Archives West Finding Aid
Table of Contents
Carl Hall papers, 1929-2008
Overview of the Collection
- Creator
- Hall, Carl, 1921-1996; Hall, Phyllis
- Title
- Carl Hall papers
- Dates
- 1929-2008 (inclusive)19292008
1940-2008 (bulk)19402008 - Quantity
- 16.5 linear feet, (30 boxes)
- Collection Number
- WUA124
- Summary
- The Carl Hall papers document the art and teaching careers of Carl Hall from 1940-2008. This collection includes World War II correspondence between Hall and his wife and family, as well as, sketches by Hall during his service in the Philippines and Okinawa, Japan. It also includes an extensive collection of Hall's drafts and published manuscripts, essays, and articles concerning art and life philosophy.
- Repository
-
Willamette University Archives and Special Collections
Archives and Special Collections
Mark O. Hatfield Library
900 State Street
Salem, OR
97301
Telephone: 5033706866
Fax: 5033706141
archives@willamette.edu - Access Restrictions
-
This collection is open to researchers.
- Languages
- Sponsor
- Processed with funds provided by the National Historical Publications & Records Commission's (NHPRC) Access to Historical Records grant.
Historical NoteReturn to Top
Carl Albin Hall was a prolific painter, writer, teacher, researcher, and arts advocate who created much of his work in Salem, Oregon. He is known for his paintings of the Willamette Valley, the Oregon coast, the female nude, and imagery inspired by the Northwest Coast Native cultures of Alaska. He was born on September 17, 1921 in Washington, D.C. and died on June 6, 1996 in Salem, Oregon.
Hall grew up in East Detroit, Michigan, and was the second oldest of seven children of Walter and Ella Hall. Hall's artistic talent was encouraged and nurtured by his parents, who created a studio space in their home to accommodate his works. While in high school, Hall received a scholarship to attend the Meinzinger School where he studied under Carlos Lopez, a Cuban artist who served as Hall's mentor and advocate. Under Lopez's mentorship, Hall successfully submitted his work to juried exhibitions at the Detroit Institute of Arts, Corcoran Gallery of Art, Art Institute of Chicago, and other major venues. His painting, Interlochen, Michigan, which he completed at age nineteen, was purchased by the Boston Museum of Fine Arts in 1940.
At age twenty-one, Hall was drafted into the army and assigned to Camp Adair near Corvallis, Oregon for basic training. In 1943, while stationed in Medford, Oregon, he met Phyllis Blake at the USO Club in Ashland. They married on July 12, 1944 in Marysville, California. Hall left for the Pacific Theater a few days later. Hall served in combat duty as infantry and army artist in the Philippines and Okinawa, Japan, from 1944 through early 1946. As an army artist, Hall created maps and sketches for his platoon. While in service, Hall maintained a daily journal and often sent sketches through the mail to his wife and family. After his discharge from the military, the Halls moved temporarily to Detroit, Michigan, and then settled permanently in Salem, Oregon in 1946. The Halls raised four children on a thirty-acre property where Carl shared his love of nature with his family. In 1948 Hall was hired to teach part-time at Willamette University in Salem. He also worked part-time at the Allen Hardware Store and the R. L. Elfstrom Company department store to bring in additional income while his wife, Phyllis, worked at the Oregon State Library. He was Willamette's Artist in Residence and a professor of painting, drawing, printmaking, and design until his retirement in 1986.
Hall was associated with the Julien Levy Gallery in New York during the 1940s. This relationship began during Hall's army deployment as his father, Walter, served as the executor of Hall's works and managed the transportation of paintings with Julien Levy. Hall's solo exhibition at the Levy Gallery in 1947 resulted in the purchase of his painting Cradles by the Whitney Museum of American Art in New York. As a Magic Realist painter, Hall used traditional techniques of drawing, modeling, and glazing to create detailed and structured paintings that combine clear textures and forms with coastal or valley mist. His style contrasted greatly with the Northwest modernist painting practiced by contemporary artists Charles Heaney, C.S. Price, David McCosh, and William Givler. Hall showed his work in juried national exhibitions and many regional exhibitions. His work is in the permanent collections of the Whitney Museum of American Art, Boston Museum of Fine Arts, Swope Art Museum (Terre Haute, Indiana), Wichita Art Museum, Williams College Museum of Art, Portland Art Museum, Tacoma Art Museum, Boise Art Museum, Museum of Northwest Art (La Conner, Washington), Whatcom Museum (Bellingham, Washington), Phoenix Art Museum, Jordan Schnitzer Museum of Art (University of Oregon), Schneider Museum of Art (Southern Oregon University), Portland Community College, and Reed College. The Hallie Ford Museum of Art at Willamette University in Salem, Oregon houses an extensive collection of Hall's paintings and sketches and includes the Carl Hall Gallery of Pacific Northwest and American Art, which is named in recognition of his long career at Willamette University.
Content DescriptionReturn to Top
The Carl Hall papers include materials that document Hall's careers as an artist, professor, and writer from 1940 to 2008. Series I (Art career) contains gallery exhibition fliers, correspondence, resumes, artist statements, sketches, newspaper clippings, catalogues of Hall's works, published articles about Hall including a feature article in Life magazine in March 1948, and records of grants and awards. Series II (Teaching career) includes lecture notes, articles and images used for teaching, research materials concerning various artists and styles, and class schedules. Series III (Writing) contains drafts and final copies of manuscripts and essays, poetry and compilations of poems, articles about art and life written by Hall for his Images column in the Oregon Statesman newspaper, and personal writing concerning various topics. This series also contains his extensive research and data collected about blue heron migrations at Minto Island in Salem, Oregon, as well as other aviary and weather-related research and writing produced by Hall. Series IV (Correspondence) contains World War II letters from Hall to his wife and family, art-related correspondence concerning art purchases and exhibitions, and personal correspondence with family and friends including Hallie Ford, Nelson and Olive Sandgren, Mark Sponenburgh, and Roger Hull. Series V (Family records) includes photographs and records of Hall's children, parents, and siblings. Series VI (Books) includes various books and magazines that were important to Hall and represent his extensive personal library.
Use of the CollectionReturn to Top
Restrictions on Use
Library acts as "fair use" reproduction agent.
For further information, see the section on copyright in the Regulations and Procedures of the Willamette University Archives and Special Collections.
Copyright Information: Before material from collections at Willamette University Archives and Special Collections may be quoted in print, or otherwise reproduced, in whole or in part, in any publication, permission must be obtained from (1) the owner of the physical property, and (2) the holder of the copyright. It is the particular responsibility of the researcher to obtain both sets of permission. Persons wishing to quote from materials in any collections held by University Archives and Special Collections should consult the University Archivist. Reproduction of any item must contain a complete citation to the original.
Preferred Citation
[Identification of item], Carl Hall papers, Archives and Special Collections, Mark O. Hatfield Library, Willamette University.
Administrative InformationReturn to Top
Arrangement
The records are arranged into six series: I. Art career, II. Teaching career, III. Writing, IV. Correspondence, V. Family records, VI. Books and periodicals. Series I (Art career) includes five subseries: A. Galleries and exhibitions, B. Resumes and artist statements, C. Art, D. Publicity, and E. Grants and awards. Series III (Writing) includes four subseries: A. Manuscripts and essays, B. Poetry, C. Articles, and D. Personal writing. Series IV (Correspondence) includes three subseries: A. World War II, B. Art-related, and C. Personal. Files are arranged in original order, chronological order, and alphabetical order.
Detailed Description of the CollectionReturn to Top
Series I: Art career, 1929-2008Return to Top
Container(s) | Description | Dates | |
---|---|---|---|
Subseries A: Galleries and exhibitions |
1929-2007 | ||
Box | Folder | ||
1 | 1 | Carl Hall collection of exhibition catalogues and pamphlets: 1941-1981 (inventory by Roger Hull) |
undated |
1 | 2 | The Twenty-first International Exhibition of Watercolors: Art Institute of Chicago |
1942 |
1 | 3 | The Fifty-second Annual Exhibition of American Paintings and Sculpture: Art Institute of Chicago |
1942 |
1 | 4 | The Fifty-fourth Annual Exhibition of American Paintings and Sculpture: Art Institute of Chicago |
