments, and photographs taken on location.
Subseries 4.6, Personal Papers, 1921-1971, includes biographical items, personal documents, and some personal correspondence.
Subseries 4.7, Card File, consists chiefly of undated lecture notes.
Series 5: Memorabilia, 1930-1976, n.d. - This series includes mementos and materials from Leynse’s work and travels, such as puppets, rubber stamps, notebooks, scrolls, and medals.
Acquisition Information
The papers, films, tapes, and photographs of Humphrey W. Leynse were deposited in Manuscripts, Archives and Special Collections at Washington State University Libraries by Mrs. Judith Leynse in 1979, forming accession MS 79-39. Robert Arnett arranged and described the film and audio tapes between January and May of 1981.
Processing Note
Barbara Kovarik Gahl processed the papers and photographs between July and September of 1981. Anna S. Vogt (audiotapes) and Lisa Kliger (films, papers, photographs, and memorabilia) further processed the collection in the fall of 1998 and the spring of 1999 under the supervision of Lawrence Stark (Assistant Archivist) and Trevor Bond (Manuscripts Librarian).
Subject Index To Films (Series 1)
Arts | |
48 Art of Chinese Paintings, The | |
56 Enoch Prentis | |
62 Images of Debussy | |
65 Moby Dick | |
71 Sea of Winslow Homer, The | |
73 Textiles and Ornamental Arts of India | |
Air Defense, Exploration | |
50 Atlas in Orbit | |
57 Explorers in Space | |
72 Sky Power | |
China | |
3 Great Wall, The | |
5 Hong Kong | |
18 Hong Kong, Rhythm of | |
8 Macau | |
Columbia | |
70 School at Rincon Santo | |
Hungary | |
64 Man in Inhumanity, A | |
66 Nation in Torment | |
Indonesia | |
2 Bali | |
61 House, a Wife, a Singing Bird, A | |
6 Indonesia | |
40 President Sukarno’s Tour of Indonesia | |
22 Sumatra | |
Japan | |
7 Japan | |
63 Japan: The Ten Years before Pearl Harbor | |
78 "Japanese Army" (short) | |
23 Sumodo | |
77 Yakuza | |
Korea | |
26 April Student Revolt, Korea 1960 | |
27 Ask Me! | |
28 Birds of Paradise | |
29 Coal | |
60 Growth of a Language¾ American Version | |
30 Incomparable Zygmunt Nagorski, The | |
31 Inn, The | |
32 Island Doctor | |
33 Legacy, A | |
34 Liberty News #352 | |
35 Lighthouse, The | |
36 Litany of Hope | |
37 Master’s Hand, The | |
38 Mighty Man, The | |
12 Moments of Truth | |
39 Mountain, The | |
15 Out There, a Lone Island (originally Under One Roof) | |
41 Reeders of Sangnam | |
42 Screen Magazine#13¾ Horse Hair Hat, The | |
43 Screen Magazine #21¾ Chris Von Saltza | |
44 Shipmates | |
45 Tank | |
46 To Mr. Leynse | |
47 With Hand and Heart | |
Mexico | |
25 Tijuana Bullfights | |
Micronesia | |
10 Micronesia | |
11 Micronesia Lecture | |
Pacific Islands | |
1 Atoll Called Majuro, An | |
4 Guam and Saipan | |
79 "Lei Day" (short) | |
83-85 "Nauru" (shorts) | |
67 Pacific Island | |
16 Pacific Islands | |
17 Polynesian Dances | |
19 Saipan, Guam, Majuro | |
Russia | |
52 Battle of Russia | |
Singapore | |
21 Singapore | |
Thailand | |
9 Meo Tribes | |
13 Narcotics Trade, The | |
14 Opium | |
24 Thailand | |
Tibet | |
76 Unconquerable Tibet | |
World War II | |
51 Battle of Britain | |
53 Berlin Story | |
54 Bombs Over Europe | |
58 Fall of Hong Kong, Russian Snow Troops, Guadalcanal | |
59 Fight for Egypt | |
68 Pearl Harbor and Normandy | |
69 Rome Falls to the Allies | |
75 True Glory, The | |
Miscellaneous | |
49 Ashes, Ashes, All Fall Down | |
55 Christmas in Many Lands | |
80 "Maps done by the artist" (short) | |
81 "Marchena" (short) | |
82 "Masuro" (Majuro?, short) | |
20 Salome | |
86 "Simulated lizards and rats" (short) | |
74 Tilt | |
87-89 Unidentified films (shorts) |
Detailed Description of the CollectionReturn to Top
Series 1: Films and Pre-Production Material, ca. 1950-1970Return to Top
The film collection of Humphrey W. Leynse at Washington State University Libraries consists of finished films, work prints, original film, sound tracks on 16mm and 35mm magnetic stock. The collection includes four categories of films, arranged in numerical sequence. Subseries 1.1, films numbered 1 to 25, are based on a list developed by Mrs. Judith Leynse, including those made by Leynse or his company, Oceania Productions. Subsereis 1.2, films numbered 26 to 47, are those Leynse made while working for the USIS-Korea. Subseries 1.3, films numbered 48 to 77, are those that Leynse collected. Subseries 1.4, Miscellaneous, includes those film materials (numbered 78 to 89) that were part of the original accession, but that were not described in the original inventory.
Note: Each listing in Series 1 contains information about the film, including credits, summary, length, sound, color, print size and type, and additional collateral materials such as work prints, out takes, sound tracks, or duplicate prints. All materials are numbered sequentially within each listing. Prints are generally ranked in sequence, from the final print back to the original filming. For example, Micronesia, film number 10, consisting of fifty related items, is numbered 10-1 through 10-50. This includes two final prints (10-1 and 10-2), a work print and its duplicate (10-3 and 10-4), one reel of sound track (10-5), two rolls of out takes (10-6 and l0-7), and forty-three rolls of original film (10-8 through 10-50).
A subject index to these films is available.
Container(s) | Description |
---|---|
Subseries 1.1: Films by Leynse or his
company, Oceania Productions |
|
container | |
1-1 | ATOLL CALLED MAJURO, AN (Majuro
I) 14 items
16mm. 7" reel ; Digital Tape + 2 VHS video, length: 14 minutes ;
Producer: H. W. Leynse ; Scenes of life on the island, with shots of
H. and Judith Leynse, coconut splitting, sailing, christening of
boat, shore fishing.
|
1-2 | ATOLL CALLED MAJURO, AN ; Additional
materials: Majuro III (print Air Drop to Bikini Island
?) |
2-1 | BALI 20 items
color; 16mm 10" reel, September 1959 ; Digital Tape + 2 VHS video,
length: 20 minutes ; Producer: H. W. Leynse ; Aerial shots of Bali,
a cock fight, scenes of the palace.
|
2-2 | BALI ; Additional materials: original
film 7" reel |
3-1 | GREAT WALL, THE 27 items
sound. black and white. 16mm. 12" reel, April 1957 ; Digital Tape + 2
VHS video, length: 27 minutes ; Producer, Li Li-Hwa (Hong Kong's
foremost actress); English narration written by H. W. Leynse. ;
Story of a young Chinese couple who fall in love, marry, and then
are separated when the Emperor demands more workers on the Great
Wail. After the wife’s father is arrested and her mother dies, she
travels north to be with her husband. When she arrives at the Wall,
she finds that her husband has been selected as one of the workers
to be killed as a sacrifice called for by the Emperor. The husband
is killed as the wife fights for his freedom.
|
3-2 to 3-16 | GREAT WALL, THE ; Additional
materials: work print, 14" reel outtakes (3-2), 3-11-72; 7" reel
(3-3); 35mm print w/Chinese soundtrack (3-4 to 3-6); 35mm negative
print (3-7 to 3-9); three 35mm negative outtakes (3-10 to 3-12);
16mm soundtrack on magnetic stock (3-13 to 3-16) |
4 | GUAM AND SAIPAN 13 items
color. 16mm. 7" reel. ; Digital Tape + 2 VHS video, length: 13
minutes ; Producer, H. W. Leynse. ; Film record of Leynse trip
featuring Christmas celebration on Majuro with children of the
military personnel.
|
5-1 | HONG KONG 17 items
color. 16mm (work print). 10" reel. ; Producer, H. W. Leynse. ; Film
record of a Leynse trip to Hong Kong.
|
5-2 to 5-4 | HONG KONG ; Additional materials
include original film, 7" reels |
6-1 | INDONESIA 25 items
color. 16mm. 10" reel. (not found) ; Producer, H. W. Leynse. ; Cattle
races, also outtakes from THE NARCOTICS TRADE
|
6-2 and 6-3 | INDONESIA ; Additional materials
include original film, 7" reels. |
7-1 | JAPAN 12 items
color. 16mm. 7" reel. ; Digital Tape + 2 VHS video, length: 12
minutes ; Producer, H. W. Leynse. ; Film record of Leynse trip
featuring ship being loaded, Leynses on a cruise ship with friends,
a Japanese city, a Samurai-type archer, and city lights at
night.
|
7-2 | JAPAN ; Additional materials include
original film, 7" reel. |
8-1 | MACAU 23 items
color. 16mm (work print). 10" reel. ; Producer, H. W. Leynse. ;
Travelogue through the city of Macau featuring city scenes, fish
market, glass blowing, firecracker packaging.
|
8-2 and 8-3 | MACAU ; Additional materials include
original film, 7" reels. |
9-1 | MEO TRIBES 30 items
color. 16mm (work print). 12" reel. ; Producer, H. W. Leynse. ; The
Meo tribes growing opium in the wilds of Thailand. ; Most of the
footage was used in THE NARCOTICS TRADE.
|
9-2 and 9-3 | MEO TRIBES ; Additional materials
include original film, 7" reels. |
10-1 and 10-2 | MICRONESIA 9 items
sound. color. 16mm. (2 prints) 7" reels. ; Digital Tape + 2 VHS
video, length: 9 minutes ; Producer, H. W. Leynse. ; The people of
the islands: Marshalls, Carolines, and Palauan groups. The film
explains their clothes, trade, food, entertainment, traditional
dances, geographical locations, and political situation.
|
10-3 to 10-50 | MICRONESIA ; Additional materials
include work prints, 7" reels (10-3, 10-4); cinesound sound track,
7" reel (10-5); outtakes, 100 ft. rolls (10-6, 10-7); and original
film, 100 ft. rolls (10-8 through 10-50). |
11-1 and 11-2 | MICRONESIA LECTURE 50 items
sound. mm. color. 16mm. (2 prints) 14" reel. ; Producer, H. W.
Leynse. ; Geographical and historical information about Micronesia,
includes footage from MICRONESIA. One print includes newsreel-type
footage of dropping an Atomic bomb. The second print runs 23 minutes
and excludes the Atomic bomb footage.
|
12 | MOMENTS OF TRUTH 4 items
black and white. 16mm. 7" reel. ; Producer, H. W. Leynse. ;
Collection of film clips concerning the Korean April Revolution of
1960, riots, and people deformities.
|
13-1 and 13-2 | NARCOTICS TRADE, THE 23 items
sound. color. 16mm. (2 prints) 14" and 12" reels. ; Digital Tape + 2
VHS video, length: 27 minutes ; Producer, H. W. Leynse. ;
Description of the source of the narcotics problem; how and where
opium is grown, cultivated, harvested, processed, and refined. Film
explains how opium is used in Asian culture and how it is smuggled
to the Western world.
|
13-3 to 13-7 | NARCOTICS TRADE, THE ; Additional
materials include black and white work print, 14" reel (13-3) and
color work print, 12" reel (13-4);½" digital tape transfer from 16
mm, July 1998 (13-5); two videocassettes (13-6, 13-7) |
14-1 to 14-4 | OPIUM [Note: Not available. In 2010
these four reels were determined to be both blank and severely
chemically degraded. They were withdrawn from the
collection.]
(recordings on magnetic stock) four 10" reels. ; Recordings used for
the production of the motion picture OPIUM. ; OUT THERE, A LONE
ISLAND (originally UNDER ONE ROOF)
|
15-1 and 15-2 | OUT THERE, A LONE ISLAND (originally
UNDER ONE ROOF) 67 items
sound. black and white. 16mm. two 14" reels. ; Digital Tape + 2 VHS
video, length: 67 minutes ; Producer, director, writer, H. W.
Leynse. Special effects, Judith Leynse. Released by the University
of California, Extension Media Center ; The life of a family on a
remote Korean island. Designed as a film to be studied as a cultural
and social examination of the people living on a desolate
island.
|
15-3 to 15-89 | OUT THERE, A LONE ISLAND (originally
UNDER ONE ROOF) ; Additional materials include 35mm positive and
negative outtakes and film, some mixed with SUMODO material, (15-3
A-H), (15-4 A-F), (15-5 A-E), (15-6 A-D), (15-7 A-G), (15-8), (15-9
A-D), (15-10 A-K), (15-11 A-G), (15-12), (15-13 A-D); 35mm work
print (15-14 to 15-22); 35mm composite sound (15-23 to 15-32); UNDER
ONE ROOF, heads (15-33); four small reels (15-34 to 15-37); one
small roll, music (15-38); videocassette (15-39); videocassette,
same as ½" digital tape transfer from 16mm to D5, July 16, 1998, 67
min., (see "To Mr. Leynse") (15-40); fifteen small rolls 16mm
magnetic stock sound effects with eight cue sheets (15-41 A-W); Nine
rolls of music with notes (15-42 A-I); eight small reels dialog and
dialog/music (15-43 A-H); eight small reels heads, two "cuckoo
loops," one sheet notes (15-44 A-K); eight small reels heads (15-45
A-H); nine reels of camera originals (15-46 to 15-54); nine
fine-grain internegs (15-55 to 15-63); nine 35mm sound (15-64 to
15-72); five 35/32 internegs or 16mm action (15-73 to 15-77); five
35/32 sound tracks or 16mm sound (15-78 to 15-82); four cans of out
takes (15-83 to 15-86); one can of 35mm interpositive (15-87); two
reels out takes from 16mm print (15-88, 15-89). |
16 | PACIFIC ISLANDS 14 items
color. 16mm. 7" reel. ; Producer, H. W. Leynse. ; Film record of
Leynse trip featuring tourists on Fiji, Niafoou, Samoa, and Hawaii;
includes underwater footage, a cruise ship, and a Polynesian
festival.
|
17-1 | POLYNESIAN DANCES 10 items
sound. color. 16mm. 7" reel. ; Digital Tape + 2 VHS video, length: 10
minutes ; Producer, H. W. Leynse. ; Dances of Tahiti, Samoa, the
Gilberts, and Hawaii, includes explanation of musical instruments,
costumes, and how dances are taught to children.
|
17-2 to 17-8 | POLYNESIAN DANCES ; Additional
materials include work print, 7" reel (17-2, 17-3); original film,
100 ft. rolls (17-4 to 17-8). |
18-1 | RHYTHM OF HONG KONG 18 items
sound. color. 16mm. 9" reel. ; Digital Tape + 2 VHS video, length: 18
minutes ; Producer, H. W. Leynse. ; A travelogue of the British
Crown Colony featuring scenes of modern Hong Kong’s wealthy homes,
an industrial fair, children playing, and a carnival.
|
18-2 to 18-44 | RHYTHM OF HONG KONG ; Additional
materials include a final print without sound, 9" reel (18-2); a
final print broken up for TV and damaged, 10" reel (18-3); work
print, 10" reel (18-4); soundtrack, 10" reel (18-5); original film
and duplicate prints, 100 ft. rolls (18-6 to 18-44). |
19 | SAIPAN, GUAM, MAJURO 7 items
color. 16mm. 7" reel. ; Producer, H. W. Leynse. ; Film record of
Leynse trip featuring different views of Saipan, a city on Guam, and
a cockfight.
|
20 | SALOME 8 items
color l6mm. 7" reel. ; Producer: H. W. Leynse. ; Film by Leynse about
their boat called Salome.
|
21-1 | SINGAPORE 10 items
color. 16mm (original film). 7" reel. ; Producer, H. W. Leynse. ;
Film record of the Leynses in Singapore.
|
21-2 | SINGAPORE ; Additional materials
include duplicate film of footage not used in final film, 7" reel
. |
22-1 | SUMATRA 12 items
color. 16mm. 7" reel. ; Producer, H. W Leynse. ; Scenes of a village
in Sumatra.
|
22-2 | SUMATRA ; Additional materials include
16mm work print, 10" reel. |
23-1 to 23-5 | SUMODO, 1969 15, 14:45 items
sound. color. video cassette (U standard ¾") (23-1); beta cam
digital, 11-6-98 (23-2); VHS, 11-6-98 (23-3, 23-4; VHS, n.d. (23-5)
; Producer, director, writer, H. W. Leynse. ; The Japanese sport of
Sumo wrestling, the lives of the wrestlers and the modern sporting
event.
|
23-6 to 23-38 | SUMODO, 1969 ; Additional materials
include two 16mm work prints, 7" reel, one w/note (23-6, 23-7);
16mm, unident. (23-8); 16mm original film, split core (23-9 to
23-15), duplicates of original film, split core (23-16 to 23-22);
16mm soundtrack (music B) (23-23); two 35mm 10" work prints (23-24,
23-25); 35mm composite soundtrack, split core (23-26); two fx
additions, 16mm, split core (23-27, 23-28); 16mm 9" reel master
(23-29); 35mm split core (14:07 time) (23-30); two a negs, opt Pts I
and II (23-31 A-E, 23-32 A-C); six small boxes with eight 16mm split
core (23-33 to 23-38). |
24-1 | THAILAND 30 items
color. 16mm (work print). 12" reel. ; Producer, H. W. Leynse. ;
Travelogue through Bangkok and outlands, featuring city scenes.
