Archives West Finding Aid
Table of Contents
Adrian and Joan Scott papers, 1940-1972
Overview of the Collection
- Creator
- Adrian Scott and Joan Scott
- Title
- Adrian and Joan Scott papers
- Dates
- 1940-1972 (inclusive)Date of CollectionDate of Collection
- Quantity
- 17.50 cubic ft. (41 boxes)
- Collection Number
- 03238
- Summary
- Adrian Scott was a screenwriter, television writer, playwright, and motion picture producer from the 1930s to the 1970s. Joan Scott, who sometimes wrote under the pen name "Joanne Court" was a film and television writer from the 1950s to the 1970s.
- Repository
-
American Heritage Center, University of Wyoming
American Heritage Center
University of Wyoming
1000 E. University Ave.
Dept. 3924
Laramie, WY
82071
Telephone: 3077663756
ahcref@uwyo.edu - Access Restrictions
-
Access Restrictions
There are no access restrictions on the materials for research purposes, and the collection is open to the public.
- Languages
- English
Historical NoteReturn to Top
Adrian Scott (1911-1972) was a screenwriter and motion picture producer with MGM and RKO from 1930-1947. In 1947 he was called before the House Committee on Un-American Activities, where he refused to answer the Committee's question if he was a member of the Communist Party. Scott was jailed for one year for Contempt of Congress and also fired by RKO. He was blacklisted as a member of the "Hollywood Ten," movie directors and writers who refused to testify.
In 1957, Scott went to London to be a film consultant for British film producer J. Arthur Rank and later became a producer in London for MGM. He returned to the United States in 1968 and wrote and produced for film and television. Among the films that he wrote or produced were "The Parson of Panamint" (1941), "Murder My Sweet" (1944), "Cornered" (1949), "So Well Remembered" (1947), "Deadline at Dawn" (1945), and "My Pal Wolf" (1944). He also wrote for the television shows "The Adventures of Robin Hood," "Lassie," and the television special "The Great Man's Whiskers" (1973). Scott also authored the play "Mr. Lincoln's Whiskers" in 1948.
Scott was married in 1955 to Joan LaCour (a.k.a. Joanne Court), a film and television writer who wrote for the television shows "Have Gun, Will Travel," "Lassie," and "Surfside 6."
Content DescriptionReturn to Top
Collection contains materials relating to Adrian and Joan Scott's careers in film and television from 1940-1972. Adrian Scott materials consist mainly of scripts for motion pictures and television written or produced by Scott along with budgets, reviews, production reports, shooting schedules, advertising, posters and publicity, and related correspondence (1940-1972). Collection also includes miscellaneous materials relating to his work in England; the script of the play "Mr. Lincoln's Whiskers"; professional correspondence (1940-1972); legal briefs, petitions, press releases, newspaper clippings, testimony transcripts and speeches relating to the House Committee on Un-American Activities (1947-1958); miscellaneous photographs; and drafts of plays, television and motion picture scripts by associates of Scott (1945-1971).
Joan Scott materials include scripts to the television shows "Have Gun, Will Travel," "Lassie," and "Surfside 6" (1956-1961, 1972); and miscellaneous other materials.
Use of the CollectionReturn to Top
Restrictions on Use
Copyright InformationThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.
Preferred Citation
Preferred CitationItem Description, Box Number, Folder Number, Adrian and Joan Scott Papers, Collection Number 03238, American Heritage Center, University of Wyoming.
Administrative InformationReturn to Top
Related Materials
Related MaterialsThere are no other known archival collections created by Adrian and Joan Scott at the date of processing.
Acquisition Information
Acquisition InformationThe Adrian and Joan Scott Papers were donated to the American Heritage Center in 1970 and 1978.
Processing Note
Processing InformationThe collection was processed by Loreley Moore in May 1994.
Detailed Description of the CollectionReturn to Top
Series I.: House Committee on Un-American Activities, 1947-1958Return to Top
This series contains legal briefs and petitions, magazines, newspaper clippings, pamphlets, and press releases regarding the Contempt of Congress convictions of the "Hollywood Ten" and the resulting blacklist of them by the American entertainment industry.
Container(s) | Description | Dates | |
---|---|---|---|
Box | Folder | ||
1 | 1 | Analysis of the Mundt-Nixon Bill H.R. 5852 |
1948 |
1 | 2 | Committee Members' Voting Records |
1948 |
1 | 3 | Contempt of Congress - Adrian Scott, includes
subpoena |
1947-1951 |
1 | 4 | Film Credits of the Hollywood Ten |
1947 |
Legal Briefs and Petitions: |
|||
Box | Folder | ||
1 | 5 | Dennis, Eugene a.k.a. Francis Waldron |
1948 |
1 | 6 | Eisler, Gerhart |
1948 |
1 | 7 | Hollywood Ten |
1948 |
1 | 8 | Lardner, Jr., Ring |
1953-1955 |
1 | 9 | Lawson, John Howard |
1948-1949 |
1 | 10 | Lawson, John Howard and Dalton Trumbo |
1949-1950 |
1 | 11 | Trumbo, Dalton |
1949 |
Box | Folder | ||
1 | 12 | Magazine Clippings |
1947-1952 |
Magazines: |
|||
Box | Folder | ||
1 | 13 | The Cine Technician |
1947-1950 |
1 | 14 | Daily Variety |
1947-1952 |
1 | 15 | Film Sense |
1949 |
1 | 16 | Frontier |
1954 |
2 | 1 | The Hollywood Reporter |
1947-1951 |
2 | 2 | Hollywood Review |
1955 |
2 | 3 | Screenwriter |
1947-1948 |
Box | Folder | ||
2 | 4 | Newspaper Clippings |
1947-1958 |
Pamphlets |
|||
Box | Folder | ||
2 | 5 | The Anti-American Conspiracy |
1949 |
2 | 6 | Association of Cinematograph and Allied Technicians 18th
Annual Report and Agenda |
1951 |
2 | 7 | Cedars' Shame |
1952 |
2 | 8 | The Congressional Committee on Un-American Activities
Investigates Charges of Communistic Activity in Hollywood |
1947 |
2 | 9 | The Constitutional Right to Advocate Political, Social,
and Economic Change - An Essential of American Democracy |
1947 |
2 | 10 | The Hiss Case |
1950 |
2 | 11 | Inquisition - The Case of the Hollywood Ten |
1948 |
2 | 12 | Introducing Representative John Elliot
Rankin |
1947 |
2 | 13 | On the Eve of Prison |
1950 |
2 | 14 | Report from Europe |
1947 |
2 | 15 | Ring Lardner, Jr. Tells Reasons for Defying House
Committee |
1948 |
2 | 16 | The Smith Act |
1947 |
2 | 17 | The Watkins Decision of the Supreme Court |
1957 |
2 | 18 | Who Is Loyal to America? |
1947 |
2 | 19 | Who's Un-American? |
1947 |
2 | 20 | The Writer As the Conscience of the People |
1947 |
Box | Folder | ||
2 | 21 | Photographs |
1947-1948 |
2 | 22 | Press Releases |
1947 |
2 | 23 | RKO Dismissal of Adrian Scott |
1947-1952 |
3 | 1 | RKO Dismissal of Adrian Scott |
1956-1957 |
3 | 2 | Speeches |
1947-1955 |
3 | 3 | Testimony Transcripts |
1947, 1951 |
Series II.: Correspondence, 1940-1972Return to Top
This series contains correspondence between Adrian Scott and professional associates regarding screen credits, possible jobs, films they were working on, and the effects of the blacklist on their working lives.
