The William E. Stafford Archives, Series 3, Sub-Series 2: Correspondence with Publishers, 1958-2010
Table of Contents
- Overview of the Collection
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Biographical Note
- Content Description
- Use of the Collection
- Administrative Information
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Detailed Description of the Collection
- Down in My Heart publishing history, 1947-1998
- Down in My Heart OSU Press, 1998
- Down in My Heart OSU Press, 2006
- Winterward copyright, undated
- Winterward Tavern Press, 2011-2012
- West of Your City correspondence with Robert Greenwood, 1958-2005
- Robert Greenwood and Talisman Press, 1958
- Traveling through the Dark correspondence with Elizabeth Lawrence, 1960-1985
- Traveling through the Dark copyrights, royalties, etc., 1963
- Traveling through the Dark reviews and National Book Award, 1963
- Traveling through the Dark correspondence with Mary Jo Reiter, 1993-1996
- Traveling through the Dark Weatherlight (UK) reprint, 1997
- Traveling through the Dark Urban Editions reprint, 2004
- The Rescued Year correspondence, 1963-1969
- The Rescued Year poems left out (advice of Donald Hall), 1966
- The Rescued Year copyright clearances, 1966
- The Rescued Year reviews, 1966
- The Rescued Year royalties, 1966
- NCTE Commission on Literature preliminary drafts, 1965
- Correspondence NCTE Boston February, Feb. 1965
- NCTE Chicago, May 1965
- Correspondence NCTE PRR affiliate breakfast, Nov 1965
- Correspondence NCTE New York, Nov 1965
- Correspondence NCTE Literary Statement, May-Dec 1966
- Friends to This Ground (WS NCTE Literary Statement) proofs & edits, 1966
- NCTE Council-grams (broadsides), April 1965 - September 1966
- The Achievement of Brother Antoninus royalties, 1967
- Eleven Untitled Poems copyright, 1968
- Allegiances correspondence with Ann Harris, December 1968-January 1970
- Allegiances manuscript, 1969
- Allegiances copyrights, 1969
- Allegiances royalties, 1969
- Allegiances reviews, 1969
- Temporary Facts correspondence and typescript, 1970
- Poems & Perspectives correspondence, June 1970-April 1971
- Poems & Perspectives drafts, 1971
- Wind World unpublished Indian poems book for Perishable Press, Fall 1971
- Someday, Maybe correspondence with Ann Harrris, May 1972-February 1973
- Someday, Maybe copyrights and correspondence, 1972-1973
- Someday, Maybe proofs, 1973
- Someday, Maybe royalties, 1973
- In the Clock of Reason permissions, 1973
- Voices of Prose Correspondence, 1965
- Voices of Prose Proof, 1966
- Voices of Prose corrected proof, 1-95, 1966
- Voices of Prose corrected proof, 96-end, 1966
- Voices of Prose royalties, 1966
- Ghalib correspondence with Asia Society, 1967-1970
- Aijaz Ahmed on Ghalib, 1967-1970
- Aijaz Ahmed on Ghalib Ghazals I-XXX, 1967-1970
- Aijaz Ahmed on Ghalib Ghazals XXXI-XLI, 1967-1970
- Aijaz Ahmed on Ghalib Ghazals versions I-XL, 1967-1970
- Drafts of published and unpublished versions of Ghalib, 1967-1970
- Ghalib versions Adrienne Rich, 1967-1970
- Ghalib versions W. S. Merwin, 1967-1970
- Ghalib versions David Ray, 1967-1970
- Ghalib versions Thomas Fitzsimmons, 1967-1970
- Ghalib versions Mark Strand, 1967-1970
- Ghalib versions William Hunt, 1967-1970
- WS Translates Ghalib (Malahat Review), 1967-1970
- WS Translates Ghalib (Mahfil), 1967-1970
- WS Translates Ghalib (Ghazals of Ghalib), 1967-1970
- Modern Poetry of Western America correspondence, Dec 1972 - Dec 1974
- Modern Poetry of Western America proofs, 1974
- Braided Apart correspondence, 1976
- Braided Apart copyrights, 1976
- Stories that Could Be True correspondence, November 1975 - December 1977
- Stories that Could Be True poems left out (advice of Donald Hall), 1977
- Stories that Could Be True copyrights, 1977
- Stories that Could Be True royalties, 1977
- Writing the Australian Crawl correspondence, June 1976 - October 1977
- Writing the Australian Crawl royalties, 1978
- All About Light correspondence, 1978
- Smoke’s Way chapbook, 1978
- The Small Farm, Spring/Fall 1979
- The Quiet of the Land correspondence, 1979
- Things that Happen Where There Aren’t Any People correspondence, June 1978-Aug 1979
- Things that Happen Where There Aren’t Any People copyrights, 1979
- WS Preface for Mary Barnard Selected Poems, 1979
- WS Preface for Ingrid Wendt, Moving the House, 1980
- Two About Music; Around You, Your House; Absolution, 1978/1979/1980
- Sometimes Like a Legend correspondence, 1981
- Roundup correspondence, 1981
- It Was Like This. Cascade Head Project correspondence, 1975-1992
- A Glass Face in the Rain correspondence and contract, 1981-1982
- A Glass Face in the Rain copyrights, 1982
- A Glass Face in the Rain printing blues, 1982
- A Glass Face in the Rain Library of Congress copyright, 1982
- A Glass Face in the Rain royalties, 1982
- Smoke’s Way correspondence, 1980-1983
- Smoke’s Way draft, 1983
- Smoke’s Way final manuscript, 1983
- Smoke’s Way publisher’s paste-up, 1983
- Smoke’s Way poems omitted from paste-up, 1983
- Smoke’s Way royalties, 1983
- Segues authors correspondence, 1983
- Segues typescript, 1983
- Segues publisher correspondence, 1983
- Roving Across Fields, 1983
- Listening Deep correspondence, 1984
- Stories, Storms and Strangers copyrights, 1984
- Wyoming correspondence, 1985
- Brother Wind correspondence, 1986
- Brother Wind copyrights, 1986
- You Must Revise Your Life correspondence with Donald Hall, 1986
- You Must Revise Your Life text 1, 1986
