Archives West Finding Aid
Table of Contents
- Overview of the Collection
-
Historical Note
- Content Description
- Use of the Collection
- Administrative Information
-
Detailed Description of the Collection
- Series I. Clippings
- Series II. Collected Books
- Series III. Collected Publications
- Series IV. Correspondence
- Series V. Film
- Series VI. Financial
- Series VII. Legal
- Series VIII. Music and Audio
- Series IX. Photographs, Negatives, Slides, and Transparencies
- Series X. Production Files
- Series XI. Publicity and Advertising
- Series XII. Scripts, Manuscripts, Outlines, Story Treatments, Synopses, Prospectuses, and Summaries
- Series XIII. Assorted
- Series XIV. Documents related to the donation of the collection to the American Heritage Center
- Names and Subjects
Albert Zugsmith papers, 1929-1985
Overview of the Collection
- Creator
- Zugsmith, Albert
- Title
- Albert Zugsmith papers
- Dates
- 1929-1985 (inclusive)19291985
- Quantity
- 81.87 cubic ft. (106 boxes)
- Collection Number
- 07870
- Summary
- The Albert Zugsmith papers contain business and personal correspondence, clippings, financial and legal documents, publicity and advertising materials related to films that Zugsmith produced, wrote, and directed, scripts, outlines, and story treatments for both produced and unproduced movies, as well as production files, photographs, film reels, and vinyl records.
- Repository
-
American Heritage Center, University of Wyoming
American Heritage Center
University of Wyoming
1000 E. University Ave.
Dept. 3924
Laramie, WY
82071
Telephone: 3077663756
ahcref@uwyo.edu - Access Restrictions
-
Access Restrictions
There are no access restrictions on the materials for research purposes, and the collection is open to the public.
- Languages
- English
Historical NoteReturn to Top
Albert Zugsmith (1910-1993) was a film producer, director, and writer of nearly 100 motion pictures. His Academy-Award winning "Written on the Wind," which starred Rock Hudson, Lauren Bacall, Robert Stack, and Dorothy Malone, was nominated for three Academy Awards. Other productions include "Touch of Evil," which was written and directed by Orson Welles and starred Welles, Charlton Heston, Janet Leigh, Akim Tamiroff, and Marlene Dietrich, "The Incredible Shrinking Man," "The Tarnished Angels," "High School Confidential," "The Beat Generation," "The Big Operator," "Dondi," "Fanny Hill," "Movie Star, American Style; or LSD, I Hate You," and "The Incredible Sex Revolution."
Content DescriptionReturn to Top
The Albert Zugsmith papers contain business and personal correspondence, clippings, financial and legal documents, publicity and advertising materials related to films that Zugsmith produced, wrote, and directed, and scripts, manuscripts, outlines, story treatments, synopses, prospectuses, and summaries for both produced and unproduced movies. Also included are production files for several films, photographs, film reels, and vinyl records, including promotional records for several of Zugsmith's movies. The collection also includes novels by Leane Zugsmith, Albert Zugsmith's sister.
Use of the CollectionReturn to Top
Restrictions on Use
Copyright InformationThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.
Restrictions on Use
Statement on Potentially Harmful Language and Images Found in CollectionsThe American Heritage Center aspires to approach all areas of our work in ways that are respectful to those who create, use, and are represented in our collections. For a variety of reasons, however, users may encounter offensive or harmful language or images in some of our finding aids, catalogs, and collection materials.
Note that the AHC does not censor or alter contents of the collections as they provide context and evidence of a time, people, place, or event. Therefore, we encourage users to bring questions and concerns about descriptions in our finding aids to our attention via email or anonymous web-form. For more information, read our full statement.
Preferred Citation
Item Description, Box Number, Collection Name, Collection Number, American Heritage Center, University of Wyoming.
Administrative InformationReturn to Top
Related Materials
Albert Zugsmith Papers at UCLA; Albert Zugsmith Papers at the University of Iowa.
Acquisition Information
This material was received from Albert and Suzanne Zugsmith from 1983-1991.
Processing Note
The collection was processed by Roger Simon from May-November 2022.
Detailed Description of the CollectionReturn to Top
Series I. ClippingsReturn to Top
Container(s) | Description | |
---|---|---|
Box | ||
1 | Dick Strout, Inc. |
1962-1965, undated |
1 | “The Great Space Adventure” |
1963 |
1 | “Movie Star, American Style” |
1966 |
1 | “Night of the Quarter Moon” |
1959 |
59 | Smith Davis Corporation A scrapbook of clippings related to the Smith Davis Corporation (described as “an enterprise devoted to brokerage in the sale, leasing and financing of newspapers, radio and television stations” – Zugsmith v. Davis, 108 F. Supp. 913 (S.D.N.Y. 1952)), where Zugsmith worked before he began producing films. Also includes clippings of Zugsmith’s newspaper column “Boardway and Broadway.” Many of the clippings are loose.
|
1946-1949, 1958-1974, undated |
1 | Mamie Van Doren |
1972, undated |
1 | Walter Winchell |
1960, undated |
60 | In a scrapbook labeled “C.” Includes press releases and, as inserts, eight lobby cards for “Invasion, U.S.A.” |
1950-1953 |
60 | In a scrapbook labeled “B.” Includes movie pressbooks. Some of the clippings have come loose from the pages. |
1952-1957 |
1 | Includes clippings about and promotional materials for “Invasion, U.S.A.” |
1952-1968, undated |
59 | In a scrapbook labeled “D.” |
1953-1955 |
59 | In a scrapbook labeled “A.” |
1953-1955, 1966 |
1 | 1956-1968, undated | |
1 | Includes clippings about “The Incredible Shrinking Man.” |
1957-1968, undated |
Series II. Collected BooksReturn to Top
Container(s) | Description | |
---|---|---|
Box | ||
By Leane Zugsmith |
||
Box | ||
34 | “All Victories are Alike” Inscribed by the author to her mother.
|
1929 |
34 | “Goodbye and Tomorrow” |
1931 |
34 | “Home is Where You Hang Your Childhood and Other Stories” Inscribed by the author to her mother.
|
1937 |
34 | “The Visitor” by Carl Randau and Leane Zugsmith Inscribed by Leane Zugsmith to her mother.
|
1944 |
By Others |
||
Box | ||
33 | “Bogie” by Joe Hyams Inscribed in 1975 by the author to Zugsmith.
|
1967 |
33 | “The Chinese Room” by Vivian Connell |
1965 |
33 | “College Confidential” by Irving Shulman |
1960 |
33 | “High School Confidential” by Morton Cooper |
1958 |
33 | “Humphrey Bogart” by Nathaniel Benchley |
1975 |
33 | “Marilyn: A Biography” by Norman Mailer (first printing, hardcover) |
1973 |
33 | “The Shrinking Man” by Richard Matheson |
1962 |
34 | “There’s One in Every Town” by James Aswell Wrapped in a dust jacket for “The Incredible Sex Revolution.”
|
1951 |
33 | “Tony Rome” by Marvin H. Albert |
1967 |
34 | “The Web of Days” by Edna Lee |
1947 |
Almanacs and Year Books |
||
Box | ||
34 | “1977-8 International Film and Television Year Book” |
1977 |
“International Motion Picture Almanac” |
||
Box | ||
34 | 1969 | |
34 | 1975 | |
34 | 1977 | |
34 | 1978 | |
34 | 1980 | |
34 | 1981 | |
“International Television Almanac” |
||
Box | ||
33 | 1969 (two copies) | |
33 | 1980 | |
34 | 1981 | |
34 | 1982 |
Series III. Collected PublicationsReturn to Top
Container(s) | Description | |
---|---|---|
Box | ||
1 | “Aspects of Market Structure in the Broadcast Industry” by Timothy Larson (Ph.D., University of Utah, Communication Department, Media Research Center, Salt Lake City, UT) Includes a note from the author to Zugsmith: “Thank you for your information in the formative stages of this report. See the first few pages for an interpretation of our conversations.”
|
1979 |
1 | “The Cinemeditor” |
1968 |
1 | “CJS Real Estate Newsletter” (Colson-Jewell Seibert Ltd.) |
1966 |
1 | “Cosmopolitan” Includes as an insert a 1958 note from Geoffrey Shurlock, then head of the Motion Picture Production Code, to Z about “The Ladykiller,” a story about George Cvek, published in the magazine by Judge Martin M. Frank.
|
1957-1958 |
1 | “Daily Variety” |
1962-1968 |
1 | “The Dramatists Guild Quarterly” |
1964-1965, 1975 |
1 | “Film and Television Daily” |
1966-1968 |
1 | “Film Bulletin” |
1966 |
1 | “The Hollywood Reporter” Nine issues, including six copies of an issue that features a review of the film “Night of the Quarter Moon.”
|
1959-1968 |
1 | “The Independent Film Journal” |
1957 |
1 | “International Photographer” Four copies of an issue that features a photospread on “The Beat Generation.”
|
1959 |
68 | “Look” |
1957 |
1 | “Motion Picture Rights: United States and International” by Joseph S. Dubin |
1965 |
1 | “National General Corporation – 1966 Annual Report” |
1966 |
1 | “Official Summary of Security Transactions and Holdings” (U.S. Securities and Exchange Commission) |
1965 |
1 | Palm Springs |
1975 |
1 | Playbills “The Andersonville Trial,” “Duel of Angels,” “Five Finger Exercise,” “The Miracle Worker,” and “The Tenth Man.”
|
1960, undated |
1 | “Research Round-Up” (W.E. Hutton & Co.) |
1965 |
1 | “Take Another Look – An Invitation to the Decorative Arts – Thirteen half-hours for Public Television” (photocopy) |
undated |
Series IV. CorrespondenceReturn to Top
Container(s) | Description | |
---|---|---|
Box | ||
1 | AB Anglo Film/Stig Berns (Stockholm, Sweden) |
1964-1968, undated |
1 | ABC Messenger Service |
1966 |
A.B. Enterprises, Inc./Alexander Beck |
||
Box | ||
1 | 1963-1966, undated | |
1 | 1965-1966, undated | |
1 | AB Europa Film/Norman Potts (Stockholm, Sweden) |
1964-1965 |
1 | A.B. Wivefilm/S.A.G. Swenson (Stockholm, Sweden) |
1964-1965, undated |
1 | Agents |
1957, undated |
1 | Air France/Trans-World Airlines – Luggage Issue |
1964-1965, undated |
1 | Airways Rent-a-Car |
1966 |
1 | Aktiebolaget Svensk Filmindustri/Allan Ekelund (Solna, Sweden) |
1963-1964 |
1 | Alameda Films, S.A./Alfredo Ripstein (Mexico) |
1964 |
1 | The Albert Zugsmith Communications Corporation |
1957-1965, undated |
1 | Albert Zugsmith Productions, Inc. – Advertising |
1957-1959, undated |
1 | Alianza Cinematogrifica (Buenos Aires, Argentina) |
1965-1966, undated |
1 | Allied Artists Corp. |
1963-1965, undated |
1 | Allied Film Exchange, Inc. |
1965-1966 |
1 | American Express Company |
1963-1966, undated |
1 | American Film Export Association (Vienna, Austria) |
1963 |
1 | American International Enterprises Corp. |
1963 |
1 | American International Pictures |
1963-1964 |
1 | American International Pictures – Boston |
1965-1967, undated |
1 | American International Pictures – Chicago |
1964-1966, undated |
American International Pictures – Cincinnati |
||
Box | ||
1 | 1965, undated | |
1 | 1965-1966 | |
American International Pictures – Cleveland |
||
Box | ||
1 | 1965, undated | |
1 | 1965-1966 | |
2 | American International Pictures – Dallas |
1965-1967, undated |
2 | American International Pictures – Detroit |
1965-1967 |
2 | American International Pictures Exchange of Washington, D.C. |
1966-1968, undated |
2 | American International Pictures – Indianapolis |
1965-1966, undated |
2 | American International Pictures – Kansas City |
1965-1966 |
2 | American International Pictures – Los Angeles |
1964-1965, undated |
2 | American International Pictures – Milwaukee |
1965-1966, undated |
2 | American International Pictures – Minneapolis |
1965-1966 |
2 | American International Pictures – Philadelphia |
1965-1967, undated |
2 | American International Pictures – Pittsburgh |
1965-1966 |
2 | American International Pictures – St. Louis |
1965-1966, undated |
2 | American International Pictures – Washington, D.C. |
1964-1967, undated |
2 | Amos Treat Associates, Inc./Susan Boyajian |
1966 |
AND Film/Turgut Demirag (Istanbul, Turkey) |
||
Box | ||
2 | 1964-1968, undated | |
2 | 1966-1982, undated | |
2 | 1982-1983, undated | |
2 | Antoine Khoury Films (Cairo, Egypt) |
1966, undated |
2 | Area Development Council of St. Lucie County (Florida) |
1965, undated |
2 | ARFILM – INTERAMERICANA, C.A. (Caracas, Venezuela) |
1964-1965 |
2 | Argentina |
1964-1968, undated |
2 | Karen Arney – Loan Payments |
1967-1969, undated |
2 | Associated Booking Corp. |
1967-1968, undated |
2 | Astral Films Limited (Toronto, Ontario, Canada) |
1964-1967, undated |
2 | ATA Trading Corp./Harold G. Lewis |
1966 |
2 | Atlantic-Film/Reidar A. Marum (Oslo, Norway) |
1964 |
2 | Jack Atlas MGM inter-office memos.
|
1957-1958 |
2 | William L. Atteberry/The Kissell Company |
1973-1974, undated |
2 | Avon Films – Imports-Exports |
1968 |
A |
||
Box | ||
2 | 1957-1958 | |
2 | 1959-1967, undated | |
2 | 1963-1964, undated | |
2 | David Bader |
1964-1965, undated |
2 | The Bank of New York |
1956-1961 |
2 | Banks |
1956-1957, undated |
2 | Barnett Customs Brokers, Inc. |
1962-1964, undated |
2 | Barnum Productions Corporation/Harry H. Thomas |
1965, undated |
2 | “The Beachcombers” Includes a letter from Zugsmith to Nancy Sinatra.
|
1966, undated |
“The Beat Generation” |
||
Box | ||
2 | Novelization Includes seven copies of the cover of the paperback novelization of the film.
|
1958-1959, undated |
2 | Party Includes a short note from Joan Crawford.
|
1958, undated |
2 | Includes a letter from Geoffrey Shurlock, then head of the Motion Picture Production Code, with a list of revisions that the screenplay would need in order to meet the requirements of the code, as well as other documents related to screenplay revisions, actors considered for roles in the film, music in the film, and a draft of “The Beat Generation Dictionary.” |
1957-1959, undated |
2 | 1957-1964, undated | |
2 | Alexander Beck |
1966-1967, undated |
2 | A. Harry Becker |
1956-1959, undated |
2 | Berga Films/Vicente Alcala Berga (Paris, France) |
1964-1965, undated |
2 | Bruno Bernard (Berlin, Germany) |
1964 |
2 | Betex, Inc. |
1963 |
“The Big Operator” |
||
Box | ||
2 | Production Code Includes three copies of a letter from Geoffrey Shurlock, then head of the Motion Picture Production Code, in which he states the script for the film “would be unacceptable under the Code” because of “the sadism and violence with which the script is replete.” Also includes later memos dealing with attempts to make the film acceptable under the Code.
|
1958-1959 |
2 | The film was based on a Paul Gallico story titled “The Adventure of Joe Smith, American,” which had previously been adapted as the 1942 film “Joe Smith, American.” Includes an inter-office memo that proposes substituting “a good labor union for the FBI and a racketeering labor union for the unidentified spies” in the earlier film. |
1958-1959 |
2 | Billing Issues and Complaints |
1972-1980, undated |
2 | Ralph Black – “Invasion, U.S.A.” |
1955 |
2 | Blackburn & Company, Inc./Colin Selph |
1961 |
2 | Blazey Heating and Air Conditioning |
1965-1966, undated |
2 | Blue Ribbon Pictures, Inc./George R. Pabst |
1964 |
2 | Bobby Limb Enterprises Pty. Limited/Graham L. Bond (New South Wales, Australia) |
1962-1963 |
2 | Mr. and Mrs. Nicholas Bolton (London, England) |
1963-1964, undated |
2 | Bonded Film Storage |
1964-1965 |
2 | “Boxoffice” |
1966 |
2 | Don Bringgold |
1965-1968 |
2 | N.A. Dick Brown |
1964-1965, undated |
2 | Bruce Duncan Co., Inc./Joe Sina |
1966 |
2 | Fulton Brylawski – Copyrighting of “Movie Star, American Style” |
1966 |
2 | Bufete Lebrija/Lic. Rafael Lebrija (Mexico City, Mexico) |
1967-1968, undated |
2 | B |
1964-1966, undated |
2 | California Water and Telephone Company/General Telephone Company |
1965-1966 |
2 | George Cameron, Jr. |
1961, undated |
3 | CCC Film Productions (Berlin, Germany) – “Fanny Hill” |
1964-1965, undated |
3 | Centrafilm N.V./D.J. van Leen (The Hague, Netherlands) |
1964-1966 |
3 | Central Theatre (Atlanta, GA) |
1964 |
3 | Centre International de L’Industrie du Cinema S.A. (Brussels, Belgium) |
1965-1966 |
3 | Chase House |
1960-1966, undated |
3 | “The Chinese Room” |
1967-1969, undated |
3 | Walter G. Chuck |
1961-1962 |
3 | Cinema Associates, Inc./Charles Kranz |
1966 |
3 | Cinema International Releasing/Marcia Silen |
1974 |
3 | C.I.S.I. Export/Michel Freudenstein (Rome, Italy) |
1964 |
City National Bank of Beverly Hills |
||
Box | ||
3 | 1952-1962, undated | |
3 | 1964-1968 | |
3 | City Share Trust Limited |
1964-1965, undated |
3 | The Cleveland Trust Company |
1954-1956, undated |
3 | Collection Companies |
undated |
“College Confidential” |
||
Box | ||
3 | Includes correspondence regarding the novel “Autumn Thunder” by Robert Wilder (Wilder wrote the novel “Written on the Wind,” the basis for the film of the same name that was produced by Zugsmith) and a “revised plot-line,” titled “The College Story,” of that novel. |
1958-1959, 1972-1973, undated |
3 | 1960-1967, undated | |
3 | Communications Corporation of America/The Albert Zugsmith Communications Corporation/Ruth Zugsmith |
1963-1964, undated |
3 | Conde Productions Includes a story synopsis titled “The Long Chain.”