Container(s) | Description | Dates | |
---|---|---|---|
Box | Folder | ||
4 | 1 | Academy of Arts and Sciences Research Council |
1942 |
4 | 2 | Allen, Irving |
1966-1971 |
4 | 3 | Arnold, Thurmond |
1949 |
4 | 4 | Association of Cinetechnicians |
1947-1948 |
4 | 5 | Avery, Martha |
1949 |
4 | 6 | Bachman, Lawrence |
1958-1963 |
4 | 7 | Baker, Todman & Company |
1962-1965 |
4 | 8 | Barzman, Ben |
1959-1970 |
4 | 9 | Bauer, David |
1947-1969 |
4 | 10 | Bergman, Ingrid |
1966 |
4 | 11 | Bessie, Alvah |
1969-1970 |
4 | 12 | Bieberman, Herbert |
1971 |
4 | 13 | Blair, Betsy |
1957-1958 |
4 | 14 | Blaustein, Julian |
1970-1971 |
4 | 15 | Boulting, Roy |
1947 |
4 | 16 | Brand, William |
1948 |
4 | 17 | Bridges, Harry |
1953 |
4 | 18 | Briley, John |
1958-1969 |
4 | 19 | British Broadcasting Corporation |
1972 |
4 | 20 | Brown, Warren |
1965-1969 |
4 | 21 | California - Western States Life Insurance
Company |
1971 |
4 | 22 | Canfield, Curt |
1947 |
4 | 23 | Cerf, Bennett |
1947-1952 |
4 | 24 | Chafee, Jr., Zechariah |
1950 |
4 | 25 | Charmed Circle |
1949-1957 |
4 | 26 | Chilton Company |
1961-1969 |
4 | 27 | Chodorov, Edward |
1965 |
4 | 28 | Citizens Committee to Preserve American
Freedoms |
1947 |
4 | 29 | Cohn, Harry |
1940 |
4 | 30 | Cohn, Morris |
1957 |
4 | 31 | Cohn, Sidney |
1965-1966 |
4 | 32 | Covenant Communications Corporation |
1968 |
4 | 33 | Crowther, Bosley |
1957 |
4 | 34 | Crum, Bartley |
1949-1954 |
4 | 35 | Daily Variety |
no date |
4 | 36 | Dassin, Jules |
1952-1966 |
4 | 37 | David, Charles |
1951 |
4 | 38 | Diamond, David |
1952 |
4 | 39 | Dozier, William |
1953 |
4 | 40 | Draft Board |
1941-1946 |
4 | 41 | Dreyfus, Audrey |
1951 |
4 | 42 | D'Usseau, Arnaud |
1970 |
4 | 43 | Evans, Bergen |
1947 |
4 | 44 | Fair City Productions |
1971-1972 |
4 | 45 | Fein, Bernard |
1947 |
4 | 46 | Fifield, Bill |
1944-1947 |
4 | 47 | Finlay, Susan |
1968-1969 |
4 | 48 | Frank, Murray |
1947 |
4 | 49 | Geller, Stephen |
1969 |
4 | 50 | Gelson, Bernie |
1967 |
4 | 51 | George Litto Agency, Inc. |
1968-1970 |
4 | 52 | Gordan, Mike |
1957-1970 |
4 | 53 | Gorelick, Jamie |
1971 |
4 | 54 | Gundlach, Ralph |
1949 |
4 | 55 | Hargrove, Dean |
1966-1971 |
4 | 56 | Hellman, Lillian |
1972 |
4 | 57 | Independent Productions Corporation |
1952 |
5 | 1 | Jackson, Felix |
1956 |
5 | 2 | Jarrico, Paul |
1958-1959 |
5 | 3 | Jean Share Memorial |
1959-1960 |
5 | 4 | Jennings, Robert |
1967 |
5 | 5 | Kanfer, Stefan |
1970 |
5 | 6 | Kazan, Elia |
1947 |
5 | 7 | Kenny, Robert |
1950-1951 |
5 | 8 | King Bros. Productions, Inc. |
1958-1971 |
5 | 9 | King, Jack |
1967 |
5 | 10 | Knox, Alexander |
1967-1972 |
5 | 11 | Knox, Ralph |
1951 |
5 | 12 | Jean La Cour |
1960s |
5 | 13 | Lang, Fritz |
1940s |
5 | 14 | Lauber, Pauline |
1948 |
5 | 15 | Lemkin, Robert |
1969 |
5 | 16 | Lewin, David |
1969 |
5 | 17 | Liefer, Max |
1948 |
5 | 18 | Linder, Leslie |
1959-1960 |
5 | 19 | Losey, Joe |
1947, 1958-1960 |
5 | 20 | Malamud Project |
1968 |
5 | 21 | Maltz, Albert |
1949-1971 |
5 | 22 | The Manuscript Society |
1972 |
5 | 23 | Margolis, Ben |
1966 |
5 | 24 | Marx, Sam |
1947 |
5 | 25 | MCA |
1969-1971 |
5 | 26 | Melson, Inez |
1966 |
5 | 27 | Menshikov, Mikhail |
1958 |
5 | 28 | Metro-Golden-Mayer, Inc. |
1965 |
5 | 29 | Michael Ellis Productions |
1969-1970 |
5 | 30 | Miller, Harry |
1947 |
5 | 31 | Mostel, Zero and Ian Hunter |
1967 |
5 | 32 | Mr. Lincoln Whiskers |
1947-1959 |
5 | 33 | Murray, John |
1947 |
5 | 34 | North, Ed |
1965 |
5 | 35 | Official Films |
1959 |
5 | 36 | Oldham, Vera |
1972 |
5 | 37 | Parks, Larry |
1958 |
5 | 38 | Paul Kohner, Inc. |
1957-1967 |
5 | 39 | Paxton, John |
1968-1969 |
5 | 40 | Pitt, Dale |
1956 |
5 | 41 | Polonsky, Abe |
1965-1968 |
5 | 42 | Preminger, Otto |
1960 |
5 | 43 | Prince, Michael Scott |
1947-1972 |
5 | 44 | Producers Guild of America |
1968-1972 |
6 | 1 | Progressive Party of Massachusetts |
1948 |
6 | 2 | Ray, Nick |
1956-1957 |
6 | 3 | Rich, Pippa |
1966-1967 |
6 | 4 | Roberts, Bob |
1958-1959 |
6 | 5 | Rosen, Sam |
1956, 1971 |
6 | 6 | Ryther Child Center |
1948 |
6 | 7 | Salt of the Earth |
1951-1953 |
6 | 8 | Saphier, Peter |
1972 |
6 | 9-10 | Sapphire Films Limited |
1956-1959 |
6 | 11 | Schachtel, Ernest |
1950 |
6 | 12 | Schary, Dore |
1947-1952 |
6 | 13 | Scott, Allen |
1947, 1966-1967 |
6 | 14 | Scott, Anne |
1949-1953 |
6 | 15 | Scott, Dorothy Shipley |
1943-1946 |
6 | 16 | Shaw, George Bernard |
1950 |