|
24-2 to 24-14 | THAILAND ; Additional materials
include original film, 7" reels (24-2, 24-3), 100 ft. rolls (24-4
through 24-14). |
25 | TIJUANA BULLFIGHTS 4 items
black and white. 16mm. 7" reel. ; Producer, H. W. Leynse. ; Film
record of bullfights and opening parade, 1951.
|
Subseries 1.2: Films produced by Leynse at
USIS-Korea |
|
container | |
26-1 and 26-2 | APRIL STUDENT REVOLT, KOREA 1960 (
Korea in Review) 7, 20 items
sound. black and white. 16mm. 7" reel and 10" reel, March 16, 1960 ;
Newsreel footage of students rioting in streets of city.
|
27-1 | ASK ME! 7 items
sound. black and white. 16mm. 7" reel. ; Produced by USIS-Korea
staff. ; Animated cartoon about setting up a democracy. Written by
Richard Dyer McCann, an American film scholar.
|
27-2 | ASK ME! ; Additional materials: Korean
language version. |
28 | BIRDS OF A FEATHER 45 items
sound. color. 16mm. 14" reel. ; Produced by USIS-Korea staff headed
by Leynse. ; A poor man goes to Seoul looking for a job with the
government and finds corruption. A kindly ruler exposes the
corruption. Historical drama.
|
29 | COAL 30 items
sound. black and white. 16mm. 12" reel. ; Produced by USIS-Korea
staff headed by Leynse. ; The coal industry in Korea, its change
from crude mining to the use of modern mining techniques.
|
30 | INCOMPARABLE ZYGMUNT NAGORSKI,
THE 20 items
sound. black and white. 16mm. 10" reel. ; Produced by USIS-Korea
staff headed by Leynse. ; Nagorski’s work in re-establishing
industry in Korea
|
31 | INN, THE 40 items
sound. black and white. 16mm. 14" reel. ; Produced by USIS-Korea
staff headed by Leynse. ; An American musician who comes to Korea to
lead the Philharmonic orchestra learns about traditional Korean
music and the history of inn keeping while vacationing at a village
inn.
|
32 | ISLAND DOCTOR 30 items
sound. black and white. 16mm. 12" reel. ; Produced by USIS-Korea
staff headed by Leynse. ; A doctor comes to live on a secluded
Korean island. Modern medicine helps poverty and health
problems.
|
33 | LEGACY, A 30 items
sound. color. 16mm. 12" reel. ; Produced by USIS-Korea staff headed
by Leynse. ; The history of Korean potters in Japan. The Japanese
invaded Korea and took potters back to Japan, where their
descendants still live.
|
34 | LIBERTY NEWS #352 10 items
sound. black and white. 16mm. 7" reel. Korean language version only.
; Produced by USIS-Korea staff. ; Riots and student revolts in
Korea.
|
35 | LIGHTHOUSE, THE 60 items
sound. black and white. 16mm. .4" reel. ; Produced by USIS-Korea
staff headed by Leynse. ; Two men working in a lighthouse
demonstrate the jobs and responsibilities of the lighthouse. A sea
captain is used as an example.
|
36-1 and 36-2 | LITANY OF HOPE 60 items
sound. black and white. 16mm. Two 14" reels. ; Produced by USIS-Korea
staff headed by Leynse. ; The story of Korean poet Han Ha Wun who
was a leper and was cured.
|
37 | MASTER’S HAND, THE 20 items
sound. black and white. 16mm. 12" reel. ; Produced by USIS-Korea
staff headed by Leynse. ; An old artist remembers his life.
|
38 | MIGHTY HAN, THE 30 items
sound. black and white. 16mm. 10" reel. ; Produced by USIS-Korea
staff headed by Leynse. ; The Han River.
|
39 | MOUNTAIN, THE 40 items
sound. black and white. 16mm. 14" reel. ; Produced by USIS-Korea
staff headed by Leynse ; A man’s wife and son are killed on April 3,
1949 when the Communists raid his village. For 10 years the man and
his two remaining children live in poverty in a city, then return to
the mountain village. Film explains culture on secluded Korean
island.
|
40 | PRESIDENT SUKARNO'S TOUR OF
INDONESIA 20 items
sound. black and white. 16mm. 10"reel. ; Produced by USIS staff. ;
Sukarno, President of Indonesia, visits the districts of Indonesia.
Film shows cultural festivals as the President arrives at the
different parts of Indonesia. Leynse produced and directed this film
as well as being the cameraman.
|
41 | REEDERS OF SANGNAM, THE 20 items
sound. black and white. 16mm. 10" reel. ; Produced by USIS-Korea
staff headed by Leynse. ; The career of Lorin Reeder, manager of
USIS MOPIX Lab, Sangnam.
|
42 | SCREEN MAGAZINE #13¾ HORSE HAIR HAT,
THE
sound. black and white. 16mm. 7" reel. English (44-A) and Korean
language (44-B) versions. ; Produced by USIS-Korea staff. ; The
making of the traditional Korean hat. (motion picture) USIS-Korea
English (44-A) and Korean.
|
43-1 | SCREEN MAGAZINE #21¾ CHRIS VON
SALTZA 10 items
sound. black and white. 16mm. (2 prints) 7" reels ; Produced by
USIS-Korea staff. ; American girl comes to Korea to coach the
Olympic swimming team.
|
44 | SHIPMATES 30 items
sound. black and white. 16mm. 12" reel. ; Produced by USIS-Korea and
staff headed by Leynse. ; The life of a fisherman and his family.
The oldest son wants to leave the family and go to college to learn
about modern fishing. Film explains the Pusan Fishery College.
Modern fishing ship is built and demonstrated.
|
45 | TANK 40 items
sound. black and white. 16mm. 14" reel. ; Produced by USIS-Korea
staff headed by Leynse. ; The transfer of tanks from the U. S. Army
to the Korean Army. One American works for the Korean Army and
Communist spies try to steal a tank.
|
46-1 | TO MR. LEYNSE 20 items
sound. black and white. 16mm. 10" reel. ; Digital Tape + 2 VHS video,
length: 20 minutes ; Produced by USIS-Korea staff as a gift to
Leynse. ; Leynse’s career while at USIS-Korea.
|
46-2 | TO MR. LEYNSE ; ½" digital tape
transfer from 16mm, July 1998 (Out There, a Lone Island) |
46-3 and 46-4 | TO MR. LEYNSE ; Two video cassettes,
n.d |
47 | WITH HAND AND HEART 30 items
sound. black and white. 16mm. 12" reel. ; Produced by USIS-Korea
staff headed by Leynse. ; A handicapped young man returns to his
village after the Korean War. He becomes depressed and goes to the
city and finds help at the Union Christian Service Center.
|
Subseries 1.3: Films collected by
Leynse |
|
container | |
48 | ART OF CHINESE PAINTINGS,
THE 20 items
sound. color. 16mm. 10" reel. ; Taiwan Film Studios ; Chinese
paintings are explained.
|
49-1 to 49-3 | ASHES, ASHES ALL FALL DOWN 4 items
sound. color. 16mm. 5" reel (with 7" reels). ; Student film from Cal.
Poly, Pomona; class taught by Leynse. ; Mannequins, flowers, and a
deserted train.
|
50 | ATLAS IN ORBIT 8 items
sound. black and white. 16mm. 711 reel. ; Newsreel produced by USIS.
; Launching of Atlas rocket on December 18, 1958 and explanation of
American satellite system.
|
51 | BATTLE OF BRITAIN 20 items
sound. black and white. 16mm. 10" reel. ; Air battle of England. Part
II only.
|
52-1 and 52-2 | BATTLE OF RUSSIA 90 items
sound. black and white. 16mm. Two 14" reels. ; A history of all the
times Russia has been invaded. ; Includes scenes from ALEXANDER
NEVSKY.
|
53 | BERLIN STORY 8 items
sound. black and white. 16mm. 7" reel. ; Newsreel produced by USIS. ;
Liberation of Berlin at end of World War II.
|
54 | BOMBS OVER EUROPE 8 items
sound. black and white. 16mm. 7" reel. ; Newsreel produced by The
News Parade-Castle Films. ; World War II air strikes on European
cities.
|
55 | CHRISTMAS IN MANY LANDS 8 items
sound. black and white. 16mm. 7" reel ; Celebration of Christmas in
various countries.
|
56 | ENOCH PRENTIS 25 items
sound. black and white. 16mm. 12" reel. ; A dramatic presentation
with Charles Bickford.
|
57 | EXPLORERS IN SPACE 8 items
sound. black and white. 16mm. 7" reel. ; Newsreel produced by USIS. ;
Space research and the 1957 Geophysical Year.
|
58 | FALL OF HONG KONG, RUSSIAN SNOW
TROOPS, GUADALCANAL 25 items
sound. black and white. 16mm. 10" reel. ; Produced by Armed Forces
Films. ; Compilation of World War II films.
|
59 | FIGHT FOR EGYPT 8 items
sound. black and white. 16mm. 7" reel. ; Newsreel produced by The
News Parade-Castle Films. ; Allied victory in African deserts over
Rommel.
|
60 | GROWTH OF A LANGUAGE¾ AMERICAN
VERSION 30 items
sound. black and white. 16mm. 12" reel. ; Korean language.
|
61 | HOUSE, A WIFE, A SINGING BIRD,
A 30 items
sound. color. 16mm. 12" reel. ; P.F.N. State Film Studios of
Indonesia. ; An Indonesian family.
|
62 | IMAGES OF DEBUSSY 10 items
sound. black and white. 16mm. 10" reel. ; Cinemath que de
L'Ensiegnement Public ; French composer, Debussy. In French.
|
63-1 and 63-2 | JAPAN: THE TEN YEARS BEFORE PEARL
HARBOR 20 items
sound. black and white. 16mm. 10"reel (2 prints) ; Newsreel produced
by March of Time. ; Military history of Japan before Pearl Harbor
attack.
|
64 | MAN IN INHUMANITY, A 8 items
sound. black and white. 16mm. 7" reel. ; Documentary produced by Free
Hungary. ; Imre Nagy, Premier, is taken out of office by the
Communists.
|
65 | MOBY DICK 30 items
sound. color. 16mm. 12" reel. ; Moby Dick story told with
paintings.
|
66 | NATION IN TORMENT 8 items
sound. black and white. 16mm. 7" reel. ; Newsreel produced by USIS. ;
Hungary after World War II.
|
67 | PACIFIC ISLAND 18 items
sound. black and white. 16mm. 10" reel. ; The International Film
Foundation ; Travelogue of islands in the Pacific.
|
68 | PEARL HARBOR AND NORMANDY 8 items
sound. black and white. 16mm. 7" reel. ; A newsreel by The News
Parade-Castle Films. ; War effort up until D-Day.
|
69 | ROME FALLS TO THE ALLIES 8 items
sound. black and white. 16mm. 7" reel. ; A newsreel by The News
Parade-Castle Films. ; Allied invasion of Italy.
|
70 | SCHOOL AT RINCON SANTO 10 items
sound. black and white. 16mm. 7" reel. ; A film by James Blue. ; Poor
village in Colombia gets its first school.
|
71 | SEA OF WINSLOW HOMER, THE 20 items
sound. color. 16mm. 9" reel. ; An episode of the OMNIBUS program,
CBS-TV ; Maritime paintings by Homer.
|
72 | SKY POWER 8 items
sound. black and white. 16mm. 7" reel. ; Credits: Newsreel produced
by USIS. ; American defense missiles.
|
73 | TEXTILES AND ORNAMENTAL ARTS OF
INDIA 8 items
sound. color. 16mm. 7" reel. ; Art of Indian clothing, made by
Charles and Ray Eames.
|
74 | TILT 19 items
sound. color. 16mm. 10" reel. ; Film Board of Canada ; An animated
film about ecology and population control.
|
75-1 to 75-3 | TRUE GLORY, THE 90 items
sound. black and white. 16mm. Three 12" reels. ; Documentary produced
by the U.S. War Department. ; Allied invasion of Europe from D-Day
to fall of Berlin.
|
76 | UNCONQUERABLE TIBET 8 items
sound. black and white. 16mm. 7" reel. ; Geography and history of
Tibet.
|
77 | YAKUZA 20 items
sound. color. 16mm. 10" reel. ; Organized crime in Japan.
|
Subseries 1.4: Miscellaneous
3 ½" reel, 16mm
|
|
container | |
78 | "Japanese Army" (tinted)
3 ½" reel
|
79 | "Lei Day"
3" reel
|
80 | "Maps done by artist"
2 ¾" reel
|
81 | "Marchena"
2 ¾" reel
|
82 | "Masuro" (Majuro?)
Three 3 ½" reels (two are originals)
|
83-85 | "Nauru"
3 ½" reel
|
86 | "Simulated lizards and
rats"
Three 3 ½" reels
|
87-89 | Unidentified films |
Series 2: Audiotapes and Phonograph Records, 1952-1977, ndReturn to Top
*= original cassette tape, not re-recorded
Includes sounds recorded for filmmaking, tapes for teaching college cinema courses, an index of lecture material, and records from Leynse’s personal collection. The Leynse Audiotape and Record Collection consists of a variety of audio mediums including 3" 5" and 7" reels, some which play at 3 ¾, 7 ½, and 15 inches per second, cassettes, and 45rpm and 75rpm records. For listening convenience, all reel-to-reel items have been dubbed to cassette, re-numbered, and combined with the original cassette collection.
There are 171 cassettes total that include MASC recordings of approximately 310 reel-to-reel tapes and fifty-four cassettes from the original collection. Original tapes numbered 235, 244, 245, 259, 271, 275, 279, and 281 to 284 are absent from the archive.
The lecture material portion of the collection was indexed by Leynse on 3 x 5 file cards and divided alphabetically into two categories: "People and Things" and "Films." The numbers indexed refer to the originally numbered item. This index can be found in Box 95.
Container(s) | Description | |
---|---|---|
Subseries 2.1: Oceania Productions and
USIS-Korea (Cassettes)
(Numbered 1-52) A collection of tapes that were used in the production of
some of the films that Leynse produced for Oceania Productions and those
films that Leynse worked on while he was with USIS-Korea. The first
fifteen tapes are recordings of music, songs, sounds from the South
Pacific Islands, Hong Kong, and parts of Southeast Asia. Tapes 16-26
(including 19 and 19a) are similar, but they include recordings of
soundtracks used in the production of some films produced by the
USIS-Korea. Tapes numbered 27-36 were used in the production of Out
There, a Lone Island (previously titled Under One Roof). The last set in
this group (numbered 37-52) is a collection of sounds, songs, and radio
programs from various parts of the Orient, some used in the production
of Sumodo and Out There, a Lone Island.
|
||
container | cassette-side | |
90 | 1A | Men’s Stick Dance, Yap; Songs in
Palauan, Koron, February 1952 Original tape 1
|
90 | 1B | Balinese Gamelan Music, April
1959 Original tape 2
|
90 | 2A | Indonesian Music (side 1) Original tape 3
|
90 | 2B | Indonesian Music cont. (side 2 of
reel) Song List: 1. Ajo Mama (Ambon); 2. Memotong Padi (Java); 3.
Sarinande (Ambon); 4. Iwang Sarge (Batok); 5. Gunung Salhutu
(Ambon); 6. Kasih (Java); 7. Sudah Berlajar (Ambon); 8. Rajuan Pulau
Kelapa (Java); 9. Tari Pajung (Sumatra); 10. O, Ina, Mkeke (Ambon);
11. Poton Padi (Java); 12. Debiecah Smar Bulan (Java); 13. Bela ‘Ku
iNgat (Java); 14. Bununb Nona (Ambon) Original tape 3
|
90 | 3A | Music to sound version of
Micronesia Original tape 4
|
90 | 3B | Aids to the Pronunciation of
Micronesian Words Original tape 4
|
90 | 4A | Tahitian Songs: 1. Tamure; 2. Tiare
Rere; 3. Vana Vana; 4. Tanga Tika; 5. Tau Here; 6. Vahine Anamite;
7. Minoi Minoi; 8. Manu; 9. Papio; 10. Mareva; 11. Café au lait; 12.
Maruru Original tape 5
|
90 | 4B | Majuro and Truk Songs Original tape 6
|
90 | 5A | Yap Women Dances, February 23,
1955 Original tape 7
|
90 | 5B | (blank) |
90 | 6A | Korean Kayagum Variations, June 6 ;
This is a recording of Leynse at a meeting with several Korean
musicians in which he is inquiring into the possibility of using
Korean music in his film. Original tape 8
|
90 | 6B | Korean Kayagum music used in Birds of
a Feather Original tape 9
|
90 | 7A | Nauru Music: original Nauru music
including singing, instrumentals, and chants Original tape 10
|
90 | 7B | (blank) |
90 | 8A | Easter Service on airfield on the
island of Majuro, April 1952: 1."Glad Breaks the Day" sung by
Intermediate Students of the Marshall Islands; 2. Leynse re-reads
the Easter Sermon; 3. "I know that my Redeemer" sung in Marshallese
4. Recording of child named "Dougy", Sound to Reel #2 on Atoll
Called Majuro Original tape 11
|
90 | 8B | UN radio presents "The Grand Alliance"
(side 2 of reel), October 1953; Abby and Humphrey Leynse’s trip to
Hawaii, summer 1951 Original tape 11
|
90 | 9A | Street sounds, Hong Kong, Dec.