1943 |
1 | 5 | The Fifty-ninth Annual American Exhibitions Watercolors and Drawings: Art Institutes of Chicago |
1949 |
1 | 6 | 23rd Annual Midyear Show: The Butler Institute of American Art |
1958 |
1 | 7 | 25th Annual Midyear Show: The Butler Institute of American Art |
1960 |
1 | 8 | 3rd Annual Exhibition of Painting: California Palace of the Legion of Honor |
1949 |
1 | 9 | 4th Annual Contemporary American Painting: California Palace of the Legion of Honor |
1950 |
1 | 10 | US: Painting in the United States: Carnegie Institute |
1943 |
1 | 11 | Review of Current Shows: Cellar Gallery Notes |
1968 |
1 | 12 | The Oregon Scene - Oregon Centennial Painting Exhibition: Centennial Exposition Building |
1959 |
1 | 13 | Carl Hall Retrospective Show: 301 Church Street N.E. |
1963 |
1 | 14 | Carl Hall Paintings and Robert Davis Sculpture and Prints: Clatsop Community College |
1984 |
1 | 15 | Fourteenth Artists West of Mississippi: Colorado Springs Fine Arts Center |
1953 |
1 | 16 | 17th Artists West of the Mississippi: Colorado Springs Fine Arts Center |
1959 |
1 | 17 | 18th Artists West of the Mississippi: Colorado Springs Fine Arts Center |
1961 |
1 | 18 | Drawings by Carl Hall - press release: Coos Bay Art Museum |
1970 |
1 | 19 | Twentieth Biennial Exhibition: Corcoran Gallery of Art |
1947 |
1 | 20 | Annual Exhibition for Michigan Artists: The Detroit Institute of Arts |
1947 |
1 | 21 | Forty-fourth Annual Exhibition for Michigan Artists: The Detroit Institute of Arts |
1953 |
1 | 22 | 66th Annual Exhibition of Western Art: The Denver Art Museum |
1960 |
1 | 23 | Twelve Established Oregon Artists: Image Gallery |
1964 |
1 | 24 | Watercolors and Oils by Carl Hall: The Image Gallery |
1988 |
1 | 25 | Recent Paintings by Carl Hall: Julien Levy Gallery |
1947 |
1 | 26 | Carl Hall: Paintings by a Northwest Master: Karin Clarke Gallery - announcement flier |
2007 |
1 | 27 | Northwest Moods: Lakewood Center Gallery |
1982 |
1 | 28 | 34th Annual Lake Oswego Festival of the Arts: Lakewood Center for the Arts |
1997 |
1 | 29 | Festival of the Arts Lake Oswego: Lakewood Center for the Arts |
undated |
1 | 30 | Carl A. Hall: Lane Community College |
1987 |
1 | 31 | Carl Hall Paintings and Drawings: Long Alley Gallery |
1965 |
1 | 32 | 1949 Exhibition of Arts: Los Angeles County Fair |
1949 |
1 | 33 | Multiform |
1968 |
1 | 34 | The American Academy of Arts and Letters and The National Institute of Arts and Letters Ceremonial: Academy Auditorium |
1949 |
1 | 35 | One-Hundred and Twenty-Fifth Anniversary Exhibition: National Academy |
1950 |
1 | 36 | One-Hundred and Twenty-Sixth Annual Exhibition: National Academy |
1951 |
1 | 37 | Drawings by Carl Hall: Northwest Review |
1963 |
1 | 38 | 22nd American Drawing Biennial: Norfolk Museum of Arts and Sciences |
1967 |
1 | 39 | Carl Hall Paintings: Oregon State University |
undated |
1 | 40 | Fifth Pacific Northwest Art Annual |
1965 |
1 | 41 | Pacific Northwest Art Annual brochure |
circa 1966 |
1 | 42 | 11th Pacific Northwest Art Annual |
1971 |
1 | 43 | Catalogue of the Forty-eighth Annual Watercolor and Print Exhibition and the Forty-ninth Annual Exhibition of Miniatures: Pennsylvania Academy of the Fine Arts |
1950 |
1 | 44 | Artists of Oregon exhibition |
1949 |
1 | 45 | Artists of Oregon: Portland Art Museum |
1954 |
1 | 46 | Paintings and Sculptures of the Pacific Northwest: Oregon, Washington, British Columbia: Portland Art Museum |
1959 |
1 | 47 | Artists of Oregon: Paintings and Sculpture: The Portland Art Museum |
1962 |
1 | 48 | Artists of Oregon: Paintings and Sculpture: Portland Art Museum |
1963-1964 |
1 | 49 | Artists of Oregon: Paintings and Sculpture: Portland Art Museum |
1966 |
1 | 50 | Artists of Oregon: Portland Art Museum |
1967 |
1 | 51 | Artists of Oregon Drawings, Watercolors, Collages: Portland Art Museum |
1970 |
1 | 52 | Artists of Oregon: Paintings and Sculptures: Portland Art Museum |
1971 |
1 | 53 | Works on Paper: Portland Art Museum |
1972 |
1 | 54 | Selected Works of Carl Hall Retrospective: A Fine Arts Issue |
1964 |
1 | 55 | Retrospective 1952-1966: Carl Hall: Rogue Gallery |
1970 |
1 | 56 | Carl Hall: Bush Barn Gallery |
1972 |
1 | 57 | Then and Now: Work by Artists Represented in the Permanent Collection: Salem Art Association |
1993 |
1 | 58 | Carl Hall Drawings: Art Matters Newsletter: Salem Art Association |
2006 |
1 | 59 | Carl Hall: Love Affair with the Northwest Landscape: The Bush Barn Center |
undated |
1 | 60 | Carl Hall: Salem Art Association |
undated |
1 | 61 | Carl Hall: Salem Art Association |
undated |
1 | 62 | Paintings by Carl Hall: Salishan Lodge Gallery |
1971 |
1 | 63 | Watercolors by Carl Hall: Salishan Lodge Gallery |
undated |
1 | 64 | Twenty-fourth Annual Exhibition of Northwest Printmakers: Seattle Art Museum |
1952 |
1 | 65 | Thirty-ninth Annual Exhibition of Northwest Artists: Seattle Art Museum |
1953 |
1 | 66 | Forty-second Annual Exhibition of Northwest Artists: Seattle Art Museum |
1956 |
1 | 67 | Forty-fourth Annual Exhibition of Northwest Artists: Seattle Art Museum |
1958 |
1 | 68 | Forty-fifth Annual Exhibition of Northwest Artists: Seattle Art Museum |
1959 |
1 | 69 | Forty-seventh Annual Exhibition of Northwest Artists: Seattle Art Museum |
1961 |
1 | 70 | 48th Annual Exhibition of Northwest Artists: Seattle Art Museum |
1962-1963 |
1 | 71 | Forty-Ninth Annual Exhibition of Northwest Artists: Seattle Art Museum |
1963 |
1 | 72 | Calendar of Events: Sheldon Swope Gallery |
1974 |
1 | 73 | Carl Hall: Exploring Female Form - The Sovereign Collection |
1999 |
1 | 74 | Contemporary American Drawings III: Smithsonian Institution |
1967-1969 |
1 | 75 | Drawings USA: St. Paul Gallery and School of Art - First Biennial Exhibition |
1961 |
1 | 76 | Visitors from Salem: Umpqua Community College |
1993 |
1 | 77 | Contemporary American Painting: University of Illinois |
1948 |
1 | 78 | Contemporary American Painting: University of Illinois |
1951 |
1 | 79 | Painters 1961: University of Oregon |
1961 |
1 | 80 | 2nd Pacific Northwest Art Annual: University of Oregon |
1962 |
1 | 81 | The Bicentennial Exhibition of Oregon Artists: University of Oregon Museum of Art |
1976-1977 |
1 | 82 | 2nd Knoxville Art Center National Exhibition: University of Tennessee |
1962 |
1 | 83 | National Invitational Oil Painting Exhibition: University of Tennessee |
1964 |
1 | 84 | Tenth Annual Creativity: Gift of the Creator: Westminster Presbyterian Church |
1997 |
1 | 85 | 2nd Annual Small Sculpture and Drawing Exhibition: Western Washington State College |
1965 |
1 | 86 | Annual Exhibition of Contemporary American Painting: Whitney Museum of American Art |
1946-1947 |
1 | 87 | Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings: Whitney Museum of American Art |
1948 |
1 | 88 | Annual Exhibition of Contemporary American Painting: Whitney Museum of American Art |
1948-1949 |
1 | 89 | 1952 Annual Exhibition of Sculpture, Watercolors, Drawings: Whitney Museum of American Art |
1952 |
1 | 90 | Annual Exhibition of Contemporary American Painting: Whitney Museum of American Art |
1952-1953 |
1 | 91 | 1956 Annual Exhibition Sculpture, Watercolors, Drawings: Whitney Museum of American Art |
1956 |
1 | 92 | The Neglected Generation of American Realist Painters: 1930-1948: Wichita Art Museum |
1981 |
1 | 93 | Recent Works by Carl Hall: Hallie Brown Ford Gallery |
1980 |
1 | 94 | Carl Hall Retrospective: 1942-1982: Hallie Brown Ford Gallery |
1982 |
1 | 95 | Carl Hall Paintings: Hallie Brown Ford Gallery |
1986 |
1 | 96 | Carl Hall: Willamette University Art Gallery |
undated |
1 | 97 | Carl Hall: Drawings Paintings: Willamette University Art Department |
undated |
1 | 98 | Carl Hall: Drawings Paintings: Willamette University Gallery |
undated |
1 | 99 | Retrospective: Willamette University Art Department |
undated |
1 | 100 | Carl Hall: New Work: Willamette University Gallery |
undated |
1 | 101 | Bulletin of the Detroit Institute of Arts, vol. 20 |
1940 |
1 | 102 | Annual Exhibition for Michigan Artists: Detroit Institute of Arts |
1945 |
1 | 103 | Carlos Lopez: 1908-1953: A Memorial Exhibition - The Detroit Institute of Arts |
1953 |
1 | 104 | Painters of the Great Lakes Scene: Highlights from the Inlander Collection of Great Lakes Regional Painting |
1996 |
1 | 105 | 2nd Annual Salon of Photography: Oregon State Fair |
1959 |
1 | 106 | Second Biennial of American Painting and Sculpture: Detroit Institute of Arts |
1960 |
1 | 107 | Fourth International Salon of Photography: Oregon State Fair |
1961 |
1 | 108 | An Art Perspective of the Historic Pacific Northwest: Montana Historical Society |
1963 |
1 | 109 | The West - 80 Contemporaries: University of Arizona Art Gallery |
1967 |
1 | 110 | Prospectus - 73 and 74: University of Oregon |
1973 |
1 | 111 | 107th Annual Exhibition: National Academy Galleries |
1974 |
2 | 1 | Directions in American Painting by the Carnegie Institute Department of Fine Arts |
1940 |
2 | 2 | Exhibition: Chicago (the Art Institute of Chicago: rejection notice) |
1940 April 8 - 1946 April 29 |
2 | 3 | Art sales records |
circa 1940-1967 |
2 | 4 | Art exhibition booklets |
1941-2007 |
2 | 5 | Painting in the United States: Carnegie Institute (gift to Carl Hall from his father) |