|
1965, undated |
3 | Consolidated Film Industries, Inc. |
1965-1966, undated |
3 | Continental Distributing Inc |
1963-1964 |
3 | Continental Pictures Company/Certificate of Business under Fictitious Name |
1956, undated |
3 | Cosmopolitan Film/Chris D. Nebe (Munich, West Germany) |
1964 |
3 | George Costello |
1964, undated |
3 | County National Bank and Trust Company |
1955-1956, undated |
3 | Paula Courtland |
undated |
3 | Douglas Crawford (London, England) |
1962-1963, undated |
3 | Crescendo Film Productions Ltd./Ronald Rietti (London, England) |
1964, undated |
3 | Crown International Pictures, Inc. |
1964-1965 |
3 | Crystal Pictures, Inc. – “Fanny Hill” |
1964-1965 |
“The Cult” |
||
Box | ||
3 | Includes agreements.
|
1970 |
3 | Includes agreements and other financial documents. |
1970-1973, undated |
3 | Jack Cushingham |
1959-1964, undated |
3 | C |
1962-1967, undated |
3 | David P. Hilliard & Associates/Dieter Dengler and David P. Hilliard |
1966 |
3 | Davis Film Distributors, Inc./Stanton Davis |
1964 |
De Luxe Laboratories |
||
Box | ||
3 | 1965-1968, undated | |
3 | 1966-1967 | |
3 | Dick Strout, Inc./Dick Strout |
1963-1965, undated |
3 | Direct Mail Company of America |
1965 |
3 | Directors Guild of America, Inc. – Jo Ann Meredith Correspondence regarding a letter to the DGA by Jo Anne Meredith about Zugsmith’s conduct during the shooting of “The Great Space Adventure” in the Philippines. In a letter to Joe Youngerman of the DGA, Zugsmith referred to Meredith’s statements as “defamatory and slanderous.”
|
1963 |
3 | Dramatic Publishing Co. |
1968 |
3 | The Dramatists Guild, Inc. |
1964 |
3 | Stanley Dubens (London, England) |
1963-1964 |
3 | Duca Compagnia Cinematografica/Tullio Bruschi (Rome, Italy) |
1964 |
Dun & Bradstreet |
||
Box | ||
3 | 1967-1968, undated | |
3 | 1968, undated | |
3 | Richard H. Dunlap – “The Chinese Room” |
1966 |
3 | DurMen International Films |
1966 |
3 | Dwyer-Curlett & Co. |
1954-1957 |
3 | D |
1964-1966, undated |
3 | E. & J. Gallo Winery/Vernon S. Mullen |
1965 |
Ebenstein and Company |
||
Box | ||
3 | 1963-1964 | |
3 | 1963-1966 | |
3 | Gus Edson, 1963-1966 |
|
3 | Harry, Bob, and Joyce Eisen, 1963 |
|
3 | Ellis Films, Inc./Jack Ellis, 1963-1964 |
|
3 | Embassy Pictures Corp./Joseph E. Levine, 1965 |
|
3 | Empresa Cines Unidos/Gonzalo Ulivi (Caracas, Venezuela), 1964-1967 |
|
3 | Ernestus Film (Düsseldorf, Germany) |
1963 |
3 | European Film Agency/L.D. Maylath (Amsterdam, Netherlands) |
1966-1968, undated |
3 | Famous Players Corp. to Exchanges |
1965-1966, undated |
3 | Famous Players Corp. v. CCC Film Productions Breach-of-contract claim.
|
1964-1969, undated |
3 | Famous Players Corp. v. Torgesen |
1965-1966 |
3 | Fanfare Corporation – “Violated” (“The Rapist”) |
1973-1976, undated |
“Fanny Hill” |
||
Box | ||
4 | Argentina Sale |
1966 |
4 | Bruce Duncan Co., Inc. |
1965 |
4 | Rizzoli Film Distributors, Inc./Irving Sochin |
1964-1965 |
4 | 1964-1967, undated | |
4 | Includes clippings and lists of cast and staff. |
1965-1970, undated |
4 | The Farmers and Merchants National Bank of Los Angeles |
1955-1957 |
4 | Favorite Films of California, Inc. |
1964-1967, undated |
4 | C.E. Feltner, Jr. |
1979 |
4 | Gabriel Figueroa Figueroa was the cinematographer on “The Chinese Room” and “The Phantom Gunslinger.”
|
1967, undated |
4 | Filmservis (Piran, Yugoslavia) |
1957-1964 |
4 | Financial Mostly regarding possible radio-station, television-station, and newspaper purchases.
|
1954-1959, undated |
4 | Folkparkernas Artistformedling/Erik Jarnklev (Stockholm, Sweden) |
1967 |
Billy Frick |
||
Box | ||
4 | Frick appeared in two films produced by Zugsmith, “Fanny Hill” and “Phantom Gunslinger.” Some of the correspondence between Frick and Zugsmith refers to a possible film project about Hitler’s sex life. Includes letters to Zugsmith from Frick on postcards promoting “The Plot to Murder Hitler,” an episode of the TV series “Appointment with Destiny” in which Frick played Hitler. Also includes clippings (some with nudity) about “The Plot to Murder Hitler,” other Hitler film projects, and Hitler. |
1961-1973, undated |
4 | 1963 | |
4 | 1964-1965, undated | |
4 | Fujiyama Productions, Inc./Choichi Minemura (Tokyo, Japan) |
1963-1964 |
4 | F |
1963-1964, undated |
4 | General Film Enterprises Co. Ltd./Milton Stavrou |
1972-1973, undated |
4 | General Film Laboratories |
1966 |
4 | Gentry International |
1966 |
4 | George T. de Hueck & Associates |
1968 |
4 | Glen Glenn Sound |
1966 |
4 | Globus Film/Vlado Teresak |
1963 |
4 | Goggin v. The Times-Mirror Co. |
1957, undated |
4 | A. Zev Goldberg Includes photos of and correspondence regarding the immigration status of actor Helen Mu Hung.
|
1964-1966, undated |
4 | Evelyn B. Grippo – “Report on Swinging” |
1974, undated |
4 | Guarantee Bank and Trust Company |
1954-1959 |
4 | Gulf American Land Corp. |
1965, undated |
G |
||
Box | ||
4 | 1959-1965 | |
4 | 1963-1967, undated | |
4 | Hartford Accident and Indemnity Company/Hartford Fire Insurance Company Group |
1963 |
Robert Hill |
||
Box | ||
4 | 1959-1964, 1975, undated | |
4 | 1963-1964, undated | |
4 | Hogan-Feldmann, Inc. |
1965-1966 |
4 | Hogan v. Gene Autry |
1966 |
4 | Holland – “Fanny Hill” |
1964-1965 |
4 | Hollywood State Bank |
1954-1956, undated |
4 | Howard A. Anderson Co. v. Famous Players Corp. Breach-of-contract claim.
|
1966-1971, undated |
Howco Exchange |
||
Box | ||
4 | 1964-1966, undated | |
4 | 1965-1968, undated | |
5 | Howco Exchange – Atlanta |
1965, undated |
5 | Howco Exchange – Legal Dispute |
1965-1968, undated |
5 | Howco Exchange – Memphis |
1965-1967 |
5 | Hyatt Corp. of America |
1965 |
5 | H |
1976-1980, undated |
5 | Imperial Pictures, Inc. |
1965-1966, undated |
5 | Import Film (The Hague, Holland) |
1966, undated |
5 | Independent Film Distributors of Wisconsin, Inc. – “Fanny Hill” |
1964-1965 |
Insurance |
||
Box | ||
5 | 1954-1960, undated | |
5 | 1956-1960 | |
5 | International Export & Finance Company |
1965 |
5 | International Films Company/Isam Yusbachi (Beirut, Lebanon) |
1961-1963 |
5 | Investments |
1962 |
5 | Irving Trust Company/E.W. Wanek |
1955 |
5 | Ivar Theatre/Stanley Seiden |
1964-1965, undated |
5 | I Includes a document, from The Research Institute of America, Inc., titled “10 Ways to Draw Tax-Sheltered Money from the Company.”
|
1964-1966, undated |
5 | Jacksonville |
1965, undated |
5 | Werner Jäger |
1972 |
5 | Jalal Productions Ltd./Jalal Dinn (Karachi, Pakistan) |
1967, undated |
5 | Jerome Siegel Associates |
1972-1973 |
5 | Jerry Rosen Agency/Jerry Rosen |
1965-1966 |
5 | Jolly Joyce Agency/Jolly Joyce |
1965-1966, undated |
5 | Joseph Brenner Associates |
1964 |
5 | J. Robert Mendte, Inc./ J. Robert Mendte |
1974 |
5 | Kalinhof Brothers Ltd./Sam Kalinhof (Tel Aviv, Israel) |
1963-1964 |
5 | V. Kalistratov (Moscow, U.S.S.R.) |
1965, undated |
5 | Kay Em Film Co. |
1966 |
5 | KMIR-TV (Palm Springs, CA) |
1976 |
5 | I.B. Kornblum and David H. Kornblum (law offices) |
1963-1965, undated |
5 | KSHO-TV – Frank Oxarart v. Nate and Merv Adelson |
1965, undated |
5 | Costas Kyprou (Athens, Greece) |
1979-1980, undated |
5 | K |
1959-1966, 1979, undated |
5 | Lankar Productions/Roger Gentry |
1973-1981, undated |
5 | La Pac Agency/Maurice Boerez (Paris, France) |
1966-1968, undated |
5 | Niels Larsen/The Niels Larsen Enterprises (Madrid, Spain) |
1965-1966, undated |
5 | Niels Larsen (Los Angeles, CA) |
1972 |
5 | Don Leon Includes a letter from attorney Louis Nizer regarding a dispute between Paramount and some of its stockholders, including Zugsmith.
|
1965-1977, undated |
5 | Library of Congress – Exchange and Gift Division |
1965-1967 |
5 | William Loeb, Jr. |
1965, undated |
5 | Longridge Avenue Property – Sale |
1965-1975, undated |
5 | Los Angeles |
1965, undated |
5 | L |
1963-1966, 1977-1979, undated |
5 | Dick Mahdessian (Cairo, Egypt) |
1965, undated |
5 | Jayne Mansfield A letter, signed by Mansfield, stating that she would appear in the never-filmed “The Man Who Grew Younger.” See also “Famous Players Corp. v. Jayne Mansfield” in the series “Legal.”
|
1963 |
5 | “The Man Who Grew Younger” – Cables |
1963 |
5 | Al Marks |
1979 |
5 | Michael Mascioni |
1979, undated |
Masterpiece Pictures, Inc. |
||
Box | ||
5 | 1965-1966 | |
5 | 1965-1968 | |
5 | M. Corson Investments/Morris Corson |
1963-1964 |
5 | Metro-Goldwyn-Mayer |
1964-1965 |
5 | Metromedia, Inc. dba Television Station KTTV, Channel 11 |
1965, undated |
5 | Mexico |
1964-1968, undated |
5 | Michael Arthur Film Productions (Vaduz, Liechtenstein) |
1964-1965, undated |
5 | Linda Miller Miller worked for Zugsmith at Famous Players Corp. Includes notes and clippings.
|
1968, undated |
Peter Miller |
||
Box | ||
5 | 1973-1981, undated | |
5 | 1974-1976 | |
5 | Miller and Jacobs (attorneys) |
1962-1974, undated |
5 | Miller, Hunter & Company – Albert Zugsmith Productions, Inc. |
1957-1960 |
5 | Miller, Hunter & Company – Photoplay Associates, Inc. |
1961 |
5 | Leon Mirell/Selmur Productions, Inc. |
1967-1968 |
Miscellaneous |
||
Box | ||
5 | 1952-1980, undated | |
5 | 1956-1982, undated | |
6 | 1958-1980, undated | |
6 | Includes photocopies of declarations regarding the custody of Zugsmith and his wife’s granddaughter. |
1967-1968, undated |
Mitchell, Silberberg & Knupp |
||
Box | ||
6 | Famous Players Corporation |
1957-1962, 1972 |
6 | Film Storage |
1956-1960, undated |
6 | KCOK Promissory Note |
1958 |
6 | K.W. Boat Sales, Inc. |
1959, undated |
6 | Producers Artists Corporation |
1958-1959 |
6 | Universal Pictures Agreement Regarding an agreement in which Zugsmith agreed not to take any writing credit for the script of “Money, Women, and Guns.”
|
1958 |
6 | 1953-1965, undated | |
6 | 1958-1962 | |
6 | 1958-1973, undated | |
6 | 1959-1966 | |
6 | 1961-1963 | |
6 | 1961-1967 | |
6 | 1962-1963 | |
6 | 1963-1971, undated | |
6 | Motion Picture Association of America – Registered Titles |
1955-1968, undated |
6 | “Movie Star, American Style” |
1965-1966, undated |
6 | Mundial Film, S.A. (Madrid, Spain) |
1968 |
National Telefilm Associates, Inc./Berne Tabakin |
||
Box | ||
6 | 1964-1968, undated | |
6 | 1972, undated | |
6 | Nenny, Miller & Hunter/Gottfried, Miller & Hunter (CPAs) – American Pictures Corporation – Taxes |
1954-1958 |
6 | Nenny, Miller & Hunter/Miller, Hunter & Company (CPAs) |
1956-1961, undated |
6 | S.I. Newhouse |
1975-1976, undated |
“Night of the Quarter Moon” |
||
Box | ||
6 | Censorship/Ratings Boards |
1958-1959 |
6 | Includes MGM inter-office memos, as well as the music score and lyrics for the song “The Night of the Quarter Moon” by Sammy Kahn and James Van Heusen. |
1958-1959, undated |
6 | Includes MGM inter-office memos. |
1957-1959, undated |
6 | Novaris Film/Peer Guldbrandsen (Albertslund, Copenhagen, Denmark) |
1965, undated |
6 | N |
1958 |
6 | Oklahoma City |
1965 |
6 | “On Her Bed of Roses” |
1965 |
6 | “Operation Mermaid” Some of the documents refer to the film as “Bay of St. Michel” or “Pattern for Plunder.” See also “QQQQ Corporation v. Herts Lion International Corp.” in the series “Legal.”
|
1963-1965, undated |
6 | Osterr Presseburo/Erwin H. Aglas (Linz, Austria) |
1963, undated |
6 | Pakistan |
1963-1967 |
6 | Pan-World Film Exchange – Buffalo |
1965 |
6 | Peat, Marwick, Mitchell & Co./Robert Miller, 1979 |
1977-1979 |
6 | Harvey Pergament/Cavalcade Pictures, Inc. |
1977-1979 |
“The Phantom Gunslinger” (“The Ghost Rider”) |
||
Box | ||
6 | 1966-1967, undated | |
6 | 1967-1969, undated | |
6 | Bob Phillips |
1976 |
7 | “Playboy Magazine” |
1963-1968, undated |
7 | Henry Plitt/ABC Films, Inc. |
1963-1964, undated |
7 | Francisco Lara Polop/Eva Film S.L. (Madrid, Spain) |
1967-1968, undated |
James W. Porter |
||
Box | ||
1972-1973, undated | ||
Includes a photo of a nude woman. |
1973-1974, undated | |
7 | Samuel H. Post |
1969-1972 |
7 | “The President’s Girl Friend” Includes a short telegram from Mamie Van Doren.
|
1972-1973 |
7 | P |
1964-1966, undated |
7 | Quinn Martin Films |
1979 |
7 | Emilio Rabasa |
1966-1967 |
7 | Milton Rackmil/Universal-International Pictures |
1957, undated |
7 | Radio and Television Properties |
1955-1963, undated |
7 | Regency Productions Corp./Robert Seidelman |
1970-1971 |
7 | Kay Reid |
undated |
7 | RKM Film Productions (Buenos Aires, Argentina) |
1968, undated |
7 | Ashley L. Robison |
1954-1959, undated |
7 | Rene’ Roska |
1972 |
7 | Rustcraft Broadcasting Company/Jack N. Berkman |
1965, undated |
7 | R |
1955-1967, 1979, undated |
7 | Sagitario Films (Mexico)/Clasa Films Mundiales – “The Chinese Room” |
1966-1967, undated |
7 | Sagitario Films S.A. (Mexico) – “The Phantom Gunslinger” |
1966-1968, undated |
7 | Samoa |
1957-1965, undated |
7 | Sapphire Film Enterprises/Adul Razzaq (Lahore, Pakistan) |
1967-1968 |
7 | “Sappho Darling” Includes clippings and a “report on percentage engagement” for a drive-in in New London, CT.
