JoAnn Taricani papers, 1962-2019

Associated with her consideration for promotion to Professor as she was beginning her term as Director of the School of Music. This appears to contain her latest CV/resume, as well as a useful abstract of her late plans for additional publications and service.

Another CV, roughly contemporaneous with CV in 2019 Packet of materials, though organized differently.

Contains attached materials including dissertation manuscripts and commentary

Contains Volume 49, Number 4 Edition. Also includes excerpt of Taricani's published article in this Notes Edition.

Paper presented in Oakland, California

Includes correspondence from Rich Freedman.

Contains Volume 46. Also includes excerpt of Taricani's published article in this Revue Edition. Also includes correspondence regarding publication from Henri Vanhulst.

Self-published edition

Contains correspondence with James Haar

drafts of one appendix of Berchem Edition Study

Envelope materials were originally placed in had: "Are virgo gloriosa Factum est verbum/Ego vox O felix regina O lux et decus Qualis est dilecta mea" written on it

Envelope materials were originally placed in had "Berchem Music (Originals?)" written on it

Includes libretto drafts and notes

Includes Acts 1, 2, and 3

Excerpt from Journal of the Royal Musical Association. Includes letter from Suzanne Aspden to Taricani.

Two copies. One copy contains newspaper articles about Dragon of Wantley performances

Regarding Taricani's research on her work about Fielding

Taricani gave a presentation: "Henry Fielding as an Impresario of Opera & Politics"

Notes mention Fielding and ballad operas. Includes photocopy of document from 1649

Print galley is of Appendix I, with music transcribed and edited by Taricani.

Draft attached with page 4 of a Dragon of Wantley presentation

Annotated

Subjects include The Grub-Street Opera and the Lottery. Manila envelope music sheets were enclosed in had "reviewed by Tom" written on it and sheets have notes signed by Tom throughout

Notes also mention Tom

Originally unfoldered music sheets. Notes also mention Tom

Note on folder: "some reviewed by Tom"

Notes from Tom again. Folder mentions "White Jock" and King's Old Courtier"

Sticky note from Tom inside

Party Invitation for Taricani

Music sheets are labeled as music inserts. Some also mention Appendix 1. More notes from Tom

Related to research of Henry Fielding's music

Printout of Fielding's comedy

Submitted to the Recent researches in the Music of the Baroque Era

Some photographs appear to be part of a presentation, include Figure numbers

Includes brochure for the joint meeting

This draft includes projector images

From "Pills" 1719-1720.

Index is annotated, table of 1661 ballads is included.

Two annotated copies of a publication by Jason McElligott on Edward Crouch

Transparency is attached to Google Map of London

Includes Savonarola + 500 pamphlets and postcards

Note on photocopy: College Musical Symposium

A piece of correspondence from Peggy Parcel regarding the included music compositions that her grandfather contributed vocal numbers for. Also includes correspondence from Dayton Hjeh alongside UW music sheets

Includes exhibit catalog for Ballads, Bullets, and Ballots: Imprints of American Song, 1840-1920

Includes slip detailing requirement for post-graduate degrees in music

Contains one additional copy of specifically Taricani's article in this issue: "Musical Commerce in Eighteenth Century Philadelphia: The Letters of Michael Hillegas"

Contains one additional copy of specifically Taricani's article in this issue: "Music in Colonial Philadelphia: Some New Documents." Full quarterly had pamphlet for 1978 event of the Pennsylvania Historical Association where Taricani was featured.

Composed by Stephen C. Foster

Composed by Stephen C. Foster

Poetry and music by Stephen C. Foster

Potentially for class she co-taught: Music 330. Includes index card of student contact information.

In regards to Taricani's research project: "De-coding the Tunes and Symbols of the British Underground, 1660-1740"

In regards to Taricani's research project: "Symbols and Subtext in the Music of Restoration and Georgian England"

In regards to Taricani's research project: "Singing in the Dark Times: British Resistance and Resistance to Britain"

Taricani wrote the introduction of the concert in the brochure. Brochure also had a flyer for a end of term celebration for the UW Medieval Studies graduate interest group.

Microfilm copies of various music manuscripts

Tapes pertain to course assignments and lectures for Music History 210. One CD unlabeled.

CDs contents pertain to class materials for Music History 400

The three tapes are labeled Taricani 401 four to six. Pertain to course materials for Music History 401.

The four tapes are labeled A-D, pertain to Music History 515 course materials.

CD pertains to Music History 497 final.

Labeled as pre-1550.

Covers French Chansons

Correspondence mentions an Easter play

Labeled as a staff copy

One notebook

Two notebooks

Two notebooks

Two notebooks and a speech draft

Letter is in regards to Taricani's request to be appointed at the University of Michigan's School of Music Department of Musicology

Includes correspondence, a speech draft, and pamphlet for Coleman's inauguration. Pamphlet includes bookmark

Includes newspaper clippings and two photographs

One is labeled as a music history placement exam and the other is not explicitly labeled of what exam this tape is for.

Labeled as Taricani 313 tape seven. Piece of paper included claims It is for assignment seven of the course.

Labeled as tape 5-Vivaldi, concerto, op. three, three "Winter" from four seasons.

Cassette tape is labeled as tape six for Music History 400.

One cassette tape is labeled as Music 503 Lectures. The other eight are labeled as: tapes two, six, seven, eight, nine, ten, eleven, and thirteen.

One of the tapes is labeled as M 1508, another tape has Munich 1508-II, and the Maxell 90 has Munich 1508 III.

All appear to be labeled as University of Washington Collegium Musicum Irish Songs, Side A.

One tape labeled as Berchem takes, 2-90. Other tape labeled as Berchem and has note in case that lists songs and timestamps on side A. Third tape is labeled as Motet Conference.

Two tapes have notes in their cases that list music from Dragon Wantley opera. One of these two tapes have a note that labels it as edited. The third tape is labeled as Dragon of Wantley/Act I.

One tape is labeled as Lecture-shortened version. The second tape is labeled as Marcia Bell away, Lisa Bergman-WA songs. The third tape is labeled as Wash. Exempts.

Two labeled without years: July 26 and June 17. Other two tapes labeled as: September 9, 2006 and the fourth tape as Winter 1993.

Two tapes are labeled as from 1992: Autumn and November. Three tapes are written from 1993: one tape from February to March, a second from June, and the third tape from October to November 1993. One tape is from 1994: May to June. Three tapes are only labeled with day and month: one tape has July 14, a second tape has November 15 and November 22, and the third tape has April 24.

Two video cassette tapes that have been found to have data on them.

Diskettes contain records of Taricani's curriculum vitae, manuscripts, events she attended, and class materials.