1943 |
2 | 6 | Painting in the United States: Carnegie Institute |
1948 |
2 | 7 | Painting in the United States: Carnegie Institute |
1949 |
2 | 8 | Lists of works for various exhibitions |
1949-1993 |
2 | 9 | Portland Art Museum Artist Membership |
1950-1956 |
2 | 10 | Gallery exhibition fliers |
circa 1951-1965 |
2 | 11 | Portland Art Museum Bulletin and calendars |
1952-1959 |
2 | 12 | Portland Art Museum artist membership minutes and policies |
1958-1960 |
2 | 13 | Contemporary Arts of Oregon: a Centennial Collection by Northwest Review |
1959 Summer |
2 | 14 | Work in progress (art records and notes) |
1963-2003 |
2 | 15 | Willamette Alumnus (article about Hall's exhibit) |
1964 Fall |
2 | 16 | Statements from galleries (art sales receipt) |
1967-1982 |
2 | 17 | Multiform(Northwest painting exhibition) |
1968 |
2 | 18 | Prospectus 70-72: Statewide Services - Museum of Art, University of Oregon |
1970 |
2 | 19 | Artists workshop |
1972-1974 |
2 | 20 | Exhibition catalogues and newsletters |
1974-1985 |
2 | 21 | Exhibitions: Salem Art Assn. (Association) exhibit |
1986 October 9 - November 9 |
2 | 22 | Exhibition guestbook for Carl Hall: Paintings at the Hallie Brown Ford Gallery |
1986 March |
2 | 23 | Chronology of Carl Hall's art career (focuses on exhibitions and shows) (written by Roger Hull) |
circa 1996 |
2 | 24 | Gallery affiliations - Sovereign Collection |
1997 May 15 - 2000 February 9 |
2 | 25 | Art Space Gallery: Craig and Tricia Kaufman (exhibition and sell of some of Hall's works) |
1998 November 19 - December 16 |
2 | 26 | Hallie Ford (Museum of Art) exhibit: Eden Again - the Art of Carl Hall (correspondence, art sales documents, and exhibit agreements) |
1999-2001 |
2 | 27 | Art of the West (Portland State University and Willamette University exhibition) |
2000 July |
2 | 28 | Carl Hall exhibition at Willamette University Hallie Ford Museum of Art |
2001 |
2 | 29 | Carl Hall: World War II Drawings exhibition at the Hallie Ford Museum of Art |
2004 |
2 | 30 | World War II drawing exhibit (Carl Hall: World War II Drawings at the Hallie Ford Museum of Art) |
2004 |
2 | 31 | Sample letter and mailing list for exhibition Carl Hall: World War II Drawings at the Hallie Ford Museum of Art |
2004 |
2 | 32 | Art addresses |
undated |
2 | 33 | Business - art: pricing file (list) |
undated |
16 | 1 | Exhibition fliers |
circa 1947-1996 |
16 | 2 | Exhibition fliers |
1947-1997 |
16 | 3 | Exhibition: Whitehorse Public Library Gallery (Yukon) - correspondence, reviews, and works list |
1978 |
16 | 4 | Business - art - Willamette U. (University) Hallie Brown Ford Museum of Art |
1994-1998 |
16 | 5 | Salem (Oregon) Mayor's Annual Art Show at the Salem Convention Center (correspondence and contract) |
2006-2007 |
17 | 58 | Exhibition catalogs |
1929-1930 |
17 | 59 | Exhibition catalogs |
1942-1959 |
17 | 60 | Exhibition catalogs |
1942-1973 |
17 | 61 | Exhibition catalogs |
1965-1977 |
27 | 1 | Group shows: Portland Art Mus. (Museum) |
1948-1967 |
27 | 2 | Groups: Seattle World's Fair |
1962 |
27 | 3 | Groups: Seattle World's Fair |
1962 |
Subseries B: Resumes and artist statements |
1946-1995 | ||
Box | Folder | ||
2 | 34 | Carl Hall biography (photograph negatives, news articles, and correspondence) |
1946-1983 |
2 | 35 | Resumes |
circa 1955-1986 |
2 | 36 | Exhibitions list (for resumes) |
circa 1962-1968 |
2 | 37 | Notes by Roger Hull on conversations with Carl Hall |
1994-1995 |
2 | 38 | Artist's statements by Carl Hall |
undated |
2 | 39 | Who's Who in American Art: artist information on Carl Hall |
undated |
16 | 6 | "Indications of Intent" handout (artist statements by Carl Hall and other artists) |
undated |
16 | 7 | Biographical material - Hall (resumes) |
undated |
31 | 1 | The Carl Hall Collection pamphlet, artist resume and painting overview compiled by Phyllis Hall |
Undated |
Subseries C: Art |
1940-2008 | ||
Box | Folder | ||
2 | 40 | Lists of art (prices and exhibitions information) |
1940-2001 |
2 | 41 | War sketches, photographs, and reviews articles |
1944-1946 |
2 | 42 | Art - notes and material for Roger Hull |
1957-1999 |
2 | 43 | Painting identification project |
1967-1999 |
2 | 44 | Art sales receipts |
1968-1988 |
2 | 45 | Art sales receipts |
1968-1988 |
2 | 46 | Painting restoration (receipts) |
1996-1999 |
2 | 47 | Licensing agreement with Salem Public Library Foundation |
1997 |
2 | 48 | Art transportation and storage records (invoice and notes) |
circa 1997 |
2 | 49 | Business - art: for Roger Hull (correspondence and notes) |
1998-1999 |
2 | 50 | Art - business office procedures manual |
circa 1999 |
2 | 51 | Photograph negatives of paintings by Carl Hall |
undated |
2 | 52 | Talbots Café mural (photograph) |
undated |
2 | 53 | Descriptions and images of paintings by Carl Hall |
undated |
2 | 54 | Art work notes by Phyllis Hall |
undated |
2 | 55 | Art project: directory of paintings purchased |
undated |
2 | 56 | Phyllis Hall's personal records: lists of art in personal collection |
undated |
2 | 57 | Phyllis Hall: personal collection |
circa 2000 |
2 | 58 | List of paintings to be photographed and catalogued |
undated |
2 | 59 | Restoration needed - but not sent (paintings in family collection) |
undated |
2 | 60 | Art - Assumed Business Name (form): the Carl Hall Collection |
undated |
16 | 9 | Art rental agreements with galleries and art sold receipts |
1949-1979 |
16 | 10 | Visual reference materials |
circa 1955-1979 |
16 | 11 | Hand sketches by Carl Hal and hand images from magazines |
undated |
3 | 1 | "Abstraction" |
1969 |
3 | 2 | "Abstraction" |
1979 |
3 | 3 | "Abstraction (Rocks)" |
circa 1970-1979 |
3 | 4 | "Abstraction" |
1979 |
3 | 5 | "Abstraction with Nude" |
1969 |
3 | 6 | "Adam and Eve" |
1942 |
3 | 7 | "After Image" |
1976 |
3 | 8 | "Alaska View" |
1975 |
3 | 9 | "Allegory" |
1971 |
3 | 10 | "Aperture" |
1989 |
3 | 11 | "Approaching Storm" (see also "Interlochen") |
circa 1942 |
3 | 12 | "Armageddon" |
1965 |
3 | 13 | "Armageddon #2" |
1968 |
3 | 14 | "Artist and model" |
1956 |
3 | 15 | "Ascension" |
1952-1998 |
3 | 16 | "Autumn" (sketches and correspondence) |
1943-1946 |
3 | 17 | "Autumn Allegory (Autumn's Child)" |
1958 |
3 | 18 | "Autumn Beach" |
1969 |
3 | 19 | "Autumn Mist" |
1956 |
3 | 20 | "Autumn Scene #2" |
1968 |
3 | 21 | "Autumn Web" |
1958-1999 |
3 | 22 | "Back view" |
1976 |
3 | 23 | "Back View of a Nude" |
1959 |
3 | 24 | "Backyard Crucifix" |
1956 |
3 | 25 | "The Barrier" |
1960 |
3 | 26 | "Bather" |
1950 |
3 | 27 | "Bay Wind" |
1962 |
3 | 28 | "Beach" |
1969 |
3 | 29 | "Beach" |
1971 |
3 | 30 | "Beach Bather" |
1970 |
3 | 31 | "Beach Confrontation" |
1971 |
3 | 32 | "Beach Cove" |
1948 |
3 | 33 | "Beach Erosion" |
1969 |
3 | 34 | "Beach Figure" |
1965 |
3 | 35 | "Beach: Figure and Light" |
1974 |
3 | 36 | "Beach Form" |
1971 |
3 | 37 | "Beach Games" |
circa 1980-1989 |
3 | 38 | "Beach Morning" |
circa 1980-1989 |
3 | 39 | "Beach Rocks" |
1956 |
3 | 40 | "Beach Walk" |
1960 |
3 | 41 | "Beach Witness" |
1974 |
3 | 42 | "Beauty and Beast" |
undated |
3 | 43 | "Beckoning Spring" |
1967 |
3 | 44 | "Bent Iron" |
1971 |
3 | 45 | "Bird" |
1953 |
3 | 46 | "Bird Call" |
1946 |
3 | 47 | "Bird in a Cage" |
circa 1970-1979 |
3 | 48 | "A Bird in the Sand" |
1954 |
3 | 49 | "Bird Totem Study" |
circa 1970-1979 |
3 | 50 | "A Bird Went By" |
1977 |
3 | 51 | "Birds Crowing the Moon" |
1961 |
3 | 52 | "Black Fire" |
1955 |
3 | 53 | "Blue Rocks Nude" |
1965 |
3 | 54 | "Bodyscape" |
1960 |
3 | 55 | "Boneyard" |
1992 |
3 | 56 | "Boy in Road" |
1960 |
3 | 57 | "Bridge" |
1955 |
3 | 58 | "Broken Sea Wall" |
circa 1980-1989 |
3 | 59 | "Brute Range" |
undated |
3 | 60 | "Burning Stump" |
1961-2006 |
3 | 61 | "Burnt Form" |
1955 |
3 | 62 | "Burnt Tree" |
1958 |
3 | 63 | "Burnt Tree" |
1961 |
3 | 64 | "Burnt Wood" |
1961 |
3 | 65 | "Calling to the Salmon" (Alaskan) (correspondence) |
undated |
3 | 66 | "Canyon" |
1949 |
3 | 67 | "Canyon" |
circa 1960-1969 |
3 | 68 | "Carl Hall - Early Self Portrait" |
undated |
3 | 69 | "Cascades" |
1959 |
3 | 70 | "Cattails" drawing |
undated |
3 | 71 | "Cave" |
1968 |
3 | 72 | "Channel Rocks" |
undated |
3 | 73 | "Chlorophyll" |
1951 |
3 | 74 | "Christmas Eve" |
undated |
3 | 75 | "Church Street Bridge" |
1950 |
3 | 76 | "Clay River" |
1974 |
3 | 77 | "Cliff Specter" |
1970 |
3 | 78 | "Clouds Sound Against It" |
1976 |
3 | 79 | "Cliffs and Beach" |
undated |
3 | 80 | "The Climber" |
1958 |
3 | 81 | "Coast Antique" |
1974 |
3 | 82 | "Coast Flock (Thousand Birds)" |
1961 |
3 | 83 | "Coast Power" |
1958 |
3 | 84 | "Coast Range" |
1946 |
3 | 85 | "Coast Range" |
1963 |
3 | 86 | "Coast Range" |
1971 |
3 | 87 | "Coast Rhythms" (newspaper articles and correspondence) |
1949 |
3 | 88 | "Coast Rocks" |
1959 |
3 | 89 | "Coast Rocks" |
1967 |
3 | 90 | "Coast Scene (Coastal Rocks)" |
1958 |
3 | 91 | "Coast Scene" |
1959 |
3 | 92 | "Coast Scene" |
1963 |
3 | 93 | "Coast Trees" |
1952 |
3 | 94 | "Coastal Cliffs" |
circa 1970-1979 |
3 | 95 | "Coastal View" |
1953 |
3 | 96 | "Cock" |
1961 |
3 | 97 | "The Colony" |
1984 |
3 | 98 | "Conclave" |
1974 |
3 | 99 | "Contention" |
1971 |
3 | 100 | "Coos" |
1982 |
3 | 101 | "Corn Wind" |
1950 |
3 | 102 | "Could Be a Rock" |
1959 |
3 | 103 | "Cove" |