- You Must Revise Your Life text 2, 1986
- You Must Revise Your Life copyrights, 1986
- You Must Revise Your Life royalties, 1990-1991
- You and Some Other Characters correspondence, 1987
- You and Some Other Characters drawings by Barbara Stafford-Wilson, 1987
- You and Some Other Characters copyrights, 1987
- An Oregon Message submission, 1987
- An Oregon Message correspondence with Frances Lindley and Terry Karten, 1987
- An Oregon Message copyrights, 1987
- An Oregon Message press-marked manuscript, 1987
- An Oregon Message author’s proof, 1987
- An Oregon Message final proof, 1987
- An Oregon Message blues, 1987
- An Oregon Message reviewers’ proof, 1987
- An Oregon Message reviews, 1987
- An Oregon Message royalties, 1987
- Annie-Over authors’ correspondence, 1988
- WS / Marvin Bell conversation, with V. Wixon published transcript, July 1987
- Annie-Over correspondence with Donnell Hunter, 1988
- Annie-Over Barbara Stafford-Wilson drawings, 1988
- Annie-Over copyright, 1988
- Writing the World manuscript, 1988
- Writing the World correspondence, 1988
- A Scripture of Leaves manuscript, 1989
- A Scripture of Leaves documentary copy, 1989
- A Scripture of Leaves copyright agreement, 1989
- A Scripture of Leaves correspondence, 1987-1989
- A Scripture of Leaves Brethren Press reprint correspondence, 1999
- Fin, Feather, Fur copyright, 1989
- Fin, Feather, Fur manuscript, 1989
- Fin, Feather, Fur correspondence, 1989
- How to Hold Your Arms When It Rains correspondence, 1988-1990
- How to Hold Your Arms When It Rains copyright registration, 1990
- Kansas Poems correspondence, 1986-1993
- Passwords correspondence, December 1989-July 1991
- Passwords manuscript, 1989
- Passwords copyright clearances and publisher’s contract, 1989
- Passwords drafts and proof, 1989
- Passwords master proof, December 20, 1990
- Passwords master proof, January 21, 1991
- History Is Loose Again correspondence, January-March 1991
- History Is Loose Again copyright registration, July 1, 1991
- The Long Sigh the Wind Makes correspondence, September 1990-February 1991
- The Long Sigh the Wind Makes drafts, 1991
- Seeking the Way correspondence, 1992
- Torque Tongue correspondence, 1992
- My Name Is William Tell correspondence, 1983-1992
- My Name Is William Tell manuscript, 1992
- My Name Is William Tell corrected proof, 1992
- My Name Is William Tell final proof, 1992
- My Name Is William Tell WESTAF book award, 1992
- My Name Is William Tell reviews, 1992-1993
- Introduction to Jeremy Driscoll, Some Other Morning, 1992
- The Animal That Drank Up Sound correspondence, 1990-1992
- The Animal That Drank Up Sound contract, 1990
- The Animal That Drank Up Sound paste-up, 1992
- The Animal That Drank Up Sound reviews, 1992
- The Animal That Drank Up Sound Oberlin opera, 1992
- Holding Onto the Grass correspondence, 1992
- Holding Onto the Grass copyright agreement, 1992
- Holding Onto the Grass UK reprint correspondence, 1993-1994
- Stephen Dunning, Running with Bill (poems), ca. 1992
- Getting the Knack correspondence part 1, 1979-1983
- Getting the Knack correspondence part 2, 1990-1992
- Getting the Knack draft part 1, 1979
- Getting the Knack draft part 2, 1979
- Getting the Knack draft part 1, 1979-1981
- Getting the Knack draft part 2, 1979-1981
- Getting the Knack draft, 1981-1982
- Getting the Knack book proposal, 1983
- Getting the Knack Spooner focus groups, June-October 1991
- Getting the Knack drafts, October-November 1991
- Getting the Knack contract, 1992
- Getting the Knack galley 1-169, 1992
- Getting the Knack galley 169-end, 1992
- Sometimes I Breathe part 1, 1992
- Sometimes I Breathe part 2, 1992
- Sometimes I Breathe editorial, 1992
- Sometimes I Breathe copyright clearances, 1990-1996
- Who Are You Really, Wanderer? correspondence, 1993
- Who Are You Really, Wanderer? copyright notice, 1993
- Listening to the River correspondence with Robert Adams
- The Darkness Around Us Is Deep contract, 1991
- The Darkness Around Us Is Deep correspondence, February 1992
- The Darkness Around Us Is Deep Robert Bly selection, April 1992
- The Darkness Around Us Is Deep proof, May 18, 1993
- The Darkness Around Us Is Deep proof, August 25, 1993
- The Darkness Around Us Is Deep reviews, 1994
- Methow River signs project with USFS correspondence, 1993-2006
- Methow River Poems contract, 29 April 1995
- Methow River Poems drafts, 1993
- Methow River Poems broadsides, 1995
- Methow River Poems press notices and photographs, 1997-1999
- Even in Quiet Places correspondence, 1992-1998
- Even in Quiet Places contract, 1995
- Even in Quiet Places manuscript, 1995
- Even in Quiet Places Methow River poems, 1995
- Even in Quiet Places Afterword, etc., 1995
- Even in Quiet Places publisher’s mock-up, 1996
- Even in Quiet Places proof corrected by Paul Merchant, 1996
- Even in Quiet Places proof corrected by Kim Stafford, 1996
- Even in Quiet Places proof corrected by Vince Wixon, 1996
- Even in Quiet Places press kit, 1996
- Even in Quiet Places ads and reviews, 1996
- Crossing Unmarked Snow correspondence, October 1995-January 1998
- Crossing Unmarked Snow contract, 1996
- Crossing Unmarked Snow editorial work, 1995-1997
- Crossing Unmarked Snow editorial work, 1998
- Crossing Unmarked Snow Vincent Wixon editorial work, 1998
- Crossing Unmarked Snow originals part 1, 1-104, 1998
- Crossing Unmarked Snow originals part 2, 105-end, 1998
- Crossing Unmarked Snow original Stephen Ratiner interview, 1998