1955 Original tape 12
|
90 | 9B | Naura, singing and instruments, March
1953 Original tape 13
|
90 | 10A | Sumatra, music Song List: 1.
Sunstrom’s Trio; 2. Hek di-simbir? from Lake Toba; 3. Marsirong; 4.
Sian nd dao; 5. Na frogos; 6. Andung ni si Boruadi Original tape 14
|
90 | 10B | Sebolga, Sumatra, Batak Chuetra.
Church Songs, February 8, 1958 Original tape 15
|
90 | 11A | Sumatra, Menangkaban modern music,
February 12, 1958 Song List: 1. Gadih Minang (Minang girls); 2. Oi
kampuang; 3. Titian Nan La Puak (the old bridge); 4. Dendang Djo
tari (song and dance); 5. Bruak Pinto (Bad Luck) Original tape 16
|
90 | 11B | Sumatra, classic and modern music,
February 14, 1958 Song List: 1. Originals from Padang Sidempuan --
Uning An Djando and Dendang Sajana; 2. From Kotanopan – Gondang;
Sarama (Tari-Tarian); 3. From S. Golga – Tari piring (modern); 4.
From S. Golga – si Kamgang Botan (classical); 5. Grom Toba –
Marbulang Ombun (classical); From Toba Paonan Hasang
(modern) Original tape 17
|
90 | 12A | Musical Background Sound for the
production Thailand Original tape 18
|
90 | 12B | Indonesian wedding party, Djakarta,
February 1, 1959 Original tape 19
|
90 | 13A | Street Sounds, Djakarta, Indonesia
(original) Original tape 20
|
90 | 13B | Sumatra, jungle sound, songs from
Mandailing Song List: 1. Jungle Sounds w/monkeys in trees – Central
Sumatra; 2. Waterfall – Bakit Tinggi; 3. Flute, Drums and Songs from
Mandailing Area (Minangkabau) Original tape 21
|
90 | 14A | Marshallese singing, August 1952 Song
List: 1. Bakudar (Bomb) song of World War II; 2. Hymn – Jodis Love;
3. Christmas Song – Joy to the World; 4. Christmas Tree Song; 5. War
Chant (Yebwa) Original tape 22
|
90 | 14B | Sound to An Atoll Called Majuro (side
two of reel) Original tape 22
|
90 | 15A | Balinese Gamelan Music, April 1959
Recorded at Bangli, Bali, Indonesia Song List: 1. Legong Keraton; 2.
Baris; 3. Kebiar Duduk (siting dance); 4. Tambulilngan (Bee
Dance) Original tape 23
|
90 | 15B | Korean Buddhist Monk
Chants Original tape 24
|
90 | 16A | Sibolga, church songs, February 14,
1958 Song List: 1. Cadang do hasusaon (poor recording) Original tape 25
|
90 | 16B | (blank) |
90 | 17A | Sound to "Salome" Original tape 26
|
90 | 17B | Tahitian Music (side 2 of
reel) Original tape 26
|
90 | 18A | Minangkagau music, February 12, 1958
Song List: 1. Talempong – gongs and flute; 2. Flue (made of glass);
3. Nalam (native song); 4. Indang (story); 5. Rebab
(violin) Original tape 27
|
90 | 18B | Sound for Micronesia Lecture
Film Original tape 28
|
90 | 19A | National election returns and "Tidal
Wave Report" (KGU Honolulu radio report), November 4,
1952 Original tape 29
|
90 | 19B | (blank) |
90 | 19a-A | Hawaiian Music (side 2) (19, 19a on
same original tape, #29) Original tape 29
|
90 | 19a-B | (blank) |
90 | 20A | Soundtrack to Island
Doctor Original tape 30
|
90 | 20B | Soundtrack to Shipmates (music,
effects and dialogue) Original tape 31
|
90 | 21A | Soundtrack to The Mighty
Han Original tape 32
|
90 | 21B | (blank) |
90 | 22A | Soundtrack to Litany of Hope (reels #
1,2,3,4,5) Original tape 33
|
90 | 22B | Soundtrack to Litany of Hope (reels #
6,7) (side 2 of reel) Original tape 33
|
90 | 23A | Soundtrack to A Legacy Original tape 34
|
90 | 23B | (blank) |
90 | 24A | Soundtrack to Ashes, Ashes All Fall
Down Original tape 35
|
90 | 24B | Mask Dance, music and
effects Original tape 36
|
90 | 25A | Composite pickup for Sumodo, June 23,
1969 Original tape 37
|
90 | 25B | Indigenous sound effects for
Sumodo Original tape 38
|
90 | 26A | Rhythm of Hong Kong, May 17,
1957 Original tape 39
|
90 | 26B | (blank) |
90 | 27A | Composite Protection for Out There, A
Lone Island, R#1, Jan. 31, 1969 Original tape 1
|
90 | 27B | Composite Protection for Out There, A
Lone Island, R#2 Original tape 2
|
90 | 28A | Composite Protection for Under One
Roof, R#1, Dec. 19, 1968 Original tape 3
|
90 | 28B | Composite Protection for Under One
Roof , R#2, Dec. 19, 1968 Original tape 4
|
90 | 29A | Composite Protection for Under One
Roof , R#2, Dec 19, 1968 Original tape 5
|
90 | 29B | Composite Protection for Under One
Roof, R#3, Dec. 19, 1968 Original tape 6
|
90 | 30A | Composite Protection for Under One
Roof, R#5, Dec. 19, 1968 Original tape 7
|
90 | 30B | Composite Protection for Under One
Roof, R#6, Dec. 19, 1968 Original tape 8
|
90 | 31A | Composite Protection for Under One
Roof, R#7, Dec. 19, 1968 Original tape 9
|
90 | 31B | Composite Protection for Under One
Roof, R#8, Dec. 19, 1968 Original tape 10
|
90 | 32A | Under One Roof music, reels no. 1 and
2 Original tape 11
|
90 | 32B | Under One Roof music, reels no. 3 and
4 Original tape 12
|
90 | 33A | Under One Roof music, reels no. 5 and
6 Original tape 13
|
90 | 33B | Under One Roof music, reels no. 7 and
8 Original tape 14
|
90 | 34A | Short clips from Under One Roof (side
two of reel 14) Original tape 14
|
90 | 34B | (blank) |
90 | 35A | Composite pickup for Out There a Lone
Island, June 23, 1969 Original tape 15
|
90 | 35B | Narration spoken by Lindsay Workman,
for Out There, a Lone Island, Jan 9, 1969 Original tape 16
|
91 | 36A | Indigenous Sounds for film Under One
Roof, reels # 5,6,7,8 Original tape 17
|
91 | 36B | (blank) |
Sound, songs, and radio
programs |
||
container | cassette-side | |
91 | 37A | Train at Sangnam, June 1964 : Cow
Market at Sadong – including cow auctioneer, Oct.
1966 Original tape 1
|
91 | 37B | Cow Market Restaurant; Mountain
Cow Talk-echoes, Oct 1966 Original tape 2
|
91 | 38A | Cow Talk at loading on Blue
Dragon, Aug. 1964; Post Sync dialogue scene #20, Mar. 1967; Blue
Dragon Ship music at Todong with pong-pong of neighboring
fishing boat, March 1967; James Aaron Leynse, 7 ½ mo. old, baby
talk Original tape 3,4
|
91 | 38B | Dialogue scene #14,
effects Original tape 4
|
91 | 39A | Blue Dragon effects; Sangnam
train, Mar. 1967 Original tape 4
|
91 | 39B | Blue Dragon effects; funeral
mourns and chants Original tape 5
|
91 | 40A | Dialogue scenes #36, 37, and
38 Original tape 6
|
91 | 40B | Dialogue scenes #33, 29, 31, and
34 Original tape 7
|
91 | 41A | Chants; cuckoo bird; Moon-ja
singing Miyuk song Original tape 8
|
91 | 41B | (blank) |
91 | 42A | Korean Music Effects, June 27,
1967 Original tape 10
|
91 | 42B | Moon-ja’s song, birds twittering,
thrashing barley, Autumn Breeze (song) Original tape 11
|
91 | 43A | Cow Panting; Annual Old Men’s Club
Affair Original tape 12
|
91 | 43B | Crickets, rain and thunder
sounds Original tape 13
|
91 | 44A | Rain and thunder sounds, theme
ideas: Miss Kim sings Korean song, "Cradle Song" Original tape 14,15
|
91 | 44B | Two Korean Chants: Pyong Chong and
Pompei Original tape 15
|
91 | 45A | Squid Fishing Sounds (boat motors,
fisherman, squid being caught) Original tape 16
|
91 | 45B | Squid Return: waves and beach
sounds while squid fishers come in, shoveling rocks Original tape 17
|
91 | 46A | Funeral Chants, Monk with bell,
Field Day Sounds Original tape 18
|
91 | 46B | Korean pop music recorded from
radio in Seoul, Korea, May 1968 Original tape 19
|
91 | 47A | High School Band at Todong,
Barbershop sounds Original tape 20
|
91 | 47B | Barbershop sounds, Court
music Original tape 21
|
91 | 48A | Court music Original tape 22
|
91 | 48B | Scull squawks, water effects and
chickens cackling Original tape 23
|
91 | 49A | Bar sounds, Market sounds and
Street Sounds in Seoul Original tape 24
|
91 | 49B | Street Sounds in Seoul, April
1968 Original tape 25
|
91 | 50A | Korean farmers dance, Webcore
Stereophonic Sound Advertisement Original tape 26
|
91 | 50B | Webcore Stereophonic Sound
Advertisement w/ music from the Concert Series Original tape 26
|
91 | 51A | Out-takes of live ceremonial
sounds not used in the Sumo film, July 20, 1968 Original tape 27
|
91 | 51B | Sumo matches, recorded off radio
w/ Japanese commentary, July 13, 1968 Original tape 28
|
91 | 52A | Interview (in English) with Jesse
Takamiyama, Sumo wrestler from Hawaii, Oct. 18, 1968 Original tape 29
|
91 | 52B | Viennese Zithers Original tape 30
|
Subseries 2.2: Teaching Materials (See
file-card index in box 95)
Includes tapes (numbered 53-170) that Leynse recorded for use in teaching
college courses about cinema, especially history and criticism. These
consist of conversations and discussions recorded from television and
radio programs, speeches, and readings from autobiographies. Among some
of the subjects are film directors such as Robert Altman, Ingmar
Bergman, Frank Capra, Alfred Hitchcock, John Huston, Arthur Penn, and
Orson Welles, all of whom discuss their careers in films and filmmaking.
Leynse also recorded famous scenes from films like Casablanca (Bogart
and Bergman) and High Noon (Gary Cooper). Leynse made these tapes by
recording television programs such as "The History of the Movies," "The
Men who Made the Movies," "The Moviegoers," and others on more specific
subjects such as Japanese cinema and the impact of film on black
culture.
|
||
container | cassette-side | |
91 | 53A | Frank Capra on Why We Fight series
taken from his autobiography, The Name abovethe Title, narrated by
Paul Wadley
Counter 000-246 (Original tape
1)
|
91 | 53B | Frank Capra on the production of Lost
Horizon (1937) taken from his autobiography The Name abovethe Title,
narrated by Paul Wadley
Counter 000-274 (Original tape
2)
|
91 | 54A | NBC News Speaking Freely with Frank
Capra, interviewed by Edwin Nealman , Dec. 17, 1971
Counter 000-872 (Original tape
3)
|
91 | 54B | "Hollywood in the ‘50s" from TV series
The Dream Factory
Counter 000-235 (Original tape
4)
|
91 | 54A | TV Show Film Odyssey presents M
(1931), Frame of Reference interview with Fritz Lang (director of M)
and Phil Chamberland
Counter 245-498 (Original tape
5)
|
91 | 54A | TV Show Film Odyssey presents Ivan the
Terrible (1945) by Sergei Eisenstein, Frame of Reference interview
with Annette Michalson
Counter 508-764 (Original tape
6)
|
91 | 55A | TV Show Film Odyssey presents
Battleship Potemkin (1925) by Sergei Eisenstein, Frame of Reference
(Charles Champlin) interview with Annette Michalson
Counter 000-312 (Original tape
7)
|
91 | 55A | Frank Capra speaks on the death of
Harry Langdon
Counter 322-344 (Original tape
8)
|
91 | 55B | TV Show Film Odyssey presents Orphius
(1972) by Jean Cocteau, Frame of Reference (Charles Champlin)
interview with Peter Ustinof
Counter 000-359 (Original tape
9)
|
91 | 56A | TV Show Film Odyssey presents Knife in
the Water (1962) by Roman Polanski, Frame of Reference (Charles
Champlin) interview with Roman Polanski
Counter 000-365 (Original tape
10)
|
91 | 56B | TV Show Film Odyssey presents The
Overcoat (1961) by Nikolai (Vasilyevich) Gogol, Frame of Reference
(Charles Champlin) interview with Franklin Schaffner
Counter 000-217 (Original tape
11)
|
91 | 56B | TV Show Film Odyssey presents Our
Daily Bread (1934) by King Vidor, Frame of Reference (Charles
Champlin) interview with King Vidor and Peter Bogdanovich (film
critic)
Counter 227-395 (Original tape
12)
|
91 | 57A | TV Show Film Odyssey presents Yojimbo
(1961) by Akiri Kurasaura, Frame of Reference (Charles Champlin)
interview with Richard Brooks (director)
Counter 000-126 (Original tape
13)
|
91 | 57A | TV Show Film Odyssey presents The Last
Laugh (1924) by F.W. Murnau, Frame of Reference (Charles Champlin)
interview with John Schlesinger
Counter 036-329 (Original tape
14)
|
91 | 57A | Bette Davis interview from TV series
The Movie Crazy Years
Counter 334-426 (Original tape
15)
|
91 | 57B | Bette Davis interview from TV series
The Movie Crazy Years
Counter 000-243 (Original tape
16)
|
91 | 58A | TV Show Film Odyssey presents Sawdust
and Tinsel (1953) by Igmar Bergman, Frame of Reference (Charles
Champlin) interview with Stanley Kauffman (film critic),
1972
Counter 000-375 (Original tape
17)
|
91 | 58B | TV Show Film Odyssey presents Man of
Aran (1934) by Robert Flaherty, Frame of Reference (Charles
Champlin) interview with Arthur Night, 1972
Counter 000-195 (Original tape
18)
|
91 | 58B | TV Show Film Odyssey presents
L’adventura (1959) by Michelangelo Antonioni, Frame of Reference
(Charles Champlin) introduction, 1972
Counter 205-235 (Original tape
19)
|
91 | 58B | TV Show Film Odyssey presents Two
Daughters (1961) by Satjut Ray, Frame of Reference (Charles
Champlin) introduction
Counter 245-275 (Original tape
20)
|
91 | 58B | TV Show Film Odyssey presents Los
Olividados (1950) by Louis Buñel, Frame of Reference (Charles
Champlin) interview with Andrew Sarris, 1972
Counter 285-366 (Original tape
21)
|
91 | 59A | TV Show Film Odyssey presents Cabinet
of Dr. Caligari (1919) by Rob Weine, Frame of Reference (Charles
Champlin) interview with Alfred Hitchcock, 1972
Counter 000-463 (Original tape
22)
|
91 | 59B | Interview with Ingrid Bergman about
Casablanca, from TV series Life Goes to the Movies
Counter 000-126 (Original tape
23)
|
91 | 59B | Short interview with John Huston about
San Pietro and clips from the film
Counter 136-220 (Original tape
24)
|
91 | 59B | Film clips of Charlie Chaplin in
Monsieur Verdieux
Counter 230-251 (Original tape
25)
|
91 | 59B | Communism in Hollywood, from TV series
Hollywood in the 1940s
Counter 261-337 (Original tape
26)
|
91 | 59B | The Treasure of Sierra Madre (1948),
from TV series Hollywood in the 1940s
Counter 347-383 (Original tape
27)
|
91 | 59B | Excerpts from James Cagney films:
Roaring Twenties (1938), Strawberry Blond (1941), and White Heat
(1949), from TV series Hollywood in the 1940s
Counter 393-440 (Original tape
28)
|
91 | 60A | Spellbound (1945) by Alfred Hitchcock
(new techniques used in film), from TV series Hollywood in the
1940’s.
Counter 000-085 (Original tape
29)
|
91 | 60A | Excerpts from Frank Capra’s Meet John
Doe and remarks from Capra.