6 | 17 | The Slam |
1970-1971 |
6 | 18 | Slote, Leslie |
1970 |
6 | 19 | Southern California Gas Company |
1972 |
6 | 20 | Stern, Daniel |
1969 |
6 | 21 | Tebet, David |
1970 |
6 | 22 | Thatcher, Russell |
1967 |
6 | 23 | Trips to England |
1946-1958 |
6 | 24 | Trumbo, Dalton |
1949-1972 |
6 | 25 | U.S. Treasury Dept. - Office of the Director of Internal
Revenue |
1953 |
6 | 26 | Universal City Studios |
1968-1969 |
7 | 1 | Ward, Dean |
1970 |
7 | 2 | The Wayward Wife |
1962-1963 |
7 | 3 | Weber, Charlotte |
1947 |
7 | 4 | Weinstein, Hannah |
1956-1960 |
7 | 5 | Werner, Morris |
1950 |
7 | 6 | William Morris Agency, Inc. |
1970-1972 |
7 | 7 | Williams, Mike |
1958, 1971 |
7 | 8 | Wilkie, Wendell |
1941 |
7 | 9 | Wilson, Earl |
1947 |
7 | 10 | Wincelberg, Shimon |
1970 |
7 | 11 | Wolfe, Digby |
1968-1970 |
7 | 12 | Wrather Corporation |
1972 |
7 | 13 | Writers Guild of America West, Inc |
1941-1972 |
Series III.: Manuscript Files - Adrian Scott, 1941-1972Return to Top
This series contains drafts of plays, screenplays, and teleplays written or produced by Adrian Scott.
Container(s) | Description | Dates | |
---|---|---|---|
Box | Folder | ||
8 | 1 | The Adventures of Johnny Risk - Final Draft
Teleplay |
1950s |
8 | 2 | The Adventures of Robin Hood - Drafts of Story Outlines
and Teleplays |
1957-1958 |
8 | 3-6 | The Adventures of Sir Lancelot - Drafts of Story Outlines
and Teleplays |
1956 |
8 | 7 | Affairs of China Smith - Story Outline and First Draft
Teleplay |
1955 |
The Alien: |
|||
Box | Folder | ||
8 | 8 | Drafts of Story Lines of Screenplay |
1967-1969 |
9 | 1 | Revised First Draft Screenplay |
1969 |
Box | Folder | ||
9 | 2 | Amigo - Final Draft Teleplay |
1950s |
The Assassin: |
1958 | ||
Box | Folder | ||
9 | 3 | First Draft Screenplay |
1969 |
9 | 4 | Second Draft Screenplay |
1958 |
Box | Folder | ||
9 | 5 | The Avenger - First Draft Screenplay |
1950s |
9 | 6 | The Aztec Treasure House - Final Draft
Screenplay |
1950s |
9 | 7 | The Ball By the Horn - Final Draft Film
Treatment |
1940s |
9 | 8 | Beat Street - Drafts of Story Line of Screenplay Includes
Memoranda and Photographs |
1958 |
9 | 9 | Betty Hutton Show - First Draft and Revised Draft
Teleplay |
1960 |
9 | 10 | The Blue Note - Final Draft Screenplay |
1950s |
The Bold Ones: |
|||
Box | Folder | ||
9 | 11 | Drafts of Step Outlines and Story Line of
Teleplay |
1971 |
9 | 12 | Revised Story Line and First Draft Teleplay |
1971 |
10 | 1 | Revised First Draft Teleplay |
1971 |
10 | 2 | Second Revised First Draft Teleplay |
1971 |
The Boy with Green Hair: |
|||
Box | Folder | ||
10 | 3 | Final Draft Screenplay |
1947 |
10 | 4 | Revised Final Screenplay |
1947 |
10 | 5 | Second Revised Final Screenplay - Includes
Photographs |
1947 |
Charmed Circle: |
|||
Box | Folder | ||
10 | 6 | First Draft Film Treatment |
1949 |
10 | 7 | Final Draft Film Treatment |
1949 |
10 | 8 | First Draft Screenplay |
1957 |
Cornered: |
|||
Box | Folder | ||
11 | 1 | Final Draft Screenplay |
1945 |
11 | 2 | Revised Final Draft Screenplay |
1945 |
11 | 3 | Budgets, Continuity, Marquee Photographs, and
Reviews |
1945 |
Box | Folder | ||
11 | 4 | Courtesan at Nazareth - First Draft
Screenplay |
1950s |
Crossfire: |
|||
Box | Folder | ||
11 | 5 | First Rough Draft Continuity |
1947 |
11 | 6 | First Draft Continuity |
1947 |
11 | 7 | Final Draft Screenplay |
1947 |
12 | 1 | Revised Final Draft Screenplay |
1947 |
12 | 2 | Final Shooting Screenplay |
1947 |
12 | 3 | Budgets, Continuity, Shooting Schedule, Production
Reports, and Censor's Rulings |
1947 |
12 | 4 | Correspondence and Notes |
1946-1948 |
12 | 5 | Previews and Advertising |
1947 |
12 | 6 | Reviews |
1947 |
Deadline at Dawn: |
|||
Box | Folder | ||
12 | 7 | Final Draft Screenplay |
1945 |
12 | 8 | Revised Final Draft Screenplay |
1945 |
12 | 9 | Budget, Shooting Schedule, Censor's Rulings, Previews,
and Reviews |
1944-1945 |
Box | Folder | ||
13 | 1 | The Dispossessed - Final Draft Screenplay |
1950s |
13 | 2 | Double Exposure - Synopsis of Screenplay |
1960s |
Ellie: |
|||
Box | Folder | ||
13 | 3 | Drafts of Outlines of Teleplay and Notes |
1950s |
13 | 4 | First Draft Teleplay |
1950s |
13 | 5 | Revised First Draft Teleplay |
1950s |
13 | 6 | Final Draft Teleplay |
1950s |
Gaby Lark: |
|||
Box | Folder | ||
13 | 7 | First Draft Screenplay |
1963 |
13 | 8 | Revised First Draft Screenplay |
1963 |
Box | Folder | ||