1954 |
3 | 104 | "Cradles" (sketches, newspaper articles, and correspondence) |
1948-1999 |
3 | 105 | "Crags" |
1995 |
3 | 106 | "The Cross" |
1955 |
3 | 107 | "Crows Roost" |
1950-1952 |
3 | 108 | "Currents" |
1950 |
3 | 109 | "Cut-Over Land" |
1955 |
3 | 110 | "Cycle" |
1940-1945 |
3 | 111 | "Cycles" |
undated |
3 | 112 | "The Dance" |
1946 |
3 | 113 | "The Dance" |
circa 1960-1969 |
3 | 114 | "Daphne" |
1959 |
3 | 115 | "Dark Chamber" |
1979 |
3 | 116 | "Dark Fire" |
1961 |
3 | 117 | "Dark Hills" |
undated |
3 | 118 | "Dark Landscape" |
1957 |
3 | 119 | "Dark Mask" |
1976 |
3 | 120 | "Dark Scene" |
1977 |
3 | 121 | "Dead Tree" |
1962 |
3 | 122 | "Dead Tree" |
1962 |
3 | 123 | "Dead Trees" |
1947 |
3 | 124 | "Death Mask" |
1976 |
3 | 125 | "Dikes (Lava Formations)" |
1956 |
3 | 126 | "Dirty Face" |
1953 |
3 | 127 | "Discontent" |
1962 |
3 | 128 | "A Distant Shore" |
1959 |
3 | 129 | "Diving Bird in Net" |
1961 |
3 | 130 | "Dock" |
1954 |
3 | 131 | "Domain" (sketches and photographs) |
circa 1949 |
3 | 132 | "Down Stream" |
circa 1980-1989 |
3 | 133 | "Draw" |
1972 |
3 | 134 | "The Dream" |
undated |
3 | 135 | "Dream and Flesh" |
1963 |
3 | 136 | "The Dreamer" |
1969 |
3 | 137 | "Dying Swan" |
circa 1970-1979 |
3 | 138 | "Eagle Woman" (Alaska series) |
undated |
3 | 139 | "Early Morning" |
1966 |
3 | 140 | "Early Snow" |
1947 |
3 | 141 | "Early Snow" |
1964 |
3 | 142 | "Early Spring" |
1955 |
3 | 143 | "Earth - That Is Sufficient (Willamette Valley)" |
1998-2003 |
3 | 144 | "Eight Eggs" |
1959 |
3 | 145 | "Endless Currents" |
1995 |
3 | 146 | "Energies" |
1979 |
3 | 147 | "Eternity" |
1946 |
3 | 148 | "Exodus" |
undated |
3 | 149 | "Expectations" |
1946 |
3 | 150 | "Experimental Panel" |
1958 |
3 | 151 | "Eyes" |
1979 |
3 | 152 | "Face in Shadow" |
undated |
3 | 153 | "Facing the Unknown" |
undated |
3 | 154 | "Faggots" |
1972 |
3 | 155 | "Fallen One (Sunflower Series)" |
1951 |
3 | 156 | "Falling Autumn" |
1961 |
3 | 157 | "Field" |
1970 |
3 | 158 | "Fields on Glen Creek" |
1948 |
3 | 159 | "Figure" |
1963 |
3 | 160 | "Figure" |
1963 |
3 | 161 | "Figure" |
1964 |
3 | 162 | "Figure and Shadow" |
1971 |
3 | 163 | "Figure and Tree" |
1963 |
3 | 164 | "Figure and Tree" |
1981 |
3 | 165 | "Figure Group, no. 1" |
1971 |
3 | 166 | "Figure in Bed" |
1963 |
3 | 167 | "Figure in Cabin on the Coast" |
1967 |
3 | 168 | "Figure in Room" |
1966 |
3 | 169 | "Figure in Sun" |
1967 |
3 | 170 | "Figure Near Beach" |
1963 |
3 | 171 | "Figure no. 12" |
1963 |
3 | 172 | "Figure of a Woman in a Yellow Jacket" |
1954 |
3 | 173 | "Figure on Beach" |
1969 |
3 | 174 | "Figure on Low Table" |
1956 |
3 | 175 | "Figure with Panties" |
circa 1950-1959 |
3 | 176 | "Figure with Raised Arms" |
1969 |
3 | 177 | "Figures and Beach" |
1963 |
3 | 178 | "Fir Detail" (pencil sketch) |
undated |
3 | 179 | "Fir Group" |
1953 |
3 | 180 | "Fire" |
1955 |
3 | 181 | "Fire Totems" (Alaska set) |
undated |
3 | 182 | "Fire Place" |
1961 |
3 | 183 | "Firs" |
1958 |
3 | 184 | "First Spring Outing" |
1941-1944 |
3 | 185 | "Fish Swarm" |
1960 |
3 | 186 | "Flat Top Mountain" |
1964 |
3 | 187 | "Float" |
1953 |
3 | 188 | "Flood" |
1948 |
3 | 189 | "Flooded Hearths and Forgotten Lovers" |
1976 |
3 | 190 | "A Fluttering There" |
1985 |
3 | 191 | "Fog and Webs" |
1957 |
3 | 192 | "Fog and Webs" |
1958 |
3 | 193 | "Fog Bank" |
1953 |
3 | 194 | "Fog in Trees" |
1962 |
3 | 195 | "Fog Woman" |
1975 |
3 | 196 | "Fog Woman Totem" (Alaska set) |
1975 |
3 | 197 | "For Sale" |
1963 |
3 | 198 | "The Forest" |
1947 |
3 | 199 | "Forest Grove" |
1948 |
3 | 200 | "Forest Scene" |
1953 |
3 | 201 | "Forest View" |
1959 |
3 | 202 | "Four and a Half Months?" |
1955 |
3 | 203 | "Frog Totem" |
1974 |
3 | 204 | "From My Window" |
undated |
3 | 205 | "From the Back" |
1962 |
3 | 206 | "Frost Shadows" |
1963 |
3 | 207 | "Full Figure" |
1968 |
3 | 208 | "Geese Over" |
undated |
3 | 209 | "Geese Rising" |
undated |
3 | 210 | "Ghost Mask" |
1975 |
3 | 211 | "Ghost Trees" |
undated |
3 | 212 | "Girl and a Nest" |
circa 1970-1979 |
3 | 213 | "Girl in a Green Raincoat" |
undated |
3 | 214 | "Girl with Red Lips" |
1952 |
3 | 215 | "Glacial Drift" |
1976 |
3 | 216 | "Glacial Form" |
1964 |
3 | 217 | "Glacial Pack" |
1962 |
3 | 218 | "The Glare" |
circa 1970-1979 |
3 | 219 | "Gossip" (Sunflower Series #2) |
1951 |
3 | 220 | "The Gossips" (original title: "Morning Opaque") |
undated |
3 | 221 | "Gossips" |
circa 1950-1959 |
3 | 222 | "Graft Bags" |
1958 |
3 | 223 | "Grape Plants by Moonlight" |
1975 |
3 | 224 | "The Grass and I" |
1946-1947 |
3 | 225 | "Gray Dawn" |
1957 |
3 | 226 | "Green Beach" |
1969 |
3 | 227 | "Green Core" |
1966 |
3 | 228 | "Green Fire" |
undated |
3 | 229 | "Grey Autumn" |
1964-1977 |
3 | 230 | "Grey Beach" |
1958 |
3 | 231 | "Grey Day" |
1953 |
3 | 232 | "Head" |
1975 |
3 | 233 | "Hello, World" |
1997 |
3 | 234 | "Hidden Bird" |
1965 |
3 | 235 | "Hidden Kinship" |
1976 |
3 | 236 | "Hidden Symbols" |
1976 |
3 | 237 | "Hidden Valley" |
1964 |
3 | 238 | "Hide and Reveal" |
undated |
3 | 239 | "Hierarchy" (Sunflower Series) |
1952 |
3 | 240 | "High Beach" |
1979 |
3 | 241 | "High Country" |
1979 |
3 | 242 | "High Desert Country" |
1963 |
3 | 243 | "High Desert Country" |
1966 |
3 | 244 | "High Field" |
1966 |
3 | 245 | "High Ridge" |
1964 |
4 | 1 | "High View" |
1953 |
4 | 2 | "Hill Farms" |
1988 |
4 | 3 | "Hill Fields" |
undated |
4 | 4 | "Hold Fast" |
1964 |
4 | 5 | "Hole in the Sky" |
1975 |
4 | 6 | "Homage to Autumn" |
1959 |
4 | 7 | "The Homestead" |
1943-1948 |
4 | 8 | "Horizons" |
1962 |
4 | 9 | "Human Forms" |
1967 |
4 | 10 | "I Went Walking" |
1948-2008 |
4 | 11 | "Ice on the Rocks" (Minto Island) |
1949 |
4 | 12 | "Incoming Fog" |
1974 |
4 | 13 | "Incoming Tide" |
circa 1990-1994 |
4 | 14 | "Incoming Tides" |
1979 |
4 | 15 | "Incoming Wave" |
1968 |
4 | 16 | "Indian Village" |
1975 |
4 | 17 | "Infected Tree" |
1957-2007 |
4 | 18 | "Inner Room" |
1968 |
4 | 19 | "Interlochen" |
1940-1980 |
4 | 20 | "Interlude, Okinawa" |
1945 |
4 | 21 | "It Came to Pass," "Wedding," John Roger Cox, Swope Gallery, Terre Haute Gallery |
1941-1974 |
4 | 22 | "Junction" |
1958 |
4 | 23 | "Keep Out" |
1971 |
4 | 24 | "Kites" |
circa 1947-2003 |
4 | 25 | "Kneeling Nude" |
circa 1970-1979 |
4 | 26 | "Landscape" |
undated |
4 | 27 | "Landscape" (lino block print) |
1950 |
4 | 28 | "Landscape" |
1951 |
4 | 29 | "Landscape" |
1963 |
4 | 30 | "Landscape" |
circa 1970-1979 |
4 | 31 | "Landscape" |
circa 1970-1979 |
4 | 32 | "Landscape" |
1971 |
4 | 33 | "Landscape" |
1985 |
4 | 34 | "Landscape" |
1989 |
4 | 35 | "Landscape" |
1989 |
4 | 36 | Untitled landscape with trees and mountain meadow |
1977-1979 |
4 | 37 | "Last Echo" |
1976 |
4 | 38 | "Last Flight" |
1964 |
4 | 39 | "Last Shadow" |
1971 |
4 | 40 | "Leaf Mass" |
1960 |
4 | 41 | "Leaves" (correspondence) |
undated |
4 | 42 | "Lightning" |
1965 |
4 | 43 | "Listening Figure" |
1964 |
4 | 44 | "Living Forms" |
circa 1960-1969 |
4 | 45 | "Log Beach" |
1969 |
4 | 46 | "Log Pond by Evening" |
1962 |
4 | 47 | "Log Raft" |
1962 |
4 | 48 | "Lograft" |
1966 |
4 | 49 | "Log Raft by Night" |
1962 |
4 | 50 | "Logging Effigies" |
1965 |
4 | 51 | "The Loon" |
1977 |
4 | 52 | "A Lost River" (photographs) |
undated |
4 | 53 | "Low Fields" |
1963 |
4 | 54 | "Low Tide" |
1953 |
4 | 55 | "Low Tide" |
1953 |
4 | 56 | "Low Tide" |
1955 |
4 | 57 | "Lumber Mill" |
1946 |
4 | 58 | "Lying Figure" |
1971 |
4 | 59 | "Lying Nude on Beach" |
1971 |
4 | 60 | "Malheur Scene" |
1968 |
4 | 61 | "A Many Splendored Thing" |
1976 |
4 | 62 | "Maple Run" |
1950 |
4 | 63 | "Marion Street Bridges" (includes sketches) |
circa 1950-1959 |
4 | 64 | "Mask" |
1977 |
4 | 65 | "Maternity" |
1962 |
4 | 66 | "A Meeting of Minds" |
1968 |
4 | 67 | "Memory" |
1984 |
4 | 68 | "Merrilee Remembered" |
1991 |
4 | 69 | "Merrilee Talks to Sunflowers" |
1952 |
4 | 70 | "Metaphor" |
1966 |
4 | 71 | "Metaphor with Figure" |
1964 |
4 | 72 | "Mirror" |
1982 |
4 | 73 | "Mist" |
1950 |
4 | 74 | "Mixed Forest" |
1957 |
4 | 75 | "Model and Bird" |
circa 1970-1979 |
4 | 76 | "Model and Sculpture" |
1963 |
4 | 77 | "Modesty" |
1966 |
4 | 78 | "Moon Dance" |
1946-1947 |
4 | 79 | "Moon River" |
1963 |
4 | 80 | "Moon Silver" |
1948 |
4 | 81 | "Moonboat" |
1967 |
4 | 82 | "Moonlight" |
1962 |
4 | 83 | "Morning" |
1972 |
4 | 84 | "Morning After" |
1967 |
4 | 85 | "Morning Freeze" |
1958 |
4 | 86 | "Morning Frost Shadow" |
1962 |
4 | 87 | "Morning Light" |
1961 |
4 | 88 | "Morning on Coast" |
1966 |
4 | 89 | "Morning Scene" |
1963 |
4 | 90 | "Morning Sun" |
1952 |
4 | 91 | "Morning Webs" |
1954 |
4 | 92 | "Morning Window" |
1971 |
4 | 93 | "Morning Windows" |
1975 |
4 | 94 | "Morning Wreath" |
undated |
4 | 95 | "Moss and Darkness" |
1958 |
4 | 96 | "The Moth" |
1963 |
4 | 97 | "Mother and Child" |
1951 |
4 | 98 | "Motif" |
circa 1970-1979 |
4 | 99 | "Motif" |
1978 |
4 | 100 | "Mountain Cabin" |
1969 |
4 | 101 | "Mountain and Fog" |
undated |
4 | 102 | "Mountain Wind" |
1961 |
4 | 103 | "Mountains" |
1964 |
4 | 104 | "Moving Evening" |
1950 |
4 | 105 | "Moving Timber" |
1950 |
4 | 106 | "Moving Timber #2" |
1952 |
4 | 107 | "Mud, Moon and Fog" |
1965 |
16 | 8 | Mural: Franklin, KY P.O. (Kentucky Post Office) (Manning, South Carolina Post Office)
Removed from Box 4 due to size.
