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Conrad Liberman Papers, 1935-2001

Overview of the Collection

Creator
Liberman, Conrad (1922-)
Title
Conrad Liberman Papers
Dates
1935-2001 (inclusive)
Quantity
35 containers.
22 linear feet of shelf space.
Collection Number
Cage 645
Summary
Chiefly photocopies of diaries and memoirs, including sketches, drawings and printed ephemera. Also includes original personal documents, photographs, printed and unpublished manuscripts, and memorabilia relating to life and career.
Repository
Washington State University Libraries' Manuscripts, Archives, and Special Collections (MASC)
Manuscripts, Archives, and Special Collections
Terrell Library Suite 12
Pullman, WA
99164-5610
Telephone: 509-335-6691
mascref@wsu.edu
Access Restrictions

This collection is open for research use.

Languages
English
Sponsor
Funding for encoding this finding aid was provided through a grant awarded by the National Endowment for the Humanities.
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Historical Note

Conrad Liberman (born Zdzislaw-Konrad Liberman, or ZKL, literary pseudonym "Conrad Mahler") was born in Warsaw, Poland, on March 18, 1922, to David Liberman and Aniela Raszkes. The family moved to France in 1926, living in Paris until the German invasion of 1940. Liberman attended the Lycee Montaigne and the Lycee Louis-le-Grand; among his teachers were the existentialist philosopher Gabriel Marcel and the historian- and future Prime Minister of France- Georges Bidault. During the so-called "phony war" between 1939 and 1940, he undertook military preschooling with the "Escadron Francais" at the "Ecole Militaire" of Paris while also attending regular classes at the Lycee.

With the occupation of Paris in June, 1940, the family moved to Toulouse, in Vichy France. There, Liberman got his "Baccalaureat de Philosophie" and engaged in further study at the Toulouse Chemical Institute and at the Science School. The "numerus clausus," a racial law that limited the enrollment of Jewish students in Vichy France, initially hindered his entrance to various schools, but in 1942 he gained admission to the Toulouse Fine Arts School. The occupation of the "Free Zone" by the Germans on November 11, 1942, however, forced him and his family into hiding.

In December of 1942 the Libermans crossed the Pyrenees Mountains in Andorra and found refuge in Barcelona, Spain, where they resided with other refugees under police supervision until 1946. Their repeated efforts to obtain a visa to England were unsuccessful. In Spain, Liberman studied chemistry, biochemistry, and Spanish at the French Institute of Barcelona, where he earned the degree of Licence es Sciences; at the same time, he completed his preparatory work for medical school and was awarded the "Diplome de Physique-Chimie-Biologie," a pre-medical degree. He also studied painting with the British painter and photographer Oscar Lloyd.

With the defeat of Germany the family returned to France in 1946, and Liberman resumed his professional studies. After a period of practical training at a hospital at Seine-&-Marne, he was awarded a doctorate in medical science in 1951 with a thesis on the study of resistance of tubercle bacilli to antibiotics. Liberman was one of the first men in France to study the clinical use of isoniazid. He worked for a time at the Tuberculosis Department of the Pasteur Institute of Paris and wrote several scientific papers devoted to the study of tuberculosis. For this research he earned a Diploma of Microbiology. He presented papers at scientific congresses throughout the world. In 1961 he began research on the influence of tobacco on health, joining the Department of Tobacco Studies in the Institute of Scientific Cancer Research (I.R.S.C.).

In 1958 Conrad Liberman married Gisele Bouteiller, an ethnographer. Together they wrote articles on the role of tobacco in the myths and religious customs of pre-Columbian peoples. He retired in 1987. Liberman- a keen observer, talented caricaturist, and long-term diarist- immersed himself in literature and the theater, and is especially interested in cinema. His artwork and memorabilia have been exhibited in France and the United States.

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Content Description

The Conrad Liberman Papers consist chiefly of photocopies of his diaries. The collection also includes artwork, memorabilia and other material relating to his life and career. As part of an ongoing literary project, Dr. Liberman has retained most of his original diaries (including a 1935 diary in Polish). As of 1996, only four original (holograph) diaries have been deposited in Washington State University Libraries. A significant item in the collection is Liberman's paperback copy of Shakespeare's Hamlet. This text is noteworthy because of the diary entries he scribbled in its margins while he and his family crossed the border from France to Spain in December 1942. The material in the collection, chiefly in French, now dates from 1935-1996, bulking in the years 1935-1951. Some material is in shorthand.