|
1969-1972, undated |
7 | Savings and Loans Deposits |
1960-1961, undated |
Scandinavian Airlines System |
||
Box | ||
7 | 1979 | |
7 | 1979, undated | |
7 | Rex Schepp |
1957-1958, undated |
7 | Screen Actors Guild Includes copies of "Codified Basic Agreement of 1952 and 1956 Supplement," "Memorandum Agreement of 1960," and "Digest of Screen Actors Guild Contracts."
|
1960-1966, undated |
7 | Screen Gems Inc./Screen Guild Productions |
1961-1968 |
7 | Screen Guild Productions |
1965-1967, undated |
7 | Screen Guild Productions – Oklahoma |
1965-1966 |
7 | Seacoast Properties Company/Edward C. LaBrecque |
1975-1979 |
7 | Serta Mattresses |
1966 |
7 | Mohammad Khan Shokoohi (Tehran, Iran) Includes photos.
|
1963-1965, undated |
Smith and Harder |
||
Box | ||
7 | 1964-1968, undated | |
7 | 1965-1967, undated | |
Sound-Film GMBH (Munich, Germany) |
||
Box | ||
7 | 1972 | |
7 | 1973 | |
7 | Spain |
1967 |
7 | SRS Merchandising Inc./Selwyn Rausch |
1971 |
7 | State of California – Division of Corporations |
1968 |
7 | Richard Steger |
1963, undated |
7 | Robert Steiner |
1964-1966 |
7 | Ster Films (Johannesburg, South Africa) |
1972 |
7 | W. Donald Stewart Two letters to Z from Stewart, who had previously been the Defense Department’s chief investigator, as well as clippings that mention Stewart.
|
1974-1979 |
Arnold Stoltz |
||
Box | ||
7 | “Movie Star, American Style” |
1966 |
7 | 1966 | |
7 | Stonehenge Productions/Pamela Monroe |
1979 |
7 | Storer Broadcasting Company (Miami, FL) |
1962-1965, undated |
7 | Stuart Wetzel Associates, Inc./Stuart Wetzel |
1971-1973 |
7 | Studio Hamburg (Hamburg, Germany) |
1964 |
7 | Joe Sugar/Cinerama Releasing Corp. – “The President’s Girl Friend” |
1972 |
7 | Sweden |
1963-1966, undated |
7 | S |
1964-1973, undated |
7 | Tahiti |
1967-1974, undated |
Alfredo Talarewitz (Barcelona, Spain) |
||
Box | ||
7 | 1972-1973 | |
8 | 1972-1978, undated | |
8 | Technicolor Corporation of America |
1967, undated |
8 | Tele-Broadcasters, Inc./Television Company of America, Inc. |
1956-1961, undated |
Thilo Theilen (Munich, Germany) |
||
Box | ||
8 | Includes clippings. |
1972 |
8 | 1972-1974, undated | |
8 | Time, Inc. – Books Department/Candida Donadio |
1968 |
8 | Times Film Corporation/Felix J. Bilgrey |
1968, undated |
8 | Ivan Tors |
1967-1968 |
Trans American Broadcasting Corp. |
||
Box | ||
8 | 1956-1961, undated | |
8 | 1956-1962, undated | |
8 | Trans-National Communications Inc/Richard Feldman |
1968 |
8 | Tufnell, Satterthwaite & Co., Ltd. (insurance brokers) (London, England) |
1963 |
Twentieth Century-Fox Film Corp. |
||
Box | ||
8 | Includes a letter to Zugsmith from Richard D. Zanuck. |
1965-1968, undated |
8 | 1968 | |
8 | T |
1964-1968 |
8 | Universal Traders/D.P. Mishra (Bangkok, Thailand) |
1968 |
8 | Vantage Press |
1972, undated |
8 | Venezuela |
1964-1968, undated |
8 | Jan Verswiiver (Antwerp, Belgium) |
1967 |
8 | “Violated” |
1977-1979, undated |
8 | Vista Enterprises |
1967 |
8 | George Waldman |
1964 |
8 | Walt Disney Productions – “The Great Space Adventure” |
1963 |
8 | Walter Reade-Sterling Inc./Walter Reade, Jr. |
1964 |
8 | Warner Bros. Pictures |
1964 |
8 | Fredericka Webb v. Albert Zugsmith (Mexico – labor dispute) |
1967-1968, undated |
8 | Jerome Weber |
1962-1968, undated |
8 | Orson Welles A short note from Welles to Zugsmith.
|
undated |
Western Union |
||
Box | ||
8 | 1965, undated | |
8 | 1966 | |
8 | Westhampton Film Corp./Henry S. White |
1964 |
8 | Wheeler Film Company |
1964-1967 |
8 | Joanne P. Wholey |
1966, undated |
Robert Wilder |
||
Box | ||
8 | 1958-1965, undated | |
8 | 1958-1966, undated | |
8 | 1972 | |
8 | Willmark Service System, Inc./Edward J. Bernstein |
1964-1965, undated |
8 | W. Francis Wilson (law offices) |
1964-1965, undated |
8 | Walter Winchell |
1960-1968, undated |
8 | Writers Guild of America Includes financial documents and agreements.
|
1966-1973, undated |
8 | Writers Guild of America Insurance |
1961-1972 |
8 | Writers Guild of America, West, Inc. |
1960-1965, undated |
W |
||
Box | ||
8 | 1963-1966 | |
8 | 1965, undated | |
8 | Youngman v. Zugsmith |
1969-1970 |
8 | Jack Zide/American International Pictures of the Mid-East |
1964-1965 |
8 | Michael Zide |
1964-1967, undated |
8 | Michael Zide and Jack Zide |
1964-1966, undated |
8 | Michael Zide – “Fanny Hill” dispute |
1965-1966, undated |
8 | Includes three short notes from Joan Crawford. |
1954-1956 |
8 | 1964-1968 | |
8 | Includes letters from Dorothy Malone and Russ Tamblyn, as well as a letter from Zugsmith to Mamie Van Doren. |
1972-1975 |
8 | Undated |
Series V. FilmReturn to Top
Container(s) | Description | |
---|---|---|
Box | ||
35mm – Audio track only |
||
Box | ||
52 | “The Incredible Sex Revolution” One roll, in a canister labeled “Incredible Sex Revolution.”
|
undated |
50 | “The Incredible Sex Revolution” One roll, labeled “Spool Three.”
|
undated |
50 | “The Incredible Sex Revolution” One roll, labeled “Spool Four.” Also labeled “‘On Her Bed of Roses’ – auto dia – 12/31/65.”
|
1965, undated |
48 | Unidentified One roll, labeled “FX-1 – R-3,” in a canister labeled “FX-1 – R-3.”
|
undated |
48 | Unidentified One roll, labeled “FX-1 – R-4,” in a canister labeled “FX1 – R-4.”
|
undated |
48 | Unidentified One roll, labeled “FX-2 – R-4,” in a canister labeled “FX2 – R4.”
|
undated |
48 | Unidentified One unlabeled roll in a canister labeled “MX-2 – R-4.”
|
undated |
53 | Unidentified One reel, labeled “R124-71605 – 79B.”
|
undated |
51 | Unidentified One roll, labeled “Loop Lines – 1 – R-6.”
|
undated |
51 | Unidentified One roll, labeled “Work Trk. – R.8.”
|
undated |
52 | Unidentified Five rolls in a canister labeled “5 Rolls Audio.” One roll is labeled “oger heavy breathing”; another is labeled “oger breathing”; another is labeled “oger growels”; another is labeled “oger idle.”
|
undated |
52 | Unidentified One roll, labeled “Ogre,” in a canister labeled “Ogre.”
|
undated |
52 | Unidentified Seven rolls in a canister labeled “7 Rolls Audio.” Two of the rolls are labeled “lascivious oger”; another is labeled “oger reacts to flash lite”; another is labeled “oger death”; another is labeled “oger snorts”; another is labeled “oger breathing”; and another is labeled “oger [illegible] people first.”
|
undated |
51 | Unidentified One unlabeled roll.
|
undated |
105 | Unidentified |
undated |
35mm – B&W – Negative |
||
Box | ||
43 | “Bed of Roses” One unlabeled roll in a yellow box labeled “Safe Film 4.”
|
undated |
42 | Director Whitney – Camera Caramico One roll, labeled C84-2, in a yellow box labeled “Safe Film 6.”
|
undated |
42 | Director Whitney – Camera Caramico One roll, labeled 165B-2, in a yellow box labeled “Safe Film L.”
|
undated |
42 | Director Whitney – Camera Caramico One roll, labeled 168-1, in a yellow box labeled “Safe Film L.”
|
undated |
42 | Director Whitney – Camera Caramico One roll, labeled 200-1, in a yellow box labeled “Safe Film L.”
|
undated |
43 | Director Whitney – Camera Caramico One roll, labeled 228-90, in a yellow box labeled “Safe Film 15.”
|
undated |
42 | Director Whitney – Camera Caramico One roll, labeled 309-91, in a yellow box labeled “Safe Film 18.”
|
undated |
42 | Director Whitney – Camera Caramico One roll, labeled 309-96, in a yellow box labeled “Safe Film 18.”
|
undated |
43 | Director Whitney – Camera Caramico One roll, labeled 33671, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | Director Whitney – Camera Caramico One roll, labeled 64287, in a yellow box labeled “Safe Film 4.”
|
undated |
43 | Director Whitney – Camera Caramico One roll, labeled 69538, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | Director Whitney – Camera Caramico One roll, labeled 72730, in a yellow box labeled “Safe Film 15.”
|
undated |
43 | Director Whitney – Camera Caramico One roll, labeled 72877, in a yellow box labeled “Safe Film 15.”
|
undated |
43 | Director Whitney – Camera Caramico One roll, labeled 72659, in a yellow box labeled “Safe Film 15.”
|
undated |
43 | Director Whitney – Camera Caramico One roll, labeled 73364, in a yellow box labeled “Safe Film 15.”
|
undated |
42 | Director Whitney – Camera Caramico One unlabeled roll in a yellow box labeled “Safe Film 17.”
|
undated |
42 | Director Zugsmith – Camera Reza One roll, labeled R823-177, in a yellow box labeled “Safe Film 6.”
|
undated |
42 | Director Zugsmith – Camera Reza One roll, labeled T-212, in a yellow box labeled “Safe Film 17.”
|
undated |
42 | Director Zugsmith – Camera Reza One roll, labeled 730-192, in a yellow box labeled “Safe Film 6.”
|
undated |
43 | “Movie Star, American Style” One roll, labeled D608-85, in a yellow box labeled “Safe Film 10.”
|
undated |
43 | “Movie Star, American Style” One roll, labeled 45070, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | “Movie Star, American Style” One roll, labeled 53-D69425, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | “Movie Star, American Style” One roll, labeled 53-DO7143, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | “Movie Star, American Style” One roll, labeled 509-28, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | “Movie Star, American Style” One roll, labeled 509-41, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | “Movie Star, American Style” One roll, labeled 530-70-301, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | “Movie Star, American Style” One roll, labeled 603-92, in a yellow box labeled “Safe Film 10.”
|
undated |
43 | “Movie Star, American Style” One roll, labeled 606-68, in a yellow box labeled “Safe Film 10.”
|
undated |
43 | “Movie Star, American Style” One roll, labeled 606-69, in a yellow box labeled “Safe Film 10.”
|
undated |
43 | “Movie Star, American Style” One roll, labeled 76546, in a yellow box labeled “Safe Film 16.”
|
undated |
44 | “Movie Star, American Style” – Director Whitney – Camera Caramico One roll, labeled 11C-76437, in a yellow box labeled “Safe Film 13.”
|
undated |
44 | “Movie Star, American Style” – Director Whitney – Camera Caramico One roll, labeled 33C-68477, in a yellow box labeled “Safe Film 14.”
|
undated |
43 | “Movie Star, American Style” – Director Whitney – Camera Caramico One roll, labeled 309-95, in a yellow box labeled “Safe Film 4.”
|
undated |
43 | “Movie Star, American Style” – Director Whitney – Camera Caramico One roll, labeled 53-D07227, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | “Movie Star, American Style” – Director Whitney – Camera Caramico One roll, labeled 53-D07286, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | “Movie Star, American Style” – Director Whitney – Camera Caramico One roll, labeled 70334, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | “Movie Star, American Style” – Director Whitney – Camera Caramico One roll, labeled 94544, in a yellow box labeled “Safe Film 10.”
|
undated |
43 | “Movie Star, American Style” – Director Whitney – Camera Caramico One roll, labeled 94668, in a yellow box labeled “Safe Film 10.”
|
undated |
43 | “Movie Star, American Style” – Director Whitney – Camera Caramico Two unlabeled rolls in a yellow box labeled “Safe Film 4.”
|
undated |
43 | “Movie Star, American Style” – Trims One roll, labeled 94472, in a yellow box labeled “Safe Film 10.”
|
undated |
43 | Producer Robert Caramico – Executive Producer Arnold Stoltz One roll, labeled 94955, in a yellow box labeled “Safe Film 10.”
|
undated |
43 | Starring Robert Strauss – Del Moore One roll, labeled 94889, in a yellow box labeled “Safe Film 10.”
|
undated |
43 | Unidentified One roll, labeled R413-39, in a yellow box labeled “Safe Film 4.”
|
undated |
42 | Unidentified One roll, labeled T-212, in a yellow box labeled “Safe Film 17.”
|
undated |
44 | Unidentified One roll, labeled 11C-76472, in a yellow box labeled “Safe Film 13.”
|
undated |
44 | Unidentified One roll, labeled 11C-76509, in a yellow box labeled “Safe Film 13.”
|
undated |
43 | Unidentified One roll, labeled 29-D44804, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | Unidentified One roll, labeled 29-D44994, in a yellow box labeled “Safe Film 16.”
|
undated |
44 | Unidentified One roll, labeled 33C-68410, in a yellow box labeled “Safe Film 14.”
|
undated |
44 | Unidentified One roll, labeled 33C-67692, in a yellow box labeled “Safe Film 14.”
|
undated |
43 | Unidentified One roll, labeled 45087, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | Unidentified One roll, labeled 504-114, in a yellow box labeled “Safe Film 11.”
|
undated |
43 | Unidentified One roll, labeled 53-D69520, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | Unidentified One roll, labeled 53-D69576, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | Unidentified One roll, labeled 53-D69603, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | Unidentified One roll, labeled 53-D69766, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | Unidentified One roll, labeled 53-D69800, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | Unidentified One roll, labeled 53-D69888, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | Unidentified One roll, labeled 53-D69946, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | Unidentified One roll, labeled 53-D70342, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | Unidentified One roll, labeled 53-D70353, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | Unidentified One roll, labeled 53-D70385, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | Unidentified One roll, labeled 53D07172, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | Unidentified One roll, labeled 53-D07182, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | Unidentified One roll, labeled 53-D07189, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | Unidentified One roll, labeled 69589, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | Unidentified One roll, labeled 69822, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | Unidentified One roll, labeled 69844, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | Unidentified One roll, labeled 69866, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | Unidentified One roll, labeled 69923, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | Unidentified One roll, labeled 73117, in a yellow box labeled “Safe Film 15.”
|
undated |
43 | Unidentified One roll, labeled 73276, in a yellow box labeled “Safe Film 15.”
|
undated |
43 | Unidentified One roll, labeled 73370, in a yellow box labeled “Safe Film 11.”
|
undated |
43 | Unidentified One roll, labeled 76538, in a yellow box labeled “Safe Film 16.”
|
undated |
43 | Unidentified One roll, labeled 94604, in a yellow box labeled “Safe Film 10.”
|
undated |
43 | Unidentified One roll, labeled 94734, in a yellow box labeled “Safe Film 10.”
|
undated |
43 | Unidentified One roll, labeled 94819, in a yellow box labeled “Safe Film 10.”
|
undated |
42 | Unidentified Two rolls, in a yellow box labeled “Safe Film 6.”
|
undated |
42 | Unidentified One unlabeled roll in a yellow box labeled “Safe Film 9.”
|
undated |
43 | Unidentified One unlabeled roll in a yellow box labeled “Safe Film 11.”
|
undated |
44 | Unidentified One unlabeled roll in a yellow box labeled “Safe Film 14.”
|
undated |
42 | Unidentified One unlabeled roll in a yellow box labeled “Safe Film 18.”
|
undated |
42 | Unidentified Two unlabeled rolls in a yellow box labeled “Safe Film L.”
|
undated |
35mm – B&W – Positive |
||
Box | ||
“Christine Keeler Affair” |
||
Box | ||
76 | Reel 1 |
undated |
77 | Reel 2 |
undated |
78 | Reel 3 |
undated |
74 | Reel 5 |
undated |
“Fanny Hill” |
||
Box | ||
71 | Reel 1 |
undated |
79 | Reel 1 |
undated |
72 | Reel 2 |
undated |
80 | Reel 2 |
undated |
72 | Reel 3 |
undated |
81 | Reel 3 |
undated |
73 | Reel 4 |
undated |
82 | Reel 4 |
undated |
73 | Reel 5 |
undated |
83 | Reel 5 |
undated |
84 | Reel 6 |
undated |
“The Incredible Sex Revolution” |
||
Box | ||
75 | Spool 1 |
undated |
85 | Reel 1 |
undated |
86 | Reel 2 |
undated |
87 | Reel 3 |
undated |
88 | Reel 4 |
undated |
89 | Reel 5 |
undated |
53 | Unlabeled roll |
undated |
“Invasion, U.S.A.” |
||
Box | ||
53 | One roll. |
Undated |
49 | Seventeen unlabeled rolls in a canister labeled “Invasion U.S.A.” |
Undated |
“Movie Star, American Style” |
||
Box | ||
90 | Reel 1 |
undated |
91 | Reel 2 |
undated |
74 | Reel 3 |
undated |
92 | Reel 4 |
undated |
93 | Reel 5 |
undated |
“On Her Bed of Roses” |
||
Box | ||
69 | Reel 1 |
undated |
69 | Reel 2 |
undated |
70 | Reel 3 |
undated |
70 | Reel 4 |
undated |
71 | Reel 5 |
undated |
47 | Producer George Stern – Title “G.R. West” One roll in a canister labeled “G.R. West 1.”