|
1941-2000 |
4 | 108 | Mural: Commercial Bank |
1955-1963 |
4 | 109 | Mural for Woods residence (Salem, Oregon) |
undated |
4 | 110 | "Mystical Trees" |
circa 1970-1979 |
4 | 111 | "Mythic Origin" |
1950 |
4 | 112 | "Natural Abstraction" |
1979 |
4 | 113 | "Negative" |
circa 1970-1979 |
4 | 114 | "Nest and Trees" |
1959 |
4 | 115 | "Nest Cavity" |
1959 |
4 | 116 | "Nest Flight" |
1953 |
4 | 117 | "Night Scene (Moon Scene)" (Newberry Purchase Prize by the Detroit Institute of Arts) |
1949 November 16 |
4 | 118 | "North of Yachats" |
1968-1972 |
4 | 119 | "Northern Lights" |
1962 |
4 | 120 | "November" |
1950 |
4 | 121 | "Nude" |
1966 |
4 | 122 | "Nude and Dress Form" |
1958 |
4 | 123 | "Nude at Window" |
1970 |
4 | 124 | "Nude Beach Fog" |
1977 |
4 | 125 | "Nude by Waters Edge" |
undated |
4 | 126 | "Nude by Window" |
1960 |
4 | 127 | "Nude in Light" |
1963 |
4 | 128 | "Nude on Beach" |
circa 1950-1959 |
4 | 129 | "Nude on Beach" |
1967 |
4 | 130 | "Nude Study" |
1965 |
4 | 131 | "Nude with Arms Raised" |
circa 1970-1979 |
4 | 132 | "Nude with Crossed Arms" |
circa 1975-2003 |
4 | 133 | "Nude with Seed Pods" |
circa 1960-1969 |
4 | 134 | "Nude with Teacup" |
1970 |
4 | 135 | "Oak Galls" |
1956 |
4 | 136 | "Oasis" |
1988 |
4 | 137 | "Obsequy" |
1970 |
4 | 138 | "Ocean Edge" |
1963 |
4 | 139 | "Ocean Forms" |
1956 |
4 | 140 | "Ocean Landscape" |
1971 |
4 | 141 | "The Offering" |
1960 |
4 | 142 | "Okinawa Interlude" |
1945 |
4 | 143 | "Old Man of the Sea" |
1963 |
4 | 144 | "Olympic Peninsula" |
1952 |
4 | 145 | "Oregon Autumn" |
undated |
4 | 146 | "Oregon Hills" |
1979 |
4 | 147 | "Oregon Spring" |
1973 |
4 | 148 | "The Other Face" |
1978 |
4 | 149 | "Out of the Ooze" |
1972 |
4 | 150 | "Outermost" |
1967 |
4 | 151 | "The Owl" |
1951 |
4 | 152 | "Owl" |
1977 |
4 | 153 | "The Passage" |
1986 |
4 | 154 | "Passage" (Sunflower Series) |
1951 |
4 | 155 | "The Passing" |
1949 |
4 | 156 | "Patriarch" (Sunflower Series) |
1951 |
4 | 157 | "Patrimony" |
1972 |
4 | 158 | "Pensive Mother" |
2008 |
4 | 159 | "Phantom Beach" |
1971 |
4 | 160 | "Pilings" |
1954 |
4 | 161 | "Point Deception" |
1969 |
4 | 162 | "Pond Surface" |
1960 |
4 | 163 | "The Porch" |
1984 |
4 | 164 | "Portrait" |
1962 |
4 | 165 | "Portrait" |
1968 |
4 | 166 | "Portrait - Blond" |
1952 |
4 | 167 | "Portrait of a Bald Man (Bald - headed Man)" |
1946 |
4 | 168 | "Portrait of a Bald Man in Sunlight)" |
undated |
4 | 169 | "Portrait of a Blond Man (Whitey)" |
1958 |
4 | 170 | "Portrait of a Boy" |
1948 |
4 | 171 | "Portrait of a Girl" |
1962 |
4 | 172 | "Portrait of a Girl" |
1963 |
4 | 173 | "Portrait of a Man in Profile" |
1958 |
4 | 174 | "Portrait of a Woman" |
1947 |
4 | 175 | "Portrait of Cameron Paulin" (Willamette University professor) |
1950 |
4 | 176 | "Portrait of Keith Powell" |
1962 |
4 | 177 | "Portrait of Phyllis Hall" |
1954 |
4 | 178 | "Portrait of Vincent Van Gogh" |
1956 |
4 | 179 | "Predatory Shadows" |
1974 |
4 | 180 | "The Prophet" |
1968 |
4 | 181 | "Quiet Sea" (photographs) |
undated |
4 | 182 | "Rain Forest" |
1961 |
4 | 183 | "Rain Gorge" |
1952 |
4 | 184 | "Rainbow" |
1967 |
4 | 185 | "Range" |
1964 |
4 | 186 | "Raven Mother with Flickers" (Alaska set) |
1975 |
4 | 187 | "Reclining Nude" |
1953 |
4 | 188 | "Reclining Nude Shading Her Eyes" |
1963 |
4 | 189 | "Red" |
1947 |
4 | 190 | "Red-Headed Boy" |
1949 |
4 | 191 | "Red Outlined Shadow" |
undated |
4 | 192 | "Reflections" |
1967 |
4 | 193 | "Reluctant Nude" |
1967 |
4 | 194 | "The Rite (Ritual Place)" |
1976 |
4 | 195 | "Ritual (Alaska/Red Hand)" |
1983 |
4 | 196 | "Ritual Moon" |
1978 |
4 | 197 | "Ritual Spring" |
1988 |
4 | 198 | "The River" |
1956 |
4 | 199 | "River by Evening" |
1951 |
4 | 200 | "Roads End" |
circa 1948 |
4 | 201 | "Robert" |
1977 |
4 | 202 | "Rock Mystery" |
1965 |
4 | 203 | "Rocks" |
1948 |
4 | 204 | "Rocks" |
circa 1950-1959 |
4 | 205 | "Rocks" |
1959 |
4 | 206 | "Rocks" |
1959 |
4 | 207 | "Rocks in the Pool" |
1951 |
4 | 208 | "Rocks on the Ocean Shore" |
1968 |
4 | 209 | "Rocks (Southwest View)" |
1990 |
4 | 210 | "Rocky Beach" |
1965 |
4 | 211 | "Rookery" |
1971 |
4 | 212 | "Rt. 3, Box 895" |
1969 |
4 | 213 | "Running Tide (Running Morning Tide)" |
1961 |
4 | 214 | "Salishan" |
1972 |
5 | 1 | "Salmon" |
1954 |
5 | 2 | "Sand Dunes" |
1963 |
5 | 3 | "Sand Patterns (Sandscape #3)" |
1962 |
5 | 4 | "Sandblasted Trees" |
1965 |
5 | 5 | "Sandscape #1" |
1962 |
5 | 6 | "Sandscape #2" |
1962 |
5 | 7 | "Sculptural Beach" |
1965 |
5 | 8 | "Sea and Rocks" |
1961 |
5 | 9 | "Sea Fog and Rocks" |
1958 |
5 | 10 | "Sea Ghost" |
undated |
5 | 11 | "Sea Grip" |
1951 |
5 | 12 | "Sea Mystery" |
1959 |
5 | 13 | "Sea Sculptures" |
1971 |
5 | 14 | "Sea Shapes" |
1968 |
5 | 15 | "Sea Voices" |
1960 |
5 | 16 | "Sea Wall" |
1991 |
5 | 17 | "Sea Wind" (photograph) |
undated |
5 | 18 | "Sea Wind" |
1961 |
5 | 19 | "Sea Wind" |
1989 |
5 | 20 | "Seascape" (photographs) |
1946 |
5 | 21 | "Seascape" |
1992 |
5 | 22 | "Seascape" (Sumi Watercolor) |
1966 |
5 | 23 | "Seascape with Boat" |
circa 1950-1959 |
5 | 24 | "Seascape with Rocks" |
circa 1970-1979 |
5 | 25 | "Seat of the Mountain" |
1947 |
5 | 26 | "Seated Nude" |
1963 |
5 | 27 | "Second Growth" |
1976 |
5 | 28 | "Selarhkous" (Alaska Set #8) |
1975 |
5 | 29 | "Self Portrait" |
undated |
5 | 30 | "Self Portrait" |
1970 |
5 | 31 | "Sentinel Beach" |
1969 |
5 | 32 | "The Sentinels" |
1948-2002 |
5 | 33 | "Shaman Death Figure" |
1977-1994 |
5 | 34 | "Shaman's Point" |
1977-1997 |
5 | 35 | "Shaman's Tomb" (Alaska Series) |
1975-1994 |
5 | 36 | "The Shell" |
1964-1994 |
5 | 37 | "Shore Acres Motif" |
1973-1997 |
5 | 38 | "Shore Bird" |
1959-2006 |
5 | 39 | "Silver Creek" |
1948-2002 |
5 | 40 | "Silverton Set #5" |
1972-2007 |
5 | 41 | "Silverton Set #9" |
1972-2001 |
5 | 42 | "Single Feather" |
1966-2002 |
5 | 43 | "Single Tree" |
1958-2007 |
5 | 44 | "Skull and Rocks" |
1960-2004 |
5 | 45 | "The Slough" |
1948-1998 |
5 | 46 | "Snow at Night" |
1956-2006 |
5 | 47 | "Snow Cliff" |
1962-1994 |
5 | 48 | "Snow on Lava" |
1957-2001 |
5 | 49 | "Snow Spots" |
1962-1994 |
5 | 50 | "Snowscape" |
1959-2004 |
5 | 51 | "Soaring Beach" |
1991-1999 |
5 | 52 | "Solitude" |
circa 1949-1981 |
5 | 53 | "The Sound had a Shape" |
1978-2011 |
5 | 54 | "South Coast" |
1984 |
5 | 55 | "South Salem (Willamette Valley, South Salem)" |
1947-1997 |
5 | 56 | "Southwest Symbols" |
1950-1990 |
5 | 57 | "Spectacle of Self" |
1969-2007 |
5 | 58 | "Spectral Trees" |
1957-1994 |
5 | 59 | "Spider Webs" |
1986-1997 |
5 | 60 | "Spirit Wind" (Alaska Set #26) |
1975-2002 |
5 | 61 | "Spring Arkansas" |
circa 1943 |
5 | 62 | "Spring Echo" |
1971-1994 |
5 | 63 | "Spring in a Bag" |
1958-2005 |
5 | 64 | "Spring in the Fog" |
1962 |
5 | 65 | "Spring Landscape" |
1955-2001 |
5 | 66 | "Spring Rite" |
1956-1994 |
5 | 67 | "Spring View" |
1959-2006 |
5 | 68 | "Spring Winds" |
1966-2001 |
5 | 69 | "Spring Woods" |
1961-1994 |
5 | 70 | "Spring Woods #2" |
1968-2004 |
5 | 71 | "Spring Woods #3" |
1968-1994 |
5 | 72 | "Stage Center" |
1969-1994 |
5 | 73 | "Standing Nude" |
1963-1999 |
5 | 74 | "Standing Nude" |
circa 1970-1994 |
5 | 75 | "Standing Nude" |
circa 1970-1999 |
5 | 76 | "Steep Slopes" |
1963 |
5 | 77 | "Strange Encounter" |
1976-1994 |
5 | 78 | "Strange Encounter" |
1978-2002 |
5 | 79 | "Strange Encounter #3" |
1978-1994 |
5 | 80 | "Studio Group" |
1964-2004 |
5 | 81 | "Study of a Girl" |
1948-1994 |
5 | 82 | "Study of Four Leaves" |
1949-2004 |
5 | 83 | "Study of Tree Struck by Lightning" |
1946-1998 |
5 | 84 | "Stump (or Roots)" |
1958-1995 |
5 | 85 | "Stumps" |
1958-1994 |
5 | 86 | "Stumps" |
circa 1960-2003 |
5 | 87 | "The Summer of '67" |
1967-1999 |
5 | 88 | "Sun in a Box" |
1966-1995 |
5 | 89 | "Sun Spot" |
1968-2000 |
5 | 90 | "Sun Totem #23" (Alaskan) |
1988 |
5 | 91 | "Sunflower Series" (seven drawings) |
1952-1999 |
5 | 92 | "Sunflowers" |
1952-2001 |
5 | 93 | "Surf Form" |
1979-1997 |
5 | 94 | "Surf Line" |
1955-2006 |
5 | 95 | "Swamp" |
1961-2001 |
5 | 96 | "Swamp Wind" |
1971-2004 |
5 | 97 | "Teasel" |
1956-2003 |
5 | 98 | "Teasel" |
1959-2004 |
5 | 99 | "Teasel and Webs" |
1958-1994 |
5 | 100 | "There's a Hovering" (no cataloging, no photo) |
1990 |
5 | 101 | "Thirty-Two Snaps" |
1972-1995 |
5 | 102 | "The Threat" |
1970-2007 |
5 | 103 | "Three Fields" |
1963-1997 |
5 | 104 | "Three Nests" |
undated |
5 | 105 | "Three Rings" |
1972-2003 |
5 | 106 | "Three Trees" |
1958-2001 |
5 | 107 | "Three Trees" |
1972-1999 |
5 | 108 | "Through Falls" |
circa 1960-1994 |
5 | 109 | "Thunderbird Wings (Alert Bay, Cormorant)" |
1975-2007 |
5 | 110 | "Tides" |
1956-2007 |
5 | 111 | "Tomorrow and Tomorrow" |
1971-2001 |
5 | 112 | "Totem Gesture" |
1972-2004 |
5 | 113 | "Tractor Seat" |
1951-1999 |
5 | 114 | "Transformation (Transfiguration)" |
1971-2006 |
5 | 115 | "Treasure" |
1976-2001 |
5 | 116 | "Tree in Fog" |
1968-2005 |
5 | 117 | "Tree Silver" |
1959-1997 |
5 | 118 | "Tree Study" |
1970-1995 |
5 | 119 | "Trees" |
circa 1970-1994 |
5 | 120 | "Trees and Mountain" |
1962-2001 |
5 | 121 | "Trees in the Wind" |
circa 1950-2001 |
5 | 122 | "Trees in Wind" |
circa 1970-1994 |
5 | 123 | "Two Figures" |
1969-2002 |
5 | 124 | "Two Figures on Beach" |
1963-2006 |
5 | 125 | "Two Figures on Beach" |
1971-1973 |
5 | 126 | "Two Landscapes" |
circa 1970-2001 |
5 | 127 | "Under the Surface" |
2006 |
5 | 128 | "Unfinished Portrait of Michael Brennen" (Willamette University professor) |
1956-1999 |
5 | 129 | "Unfinished Portrait of a Young Man" |
undated |
5 | 130 | Untitled |
1964-2007 |
5 | 131 | Untitled abstract seascape |
circa 1960-2003 |
5 | 132 | Untitled abstraction |
circa 1960-2006 |
5 | 133 | Unt. (Untitled) autumn woods (photographs only) |
1964 |
