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Annette Turngren papers, 1939-1969

Overview of the Collection

Turngren, Annette
Annette Turngren papers
1939-1969 (inclusive)
1.5 linear feet, (1 container)
Collection Number
Ax 557
Collection comprises a manuscript, art work and books associated with American writer Annette Turngren. Included is a draft manuscript of Mystery plays a golden flute. There are illustrations by Dorothy Bayley for The copper kettle, and for Flaxen braids. And there are a number of Turngren's published books, including The copper kettle; Choosing the right college; and Mystery of the water witch.
University of Oregon Libraries, Special Collections and University Archives.
UO Libraries--SPC, 1299
University of Oregon
Eugene OR
Telephone: 541-346-3068
Fax: 541-346-3485
Access Restrictions

Collection is open to the public.

Collection must be used in Special Collections & University Archives Reading Room.

Funding for encoding this finding aid was provided through a grant awarded by the National Endowment for the Humanities.

Historical NoteReturn to Top

My home when I was a child was a grain and dairy farm near Montrose, Minnesota. My parents had come from Sweden in their youth and settled there, and I was the youngest of their nine children. There were few other children in the neighborhood, but there were so many of us, and always a few cousins or family friends visiting, that we never felt lonely. We did everything together, went swimming in the muddy Crow River, skated on pasture ponds, and had a homemade tennis and volleyball court out under the trees, and on winter evenings a big kitchen table around which we all played games or did our lessons or read our books.

Though libraries were far away, books found their way into our home somehow, and a Christmas without books under the tree would have been no Christmas at all. The loft above the woodshed held a many years’ accumulation of reading matter and one of the delights of my childhood was to hide away under the dusty rafters and lose myself in some fascinating book or delve into a stack of old magazines.

Even at the age of nine, I dreamed of becoming a writer. In spite of her busy life, my mother sometimes wrote poems and sketches which were published in a Swedish magazine, and one of my sisters had begun writing stories and broken into print. I longed for the same glory, but though I filled the blank pages of my father’s discarded old ledgers with one “novel” after another, I always left them half done. Yet I was sure I was going to write books someday. No other future had any appeal for me.

When I was thirteen we moved to Minneapolis. In my senior year in high school, and after some experience on the school paper, I decided that I would become a journalist. Armed with a letter from the dean of girls, I set off for the Minneapolis Journal to offer my services to the editor, but though I walked back and forth in front of the building most of the day, I never had the courage to go in. So ended my career in journalism.

That fall I entered the University of Minnesota, where I studied to become an English teacher. Dreams of a writing career were laid aside and might never have been taken out and dusted off except for one of my instructors, who suggested I try writing for children. The more I thought about it, the more I liked the idea, mostly because I have always liked children.

During the years I was teaching, I wrote for young people’s magazines, but I never thought of attempting a book. Then one summer when I was listening to some of my mother’s recollections of her childhood in Sweden, I thought, “Why not write it down and weave it into a story?” It wasn’t until I was hard at work on Flaxen Braids, my first book, that I realized this was what I had really wanted to do ever since I was nine—write a book. Only now I was better equipped to do it.

Flaxen Braids, my mother’s story, was published in 1937. The following year I visited Sweden and there wrote a second book, The Copper Kettle, most of it on the little island of Oland where my father was born, basing the story on his childhood.

Several girls’ mysteries followed before I came to New York City to work on teen-age magazines and in a book publishing house. New York is still my home. I often return to Minnesota, and a number of my books have had that state as their setting.

Source: Wilson Biographies Plus online database

Content DescriptionReturn to Top

This collection contains material for a manuscript, a few pieces of artwork for Flaxen Braids and The Copper Kettle. Also included in the collection are several published books

Use of the CollectionReturn to Top

Restrictions on Use

Property rights reside with Special Collections & University Archives, University of Oregon Libraries. Copyright resides with the creators of the documents or their heirs. All requests for permission to publish collection materials must be submitted to Special Collections & University Archives. The reader must also obtain permission of the copyright holder.

Archival material may contain materials with sensitive or confidential information that is protected under federal and/or state right to privacy laws and other regulations.

Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. a cause of action for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the University of Oregon assumes no responsibility.

If a researcher finds sensitive personal information in a collection, please bring it to the attention of the reading room staff.

Preferred Citation

[Identification of item], Annette Turngren Papers, Ax 557, Special Collections & University Archives, University of Oregon Libraries, Eugene, Oregon.

Administrative InformationReturn to Top

Detailed Description of the CollectionReturn to Top

IllustrationsReturn to Top

Container(s) Description
Flaxen Braids and The Copper Kettle
Box Folder
1 1
7 scratchboard drawings (art by Dorothy Bayley)

ManuscriptsReturn to Top

Container(s) Description
Mystery Plays a Golden Flute, Funk and Wagnalls Company, 1969
Box Folder
1 2
Typed draft with holograph revisions 177 p.

Published BooksReturn to Top

Container(s) Description
Mystery Enters the Hospital, Funk and Wagnalls, 1965
Mystery Clouds the Canyon, Berkley Highland Edition, Funk and Wagnalls Company, 1964, 1961
Steamboat’s Coming, Longman’s Green and Co., Inc., 1955
Flaxen Braids, Penguin Books Ltd., 1945
Flaxen Braids, Prentice-Hall, Inc., 1959
Mystery Rides the River, Thomas Nelson & Sons, 1943
The Mystery of Hidden Village, Berkeley Publishing Corp., 1951
The Copper Kettle, Prentice-Hall, 1939, 1961
The Copper Kettle, Thomas Nelson & Sons, 1939
Choosing the Right College, Harper & Brothers, 1952
Mystery Plays a Golden Flute, Funk & Wagnalls Company, 1969
Mystery Enters the Hospital, Funk & Wagnalls Company Inc., 1965
Mystery Clouds the Canyon, Funk & Wagnalls Company, 1961
The Mystery of the Water Witch, Random House, 1964
Mystery Walks the Campus, Berkeley Highland Books, 1956
Mystery Walks the Campus, Funk & Wagnalls Company, 1956
Mystery Haunts the Fair, Funk & Wagnalls Company, 1959
Mystery Haunts the Fair, Nova Books Edition, 1959
The Mystery of Hidden Village, Thomas Nelson & Sons, 1951
Canyon of No Sunset, Thomas Nelson & Sons, 1942