- Crossing Unmarked Snow proofed typescript, 1998
- Crossing Unmarked Snow permissions and acknowledgments, 1998
- Crossing Unmarked Snow final draft, 1998
- Crossing Unmarked Snow corrected manuscript, 1998
- Crossing Unmarked Snow corrected proof (PM), 1998
- Crossing Unmarked Snow corrected proof (VW), 1998
- Crossing Unmarked Snow publicity, 1998
- Crossing Unmarked Snow reviews, 1998
- The Way It Is correspondence, 1991-1995
- The Way It Is correspondence, 1996
- The Way It Is correspondence, January-June 1997
- The Way It Is correspondence, July-December 1997
- The Way It Is correspondence, 1998-1999
- The Way It Is contract, 1998
- The Way It Is editorial work, 1998
- The Way It Is small press poems, 1998
- The Way It Is Naomi Shihab Nye preface, 1998
- The Way It Is edits: Tom Andrews, Marvin Bell, Robert Bly, etc., 1998
- The Way It Is permissions, 1998
- The Way It Is manuscript part 1 (1-200), October 31, 1996
- The Way It Is manuscript part 2 (201-399), October 31, 1996
- The Way It Is manuscript part 3 (400-end), October 31, 1996
- The Way It Is corrected proof 1-150, 1998
- The Way It Is corrected proof 151-end, 1998
- The Way It Is reviews 1998, 1998
- The Way It Is editorial (Vincent Wixon), 1995-1997
- The Way It Is rearrangement of part I by Kim Stafford, 1995-1997
- The Answers Are Inside the Mountains correspondence, 1999-2002
- The Answers Are Inside the Mountains contract, 2002
- The Answers Are Inside the Mountains editorial work 1, 2002
- The Answers Are Inside the Mountains editorial work 2, 2002
- The Answers Are Inside the Mountains editorial work 3, 2002
- The Answers Are Inside the Mountains editing Dailiness, 2002
- The Answers Are Inside the Mountains editing Poems about Poets, 2002
- The Answers Are Inside the Mountains editing Memory Map, 2002
- The Answers Are Inside the Mountains rejected material 1, 2002
- The Answers Are Inside the Mountains rejected material 2, 2002
- The Answers Are Inside the Mountains rejected material 3, 2002
- The Answers Are Inside the Mountains editorial work (Vincent Wixon), 2002
- The Answers Are Inside the Mountains manuscript, 2002
- The Answers Are Inside the Mountains copyedited manuscript, 2002
- The Answers Are Inside the Mountains permissions, 2002
- The Answers Are Inside the Mountains promotional and reviews, 2002
- Every War Has Two Losers correspondence, 2002-2003
- Every War Has Two Losers drafts, 2002
- Every War Has Two Losers texts, 2002
- Every War Has Two Losers manuscript, August 2002
- Every War Has Two Losers reading copy, 2003
- Every War Has Two Losers copyedited manuscript, June 2003
- Every War Has Two Losers permissions, 2003
- Every War Has Two Losers corrected galley proof, July 2003
- Every War Has Two Losers first paginated proof, August 2003
- Another World Instead correspondence, 2006 to June 10, 2007
- Another World Instead correspondence, June 12, 2007 to 2009
- Another World Instead corrected galley proof, November 2007
- Fred Marchant calendars, 2006/2009/2010
- Names and Subjects
Overview of the Collection
- Creator
- Stafford, William, 1914-1993
- Title
- The William E. Stafford Archives, Series 3, Sub-Series 2: Correspondence with Publishers
- Dates
- 1958-2010 (inclusive)19582010
- Quantity
- 12 linear feet
- Collection Number
- OLPb098STA
- Summary
- William Stafford (1914-1993) was one of the most prolific and important American poets of the last half of the twentieth century. This subseries of the collection includes all of Stafford's books where he is listed as author or co-author published in English. The Index to the entire Stafford Archives can be found at: http://nwda-db.wsulibs.wsu.edu/findaid/ark:/80444/xv83782
- Repository
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Lewis & Clark College, Special Collections and Archives
Aubrey R. Watzek Library
615 S. Palatine Hill Rd.
Portland, OR
97219
Telephone: 5037687758
Fax: 5037687282
archives@lclark.edu - Access Restrictions
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This collection has no restrictions and is open for research.
- Languages
- English
Biographical Note
William Stafford (1914-1993) was one of the most prolific and important American poets of the last half of the twentieth century. Among his many credentials, Stafford served as consultant in poetry at the Library of Congress, and received the National Book Award for his poetry collection Traveling through the Dark (1963). During his lifetime, Stafford wrote over sixty books of poetry that still resonate with both scholars and general readers. Stafford’s perspectives on peace, the environment, and education serve as some of the most articulate and engaging dialogues by a modern American writer about three of the most important issues of the second half of the twentieth century with lasting impacts on future generations. Howard Zinn, one America’s most iconic modern historians, was keenly aware of Stafford’s insight into modern American culture. Zinn claimed, “William Stafford’s prose and poetry, wise and eloquent, speak directly to the violence of our time, and to our hope for a different world” (from cover of Every War Has Two Losers).
The William Stafford Archives, donated to Lewis & Clark College by the Stafford family in 2008, contain the private papers, publications, photographs, recordings, and teaching materials of the poet William Stafford. The Lewis & Clark College Special Collections actively add to this collection by acquiring unique Stafford related materials.