5 | 134 | Untitled (beachscape with four tree figures) |
1977-1994 |
5 | 135 | Untitled beachscape with waves |
circa 1950-2004 |
5 | 136 | Untitled (branches: gnarled trees) |
1989-2007 |
5 | 137 | Untitled - (classic figure) |
1951-2005 |
5 | 138 | Untitled - crouching nude with orange shoes |
circa 1970-2005 |
5 | 139 | Untitled drawing of a leaf |
1946-1997 |
5 | 140 | Untitled drawing of branches wrapped in paper |
circa 2005 |
5 | 141 | Untitled: enigma |
circa 1970-1995 |
5 | 142 | Untitled experimental monoprint |
1958-2004 |
5 | 143 | Untitled figure study |
1963-1995 |
5 | 144 | Untitled figure with dress and bra |
circa 2003 |
5 | 145 | Untitled foreshortened nude |
circa 1960-1994 |
5 | 146 | Untitled - gnarled tree |
1989-1994 |
5 | 147 | Untitled (Growth Forms) |
1970-2001 |
5 | 148 | Untitled Hooded Figure |
1954-2007 |
5 | 149 | Untitled landscape abstraction |
1959-2007 |
5 | 150 | Untitled landscape abstraction |
1973-2000 |
5 | 151 | Untitled landscape (Coos Bay series) |
1965-2001 |
5 | 152 | Untitled landscape (hillside with trees) |
1953-1994 |
5 | 153 | Untitled landscape near Hope, B.C. (British Columbia) |
circa 1970-2007 |
5 | 154 | Untitled landscape with mountain and field |
1971-1995 |
5 | 155 | Untitled landscape with two distant figures |
1964-2007 |
5 | 156 | Untitled landscape/trees and mountain meadow |
1977-1997 |
5 | 157 | Untitled landscape with yellow/green hills |
circa 1980-1997 |
5 | 158 | Untitled (Montana) |
circa 1970-1999 |
5 | 159 | Untitled mountain with snow |
1960-1995 |
5 | 160 | Untitled (mountains) |
1949-1995 |
5 | 161 | Untitled nude |
circa 1960-1994 |
5 | 162 | Untitled nude |
1962-2005 |
5 | 163 | Untitled nude female torso with red branches |
1977-2005 |
5 | 164 | Untitled (nude in landscape) |
circa 1970-2005 |
5 | 165 | Untitled nude standing in water |
1962-2005 |
5 | 166 | Untitled: nude study (pink) |
circa 1950-2006 |
5 | 167 | Untitled - nude with abstract pattern |
1968-2005 |
5 | 168 | Untitled: nude with blue easel |
circa 1970-1995 |
5 | 169 | Untitled nude with elbows on knees |
circa 1950-2006 |
5 | 170 | Untitled nude with red cloth |
circa 1960-2002 |
5 | 171 | Untitled (porch and wisteria) |
circa 1960-2003 |
5 | 172 | Untitled portrait (woman with black hair) |
circa 1950-2005 |
5 | 173 | Untitled reclining nude (monoprint) |
1962-2004 |
5 | 174 | Untitled reclining nude |
1968-1999 |
5 | 175 | Untitled: rocky outcrop with beach background |
1948-1995 |
5 | 176 | Untitled (sea creature or personage) |
1979-2001 |
5 | 177 | Untitled seascape |
circa 1970-2002 |
5 | 178 | Untitled seascape |
1971-1998 |
5 | 179 | Untitled: seated nude |
1963-2006 |
5 | 180 | Untitled: seated nude with drapery |
1963-2006 |
5 | 181 | Untitled: seated nude with elbows on knees |
circa 1950-1995 |
5 | 182 | Untitled still life |
1960-2002 |
5 | 183 | Untitled study (barn and farmyard) |
1949-1995 |
5 | 184 | Untitled study of the Wallowas |
1984-2001 |
5 | 185 | Untitled tree |
1957-2001 |
5 | 186 | Untitled tree study (Silverton set) |
1972-2007 |
5 | 187 | Untitled trees and mountain meadow |
1977-1997 |
5 | 188 | Untitled valley landscape (print) |
circa 2001 |
5 | 189 | Untitled: winter landscape with highway |
circa 1950-2006 |
5 | 190 | Untitled (water reflections) |
circa 1970-2005 |
5 | 191 | Untitled view (Shelton ditch) |
1950-2006 |
5 | 192 | "Vagrants" |
circa 1948 |
5 | 193 | "Valley Head" |
1953-2001 |
5 | 194 | "Valley Head" |
1965-2006 |
5 | 195 | "Valley View" |
1977-1995 |
5 | 196 | "Vetch" |
circa 1950-2004 |
5 | 197 | "View from Candalaria" |
1947-1999 |
5 | 198 | "View from Cliff" |
1968-1994 |
5 | 199 | "View from Rock" |
1971-1998 |
5 | 200 | "View Property" |
1990-2001 |
5 | 201 | "Vine Maple" |
1952-2001 |
5 | 202 | "Violation" (photographs) |
undated |
5 | 203 | "Wailing Wall" |
1954-1999 |
5 | 204 | "Walker" |
1992-2001 |
5 | 205 | "War Drawings" - background material (correspondence and photographs) |
circa 1944-1946 |
5 | 206 | "The Watcher" |
1976-2007 |
5 | 207 | "Watcher of the Sea" |
circa 1970-2006 |
5 | 208 | "Watching Land" |
1975-2007 |
5 | 209 | "Water Reflections" (photographs of water) |
undated |
5 | 210 | "Wave" |
1973-1997 |
5 | 211 | "Wave Patterns" |
1961-2005 |
5 | 212 | "Web" |
1960-1994 |
5 | 213 | "Wedding" (see also "It Came to Pass") (museum pamphlets, correspondence, and photographs) |
1941-1974 |
5 | 214 | "Wet Beach" |
1967-1994 |
5 | 215 | "White Rainbow" (photographs) |
undated |
5 | 216 | "White Water" |
1950-2001 |
5 | 217 | "White Water" |
1955-2006 |
5 | 218 | "White Water" |
1979-2001 |
5 | 219 | "Wide Valley" |
circa 1960-1997 |
5 | 220 | "Wig" |
1965-2004 |
5 | 221 | "Willamette River" |
1955-2007 |
5 | 222 | "Willamette Valley" |
1977-1997 |
5 | 223 | "Willamette Valley" (correspondence) |
1976-1989 |
5 | 224 | "Willamette Valley Drama" |
1955-1999 |
5 | 225 | "Willamette Valley #10" |
1975-2001 |
5 | 226 | "Winter Cocoon" (undated and unsigned) |
2005 |
5 | 227 | "Winter Festival" |
1979-1989 |
5 | 228 | "Winter Landscape" |
1959-2001 |
5 | 229 | "Winter Woods" |
1959-2007 |
5 | 230 | "Winter Woods" |
1968-2005 |
5 | 231 | "Winterscape" |
1950-1994 |
5 | 232 | "Wish Bone" |
circa 1970-1999 |
5 | 233 | "Wishing Moon" |
1964-2005 |
5 | 234 | "Witch's Womb" |
1989-1999 |
5 | 235 | "Woman and Waterfall" |
1966-1998 |
5 | 236 | "Woman in Ecstasy" |
circa 1960-2006 |
5 | 237 | "Woman in Landscape" |
1971-2005 |
5 | 238 | "Woman of Fire - Haida Myth" |
circa 1970-2003 |
5 | 239 | "Woman on Beach" |
1960-1994 |
5 | 240 | "Woman with Eggs" |
1954-2001 |
5 | 241 | "Woman with Long Hair" |
circa 1970-2002 |
5 | 242 | "Wood and Water Patterns" (not cataloged) (photograph) |
undated |
5 | 243 | "Woodland" |
1976-2001 |
5 | 244 | "Woodpile" (correspondence and photograph) |
circa 1941 |
5 | 245 | "Woods" |
1991-1997 |
5 | 246 | "Woods with Electric Light" |
circa 1950-2001 |
5 | 247 | "Willamette Valley Scene" |
1950-1995 |
5 | 248 | "Wind Pattern" |
1965-1998 |
5 | 249 | "Windy Hill" |
1972-2001 |
5 | 250 | "Winter Beach" |
circa 1970-2001 |
5 | 251 | "Young child" |
1971-2007 |
5 | 252 | "Young Forest" |
1992-1994 |
item | |||
6 | 1 | Chronological catalog of works by Carl Hall |
1941-1992 |
Folder | |||
22 | 5 | Carl Hall miscellaneous sketches |
Undated |
Subseries D: Publicity |
1941-2004 | ||
Box | Folder | ||
2 | 61 | Clippings - incomplete (newspaper clippings) |
1942-1986 |
2 | 62 | Clippings to share |
1944-1946 |
2 | 63 | Clipping duplicates (newspaper clippings) |
1952-1999 |
2 | 64 | The Oregon Artist: a Journal of the Museum Art School |
1952-1955 |
2 | 65 | Publicity - Who's Who (in American Art) |
1958-1986 |
2 | 66 | Arts in Oregon Project |
1965-1966 |
2 | 67 | Panegyric by Mission Mill Museum, Inc. |
1972 |
2 | 68 | Panegyric (features Carl Hall) |
1972 January 15 |
2 | 69 | The Alaska Journal: History and Arts of the Northwest, vol.7 no. 2 |
1977 Spring |
2 | 70 | Oregon Territory (articles about Carl Hall) |
1980 October 12 |
2 | 71 | Willamette Scene |
1986-1995 |
2 | 72 | Publicity: Daniel Webb (video - documentary) |
1997 July 15 - August 25 |
2 | 73 | American Art Review (articles about the Hallie Ford Museum and Carl Hall) |
1999 February - 2001 February |
2 | 74 | American Art Review (article about Carl Hall) |
2001 February |
2 | 75 | "The Art of Carl Hall:" article by Roger Hull in American Art Review |
2001 |
16 | 12 | Publicity - newspaper clippings |
1941-1999 |
16 | 13 | Newspaper articles about Carl Hall |
1943-2004 |
16 | 14 | Newspaper clippings - biographical and exhibitions |
1947-1999 |
16 | 15 | Newspaper articles about Carl Hall |
1949-2001 |
16 | 16 | "Contemporary Arts of Oregon: A Centennial Collection" by Northwest Review |
1959 |
16 | 17 | Newspaper clippings about art: The Oregonian |
1962-1978 |
16 | 18 | "Northwest Review" |
1963 Winter |
22 | 1 | Newspaper articles about Carl Hall and his art |
1947-2001 |
Subseries E: Grants and awards |
1949-1985 | ||
Box | Folder | ||
2 | 76 | Louis Comfort Tiffany Foundation grant award (application and notes) |
1949 |
2 | 77 | The American Academy of Arts and Letters and The National Institute of Arts and Letters exhibition and ceremonial |
1949 |
2 | 78 | Statewide Art Services: 3rd Annual Competition proposal |
1969 |
2 | 79 | Nelson Rounds Grant proposal |
1972 March 9 |
2 | 80 | Award: "Excellence in the Arts" by the Salem Arts Commission (correspondence from friends) |
1976 |
2 | 81 | Grant related correspondence and notes |
circa 1981 |
2 | 82 | NEH Grant proposal (Willamette University) |
1985 |
22 | 2 | City of Salem (Oregon) Distinguished Service Award |
1975 October 27 |
item | |||
23 | 1 | Mission Mill Museum - Panegyric Honoree Award |
1972 January 15 |
Series II: Teaching career, 1937-1992Return to Top
Container(s) | Description | Dates | |
---|---|---|---|
Box | Folder | ||
7 | 1 | Art Comprehensive Examinations: Paulin |
1970-1972 |
7 | 2 | Art Acquisition Committee |
undated |
7 | 3 | Art Department Building Rules |
undated |
7 | 4 | Art department: materials to be ordered |
undated |
7 | 5 | Drawing: recommended supply list |
undated |
7 | 6 | Area enrichment: studio courses |
undated |
7 | 7 | Ceramics handout - Paulin |
undated |
7 | 8 | Personal information form (Willamette) |
1976-1981 |
7 | 9 | Possible schedule, WU (Willamette University) Alumni College |
1979-1980 |
7 | 10 | Student evaluation of teaching effectiveness form |
1983 |
7 | 11 | Willamette University Alumni Spring Exhibition |
1992 |
7 | 12 | Instructor's agreement - YWCA |
1971 |
7 | 13 | Oil Painting (class) attendance sheets - YWCA |
1974-1976 |
7 | 14 | "Introduction to Color" class notes |
undated |
7 | 15 | Bulletin to faculty - fall semester |