|
undated |
47 | Producer George Stern – Title “G.R. West” One roll in a canister labeled “G.R. West 2.”
|
undated |
“That Kind of Girl” |
||
Box | ||
103 | Reel 4 |
undated |
104 | Reel 5 |
undated |
45 | Unidentified One roll, labeled “FX-1 – R-1 – Tails,” in a canister labeled “FX1 – R1.”
|
undated |
46 | Unidentified One roll, labeled “FX-1 – R-2 – Tails,” in a canister labeled “FX1 – R-2.”
|
undated |
47 | Unidentified One roll, labeled “FX1 – R5,” in a canister labeled “FX1 – R-5.”
|
undated |
45 | Unidentified One roll, labeled “FX-1 – R-6 – Tails,” in a canister labeled “FX1 – 96.”
|
undated |
48 | Unidentified One roll, labeled “FX-1 – R-7,” in a canister labeled “FX1 – R7.”
|
undated |
47 | Unidentified One roll, labeled “FX1 – R8,” in a canister labeled “FX1 – R-8.”
|
undated |
46 | Unidentified One roll, labeled “FX-1 – R-9 – Tails,” in a canister labeled “FX-1 – R-9.”
|
undated |
45 | Unidentified One roll, labeled “FX-1 – R-10 – Tails,” in a canister labeled “FX-1 – R-10.”
|
undated |
46 | Unidentified One roll, labeled “FX-2 – R-1 – Tails,” in a canister labeled “FX-2 – R-1.”
|
undated |
45 | Unidentified One roll, labeled “FX-2 – R-2 – Tails,” in a canister labeled “FX2 – R2.”
|
undated |
45 | Unidentified One roll, labeled “FX-3 – R-2 – Tails,” in a canister labeled “RX3 – R-2.”
|
undated |
45 | Unidentified One roll, labeled “MX-2 – R-7 – Tails,” in a canister labeled “R2 – MX7.”
|
undated |
50 | Unidentified One roll, labeled “R-4 – Loop.”
|
undated |
46 | Unidentified One roll, labeled “R6 – MX-1 – Tails,” in a canister labeled “RX6 – MX1.”
|
undated |
47 | Unidentified One roll, labeled “R8 – MX1,” in a canister labeled “R-8 – MX-1.”
|
undated |
46 | Unidentified One roll, labeled “R-8 – MX-2 – Tails,” in a canister labeled “R8 – MX2.”
|
undated |
46 | Unidentified One roll, labeled “R-8 – MX-3,” in a canister labeled “R8 – MX-3.”
|
undated |
47 | Unidentified One roll, labeled “R9 – MX-2,” in a canister labeled “R9 – MX-2.”
|
undated |
53 | Unidentified One roll, labeled “75-1,” in a canister labeled “75-1.”
|
undated |
49 | Unidentified One unlabeled roll in a canister labeled “2300.”
|
undated |
49 | Unidentified One unlabeled roll in a canister labeled “3101.”
|
undated |
49 | Unidentified One unlabeled roll in a canister labeled “9777.”
|
undated |
49 | Unidentified One unlabeled roll in a canister labeled “18750.”
|
undated |
44 | Unidentified One roll, labeled “Loop Lines -1 – R-5,” in a canister labeled “Stage 5.”
|
undated |
50 | Unidentified One roll, labeled “Loop Lines #1 – Tails – R-9.”
|
undated |
50 | Unidentified One roll, labeled “Loop Lines – R-1 – Tails.”
|
undated |
44 | Unidentified One roll, labeled “Loop # 1 – R-7,” in a canister labeled “Stage 5.”
|
undated |
44 | Unidentified One unlabeled roll in a canister labeled “Stage 5.”
|
undated |
48 | Unidentified One unlabeled roll in a canister labeled “35mm – General Film Laboratories.”
|
undated |
53 | Unidentified One unlabeled roll in a canister labeled “Unidentified.”
|
undated |
53 | Unidentified One unlabeled roll.
|
undated |
35mm – Color – Negative |
||
Box | ||
43 | “Movie Star, American Style” One roll, labeled D608-108C, in a yellow box labeled “Safe Film 4.”
|
undated |
43 | “Movie Star, American Style” One roll, labeled 29733, in a yellow box labeled “Safe Film 2.”
|
undated |
43 | “Movie Star, American Style” One roll, labeled 606-65C, in a yellow box labeled “Safe Film 2.”
|
undated |
42 | “Movie Star, American Style” One roll, labeled 608-106C, in a yellow box labeled “Safe Film 12.”
|
undated |
43 | “Movie Star, American Style” One roll, labeled 609-90C, in a yellow box labeled “Safe Film 2.”
|
undated |
43 | “Wedge” One roll, labeled 29436, in a yellow box labeled “Safe Film 2.”
|
undated |
43 | Unidentified One roll, labeled 28089, in a yellow box labeled “Safe Film 4.”
|
undated |
43 | Unidentified One roll, labeled 29225, in a yellow box labeled “Safe Film 2.”
|
undated |
43 | Unidentified One roll, labeled 29405, in a yellow box labeled “Safe Film 2.”
|
undated |
43 | Unidentified One roll, labeled 65242, in a yellow box labeled “Safe Film 2.”
|
undated |
43 | Unidentified One roll, labeled 65758, in a yellow box labeled “Safe Film 2.”
|
undated |
43 | Unidentified One roll, labeled 65576, in a yellow box labeled “Safe Film 2.”
|
undated |
43 | Unidentified Three unlabeled rolls in a yellow box labeled “Safe Film 4.”
|
undated |
42 | Unidentified Four unlabeled rolls in a yellow box labeled “Safe Film 12.”
|
undated |
35mm – Color – Positive |
||
Box | ||
“The Phantom Gunslinger” |
||
Box | ||
94 | Reel 1 |
undated |
95 | Reel 2 |
undated |
96 | Reel 3 |
undated |
97 | Reel 4 |
undated |
98 | Reel 5 |
undated |
“Sex Prohibito” |
||
Box | ||
99 | Reel 1 |
undated |
100 | Reel 2 |
undated |
101 | Reel 4 |
undated |
102 | Reel 5 |
undated |
106 | Unidentified Possibly reel 3 of “Sex Prohibito.”
|
undated |
51 | 35mm – Assorted One roll (possibly unexposed) labeled “EFX.”
|
undated |
16mm |
||
Box | ||
51 | “Bubble Up” |
undated |
51 | “Fanny Hill” – Trailer |
undated |
49 | Unidentified Five rolls, labeled “Angels’s Home Opener,” “Angels Tryout,” “Angels Tryouts,” “Chaveve Trevine,” and “Stengal on Banking,” in a canister labeled “16mm.”
|
undated |
42 | Unidentified One silent color roll, labeled "417 EC 32," in a “Scotch Magnetic Tape” box.
|
undated |
42 | Unidentified Assorted silent clips, both color and B&W, in a “Scotch Magnetic Tape” box.
|
undated |
52 | Unidentified One roll (possibly unexposed) in a canister labeled “16mm.”
|
undated |
Series VI. FinancialReturn to Top
Container(s) | Description | |
---|---|---|
Box | ||
8 | Abbey Rents |
1965 |
8 | ABC Messenger Service |
1965-1966, undated |
8 | Academy Addressing & Mailing |
1965 |
8 | Accounts Receivable Itemized Trial Balance Reports |
1966-1968 |
8 | Acteson Paper Company |
1965-1966 |
8 | The Albert Zugsmith Corporation – Projected Cash Flow |
1956-1957 |
8 | Allied Artists Pictures, Corp. Outside Producers Reports of box office grosses for “Sex Kittens Go to College,” “Confessions of an Opium Eater,” and “Dondi.”
|
1963 |
9 | American Express |
1963-1967 |
“The Beat Generation” |
||
Box | ||
9 | Daily Progress Reports |
1958-1959 |
9 | Employment and Music-License Agreements |
1958-1959 |
68 | Picture Estimate |
1958 |
68 | “The Big Operator” – Picture Estimates One of the estimates is titled “I Was Kidnapped.”
|
1959 |
9 | Birns & Sawyer (film equipment) |
1965-1966 |
9 | Brass Rail Hofbrau |
1966 |
9 | Bri-Son Company, Inc. (office supplies) |
1966-1967 |
9 | Budgets |
1967-1974, undated |
9 | Bullock’s (department store) |
1965 |
9 | B |
1965-1966, undated |
9 | Cameras |
1967-1968, undated |
9 | Chester B. Baker Service (editing equipment) |
1965-1967 |
9 | “The Chinese Room” – Budget |
1966-1967, undated |
9 | The Cleveland Trust Company |
1955-1956 |
9 | Sidney Cohen (CPA) |
1967 |
9 | “College Confidential” – Statement of Accounting |
1967 |
9 | Comprehensive Service Corporation (movie equipment and supplies) |
1965 |
9 | Co-Production Agreements |
1960-1966 |
9 | “The Cult” – Robert Hill Writing Contract |
1965 |
9 | Custom Print Shop |
1965-1966 |
9 | Daily Reports |
1966 |
9 | Deluxe Laboratories, Inc. |
1965-1967 |
Desert Empire Television Corporation/KMIR-TV |
||
Box | ||
9 | 1968-1975, undated | |
9 | 1970-1976, undated | |
9 | Diners Club |
1965-1967 |
9 | Direct Mail Company of America |
1965 |
9 | Directors Guild of America, Inc. |
1965-1972, undated |
9 | Distribution Agreements |
1961-1974, undated |
9 | Distribution Reports For “Fanny Hill,” “The Incredible Sex Revolution,” “On Her Bed of Roses,” and “Movie Star, American Style.”
|
1966 |
9 | Doctors’ Bills |
1967 |
9 | D |
1965-1966 |
9 | Employment Agreements |
1953-1975 |
9 | Enterprise Printers and Stationers, Inc. |
1965-1968 |
9 | Erro Film Service |
1965-1966 |
Exchanges |
||
Box | ||
9 | October-December 1968 |
1965-1969, undated |
10 | April 1969 |
1969 |
10 | 1969 |
1968-1969 |
10 | 1969 |
1969 |
10 | Exchange Trial Balances |
1966 |
10 | Famous Players Corp. – Taxes |
1960-1967, undated |
10 | “Fanny Hill” – Distribution Reports |
1965-1966 |
38 | “Fanny Hill” – Flash Grosses In a three-ring notebook labeled “Fanny Hill – Keep for Zug.” Tabbed by cities and countries.
|
undated |
10 | “Fanny Hill” – Weekly Billing and Collection Reports |
1965-1966, undated |
10 | Fidelity and Deposit Company of Maryland – Employee Application |
undated |
10 | Film Budgets |
1951, 1965-1973, undated |
10 | “Filming Price Guide – France – August 1967” |
1967 |
10 | Flame-X-Control Corp. |
undated |
10 | Flax Bronston (advertisers’ service) |
1965-1966 |
10 | F |
1965-1967, undated |
10 | General Film Laboratories |
1965-1966 |
10 | General Insurance Agency Includes documents that refer to “libel action vs J. Amado Araneta, Geor. Nader, et al.”
|
1965-1968 |
10 | General Ledger – Trial Balance Sheets |
1966-1968 |
10 | General Music Corporation |
1965 |
10 | Gestetner Corporation (office supplies) |
1965-1968 |
10 | Gilboy Co. of Los Angeles (air freight) Includes a letter in which the company was asked to inspect seven prints of “Fanny Hill” and determine which were the foreign version, which contained nude scenes.
|
1965-1968 |
10 | Glen Glenn Sound Company |
1965-1966 |
10 | Glenn Valley Motor Hotel |
1967 |
10 | Greenblatts (liquor and delicatessen) |
1965-1967 |
10 | Guarantee Bank |
1972 |
10 | Guarantee Bank and Trust Co. |
1954-1955 |
10 | Hippie film (“The Cult”) Referred to in one of the documents as “The Plastic Hippie Harem Murders.”
|
1970 |
10 | Hollywood Accessories Co. |
1965-1966 |
10 | Hollywood Film Co. |
1965-1967 |
10 | Hollywood Office Appliance Co. |
1965-1966 |
“How to Break into the Movies” |
||
Box | ||
10 | Contracts |
1958-1959 |
10 | Paperback Royalty Statement |
1966 |
10 | H.R.J. Building Maintenance Co. |
1966 |
10 | H |
1965-1966, undated |
10 | IBM |
1967-1968 |
“The Incredible Sex Revolution” |
||
Box | ||
10 | Budget and Bills |
1965, undated |
10 | Assorted |
1965-1967, undated |
Insurance Policies |
||
Box | ||
10 | 1951-1967, undated | |
10 | 1954-1966, undated | |
10 | 1954-1968, undated | |
10 | 1955-1974, undated | |
10 | J & R Film Company |
1965 |
10 | Johnson & Tannenbaum (attorneys) |
1967 |
10 | J |
1965-1966 |
10 | K.W. Boat Sales |
1959-1960, undated |
10 | K |
1965-1966 |
10 | Labor Releases |
1977 |
10 | Donald Leon/Leon Film Enterprises Includes correspondence.
|
1969-1973, undated |
10 | Leon Film Enterprises Photocopies of distribution reports for the films “The Very Friendly Neighbors” and “The Love Machine.”
|
1971 |
10 | Loew’s Incorporated Includes Producer’s Statements of box office grosses for “Night of the Quarter Moon,” “High School Confidential,” “The Beat Generation,” and “The Big Operator.”
|
1958-1959 |
10 | MacEnerney’s Stationers |
1968 |
68 | “The Man Who Grew Younger” – Picture Estimate |
1957 |
10 | “Menage Au Trois” (probably “Sappho Darling”) – Budget |
1968-1969, undated |
10 | Metro-Goldwyn-Mayer, Inc. – Producer’s Statements and Foreign Free Statements |
1958-1962 |
11 | Mike and Albert Zugsmith Productions, Inc. – 1958 Taxes |
1959 |
Miscellaneous |
||
Box | ||
11 | 1957-1975, undated | |
11 | 1965-1972, undated | |
11 | Miscellaneous Expense Reimbursements |
1965-1968, undated |
11 | Mitchell, Silberberg & Knupp (attorneys) |
1959-1962 |
“Movie Star, American Style” |
||
Box | ||
11 | Graham Lee Mahin Writing Contract |
1965-1966 |
11 | Paid Bills |
1966, undated |
11 | Assorted |
1966, undated |
11 | Moviola Manufacturing Co. |
1965-1966 |
11 | National Airlines |
1965 |
11 | National Screen Service Corp. |
1965-1967, undated |
“Night of the Quarter Moon” |
||
Box | ||
11 | Box Office Notes |
undated |
11 | Daily Progress Report |
1958-1959 |
68 | Picture Estimates |
1958 |
11 | Nosseck Projection Theatre |
1966-1967 |
11 | N |
1966 |
11 | Office Machines Inc. |
1967 |
Office Supplies |
||
Box | ||
11 | 1964-1965, undated | |
11 | 1965, undated | |
“On Her Bed of Roses” |
||
Box | ||
11 | Income |
1966-1968, undated |
11 | Paid Bills |
1965-1966, undated |
11 | Osterr. Presseburo (Linz, Austria) |
1965 |
11 | O |
1965-1966 |
11 | Pacific Coast Studio Directory |
1966-1968 |
11 | Pacific Telephone |
1962-1967, undated |
11 | Panorama Stationers |
1965-1966, undated |
11 | Panza’s Lazy Susan (restaurant) |
1966-1968, undated |
Paramount Pictures |
||
Box | ||
11 | Includes clippings and other documents related to a dispute between Paramount and some of its stockholders, including Zugsmith. |
1964-1966, undated |
11 | Photocopy: “Paramount Pictures Corporation in account with [Estate of] William C. Handy, Carlos Castel Associates, George Garabedian (Assignee October 10, 1957), Nathaniel (Nat ‘King’) Cole, and Communications Corporation of America under agreements dated August 2, 1957 – ‘St. Louis Blues’ – Released April 1958 – Cumulative statement of account at the close of the period ended – Domestic-12/25/71 – Foreign-11/27/71.” |
1971-1972 |
11 | “Paris Model” – Picture Budget Detail |
1953 |
68 | Payroll Records |
1965 |
11 | Peat, Marwick, Mitchell & Co. (CPA) Tax documents.
|
1971 |
11 | “The Phantom Gunslinger” |
1967, undated |
11 | Pickwick Bookshops |
1968 |
11 | Pitney-Bowes |
1965-1967 |
11 | Production Costs |
undated |
11 | Profit & Loss Statements Includes spreadsheets for the films “Movie Star, American Style,” “On Her Bed of Roses,” “The Incredible Sex Revolution,” and “Fanny Hill.”