Counter 095-189 (Original tape
30)
|
91 | 60A | Interviews on Humphrey Bogart’s films:
Roaring Twenties (1939), They Drive by Night (1940), High Sierra
(1941), and The Maltese Falcon (1941)
Counter 199-323 (Original tape
31)
|
91 | 60B | World War II films Air Force (1943),
Mission to Moscow, request by President Roosevelt to enter WWII
(1941), patriotic songs
Counter 000-252 (Original tape
32)
|
91 | 61A | TV Show Film Odyssey presents Beauty
and the Beast (1946) by Jean Cocteau, Frame of Reference (Charles
Champlin) interview with Francis Steegmuller (Cocteau’s
biographer)
Counter 000-387 (Original tape
33)
|
91 | 61B | Discussion of Arthur Penn’s ending of
Bonnie and Clyde (1967), taken from film on Penn, Themes and
Variants
Counter 000-214 (Original tape
34)
|
91 | 61B | Discussion on impromptu directing and
violence and sex used by Arthur Penn, taken from film on Penn,
Themes and Variants
Counter 224-438 (Original tape
35)
|
91 | 62A | Discussion on Arthur Penn’s films
Alice’s Restaurant (1969) and Mickey One, taken from film on Penn
Themes and Variants
Counter 000-187 (Original tape
36)
|
91 | 62A | Discussion on Arthur Penn’s film
Little Big Man (1970), taken from film on Penn Themes and
Variants
Counter 197-251 (Original tape
37)
|
91 | 62A | TV Show Film Odyssey presents Rules of
the Game (1939) by Jean Renoir, Frame of Reference (Charles
Champlin) interview with Jean Renoir
Counter 261-396 (Original tape
38)
|
91 | 62B | TV Show Film Odyssey presents Intimate
Lighting (1965) by Ivan Passer, Frame of Reference (Charles
Champlin) interview with Robert Altman
Counter 000-269 (Original tape
39)
|
91 | 62B | TV Show Film Odyssey presents Barrier
(1966) Jersy Skolimowski, Frame of Reference (Charles Champlin)
interview with Jersy Skolimowski
Counter 279-356 (Original tape
40)
|
91 | 63A | TV Show Film Odyssey presents Jules
and Jim (1961) by Francois Truffaut, Frame of Reference (Charles
Champlin) interview with Jean Renoir
Counter 000-225 (Original tape
41)
|
91 | 63A | TV Show Film Odyssey presents The Blue
Angel (1942) by Joseph von Sternburg, Frame of Reference (Charles
Champlin) interview with Andrew Sarris
Counter 229-399 (Original tape
42)
|
91 | 63A | TV Show Film Odyssey presents Grand
Illusion (1937) Jean Renoir, Frame of Reference (Charles Champlin)
interview with Jean Renoir
Counter 404-456 (Original tape
43)
|
91 | 63B | TV Show Film Odyssey presents Seven
Samurai (1954) Akira Kurascausa, Frame of Reference (Charles
Champlin) interview with Tishoro Mifune
Counter 000-121 (Original tape
44)
|
91 | 63B | Mutiny on the Bounty, from TV (incl.
scene MGM lot bids of props) Wizard of Oz
Counter 131-149 (Original tape
45)
|
91 | 63B | Wizard of Oz (includes bidding on
glass shoes - $15,000)
Counter 159-193 (Original tape
46)
|
91 | 63B | Hollywood in the 1920’s
Counter 203-302 (Original tape
47)
|
91 | 63B | "Hollywood Starts," from the TV series
The Dream Factory (Greta Garbo, Clark Gable)
Counter 312-426 (Original tape
48)
|
91 | 64A | TV series The Dream Factory,
Hollywood
Counter 000-128 (Original tape
49)
|
91 | 64A | the song "Happy Endings"
Counter 138-164 (Original tape
50)
|
91 | 64B | (blank) |
91 | 65A | Honky Tonk Music (piano)
Counter 000-564 (Original tape
51)
|
91 | 65A | Lewis Milestone discusses his film All
Quiet on the Western Front (1930), spoken by Herbert Wood and H.
Leynse asking the interview questions
Counter 574-824 (Original tape
52)
|
91 | 65A | D.W. Griffith – His declining years
(by Igor Kosin)
Counter 829-901 (Original tape
53)
|
91 | 65B | Charlie Chaplin speaks about his
childhood
Counter 000-051 (Original tape
54a)
|
91 | 65B | Charlie Chaplin speaks about meeting
Max Sennett
Counter 056-179 (Original tape
54b)
|
91 | 65B | Charlie Chaplin speaks about Gold
Rush
Counter 184-291 (Original tape
54c)
|
91 | 65B | Charlie Chaplin speaks about his
immigration probe
Counter 296-405 (Original tape
54d)
|
91 | 65B | Charlie Chaplin speaks about leaving
the US
Counter 410-460 (Original tape
54e)
|
91 | 65B | Orson Welles introduces the TV showing
of the film Intolerance (1916) by D.W. Griffith
Counter 470-554 (Original tape
55)
|
91 | 66A | Honky Tonk Music
Counter 000-643 (Original tape
56)
|
91 | 66A | Norman McLaren interview by Canadian
TV about his films (beginning was not recorded), Oct.
1972
Counter 653-807 (Original tape
57)
|
91 | 66B | 45th Academy Awards, cut to awards won
by Cabaret (most awards), Mar. 1973
Counter 000-576 (Original tape
58)
|
91 | 66B | 45th Academy Awards, announcement of
Limelight, Mar. 1973
Counter 586-627 (Original tape
59)
|
91 | 67A | American Film Institute tribute to
John Ford, April 2, 1973
Counter 000-915 (Original tape
60)
|
91 | 67B | American Film Institute tribute to
John Ford (continued from side a), April 2, 1973
Counter 000-167 (Original tape
60)
|
91 | 67B | 45th Academy Awards, special on Edward
G. Robinson introduced by James Cagney, Mar. 1973
Counter 177-332 (Original tape
61)
|
91 | 67B | 45th Academy Awards, music medley for
the 50th Anniversary of Disney Productions, Mar. 1973
Counter 342-418 (Original tape
62)
|
91 | 67B | 45th Academy Awards, Humanitarian
Award given by Frank Sinatra, Mar. 1973
Counter 428-497 (Original tape
63)
|
91 | 67B | 45th Academy Awards, best actor award
for Godfather (Marlon Brando), March 1973
Counter 507-642 (Original tape
64)
|
91 | 68A | Frank Capra at the Seattle Film
Society, Mar. 9, 1973
Counter 000-851 (Original tape
65)
|
91 | 68B | Frank Capra at the Seattle Film
Society (continued from Side A), March 9, 1973
Counter 000-704 (Original tape
65)
|
91 | 69A | TV series Humanities Film Forum
presents Hamlet (1969) by Tony Ricardson, opening and ending
comments only with host Jim Billington, March 12, 1973
Counter 000-558 (Original tape
66)
|
91 | 69A | Film clip from Sergant York (1941) by
John Huston
Counter 568-608 (Original tape
67)
|
91 | 69A | Don Manicienicz talking about Citizen
Kane at the Motion Picture Seminar of the Northwest , May 5,
1973
Counter 618-729 (Original tape
68)
|
91 | 69A | PBS TV special "Eisenstein" about
Russian film director Sergei Eisenstein: his early background, May
1973
Counter 739-888 (Original tape
69)
|
91 | 69B | PBS TV special "Eisenstein" on Sergei
Eisenstein’s films Strike (1924) and Battleship Potempkin (1925),
May 1973
Counter 000-180 (Original tape
70)
|
91 | 69B | PBS TV special "Eisenstein" on Sergei
Eisenstein’s films Ten Days that shook the World (1927) and Old and
New, May 1973
Counter 185-493 (Original tape
71)
|
91 | 69B | PBS TV special "Eisenstein" on Sergei
Eisenstein overseas (his western tour in London), including Que Viva
Mexico (1930) and Thunder over Mexico, May 1973
Counter 498-668 (Original tape
72)
|
91 | 69B | PBS TV special "Eisenstein" on Sergei
Eisenstein in Russia again, May 1973 Original tape 73
|
91 | 69B | PBS TV special "Eisenstein" on Ivan
the Terrible (1943) and Sergei Eisenstein’s Last Days, May
1973
Counter 806-921 (Original tape
74)
|
91 | 70A | Camera Talk with Mike Tatem: "What
kind of Camera to Buy"
Counter 000-113 (Original tape
75)
|
91 | 70A | Camera Talk with Mike Tatem: "Films:
Black and White vs. Color"
Counter 118-175 (Original tape
76)
|
91 | 70A | Camera Talk with Mike Tatem:
"Electronic Flash"
Counter 180-248 (Original tape
77)
|
91 | 70A | Camera Talk with Mike Tatem: "You and
the Dark Room"
Counter 253-324 (Original tape
78)
|
91 | 70A | Camera Talk with Mike Tatem:
"Accessories"
Counter 329-394 (Original tape
79)
|
91 | 70A | Camera Talk with Mike Tatem: "Indoor
Photography"
Counter 399-394 (Original tape
80)
|
91 | 70B | Camera Talk with Mike Tatem: "Light
Meter"
Counter 000-113 (Original tape
81)
|
91 | 70B | Camera Talk with Mike Tatem: "Light
Meters"
Counter 118-181 (Original tape
82)
|
91 | 70B | Camera Talk with Mike Tatem: "The
Photographic Eye"
Counter 186-266 (Original tape
83)
|
91 | 70B | Camera Talk with Mike Tatem:
"Photographing Human Emotion"
Counter 271-340 (Original tape
84)
|
91 | 70B | Camera Talk with Mike Tatem:
"Filters"
Counter 345-411 (Original tape
85)
|
91 | 70B | Camera Talk with Mike Tatem: "Macro
and Zoom Lessons"
Counter 416-475 (Original tape
86)
|
91 | 71A | Katherine Hepburn on the Dick Cavett
TV Show, First of 2 part series, Oct. 2 1973
Counter 000-911 (Original tape
87)
|
91 | 71B | Part I continued, of Katherine Hepburn
on the Dick Cavett TV Show, Oct. 2 1973
Counter 000-108 (Original tape
87)
|
91 | 71B | Part II of Katherine Hepburn on the
Dick Cavett TV Show, Oct. 2 1973
Counter 118-889 (Original tape
88)
|
92 | 72A | Katherine Hepburn reminisces about
experience making African Queen (1951) with Humphrey Bogart. Clip
from the Dick Cavett TV Show, Oct. 3 1973
Counter 000-141 (Original tape
89)
|
92 | 72A | Katherine Hepburn interview about
early cinema and what it’s like in Hollywood. Clip from Dick Cavett
TV Show
Counter 151-248 (Original tape
90)
|
92 | 72A | Camera Talk with Mike Tatem:
"Enlarging Hints"
Counter 258-331 (Original tape
91)
|
92 | 72A | Camera Talk with Mike Tatem:
"Available Light Photography"
Counter 341-390 (Original tape
92)
|
92 | 72B | KWSU Radio Show: The Moviegoers
moderated by Humphrey Leynse, first show, Sept. 1973.
Counter 000-285 (Original tape
93)
|
92 | 72B | Ending clip of Frank Capra taken from
the TV show Men Who Made the Movies, Nov. 11, 1973
Counter 295-350 (Original tape
94)
|
92 | 73A | Frank Capra’s Meet John Doe (1941)
taken from the TV Series Men Who Made The Movies, Nov.
1973
Counter 000-276 (Original tape
95)
|
92 | 73A | Frank Capra’s Lost Horizon (1937)
taken from the TV Series Men Who Made The Movies, Nov.
1973
Counter 281-358 (Original tape
96)
|
92 | 73A | Frank Capra’s Why We Fight Series from
the TV Series Men Who Made The Movies, Nov. 1973
Counter 263-407 (Original tape
97)
|
92 | 73A | Frank Capra’s Arsenic and Old Lace
(1944) taken from the TV Series Men Who Made The Movies, Nov.
1973
Counter 412-462 (Original tape
98)
|
92 | 73A | Frank Capra’s It Happened One Night
(1934) taken from the TV Series Men Who Made The Movies, Nov.
1973
Counter 467-574 (Original tape
99)
|
92 | 73A | Frank Capra’s It’s a Wonderful Life
(1946) from the TV Series Men Who Made The Movies, Nov.
1973
Counter 579-703 (Original tape
100)
|
92 | 73A | Frank Capra’s Mr. Deeds Goes to Town
(1936) taken from the TV Series Men Who Made The Movies, Nov.
1973
Counter 708-793 (Original tape
101)
|
92 | 73B | Frank Capra’s Mr. Smith Goes to
Washington (1939) taken from the TV Series Men Who Made The Movies,
Nov. 1973
Counter 000-250 (Original tape
102)
|
92 | 73B | Howard Hawks interview taken from the
TV Series Men Who Made The Movies, includes clips from Crowd Roars
(1932), 20th Century (1934), Only Angels Have Wings (1939), His Girl
Friday(1940), Air Force (1943), Nov. 1973
Counter 255-714 (Original tape
103)
|
92 | 73B | Howard Hawks interview taken from the
TV Series Men Who Made The Movies, includes clips from To Have and
To Have Not (1944), Nov. 1973
Counter 719-807 (Original tape
104)
|
92 | 73B | Howard Hawks’ Red River (1948) taken
from the TV Series Men Who Made The Movies, Nov. 1973
Counter 812-887 (Original tape
105)
|
92 | 74A | Howard Hawks’ Rio Bravo (1959) taken
from the TV Series Men Who Made The Movies, Nov. 1973
Counter 000-211 (Original tape
106)
|
92 | 74A | Raoul Walch – His early life and films
taken from the TV Series, Men Who Made The Movies, Nov.
1973
Counter 216-632 (Original tape
107)
|
92 | 74A | Raoul Walsh’s The Roaring Twenties
(1939) from the TV Series Men Who Made The Movies, Nov.
1973
Counter 637-712 (Original tape
108)
|
92 | 74A | Raoul Walsh’s High Sierra (1941) taken
from the TV Series Men Who Made The Movies, Nov. 1973
Counter 717-808 (Original tape
109)
|
92 | 74B | Raoul Walsh’s The Strawberry Blond
(1941) from the TV Series Men Who Made The Movies, Nov.
1973
Counter 000-218 (Original tape
110)
|
92 | 74B | Raoul Walsh’s They Died with Their
Boots (1941) On from the TV Series Men Who Made The Movies, Nov.
1973
Counter 223-425 (Original tape
111)
|
92 | 74B | Raoul Walsh’s Gentleman Jim (1942)
taken from the TV Series Men Who Made The Movies, Nov.
1973
Counter 440-540 (Original tape
112)
|
92 | 74B | War years films by Raoul Walsh from
the TV Series Men Who Made The Movies, Nov. 1973
Counter 545-624 (Original tape
113)
|
92 | 74B | Raoul Walsh’s White Heat (1949) and
his last films, from the TV Series Men Who Made The Movies, Nov.
1973
Counter 629-765 (Original tape
114)
|
92 | 75A | "George Lukor – His Films" (Part I),
from the TV Series Men Who Made the Movies , Nov. 1973
Counter 000-509 (Original tape
115)
|
92 | 75B | "George Lukor – His Films" (Part II),
from the TV Series Men Who Made the Movies, Nov. 1973
Counter 000-533 (Original tape
116)
|
92 | 76A | "The Films of Vincent Minelli" (Part
I), from the TV Series Men Who Made the Movies, Nov.
1973
Counter 000-468 (Original tape
117)
|
92 | 76B | "The Films of Vincent Minelli" (Part
II), from the TV Series Men Who Made the Movies
Counter 000-439 (Original tape
118)
|
92 | 76B | ("Science in the News" feature of WSU
TV and Radio – ending clip)
Counter 439-448 (Original tape
118)
|
92 | 77A | "William Wellman" (Part I), taken from
the TV Series Men Who Made the Movies
Counter 000-453 (Original tape
119)
|
92 | 77B | "William Wellman" (Part II), taken
from the TV Series Men Who Made the Movies
Counter 000-438 (Original tape
120)
|
92 | 77B | ("Literacy Scrapbook" WSU Radio –
ending clip)
Counter 439-444 (Original tape
120)
|
92 | 78A | "Alfred Hitchcock – His Early Years,"
from the TV Series Men Who Made the Movies
Counter 000-177 (Original tape
121)
|
92 | 78A | Alfred Hitchcock’s The Lodger (1926)
and Sabeoteur (1942), taken from the TV Series Men Who Made the
Movies
Counter 182-324 (Original tape
122)
|
92 | 78A | Alfred Hitchcock’s Uncle Charlie, from
the TV Series Men Who Made the Movies
Counter 329-409 (Original tape
123)
|
92 | 78A | Alfred Hitchcock’s Notorious (1946),
taken from the TV Series Men Who Made the Movies
Counter 413-520 (Original tape
124)
|
92 | 78A | Alfred Hitchcock’s Psycho (1960),
taken from the TV Series Men Who Made the Movies
Counter 525-642 (Original tape
125)
|
92 | 78B | Alfred Hitchcock’s the Birds (1963),
taken from the TV Series Men Who Made the Movies
Counter 000-149 (Original tape
126)
|
92 | 78B | Alfred Hitchcock’s Torn Curtain (1966)
and Frenzy (1971), taken from the TV Series Men Who Made the
Movies
Counter 159-325 (Original tape
127)
|
92 | 78B | "Films of King Vidor" (Part I), taken
from the TV Series Men Who Made the Movies
Counter 330-705 (Original tape
128)
|
92 | 79A | "Films of King Vidor" (Part II), taken
from the TV Series Men Who Made the Movies
Counter 000-432 (Original tape
129)
|
92 | 79B | Humphrey Leynse interviewed by Jim
Dunne, commentator of WSU Radio show Lets Talk About That (program
#541). Topic: Film Criticism
Counter 000-461 (Original tape
130)
|
92 | 80A | *Classical music recording of
Rossial
Counter 000-661 (Original tape
131)
|
92 | 80B | *Classical music recording of
Mozart
Counter 000-586 (Original tape
132)
|
92 | 81A | *Classical music recording of
Suppe
Counter 000-600 (Original tape
133)
|
92 | 81B | *Classical music recording of
Hadyn
Counter 000-616 (Original tape
134)
|
92 | 82A | The Moviegoers – WSU film criticism
radio show, Mar. 15, 1974
Counter 000-510 (Original tape
135)
|
92 | 82B | (blank) |
92 | 83A | Platform Presentation by Vincent Price
entitled "The Villains Still Pursue Me," Mar. 16, 1974
Counter 000-910 (Original tape
136)
|
92 | 83B | Vincent Price (cont.), Mar. 15,
1974
Counter 000-043 (Original tape
136)
|
92 | 83B | Platform Presentation by Vincent Price
entitled "The Villains Still Pursue Me", Mar. 16, 1974
Counter 048-677 (Original tape
137)
|
92 | 84A | Carl Orff’s Carmina Burana (Part
I)
Counter 000-518 (Original tape
138)
|
92 | 84A | Carl Orff’s Carmina Burana (Part
II)
Counter 523-870 (Original tape
139)
|
92 | 84B | Tchaikovsky
Counter 000-637 (Original tape
140)
|
92 | 85A | Prokofiev: Alexander Nevsky, Love of
Three Oranges
Counter 000-612 (Original tape
141)
|
92 | 85A | James Cagney receives the Life
Achievement Award by the American Film Institute, Master of
Ceremonies: Frank Sinatra (reel 1)
Counter 622-911 (Original tape
142)
|
92 | 85B | American Film Institute, reel 1
continued
Counter 000-143 (Original tape
142)
|
92 | 85B | American Film Institute, reel
2
Counter 148-644 (Original tape
143)
|
92 | 85B | American Film Institute, reel
3
Counter 649-775 (Original tape
144)
|
92 | 86A | The Moviegoers interview with Vincent
Price, Mar 16, 1974
Counter 000-300 (Original tape
145)
|
92 | 86B | The Moviegoers with two guests: Robert
Littlewood and Vincent Price
Counter 000-502 (Original tape
146)
|
92 | 87A | Mozart – Beethoven –
Smetana
Counter 000-623 (Original tape
147)
|
92 | 87B | Tchaikovsky – Symphony #4
Counter 000-574 (Original tape
148)
|
92 | 88A | Eddie Cantor singing "Making Whoopie"
(1930)
Counter 000-033 (Original tape
149)
|
92 | 88A | From the TV show "The Movies," The
Chase, Mar. 30, 1974; Teddy at the Throttle, Never Give A Sucker an
Even Break (1941), Ben Hur (1925), Bullitt (1968), Casablanca
(1943)
Counter 043-414 (Original tape
150)
|
92 | 88A | Al Jolson in "Jazz Singer," Toot Toot
Tootsie, etc.