Stafford wrote every day of his life from 1950 to 1993. These 20,000 pages of daily writings form a complete record of the poet’s mostly early morning meditations, including poem drafts, dream records, aphorisms, and other visits to the unconscious, recorded on separate sheets of yellow or white paper or when traveling, often in spiral-bound reporters’ steno pads. The archive also includes typescripts of poems submitted for publication and for use in readings. Stafford listed where he submitted each poem, and whether it was accepted for publication on the typescript. Each of his published collections, large and small, is represented by its gathering of documentary copies (typescripts), called by Stafford a “put-together.” Unpublished poems, poems published in journals, and reading copies of published poems were also gathered, in a virtually complete record from 1937 to 1993, totaling about 7,000 items. The collection also includes copies of all known Stafford books and translations. Stafford saved correspondence received, with an indication of the date of reply, and sometimes a copy of the reply, from the early 1960s to August 1993. Estimated at 100,000 sheets, the collected correspondence contains some full exchanges of correspondence initiated by WS. One such exchange is the correspondence with Marvin Bell on their sequence Segues. In addition to many photographs of and relating to William Stafford, the archive includes an estimated 20,000 photographs and negatives taken and developed by Stafford of fellow poets, family, friends, and Lewis & Clark College faculty. The archive provides documentation of Stafford's teaching career, including more than one thousand index cards, some dating from research at Iowa, others from later. These were much used in preparing for classes, workshops, and lectures. The files also contain scattered notes for workshops and lectures. The archive also includes course syllabi, and faculty documents relating to Stafford's teaching years at Lewis & Clark College.
Content Description
Includes incoming correspondence and some carbon copies of outgoing correspondence. Includes correspondence from the Estate of William Stafford relating to posthumous publications.
Use of the Collection
Restrictions on Use
Permission to publish, exhibit, broadcast, or quote from materials in the Watzek Library Archives & Special Collections requires written permission of the Head of Archives & Special Collections.
Preferred Citation
The William Stafford Archives, Lewis & Clark College Aubrey Watzek Library Archives & Special Collections, Portland, Oregon.
Administrative Information
Return to TopDetailed Description of the Collection
The following section contains a detailed listing of the materials in the collection.
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Description: Down in My Heart publishing historyDates: 1947-1998Container: Box/Folder 75A.1
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Description: Down in My Heart OSU PressDates: 1998Container: Box/Folder 75A.2
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Description: Down in My Heart OSU PressDates: 2006Container: Box/Folder 75A.3
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Description: Winterward copyrightDates: undatedContainer: Box/Folder 75A.4
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Description: Winterward Tavern PressDates: 2011-2012Container: Box/Folder 75A.5
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Description: West of Your City correspondence with Robert GreenwoodDates: 1958-2005Container: Box/Folder 75B.1
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Description: Robert Greenwood and Talisman PressDates: 1958Container: Box/Folder 75B.2
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Description: Traveling through the Dark correspondence with Elizabeth LawrenceDates: 1960-1985Container: Box/Folder 75B.3
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Description: Traveling through the Dark copyrights, royalties, etc.Dates: 1963Container: Box/Folder 75B.4
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Description: Traveling through the Dark reviews and National Book AwardDates: 1963Container: Box/Folder 75B.5
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Description: Traveling through the Dark correspondence with Mary Jo ReiterDates: 1993-1996Container: Box/Folder 75B.6
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Description: Traveling through the Dark Weatherlight (UK) reprintDates: 1997Container: Box/Folder 75B.7
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Description: Traveling through the Dark Urban Editions reprintDates: 2004Container: Box/Folder 75B.8
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Description: The Rescued Year correspondenceDates: 1963-1969Container: Box/Folder 75B.9
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Description: The Rescued Year poems left out (advice of Donald Hall)Dates: 1966Container: Box/Folder 75B.10
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Description: The Rescued Year copyright clearancesDates: 1966Container: Box/Folder 75B.11
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Description: The Rescued Year reviewsDates: 1966Container: Box/Folder 75B.12
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Description: The Rescued Year royaltiesDates: 1966Container: Box/Folder 75B.13
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Description: NCTE Commission on Literature preliminary draftsDates: 1965Container: Box/Folder 76.1
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Description: Correspondence NCTE Boston FebruaryDates: Feb. 1965Container: Box/Folder 76.2
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Description: NCTE ChicagoDates: May 1965Container: Box/Folder 76.3
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Description: Correspondence NCTE PRR affiliate breakfastDates: Nov 1965Container: Box/Folder 76.4
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Description: Correspondence NCTE New YorkDates: Nov 1965Container: Box/Folder 76.5
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Description: Correspondence NCTE Literary StatementDates: May-Dec 1966Container: Box/Folder 76.6
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Description: Friends to This Ground (WS NCTE Literary Statement) proofs & editsDates: 1966Container: Box/Folder 76.7
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Description: NCTE Council-grams (broadsides)Dates: April 1965 - September 1966Container: Box/Folder 76.8
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Description: The Achievement of Brother Antoninus royaltiesDates: 1967Container: Box/Folder 77.1
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Description: Eleven Untitled Poems copyrightDates: 1968Container: Box/Folder 77.2
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Description: Allegiances correspondence with Ann HarrisDates: December 1968-January 1970Container: Box/Folder 77.3
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Description: Allegiances manuscriptDates: 1969Container: Box/Folder 77.4
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Description: Allegiances copyrightsDates: 1969Container: Box/Folder 77.5
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Description: Allegiances royaltiesDates: 1969Container: Box/Folder 77.6
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Description: Allegiances reviewsDates: 1969Container: Box/Folder 77.7
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Description: Temporary Facts correspondence and typescriptDates: 1970Container: Box/Folder 77.8
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Description: Poems & Perspectives correspondenceDates: June 1970-April 1971Container: Box/Folder 77.9
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Description: Poems & Perspectives draftsDates: 1971Container: Box/Folder 77.10
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Description: Wind World unpublished Indian poems book for Perishable PressDates: Fall 1971Container: Box/Folder 77.11
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Description: Someday, Maybe correspondence with Ann HarrrisDates: May 1972-February 1973Container: Box/Folder 77.12
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Description: Someday, Maybe copyrights and correspondenceDates: 1972-1973Container: Box/Folder 77.13
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Description: Someday, Maybe proofsDates: 1973Container: Box/Folder 77.14