|
1966 |
11 | Purchase Orders |
1965 |
11 | P |
1965-1966, undated |
11 | REA Express |
1968 |
11 | Richard Einfeld Productions |
1966 |
11 | Screen Producers Guild, Inc. |
1954-1955 |
11 | 76 Union |
1965-1967, undated |
Smith and Harder (CPA) |
||
Box | ||
11 | 1965-1966 | |
11 | 1967 | |
Standard Business Forms (office supplies and stationery) |
||
Box | ||
11 | 1965 | |
11 | 1965-1966 | |
11 | Standard Oil Company of California, Western Operations, Inc. |
1958-1968 |
12 | State of California – Division of Real Estate |
1954-1966 |
12 | Stationery |
1965-1968 |
12 | Arnold Stoltz |
1965-1973 |
12 | Subscriptions |
1966-1967 |
12 | Taxes |
1953-1954, 1965-1967, undated |
12 | Technicolor, Inc. |
1965-1968 |
12 | “The Thing with Two Heads” – Employment Contract Zugsmith had a cameo role in the film.
|
1972 |
12 | 3M Business Products Sales Inc./Thermo-Fax Sales, Inc. |
1965-1968, undated |
12 | “Tom Jones Rides Again” – Budget |
undated |
12 | “Touch of Evil” (“Badge of Evil”) – Production Budget |
1957 |
12 | Trans American Broadcasting Corp. – Loan Agreement |
undated |
12 | TV/Recorders (sound recording service) |
1965 |
12 | “Two Roses and a Golden Rod” Producer’s Report # 1, as well as a synopsis of the story.
|
1970, undated |
12 | Typewriter Center |
1967 |
12 | T |
1965-1966, undated |
12 | Unemployment Insurance |
1965-1966 |
12 | United Contractors (roofing contractors) |
1976-1979, undated |
12 | U |
1965-1966 |
12 | Value Line In a three-ring notebook labeled “The Value Line Investment Survey.”
|
1975, undated |
12 | V |
1965-1966 |
Whitney Corp. |
||
Box | ||
12 | Bank Reconciliation |
1965-1966, undated |
12 | Payroll Data |
1966, undated |
68 | Payroll – 1965 |
1965 |
12 | Whitney Hotel Corp. – 1965 Income-Tax Returns |
1966 |
12 | Wm H. Müller & Co. (London, England) |
1966 |
12 | Writers Guild of America, Inc. – Union Labor Life Insurance Co. |
1970-1972 |
12 | Assorted Agreements |
1963-1964 |
12 | Assorted Corporate Annual Reports and Financing Summaries |
1965-1966 |
12 | Assorted |
1965-1972, undated |
Series VII. LegalReturn to Top
Container(s) | Description | |
---|---|---|
Box | ||
12 | Allied Artists Pictures Corp. |
1963 |
12 | American International Pictures of Nebraska and Iowa – Distribution Agreement |
1965, undated |
12 | American Pictures Corporation |
1954-1965, undated |
12 | The Authors League of America, Inc. – Constitution |
undated |
12 | “The Big Operator” Includes correspondence and other documents related to music for the film, contractual requirements for credits, writing credits as determined by the Arbitration Committee of the WGA, contractual conditions for actors Mamie Van Doren and Steve Cochran to appear in the film, for Charles Haas to direct the film, and for Robert Smith to write the film.
|
1958-1959, undated |
12 | Robert Camarico – Contract (supplying of services, facilities, and materials) – “Psychopathia Sexualis” and “Movie Star, American Style” |
1965-1966 |
“The Chinese Room” |
||
Box | ||
12 | Assignments of Rights to Famous Players Corp. by Blair Robertson |
1966 |
12 | Co-Production Agreement (English and Spanish) |
1966 |
12 | Nat King Cole – “Night of the Quarter Moon” An agreement that Cole would appear in the film.
|
1958 |
12 | Directors Guild of America – Basic Agreements |
1960-1964 |
12 | The Dramatists Guild, Inc. – Constitution |
undated |
12 | “Effects of California Law Relating to Community Property, Joint Tenancy, Tenancy in Common, and Separate Property” |
1956 |
12 | Estate of Harry W. Hammond v. Commissioner of Internal Revenue (United States Tax Court) – opening brief for petitioner The decision is reported at 14 T.C.M. 83 (1955).
|
undated |
Famous Players Corp. v. Araneta |
||
Box | ||
12 | Depositions |
1966, undated |
12 | Evidence File |
1962-1963, undated |
“The Great Space Adventure” |
||
Box | ||
12 | Costs |
1966, undated |
12 | Assorted |
1965-1966, undated |
12 | Plaintiffs’ Complaint |
undated |
12 | Assorted |
1963, undated |
Famous Players Corp. v. Jayne Mansfield A suit for breach of contract and other claims regarding Mansfield’s agreement to appear in the never-filmed “The Man Who Grew Younger.” See also “Jayne Mansfield” in the series “Correspondence.”
|
||
Box | ||
12 | Pleadings and Correspondence |
1962-1969, undated |
13 | Assorted |
1964-1968, undated |
13 | Famous Players International Corporation – Articles of Incorporation and By-Laws |
1965, undated |
13 | Favorite Films of California, Inc. Agreements, amendments to agreements, and correspondence.
|
1964-1967 |
13 | General Music Corporation – Contract – “The Incredible Sex Revolution” |
1965 |
13 | Lawrence M. Glass – assignment of rights for “certain literary and dramatic material” to Famous Players Corp. |
1961 |
13 | “The Ghost Rider” Agreement for the sale of the story “The Ghost Rider” from Sig Maitles to Famous Players for a proposed TV series starring Audie Murphy, as well as correspondence.
|
1964-1966 |
13 | Cliff Halle – Assignment of Rights for “The House of Fanny Hill: or Save a Young Girl from a Fate Worse than Death” |
1964 |
13 | Suzanne Jakobsen – Agreement to act as a consultant and sales promoter for the film “The Rapist” (“Violated”) |
1973 |
13 | Margaret Rose Keil – Acting Contract |
1965 |
Legal Notices – “Atlantic City Reporter” |
||
Box | ||
13 | Proofs of publications of legal ads for “The Hippie Murder” (“The Cult”) and “Too Young.” |
1967, undated |
13 | Proofs of publications of legal ads for “Sappho” (“Sappho Darling”), “Tom Jones Rides Again,” and “Chaucer’s Canterbury Tales.” |
1968 |
13 | Janet Louie – Acting Contract Includes correspondence and a court order approving the contract (Louie was a minor at the time).
|
1965-1966 |
13 | Mercury Film Co., Inc. – Distribution Agreement Distribution agreement regarding “Movie Star, American Style,” “On Her Bed of Roses,” and “The Incredible Sex Revolution.” Also includes correspondence.
|
1966 |
13 | Metro-Goldwyn-Mayer-Zugsmith Agreement |
1959 |
13 | Victoria Paige Meyerink Includes an employment agreement between Famous Players and child actor Victoria Paige Meyerink, as well as correspondence between Zugsmith and Jeanne Bair Meyerink, Victoria’s mother, regarding the never-filmed “Little Miss Detective.”
|
1967 |
13 | Motion Picture Production Code/Censorship |
1956-1959 |
13 | “Movie Star, American Style” – Contracts |
1966, undated |
13 | “The Plastic Hippie Harem Murders” (“The Cult”) – Agreement |
1970 |
“Psychopathia Sexualis” |
||
Box | ||
13 | Contracts |
1965 |
13 | Copyright Registration Includes a dust jacket for Krafft-Ebing’s “Aberrations of Sexual Life” and a clipping.
|
1965, undated |
13 | QQQQ Corporation v. Herts Lion International Corp. Documents related to a breach-of-contract case involving the film “Operation Mermaid” (referred to in some of the documents as “Bay of St. Michel” and “Pattern for Plunder”). See also “Operation Mermaid” in the series “Correspondence.”
|
1963-1965, undated |
13 | Quitclaim – “St. Louis Blues” |
1963 |
13 | “Screen Directors’ Guild of America, Inc. – Basic Agreement of 1958” |
1958 |
13 | Smith Davis Corporation – Tax Litigation Correspondence, court documents, and other documents regarding a dispute over taxes owed by the Smith Davis Corporation, which had employed Zugsmith from 1947-1950, and Zugsmith.
|
1953-1956, undated |
13 | Standard Business Forms (office supplies) Documents related to a legal dispute over work done on Christmas cards.
|
1966 |
13 | Arnold Stoltz – Contract – “Magic of L.S.D.” |
1965 |
13 | Suomi Filmi Oy (Finland) – Distribution/Exhibition Agreement – “Fanny Hill” |
1965 |
13 | Title Registration Reports |
1965-1968 |
13 | Richard Tretter – “Employment Agreement – Day Player” for “Psychopathia Sexualis” |
1965 |
13 | Walter Winchell – Tax-Return Documents |
1961 |
13 | Writers Guild of America – Basic Agreements |
1960, 1970-1973 |
13 | Zugsmith v. First Commodity Corporation of Boston |
1981 |
Zugsmith v. Audie Murphy |
||
Box | ||
13 | 1964-1966, undated | |
13 | 1965-1969, undated |
Series VIII. Music and AudioReturn to Top
Container(s) | Description | |
---|---|---|
Box | ||
Audio Tape – Reels |
||
Box | ||
40 | “Be My Love” “Max – very rough – 7½ copy.”
|
undated |
41 | “Dupont # 9940 – Major of Saint 10 – foreign version” |
1961 |
40 | “The Flesh Eaters” |
undated |
40 | “Flesh Eaters – Radio Tape” (3 reels) |
undated |
40 | “The Hollywood Country Store”/“Like Art”/“Ring-A-Ding”/“I Wonder”/“Give Us a Break” (3 reels) |
undated |
40 | “The Incredible Sex Revolution” (two 1” reels) |
undated |
40 | “Narrasion” |
undated |
40 | “Whiskey Mash” |
undated |
41 | “‘Wire Service’ Reissue NARR” Includes a "Sound Report" from Glen Glenn Sound Co.
|
1959 |
40 | Unidentified (six 1” reels) |
undated |
41 | Unidentified (eight 1” reels) |
undated |
40 | Unidentified In a box addressed to Paul Hanner, Astral Films Ltd., Toronto, Ontario, Canada.
|
undated |
40 | Unidentified On a small plastic reel.
|
undated |
Music Scores |
||
Box | ||
13 | Music for “The Beat Generation” “The Beat Generation,” “The Beat Generation Blues,” “Speed, Speed, Speed!” “The Beat is Ours,” “I’m Off to the Moon,” and “I’ve Got the Real-Gone Nothing Blues.”
|
1958 |
13 | Music for “Movie Star, American Style” “She’s a Movie Star, American Style” and “Skippy’s Song.”
|
1966 |
13 | Music co-written by Sid Kuller “Give Us a Break,” “The Hollywood Country Store,” “I Wonder,” “Like Art,” and “Ring-A-Ding.”
|
undated |
Vinyl Records |
||
Box | ||
LPs |
||
Box | ||
56 | “Back to the Beat Joint,” “Cool M.G. Music,” “Success at Last,” “End Title” – 1749 – 5-29-59 |
1959 |
54 | “Beat Generation” (fast version – instrumental only) – October 6, 1958 – P-589 – 2005-3 – rehearsal not cued |
1958 |
54 | “Beat Generation” (med version – instrumental only) – October 6, 1958 – P-589 – 2004-1 – rehearsal not cued |
1958 |
55 | “Beat Generation” (orchestra accomp. For Cathy Crosby vocal) – P-589 – 2403-1 – rehearsal not cued – October 6, 1958 |
1958 |
54 | “Chevy Show – June 16, 1958” (incomplete) |
1958 |
54 | “Dondi” |
undated |
55 | “Dondi” – 6003 – ‘Jingle Bells,’ ‘Meadow in the Sky,’ ‘Dondi’ (two copies) |
undated |
55 | “Dondi – 6003 – M12-2, M13-2, M33-2, M41-6, M43-1”/“Dondi Score – ‘Jingle Bells,’ ‘Jingle Bells’ – short version, ‘Meadow in the Sky, ‘Dondi,’ undated [PRB box 54]--“Dondi” – 6003 – M12-2, M13-2, M33-2, M41-6, M43-1/‘Jingle Bells’ – D1-8, ‘Jingle Bells’ – D1-9, ‘Meadow in the Sky’ – D2-7, ‘Dondi’ – D3-2, undated [PRB box 55]--“Dondi” – 6003 – M12-2, M13-2, M33-2, M41-6, M43-1/M61E-3, M61E-4, M71B-1, M32A-4, M32A-5, M32E-1, M32D-1, M42-1, undated/‘Jingle Bells’ – D1-8, ‘Jingle Bells’ – short version – D1-9, “Meadow in the Sky” – D2-7, ‘Dondi’ – D3-2 |
undated |
55 | “Dondi” – 6003 – M51-1, M51-2, M51-4, M52-2, M61B-1, M61C-1, M-61CC-1, M61CC-2, M61D-1, M61D-2 /M61E-3, M61E-4, M71B-1, M32-4, M32-5, M32E-1, M32D-1, M42-1 |
undated |
55 | “Dondi” – 6003 – M51-1, M51-2, M51-4, M52-2, M61B-1, M61C-1, M-61CC-1, M61CC-2, M61D-1, M61D-2 /M61E-3, M61E-4, M71B-1, M32A-4, M32A-5, M32E-1, M32D-1, M42-1 |
undated |
55 | “Dondi” – 6003 – M53A-3, M53A-5, M21-2, M22-1, M61A-3, M81-4, M81B-2, M81A-3, M101-1, M103-1, M103-3/M42-2, M53A-5, M62-3, M62A-1, M62B-1, M33-1, M111-5, M14-6, M22A-1, M32-1, M61-3 |
undated |
55 | “Dondi” – 6003 – M61-3, M63A-3, M53A-5, M21-2, M22-1, M61A-3, M-81-4, M81B-2, M81A-1/M 42-2, M 62-3, M62A-1, M 62B-1, M33-1, M111-5, M 111-6, M22A-1, M 32-1 |
undated |
55 | “Dondi” – 6003 – M71-2, M71-3/M71-4 |
undated |
55 | “Dondi” – 6003 – M71-3, M71-4/M101-1, M103-1, M71-2 |
undated |
54 | “Dondi” – 6003 – M71-3, M71-5”/“Dondi – 6003 – M21-2, M22-1, M81-4, M81B-2, M81A-3, M101-1, M103-1, M103-3, M71-2” |
undated |
54 | “Fortune Train” – parts 1 and 4 |
undated |
54 | “Fortune Train” – parts 2 and 5 |
undated |
54 | “Fortune Train” – parts 3 and 6 |
undated |
56 | Hip Talk Story – “Christopher Columbus” by John Drew Barrymore (from “High School Confidential”) (four copies) |
undated |
54 | “‘King Kong’ – The Original Stage Cast” |
undated |
55 | Kofy Editorial – ‘Beatnicks’ – 1-8-58 |
1958 |
56 | Jerry Lee Lewis – transcribed radio interview for “High School Confidential” (eight copies) |
undated |
54 | “Movie Star, American Style” – Original Soundtrack (six copies) |
undated |
54 | “Piano Tempo” – not cued – 1744 – 9/9/58 – 2003-1/ “Piano Tempo” – cued – 1744 – 9/9/58 – 2003-1 |
1958 |
54 | “Possibly: High School Confidential – Jerry Lee Lewis” |
undated |
54 | “Night of ¼ Moon” – September 16, 1958 – Prod. 1744 – 2404-1 (both sides) |
1958 |
54 | “Night of the Quarter Moon” – duet – London & Jones – not cued – intercut – 1744 – 2005-6-12 – 9/9/58 |
1958 |
54 | “Night of the Quarter Moon” – duet – London & Cole – not cued – slow version – 1744 – 2004-2 – 9/9/58/“Night of the Quarter Moon” – duet – London & Cole – not cued – fast version – 1744 – 2004-3 – 9/9/58 |
1958 |
54 | “On Her Bed of Roses” – Motion Picture Soundtrack (three copies – one is damaged) |
undated |
54 | “Sam Hall for Scene #269 (extraverse) – Lawman # 1809”/“Sam Hall (intercut) (M3288321) – Lawman # 1809” |
undated |
54 | “‘Slaughter on Tenth Avenue’ and Other Ballet Selections” |
undated |
54 | “Some Day You’ll Be Sorry” by Louis Armstrong – October 6, 1958 – P-589 – 2402-1 – rehearsal not cued |
1958 |
55 | “Some Day You’ll Be Sorry” (fast version instrumental only) – P-589 – 2007-2 – rehearsal not cued – October 6, 1958 |
1958 |
54 | “Soundtrack from ‘The Benny Goodman Story’” |
undated |
54 | “Tokyo File 212” by Albert Glasser (both sides) |
undated |
54 | “Top Banana” – Original Broadway Cast |
undated |
54 | “Touch of Evil” – Music from the Soundtrack |
undated |
54 | “To Whom It May Concern” – September 16, 1958 – Prod. 1744 – 2405-1 – not cued (both sides) |
1958 |
54 | Mamie Van Doren – transcribed radio interview for “High School Confidential” (four copies) |
undated |
54 | “Written on the Wind” – soundtrack/“Four Girls in Town” – soundtrack |
undated |
54 | Unlabeled |
undated |
Singles (45rpm or 78 rpm) |
||
Box | ||
57 | “Adam and Eve” by Paul Anka (from “The Private Lives of Adam and Eve”) by Paul Anka/“Puppy Love” by Paul Anka (two copies) |
undated |
57 | “The Beat Generation” by Louis Armstrong and his All-Stars/“Someday You’ll Be Sorry” by Louis Armstrong and his All-Stars (two copies) |
undated |
57 | “The Beat Generation” by Mamie Van Doren/“I’m Grateful” by Mamie Van Doren (four copies) |
undated |
57 | “The Big Operator” by Van Alexander/“The Shake” by Van Alexander (two copies) |
undated |
57 | “College Confidential” – spot announcements Side 1 – 1, 2, and 3; Side 2 – 4, 5, and 6.