1948 |
7 | 16 | AA290 Lower-Division Painting class contract (Willamette University) |
1949 |
7 | 17 | Willamette Collegian article about student mural |
undated |
7 | 18 | Matt Ferranto recommendation letter |
1992 |
7 | 19 | Conversation with Carl and Phyllis Hall by Roger Hull |
1993 January 21 |
7 | 20 | Willamette Scene: Special Edition |
1996-1997 |
7 | 21 | Willamette Scene |
1991 |
7 | 22 | "Attributes of a Work of Art" handout |
undated |
7 | 23 | "Illusions of the Senses and of the Sentiments" |
undated |
7 | 24 | "Psychology of Color Sensation" handout and notes |
1949 |
7 | 25 | "The Wise Use of Senses: Sight" handout |
undated |
7 | 26 | "The Purpose of a University Art Department" by Carl Hall |
1966 February |
7 | 27 | "Rules of Thumb When Scrutinizing Works of Art and Artists" |
circa 1975 |
7 | 28 | "Some Misconceptions about Art" |
undated |
7 | 29 | "Artist and Motif" |
undated |
7 | 30 | "General Reading List for Students in the Art Department" handout |
undated |
7 | 31 | "Art Through the Ages" study questions |
undated |
7 | 32 | Photography clippings (articles) |
undated |
7 | 33 | "A Creative Experience" notes |
undated |
7 | 34 | "Field Study of the Arts and Sciences" |
undated |
7 | 35 | Techniques, 1 of 6 |
circa 1941-1945 |
7 | 36 | Techniques, 2 of 6 |
circa 1941-1945 |
7 | 37 | Techniques, 3 of 6 |
circa 1941-1945 |
7 | 38 | Techniques, 4 of 6 |
circa 1941-1945 |
7 | 39 | Techniques, 5 of 6 |
circa 1941-1945 |
7 | 40 | Techniques, 6 of 6 |
circa 1941-1945 |
7 | 41 | Techniques of the Artist, 1 of 5 |
circa 1983 |
7 | 42 | Techniques of the Artist, 2 of 5 |
circa 1983 |
7 | 43 | Techniques of the Artist, 3 of 5 |
circa 1983 |
7 | 44 | Techniques of the Artist, 4 of 5 |
circa 1983 |
7 | 45 | Techniques of the Artist, 5 of 5 |
circa 1983 |
7 | 46 | Advantages of Using Resin handout |
undated |
7 | 47 | Tempera Painting notebook |
circa 1939 |
7 | 48 | Tempera Painting handout |
undated |
7 | 49 | Simple Rules for Painting in Oil handout |
undated |
7 | 50 | Palette Index handout |
undated |
7 | 51 | Glazes and Glazing |
undated |
7 | 52 | Media handout |
undated |
7 | 53 | Loose newspaper clippings on art |
undated |
7 | 54 | Part III: Three Dimensional Color Space Arrangements |
undated |
7 | 55 | Color Use - handout |
undated |
7 | 56 | Color and Composition - handout |
undated |
7 | 57 | Index - handout |
undated |
7 | 58 | Color and Composition - student papers |
undated |
7 | 59 | Drawing and Composition, 1 of 8 |
circa 1967-1976 |
7 | 60 | Drawing and Composition, 2 of 8 |
circa 1967-1976 |
7 | 61 | Drawing and Composition, 3 of 8 |
circa 1967-1976 |
7 | 62 | Drawing and Composition, 4 of 8 |
circa 1967-1976 |
7 | 63 | Drawing and Composition, 5 of 8 |
circa 1967-1976 |
7 | 64 | Drawing and Composition, 6 of 8 |
circa 1967-1976 |
7 | 65 | Drawing and Composition, 7 of 8 |
circa 1967-1976 |
7 | 66 | Drawing and Composition, 8 of 8 |
circa 1967-1976 |
7 | 67 | Drawing and Color Composition - folder |
undated |
7 | 68 | Part II: Organization of the Art Form and Space Relationships - handout |
undated |
7 | 69 | Forms of Space in the Arts - handouts |
undated |
7 | 70 | Form: Light and Shade - handout |
undated |
7 | 71 | Paper for Etching and Engraving Litho - handout |
undated |
7 | 72 | Acids - handout |
undated |
7 | 73 | Dry Point - handout |
undated |
7 | 74 | Graphics - handout |
undated |
7 | 75 | Authentication - handout |
undated |
7 | 76 | Line Engraving - handout |
undated |
7 | 77 | The Elements of Art Structure - handout |
undated |
7 | 78 | General Outline of Elements of Design - handouts |
undated |
7 | 79 | Class preparation notes for Elements of Design |
undated |
7 | 80 | Elements of Design - work outline |
undated |
7 | 81 | Josef Albers - handout |
undated |
7 | 82 | Cezanne: Post - Impressionist - handout |
undated |
7 | 83 | Vincent Van Gogh - handout |
undated |
7 | 84 | Impressionism - handout |
undated |
7 | 85 | Matisse - handout |
undated |
7 | 86 | Matisse and Cezanne handouts |
undated |
7 | 87 | Endeavor |
1954 |
7 | 88 | The Jason |
1952 |
7 | 89 | Physical Geology handouts (course not taught by Carl Hall) |
undated |
7 | 90 | History of Ancient and Medieval Art - course outline - University of Florida |
undated |
8 | 1 | Article - "Abstract Art and the Critics" by James Ackerman - The Atlantic |
1962 |
8 | 2 | Article - "A Fresh Appraisal of the Civil War" by D. W. Brogan - Harper's Magazine |
1960 |
8 | 3 | Article - "Age of Surrealism" by Wallace Fowle (notes) |
1950 |
8 | 4 | American Artist clippings |
circa 1945-1950 |
8 | 5 | American Artist clippings |
circa 1947-1951 |
8 | 6 | Article - "American Colonial Painting in General" by James Thomas Flexner |
1947 |
8 | 7 | Article - "Art, Adrenaline, and the Enjoyment of Living" by Norman Cousins - Saturday Review |
1986 |
8 | 8 | Article - "Are Artists Intelligent?" by Emily Farnham |
undated |
8 | 9 | "A Bank as Art Patron" Museum of Art - University of Oregon |
1963 |
8 | 10 | "Art Centers for Everybody may be Swell by They're not Helping Improve Tastes" by John Canaday |
undated |
8 | 11 | "Art and Democracy" by Edward Bruce |
undated |
8 | 12 | "Abstract Art: the Law, the Maze, and the Monster" by Walter Adell (notes) |
1948 |
8 | 13 | "American Painting in our Century" by Frederick Wight |
1949 |
8 | 14 | "Art for Art's Sake" by E. M. Forester |
1949 |
8 | 15 | "Art Must Be Modern" by Walter Pach |
1950 |
8 | 16 | "Art as Experience" by John Dewey (notes) |
undated |
8 | 17 | Notes from "Art and Society" by Herbert Read |
undated |
8 | 18 | "Art: Giver of Life and Peace" by George Santayana for The Saturday Review |
undated |
8 | 19 | "Art and the Symbol" by Lewis Mumford |
undated |
8 | 20 | "Art in America in 1962" by Katherine Kuh for The Saturday Review |
1962 |
8 | 21 | "Art in Our Time: An Editorial" by Emily Genauer |
1961 |
8 | 22 | "Art in the Classroom" by George Cohen |
1955 |
8 | 23 | Art News |
1951 |
8 | 24 | Art News |
1954 |
8 | 25 | "Art - Pictorial and Emotional" by Stuart Frenton |
undated |
8 | 26 | Articles concerning art |
1950 |
8 | 27 | "Art Versus Science" - Pacific Discovery |
1962 |
8 | 28 | Articles and notes about Asian art |
undated |
8 | 29 | Articles and notes about Asian art |
undated |
8 | 30 | "Born a Square - the Westerner's Dilemma" by Wallace Stegner |
undated |
8 | 31 | Carnegie Magazine |
1948 |
8 | 32 | Carnegie Magazine |
1949 |
8 | 33 | "Camouflage, Op Art Techniques Can Help Fashion Conscious" by Edith Head |
undated |
8 | 34 | "Design in Transit" by Peter Chermayeff |
undated |
8 | 35 | Clippings from personal library, 1 of 5 |
circa 1942-1957 |
8 | 36 | Clippings from personal library, 2 of 5 |
circa 1942-1957 |
8 | 37 | Clippings from personal library, 3 of 5 |
circa 1942-1957 |
8 | 38 | Clippings from personal library, 4 of 5 |
circa 1942-1957 |
8 | 39 | Clippings from personal library, 5 of 5 |
circa 1942-1957 |
8 | 40 | "Colleges Graduate Visual Illiterates" |
1966 |
8 | 41 | "Community Critics vs. Modern Painting" |
1956 |
8 | 42 | Notes from "The Condition of Man" by Lewis Mumford |
undated |
8 | 43 | "Crowding in the City: the Japanese Solution" by Richard Alan Smith |
undated |
8 | 44 | Notes from "A Cultural History of the Modern Age" by Egon Friedell |
undated |
8 | 45 | "Design, Technology, and the Pursuit of Ugliness" by George Nelson - The Saturday Review |
1971 |
8 | 46 | Detroit Free Press |
1986 |
8 | 47 | "The Economics of Contemporary Art" by Lloyd Goodrich |
1958 |
8 | 48 | "For the New Year, Some Resolutions that Might Give the Art World Clarity and Light" by Aline B. Louchheim |
undated |
8 | 49 | "Four Ways Outlined to Broaden Corporate Support of Arts" |
1966 |
8 | 50 | Francis H. Taylor - "Art and the Dignity of Man" |
1948 |
8 | 51 | "The Summons of Art" by Francis Henry Taylor |
undated |
8 | 52 | "The Fine Arts Related to the People" by Edward Simmons |
undated |
8 | 53 | "From the Stone Age of Art to the Space Age of Communications" |
undated |
8 | 54 | "Hard-Pressed Britain to Spend More on Arts than Ever Before" by Granville Wilson |
undated |
8 | 55 | "I Am an Artist" |
1957 |
8 | 56 | Notes from "Ideas have Consequences" by Richard M. Weaver |
1948 |
8 | 57 | "The Ideals of Italy" |
undated |
8 | 58 | "Imagination Creatrix" by John Livington Lowes - notes from Readings in the Physical Sciences |
undated |
8 | 59 | "Intro." - volume II, number 11 |
1953 |
8 | 60 | Albert Schweitzer - notes and articles |
1949 |
8 | 61 | Jacques Barzum notes |
undated |
8 | 62 | "The Language Invasion: Words in the Museum" |
1963 |
8 | 63 | Articles and notes concerning arts |
undated |
8 | 64 | "Lessons in Art Appreciation" by Bernard Myers |
1937 |
8 | 65 | "Meaning in the Arts" by Swami Kriymanda |
1971 |
8 | 66 | "Myra Wiggins and Helen Gatch: Conflicts in American Pictorialism" by Roger Hull |
1992 |
8 | 67 | Notes from personal library, 1 of 3 |
undated |
8 | 68 | Notes from personal library, 2 of 3 |
undated |
8 | 69 | Notes from personal library, 3 of 3 |
undated |
8 | 70 | Notes from "Paintings and Painters" |
1945 |
8 | 71 | Realistic / abstract debate articles |
undated |
8 | 72 | "The Joy has Gone Out of Learning" |
1966 |
8 | 73 | Kenneth Clark clippings |
undated |
8 | 74 | Saturday Review |
1968 |
8 | 75 | Articles from various publications and notes by Carl Hall |
circa 1942-1958 |
8 | 76 | Articles from various publications and notes by Carl Hall |
circa 1950-1957 |
9 | 1 | Articles from various publications and notes by Carl Hall |
circa 1950-1951 |
9 | 2 | "Old Masters and a New Market" article |
undated |
9 | 3 | "One's Art is Another's Boondoggle" by James Kilpatrick - Oregon Statesman |
1979 |