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Description: Someday, Maybe royaltiesDates: 1973Container: Box/Folder 77.15
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Description: In the Clock of Reason permissionsDates: 1973Container: Box/Folder 77.16
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Description: Voices of Prose CorrespondenceDates: 1965Container: Box/Folder 77.17
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Description: Voices of Prose ProofDates: 1966Container: Box/Folder 77.18
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Description: Voices of Prose corrected proof, 1-95Dates: 1966Container: Box/Folder 77B.1
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Description: Voices of Prose corrected proof, 96-endDates: 1966Container: Box/Folder 77B.2
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Description: Voices of Prose royaltiesDates: 1966Container: Box/Folder 77B.3
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Description: Ghalib correspondence with Asia SocietyDates: 1967-1970Container: Box/Folder 77B.4
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Description: Aijaz Ahmed on GhalibDates: 1967-1970Container: Box/Folder 77B.5
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Description: Aijaz Ahmed on Ghalib Ghazals I-XXXDates: 1967-1970Container: Box/Folder 77B.6
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Description: Aijaz Ahmed on Ghalib Ghazals XXXI-XLIDates: 1967-1970Container: Box/Folder 77B.7
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Description: Aijaz Ahmed on Ghalib Ghazals versions I-XLDates: 1967-1970Container: Box/Folder 77B.8
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Description: Drafts of published and unpublished versions of GhalibDates: 1967-1970Container: Box/Folder 77B.9
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Description: Ghalib versions Adrienne RichDates: 1967-1970Container: Box/Folder 77B.10
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Description: Ghalib versions W. S. MerwinDates: 1967-1970Container: Box/Folder 77B.11
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Description: Ghalib versions David RayDates: 1967-1970Container: Box/Folder 77B.12
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Description: Ghalib versions Thomas FitzsimmonsDates: 1967-1970Container: Box/Folder 77B.13
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Description: Ghalib versions Mark StrandDates: 1967-1970Container: Box/Folder 77B.14
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Description: Ghalib versions William HuntDates: 1967-1970Container: Box/Folder 77B.15
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Description: WS Translates Ghalib (Malahat Review)Dates: 1967-1970Container: Box/Folder 77B.16
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Description: WS Translates Ghalib (Mahfil)Dates: 1967-1970Container: Box/Folder 77B.17
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Description: WS Translates Ghalib (Ghazals of Ghalib)Dates: 1967-1970Container: Box/Folder 77B.18
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Description: Modern Poetry of Western America correspondenceDates: Dec 1972 - Dec 1974Container: Box/Folder 78.1
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Description: Modern Poetry of Western America proofsDates: 1974Container: Box/Folder 78.2
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Description: Braided Apart correspondenceDates: 1976Container: Box/Folder 78.3
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Description: Braided Apart copyrightsDates: 1976Container: Box/Folder 78.4
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Description: Stories that Could Be True correspondenceDates: November 1975 - December 1977Container: Box/Folder 78.5
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Description: Stories that Could Be True poems left out (advice of Donald Hall)Dates: 1977Container: Box/Folder 78.5.1
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Description: Stories that Could Be True copyrightsDates: 1977Container: Box/Folder 78.6
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Description: Stories that Could Be True royaltiesDates: 1977Container: Box/Folder 78.7
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Description: Writing the Australian Crawl correspondenceDates: June 1976 - October 1977Container: Box/Folder 78.8
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Description: Writing the Australian Crawl royaltiesDates: 1978Container: Box/Folder 78.9
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Description: All About Light correspondenceDates: 1978Container: Box/Folder 78.10
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Description: Smoke’s Way chapbookDates: 1978Container: Box/Folder 78.11
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Description: The Small FarmDates: Spring/Fall 1979Container: Box/Folder 78.12
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Description: The Quiet of the Land correspondenceDates: 1979Container: Box/Folder 78.13
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Description: Things that Happen Where There Aren’t Any People correspondenceDates: June 1978-Aug 1979Container: Box/Folder 78.14
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Description: Things that Happen Where There Aren’t Any People copyrightsDates: 1979Container: Box/Folder 78.15
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Description: WS Preface for Mary Barnard Selected PoemsDates: 1979Container: Box/Folder 78.15.1
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Description: WS Preface for Ingrid Wendt, Moving the HouseDates: 1980Container: Box/Folder 78.16
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Description: Two About Music; Around You, Your House; AbsolutionDates: 1978/1979/1980Container: Box/Folder 78.17
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Description: Sometimes Like a Legend correspondenceDates: 1981Container: Box/Folder 78.18
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Description: Roundup correspondenceDates: 1981Container: Box/Folder 78.19
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Description: It Was Like This. Cascade Head Project correspondenceDates: 1975-1992Container: Box/Folder 78.20
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Description: A Glass Face in the Rain correspondence and contractDates: 1981-1982Container: Box/Folder 79.1
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Description: A Glass Face in the Rain copyrightsDates: 1982Container: Box/Folder 79.2
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Description: A Glass Face in the Rain printing bluesDates: 1982Container: Box/Folder 79.3
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Description: A Glass Face in the Rain Library of Congress copyrightDates: 1982Container: Box/Folder 79.4
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Description: A Glass Face in the Rain royaltiesDates: 1982Container: Box/Folder 79.5
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Description: Smoke’s Way correspondenceDates: 1980-1983Container: Box/Folder 79.6
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Description: Smoke’s Way draftDates: 1983Container: Box/Folder 79.7
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Description: Smoke’s Way final manuscriptDates: 1983Container: Box/Folder 79.8
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Description: Smoke’s Way publisher’s paste-upDates: 1983Container: Box/Folder 79.9
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Description: Smoke’s Way poems omitted from paste-upDates: 1983Container: Box/Folder 79.10
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Description: Smoke’s Way royaltiesDates: 1983Container: Box/Folder 79.11
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Description: Segues authors correspondenceDates: 1983Container: Box/Folder 80.1
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Description: Segues typescriptDates: 1983Container: Box/Folder 80.2
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Description: Segues publisher correspondenceDates: 1983Container: Box/Folder 80.3
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Description: Roving Across FieldsDates: 1983Container: Box/Folder 80.3.1
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Description: Listening Deep correspondenceDates: 1984Container: Box/Folder 80.4