|
undated |
57 | “Dondi” by The Cappello Kids”/“Dream Your Tears Away” by The Cappello Kids |
undated |
57 | “Dondi” by The Do-Re-Mi Children’s Chorus/“He’ll Love You as You Are” by The Do-Re-Mi Children’s Chorus |
undated |
57 | “Dondi” by Patti Page/“A City Girl Stole My Country Boy” by Patti Page |
undated |
57 | “Fanny Hill: Memoirs of a Woman of Pleasure” Side I tracks: 1,2, and 3 – 60 seconds each; Side II tracks: 1,2, and 3 – 20 seconds each; 4 – 10 seconds.
|
undated |
57 | “Fanny Hill: Memoirs of a Woman of Pleasure” (sixteen copies) Track 1 – 60 seconds; Track 2 – 20 seconds.
|
undated |
57 | “Female on the Beach” by Victor Young/“I Love Your Gypsy Heart” by Victor Young |
undated |
57 | “High School Confidential” by Jerry Lee Lewis/“Fools Like Me” by Jerry Lee Lewis” (19 copies) |
undated |
57 | “High School Drag” by Phillipa Fallon (from “High School Confidential”)/“Christopher Columbus Digs the Jive” by Phillipa Fallon (from “High School Confidential”) (7 copies) |
undated |
57 | “I Concentrate on You” by Billy Daniels/“I Never Knew” by Billy Daniels |
undated |
57 | “I Guess I’ll Dress Up for the Blues” by Carmen McRae (from “The Square Jungle”)/“Come Down to Earth, Mr. Smith” by Carmen McRae |
undated |
57 | “The Incredible Shrinking Man” by Ray Anthony/“This Could be the Night” by Ray Anthony (52 copies) |
undated |
57 | “I Remember Her So Well” by Tommy Leonetti (from “Fanny Hill”)/“I Believe You” by Tommy Leonetti |
undated |
57 | “Lonely Boy” by Paul Anka (from “Girls Town”)/“Your Love” by Paul Anka |
undated |
57 | “Movie Star, American Style or; LSD, I Hate You” (19 copies) Track 1 – 50 seconds; Tracks 2 and 3 – 20 seconds each; Track 4 – 10 seconds.
|
undated |
57 | “The Night of the Quarter Moon” by Andy Ackers/“Lovers’ Island” by Andy Ackers |
undated |
57 | “So It’s Goodbye” by Paul Anka/“Just Young” by Paul Anka (2 copies) |
undated |
57 | “Theme from ‘Female on the Beach’” by Leo Diamond/“Destiny” by Leo Diamond” (12 copies) |
undated |
57 | Mamie Van Doren interview – “The Private Lives of Adam and Eve” |
undated |
57 | “Written on the Wind” by the Four Aces/“Someone to Love” by the Four Aces (2 copies) |
undated |
Sixteen-Inch Diameter |
||
Box | ||
58 | “Acid Blues” without vocal – 2/25/66 |
1966 |
58 | “Honey Bunny Song,” “Miss ‘B’” – 2/25/66 |
1966 |
58 | “Little Joe Horner,” “Acid Blues” (with vocal) – 2/25/66 (2 copies) |
1966 |
58 | “Skippy’s Song,” “Main Title Song” – 2/25/66 |
1966 |
58 | “Skippy’s Song,” “Title Song” – 2/25/66 |
1966 |
Ten-Inch Diameter |
||
Box | ||
54 | “Adam & Eve – Main Title” (4 copies) |
undated |
55 | “All of You” by Joi Lansing” – 3-15-62/“Masquerade” |
1962, undated |
56 | “Brother” by Don Reid/“In God We Trust” by the Sportsmen |
undated |
54 | “Carmen – Gypsy Dance” by Rafael Mendez/“La Virgen dela Macarena,” by Rafael Mendez |
undated |
54 | “College Confidential” – 1898 – MUI-5 |
undated |
54 | “‘College Confidential’ – Northern Music” |
undated |
54 | “Dondi” by Larry and Rod |
undated |
56 | “Dondi Oh Dove Via” by Larry Bright |
undated |
54 | “‘Dress Up for the Blues’ – Prod. # 1804” |
undated |
54 | “Female on the Beach” |
undated |
54 | “Female on the Beach” by Bill Lee |
undated |
54 | “Female on the Beach” – Pevney – 1788 |
undated |
54 | “Female on the Beach” by Kay Scott |
undated |
55 | “Give Me a Gentle Girl”/“Gentle Girl” |
undated |
54 | “Gunga Din” |
undated |
54 | “Heaven Help You” by Fain and Webster |
undated |
56 | “High School Confidential” mention on “Club Oasis” with Spike Jones – NBC-TV – June 21, 1958 |
1958 |
56 | “I Guess I’ll Dress Up for the Blues” |
undated |
56 | “I Had to Find Out Myself” by Teri Music |
undated |
56 | “Platinum High” |
undated |
56 | “Platinum High School” by Conway Twitty |
undated |
54 | “Rumbas” – RCA Victor – Popular Collector’s Issue |
undated |
54 | “Sam Hall for Scene #1 – Lawman # 1809 – M322”/“Sam Hall for Scene 269 (alt) – Lawman # 1809 – M333” |
undated |
54 | “Sam Hall for Scene #55 – Lawman # 1809 – M321”/“Sam Hall for Scenes 22 and 23 – Lawman # 1809 – M320” |
undated |
54 | “Sam Hall for Scene #111 (first alternate) – Lawman # 1809 – M325”/“Sam Hall for Scene 191 – Lawman # 1809 – M326” |
undated |
54 | “‘Sam Hall’ – M 556” |
undated |
56 | “Slaughter on Tenth Avenue” by Les Brown and His Band of Renown |
undated |
55 | Standard Sound Effects 106 – Airplane Maneuvers (continuous)/Airplane Effect (continuous) |
undated |
55 | Standard Sound Effects 112 – Jet Fighter Plane/Stinson 4 Passenger Plane |
undated |
55 | Standard Sound Effects 117 – Four Engine Airplane/Four Engine Landings |
undated |
55 | Standard Sound Effects 201 – Automobile Effect (Deusenberg)/Automobile Effects |
undated |
55 | Standard Sound Effects 500 – Military Effects/Explosion Effects |
undated |
55 | Standard Sound Effects 502 – Battle Effects/Explosions |
undated |
55 | Standard Sound Effects 505 – Military Effects – World War II/Battle Effects – World War II |
undated |
54 | “‘That Move’ – Arnold 1840” |
undated |
56 | “They’ll Never Stop Us” |
undated |
54 | “Time Will Tell” by Harold Lloyd, Jr. (demo record)/“Middle of a Dream” by Harold Lloyd, Jr. (demo record) |
undated |
54 | “Written on the Wind” |
undated |
Twenty-Inch Diameter |
||
Box | ||
57 | “The Big Operator” by Van Alexander/“Olivera Street” by Van Alexander |
1959 |
57 | “The Girl in a Lonely Room” by Ray Anthony |
1957 |
13 | Lyrics for unidentified song |
undated |
Series IX. Photographs, Negatives, Slides, and TransparenciesReturn to Top
Container(s) | Description | |
---|---|---|
Box | ||
Negatives |
||
Box | ||
13 | “Fanny Hill” |
undated |
41 | “The Incredible Sex Revolution” In a box with an address label from John Urie & Associates to Zugsmith.
|
undated |
13 | “Night of the Quarter Moon” |
undated |
Photos |
||
Box | ||
13 | “The Beat Generation” |
1958, undated |
13 | “The Big Operator” |
undated |
62 | “The Chinese Room” Twelve large, matted B&W photos.
|
undated |
62 | Steve Cochran Inscribed by Cochran to Zugsmith and his wife Ruth.
|
undated |
68 | Circus Most of the photos include the German-language title “Deutscher National-Zirkus.”
|
undated |
13 | “Das Licht der Liebe”/“The Light of Love” Stills from a German film that featured actor Paula Wessely.
|
undated |
13 | “Dondi” |
undated |
“Fanny Hill” |
||
Box | ||
13 | B&W Photos |
undated |
13 | Color Photos |
undated |
14 | Billy Frick as Hitler (nudity) |
undated |
14 | “Geständnis einer Sechzehnjährigen”/“Confession of a Sixteen Year Old Girl” Stills from a German film.
|
undated |
14 | “Ich unde Meine Frau”/“I and My Wife” Stills from a German film that featured actor Paula Wessely.
|
undated |
14 | “The Incredible Sex Revolution” (nudity) |
1965, undated |
14 | “Jedermann”/“Everyman” Stills from a German film that featured actor Paula Wessely.
|
undated |
14 | “Lulu”/“No Orchids for Lulu” Stills from a German film based on two plays – “Erdgeist” (“Earth Spirit”) and “Die Büchse der Pandora” (“Pandora’s Box”) – by Frank Wedekind.
|
undated |
14 | “Maria Theresia” Stills from a German film that featured actor Paula Wessely.
|
undated |
14 | “Menage Au Trois” (probably “Sappho Darling”) |
undated |
“Movie Star, American Style” |
||
Box | ||
63 | Sheet with multiple photos |
undated |
14 | Undated | |
"Night of the Quarter Moon" |
||
Box | ||
14 | Cast and Crew |
1958 |
14 | Undated | |
68 | “Sappho Darling” (nudity) Includes credit cells.
|
undated |
14 | “Unter Achtzehn”/“Under Eighteen” Stills from a German film that featured actor Paula Wessely.
|
undated |
14 | Mamie Van Doren |
undated |
14 | “Weg in die Vergangenheit”/“Return to the Past” Stills from a German film that featured actor Paula Wessely.
|
undated |
14 | Assorted B&W Photos (nudity) |
1968, undated |
14 | Assorted Color Photos |
undated |
14 | Assorted Publicity Photos (nudity) |
undated |
Slides |
||
Box | ||
14 | “On Her Bed of Roses” |
1965 |
41 | Unidentified (four small boxes) |
1969 |
14 | Transparencies – “Fanny Hill” |
undated |
Series X. Production FilesReturn to Top
Container(s) | Description | |
---|---|---|
Box | ||
14 | “The Beat Generation” Includes main title billing, cast list, assistant director’s reports, picture estimate, wardrobe plot, lyrics to songs, music breakdown, lists of underwater shots and wardrobe changes, shooting schedules, and a “plan for musical background and Beatnik routines.”
|
1958, undated |
14 | “The Big Operator” Includes daily progress reports, inter-office memos regarding cast hires, assistant director’s reports, a pre-production schedule, a preliminary set list, staff and cast lists, picture estimate, and a press book.
|
1958-1959, undated |
14 | “Dondi” – Disc Log – The Todd-Ao Corp. |
1960 |
“High School Confidential” |
||
Box | ||
14 | Shooting Schedules |
1958 |
14 | Storyboards (photocopies) |
undated |
14 | “The Incredible Shrinking Man” – Storyboards A bound volume of drawings, as well as two sets of photocopies of those drawings.
|
undated |
“Movie Star, American Style” |
||
Box | ||
68 | Howard A. Anderson Co. Special Photographic Effects |
1966 |
14 | Location Permits |
1966 |
14 | Notes Taken During Screenings |
1966 |
14 | Assorted Includes schedules, multiple daily code sheets, a wardrobe plot, stage logs, transportation breakdown, a shooting schedule, a partial list of production items, and handwritten notes.
|
1966, undated |
15 | “Night of the Quarter Moon” Includes an employer’s report of industrial injury, an illness report for actor Julie London, a wardrobe plot, a picture estimate, cast lists, and assistant director’s reports, as well as correspondence and script pages.
|
1958-1959, undated |
15 | “The Private Lives of Adam and Eve” – Shooting Schedules |
1959 |
15 | “Tom Jones Rides Again” – Shooting and Cast Schedules |
undated |
15 | “Top Banana” – Credits Layout and Percentages |
1953 |
15 | “The Very Friendly Neighbors” |
1969, undated |
15 | Assorted Shooting Schedules |
undated |
Series XI. Publicity and AdvertisingReturn to Top
Container(s) | Description | |
---|---|---|
Box | ||
15 | Alexander Film Co. |
undated |
15 | Americana |
1975, undated |
“The Beat Generation” |
||
Box | ||
63 | Poster – one-sheet – “This Rebel Age” (re-release title) |
1961 |
15 | “‘The Beat Generation’ Dictionary” |
undated |
15 | Press Campaign Includes an invitation to a press preview of the film.
|
1959, undated |
“The Big Operator” |
||
Box | ||
63 | Poster – one-sheet – “Anatomy of the Syndicate” (re-release title - two copies) |
1961 |
61 | Pressbook |
1959 |
15 | Assorted |
1959, undated |
15 | “The Chinese Room” |
undated |
15 | Cinetarium Film Corporation |
1964, undated |
15 | “College Confidential” |
1960, undated |
"Dondi" |
||
Box | ||
63 | Poster – one-sheet |
1961 |
15 | Assorted |
1961, undated |
68 | Assorted |
undated |
15 | Famous Players Corporation – Logo and Artwork |
undated |
"Fanny Hill" |
||
Box | ||
63 | Ad Campaign (two copies) |
undated |
68 | Lobby Cards |
1965 |
63 | Poster – 54” x 38” – “La Cugina Fanny” (Italian-language title) |
undated |
63 | Posters (two) – 26” x 18” – “La Cugina Fanny” (Italian-language title) |
1966 |
15 | Assorted |
1964-1965, undated |
15 | Film and Music Catalogs |
1965-1968, undated |
15 | Foreign Studios, Films, and Countries |
1958-1965, undated |
15 | Geyer Oswald Inc. |
undated |
“Girls Town” |
||
Box | ||
68 | Circular |
undated |
63 | Poster (two copies) – one-sheet – “The Innocent and Damned” (re-release title) |
1961 |
61 | Pressbook |
1959 |
15 | “Hawaii” Promotional materials for the 1966 film.
|
1966 |
“High School Confidential” |
||
Box | ||
63 | Poster – one-sheet |
1958 |
63 | Poster – one-sheet – “The Young Hellions” (re-release title) |
1961 |
61 | Pressbook (four copies) |
1958 |
“The Incredible Sex Revolution” |
||
Box | ||
15 | Press Release “Sex Revolution Film by Famous Psychologist” by Dr. Lee Gladden |
undated |
63 | Poster – half sheet |
1965 |
63 | Poster – insert (three copies) |
1965 |
15 | Assorted |
undated |
15 | “The Incredible Shrinking Man” – Reports on Preview Comments Two separate reports based on “cards which were picked up at the theatre, and cards which were mailed to the studio.”
|
1956 |
61 | “Invasion, U.S.A.” – Pressbook |
undated |
15 | “The Magic Fountain” |
1964 |
15 | Mailing List – New York Exhibitors |
1965 |
“Movie Star, American Style” |
||
Box | ||
64 | Calendar (thirty-three copies) – 1966-1967 (nudity) |
1966 |
68 | Lobby Cards |
1966 |
65 | Poster – 40” x 60” |
1966 |
66 | Poster – 40” x 60” |
1966 |
67 | Poster – 82” x 24” |
undated |
63 | Poster (two copies) – half-sheet |
1966 |
63 | Poster (two copies) – insert |
1966 |
61 | Pressbook (twenty copies) |
undated |
15 | Synopsis |
undated |
15 | Assorted |
undated |
“Night of the Quarter Moon” |
||
Box | ||
15 | Alternate Regular Trailer |
1959 |
15 | Champagne-Chicken Picnic Includes a guest list, correspondence, and photocopies of pictures.
|
1958 |
63 | Poster – one-sheet – “Flesh and Flame” (re-release title) |
1961 |
61 | Pressbook |
1959 |
15 | Assorted Includes a pressbook for the re-release of the film as “Flesh and Flame,” as well as the re-release of “The Beat Generation” as “This Rebel Age.”
|
1958, undated |
“On Her Bed of Roses” |
||
Box | ||
68 | Ad Campaign |
undated |
15 | Credits |
undated |
63 | Poster – half-sheet |
1966 |
63 | Poster – one-sheet |
1966 |
61 | Pressbook (ten copies) |
undated |
15 | “Operation Mermaid” |
undated |
68 | “The Phantom Gunslinger” |
undated |
63 | “Platinum High School” – Poster – one-sheet – “Trouble at Sixteen” (re-release title) |
1961 |
“The Private Lives of Adam and Eve” |
||
Box | ||
63 | Poster – one-sheet |
1960 |
61 | Pressbook |
1960 |
63 | “Sappho Darling” – Poster (twenty copies) – one-sheet |
undated |
15 | “Special Teaser Campaign” |
undated |
63 | “Star in the Dust” – Poster – one-sheet |
1956 |
63 | “Top Banana” – Poster – one-sheet |
1954 |
15 | Mamie Van Doren |
undated |
16 | Vantage Press |
undated |
68 | “Violated!” |
undated |
16 | Zugsmith Biographical Information |
undated |
68 | Assorted Broadsides and Fliers |
undated |
16 | Assorted Films and Television Shows |
undated |
Series XII. Scripts, Manuscripts, Outlines, Story Treatments, Synopses, Prospectuses, and SummariesReturn to Top
Container(s) | Description | |
---|---|---|
Box | ||
“Athens: Private Eyeful”/“Honolulu: Private Eyeful”/“Copenhagen: Jane, Sally, Tom/Etc.” |
||
Box | ||
16 | First Draft Script “Copenhagen: Jane, Sally, Tom/Etc.” by Susanne and Albert Zugsmith “Designed for a Feature Film for both Theatres and Television and as a Pilot for a TV Series.”