Counter 424-449 (Original tape
151)
|
92 | 88B | The Marx Brothers (1931)
Counter 000-087 (Original tape
152a)
|
92 | 88B | The Marx Brothers receiving the
Honorary Award at the Academy Awards, April 1974
Counter 094-256 (Original tape
152b)
|
92 | 88B | Sunset Boulevard (1950), Von Stroheim,
Wm. Holden
Counter 266-304 (Original tape
153)
|
92 | 88B | Blue Angel, song: "Can’t Help It,"
sung by M. Dietrich
Counter 314-334 (Original tape
154)
|
92 | 88B | Going to Town (1935), Mae
West
Counter 344-369 (Original tape
155)
|
92 | 89A | From TV series The Movies, Close Up
Kisses in the Movies (clips)
Counter 000-608 (Original tape
156)
|
92 | 89B | J.S. Bach, harpsichord, Concerts in C
major, C minor, A minor
Counter 000-608 (Original tape
157)
|
92 | 89B | song: "Hurray for
Hollywood"
Counter 510-527 (Original tape
158)
|
92 | 90A | From the TV series The Movies, songs
and scenes from Space Odyssey, narrated by Jack Nicholson, C. Gish,
Carl Malden and Gregory Peck
Counter 000-369 (Original tape
159)
|
92 | 90B | From the TV series The Movies, Eyes on
the Sparrow, Sound of Music, Zippededoodah Original tape 160
|
92 | 91A | From the TV series The
Movies,
Counter 000-503 (Original tape
161)
|
92 | 91B | Gone With the Wind, Mar.
1974
Counter 000-328 (Original tape
162)
|
92 | 91B | Henri Langlois receives award at the
Academy Awards, April 1974
Counter 333-390 (Original tape
163)
|
92 | 91B | Cries and Whispers wins Best
Cinematography award at Academy Awards, April 1974
Counter 395-466 (Original tape
164)
|
92 | 91B | A Touch of Class nominated for Best
Picture of the Year at Academy Awards (film clip)
Counter 471-498 (Original tape
165)
|
92 | 91B | Day for Night (Truffant) wins Best
Foreign Film of the Year at Academy Awards, April 1974
Counter 503-533 (Original tape
166)
|
92 | 91B | Clip from Exorcist, 5th nominee for
Best Picture at Academy Awards, April 1974
Counter 538-562 (Original tape
167)
|
92 | 91B | From the TV show "The Movies," clip
from High Noon
Counter 567-605 (Original tape
168)
|
92 | 91B | (clip) On the Waterfront (Marlon
Brando)
Counter 610-637 (Original tape
169)
|
92 | 92A | "The Moviegoers" thirtieth issue, last
for the season
Counter 000-500 (Original tape
170)
|
92 | 92A | Marshal McLuhan speaks on human
behavior and the new and the old
Counter 510-535 (Original tape
171)
|
92 | 92A | From TV show "History of the Movies,"
clip on Harold Lloyd
Counter 540-571 (Original tape
173)
|
92 | 92A | From TV show "History of the Movies:
Laurel and Hardy" (early period before they got
together)
Counter 576-636 (Original tape
174)
|
92 | 92A | From TV show "History of the Movies:
Buster Keaton"
Counter 641-667 (Original tape
175)
|
92 | 92B | "The Moviegoers," November
8
Counter 000-500 (Original tape
172)
|
92 | 92B | Harry Langdon: From TV show History of
the Movies
Counter 510-548 (Original tape
176)
|
92 | 92B | Charlie Chaplin’s early films: From TV
show "History of the Movies"
Counter 553-614 (Original tape
177)
|
92 | 93A | Comments on Double Suicide (1969) by
Masahiro Shinoda, From TV series The Japanese Film, Jan.
1975
Counter 000-177 (Original tape
178)
|
92 | 93A | Karikiri, From TV series The Japanese
Film (poor recording), February 1975
Counter 182-298 (Original tape
179)
|
92 | 93B | Three filmmakers discuss Edward
Curtis’ work in a documentary. Curtis embarked on a project to
record on film all available info on North American Indians
(1896)
Counter 000-405 (Original tape
180)
|
92 | 94A | Ansel Adams interview by Susan Sollens
on NPR
Counter 000-170 (Original tape
181)
|
92 | 94A | (side 2) President Nixon announces
resignation from the Oval Office (end is cut off)
Counter 175-233 (Original tape
181)
|
92 | 94A | Sanjuro (1962) by Akiro Kurosawa and
Japanese Film History, From TV series "The Japanese
Film"
Counter 243-480 (Original tape
182)
|
92 | 94B | The Moviegoers, February 14,
1975
Counter 000-443 (Original tape
183)
|
92 | 95A | Night Drum (1958) by Tadashi Imai,
From TV series "The Japanese Film"
Counter 000-191 (Original tape
184)
|
92 | 95A | Harp of Burma (1956) by Kon Ichikawa,
From TV series "The Japanese Film,"January 23, 1975
Counter 201-391 (Original tape
185)
|
92 | 95A | D.W. Griffith: Lillian Gish on Radio,
January 1975
Counter 396-448 (Original tape
186)
|
92 | 95B | Audio Soundtrack from film Glimpses of
Indian Cinema, also Al Butler speaks on thunder on The Science in
the News radio show
Counter 000-410 (Original tape
188)
|
92 | 96*A | Honky Tonk Music Original tape 187
|
92 | 96*B | Honky Tonk Music cont. Original tape 187
|
92 | 97A | Soundtrack from the film African Queen
(1951), Part I
Counter 000-914 (Original tape
189)
|
92 | 97B | Soundtrack from the film African Queen
(1951), Part I cont.
Counter 000-074 (Original tape
189)
|
92 | 97B | Soundtrack from the film African Queen
(1951), Part II
Counter 079-571 (Original tape
190)
|
92 | 97B | Ugetsu (1953) by Kenji Mizoguchi,
comments by Edwin Reichamer, from TV series The Japanese Film,
February 1975
Counter 576-777 (Original tape
191)
|
92 | 98A | Comments on When A Woman Ascends the
Stairs (1960) by Mikio Naruse, from the TV series The Japanese Film,
Mar. 1975
Counter 000-410 (Original tape
192)
|
92 | 98A | Tribute to 80 years of Hollywood
filmmaking – Hollywood music for the chase (i.e. chase
scenes)
Counter 420-476 (Original tape
193)
|
92 | 98A | Sansho the Baliff (1954) by Kenji
Mizoguchi, from the TV series The Japanese Film, Mar. 1975 (also
comments on Japanese culture and male/female roles in
society)
Counter 486-577 (Original tape
194)
|
92 | 98B | Twenty Four Eyes (1954) by Keisuke
Kinoshita, from TV series, The Japanese Film, Mar. 1975
Counter 000-304 (Original tape
195)
|
92 | 98B | Gate of Hell (1953) by Teinosuke
Kinugasa, from TV series The Japanese Film, Mar. 1975
Counter 314-434 (Original tape
196)
|
92 | 99A | 51st airing of The Moviegoers
(1974)
Counter 000-418 (Original tape
197)
|
92 | 99A | Early Summer (1951) by Ozu, from TV
series The Japanese Film, Mar. 1975
Counter 508-621 (Original tape
198)
|
92 | 99B | NBC Today Show comments by Vincent
Canby (NY Times) and Richard Schickel (TIME) on the forthcoming
Academy Award Winners, April 8, 1975
Counter 000-236 (Original tape
199)
|
92 | 99B | Howard Hawks receives Honorary Award
at the 47th Academy Awards, April 8, 1975
Counter 246-335 (Original tape
200)
|
92 | 99B | Jean Renoir receives Honorary Award,
accepted by Ingrid Bergman at the 47th Academy Awards, April 8,
1975
Counter 345-394 (Original tape
201)
|
92 | 99B | Special tribute to Fred Astaire at
47th Academy Awards, presented and sung by Sammy Davis, April 8,
1975
Counter 408-477 (Original tape
202)
|
92 | 100A | 47th Academy Awards, April 8,
1975
Counter 000-915 (Original tape
203)
|
92 | 100B | 47th Academy Awards cont., April 8,
1975
Counter 000-306 (Original tape
203)
|
92 | 100B | 47th Academy Awards, part II, April 9,
1975
Counter 311-742 (Original tape
204)
|
92 | 100B | Script Writers Award presented by
James Michener at the 47th Academy Awards, April 9, 1975
Counter 752-804 (Original tape
205)
|
92 | 101A | Strauss: Death and Transfiguration,
Don Juan; Mahler: Symphony #1 (1st and 2nd movements)
Counter 000-702 (Original tape
206)
|
92 | 101B | Strauss cont.
Counter 000-072 (Original tape
206)
|
92 | 102A | Mahler – Symphony #1 in D, "Titan," ;
Beethoven – Symphony #7, A major ; Strauss – Death and
Transfiguration, Don Juan
Counter 000-915 (Original tape
207)
|
92 | 102B | Mahler, Beethoven and Strauss
cont.
Counter 000-915 (Original tape
207)
|
92 | 103A | American Film Institute tribute to
Orson Welles, reel 1 of 3. Highlighting the program are clips from
some of Welles’ best films, including "Citizen Kane," "The
Magnificent Ambersons" (1942), "Othello" (1955) and "Falstaff:
Chimes at Midnight" (1967): and from "The Other Side of the Wind,"
which (was) still in production. At press time, celebrities
scheduled to honor Welles included host Frank Sinatra, Charlton
Heston, Ingrid Bergman, Edgar Bergen (With Charlie McCarthy), Joseph
Cotton, Janet Leigh and Dennis Weaver.
Counter 000-519 (Original tape
208)
|
92 | 103B | American Film Institute tribute to
Orson Welles, reel 2 of 3
Counter 000-524 (Original tape
209)
|
92 | 103B | American Film Institute tribute to
Orson Welles, reel 3 of 3
Counter 529-704 (Original tape
210)
|
92 | 104A | 60 Minutes interview with Federico
Fellini, May 1975
Counter 000-210 (Original tape
211)
|
92 | 104A | The Moviegoers 100th – how it began,
how it’s put together and why it’s so popular, Jan. 14,
1975
Counter 215-636 (Original tape
218)
|
92 | 104B | WSU Dept. of Music Student
Convocation, February 10, 1976, original compositions from MUS 251
class:
Counter 000-642 (Original tape
218)
|
92 | 105*A | "The Drowning Pool," an interview with
Gordon Willis Original tape 213
|
92 | 105*B | "The Drowning Pool," an interview with
Lawrence Turman and David Foster Original tape 213
|
92 | 106*A | "The Yakuza," an interview with Sydney
Pollack Original tape 214
|
92 | 106*B | "The Yakuza," an interview with Robert
Towne Original tape 214
|
92 | 107*A | "Aloha Bobby and Rose," an interview
with William Fraker Original tape 215
|
92 | 107*B | "Aloha Bobby and Rose," an interview
with Floyd Mutrux Original tape 215
|
92 | 108*A | "Night Moves," an interview with
Arthur Penn Original tape 216
|
92 | 108*B | "Night Moves," an interview with Bruce
Surtees Original tape 216
|
93 | 109A | Charlie Chaplin: a Nostalgia Theater
Presentation with commentator Douglas Sparebanks Jr
Counter 000-915 (Original tape
220)
|
93 | 109B | Charlie Chaplin (cont. side 2) and
Charles Kuralt CBS story "On the Road"
Counter 000-612 (Original tape
220)
|
93 | 110A | WSU Dept. of Music presents WSU in
Concert: Istuan Nadas (artist in residence) plays the keyboard:
Fantasia (Chopin) and de Falla, Kimbrough Hall
Counter 000-506 (Original tape
221)
|
93 | 110B | (blank) |
93 | 111*A | "Let’s Do it Again," an interview with
Curtis Mayfield Original tape 222
|
93 | 111*B | "Let’s Do it Again," an interview with
Sidney Poitier Original tape 222
|
93 | 112*A | "Lowell Thomas Remembers"¾
Documentary, Oct. 5, 1975. A history of movie news reels
(1919-1963). The 1937 Hindenburg disaster, the eruption of Mount
Etna in 1923, and the Russian Revolution are among the headline
stories recalled in the first show of a series tracing the history
of movie new reels. Veteran commentator Lowell Thomas serves as host
for the programs, which draw upon Fox-Movietone News clips from
1919-1963. In the opener, Thomas reminisces about the medium’s early
years. |
93 | 112*B | "Lowell Thomas Remembers" –
documentary, Oct. 19, 1975. The events of World War II dominate
these film clips from 1942. Highlights include scenes of the Allied
raid on Dieppe, a Nazi-held French port; air-sea fighting in the
Mediterranean; and Prime Minister Churchill reviewing U.S. troops
and equipment at a parade at Fort Jackson, S.C. |
93 | 113*A | (broken tape)! "Lowell Thomas
Remembers" – Documentary, Oct. 12, 1975 ; The election of President
Franklin D. Roosevelt is among the headlines of 1932 recalled in
newsreels. Other featured clips include Al Capone beginning a prison
sentence for income tax evasion; aviatrix Amelia Earhart setting a
new record for crossing the U.S. – 10 hours and 19 minutes; and a
speech by President Roosevelt. Original tape 224
|
93 | 113*B | BROKEN! "Lowell Thomas Remembers" –
Documentary, Oct. 26, 1975. Election news dominates the events of
1952. Film clips cover the Democratic and Republican conventions and
the landslide victory of President Eisenhower. Other excerpts
include scenes of an atomic-bomb test in Nevada Original tape 224
|
93 | 114*A1 | "WWII in North Africa 1940," TV
special aired Nov. 9, 1975. The seesaw desert war begins –tanks hold
the key to success. Early British victories are reversed when Rommel
sweeps across the sands. Films from national and private sources
follow the fierce victory-retreat-victory cycles of El Alamein,
Tobruk and Benghazi. Officers from both sides candidly discuss the
hardships and unique problems encountered. Original tape 225
|
93 | 114*B1 | "WWII in North Africa 1940," TV
special aired Nov. 9, 1975 Original tape 225
|
93 | 115*A2 | "World At War 1942," TV special aired
Nov. 2, 1975. The United States prepares for and enters the war.
Roosevelt is reelected, the Lend-Lease Bill is passed and aid goes
to Britain. U-boats attack American escort ships in the Atlantic and
the Neutrality Act is repealed. Films from national and private
sources show Japanese-Americans being sent to incarceration camps
and war preparations. Footage also highlights the fall of Manila,
the surrender of American troops at Bataan and the battle at Midway
Island Original tape 225
|
93 | 115*B2 | "World At War 1942," TV special aired
Nov. 2, 1975 Original tape 225
|
93 | 116*A1 | War of the Worlds - Drama, aired Oct.