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Use of the Collection

Preferred Citation

[Item Description]. Cage 645, Conrad Liberman Papers. Manuscripts, Archives, and Special Collections, Washington State University Libraries, Pullman, WA.

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Administrative Information

Arrangement

The papers are arranged chronologically into seven series. Series 1, Diaries 1935-1970, consists of two subseries: 1.1, Holographs, and 1.2, Photocopies. The photocopied diaries generally include Liberman's marginalia, drawings, sketches and/or accompanying documentation such as newspaper and magazine clippings, excerpts from literary texts, and reproductions of popular and fine art. This additional material serves a dual purpose: to illustrate the personal and social context in which the diaries took shape and, in some instances, to add a later gloss on an earlier theme. Some of this material duplicates items found in the following series. Series 2, Sketches and Drawings 1939-2000, consists of pictorial works that Liberman has produced throughout his life, including the sketches he made during his dramatic crossing of the Pyrenees in 1942. Series 2 is divided into three subseries: 2.1, Sketchbooks; 2.2, Photocopies; and 2.3, Exhibited works. Series 3, Published Writings, consists of three subseries: 3.1, Thesis; 3.2 Novels; and 3.3, Periodicals with Articles. Series 4, Literary Manuscripts, consists of two subseries: 4.1, Published Manuscripts, and 4.2, Unpublished Manuscripts. Series 5, Photographs, Slides, and Memorabilia, includes a concert announcement, oversize photographs, and official documents issued to Liberman by state or public institutions. Series 6, Research and Reference Material, consists of information on Libermans's papers and related subjects. Series 7, Selected Works About Conrad Liberman, includes scholarly studies which are based on his diaries and journals. Series 8: Addendum (added materials), 1954-2001, was added to the collection in 2018. It contains installments of materials donated by Conrad Liberman in 2001 and 2002 (MS-2001-01, MS-2001-10, MS-2001-12, MS-2001-20, MS-2001-22, MS-2001-24, MS-2001-25, MS-2002-04, MS-2002-09, MS-2002-14, MS-2002-16).

After several in-house discussions over the definitions of autobiography (and autobiographical writings), diaries, journals, memoirs, notebooks, chronicles, and reminiscences, the decision was made to call the material in Series 1 "diaries". This is generally how Dr. Liberman refers to these papers. Memoirs and autobiography were rejected because as texts these documents lack the polish of an edited, "finished" prose narrative that is usually associated with these literary genres. The category "journals" was seen as too broad and one that does not fully convey the sometimes "intimate" quality of these papers. Finally, the categories of reminiscences, chronicles, and notebooks was each rejected in turn as unsuitable; calling the material diaries, although not totally accurate either, was viewed as the least misleading way to describe this part of the Liberman papers. This confusion arises in part because of the unfinished quality of most of this material and because Dr. Liberman, in assembling and creating his diaries, is constantly adding miscellaneous printed and published material to supplement his own original text (sometimes many years later). In sum, the papers in Series 1 represent a work-in-progress, chiefly authored by Conrad Liberman, but including other material acquired by him in the course of assembling this collection of documents.

Note: The foliation in Series 1 and Series 4 was established by Dr. Liberman. Numerals in parentheses refer to parts of works, as indicated by him. Much of the descriptive information throughout this guide was supplied by Dr. Liberman.

Acquisition Information

The Papers of Conrad Liberman were donated to the Washington State University Libraries by Dr. Liberman.

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Detailed Description of the Collection

Names and SubjectsReturn to Top

Subject Terms

  • Popular culture--France--20th century
  • World War, 1939-1945--Personal narratives

Personal Names

  • Liberman, Conrad (1922-)--Archives
  • Liberman, Conrad, 1922---Diaries
  • Mahler, Conrad

Geographical Names

  • France--Intellectual life--20th century
  • Spain--Intellectual life--20th century

Form or Genre Terms

  • Graphite drawings. gmgpc
  • Sketchbooks. gmgpc

Occupations

  • Authors, French--20th century--Diaries
  • Authors, French--20th century--Manuscripts
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