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Description: Stories, Storms and Strangers copyrightsDates: 1984Container: Box/Folder 80.5
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Description: Wyoming correspondenceDates: 1985Container: Box/Folder 80.6
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Description: Brother Wind correspondenceDates: 1986Container: Box/Folder 80.7
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Description: Brother Wind copyrightsDates: 1986Container: Box/Folder 80.8
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Description: You Must Revise Your Life correspondence with Donald HallDates: 1986Container: Box/Folder 80.9
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Description: You Must Revise Your Life text 1Dates: 1986Container: Box/Folder 80.10
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Description: You Must Revise Your Life text 2Dates: 1986Container: Box/Folder 80.11
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Description: You Must Revise Your Life copyrightsDates: 1986Container: Box/Folder 80.12
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Description: You Must Revise Your Life royaltiesDates: 1990-1991Container: Box/Folder 80.13
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Description: You and Some Other Characters correspondenceDates: 1987Container: Box/Folder 80.14
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Description: You and Some Other Characters drawings by Barbara Stafford-WilsonDates: 1987Container: Box/Folder 80.15
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Description: You and Some Other Characters copyrightsDates: 1987Container: Box/Folder 80.16
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Description: An Oregon Message submissionDates: 1987Container: Box/Folder 81.1
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Description: An Oregon Message correspondence with Frances Lindley and Terry KartenDates: 1987Container: Box/Folder 81.2
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Description: An Oregon Message copyrightsDates: 1987Container: Box/Folder 81.3
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Description: An Oregon Message press-marked manuscriptDates: 1987Container: Box/Folder 81.4
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Description: An Oregon Message author’s proofDates: 1987Container: Box/Folder 81.5
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Description: An Oregon Message final proofDates: 1987Container: Box/Folder 81.6
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Description: An Oregon Message bluesDates: 1987Container: Box/Folder 81.7
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Description: An Oregon Message reviewers’ proofDates: 1987Container: Box/Folder 81.8
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Description: An Oregon Message reviewsDates: 1987Container: Box/Folder 81.9
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Description: An Oregon Message royaltiesDates: 1987Container: Box/Folder 81.10
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Description: Annie-Over authors’ correspondenceDates: 1988Container: Box/Folder 82.1
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Description: WS / Marvin Bell conversation, with V. Wixon published transcriptDates: July 1987Container: Box/Folder 82.1.1
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Description: Annie-Over correspondence with Donnell HunterDates: 1988Container: Box/Folder 82.2
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Description: Annie-Over Barbara Stafford-Wilson drawingsDates: 1988Container: Box/Folder 82.3
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Description: Annie-Over copyrightDates: 1988Container: Box/Folder 82.4
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Description: Writing the World manuscriptDates: 1988Container: Box/Folder 82.5
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Description: Writing the World correspondenceDates: 1988Container: Box/Folder 82.6
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Description: A Scripture of Leaves manuscriptDates: 1989Container: Box/Folder 82.7
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Description: A Scripture of Leaves documentary copyDates: 1989Container: Box/Folder 82.8
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Description: A Scripture of Leaves copyright agreementDates: 1989Container: Box/Folder 82.9
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Description: A Scripture of Leaves correspondenceDates: 1987-1989Container: Box/Folder 82.10
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Description: A Scripture of Leaves Brethren Press reprint correspondenceDates: 1999Container: Box/Folder 82.10.1
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Description: Fin, Feather, Fur copyrightDates: 1989Container: Box/Folder 82.11
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Description: Fin, Feather, Fur manuscriptDates: 1989Container: Box/Folder 82.12
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Description: Fin, Feather, Fur correspondenceDates: 1989Container: Box/Folder 82.13
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Description: How to Hold Your Arms When It Rains correspondenceDates: 1988-1990Container: Box/Folder 82.14
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Description: How to Hold Your Arms When It Rains copyright registrationDates: 1990Container: Box/Folder 82.15
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Description: Kansas Poems correspondenceDates: 1986-1993Container: Box/Folder 82.15.1
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Description: Passwords correspondenceDates: December 1989-July 1991Container: Box/Folder 82.16
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Description: Passwords manuscriptDates: 1989Container: Box/Folder 82.17
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Description: Passwords copyright clearances and publisher’s contractDates: 1989Container: Box/Folder 82.18
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Description: Passwords drafts and proofDates: 1989Container: Box/Folder 82.19
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Description: Passwords master proofDates: December 20, 1990Container: Box/Folder 82.20
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Description: Passwords master proofDates: January 21, 1991Container: Box/Folder 82.21
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Description: History Is Loose Again correspondenceDates: January-March 1991Container: Box/Folder 83.1
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Description: History Is Loose Again copyright registrationDates: July 1, 1991Container: Box/Folder 83.2
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Description: The Long Sigh the Wind Makes correspondenceDates: September 1990-February 1991Container: Box/Folder 83.3
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Description: The Long Sigh the Wind Makes draftsDates: 1991Container: Box/Folder 83.4
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Description: Seeking the Way correspondenceDates: 1992Container: Box/Folder 83.5
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Description: Torque Tongue correspondenceDates: 1992Container: Box/Folder 83.6
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Description: My Name Is William Tell correspondenceDates: 1983-1992Container: Box/Folder 83.7
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Description: My Name Is William Tell manuscriptDates: 1992Container: Box/Folder 83.8
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Description: My Name Is William Tell corrected proofDates: 1992Container: Box/Folder 83.9
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Description: My Name Is William Tell final proofDates: 1992Container: Box/Folder 83.10
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Description: My Name Is William Tell WESTAF book awardDates: 1992Container: Box/Folder 83.11
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Description: My Name Is William Tell reviewsDates: 1992-1993Container: Box/Folder 83.12
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Description: Introduction to Jeremy Driscoll, Some Other MorningDates: 1992Container: Box/Folder 83.13
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Description: The Animal That Drank Up Sound correspondenceDates: 1990-1992Container: Box/Folder 83.14