|
undated |
16 | Third Draft Script “Honolulu: Private Eyeful” by Susanne and Albert Zugsmith “Designed for a Feature Film for both Theatres and Television and as a Pilot for a TV Series.” “There are some adult scenes in this script that are designed for the theatrical film and are not intended for use in the television version of the film.”
|
undated |
16 | Fourth Draft Script “Athens: Private Eyeful” by Susanne and Albert Zugsmith “Designed for a Feature Film for both Theatres and Television and as a Pilot for a TV Series.” “There are some adult scenes in this script that are designed for the theatrical film and are not intended for use in the television version of the film.”
|
undated |
16 | “Bat Masterson” – episode “The Prescott Campaign” by Ellis Kadison |
1960 |
16 | “The Battle for Earth” by Arthur Orloff |
1956 |
16 | “Beach Bum” |
undated |
“The Beat Generation” |
||
Box | ||
16 | Complete – “Subject: Taboo” by Lawrence Roman |
1958 |
16 | Incomplete by Richard Matheson and Lewis Meltzer |
1958 |
16 | Notes for Rewrite – “Beat and Naked Generation” by Lewis Meltzer |
1958 |
17 | Script – “Subject: Taboo” by Richard Matheson |
1958 |
17 | Temporary Incomplete – “Subject: Taboo” by Richard Matheson |
1958 |
“The Big Operator” |
||
Box | ||
17 | “I Was Kidnapped!” (Incomplete) by Robert Smith |
1958 |
17 | “Kidnapped”/“I Was Kidnapped” by Robert Smith |
1958 |
17 | “Black Power!” by Louis Jackson |
undated |
17 | “The Bob Cummings Show” – episode “Bob and the Pediatrician” by Paul Henning and Dick Wesson Includes a Call Sheet and Shooting Schedule for another episode of the series, as well as a handwritten note.
|
1959 |
17 | “The Bog People” (Tom McGowan Productions) Includes as an insert “‘The Bog People’ – Theme.”
|
1976 |
17 | “Business is Good” by Carl Thomas Manuscript and partial screenplay. Includes a handwritten note to Zugsmith from Thomas.
|
undated |
17 | “The Case of Adolf Witch or ‘Witch Adolf Hitler’” by Robert Hill |
undated |
17 | “Chaucer’s ‘The Canterbury Tales’” by Robert Hill |
undated |
17 | “Child from the Stars” by Thad Swift, Budd Bankson, and Charles Nuetzel |
1979 |
17 | “Children of the Corn” by Stephen King (Second Draft Revised – photocopy) |
1980 |
“Chinatown” by Robert Towne |
||
Box | ||
17 | Script (photocopy) |
undated |
17 | Third Draft (photocopy) |
1973 |
“The Chinese Room” by Zugsmith |
||
Box | ||
17 | Script |
1966 |
17 | Script – Adapted for Mexico |
undated |
17 | “Cloud Cover” by William Maron Includes a letter to Zugsmith from Maron with multiple copies of a synopsis of the story. Also includes a clipping about a short film made by Maron.
|
1964, undated |
17 | “Come the Revolution” by Robert Hill |
undated |
“Confessions of an Opium Eater” |
||
Box | ||
17 | Script by Robert Hill |
1961 |
17 | Script by Seton I. Miller and Robert Hill |
1961 |
17 | Script |
undated |
“Conquest and Desire” by Robert Smith |
||
Box | ||
17 | First Draft “The story of the Cid.” A note on the cover says, “Original from which Conquest & Desire rewrite was made.”
|
undated |
18 | Final Screenplay |
undated |
18 | Partial Script |
undated |
18 | Script |
undated |
“The Crocodile Kiss” by Robert Hill |
||
Box | ||
18 | First Draft Screenplays “Original story by Albert Zugsmith.”
|
1957 |
18 | Treatment |
1957 |
18 | “Crosstown” by George Zuckerman Based on Zuckerman’s “Cosmopolitan Magazine” novelette, which was adapted in 1953 as “99 River Street.”
|
undated |
“Cry Hard, Cry Fast” Based on the novel of the same name by John D. MacDonald.
|
||
Box | ||
18 | First Draft Screenplay by Gil Doud |
1956 |
18 | Final Screenplay by Robert Hill |
1956 |
18 | “The Cult” by Robert Hill Includes the following notes on the cover: (1) “Hippie Murders”; (2) “Manson Murders.”
|
undated |
18 | “Das Licht der Liebe”/“The Light of Love” Synopsis of a German film that featured actor Paula Wessely.
|
undated |
18 | “The Decameron” Includes a breakdown of stories (“The First Day – first through tenth ‘novells’”; “The Second Day – first through seventh ‘novells.’”). Also includes a clipping from “Playboy” – “Madame Filippa’s Defense,” adapted from “The Decameron” by Blake Jackson.
|
undated |
18 | “Deep Water, Yellow Gold” by Chauncey Monroe Barrymore Includes copies of three letters regarding Mickey Rooney’s interest in the script. Also Includes as inserts photos and resumes of Barrymore and Janet Claire Barrymore.
|
1976-1979 |
“Denise”/“The Revenge of Denise” by Edwin D. Krell |
||
Box | ||
18 | Script |
1979 |
18 | Script |
1981 |
18 | Assorted |
1981, undated |
18 | “The Diktat” by Maurice Boerez |
undated |
18 | “Dondi Goes to the Moon” by Gus Edson |
1960 |
18 | “The Double Helix” by Harry Wiland |
undated |
18 | “Elfego Baca” Script pages from two episodes of the show, which was part of the TV series “The Magical World of Disney.”
|
1958 |
18 | “The Emperor Jones” From the play by Eugene O’Neill.
|
1956, undated |
18 | “Empty Hands” by Joe Hyams and Pat Strong |
undated |
19 | “The Fabulous and Astounding Adventures of Baron Munchausen” by Zugsmith and Robert Hill |
1958 |
"Fanny Hill" |
||
Box | ||
19 | Characters and Script Pages |
undated |
19 | Dialogue by Reel |
undated |
19 | Dialogue Script by Robert Hill |
1964 |
19 | Play by Zugsmith (3-ring notebook) |
undated |
19 | Script by Robert Hill (bound volume) Includes handwritten revisions.
|
undated |
19 | Script with handwritten revisions and correspondence |
1964, undated |
19 | “The Fantastic Shrinking Girl” by Richard Matheson |
1956 |
“Female on the Beach” |
||
Box | ||
19 | Play “Beseiged [sic] Heart” by Robert Hill The basis for the film.
|
undated |
19 | Revised Final Screenplay by Robert Hill |
1954 |
19 | Script “Female of the Town” by Robert Hill |
undated |
20 | Second Revised Final Screenplay by Robert Hill |
1954-1955 |
20 | “The 4th Caper” by Hal Marshall |
1980 |
20 | “Frawley at the Executive Level” by M.L. Batchelder |
undated |
20 | “Geständnis einer Sechzehnjährigen”/“Confession of a Sixteen Year Old Girl” Synopsis of a German film.
|
undated |
20 | “The Girl in the Kremlin” (“Stalin is Alive!”) |
1957 |
“Girl of the South Pacific” |
||
Box | ||
20 | Script by Robert Hill |
undated |
20 | Synopsis “Girls of the South Pacific” (Universal Story Department) |
1954 |
20 | “The Goat Man” by Bart Burns |
1955 |
20 | “Great Day for Camping” “A treatment for a motion picture by Harry Essex & Albert Zugsmith.”
|
1981 |
“The Great Space Adventure” |
||
Box | ||
20 | “The Great Green Og” by Robert Smith |
undated |
20 | “The Missing Link” by Robert Hill |
1956 |
20 | Script “The Naked World” by Robert Smith |
undated |
20 | Synopsis “The Naked World” by Robert Smith |
undated |
20 | “Gunpowder” by Robert Smith |
undated |
20 | “High School Confidential” by Lewis Meltzer |
1958 |
“House Party” |
||
Box | ||
20 | First Draft Screenplay by Robert Hill |
1955 |
20 | Revised Treatment by Robert Hill |
1955 |
20 | Treatment by Warren Duff |
1956 |
20 | Treatments-Synopses by Lewis Clay |
1954 |
20 | “Howard Hughes – Frozen – Kidnapped – Alive!” by Alfred and Vickie Golden |
1976 |
“How to Break into the Movies” |
||
Box | ||
20 | First Draft Screenplay by Hal Biller and Austin Kalish |
undated |
20 | Paperback Book by Zugsmith |
1963 |
20 | Script by Hal Biller and Austin Kalish “Typed yellow, from which 1st draft Multilith was typed. Multilith script is dated Nov. 12, 1959.” Includes handwritten revisions.
|
undated |
20 | Story Synopsis by Hal Kanter |
1958, undated |
20 | By Robert Hill |
1958 |
21 | By Sid Kuller and Zugsmith “Lyrics by Sid Kuller. Music by Lyn Murray & Jeff Alexander.”
|
undated |
21 | By Robert Smith |
1957 |
21 | Assorted Pages |
1957 |
“How to Live Joyously to 125” |
||
Box | ||
21 | Drafts of Chapters |
undated |
21 | Manuscript In an orange notebook labeled “How to Live Joyously to 125 and Get Shot by a Jealous Husband or Wife – by Dr. Vance O’Day as told to Susanne and Albert Zugsmith.”
|
undated |
21 | Original Notes Ina three-ring notebook labeled “How to Live Joyously to 125.”
|
undated |
21 | Synopsis by Vance O’Day as told to Susanne and Albert Zugsmith |
undated |
21 | Assorted |
undated |
21 | “Ich unde Meine Frau”/“I and My Wife” Synopsis of a German film that featured actor Paula Wessely.
|
undated |
21 | “The Immortalists” by Alvin Steinberg Includes as inserts a letter from Steinberg to Zugsmith, a photocopy of an article titled “Physics and Life Prolongation” by Gerald Feinberg, a photocopy of a letter to Steinberg from R.C.W. Ettinger, president of the Cryonics Association, and a list of major characters in the script.
|
1980 |
21 | “The Incredible Sex Revolution” by Zugsmith |
undated |
“The Incredible Shrinking Man” |
||
Box | ||
21 | Final Screenplay |
1956 |
21 | First Draft Screenplay by Richard Matheson |
1956 |
21 | Step Outline by Richard Matheson |
1955 |
21 | Synopsis of Richard Matheson’s novel by Eve Wasserman Includes a short “foreword” by Raymond Crossett.
|
1955 |
Individual Scenes |
||
Box | ||
22 | A-B “Another Part of the Forest,” “All Fall Down,” “Baby Doll,” “Bahama Passage,” “Battle of Angels,” “Bell, Book, and Candle,” “The Big Knife,” “The Big Sleep,” “Born Yesterday,” “Boy Meets Girl,” and “Bus Stop.”
|
undated |
22 | C-G “The Caine Mutiny,” “Camino Real,” “The Case of Lela Cade,” “Cat on a Hot Tin Roof,” “The Chrysanthemums,” “The Children’s Hour,” “A Clearing in the Woods,” “Detective Story,” “Double Indemnity,” “Fallen Angel,” “Franny and Zooey,” “The Girl on the Baggage Truck,” “Golden Boy,” “Goodbye, Columbus,” and “The Great Magoo.”
|
undated |
22 | H-O “His Girl Friday,” “I am a Camera,” “The Lady’s Not for Burning,” “A Letter to Three Wives,” “The Long Goodbye,” “Machinal,” “Night unto Night,” “Not Too Narrow,” “Not Too Deep,” “Of Mice and Men,” “Once in a Lifetime,” “One Touch of Venus,” and “Orpheus Descending.”
|
undated |
22 | P-T “The Palm Beach Story,” “Personal Appearance,” “The Postman Always Rings Twice,” “The Pure in Heart,” “Rear Window,” “Remains to be Seen,” “Requiem for a Heavyweight,” “The Skin of Our Teeth,” “Some Day I’ll Go,” “Spring Song,” “Sullivan’s Travels,” “Summer and Smoke,” and “To Have and Have Not.”
|
undated |
22 | “Introducing Suzie”/“The Activist” by Monroe Manning, Mickey Rooney, and John Myhers “Story by Mickey Rooney.”
|
undated |
22 | “The Isle of Widows” “A film by Iwe Ribic. German script: Wolf Neumeister.”
|
undated |
22 | “Jedermann”/“Everyman” Synopsis of a German film that featured actor Paula Wessely.
|
undated |
22 | “The Joker is Wild” by Oscar Saul and William Bowers (first 53 pages only) |
1956 |
22 | “The Klan Rides Again!” by Zugsmith and Douglas J. Nesbitt |
undated |
22 | “The Longest Shot” by Clinton Bebell and Christopher French Includes as inserts two copies of “a treatment for a film by Albert Zugsmith based upon the novel.”
|
undated |
22 | “The Loved and the Lonely” by Harry Essex and Peter Packer |
undated |
“Love Tahitian Style”/“Girl on the Road” |
||
Box | ||
22 | Scripts by Zugsmith and Robert Hill – with handwritten revisions |
undated |
22 | Script by Zugsmith and Robert Hill – with handwritten revisions to cast of characters |
undated |
22 | Script “Girl on the Road” Includes as an insert a page of handwritten notes.
|
undated |
23 | Scripts with revisions In a three-ring notebook. Includes correspondence from Hill to Zugsmith.
|
1973-1974, undated |
23 | “Lulu”/“No Orchids for Lulu” Synopsis of a German film based on two plays – “Erdgeist” (“Earth Spirit”) and “Die Büchse der Pandora” (“Pandora’s Box”) – by Frank Wedekind.
|
undated |
23 | “Madame M – The Lady of the World” “Based on the novel ‘Madame M’ by Irwin H. Aglas.”
|
undated |
23 | “Magnum Thrust” by R. Jon Emr |
1980 |
“Man in the Shadow” |
||
Box | ||
23 | Final Screenplay “Pay the Devil” by Gene L. Coon |
1956 |
23 | Step Outline “Pay the Devil” by Gene L. Coon |
1956 |
“The Man Who Grew Younger” |
||
Box | ||
23 | Complete by Oscar Brodney |
1957 |
23 | Incomplete by Oscar Brodney |
1957 |
23 | Outline “The Impossible Adventures of Jason James” or “The Man Who Grew Younger” by Zugsmith |
undated |
23 | Script Changes |
1957 |
23 | Script “The Man Who Lived Forever” by Robert Hill |
1957 |
23 | Script “The Man Who Lived Forever” by Robert Hill (three-ring notebook) |
1957 |
23 | Script “The Man Who Grew Younger” by Robert Hill |
1957 |
24 | Script “The Man Who Grew Younger or How a Blonde Changed My Life” by Robert Hill |
undated |
24 | Script “The Man Who Grew Younger or How a Blonde Changed My Life” – with handwritten revisions |
undated |
24 | Story Treatment by Oscar Brodney |
1957 |
24 | “Maria Theresia” Synopsis of a German film that featured actor Paula Wessely.
|
undated |
24 | “Mark Twain’s Adam and Eve – The First Love Story of Mankind” A summary, from the Universal-International Pictures Story Department, of a screenplay by Aben Kandel.
|
1955 |
24 | “The Maze” by Robert Hill |
1957 |
24 | “Miracle of the Fishes”/“The Velvet Lash” by John Fante |
1955 |
24 | “The Mist” by Dennis Etchison Based on the novella by Stephen King.
|
undated |
“Money, Women, and Guns” |
||
Box | ||
24 | First Draft Screenplay “Money, Women, and Dreams” by George Zuckerman |
1955 |
24 | Manuscript “Round-Up” by Robert Blees and Harry Essex Includes a “legal comparison” of “Round-Up” with the 1932 film “If I Had a Million.”
|
1955, undated |
24 | Step Outlines “Money, Women and Dreams” by George Zuckerman |
1955 |
24 | Treatment “Money, Women, and Dreams” by George Zuckerman |
1955 |
24 | Assorted Includes a synopsis, by Francis A. Cassidy, of the story “Round-Up,” a memo to Zugsmith from Essex and Blees, and a “Basic Line.” Zugsmith did not produce the 1958 film, and the only writer credited on the film is Montgomery Pittman.
|
1955, undated |
24 | “Monogamy Anonymous” by Zugsmith and J.R. Conroy “Based on ‘The Great Saugus Divorce Case’ by J.R. Conroy.”
|
undated |
“Movie Star, American Style” |
||
Box | ||
24 | Script by Zugsmith and Graham Lee Mahin “Based on a story by Albert Zugsmith.”
|
undated |
25 | Script Continuity |
1966 |
25 | “Network” by Paddy Chayefsky (photocopy) |
undated |
“Night of the Quarter Moon” |
||
Box | ||
25 | Novel by Franklin Coen (three-ring notebook) |
undated |
25 | Script Revisions |
1957 |
25 | Story Treatment |
1958 |
25 | “Nostalgia Never Hangs Its Hat” by Herb Rose |
undated |
25 | “Nymphet” by Robert Smith |
undated |
25 | “The Old Man” by Eve Kaufman and Peter Kassan (photocopy) Probably inspired by the life of Aristotle Onassis.
|
undated |
25 | “Once They Were Young” by Lewis Clay “Based on a story by Albert Zugsmith.”