13 | 9 | The General Loves Duck - Final Drafts Story Line and Film
Treatment |
1943 |
13 | 10 | Girls! Girls! Girls! - Television Prospectus |
1960s |
14 | 1 | The Glass Curtain - Final Draft Story Line of
Teleplay |
1972 |
14 | 2 | Go Back Where You Came From, Hiawatha - Story
Idea |
1970 |
The Great Man's Whiskers: |
|||
Box | Folder | ||
14 | 3 | First Draft Continuity Screenplay |
1948 |
14 | 4 | Step Outline and First Draft Screenplay |
1969 |
14 | 5 | Revised First Draft Screenplay |
1969 |
14 | 6 | Second Draft Screenplay |
1969 |
14 | 7 | Revised Second Draft Screenplay |
1969 |
14 | 8 | Third Draft Screenplay |
1969 |
14 | 9 | Revised Third Draft Screenplay |
1969 |
15 | 1 | Second Revised Third Draft Screenplay |
1969 |
15 | 2 | Budgets |
1969 |
15 | 3 | Daily Production Reports |
1969 |
15 | 4 | Inter-Office Communications |
1968-1970 |
15 | 5 | Scene Sketches |
1969 |
15 | 6 | Shooting Schedules |
1969 |
Box | Folder | ||
15 | 7 | Green Eyes - Estimating Screenplay and Budget |
1955-1956 |
15 | 8 | Green Mountain Boys - First Draft and Revised First Draft
Proposal for a Television Series |
1970 |
16 | 1 | Green Peacock - First Drafts Story Line and
Screenplay |
1950s |
A Hole in The Sky: |
|||
Box | Folder | ||
16 | 2 | Drafts of Outlines of Teleplay |
1968 |
16 | 3 | First Draft Teleplay |
1968 |
16 | 4 | Revised First Draft Teleplay |
1968 |
16 | 5 | First Draft Screenplay |
1968 |
16 | 6 | Revised First Draft Screenplay |
1968 |
Honeybear, I Think I Love You: |
|||
Box | Folder | ||
16 | 7 | Final Draft Screenplay and Censor's Rulings |
1969 |
16 | 8 | Budgets |
1969 |
16 | 9 | Tentative Shooting Schedule |
1969 |
Ironside - Jane as in Doe: |
|||
Box | Folder | ||
16 | 10 | Drafts of Step Outlines and Story Lines of
Teleplay |
1971 |
16 | 11 | First Draft Teleplay |
1971 |
17 | 1 | Final Draft Teleplay |
1971 |
Box | Folder | ||
17 | 2 | Jackaroo - Drafts of Story Lines of Teleplay |
1960s |
Jane Lightning and the Bushbum: |
|||
Box | Folder | ||
17 | 3 | Notes |
1971 |
17 | 4 | Drafts of Step Outlines and Story Lines |
1971 |
17 | 5 | First Draft Screenplay |
1971 |
17 | 6 | Revised First Draft Screenplay |
1971 |
17 | 7 | Final Draft Screenplay |
1971 |
The Journey of Simon McKeever: |
|||
Box | Folder | ||
17 | 8 | Budgets and Memoranda |
1949 |
17 | 9 | Revised First Draft Screenplay |
1971 |
Box | Folder | ||
18 | 1 | Keeping Company - First Draft Screenplay and
Reviews |
1970 |
The Kill: |
|||
Box | Folder | ||
18 | 2 | Final Draft Screenplay |
1966 |
18 | 3 | Revised Final Draft Screenplay |
1966 |
18 | 4 | Second Revised Final Draft Screenplay |
1966 |
18 | 5 | Production Budget |
1966 |
Box | Folder | ||
18 | 6 | King of the United States - Final Draft
Screenplay |
1960s |
18 | 7 | King of the Wind - Revised Final Draft
Screenplay |
1971 |
18 | 8 | First Draft Screenplay |
1969 |
Lucky: |
|||
Box | Folder | ||
18 | 9 | Drafts of Outlines of Screenplay |
1950s |
18 | 10 | Final Draft of Film Treatment |
1950s |
Lassie: |
|||
Box | Folder | ||
19 | 1 | The Case of the Horsenapper - Drafts of Film
Treatment |
1972 |
A Girl and a Boy: |
|||
Box | Folder | ||
19 | 2 | First Draft Teleplay |
1972 |
19 | 3 | Final Draft Teleplay |
1972 |
Box | Folder | ||
19 | 4 | Goodbye Lassie - Drafts of Outlines of
Teleplay |
1972 |
19 | 5 | A Matter of Respect - Drafts of Outlines of
Teleplay |
1972 |
A Taste of Freedom: |
1972 | ||
Box | Folder | ||
19 | 6 | Drafts of Outlines of Teleplay |
|
19 | 7 | Final Draft Teleplay |
1972 |
McCloud - Murder - Take Two: |
|||
Box | Folder | ||
19 | 8 | Revised First Draft Step Outline |
1971 |
19 | 9 | First Draft Television Prospectus |
1971 |
19 | 10 | Revised First Draft Television Prospectus |
1971 |
19 | 11 | Second Draft Television Prospectus |
1971 |
19 | 12 | Third Draft Television Prospectus |
1971 |
19 | 13 | Revised Third Draft Television Prospectus |
1971 |
McMillan and Wife - Time for a Murder: |
|||
Box | Folder | ||
19 | 14 | Drafts of Outlines of Teleplay |
1972 |
19 | 15 | Drafts of Step Outlines of Teleplay |
1972 |
19 | 16 | First Draft Teleplay |
1972 |
19 | 17 | Revised First Draft Teleplay |
1972 |
The Man From Picadilly: |
|||
Box | Folder | ||
19 | 18 | Drafts of Television Prospectus and Pilot
Teleplay |
1968 |
19 | 19 | Revised Draft Television Prospectus |
1968 |
19 | 20 | First Draft Teleplay |
1968 |
19 | 21 | Second Draft Teleplay |
1968 |
Box | Folder | ||
20 | 1 | A Man's World - Final Draft Film Treatment |
