Historic print collection , circa 1800s-1970

Overview of the Collection

Title
Historic print collection
Dates
circa 1800s-1970 (inclusive)
Quantity
18.5 linear feet, (23 containers (22 boxes; 1 oversize folder))  :  3 flat boxes (17.5" x 11.75" x 3.625"); 4 flat boxes (11.125" x 9.125" x 3.125"); 5 flat boxes (7.75" x 5.75" x 3.125"); 3 flat boxes (6.125" x 5.125" x 3.125"); 3 flat boxes (8" x 6.125" x 4.625"); 1 flat box (12.75" x 9.5" x 3.25"); 1 flat box (24.75" x 20.75" x 3.25")
0.2 unprocessed linear feet, (2 folders)
Collection Number
PH 200
Summary
The Historic print collection is an artificial collection created to highlight photographic processes. The collection is composed of daguerreotypes, cyanotypes, ambrotypes, tintypes, albumen prints, silver gelatin prints, color prints, negatives, and artwork. The photographs depict a wide variety of subjects, although the bulk of the collection depicts locations, people, and various events in the Pacific Northwest. Photographs of other locations across the United States are also present.
Repository
University of Oregon Libraries, Special Collections and University Archives
UO Libraries--SCUA
1299 University of Oregon
Eugene OR
97403-1299
Telephone: 5413463068
spcarref@uoregon.edu
Access Restrictions

Collection is open to the public. Collection must be used in Special Collections and University Archives Reading Room. Collection or parts of collection may be stored offsite. Please contact Special Collections and University Archives in advance of your visit to allow for transportation time.

Additional Reference Guides

See the Current Collection Guide for detailed description and requesting options.

Languages
English

Historical NoteReturn to Top

The photographs present within this collection represent a spectrum of photographic processes prevalent circa 1800s-1970s: daguerreotypes, cyanotypes, ambrotypes, tintypes, albumen prints, silver gelatin prints, and color prints.

Daguerreotypes were introduced in 1839 and are considered to be the "first fully successful and practicable photographic process" (Ritzenthaler and Vogt-O'Connor, 29). They are laterally reversed, direct positive images, printed on finely polished, silver-coated copper plates.

Cyanotypes, also called "blueprints," were introduced in the late 1840s, although they did not become popular until the 1880s. These photographs were produced by coating paper in a light-sensitive solution, exposing the paper to a negative once it was dry, and then washing it with water (33).

Ambrotypes and tintypes were introduced in the 1850s as cheaper alternatives to daguerreotypes. Ambrotypes were very similar to daguerreotypes as they were direct positive images, although they were usually not laterally reversed. These images were printed on glass. Tintypes were laterally reversed, direct positive images printed on thin sheet iron (36).

Albumen prints were introduced in the late 1840s and became the "dominant printing process of the nineteenth century" (38). These photographs were produced through the utilization of negatives and albumen emulsion paper. As this paper is rather thin, prints were usually mounted on cards of various sizes.

Silver gelatin prints were introduced in the 1870s and have dominated the market since about 1910. These photographs were printed on one of two basic types of paper: developing-out paper (which required chemical developers), or printing-out paper (which required light exposure) (46).

Color prints were produced using a variety of different chemicals and materials which have been available since 1941. However, it is difficult to differentiate between them unless the prints are labeled (55).

Reference: Ritzenthaler, Mary Lynn, and Diane Vogt-O'Connor. Photographs: Archival care and management. Chicago: Society of American Archivists, 2008.

Content DescriptionReturn to Top

This collection contains photographs arranged by type of photographic process. Types of photographs include daguerreotypes, cyanotypes, ambrotypes, tintypes, albumen prints, silver gelatin prints, color prints, negatives, and artwork. The photographs depict a wide variety of subjects, although the bulk of the collection depicts locations, people, and various events in the Pacific Northwest. Photographs of other locations across the United States along with a small number of Civil War prints are also present.

Administrative InformationReturn to Top

Detailed Description of the CollectionReturn to Top

Names and SubjectsReturn to Top

Subject Terms

  • Photography--Printing processes--Albumen
  • Photography--Printing processes--Silver

Geographical Names

  • Northwest, Pacific--Photographs