31, 1975. 1975 TV-movie based on a true incident: "The Night That
Panicked America" follows the events surrounding Orson Welles’ 1938
radio adaptation of H.G. Wells’ "War of the Worlds" a broadcast that
convinced many Americans that Martians had actually attacked New
Jersey (2 hours) Original tape 226
|
93 | 116*B2 | War of the Worlds (cont.) Original tape 226
|
93 | 117*A3 | War of the Worlds (cont.) Original tape 226
|
93 | 117*B4 | War of the Worlds (cont.) Original tape 226
|
93 | 118*1a | "World At War" – documentary, aired
Nov. 16, 1975. A bitter German defeat at the hands of the Russians –
the battle of Stalingrad. (60 min.) Original tape 227
|
93 | 118*1b | "World At War" –documentary, aired
Nov. 16, 1975. Battle of Stalingrad (cont.) Original tape 227
|
93 | 119*2a | "World At War" – documentary, aired
Nov. 23, 1975. 1943: U-boat wolf packs stalk the Atlantic, sinking
merchant ships on the way to England. On Oct. 17, "the night of the
long knives," half the convoy is lost. Capt. Eyton Jones, whose ship
was sunk halfway between Brazil and North Africa, recalls how the
Germans laughingly retrieved cargo form his ship. Films from
national and private sources show U-boats launching torpedoes. (60
min.) Original tape 227
|
93 | 119*2b | "World At War" – documentary, aired
Nov. 23, 1975. U-boats (cont.) Original tape 227
|
93 | 120*A | "Bogart" – Documentary, aired Nov. 17,
1975. Special: The life and legend of Humphrey Bogart are portrayed
in clippings from his movies, footage of his off-screen activities
and remembrances by Ingrid Bergman, George Raft and producer Stanley
Kramer. Excerpted films include "Casablanca." (60 min) Original tape 228
|
93 | 120*B | "Bogart" – Documentary
continued Original tape 228
|
93 | 121*A | The Moviegoers, Nov. 21, 1975 (28
min.) Original tape 229
|
93 | 121*B | (blank) |
93 | 122*A | "World At War" – Documentary, aired
Nov. 30, 1975. The Soviet Union…where Hitler’s surge east is finally
stopped – at a cost of 20 million lives. Films show the German
occupation, the devastated countryside, factories being moved on
trains to eastern Russia and the spring thaw of 1942, which reveals
thousands of corpses in the streets and yards of Leningrad. Church
services resume, fresh troops arrive by ship. (60 min) Original tape 230
|
93 | 122*B | "World At War" – Documentary,
(cont.) Original tape 230
|
93 | 123*A | "Lowell Thomas Remembers" –
Documentary, aired Dec. 7, 1975. WWII dominates clips from 1941.
Events covered include the Japanese bombing of Pearl Harbor, which
prompted America’s entry into the war; the German invasion of
Yugoslavia and Greece. Original tape 231
|
93 | 123*B | "International Report," aired Dec. 7,
1975. A view of the U.S. from abroad is offered in four
documentaries produced in England, Japan , Denmark and Canada.
Subjects include the Boston busing crisis Original tape 231
|
93 | 124*A | "World At War" – Documentary, aired
Jan. 18, 1976. Holland, 1940-44: The long years between capitulation
and liberation. Films highlighting the German occupation are
accompanied by comments by Dutch civilians. Included in the footage:
a rally of Dutch Nazis, the issuing of identity cards,
transportation of Jews to concentration camps, conscription of Dutch
men to work in war munitions factories and the harsh winter of 1944.
Laurence Olivier is the series narrator Original tape 232
|
93 | 124*B | "World At War" – Documentary, aired
Jan. 18, 1976, (cont.) Original tape 232
|
93 | 125*A | Contemporary Japanese
Society Original tape 233
|
93 | 125*B | (blank) |
93 | 126*A | Stanley Kubrick Original tape 234
|
93 | 126*B | (blank) |
93 | 127*A | American Film Institute’s Tribute to
William Wyler, Mar. 14, 1976, side 1/3 Original tape 236
|
93 | 127*B | American Film Institute’s Tribute to
William Wyler, Mar. 14, 1976, side 2/3 Original tape 236
|
93 | 128*A | American Film Institute’s Tribute to
William Wyler, Mar. 14, 1976, side 3/3 Original tape 236
|
93 | 128*B | (blank) |
93 | 129*A | The Moviegoers, February 14, 1975 with
Chief Dan George Original tape 237
|
93 | 129*B | (blank) |
93 | 130*A | Gary Kilder, Dec. 13, 1975. An
ethnographer-filmmaker from Australia interviewed by Jim Hunt and
Humphrey Leynse (50 min.) Original tape 238
|
93 | 130*B | Gary Kilder, Dec. 13, 1975
(cont.) Original tape 238
|
93 | 131*A | Gene Roddenberry, 1975.
Science-fiction writer interviewed by Jim Hunt (76 min) Original tape 239
|
93 | 131*B | Gene Roddenberry interview, 1975
(cont.) Original tape 239
|
93 | 132*A | Roger Greenspun, WSU Lecture Artist
Series, February 12, 1976 Original tape 240
|
93 | 132*B | Roger Greenspun (cont.) Original tape 240
|
93 | 133A | Greenspun interview (9:10)
Counter 000-186 (Original tape
240a)
|
93 | 133B | (blank) |
93 | 134*A | (blank) |
93 | 134*B | KGUR interview with Gene Roddenberry,
1975 Original tape 241
|
93 | 135*A | 48th Academy Awards, Mar. 29,
1976 Original tape 242
|
93 | 135*B | 48th Academy Awards, Mar. 29,
1976 Original tape 242
|
93 | 136*A | 48th Academy Awards, Mar. 29,
1976 Original tape 242
|
93 | 136*B | 48th Academy Awards, Mar. 29,
1976 Original tape 242
|
93 | 137*A | Ken Kasey
Counter 000-88 (Original tape
243)
|
93 | 137*A | Dick Cavett Show, "Backlot U.S.A."
aired April 5, 1976 A sentimental journey down Hollywood’s memory
lane. Touring Paramount Studios, Dick Cavett is the guide for the
hour which blends musical numbers and conversations with stars to
recall the old days of movie-making. After a brief segment with a
new dog star in the tradition of Rin Tin Tin, Cavett meets Mickey
Rooney on a city street lot, whereRooney and a children’s chorus
sing and dance to "We Got Us." On an Old West set, John Wayne
recalls his career, and there’s also a comic sketch with Gene Kelly,
but the highlight of the show is a closing segment with Mae West:
costumed as Diamond Lil, one of her ‘30s roles, the 82-year-old Miss
West sings sultry versions of "Frankie and Johnny" and "After You’ve
Gone"
88-end (Original tape
243)
|
93 | 137*B | Dick Cavett Show, "Backlot U.S.A."
(cont.) Original tape 243
|
93 | 138A | John Cleare interviewed by Jim Hunt
and Sam Prigg, Oct. 19, 1975
Counter 000-248 (Original tape
246)
|
93 | 138B | (blank) |
93 | 139A | Roger Greenspun interviewed for The
Moviegoers, February 13, 1976. The Moviegoers #80, Apr. 2,
1976
Counter 000-436 (Original tape
247)
|
93 | 139B | (blank) |
93 | 140*A | Double Suicide (1969) by Masahiro
Shinoda, from the TV Film series, The Japanese Film Original tape 249
|
93 | 140*B | Double Suicide (cont.) Original tape 249
|
93 | 141*A | "All The President’s Men," an
interview with Robert Redford, 1976 Original tape 250
|
93 | 141*B | "All The President’s Men," an
interview with Dustin Hoffman Original tape 250
|
93 | 142*A | "All the President’s Men," an
interview with Jason Robards 1976 Original tape 251
|
93 | 142*B | "All the President’s Men," an
interview with Jack Wardon Original tape 251
|
93 | 143*A | "All the President’s Men," an
interview with Walter Coblenz, 1976 Original tape 252
|
93 | 143*B | "All the President’s Men," an
interview with Alan Pakula Original tape 252
|
93 | 144*A | "All the President’s Men," an
interview with Gordon Willis Original tape 253
|
93 | 144*B | "All the President’s Men," an
interview with George Jenkins Original tape 253
|
94 | 145*A | State of Washington, a
history Original tape 254
|
94 | 145*B | State of Washington
(cont.) Original tape 254
|
94 | 146*A | Donald Bogle interviewed by Ron Brown
for The Moviegoers, Mar. 24, 1976 Original tape 255
|
94 | 146*B | (blank) |
94 | 147A | Donald Bogle interview clip for The
Moviegoers by Ron Brown
Counter 000-197 (Original tape
255a)
|
94 | 147B | (blank) |
94 | 148*A | Jim Halpin –Screen Writer speaks--
"How to Get the Most Out of a Screen Writer" Original tape 256
|
94 | 148*B | Rob Thompson speaks -- "Writing to
Success" Original tape 256
|
94 | 149*A | The film scores of composer Bernard
Herrman (1911-1975), from the TV series Camera Three, Sept. 26,
1976 Original tape 257
|
94 | 149*B | "Book Beat," Oct. 4, 1976. James
Baldwin discusses his latest book "The Devil Finds Work," a look at
the impact of American movies on black culture. Baldwin criticizes
Hollywood’s portrayal of blacks Original tape 257
|
94 | 150*A | Soundtrack to film The Gentleman Tramp
(1975) – Doc., Original tape 258
|
94 | 150*B | Soundtrack to film The Gentleman Tramp
(1975) – Doc. Original tape 258
|
94 | 151*A | Clark Gable, a profile from TV show
Dear Mr. Gable, Nov. 4, 1976 Original tape 260
|
94 | 151*B | Clark Gable profile,
continued Original tape 260
|
94 | 152*A | "Life Goes to the Movies" (cont. #2),
see clipping file for details Original tape 261
|
94 | 152*B | "Life Goes to the Movies" (cont. #3),
see clipping file for details Original tape 261
|
94 | 153*A | "Life Goes to the Movies" (cont. #4),
see clipping file for details Original tape 262
|
94 | 153*B | "Life Goes to the Movies" (end), see
clipping file for details Original tape 262
|
94 | 154*A | Scott Joplin, "The Red Back
Book" Original tape 263
|
94 | 154*B | Scott Joplin, "The Red Back
Book" Original tape 263
|
94 | 155*A | All-Star Tribute to John Wayne, Nov.
26, 1976. Honoring a movie legend. Frank Sinatra is the host for the
affair, which feature testimonials to the 69-year-old Wayne by Bob
Hope, Charles Bronson, Angie Dickinson, Claire Trevor, Monty Hall,
Ron Howard, Henry Winkler, Dan Rowan and Dick Martin Original tape 264
|
94 | 155*B | All-Star Tribute to John Wayne, Nov.
26, 1976 Original tape 264
|
94 | 156*A | PBS special: "Chinatown, New York,"
Dec. 10, 1976. Profiles of the residents of New York City’s
Chinatown. For tourists, "it’s a nice place to visit," says producer
Jon Alpert, but for the poor, like workers in restaurants and
laundries, "it’s a difficult place to live." Their hours are long,
their wages low, and hopes for a better life (especially among
non-English-speaking older Chinese) are said to be slim. The program
looks at those who have opened businesses, young people, senior
citizens Original tape 265
|
94 | 156*B | PBS special, "Chinatown, New York"
(cont.) Original tape 265
|
94 | 157*A | "Woman," Dec. 16, 1976. Actress Jeanne
Moreau, whose first writing-directing effort, "Lumiere," has been
well received by critics, describes working behind the camera in the
first of a two-part interview Original tape 266
|
94 | 157*B | "Woman," Dec. 27, 1976. French
actress, Jeanne Moreau discusses how she perceives relations between
the sexes in the conclusion of a two-part interview Original tape 266
|
94 | 158*A | "Citizen Kane: A Bridge Between the
Theories of Realism and Expressionism in Film" by Prof. Edward
Hudwin. Life of the Mind presents 2nd of four papers presented to
the colloquium on the problem of interpreting film philosophically
at the Eastern division of the American Philosophical Association in
Boston Original tape 267
|
94 | 158*B | Life of the Mind presents "Two Views
of Rashomon" (45 min), by George Lindon, the third paper presented
to the colloquium on the problem of interpreting film
philosophically at the Eastern division of the American
Philosophical Association in Boston Original tape 267
|
94 | 159*A | "Making of the Weather Underground
Film" (50 min) Original tape 268
|
94 | 159*B | "Making of the Weather Underground
Film" (cont.) Original tape 268
|
94 | 160*A | Five Weather Underground (1975)
members speak to filmmakers about their revolutionary
movement Original tape 269
|
94 | 160*B | Five Weather Underground (1975)
members speak to filmmakers about their revolutionary
movement Original tape 269
|
94 | 161*A | "Jeanne Wolf," Jan. 20, 1977. Joan
Fontaine talks about the studio star system, and Hollywood in its
heyday. Recalls the actress: "The woman had to fight for her part,
fight for her right to do it, fight for her salary." She also
discusses her current life Original tape 270
|
94 | 161*B | "Jeanne Wolf with¼ ," January 27,
1977. Jimmy Stewart looks back on his career in a conversation with
Jeanne Wolf. Stewart reminisces about the golden years of Hollywood
and talks about changes in his acting style Original tape 270
|
94 | 162A | "The Moviegoers," #95, November 11,
1976 with Bob Clampett
Counter 000-500 (Original tape
272)
|
94 | 162A | Full Recording of the interview with
Bob Clampett
Counter 510-671 (Original tape
273)
|
94 | 162B | (blank) |
94 | 163*A | Scenes from 49th Academy Award winning
of Best Picture, February 13, 1977 Original tape 274
|
94 | 163*B | Scenes from 49th Academy Award winning
of Best Picture, February 13, 1977 Original tape 274
|
94 | 164*A | Frank Capra speaking to WSU "American
Film" class on his first years in Hollywood Original tape 276
|
94 | 164*B | Frank Capra speaking to WSU "American
Film" class on his first years in Hollywood and Charles Kuralt
speaking to class Original tape 276
|
94 | 165*A | My Darling
Clementine/Gunfighter Original tape 277
|
94 | 165*B | 49th Academy Awards, Mar 28,
1977 Original tape 277
|
94 | 166*A | American Film Institute Tribute to
Bette Davis, Mar. 21, 1977 Original tape 278
|
94 | 166*B | American Film Institute Tribute to
Bette Davis, Mar. 21, 1977 Original tape 278
|
94 | 167*A | John Milius – scriptwriter and
director Original tape 280
|
94 | 167*B | John Milius (cont.) Original tape 280
|
94 | 168A | Frank Capra interviewed by Humphrey
Leynse at WSU, reel 1
Counter 000-566 (Original tape
285)
|
94 | 168A | Frank Capra interviewed by Humphrey
Leynse at WSU, reel 2
Counter 571-765 (Original tape
286)
|
94 | 168B | "Chung Kuo" (China), an audio-track to
the TV documentary by Antonioni, Jan. 11, 1973
Counter 000-915 (Original tape
288)
|
94 | 169A | "Chung Kuo" (China), an audio-track to
the TV documentary by Antonioni, Jan. 11, 1973
(continuation) Original tape 288
|
94 | 169B | (blank) |
94 | 170*A | Audio track of The Quiet
One Original tape 287
|
94 | 170*B | Audio track of The Quiet
One Original tape 287
|
95 | Four green file boxes of 3x5 file
cards indexing the previous teaching materials. The file cards are
divided alphabetically into two categories: "People and Things" and
"Films" |
|
Subseries 2.3: Phonograph
Records
Consists of fourteen phonograph records of music from various countries,
including China, Thailand, and Germany.
|
||
Box | disc | |
96 | 171 | "Etenraku": gagaku (court music) ; 45
rpm ; Columbia Records |
96 | 172 | "Tango of the Roses" ; 78 rpm ;
RecorDisc Corp. |
96 | 173 | Disc similar to "Tango of the Roses,"
content unknown ; 78 rpm ; RecorDisc Corp. |
96 | 174 | Siamese (Thai) music; notes written by
Leynse on the record cover concerning portions appropriate for use
in his films ; 78 rpm ; Philips |
96 | 175 | Chinese Classic (Cantonese) ; 78 rpm ;
Wondertone Record Co., LTD. |
96 | 176 | Modern Chinese ; 78 rpm ; Columbia
Records |
96 | 177 | Siamese (Thai) music; notes by Leynse
on record cover ; 78 rpm ; D. Couper-Johnston and Co. |
96 | 178 | "Varicoes Em Mi Menor," guitarra e
viola, Casmiro Ramos e Miguel Ramos ; 78 rpm ; Columbia
Records |
96 | 179 | Modern Chinese (Cantonese) ; 78
rpm |
96 | 180 | Chinese Classic (Mandarin) |
96 | 181 | Siamese (Thai) Sylaphone, old style ;
78 rpm ; Philips |
96 | 182-184 | German Marches, 16th, 17th, 18th, and
19th century, copied from Nippon-Telefunken Records: "Grosses
Historisches Marsch¾ Potpourri," Bearberieter von Emil Kaiser,
Grosses Blas-Orchester; Dirigent: Carl Woitschach; songs including
Frederic der Grosse Marsc |
Subseries 2.4: Original Tapes
Consists of Leynse’s original reel-to-reel tapes.
|
||
Box | ||
97-103 | Seven boxes housing Leynse’s
reel-to-reel tapes, which were copied by Anna Vogt onto cassettes
for the present audio tape collection. Leynse’s original cassettes
have been incorporated into this audio cassette collection. Original
box/tape numbers have been included in the description, and original
cassettes marked with an asterisk (*). (See above Audio Cassettes,
Description) |
Series 3: Photographs, 1931-1962, n.d.Return to Top
Consists of prints and negatives taken during Leynse’s youth in China, photographs taken by Leynse while producing films in the Orient and South Pacific, and pictures of artwork. The material is arranged into four subseries: 3.1, Prints and Negatives; 3.2, Glass Transparencies; 3.3, Transparencies; and 3.4, Oversize. The hand-colored prints are mostly of landscape scenes and pictures of ornate temples and castles. The snapshots are more tourist-oriented, featuring images of the Leynse family at various sites in China. The glass transparencies are of the Chinese people, many portraits and scenes of people working, and seem to be an attempt to capture the culture in photographs.