no date |
20 | 2 | Message to Washington - Final Draft Play |
1940s |
Monsieur LeCoq: |
|||
Box | Folder | ||
20 | 3 | First Draft Screenplay |
1966 |
20 | 4 | Revised First Draft Screenplay |
1967 |
20 | 5 | Second Revised First Draft Screenplay |
1967 |
20 | 6 | Second Draft Screenplay |
1967 |
20 | 7 | Revised Second Draft Screenplay |
1967 |
20 | 8 | Budgets |
1967-1968 |
20 | 9 | Production Notes |
1967-1968 |
Box | Folder | ||
21 | 1 | Most Dangerous Game - First Draft Screenplay |
1965 |
21 | 2 | The Movie Story - Final Draft of Television
Prospectus |
no date |
Mr. Lincoln's Whiskers: |
|||
Box | Folder | ||
21 | 3 | First Draft Play |
1947 |
21 | 4 | Revised First Draft Play |
1947 |
21 | 5 | Drawings of Scenes |
1947 |
21 | 6 | Publicity and Reviews |
1948-1949 |
Box | Folder | ||
21 | 7 | Mr. Lucky - Final Draft Story Line of Screenplay and
Reviews |
1942-1943 |
Murder My Sweet a.k.a. Farewell My Lovely: |
|||
Box | Folder | ||
21 | 8 | Final Draft Film Treatment |
1944 |
21 | 9 | Final Draft Screenplay |
1944 |
21 | 10 | Budgets |
1944 |
21 | 11 | Call Sheets |
1944 |
21 | 12 | Inter-Office Communications, Censor's Rulings, and
Preview Comments |
1944-1945 |
21 | 13 | Production Reports |
1944 |
21 | 14 | Publicity and Reviews |
1944-1945 |
21 | 15 | Shooting Schedule |
1944 |
My Pal Wolf: |
|||
Box | Folder | ||
22 | 1 | Final Draft Screenplay |
1944 |
22 | 2 | Budgets |
1944 |
22 | 3 | Call Sheets |
1944 |
22 | 4 | Inter-Office Communications, Censor's Rulings, and
Preview Comments |
1944 |
22 | 5 | Production Notes |
1944 |
22 | 6 | Production Reports |
1944 |
22 | 7 | Reviews |
1944 |
22 | 8 | Shooting Schedules |
1944 |
My Sweet Charlie: |
|||
Box | Folder | ||
22 | 9 | Synopsis for Screenplay |
1968 |
22 | 10 | First Draft Screenplay |
1969 |
22 | 11 | Revised First Draft Screenplay |
1969 |
The Parson of Panamint: |
|||
Box | Folder | ||
22 | 12 | Revised Second Draft Screenplay |
1941 |
22 | 13 | Second Revised Second Draft Screenplay |
1941 |
22 | 14 | Censor's Rulings and Reviews |
1941 |
Box | Folder | ||
23 | 1 | The Prisoner - Notes and Synopsis for
Screenplay |
1968 |
Private Confusion: |
|||
Box | Folder | ||
23 | 2 | Revised First Draft Screenplay |
1941 |
23 | 3 | Second Revised First Draft Screenplay |
1941 |
Queen Elizabeth I: |
|||
Box | Folder | ||
23 | 4 | Revised First Draft Film Treatment |
1950s |
23 | 5 | Revised First Draft Teleplay |
1950s |
Salt of the Earth: |
|||
Box | Folder | ||
23 | 6 | Preliminary Final Draft Screenplay |
1952 |
23 | 7 | Publicity Stills |
1952 |
Box | Folder | ||
23 | 8 | The Savage Canary - Final Draft Screenplay |
1966 |
23 | 9 | Shoot Around the Sea - Drafts of Story Lines of
Screenplay |
1968 |
The Slam: |
|||
Box | Folder | ||
24 | 1 | First Draft Screenplay |
1970 |
24 | 2 | Revised First Draft Screenplay |
1970 |
24 | 3 | Second Revised First Draft Screenplay |
1970 |
24 | 4 | Second Draft Screenplay |
1971 |
24 | 5 | Revised Second Draft Screenplay |
1971 |
24 | 6 | Second Revised Second Draft Screenplay |
1971 |
24 | 7 | Budget |
1971 |
24 | 8 | Continuity Notes |
1971 |
So Well Remembered: |
|||
Box | Folder | ||
25 | 1 | Final Draft Adaption of Novel for Film |
1945 |
25 | 2 | Final Draft Film Treatment |
1946 |
25 | 3 | Final Draft Screenplay |
1946 |
25 | 4 | Book by James Hilton - Annotated by Adrian
Scott |
1945 |
25 | 5 | Budgets |
1946-1947 |
25 | 6-8 | Correspondence |
April-September 1946 |
26 | 1 | Correspondence |
October 1946-November 1947 |
Photographs: |
|||
Box | Folder | ||
26 | 2 | BBC "Picture Parade" Program Interview of Director,
Producer, and Co-Stars |
1946 |
26 | 3 | Movie Stills |
1947 |
26 | 4-7 | Trade and Press Reception for Adrian Scott at Claridge
Hotel, London, England |
April 1946 |
Box | Folder | ||
26 | 8 | Preview Comments, Publicity, and Reviews |
1947 |
Sylva: |
|||
Box | Folder | ||
27 | 1 | Final Draft Screenplay |
1969 |
27 | 2 | Inter-Office Communications, Step Outline, and Step
Sheet |
1969 |
Box | Folder | ||
27 | 3 | A Tailor-Made Man - Revised First Draft
Screenplay |
1950s |
27 | 4 | Time to Kill - Revised First Draft Screenplay |
1960s |
27 | 5 | Wanted: Dead or Alive - Hostage - First Draft Story
Line |
1950s |
The Wayward Wife: |
|||
Box | Folder | ||
27 | 6 | First Draft Screenplay |
1971 |
27 | 7 | Revised First Draft Screenplay |
1971 |
27 | 8 | Second Draft Screenplay |
1971 |