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Description: The Animal That Drank Up Sound contractDates: 1990Container: Box/Folder 83.15
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Description: The Animal That Drank Up Sound paste-upDates: 1992Container: Box/Folder 83.16
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Description: The Animal That Drank Up Sound reviewsDates: 1992Container: Box/Folder 83.17
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Description: The Animal That Drank Up Sound Oberlin operaDates: 1992Container: Box/Folder 83.18
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Description: Holding Onto the Grass correspondenceDates: 1992Container: Box/Folder 83.19
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Description: Holding Onto the Grass copyright agreementDates: 1992Container: Box/Folder 83.20
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Description: Holding Onto the Grass UK reprint correspondenceDates: 1993-1994Container: Box/Folder 83.21
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Description: Stephen Dunning, Running with Bill (poems)Dates: ca. 1992Container: Box/Folder 84.1
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Description: Getting the Knack correspondence part 1Dates: 1979-1983Container: Box/Folder 84.2
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Description: Getting the Knack correspondence part 2Dates: 1990-1992Container: Box/Folder 84.3
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Description: Getting the Knack draft part 1Dates: 1979Container: Box/Folder 84.4
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Description: Getting the Knack draft part 2Dates: 1979Container: Box/Folder 84.5
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Description: Getting the Knack draft part 1Dates: 1979-1981Container: Box/Folder 84.6
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Description: Getting the Knack draft part 2Dates: 1979-1981Container: Box/Folder 84.7
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Description: Getting the Knack draftDates: 1981-1982Container: Box/Folder 85.1
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Description: Getting the Knack book proposalDates: 1983Container: Box/Folder 85.2
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Description: Getting the Knack Spooner focus groupsDates: June-October 1991Container: Box/Folder 85.3
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Description: Getting the Knack draftsDates: October-November 1991Container: Box/Folder 85.4
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Description: Getting the Knack contractDates: 1992Container: Box/Folder 85.5
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Description: Getting the Knack galley 1-169Dates: 1992Container: Box/Folder 85.6
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Description: Getting the Knack galley 169-endDates: 1992Container: Box/Folder 85.7
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Description: Sometimes I Breathe part 1Dates: 1992Container: Box/Folder 86.1
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Description: Sometimes I Breathe part 2Dates: 1992Container: Box/Folder 86.2
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Description: Sometimes I Breathe editorialDates: 1992Container: Box/Folder 86.2.1
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Description: Sometimes I Breathe copyright clearancesDates: 1990-1996Container: Box/Folder 86.3
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Description: Who Are You Really, Wanderer? correspondenceDates: 1993Container: Box/Folder 86.4
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Description: Who Are You Really, Wanderer? copyright noticeDates: 1993Container: Box/Folder 86.5
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Description: Listening to the River correspondence with Robert AdamsDates:Container: Box/Folder 86.6
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Description: The Darkness Around Us Is Deep contractDates: 1991Container: Box/Folder 86.7
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Description: The Darkness Around Us Is Deep correspondenceDates: February 1992Container: Box/Folder 86.8
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Description: The Darkness Around Us Is Deep Robert Bly selectionDates: April 1992Container: Box/Folder 86.9
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Description: The Darkness Around Us Is Deep proofDates: May 18, 1993Container: Box/Folder 86.10
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Description: The Darkness Around Us Is Deep proofDates: August 25, 1993Container: Box/Folder 86.11
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Description: The Darkness Around Us Is Deep reviewsDates: 1994Container: Box/Folder 86.12
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Description: Methow River signs project with USFS correspondenceDates: 1993-2006Container: Box/Folder 87.1
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Description: Methow River Poems contractDates: 29 April 1995Container: Box/Folder 87.2
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Description: Methow River Poems draftsDates: 1993Container: Box/Folder 87.3
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Description: Methow River Poems broadsidesDates: 1995Container: Box/Folder 87.4
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Description: Methow River Poems press notices and photographsDates: 1997-1999Container: Box/Folder 87.5
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Description: Even in Quiet Places correspondenceDates: 1992-1998Container: Box/Folder 88.1
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Description: Even in Quiet Places contractDates: 1995Container: Box/Folder 88.2
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Description: Even in Quiet Places manuscriptDates: 1995Container: Box/Folder 88.3
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Description: Even in Quiet Places Methow River poemsDates: 1995Container: Box/Folder 88.4
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Description: Even in Quiet Places Afterword, etc.Dates: 1995Container: Box/Folder 88.5
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Description: Even in Quiet Places publisher’s mock-upDates: 1996Container: Box/Folder 88.6
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Description: Even in Quiet Places proof corrected by Paul MerchantDates: 1996Container: Box/Folder 88.7
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Description: Even in Quiet Places proof corrected by Kim StaffordDates: 1996Container: Box/Folder 88.8
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Description: Even in Quiet Places proof corrected by Vince WixonDates: 1996Container: Box/Folder 88.9
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Description: Even in Quiet Places press kitDates: 1996Container: Box/Folder 88.10
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Description: Even in Quiet Places ads and reviewsDates: 1996Container: Box/Folder 88.11
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Description: Crossing Unmarked Snow correspondenceDates: October 1995-January 1998Container: Box/Folder 89.1
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Description: Crossing Unmarked Snow contractDates: 1996Container: Box/Folder 89.2
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Description: Crossing Unmarked Snow editorial workDates: 1995-1997Container: Box/Folder 89.3
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Description: Crossing Unmarked Snow editorial workDates: 1998Container: Box/Folder 89.3.1
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Description: Crossing Unmarked Snow Vincent Wixon editorial workDates: 1998Container: Box/Folder 89.3.2
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Description: Crossing Unmarked Snow originals part 1, 1-104Dates: 1998Container: Box/Folder 89.4
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Description: Crossing Unmarked Snow originals part 2, 105-endDates: 1998Container: Box/Folder 89.5
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Description: Crossing Unmarked Snow original Stephen Ratiner interviewDates: 1998Container: Box/Folder 89.6
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Description: Crossing Unmarked Snow proofed typescriptDates: 1998Container: Box/Folder 89.7
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Description: Crossing Unmarked Snow permissions and acknowledgmentsDates: 1998Container: Box/Folder 90.1
