Zig Jackson photographs , 1990-2009

Overview of the Collection

Pht
Jackson, Zig, 1957-
Title
Zig Jackson photographs
Dates
1990-2009 (inclusive)
Quantity
1.5 linear feet, (1 container)  :  1 (18 x 13") flat box
Collection Number
PH 401
Summary
Zig Jackson (b.1957- ) is a Native artist and photographer who grew up on the Fort Berthold Indian Reservation in North Dakota. An enrolled member of the Three Affiliated Tribes—Mandan, Hidatsa, and Arikara, Jackson currently teaches at the Savannah College of Art and Design (SCAD) in Georgia. His work has been widely exhibited and published. This collection (1990-2009) contains 89 black and white prints taken at Indian reservations and other regions across the United States. The prints feature documentary photography of contemporary Native American communities and events, and offer commentary on Indian identity, land rights, sovereignty, representation, and tribal traditions.
Repository
University of Oregon Libraries, Special Collections and University Archives
UO Libraries--SCUA
1299 University of Oregon
Eugene OR
97403-1299
Telephone: 5413463068
spcarref@uoregon.edu
Access Restrictions

Collection must be used in Special Collections and University Archives Reading Room.

Collection or parts of collection may be stored offsite. Please contact Special Collections and University Archives in advance of your visit to allow for transportation time.

Additional Reference Guides

See the Current Collection Guide for detailed description and requesting options.

Languages
English

Historical NoteReturn to Top

Zig Jackson (b.1957- ) is an artist and photographer teaching at the Savannah College of Art and Design (SCAD) in Georgia. An enrolled member of the Three Affiliated Tribes—Mandan, Hidatsa, and Arikara, he grew up on the Fort Berthold Indian Reservation in North Dakota. He holds a B.S. in education from Northeastern Oklahoma State University and M.F.A. in photography from the San Francisco Art Institute.

In addition to SCAD, Jackson has taught photography at the Institute of American Indian Arts (IAIA), Santa Fe; San Francisco State University; and the University of California, Davis. His work has been shown throughout the U.S. and abroad and is represented in public and private collections, including those of the Jonson Gallery (University of New Mexico), IAIA, the Museum of Contemporary Photography, the Joslyn Art Museum, SF MoMA, and SCAD. In 2004, Jackson became the first Native American to be represented in the collection of the National Library of Congress—as artist rather than subject—when the Prints and Photographs Division acquired a number of his images.

As an indigenous artist, Jackson uses photography to document the ever-changing landscape of contemporary Native America—from city to reservation to casino to oil country—and deconstruct the common myths and misconceptions that persist to the present day. Although people are inundated with images of Native Americans in the media and consumer society, Jackson observes that Indians still remain a mystery to mainstream America. Many continue to see Native Americans as "a people forgotten by time"—the Noble Savage," stoic warrior, buckskin-clad maiden, or all-knowing shaman. Jackson's images reveal a far different reality—one of a people in transition, at once struggling and thriving in the midst of a constantly changing technological world.

Source: Jackson, Zig. 2021. "Personal Statement." Correspondence with the University of Oregon's Special Collections and University Archives.

Content DescriptionReturn to Top

The Zig Jackson photograph collection consists of photographic prints taken during 1990-2009. Jackson's work includes portraiture and documentary photography depicting traditional indigenous culture. Images feature snapshots of contemporary Native American communities and events, and offer commentary on Indian identity, land rights, sovereignty, representation, and tribal traditions. Prints show Native American ceremonies, Indian reservations, sacred sites, lodges, monuments, tourism, souvenir booths, food stands, road signs, government buildings, and urban areas.

Bodies of work represented include prints from the following series: Entering Zig's Indian Reservation (4 prints), Veterans (3 prints), Indian Photographing Tourist Photographing Indian (10 prints), Indian Photographing Tourist Photographing Sacred Sites (3 prints), Reservation Signs (12 prints), Indian Man in San Francisco (8 prints), and Degradation (1 print). Photos were taken at Indian reservations and other regions across the United States. Examples include Crow Agency in Montana, Fort Berthold Reservation in North Dakota, and across states such as Arizona, Colorado, Nebraska, New Mexico, North Carolina and California, among many others.

There are 89 original black and white prints of varying sizes. Sizes include prints measuring 11 x 11" (3 prints), 10 x 8" (16 prints), and 14 x 11" (70 prints). The materials are foldered and housed in 1 flat box. The prints are grouped by image size and arranged in the original order established by the photographer. All prints include handwritten titles provided by the photographer describing the topic, location, and date for each print.

Administrative InformationReturn to Top

Detailed Description of the CollectionReturn to Top

Names and SubjectsReturn to Top

Subject Terms

  • Documentary photography
  • Indian reservations
  • Indians of North America
  • Indians of North America--Rites and ceremonies

Occupations

  • Indian photographers