27 | 9 | Revised Second Draft Screenplay |
1971 |
Box | Folder | ||
28 | 1 | We Go Fast - Final Draft Screenplay |
1941 |
28 | 2 | Whistling Girls - Final Draft Play |
1940s |
Wings of Hope: |
|||
Box | Folder | ||
28 | 3 | Synopsis for Screenplay |
1957 |
28 | 4 | Final Draft Treatment |
1957 |
Box | Folder | ||
28 | 5 | Your Street of Dreams - Radio Show Program
Prospectus |
1940s |
Series IV.: Manuscript Files - Joan Scott, 1956-1972Return to Top
This series contains drafts of screenplays and teleplays written by Joan Scott.
Container(s) | Description | Dates | |
---|---|---|---|
Box | Folder | ||
29 | 1 | Cairo - Final Draft Screenplay |
1962 |
29 | 2 | Call of the Wild - Television Prospectus, First Draft, and
Revised First Draft Pilot |
1960s |
29 | 3 | The Calypso Murder - Final Draft Screenplay |
no date |
29 | 4 | Goldie Meets Mike - First Draft Screenplay |
no date |
Have Gun, Will Travel: |
|||
The Bandit: |
|||
Box | Folder | ||
29 | 5 | First Draft Teleplay |
1961 |
29 | 6 | Revised First Draft Teleplay |
1961 |
29 | 7 | Final Draft Teleplay |
1961 |
Box | Folder | ||
29 | 8 | In an Evil Time - Final Draft Teleplay |
1961 |
29 | 9 | The Kid - First Draft Teleplay |
1961 |
29 | 10 | The Man with Skirts - First Draft Outline of
Teleplay |
1961 |
Box | Folder | ||
29 | 11 | King George - Final Draft Screenplay |
1960s |
Lassie: |
|||
Box | Folder | ||
29 | 12 | The Boy Who Cried Lassie - Final Draft Outline of
Teleplay |
1950s |
The Golden Eagle: |
|||
Box | Folder | ||
29 | 13 | First Draft Teleplay |
1972 |
29 | 14 | Second Draft Teleplay |
1972 |
29 | 15 | Final Draft Teleplay |
1972 |
The Hoax: |
|||
Box | Folder | ||
29 | 16 | Final Draft Outline of Teleplay |
1956 |
29 | 17 | Revised First Draft Teleplay |
1956 |
29 | 18 | Third Draft Teleplay |
1956 |
The Horsenappers: |
|||
Box | Folder | ||
30 | 1 | Final Draft Outline of Teleplay |
1972 |
30 | 2 | First Draft Teleplay |
1972 |
30 | 3 | Final Draft Teleplay |
1972 |
Joey: |
|||
Box | Folder | ||
30 | 4 | Final Draft Outline of Teleplay |
1961 |
30 | 5 | Final Draft Teleplay |
1961 |
Box | Folder | ||
30 | 6 | Lassie and the Eagle - Final Draft Outline of
Teleplay |
1961 |
30 | 7 | Lassie and the Greyhound - Final Draft
Teleplay |
1961 |
30 | 8 | Lassie's Reluctant Pupil - Final Drafts Outline and Step
Outline of Teleplay |
1972 |
The Legend of the Coyote: |
|||
Box | Folder | ||
30 | 9 | Final Draft Outline of Teleplay |
1972 |
30 | 10 | First Draft Teleplay |
1972 |
30 | 11 | Revised First Draft Teleplay |
1972 |
Box | Folder | ||
30 | 12 | The Pigeon - Final Draft Outline Teleplay |
1960 |
30 | 13 | Survival - Final Draft Outline of Teleplay |
1956 |
A Taste of Freedom: |
|||
Box | Folder | ||
30 | 14 | First Draft Teleplay |
1972 |
30 | 15 | Final Draft Teleplay |
1972 |
Tell It to the Birds: |
|||
Box | Folder | ||
30 | 16 | Drafts of Film Treatments |
1972 |
30 | 17 | First Draft Teleplay |
1972 |
30 | 18 | Revised First Draft Teleplay |
1972 |
30 | 19 | Second Draft Teleplay |
1972 |
Box | Folder | ||
30 | 20 | Three Lives at Stake - Final Draft Story Line for
Teleplay |
1972 |
30 | 21 | The Unwanted - Revised Final Draft Teleplay |
1970 |
30 | 22 | The Vanishing Breed - Final Draft Outline
Teleplay |
1970 |
31 | 1 | The White Dog - Final Draft Outline of
Teleplay |
1960s |
31 | 2 | The Wild One - Drafts of Outlines of
Teleplay |
1961 |
The Winner: |
|||
Box | Folder | ||
31 | 3 | Final Draft Outline of Teleplay |
1961 |
31 | 4 | Final Draft Teleplay |
1961 |
Magnificent Rebel: |
|||
Box | Folder | ||
31 | 5 | Final Draft Film Treatment for Teleplay |
1958 |
31 | 6 | First Draft Teleplay |
1959 |
31 | 7 | Revised First Draft Teleplay |
1959 |
31 | 8 | Second Revised First Draft Teleplay |
1959 |
Box | Folder | ||
31 | 9 | Man of the World - A Lady with the Blues - Final Draft
Film Treatment for Teleplay |
no date |
Marcus Welby, M.D. - I Can Hardly Tell You
Apart: |
|||
Box | Folder | ||
31 | 10 | Final Draft of Teleplay |
1970 |
31 | 11 | Revised Final Draft of Teleplay |
1970 |
Meet McGraw: |
|||
Box | Folder | ||
31 | 12 | The Delinquent - Final Draft Outline of
Teleplay |
1950s |
31 | 13 | McGraw in Reno - Revised Final Draft
Teleplay |
1957 |
Memory Game: |
|||
Box | Folder | ||
31 | 14 | Second Draft Screenplay |
no date |
32 | 1 | Third Draft Screenplay and Notes |
no date |
Pursuit: |
|||
Box | Folder | ||
32 | 2 | Beat Alley - Final Draft Outline of
Teleplay |