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Description: Crossing Unmarked Snow final draftDates: 1998Container: Box/Folder 90.2
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Description: Crossing Unmarked Snow corrected manuscriptDates: 1998Container: Box/Folder 90.3
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Description: Crossing Unmarked Snow corrected proof (PM)Dates: 1998Container: Box/Folder 90.4
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Description: Crossing Unmarked Snow corrected proof (VW)Dates: 1998Container: Box/Folder 90.5
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Description: Crossing Unmarked Snow publicityDates: 1998Container: Box/Folder 90.6
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Description: Crossing Unmarked Snow reviewsDates: 1998Container: Box/Folder 90.7
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Description: The Way It Is correspondenceDates: 1991-1995Container: Box/Folder 91.1
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Description: The Way It Is correspondenceDates: 1996Container: Box/Folder 91.2
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Description: The Way It Is correspondenceDates: January-June 1997Container: Box/Folder 91.3
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Description: The Way It Is correspondenceDates: July-December 1997Container: Box/Folder 91.4
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Description: The Way It Is correspondenceDates: 1998-1999Container: Box/Folder 91.5
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Description: The Way It Is contractDates: 1998Container: Box/Folder 91.5.1
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Description: The Way It Is editorial workDates: 1998Container: Box/Folder 91.6
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Description: The Way It Is small press poemsDates: 1998Container: Box/Folder 91.7
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Description: The Way It Is Naomi Shihab Nye prefaceDates: 1998Container: Box/Folder 91.8
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Description: The Way It Is edits: Tom Andrews, Marvin Bell, Robert Bly, etc.Dates: 1998Container: Box/Folder 91.9
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Description: The Way It Is permissionsDates: 1998Container: Box/Folder 91.10
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Description: The Way It Is manuscript part 1 (1-200)Dates: October 31, 1996Container: Box/Folder 92A.1
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Description: The Way It Is manuscript part 2 (201-399)Dates: October 31, 1996Container: Box/Folder 92A.2
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Description: The Way It Is manuscript part 3 (400-end)Dates: October 31, 1996Container: Box/Folder 92A.3
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Description: The Way It Is corrected proof 1-150Dates: 1998Container: Box/Folder 92A.4
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Description: The Way It Is corrected proof 151-endDates: 1998Container: Box/Folder 92A.5
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Description: The Way It Is reviews 1998Dates: 1998Container: Box/Folder 92A.6
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Description: The Way It Is editorial (Vincent Wixon)Dates: 1995-1997Container: Box/Folder 92B.1
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Description: The Way It Is rearrangement of part I by Kim StaffordDates: 1995-1997Container: Box/Folder 92B.2
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Description: The Answers Are Inside the Mountains correspondenceDates: 1999-2002Container: Box/Folder 93.1
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Description: The Answers Are Inside the Mountains contractDates: 2002Container: Box/Folder 93.2
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Description: The Answers Are Inside the Mountains editorial work 1Dates: 2002Container: Box/Folder 93.3
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Description: The Answers Are Inside the Mountains editorial work 2Dates: 2002Container: Box/Folder 93.4
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Description: The Answers Are Inside the Mountains editorial work 3Dates: 2002Container: Box/Folder 93.5
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Description: The Answers Are Inside the Mountains editing DailinessDates: 2002Container: Box/Folder 93.6
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Description: The Answers Are Inside the Mountains editing Poems about PoetsDates: 2002Container: Box/Folder 93.7
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Description: The Answers Are Inside the Mountains editing Memory MapDates: 2002Container: Box/Folder 93.8
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Description: The Answers Are Inside the Mountains rejected material 1Dates: 2002Container: Box/Folder 93.9
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Description: The Answers Are Inside the Mountains rejected material 2Dates: 2002Container: Box/Folder 93.10
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Description: The Answers Are Inside the Mountains rejected material 3Dates: 2002Container: Box/Folder 93.11
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Description: The Answers Are Inside the Mountains editorial work (Vincent Wixon)Dates: 2002Container: Box/Folder 94.1
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Description: The Answers Are Inside the Mountains manuscriptDates: 2002Container: Box/Folder 94.2
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Description: The Answers Are Inside the Mountains copyedited manuscriptDates: 2002Container: Box/Folder 94.3
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Description: The Answers Are Inside the Mountains permissionsDates: 2002Container: Box/Folder 94.4
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Description: The Answers Are Inside the Mountains promotional and reviewsDates: 2002Container: Box/Folder 94.5
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Description: Every War Has Two Losers correspondenceDates: 2002-2003Container: Box/Folder 95.1
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Description: Every War Has Two Losers draftsDates: 2002Container: Box/Folder 95.1.1
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Description: Every War Has Two Losers textsDates: 2002Container: Box/Folder 95.2
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Description: Every War Has Two Losers manuscriptDates: August 2002Container: Box/Folder 95.3
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Description: Every War Has Two Losers reading copyDates: 2003Container: Box/Folder 95.4
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Description: Every War Has Two Losers copyedited manuscriptDates: June 2003Container: Box/Folder 95.5
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Description: Every War Has Two Losers permissionsDates: 2003Container: Box/Folder 95.6
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Description: Every War Has Two Losers corrected galley proofDates: July 2003Container: Box/Folder 95.7
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Description: Every War Has Two Losers first paginated proofDates: August 2003Container: Box/Folder 95.8
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Description: Another World Instead correspondenceDates: 2006 to June 10, 2007Container: Box/Folder 96.1
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Description: Another World Instead correspondenceDates: June 12, 2007 to 2009Container: Box/Folder 96.2
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Description: Another World Instead corrected galley proofDates: November 2007Container: Box/Folder 96.3
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Description: Fred Marchant calendarsDates: 2006/2009/2010Container: Box/Folder 96.4
Names and SubjectsReturn to Top
Subject Terms
- Pacifism--Poetry.
- Pacifism--United States.
- Poetry -- Authorship.
- Poetry -- Study and teaching.
- Poetry--20th century.
- Poets, American--20th century.
- World War, 1939-1945 -- Conscientious objectors -- United States.
Personal Names
- Stafford, Dorothy
- Stafford, William, 1914-1993--Archives
Corporate Names
- Lewis & Clark College (Portland, Or.)
Geographical Names
- Kansas.
- Oregon.
Other Creators
-
Personal Names
- Stafford, Kim (creator)
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