|
1955 |
25 | “One Wife is Enough” by Lawrence Roman |
1957 |
“Only the Second Richest Man in the World” |
||
Box | ||
25 | Chapters 3-5 |
undated |
39 | Manuscript “The Human Bestiary or The Naked Generation” In a three-ring notebook labeled “Naked Generation.” Includes handwritten revisions.
|
undated |
39 | Manuscript “A Lion for the Human Zoo” In a three-ring notebook labeled “Old Pages Generation.” Includes handwritten revisions.
|
undated |
35 | Manuscript “Only the Second Richest Man in the World” by Zugsmith and Allen Elgart (six copies) |
undated |
“Pacific Run” |
||
Box | ||
25 | Script by Aben Kandel and Herbert Kline |
undated |
25 | Suggested Step Outline |
1955 |
25 | “Paris Model” by Robert Smith (three-ring notebook) |
1953 |
25 | “The President’s Boy Friend” by Zugsmith and Robert Jackson Hill “Based on the original stories by Albert Zugsmith and the novels ‘The President’s Boy Friend’ and ‘The President’s Girl Friend’ by Albert Zugsmith and Robert Jackson Hill.”
|
1982 |
26 | “The President’s Boy Friend” by Zugsmith and Robert Jackson Hill “Based on the original stories by Albert Zugsmith and the novels ‘The President’s Boy Friend’ and ‘The President’s Girl Friend’ by Albert Zugsmith and Robert Jackson Hill.” Two copies - one is in a three-ring notebook, and the other is in a bound notebook.
|
1982 |
“The President’s Girl Friend” |
||
Box | ||
26 | List and Descriptions of Characters by Zugsmith and Robert Jackson Hill, undated [Box 26] |
|
36 | Manuscript by Zugsmith and Robert Jackson Hill (three copies) |
1972 |
36 | Manuscript by Zugsmith and Robert Jackson Hill In two three-ring notebooks labeled “The President’s Girl Friend – Manuscript” and “President Girlfriend.”
|
undated |
37 | Manuscript with handwritten revisions by Zugsmith In a three-ring notebook labeled “Girl Friend Old Pages 2.”
|
undated |
37 | Manuscript In a three-ring notebook labeled “Girl Friend.”
|
1972, undated |
37 | Notes In a three-ring notebook labeled “Girl Friend – Notes.”
|
1971-1972, undated |
26 | Pages with Handwritten Revisions |
undated |
26 | Synopsis by Zugsmith and Robert Jackson Hill |
undated |
“The President’s Wife” |
||
Box | ||
37 | Chapters 1 and 2 In a three-ring notebook labeled “End of the World - Novel.”
|
undated |
38 | Assorted In a three-ring notebook labeled “Wife Treatment.”
|
1971, undated |
38 | Assorted In a three-ring notebook labeled “Wife 2.”
|
1971, undated |
38 | Assorted In a three-ring notebook labeled “The President’s Wife Invites You to the End of the World – You Won’t Be Able to Stay Away – Script.”
|
1972, undated |
38 | Assorted In a three-ring notebook labeled “President’s Wife – Zuggy."
|
undated |
39 | Assorted In a three-ring notebook labeled “Wife-Characters-Old Pages.”
|
undated |
“The Private Eye or Blue Diamond, Private Eye”/“The Hippie Murder Case” |
||
Box | ||
26 | Treatment |
1967 |
26 | Assorted |
1968, undated |
26 | “The Private Lives of Adam and Eve” by Robert Hill |
1959 |
26 | Proposed Projects |
1967-1972, undated |
26 | “The Pro’s?” by Wesdon Bishop |
1967 |
26 | “Pursuit” – episode “Calculated Risk” by Dick Berg |
1958 |
“Rapine!” |
||
Box | ||
26 | First Draft Screenplay by Zugsmith and Ika Panayotovic “Based on a treatment for the screen by Ika Panayotovic.” “This is based on a true event which took place in Kragujevac during the German occupation of Yugoslavia in World War II. We call our Kragujevac by the fictitious name of Breg.”
|
undated |
27 | First Draft Screenplay by Zugsmith and Ika Panayotovic “Based on a treatment for the screen by Ika Panayotovic.” “This is based on a true event which took place in Kragujevac during the German occupation of Yugoslavia in World War II. We call our Kragujevac by the fictitious name of Breg.”
|
undated |
27 | Treatment “Rapine at Sunrise” by Ika Panayotovic “A treatment for a film based on a true event which took place in Kragujevac during the occupation in World War II.”
|
undated |
27 | “Raw Edge” by Harry Essex and Robert Hill |
1955 |
27 | “Report on Swinging” |
undated |
27 | “The Richest Man in the World” by Ian Shand |
undated |
27 | “Riverboat” – episode “Jessie Quinn” by Tom Seller (cover only) |
1959 |
27 | “Sappho Darling” |
undated |
27 | “77 Sunset Strip” – episode “Return to San Dede: ‘Capital City’” by Montgomery Pittman |
1960 |
27 | “Sex Laboratory”/“The Fantastic, Unbelievable Incredible Love Machine” by Albert Zugsmith |
undated |
27 | “Slaughter in Harlem” by Zugsmith |
1971 |
“Slaughter on Tenth Avenue” |
||
Box | ||
27 | First Draft Screenplay “The Man Who Rocked the Boat” by Lawrence Roman |
1956 |
27 | Second Revised Final Screenplay by Lawrence Roman |
1957 |
27 | Step Outline “The Man Who Rocked the Boat” by Lawrence Roman |
1956 |
27 | “Smilin’ Jack” by Don George and Don Manning Script for an episode of a proposed TV series (“created especially for Rex Barton”) based on the comic strip by Zack Mosley. Also includes a letter to Zugsmith (referred to as “Alfred Zucksmith”) from Rex Barton and a music score for the song “Smilin’ Jack” by Dr. R.A. Winters.
|
1965, undated |
27 | “Sneak Preview (Teen Age Gang) (Girl Gang)” by Zugsmith and Robert Hill |
undated |
27 | “The Snuff Out Murders”/“The Equalizers”/“Eyeful” Includes a step outline, memos with script suggestions, and revised script pages.
|
1976, undated |
27 | “Sons of the Gun” by Michael Kraike and Mickey Rooney “From an original story by Mickey Rooney.”
|
undated |
“South of the Sun”/“Hot Wind in Acapulco” Based on the novel “South of the Sun” by Wade Miller, a pseudonym for Robert Allison Wade and H. Bill Miller, who wrote the novel “Badge of Evil,” which was adapted as “Touch of Evil” and produced by Zugsmith.
|
||
Box | ||
27 | Scripts by Robert Hill |
1957 |
27 | Step Outline by Robert Hill |
1957 |
27 | Treatment by Zugsmith |
1954 |
27 | “Space Girls” by Robert Hill “Based on an original story by Albert Zugsmith.”
|
undated |
28 | “Space Girls” by Robert Hill “Based on an original story by Albert Zugsmith.”
|
undated |
28 | “The Square Jungle” by Richard Alan Simmons |
1955 |
28 | “Stranger in a Strange Land” A photocopy of a Columbia Pictures Corporation summary of the novel by Robert A. Heinlein.
|
1961 |
“Street Girl” |
||
Box | ||
28 | “The Girl on the Sunset Strip aka Street Girl” by Zugsmith |
undated |
28 | “Street Girl – The Psychology of a Prostitute” by Zugsmith and Suzanne Suzan |
undated |
39 | Assorted In a three-ring notebook labeled “Street Girl – Old Pages.”
|
undated |
28 | “Street without End” – Suggestion for Remake/Synopsis (photocopy) |
undated |
28 | “Summer Wind” – Outline |
1985 |
“Swingers’ Report” |
||
Box | ||
28 | “Bob and Geri” |
1974, undated |
28 | “Conversation about Swinging” |
undated |
28 | Synopsis by Zugsmith |
undated |
28 | Assorted Includes handwritten notes, short manuscripts, correspondence, and clippings, fliers, and publications about “swinging.”
|
1972-1974, undated |
28 | “Swing High, Swing Low”/“Swingers” |
undated |
28 | “Tahiti”/“The Advocate”/“Seven Tahitian Wives”/“The Seven Brides of Tahiti”/“Seven Riviera Brides” by Zugsmith |
undated |
28 | “The Tarnished Angels” (“Pylon”) by George Zuckerman (photocopy) |
1956 |
“The Tattered Dress” |
||
Box | ||
28 | Final Screenplay by George Zuckerman Includes a note on a character’s name change and a list of actors’ salaries.
|
1956 |
28 | First Draft Screenplay by George Zuckerman |
1956 |
28 | “Theodorus” by Peter Muller Probably inspired by the life of Aristotle Onassis.
|
undated |
28 | “These Steps Lead Down” by Jane Doe |
undated |
“This Rebel Generation”/“Nymphet – The Eager Young Girl” |
||
Box | ||
28 | “Baby Sex” by Robert Hill |
1959 |
29 | Script “Nymphet – The Eager Young Girl” by Robert Hill and Zugsmith |
1959 |
29 | Temporary Complete Script “The Eager Young Girl” by Robert Hill |
1959 |
29 | Temporary Incomplete Script “The Eager Young Girl” by Robert Hill |
1959 |
29 | Temporary Incomplete Script “This Rebel Generation” by Lewis Meltzer |
1959 |
29 | “Threesome” as modified by Robert Hill and Zugsmith |
undated |
“Tom Jones Rides Again” |
||
Box | ||
29 | Script “Tom Jones & Fanny Hill Ride Again!” by Robert Hill Labeled as “a musical comedy.”
|
undated |
29 | Script “Tom Jones in Memoirs of a Coxcomb with Fanny Hill” by Robert Hill |
undated |
29 | Script “Tom Jones is not Lady Chaterby’s Lover Cries St. James Bond as Fanny Hill Rides Again!” by Robert Hill |
undated |
29 | Script “Tom Jones is not Lady Chaterby’s Lover Cries St. James Bond as Fanny Hill Rides Again!” by Robert Hill – with handwritten revisions |
undated |
29 | Script “Tom Jones is not Lady Chaterby’s Lover Cries St. James Bond as Fanny Hill Rides Again!” by Robert Hill – German-Language |
undated |
29 | Script “Tom Jones Rides Again” by Robert Hill |
undated |
29 | Script “Tom Jones Rides Again!!” by Robert Hill and Zugsmith Two copies, each with handwritten revisions.
|
undated |
Script “Tom Jones Rides Again!!!” by Robert Hill and Zugsmith Two copies, each with handwritten revisions.
|
undated | |
29 | “Touch of Evil” – First Draft Screenplay “Badge of Evil” by Paul Monash (3-ring notebook) |
1956 |
30 | “The Trail of Tears” by Wesdon Bishop |
undated |
30 | “The Trouble Shooters” by Sprague Vonier “A series of 26 high adventure action-suspense stories.”
|
undated |
30 | “Two Hours from L.A.” by Ian Shand “An original treatment for a 90 minute screenplay for cinema or T.V.”
|
undated |
30 | “The Umbra”/“Ghost Detective”/“Ghost Private Eyeful,” by Zugsmith and Robert Jackson Hill “A treatment for a modern feature film and television series.” Alternate titles: “I Never Woke Up,” “The Ghost Returns,” “The Ghost Comes Back,” “Revenge of the Ghost,” “The Ghost Avenger,” “The Ghost Walks,” “No, Honey, There’s No Such Thing as a Ghost,” “Don’t Be Scared, There’s No Such Thing as a Ghost,” and “But I Don’t Believe in Ghosts.”
|
1972 |
30 | “Unter Achtzehn”/“Under Eighteen” Synopsis of a German film that featured actor Paula Wessely.
|
undated |
“The Unvanquished” Based on the novel of the same name by William Faulkner.
|
||
Box | ||
30 | Complete (# 5) A memo, from “The Gielguds” to Zugsmith, with a detailed “story line.”
|
1957 |
30 | Photocopy |
1958 |
30 | Script by Robert Wilder (# 71) |
1957 |
30 | Temporary Complete by Robert Wilder and Franklin Coen (four copies – ## 12, 13, 15, and 77) |
1958 |
30 | Temporary Complete by Sidney Howard (# 4323) |
1938 |
30 | Temporary Complete (# 68) |
1957-1958 |
30 | Temporary Complete (# 4323) |
undated |
30 | Temporary Incomplete (# 1) |
1957-1958 |
30 | Temporary Incomplete (# 2) |
1957-1958 |
30 | Temporary Incomplete by Franklin Coen (photocopy) (# 1) |
1958 |
30 | Temporary Incomplete by Robert Wilder and Franklin Coen (# 3) |
1958 |
30 | “The Verdict is Your” – episode “Irwin vs. Merritt” Includes a list of script changes and a cast list.
|
1960, undated |
30 | “The Very Friendly Neighbors” by Zugsmith |
undated |
“Violated!” |
||
Box | ||
30 | Script “The Rapist!” by William Maron and Zugsmith – with handwritten notes and revisions |
undated |
31 | Script “The Rapist” by William Maron and Zugsmith – with handwritten revisions |
undated |
31 | Script “The Rapist” by William Maron and Zugsmith – with handwritten revisions |
undated |
31 | Script “The Rapist” by Zugsmith and William Maron – with handwritten revisions |
undated |
31 | Script “The Rapist” by Zugsmith and William Maron – with handwritten revisions |
undated |
31 | “The Visitor” by Carl Randau and Leane Zugsmith |
undated |
“Voyage to Lilliput” |
||
Box | ||
31 | First Draft Screenplay by Richard Matheson “Original screen story by Richard Matheson and Albert Zugsmith.”
|
1956 |
31 | Step Outlines by Richard Matheson |
1956 |
31 | Treatment by Richard Matheson |
1957 |
31 | Treatment Number One “Gulliver’s Travels” by Richard Matheson “Original screen story by Richard Matheson and Albert Zugsmith.”
|
1957 |
31 | “The Way We Are” by Robert Jackson Hill |
undated |
31 | “Weg in die Vergangenheit”/“Return to the Past” Synopsis of a German film that featured actor Paula Wessely.
|
undated |
31 | “The Wild and the Wicked” by Robert Wilder and Zugsmith Based on the novel “Walk with Evil” by Robert Wilder.
|
undated |
31 | “Written on the Wind” by George Zuckerman (photocopy) |
1955 |
31 | “The Young Detectives” by William Maron |
1965 |
32 | “The Young Detectives” by William Maron |
1965 |
32 | “Young Man with a Gun” by Robert Smith |
undated |
32 | Unidentified |
undated |
Series XIII. AssortedReturn to Top
Container(s) | Description | |
---|---|---|
Box | ||
32 | Valerie Allen Two notebooks with handwritten notes and script pages as inserts. Allen was in the Talent Department at Paramount Studios.
|
1957, undated |
32 | “Bitsy” by Ray Bailey Comic-strip artwork.
|
undated |
32 | Business cards |
undated |
32 |
George Cvek– transcript of direct examination and cross-examination of |
undated |
32 | Forward Book “Submitted to Universal-International of possible motion pictures for Albert Zugsmith to produce.”
|
1954 |
32 | Notes – Film Projects In a three-ring notebook labeled “Scripts.” Includes notes on “Confessions of an Opium Eater,” “Dondi Goes to the Moon,” “Bitty,” “Carnival Kid,” “The Fabulous and Astounding Adventures of Baron Munchausen,” “Hot Sands (Wind) in Acapulco,” “How to Break into the Movies,” “Life Guard,” “1,000,000 Pushcart”/“The Million Dollar Pushcart”/“Walk with Evil,” “One Wife is Enough,” “Eager Young Girl”/“This Rebel Generation,” “The Unvanquished,” “The Man Who Lived Forever”/“The Man Who Grew Younger,” “Conquest and Desire,” “Space Girls,” “Teen Age Girls,” “The Naked World”/“The Missing Link,” “Pacific Run”/“Girls of the South Seas”/“Girls of the South Pacific”/“Honolulu,” “The Road to Guadalupe,” “H-Day,” “Nymphet”/“A School for Girls,” and “Dondi Goes Native in Brooklyn.” Also includes some correspondence.
|
1957-1961, undated |
32 | Resumes |
1965-1967, undated |
32 | Ticket – Film “The Diary of Anne Frank” – Invitational Premiere – Egyptian Theatre (Los Angeles, CA) |
1959 |
Series XIV. Documents related to the donation of the collection to the American Heritage CenterReturn to Top
Container(s) | Description | |
---|---|---|
Box | ||
Collection Appraisal Forms (bound volumes) |
||
Box | ||
Correspondence & Documents |
||
Box | ||
32 | 1 of 3 |
undated |
32 | 2 of 3 |
undated |
32 | 3 of 3 |
undated |
32 | Library |
undated |
Manuscripts |
||
Box | ||
32 | 1 of 5 |
undated |
32 | 2 of 5 |
undated |
32 | 3 of 5 |
undated |
32 | 4 of 5 |
undated |
33 | 5 of 5 |
undated |
33 | Photographica |
undated |
33 | Production Records |
undated |
33 | Publicity |
undated |
33 | Sound Recordings |
undated |
Subject Communications |
||
Box | ||
33 | 1 of 3 |
undated |
33 | 2 of 3 |
undated |
33 | 3 of 3 |
undated |
33 | “1985 Contributions to the University of Wyoming (Appraisals)” |
1985 |
Names and SubjectsReturn to Top
Subject Terms
- Motion picture authorship -- United States -- 20th century.
- Motion picture producers and directors -- United States -- 20th century.
- Motion pictures -- Production and direction -- United States.
- Motion pictures -- United States -- 20th century.
- Screenwriters -- United States -- 20th century.
- Television authorship -- United States -- 20th century.