1958 |
32 | 3 | Tiger on a Bicycle - Revised First Draft
Teleplay |
1958 |
Box | Folder | ||
32 | 4 | Put Me in the Picture - Revised First Draft
Teleplay |
1960s |
32 | 5 | The Red Light - Drafts of Step Outlines and
Revised |
1950s |
Richard Diamond, Private Detective: |
|||
Box | Folder | ||
32 | 6 | The Cool Cat with the Hot Temper - Final Draft of
Outline of Teleplay |
1959 |
Jazz at the Carlton: |
|||
Box | Folder | ||
32 | 7 | First Draft Teleplay |
1959 |
32 | 8 | Revised First Draft Teleplay |
1959 |
Ripcord: |
|||
The Condemned: |
|||
Box | Folder | ||
32 | 9 | First Draft Teleplay |
1960 |
32 | 10 | Final Draft Teleplay |
1960 |
Box | Folder | ||
32 | 11 | 15B - First Draft Teleplay |
1961 |
77 Sunset Strip - Lairs' Club: |
|||
Box | Folder | ||
32 | 12 | Estimating Draft Teleplay |
1961 |
32 | 13 | Revised Estimating Draft Teleplay |
1961 |
32 | 14 | Revised Final Draft Teleplay |
1961 |
The Stormy Age: |
|||
Box | Folder | ||
32 | 15 | Drafts of Outlines of Teleplay |
1959 |
32 | 16 | First Draft Teleplay |
1959 |
32 | 17 | Revised First Draft Teleplay |
1959 |
The Stormy Age - By Daniel and Joanne Court: |
|||
Box | Folder | ||
33 | 1 | Second Revised First Draft Copy |
1959 |
33 | 2 | Final Draft Teleplay |
1959 |
Surfside 6 - By Joanne Court: |
|||
Daphne, Girl Detective: |
|||
Box | Folder | ||
33 | 3 | Drafts of Outlines Teleplay |
1961 |
33 | 4 | First Draft Teleplay |
1961 |
33 | 5 | Revised First Draft Teleplay |
1961 |
33 | 6 | Final Draft Teleplay |
1961 |
Box | Folder | ||
33 | 7 | Lairs' Club - First Draft Teleplay |
1961 |
33 | 8 | Race Against Time - Revised Final Draft
Teleplay |
1961 |
33 | 9 | Recipe for Mayhem - Revised Final Draft
Teleplay |
1961 |
Series V.: Manuscript Files - Others, 1945-1971Return to Top
This series contains drafts of plays, screenplays, and teleplays written by professional associates of Adrian Scott.
Container(s) | Description | Dates | |
---|---|---|---|
All I Said was Love - By Robert Presnell, Jr.: |
|||
Box | Folder | ||
33 | 10 | First Draft Film Treatment for Screenplay and
Memorandum |
1968-1969 |
33 | 11 | Second Draft Screenplay |
1969 |
33 | 12 | Revised Second Draft |
1969 |
Box | Folder | ||
34 | 1 | All the World's a Stage, Baby - By Allan Scott - Final
Draft Play |
1960s |
34 | 2 | The Amoralists - By Edward Harper - Final Draft Film
Treatment for Screenplay |
no date |
34 | 3 | An American Story - Final Draft Screenplay |
no date |
34 | 4 | Are You Now or Have You Ever Been a Member of the Human
Race - By Robert Presnall, Jr. - Final Draft Film Treatment for
Screenplay |
1960s |
34 | 5 | Bad Day at Black Rock - By Millard Kaufman - Final Draft
Screenplay |
1954 |
34 | 6 | Benny Is a Dummy - By George O'Hanlon - Second Draft
Screenplay |
1960s |
34 | 7 | Big Bend - By Richard Mead - Synopsis for
Teleplay |
1969 |
34 | 8 | Black Pimpernal - By Alexander Knox - Final Draft Story
Line for Screenplay |
1960s |
34 | 9 | Boo! - By David Campton - Final Draft Radio
Play |
1950s |
34 | 10 | The Chinese Visitor - By Edward Harper - Second Revised
First Draft Screenplay |
1968 |
35 | 1 | The Choice - By Robert L. Joseph - Final Draft
Screenplay |
1968 |
35 | 2 | Christians Won, Lion Ate - By Bennett Foster - Final Draft
Film Treatment for Screenplay |
1970 |
35 | 3 | The Code of Jonathan West - By John Paxton - Revised First
Draft Screenplay |
no date |
Conspiracy of Hearts - By Dale Pitt: |
|||
Box | Folder | ||
35 | 4 | First Draft Teleplay |
1956 |
35 | 5 | Revised First Draft Teleplay |
1956 |
35 | 6 | Final Draft Teleplay |
1956 |
Box | Folder | ||
35 | 7 | Cop Out - Synopsis for Screenplay |
1969 |
35 | 8 | The Corrupt Octopus - By Allan Scott and Frank Tashlin -
Final Draft Screenplay |
1960s |
35 | 9 | Countdown - By John Brley - Final Draft
Screenplay |
1960s |
35 | 10 | The Debt - By Robert Presnell, Jr. - Final Draft Film
Treatment for Screenplay |
no date |
35 | 11 | Decision - By Helen Nielson - Final Draft Film Treatment
for Teleplay |
no date |
35 | 12 | The Devil's Daughter - Final Draft Story Line for
Teleplay |
no date |
35 | 13 | Double Image - By Charles W. Dwyer - Final Draft
Screenplay |
no date |
35 | 14 | Fear Is the Key - By Alistair MacLean - Synopsis for
Screenplay |
1967 |
35 | 15 | The Glass Key - By Dashiell Hammett - Synopsis for
Teleplay and Memorandum |
1969-1971 |
36 | 1 | The Hostages - By Aluah Bessie - Final Draft
Screenplay |
1960s |