Container(s) | Description | |
---|---|---|
Subseries 3.1: Prints and
negatives |
||
container | Folder | |
104 | 1 | Box of colored slides on Micronesia,
"snap-it," w/letterhead paper, Marshall Islands, n.d. 49 items
|
104 | 2 | Roll of film in small kodak container,
n.d. 1 items
|
104 | 3 | Photographs, Black and white: Kobe
area, Japan, n.d. 5 items
|
104 | 4 | Small yellow boxes of color
transparencies: 6 items
|
104 | 5 | a. Korean mask-dances, 1962, prod.
Seoul, Korea 22 items
|
104 | 6 | b. Sangram Motion Picture Production
Center, 1962, prod. Seoul, Korea (USIS) [photo of USIS Motion
Picture Production Center] 14 items
|
104 | 7 | c. Litany of Hope shooting, Soraksan:
Korean archery, May, 1962 11 items
|
104 | 8 | d. Seoul and environs, May,
1962 11 items
|
104 | 9 | e. Easter 1962, Sangnam; old woman
dancing, Chungmu, April, 1962 11 items
|
104 | 10 | f. Corvenia, fishing, May,
1962 9 items
|
104 | 11 | Photographs, Black and white: China
scenes, Leynse family members at Chinese landmarks and other places
they visited, one studio portrait, 1931, n.d. 89 items
|
104 | 12 | Photographs: China scenes; landscapes,
temples, people, 5 color, 24 Black and white, n.d. 29 items
|
104 | 13 | Prints: Chinese artwork, Black and
white, n.d. 5 items
|
104 | 14 | Postcards, China, 5 color, 26 Black
and white, n.d. 31 items
|
104 | 15 | Pictures in clippings, 2 color, 1
Black and white, n.d. 3 items
|
104 | 16 | Large cards, 14 color, 4 Black and
white, Japan, China, n.d. 23 items
|
104 | 17 | Color slides from China and Korea,
1930s, 5 flats 5 items
|
105 | 1 | 14" 35mm. negatives (in mylar strips),
various subjects, n.d. 15 items
|
106 | 1 | Small negs, Peiling Murkdon
Photographs Studio, w/folder for holding negs. 10 items
|
106 | 2 | Small albums of negs., marked A-F
(lacking B), 1950s, 1961, 1962, n.d. 5 items
|
106 | 3 | a. California, Hawaii, South Pacific
Islands., 1951-52 items
|
106 | 4 | c. California, Hong Kong, 1954-55;
Hong Kong, Macau, 1954-56 items
|
106 | 5 | d. Singapore, 1957; Djakarta, 1958;
Bali, 1959; Maui, Japan, Korea, 1960 items
|
106 | 6 | e. Japan, Korea, some shots for
USIS-Korea films, 1961 items
|
106 | 7 | f. Korea: family shots and shots for
USIS-Korea films, 1961-1962 items
|
106 | 8 | Black 5x6" album of 3 ½ x 2 ½ and
35mm. negatives with H. Leynse’s name written on the inside cover.
Negatives arranged by country, most described: Honolulu, U.S.A.,
France, Belgium, Holland, China. Contains images of family, friends,
places the Leynses v 1 items
|
106 | 9 | Small metal canisters w/rolls of film
negs; most unidentified, some of China 21 items
|
Subseries 3.2: Glass
Transparencies |
||
container | ||
106 | (Wooden boxes (4), black case (1)
holding glass transparencies, China) 5 items
|
|
Temples, crafts, food preparation,
agriculture, fishing, trade |
||
container | ||
107 | Color, 4 x 3 41 items
|
|
107 | Black and white 3 ¼" square (Great
Wall) 3 items
|
|
107 | Color 3 ¼" square, temples, gods,
n.d. 3 items
|
|
Images of traveling: rivers, boats,
and transporting luggage |
||
container | ||
108 | Color, 4 x 3, n.d. 55 items
|
|
Photos regarding evangelism in China,
cultural scenes, Black and white drawings, n.d. |
||
container | ||
109 | Color, 4x3 54 items
|
|
109 | Color 3 ¼" square 11 items
|
|
109 | Black and white 3 ¼"
square 5 items
|
|
China missions or Chinese life;
landmarks and people in Peking area |
||
container | ||
110 | Black and white and color, 3
¼"square 56 items
|
|
110 | Color, 2" square, n.d. 3 items
|
|
Subseries 3.3: Transparencies
(2x2) |
||
container | ||
111 | Case: General description on inside
covers; temples, Buddhas, series with title slide labeled: "An Opium
Den in Peking Photographed by Waldo Leynse," Black and white and
color, 2x2, n.d. 200 items
|
|
Subseries 3.4: Prints (including oversize
in mapcase) |
||
container | ||
112 | Pieces of artwork; includes prints,
original artwork (all n.d.), and pages from book Peking the
Beautiful, 1927 16 items
|
Series 4: Miscellaneous Papers, 1916-1977, n.d.Return to Top
These include material on Leynse’s childhood in China and his professional life as a filmmaker and college professor. Series 4 has been divided into seven subseries: 4.1, Clippings, 1916-1979; 4.2, Oceania Productions, 1954-1973; 4.3, Writings for Publication, 1945-1975; 4.4, Washington State University, 1948-1977; 4.5, Film-Related Material, 1957-1976; 4.6, Personal Papers, 1921-1971; and 4.7, Card File, n.d. All material, with the exception of Oceania Productions, has been arranged alphabetically by title or subject.
Container(s) | Description | |
---|---|---|
Subseries 4.1: Clippings,
1916-1979)
Consists of newspaper and magazine articles that Leynse collected over
the years as a source of information for his film classes and for
personal reference. This series has been divided into two groups: The
Film Industry, and, Movies. The Film Industry pertains to directors,
stars, and countries that have made an impact on film. Movies deals with
news items on individual films.
|
||
The Film Industry |
||
container | Folder | |
113 | 1 | Aa-Ak, 1972-1977 18 items
|
113 | 2 | Al-Az, 1970-1977 43 items
|
113 | 3 | Academy Awards,
1971-1977 20 items
|
113 | 4 | Allen, Woody,
1973-1976 7 items
|
113 | 5 | Animation, 1972-1977 20 items
|
113 | 6 | Asian films, 1971-1976 11 items
|
113 | 7 | Australia, 1972-1976 40 items
|
113 | 8 | Bali, 1968-1971 7 items
|
113 | 9 | Ba-Bk, 1971-1977 41 items
|
113 | 10 | B1-Bz, 1971-1977 45 items
|
113 | 11 | Bergman, Ingmar,
1970-1976 16 items
|
113 | 12 | Bertolucci,
Bernardo,,1971-1977 8 items
|
113 | 13 | Black Films, 1971-1976 20 items
|
113 | 14 | Bogart, Humphrey,
1973-1977 6 items
|
114 | 1 | Brando, Marlon,
1973-1976 21 items
|
114 | 2 | British Films,
1972-1974 8 items
|
114 | 3 | Bunuel, Luis,
1973-1976 28 items
|
114 | 4 | Ca-Ck, 1963, 1971-1976 71 items
|
114 | 5 | C1-Cz, 1971-1978 81 items
|
114 | 6 | Canada, 1971-1976 295 items
|
114 | 7 | Cannes Film Festival,
1971-1977 35 items
|
114 | 8 | Capra, Frank,
1971-1977 13 items
|
115 | 1 | Censorship, 1973-1975 58 items
|
115 | 2 | Chabrol, Claude,
1970-1976 7 items
|
115 | 3 | Chaplin, Charlie,
1971-1975 81 items
|
115 | 4 | China, 1972-1977 118 items
|
115 | 5 | China, 1945-1978 98 items
|
115 | 6 | China, 1945-1978
(cont.) 55 items
|
115 | 7 | Comedy, 1975-1976 15 items
|
115 | 8 | Coppola, Francis Ford,
1974-1976 11 items
|
115 | 9 | Costa-Gavras, Constantin,
1971-1976 18 items
|
115 | 10 | Criticism, 1970-1977 106 items
|
115 | 11 | D, 1971-1977 103 items
|
116 | 1 | Documentary, 1949-1957,
1974-1977 138 items
|
116 | 2 | Documentary, photographs,
1973 3 items
|
116 | 3 | E, 1970-1976 97 items
|
116 | 4 | Eastman-Kodak, n.d. 10 items
|
116 | 5 | Ethnographic,
1970-1976 93 items
|
116 | 6 | Europe, 1971-1973 49 items
|
116 | 7 | F, 1970-1977 112 items
|
116 | 8 | Fellini, Frederico,,
1974-1977 18 items
|
116 | 9 | Ford, John, 1971-1976 38 items
|
116 | 10 | France, 1972-1976 11 items
|
116 | 11 | G, 1970-1977 81 items
|
116 | 12 | Germany, 1972-1977 32 items
|
116 | 13 | Griffith, David W., 1926,
1972-1975 41 items
|
116 | 14 | H, 1971-1977 127 items
|
117 | 1 | Hitchcock, 1971-1975 44 items
|
117 | 2 | Hollywood,, 1971-1977 54 items
|
117 | 3 | Hong Kong, 1960-1976 83 items
|
117 | 4 | Horror films,
1973-1976 15 items
|
117 | 5 | I, 1972-1976 38 items
|
117 | 6 | India, 1972-1976 100 items
|
117 | 7 | Indonesia, 1957-1977 183 items
|
117 | 8 | J, 1973-1976 38 items
|
118 | 1 | Japan, 1971-1977 167 items
|
118 | 2 | Japan, 1971-1977
(cont.) 52 items
|
118 | 3 | Japanese film, 1974 121 items
|
118 | 4 | K, 1971-1977 104 items
|
118 | 5 | Korea, 1968-1976 12 items
|
118 | 6 | Korea, 1968-1976
(cont.) 44 items
|
118 | 7 | L, 1936, 1972-1977 96 items
|
118 | 8 | Ma-Mk, 1971-1977 163 items
|
118 | 9 | Micronesia, 1969-1975 28 items
|
118 | 10 | Ml-Mz, 1973-1976 77 items
|
118 | 11 | N, 1971-1976 88 items
|
118 | 12 | O, 1970-1976 58 items
|
118 | 13 | Pacific, 1969-19671 11 items
|
118 | 14 | Pa-Pk, 1971-1976 82 items
|
118 | 15 | Pl-Pz, 1973-1977 95 items
|
118 | 16 | Philippines, 1973-1975 40 items
|
118 | 17 | Protest/propaganda films,
1973-1975 44 items
|
118 | 18 | Q-Rk, 1969, 1972-1976 104 items
|
118 | 19 | R1-Rz, 1942, 1972-1976 88 items
|
119 | 1 | Sa-Sk, 1971-1976 84 items
|
119 | 2 | S1-Sz, 1960-1976 129 items
|
119 | 3 | Scorsese, Martin,
1975-1976 35 items
|
119 | 4 | Scripting, 1972-1977 110 items
|
119 | 5 | The Seventies,
1970-1979 90 items
|
119 | 6 | Singapore, 1973-1975 6 items
|
119 | 7 | The Sixties, 1960-1969 3 items
|
119 | 8 | Southeast Asia,
1970-1976 16 items
|
119 | 9 | Stars, 1973-1976 20 items
|
119 | 10 | Sweden, 1975 100 items
|
119 | 11 | T, 1934 -1976 75 items
|
119 | 12 | Taiwan, 1968-1977 19 items
|
119 | 13 | Taiwan, 1968-1977
(cont.) 18 items
|
120 | 1 | Teaching film,
1971-1976 189 items
|
120 | 2 | Television, 1974-1976 79 items
|
120 | 3 | Thailand, 1971-1975 14 items
|
120 | 4 | Truffaut, Francois,
1970-1976 21 items
|
120 | 5 | U-V, 1971-1976 62 items
|
120 | 6 | Ullman, Liv, 1974-1977 19 items
|
120 | 7 | United States Government Film,
USIA, 1971-1976 48 items
|
120 | 8 | Vietnam, 1971 3 items
|
120 | 9 | Violence in films,
1972-1977 18 items
|
120 | 10 | Wa-Wk, 1971-1976 80 items
|
120 | 11 | W1-Z, 1973-1977 46 items
|
120 | 12 | Warhol, Andy,
1974-1975 15 items
|
120 | 13 | Welles, Orson,
1971-1975 16 items
|
120 | 14 | Wertmuller, Lina,
1975-1977 16 items
|
120 | 15 | Wilder, Gene, 1975 7 items
|
120 | 16 | Wiseman, Frederick,
1971-1977 27 items
|
121 | 1 | Women directors in films,
1972-1976 51 items
|
121 | 2 | Clippings, 1972-1977 159 items
|
Movies |
||
container | Folder | |
121 | 3 | Aa-Am, 1934-1976 51 items
|
121 | 4 | An-Az, 1970-1976 69 items
|
121 | 5 | A11 the President’s Men,
1976 45 items
|
121 | 6 | Alice Doesn't Live Here Anymore,
1975 16 items
|
121 | 7 | American Graffiti,
1973 33 items
|
121 | 8 | Ba-Bk, 1927-1976 121 items
|
121 | 9 | B1-Bz, 1959-1976 (with
photos) 102 items
|
121 | 10 | Barry Lyndon,
1975-1976 26 items
|
121 | 11 | Biographical Films,
1975-1976 19 items
|
121 | 12 | Ca-Cg, 1967-1976 71 items
|
121 | 13 | Ca-Cg, 1967-1976:
photographs 1 items
|
121 | 14 | Cg-Ck, 1971-1974 39 items
|
121 | 15 | Cl-Cn, 1971-1976 84 items
|
122 | 1 | Co-Cz, 1971-1976 96 items
|
122 | 2 | Co-Cz, 1971-1976:
photographs 1 items
|
122 | 3 | Citizen Kane,
1971-1972 94 items
|
122 | 4 | Chaplin Films, 1973 8 items
|
122 | 5 | Cries and Whispers,
1973 33 items
|
122 | 6 | Da-Dk, 1972-1976 108 items
|
122 | 7 | Di-Doo, 1971-1975 84 items
|
122 | 8 | Dop-Em, 1967-1975 120 items
|
122 | 9 | En-Ez, 1966-1974 76 items
|
122 | 10 | Fa-Fm, 1967-1976 70 items
|
122 | 11 | Fn-Fz, 1953-1977 104 items
|
122 | 12 | Fn-Fz, 1953-1977:
photographs 1 items
|
123 | 1 | G, 1941, 1970-1976 142 items
|
123 | 2 | Godfather, I and II, The,
1971-1975 20 items
|
123 | 3 | Gone With the Wind, 1940,
1973-1976 38 items
|
123 | 4 | H, 1971-1975 116 items
|
123 | 5 | H, 1971-1975:
photographs 1 items
|
123 | 6 | I, 1916-1975 78 items
|
123 | 7 | J, 1934-1975 86 items
|
123 | 8 | K, 1973-1976:
photographs |
123 | 9 | K, 1973-1976 75 items
|
123 | 10 | La-Ld, 1952-1976 77 items
|
123 | 11 | Le-Lk, 1941-1975 59 items
|
123 | 12 | Ll-Lz, 1963-1975 119 items
|
123 | 13 | Last Laugh, The, 1924 21 items
|
123 | 14 | Last Picture Show, The,
1971 21 items
|
123 | 15 | Last Tango in Paris, The,
1973 38 items
|
124 | 1 | Ma-Md, 1941-1976 165 items
|
124 | 2 | Me-Mk, 1926-1976 61 items
|
124 | 3 | M1-Mz, 1925-1975 92 items
|
124 | 4 | M1-Mz, 1925-1975:
photographs 1 items
|
124 | 5 | Magic Flute, The, 1975 15 items
|
124 | 6 | N, 1946-1976 97 items
|
124 | 7 | N, 1946-1976:
photographs 1 items
|
125 | 1 | O, 1954-1976 (w/3
photos) 107 items
|
125 | 2 | Pa-Pm, 1941-1975 80 items
|
125 | 3 | Pa-Pm, 1941-1975:
photographs 1 items
|
125 | 4 | Pn-Pz, 1926-1977 60 items
|
125 | 5 | Q-Rm, 1950-1975 (w/8
photos) 95 items
|
125 | 6 | Rn-Rz, 1939-1976 99 items
|
125 | 7 | Sa-Sez, 1926-1976 118 items
|
125 | 8 | Sh-Sk, 1930-1976 87 items
|
125 | 9 | Sh-Sk, 1930-1976: photographs,
postcards 10 items
|
125 | 10 | Sl-Sq, 1937-1977 118 items
|
125 | 11 | Sr-Sz, 1939, 1971-1976 152 items
|
126 | 1 | Ta-Tk, 1951, 1971-1976 105 items
|
126 | 2 | T1-Tz, 1970-1976 85 items
|
126 | 3 | Taiwan Film, 1976-1978 10 items
|
126 | 4 | U, 1972-1976 48 items
|
126 | 5 | V, 1958-1975 28 items
|
126 | 6 | Wa-We, 1971-1976 76 items
|
126 | 7 | Wf-Wz, 1957-1977 111 items
|
126 | 8 | XYZ, 1942-1975 46 items
|
126 | 9 | Clippings, 1977-1979 71 items
|
Subseries 4.2: Oceania Productions,
1954-1973
Contains company records, including all costs and profits associated with
movie production, letters to investors, purchase orders, expenses, and
employee information. These records show how Leynse attempted to
distribute Out There, a Lone Island (originally titled Under One Roof),
and includes magazine articles, primarily in English, with some in
Korean. This subseries has been divided into two groups: Chronology, and
Brochures and Pamphlets. Chronology contains closed accounts,
correspondence, receipts, shipping invoices, bills, and film bookings of
the company formed by Leynse in 1951 to produce educational and
theatrical films dealing with the Far East. The material in this group
dates from 1954 through 1973. The second group, Brochures and Pamphlets,
includes film brochures for many of Leynse’s movies and the photoprints
for the pamphlet on his film Micronesia.