36 | 2 | I Hate You Aunt Mama - By Bennett Foster - Final Draft
Film Treatment for Screenplay |
1970 |
36 | 3 | It's a Wonderful Life - By Clifford Odets - Second Draft
Screenplay |
1945 |
36 | 4 | Jamaica - By E.Y. Harburg - Revised Final Draft
Play |
1960s |
36 | 5 | Johnny Got His Gun - By Dalton Trumbo - Final Draft
Screenplay |
1969 |
36 | 6 | Love and Taxes - By Alan Scott - Final Draft
Screenplay |
1948 |
36 | 7 | The Lovers - By Robert Presnell, Jr. - Final Draft Film
Treatment for Screenplay |
1960s |
36 | 8 | A Matter of Survival - By Christopher L. Helms - First
Draft Screenplay |
1970 |
36 | 9 | Mister Adam - By Dalton Trumbo - Final Draft
Screenplay |
1958 |
Mrs Eckdorf in O'Neill's Hotel - By Edward
Harper: |
|||
Box | Folder | ||
37 | 1 | First Draft Screenplay |
1960s |
37 | 2 | Revised First Draft Screenplay |
1960s |
Box | Folder | ||
37 | 3 | Number One Ephus - By Bennett Foster - Final Draft
Treatment for Screenplay |
1970 |
Out of the Deeps - By Robin Estridge: |
|||
Box | Folder | ||
37 | 4 | Final Draft Film Treatment for Screenplay |
1963 |
37 | 5 | First Draft Story Line for Screenplay |
1968 |
37 | 6 | Revised First Draft Story Line for
Screenplay |
1968 |
Box | Folder | ||
37 | 7 | Outer Darkness - By Michael Wilson - Revised First Draft
Screenplay |
1968 |
37 | 8 | Pamela - By Edward Hume - Final Draft Screenplay,
|
1967 |
37 | 9 | The Prince of Thieves - By George Tabori - First Draft
Screenplay |
1965 |
37 | 10 | Project 1 - By S. Beckett, E. Ionesco, and H. Pinter -
Final Draft Film Treatment for Screenplay |
1963 |
38 | 1 | A Ring of Roses - By Carl Foreman - Final Draft
Screenplay |
1966 |
38 | 2 | Rip Van Winkle - By Paul Jarrico - Final Draft
Screenplay |
no date |
38 | 3 | Spring Awakening - By Franz Wedekind - Synopsis and Final
Draft of Play |
1963 |
38 | 4 | The Syndicate - By Dalton Trumbo - Final Draft
Screenplay |
1960s |
38 | 5 | The Tag of the Dog - By Mitchell Lindeman - Final Draft
Story Line for Screenplay |
1960s |
38 | 6 | Things - By Dale Pitt - Final Draft Teleplay |
no date |
38 | 7 | The Thirty-First of June - By Edmund H. North - Final
Draft Film Treatment for Screenplay |
1965 |
38 | 8 | Town Parole - By Alex Hamilton - Synopsis for
Screenplay |
1964 |
38 | 9 | Tsar's Bride - By Edward Harper - Final Draft
Screenplay |
1960s |
38 | 10 | 'Twas Brillig - By Robert Lees and Fred Rinaldo - Final
Draft Film Treatment for Screenplay |
1960s |
38 | 11 | Twenty Thousand Years in Sing Sing - Final Draft
Teleplay |
no date |
39 | 1 | The Two Headed Spy - Final Draft Screenplay |
1958 |
39 | 2 | White Line to Eternity - By Victor Canning - Final Draft
Short Story |
1960s |
Who's Happy Now? - By Oliver Hailey: |
|||
Box | Folder | ||
39 | 3 | Final Draft Play |
1967 |
39 | 4 | First Draft Screenplay |
1968 |
39 | 5 | Revised First Draft Screenplay |
1969 |
39 | 6 | Final Draft Screenplay |
1969 |
Box | Folder | ||
39 | 7 | The Windows of Heaven - By Shimon Wincelberg - Final Draft
Play |
1969 |
39 | 8 | Wings - By Euan Lloyd and Adrian Scott - Television
Prospectus Final Draft |
1967 |
40 | 1 | Why Sister Susanna Must be Protected From the Forces of
Evil and Darkness - By W. Link and R. Levinson - Final Draft
Screenplay |
no date |
40 | 2 | Yankee Doodle - By Harve Bennett - Father and I Went Down
to Camp - Final Draft Pilot Screenplay |
1969 |
40 | 3 | The Yearling - By Sidney Franklin - Final Draft
Screenplay |
1945 |
Series VI.: Motion Pictures - Publicity, 1940sReturn to Top
This series contains trade paper advertising and preliminary posters for films "Crossfire," "Farewell My Lovely" a.k.a. "Murder My Sweet," and "My Pal Wolf."
Container(s) | Description | Dates | |
---|---|---|---|
Box | Folder | ||
41 | 1 | Crossfire, Farewell My Lovely a.k.a. Murder My Sweet, and
My Pal Wolf |
1940s |
Names and SubjectsReturn to Top
Subject Terms
- Playwriting
- Motion Pictures -- Production and direction -- England
- Motion Pictures -- Production and direction -- United States
- Motion Pictures -- United States
- Motion picture authorship
- Television authorship
- Television scripts
Personal Names
- Lincoln, Abraham, 1809-1865
Corporate Names
- United States. Congress. House. Committee on Un-American Activities
Form or Genre Terms
- Legal files
- Photographs
- Scripts
Occupations
- Dramatists
- Motion picture producers and directors
- Screenwriters
- Television producers and directors
- Television writers