|
||
Chronology |
||
container | Folder | |
126 | 10 | Oceania Productions,
n.d. 12 items
|
126 | 11 | Oceania Productions, 1954-1955:
closed accounts 211 items
|
126 | 12 | Oceania Productions,
1961-1965 120 items
|
126 | 13 | Oceania Productions, 1961-1965,
n.d.: photographs 13 items
|
127 | 1 | Oceania Productions,
1965 226 items
|
127 | 2 | Oceania Productions,
1966 230 items
|
127 | 3 | Oceania Productions,
1967 101 items
|
127 | 4 | Oceania Productions,
1968 127 items
|
127 | 5 | Oceania Productions,
1969 267 items
|
127 | 6 | Oceania Productions, 1969,
Sumodo 78 items
|
128 | 1 | Oceania Productions, 1969, Sumodo
(articles collected by Judith Leynse, 1984-1985) 6 items
|
128 | 2 | Oceania Productions,
1970 138 items
|
128 | 3 | Oceania Productions,
1971 339 items
|
128 | 4 | Oceania Productions,
1972 227 items
|
128 | 5 | Oceania Productions,
1973 130 items
|
Brochures and Pamphlets |
||
container | Folder | |
129 | 1 | Oceania Productions, Film
brochures, n.d. 10 items
|
129 | 2 | Photoprints for Micronesia
pamphlet, n.d. 9 items
|
Subseries 4.3: Writings for Publication,
1945-1975
Divided into Short Story Manuscripts and Magazine Articles, and, Book
Materials. Short Story Manuscripts and Magazine Articles consists of
Leynse’s short story material, much of which was submitted for
publication. Book Materials includes drafts, proofs, and copies of
Leynse’s book, Selected Short Subjects, a study of Asian, documentary,
and propaganda films.
|
||
Short Story Manuscripts and Magazine
Articles |
||
container | Folder | |
129 | 3 | "Chinese Parade on Leyte,"
1945 3 items
|
129 | 4 | "Food for Kili," 1952 16 items
|
129 | 5 | "The Great Wall," 1972 24 items
|
129 | 6 | "Legends," n.d. 86 items
|
129 | 7 | Leynse articles, 1951 and
1975 2 items
|
129 | 8 | "The Lure of the Frontier,"
n.d. 49 items
|
129 | 9 | Manuscripts from Manila,
Philippines, 1945, 1946, n.d. 76 items
|
129 | 10 | Photographs, Manila, Philippines,
ca. 1943-1945 10 items
|
129 | 11 | "Porto," 1949 70 items
|
129 | 12 | "Puppet Yesterday¾ President
Tomorrow?," 1949 29 items
|
129 | 13 | "Shunkin" (Film Treatment), 1970,
n.d. 34 items
|
129 | 14 | "Shunkin" (Film Treatment),
1970 42 items
|
129 | 15 | "Smuggled Entry," 1957 10 items
|
129 | 16 | "The Songs of Oak Mountain,"
1956 44 items
|
129 | 17 | "Three Blind Mice,"
n.d. 178 items
|
129 | 18 | "Three Blind Mice," photographs,
1943, n.d. 9 items
|
Book Materials: Selected Short
Subjects |
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container | Folder | |
130 | 1 | Asian film, 1973-1974 77 items
|
130 | 2 | Author’s page proof,
1974 85 items
|
130 | 3 | Bibliography, 1974 4 items
|
130 | 4 | Copy, printed, 1974 80 items
|
130 | 5 | Draft, 1974 90 items
|
130 | 6 | Draft, 1974 85 items
|
130 | 7 | First copy, 1974 91 items
|
130 | 8 | First draft, 1974 108 items
|
130 | 9 | Flaherty, Robert, 1974 66 items
|
130 | 10 | Graphics, n.d. 16 items
|
130 | 11 | Propaganda, 1974 35 items
|
Subseries 4.4: Washington State
University, 1908-1977
Consists largely of Leynse’s classroom material. Included are lecture
notes, tests, syllabi, handouts, news articles, film schedules, reserve
material, and other readings. Also included is a small amount of
correspondence, travel fund requests, and other material related to
Washington State University.
|
||
Classes |
||
container | Folder | |
131 | 1 | Sources, n.d. 50 items
|
131 | 2 | Communications 323,
1972-1974 126 items
|
131 | 3 | Communications 323, Fall
1975 9 items
|
131 | 4 | Communications 323, Spring
1976 106 items
|
131 | 5 | Communications 323, Fall
1976 41 items
|
131 | 6 | Communications 323, Spring
1977 35 items
|
131 | 7 | Communications 323 - Film
criticism folder readings, 1948, 1973-1976 23 items
|
131 | 8 | Communications 323 - Masters of
Cinema, Spring 1975 92 items
|
131 | 9 | Communications 323 - Statistically
reliable test questions, 1976-1977 4 items
|
131 | 10 | Communications 333 and 416, 1975,
n.d. 4 items
|
131 | 11 | Communications 333 – Film
criticism 1971-1976 103 items
|
131 | 12 | Communications 323 - Historical
film criticism (1908-1922), n.d. 36 items
|
132 | 1 | Communications 340,
1972-1973 111 items
|
132 | 2 | Communications 357,
n.d. 12 items
|
132 | 3 | Communications 363, articles on
scriptwriting, 1974-1975 93 items
|
132 | 4 | Communications 393, The American
Film, Spring 1977 76 items
|
132 | 5 | Film criticism class, 1975,
photographs 1 items
|
132 | 6 | Correspondence, Frank Capra,
letter, photograph, card, March 22, 1977 3 items
|
Communications 475-3,
1970-1976 |
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container | Folder | |
133 | 1 | Asian film clippings,
1970-1975 123 items
|
133 | 2 | Asian films, Spring
1976 125 items
|
133 | 3 | Folder readings, documentary,
1949-1976 110 items
|
133 | 4 | Folder readings, documentary,
1970-1976 109 items
|
133 | 5 | The Documentary, Fall
1976 108 items
|
133 | 6 | Film seminar, Spring
1975 75 items
|
133 | 7 | Film clips, 1976, n.d. 19 items
|
133 | 8 | Lecture materials, 1954-1961,
n.d. 17 items
|
133 | 9 | Movie goers, 1976-1977 3 items
|
Reserve Material |
||
container | Folder | |
133 | 10 | Blumer, Ronald, "John Grierson,"
1970 3 items
|
133 | 11 | Callenbach, Ernest, "Grierson,"
1974 3 items
|
133 | 12 | Corliss, Richard, "Robert
Flaherty: The Man in the Iron Myth," 1973 6 items
|
133 | 13 | Dispenza, Joseph, "The March of
Time," n.d. 5 items
|
133 | 14 | Fielding, Raymond, "Time Flickers
Out: Notes on the Passing of the March of Time,"
1957 5 items
|
133 | 15 | Friedlander, Madeline S.,
"Challenge for Change: An American View," n.d. 4 items
|
133 | 16 | Harcourt, Peter, "The Innocent
Eye," 1964 6 items
|
133 | 17 | Harpole, Charles, "What is
Documentary Film?" 1973 4 items
|
133 | 18 | Heider, Karl G., "Ethnographic
Films," 1974 3 items
|
133 | 19 | Linton, James, "Moral Dimension in
Documentary," 1976 6 items
|
133 | 20 | MacDougal, David, "Prospects of
the Ethnographic Film," 1970 16 items
|
133 | 21 | Pryluck, Calvin, "Seeking to Take
the Longest Journey: A Conversation with Albert Maysles,"
1976 8 items
|
133 | 22 | Pryluck, Calvin, "Ultimatly We Are
All Outsiders: The Ethics of Documentary
Filming,"1976 10 items
|
133 | 23 | Rickleft, Roger, "One of Russia’s
Non-Political Dissidents," 1976 2 items
|
133 | 24 | Ryan, Terry, "The Documentary as
Document," n.d. 8 items
|
133 | 25 | Semsel, George S., "Toward a
Personal Documentary," 1971 5 items
|
133 | 26 | Sussex, Elizabeth, "The Golden
Years of Grierson," 1972 6 items
|
133 | 27 | Sussex, Elizabeth, "Grierson on
Documentary: The Last Interview," 1973 8 items
|
133 | 28 | Swertlow, Frank Sean, "The
Policy," 1975 3 items
|
133 | 29 | Weinberg, Herman 0., "The Man with
the Movie Camera," n.d. 4 items
|
133 | 30 | Van Dyke, Willard, "Documentaries
of the Thirties," 1973 3 items
|
133 | 31 | Vogel, Amos, "Can We Forget the
Evil that She Did," 1973 1 1973 2 items
|
133 | 32 | Zinnemann, Fred, "Remembering
Robert Flaherty," n.d. 4 items
|
134 | 1 | Washington State University,
1975-1976 137 items
|
134 | 2 | Washington State University, 1973,
photographs, H. Leynse 1 items
|
134 | 3 | Washington State University,
1975-1976 91 items
|
Subseries 4.5: Film-Related Material,
1957-1976
Consists of various production components of Leynse’s film-making
activities, such as director’s manuals, working notes, scripts, subject
and descriptive treatments, recording assignments, and photographs taken
on location.
|
||
container | Folder | |
134 | 4 | Asian Film Festival-Pusan, Korea,
1976 6 items
|
134 | 5 | Asian Film Festival (22nd), cassette
tape w/note, June 1976 2 items
|
134 | 6 | California State Polytechnic Film,
1970 38 items
|
134 | 7 | China project, 1971-1973 216 items
|
134 | 8 | "A Director’s Manual" 1956 (holograph
notebook, approx. 500 pp.) 1 items
|
135 | 1 | Great Wall, The, narrative script,
n.d. 6 items
|
135 | 2 | Kurosawa, A., 1974-1975 174 items
|
135 | 3 | Kurosawa, A.,1975 131 items
|
135 | 4 | Kurosawa, A., 1974-1975 80 items
|
135 | 5 | Litany of Hope, script,
n.d. 21 items
|
135 | 6 | Litany of Hope, photographs,
n.d. 21 items
|
135 | 7 | Micronesia, photographs, 1946,
1948-1949, n.d. 50 items
|
135 | 8 | Motion picture agreement with United
States government, n.d. (ca. 1950s) 8 items
|
136 | 1 | Movie equipment, photographs,
blueprint, n.d. 5 items
|
136 | 2 | Narcotics Trade: A pictoral account of
a safari to opium hills of Northern Thailand, for Oceania
Productions, 1957 36 items
|
136 | 3 | Narcotics Trade: Photographs (negs)
taken on location, 1957-1965 118 items
|
136 | 4 | Subject and descriptive treatments for
the film "Opium", n.d. 26 items
|
136 | 5 | Narcotics Trade: Treatment, footage,
and script material, n.d. 171 items
|
Out There, A Lone Island (Under One
Roof): |
||
container | Folder | |
137 | 1 | Film treatments,
1966-1967 1 items
|
137 | 2 | Photos, slides, film negs., on
location, n.d. 153 items
|
137 | 3 | Photographs, production stills,
n.d. 83 items
|
137 | 4 | Recording assignments (books),
1966-1968, n.d. 2 items
|
137 | 5 | Revisions in shooting and sound,
1968-1969 1 items
|
137 | 6 | Shipping notices,
1967-1968 55 items
|
137 | 7 | Shooting script, n.d. 1 items
|
137 | 8 | Correspondence, 1971 (w/film
negs.) (added 9-29-91) 7 items
|
138 | 1 | Sound effects script, n.d. (301
pp. notebook) 1 items
|
138 | 2 | Clippings, promotion,
1966-1970 74 items
|
138 | 3 | Ullung-Do, 1964-1976 135 items
|
138 | 4 | President Sukarno's tour through
Indonesia, 1959 18 items
|
138 | 5 | President Sukarno and H. Leynse,
photographs, 1959 5 items
|
138 | 6 | Production ideas,
1966-1973 54 items
|
Subseries 4.6: Personal Papers,
1921-1971
Includes biographical items, personal documents, and some personal
correspondence.
|
||
container | Folder | |
138 | 7 | Biographical information,
1921-1963 9 items
|
138 | 8 | Biographical information, photographs,
H. Leynse, n.d. 1 items
|
138 | 9 | Chinese and Korean documents, 1962,
n.d 3 items
|
138 | 10 | Correspondence, general,
1945-1971 137 items
|
138 | 11 | Correspondence, photographs
accompanying, n.d. (ca. 1965, Korea) 4 items
|
138 | 12 | Foundations, 1964-1965,
n.d. 73 items
|
138 | 13 | Photographs, Oceania Productions,
1961-1965 and undated |
139 | 1 | Korean language material,
n.d. 193 items
|
139 | 2 | Lecture: "Majuro: An Atoll,"
n.d. 16 items
|
139 | 3 | Peking American School,
1966 12 items
|
139 | 4 | Recommendations, 1963-1970 11 items
|
139 | 5 | Travel orders and vouchers,
1959-1966 287 items
|
139 | 6 | WSU Anthropology 530: "Ethnography of
Mainland China," class notes, 1971 |
Subseries 4.7: Card File
9 Boxes (eight wood, one metal) containing lecture notes on notecards,
handwritten, n.d.
|
||
container | Folder | |
140 | 1 | The American Film |
140 | 2 | The Asian Film |
140 | 3 | Film Criticism |
140 | 4 | Film Production Notes |
140 | 5 | Film Scripting |
140 | 6 | Masters of the Cinema, A-H |
140 | 7 | Masters of the Cinema, I-Z |
140 | 8 | Masters of the Cinema |
140 | 9 | Photo Communication |
Series 5: Memorabilia, 1930-1976, n.d.Return to Top
Includes mementos and materials from Leynse’s work and travels, such as puppets, rubber stamps, notebooks, scrolls, and medals.
Container(s) | Description | |
---|---|---|
container | Folder | |
141 | 1 | H. Leynse Medal, Asian Film Festival,
1976 1 items
|
141 | 2 | Notebook with Chinese/English military
terms, n.d. 1 items
|
141 | 3 | Small cards, n.d. 3 items
|
141 | 4 | Color cards, n.d. 3 items
|
141 | 5 | Cut-outs, Chinese deities, n.d.; one
miniature calendar, 1939 3 items
|
141 | 6 | Puppets (painted cardboard?), n.d.; small
Chinese cards, n.d. 5 items
|
141 | 7 | Sheet poetry, printed by Women’s Club,
1930-1931 1 items
|
141 | 8 | Sheets stationery with color prints,
n.d. 3 items
|
141 | 9 | Addresses: loose sheet, in
English/Chinese, n.d. 1 items
|
141 | 9 | Brown address book, n.d. 1 items
|
141 | 9 | Found in address book: letter, cards of
introduction, November 15 1943, NY; Peking, n.d. 1, 3 items
|
141 | 10 | Prints on cards, n.d.; calendar with
notes, 1956 4, 1 items
|
141 | 11 | Title graphics from various films, n.d.,
Oceania Productions items
|
141 | 12 | Pencil sketches, selected short subjects:
John Grierson, Robert Flaherty (1946), Leni Riefenstahl, Akira Kurosawa,
Satyajit Ray, Frank Capra 6 items
|
142 | 1 | Small brown leather case with
seeds 1 items
|
142 | 2 | Small metal box, Small metal
rods 1,3 items
|
142 | 3 | Patches from Leynse’s military service,
1943-1945, CIC Counter-Intelligence 4 items
|
142 | 4 | Small scroll, n.d. 1 items
|
142 | 5 | Original box for seals and stamps above
from Oceania Productions 1 items
|
142 | 6 | Wood, rubber, metal stamps from Oceania
Productions; negative strip; contact prints, n.d. 1,4 items
|
142 | 6 | Small round container 1 items
|
143 | Hanbok (traditional Korean costume)
belonging to Judith Leynse. 1 items
|
Names and SubjectsReturn to Top
Subject Terms
- Motion pictures -- Production and direction.
- Motion pictures -- Study and teaching -- Washington (State) -- Pullman.
Personal Names
- Leynse, Humphrey W. (Humphrey William), 1921-1977 -- Archives
Geographical Names
- East Asia -- Description and travel.