9 | 4 | Color and Composition: class materials and notes |
circa 1971-1973 |
9 | 5 | Color and Composition: class materials and notes |
circa 1971-1973 |
9 | 6 | Class notes and materials |
undated |
9 | 7 | Class notes and materials |
undated |
9 | 8 | Watercolor class materials |
undated |
9 | 9 | Egg tempera materials |
undated |
9 | 10 | Life class - materials (skeletal structure and nudes) |
undated |
9 | 11 | Pablo Picasso articles |
undated |
9 | 12 | "The Painted Word" - Harper's |
1975 |
9 | 13 | "The Past Lives On" - article |
1978 |
9 | 14 | "Pictures on Exhibit" |
1952 |
9 | 15 | Rembrandt: images and articles |
undated |
9 | 16 | "Reflections on Anti-Intellectualism" by Morton White (notes) |
1962 |
9 | 17 | "Remarks on Modern Art" by Jacques Barzun - Classic, Romantic, and Modern |
1961 |
9 | 18 | "Reservoirs of Meaning" - Art and Life |
undated |
9 | 19 | "Round Table on Modern Art" - Life Magazine |
1967 |
9 | 20 | "School Arts: American Indian Arts Crafts" volume 41, number 3 |
1941 |
9 | 21 | "Roots and Influences" by Nathaniel Pousette Dart - American Artist |
1948 November |
9 | 22 | "Scholarship versus Culture" by Jacques Barzun - The Atlantic Monthly |
1984 |
9 | 23 | "Science: The Glorious Entertainment" |
undated |
9 | 24 | "Space, Time and Culture Among the Iraqw of Tanzania" by Robert J. Thornton (notes) |
undated |
9 | 25 | "Space and Time" by Pierre Francastel |
undated |
9 | 26 | "The Art Galleries: A Risk for the Intelligence" by Robert M. Coates - The New Yorker |
1962 |
9 | 27 | "The Artist as Teacher" by Bradley G. Morison - Saturday Review |
1970 |
9 | 28 | "The Long Battle Between Art and the Machine" by Edgar Wind |
1963 |
9 | 29 | "The New Art and Portland" by Jack Eyerly - Northwest Magazine |
1968 |
9 | 30 | "The Pastel: A Manual on Painting with Pastels" by Jan Wiegers |
undated |
9 | 31 | "The Post War Generation in Arts and Letters" - Saturday Review |
1953 |
9 | 32 | "The Power of the Poet" by Pierre Emmanuel and "The Education of the Poet" by Peter Viereck - Atlantic Monthly |
1951 |
9 | 33 | "Trompe L'Oeil: A History of Pictorial Illusionism" by M. L. d'Otrange Mastal |
undated |
9 | 34 | Articles about art |
circa 1947-1951 |
9 | 35 | "What Abstract Art Means to Me" by Robert Motherwell" |
1951 |
9 | 36 | "When Earth's Last Picture is Painted" Rudyard Kipling's Verse |
undated |
9 | 37 | "Why a Teaching Collection?" by A. Richard Turner - Middlebury New Letter |
1969 |
9 | 38 | Clippings: patterns and designs |
1959-1984 |
9 | 39 | Clippings: modern art |
undated |
9 | 40 | Clippings: art restoration |
undated |
9 | 41 | Art clippings |
undated |
9 | 42 | Art clippings |
undated |
9 | 43 | Art clippings |
undated |
10 | 1 | Jason (Willamette University) |
1966 |
10 | 2 | Jason: Fine Arts publication at Willamette University |
1966 |
10 | 3 | Jason: Fine Arts publication at Willamette University |
1967 |
10 | 4 | Jason: Fine Arts publication at Willamette University |
1971 |
10 | 5 | Jason (Willamette University) |
1973 |
10 | 6 | Jason's Phantasy (Willamette student magazine) |
undated |
10 | 7 | "Education and the Community Arts Program" |
1965 |
10 | 8 | Magazine and journal articles concerning nature and art (notated by Hall) |
1966-1981 |
10 | 9 | Color and Composition class: notes and assignments |
circa 1971-1985 |
10 | 10 | Teaching materials (notes, articles, and correspondence) |
circa 1973 |
10 | 11 | Atkinson Summer Research Grant application |
circa 1978 |
10 | 12 | Art 61: Independent Project - Painting (assignment information) |
undated |
10 | 13 | Book about types of art (written and compiled by Carl Hall) |
undated |
10 | 14 | Color and Composition class materials and student sketches |
undated |
10 | 15 | Drawing and Composition (class assignments) |
1981 |
10 | 16 | Handouts/assignments |
circa 1984 |
10 | 17 | Handouts/notes: Painting (class) |
undated |
10 | 18 | Advertising Design class materials |
undated |
10 | 19 | Jason: Fine Arts publication at Willamette University |
undated |
10 | 20 | Class handouts/notes: Print Making |
undated |
10 | 21 | Quotations (concerning art) |
undated |
10 | 22 | Statements by other artists about the nature of art |
undated |
item | |||
24 | 1 | The Materials of the Artist and Their Use in Painting by Max Doerner (with notes and annotations by Carl Hall) |
1948 |
Series III: Writing, 1929-2004Return to Top
Container(s) | Description | Dates | |
---|---|---|---|
Subseries A: Manuscripts and essays |
1929-2004 | ||
Box | Folder | ||
10 | 23 | Bird observations and notes |
circa 1947 |
10 | 24 | The Diminutive Flyway: Coast Bush-Tit |
1954-1970 |
10 | 25 | Flyway studies (The Diminutive Flyway: Coast Bush-Tit |
1954-1970 |
10 | 26 | Wading birds and shore birds articles (written by Audubon Society members for National Geographic magazine) |
undated |
10 | 27 | Birds of North America (National Geographic magazine) |
undated |
10 | 28 | Minto Island Heron Rookery by Carl Hall |
1970-1971 |
10 | 29 | Newspaper articles about birds at Minto Brown Island, Salem, Oregon |
1970-1972 |
10 | 30 | "Alaska - Soul Catcher" by Carl Hall (The Alaska Journal) |
1977 Spring |
10 | 31 | Bird-watching notebook: herons (observations by Carl Hall) |
1970-1971 |
10 | 32 | "Bird watching: life studies," "Birds of Portland, Ore. (Oregon)," and "Watching Flock Movements" (by other authors) |
1929-1942 |
10 | 33 | Map of duck migration, Salem, Oregon |
undated |
10 | 34 | Butterflies: articles by various authors |
undated |
10 | 35 | "Geology of the Lower Columbia River" by Edwin T. Hodge (with notes by Carl Hall) |
undated |
10 | 36 | The Larger Nest by Carl Hall (drafts) |
undated |
10 | 37 | First draft: River Chant |
1947-1948 |
10 | 38 | "Early Spanish Artists in the Northwest Coast" by Donald C. Cutter (research materials) |
circa 1963 |
10 | 39 | "Thoughts at a New Year" |
1967 December |
10 | 40 | What Now, My Love? Draft |
1968 March |
10 | 41 | Remarks relative to legislation for the arts |
circa 1978-1979 |
10 | 42 | Ozetta Interlude by Carl Hall |
1987-1994 |
10 | 43 | Ozetta Interlude by Carl Hall |
1994 |
10 | 44 | Ozetta Interlude |
undated |
10 | 45 | "The Artist as Academician" by Donald Atwell Zoll (research material) |
circa 1964 |
10 | 46 | Civic Center talk: Salem (Oregon) |
1976 October 6 |
10 | 47 | Voyage of the Eye: a Search for Sources (Northwest Indian art) (drafts) |
1978-1979 |
10 | 48 | Voyage of the Eye: a Search for Sources (Northwest Indian art) (drafts) |
1978-1979 |
10 | 49 | Voyage of the Eye: a Search for Sources (8th draft) |
1979 February |
10 | 50 | Voyage of the Eye: a Search for Sources |
undated |
10 | 51 | Northwest Matrix: Space-Time in Northwest Indian Culture (drafts of book) |
1979 |
10 | 52 | Northwest Matrix: Space-Time in Northwest Indian Culture (drafts of book) |
1979 |
10 | 53 | Rite by Number: Northwest Coast Indians (notes and draft) |
undated |
11 | 1 | Weather (articles and notes) |
1942-1954 |
11 | 2 | First draft - Spectator and Gladiator |
1953 |
11 | 3 | Spectator and Gladiator (draft) |
undated |
11 | 4 | Spectator and Gladiator: chapter 1 - 3rd draft |
1959 January 18 |
11 | 5 | Spectator and Gladiator: chapter 1 - 4th draft - Carbons |
undated |
11 | 6 | Spectator and Gladiator (final copy) by Carl Hall |
1959 |
11 | 7 | Spectator and Gladiator (final copy) by Carl Hall |
1959 |
11 | 8 | "Images:" Northwest Landscape (final copy) by Carl Hall |
1956 |
11 | 9 | "Images:" Northwest Landscape (final copy) by Carl Hall |
1956 |
11 | 10 | "Images:" Northwest Landscape (manuscript) by Carl Hall |
undated |
11 | 11 | Rejection letters from Caxton Printers, Ltd. for Images: Northwest Landscape |
undated |
11 | 12 | Broken Urn - correspondence |
1958-2004 |
11 | 13 | Carl Hall war journal: transcribed (transcription of Hall's war journal used for Broken Urn) |
undated |
11 | 14 | The Broken Urn: first draft with additions |
undated |
11 | 15 | Broken Urn (draft with edits) |
circa 2001-2004 |
11 | 16 | Broken Urn: Michael Strelow's editing |
circa 2001-2004 |
11 | 17 | Copy of The Broken Urn: Okinawa Interlude by Carl Hall |
circa 2004 |
11 | 18 | Copy of The Broken Urn: Okinawa Interlude by Carl Hall |
circa 2004 |
11 | 19 | The Broken Urn by Carl Hall: copy of original draft |
circa 2004 |
11 | 20 | The Broken Urn: Okinawa Interlude by Carl Hall |
2004 |
11 | 21 | The Broken Urn: Okinawa Interlude by Carl Hall |
2004 |
11 | 22 | "The Artist's Profession in this Early Republic" by H. E. Dickson (research material) |
circa 1945 |
11 | 23 | "Early American Landscape Prints" by Frank Weitenkampf (research material) |
circa 1945 |
11 | 24 | American artists - 20th century: research articles and notes |
circa 1945-1947 |
11 | 25 | American artists - 20th century: research articles and notes |
circa 1934-1951 |
11 | 26 | "George Catlin in Oregon: 1855" draft and notes |
undated |
11 | 27 | "George Catlin in Oregon" |
undated |
11 | 28 | John M. (Mix) Stanley: drafts and notes by Carl Hall |
undated |
11 | 29 | "Oregon Artist and Region" - 2nd draft |
1958 |
11 | 30 | "Oregon Artist" |
circa 1958 |
11 | 31 | "Creative Resistance: Challenge for Northwest Art" from The Spectator and Gladiator |
1958 |
11 | 32 | Research material for Westward I Go Free |
1961 |
11 | 33 | Research material for Westward I Go Free |
1961 |
11 | 34 | Notes: Westward I Go Free |
circa 1962 |
11 | 35 | Westward I Go Free: Volumes 6, 7, and 8 |
undated |
11 | 36 | Constant Myth: Oregon Artist and his Northwest Environment - 4th draft |
1961 June |
11 | 37 | Constant Myth: Oregon Artist and his Northwest Environment - 4th draft |
1962 June |
11 | 38 | Constant Myth: Oregon Artist and his Northwest Environment - 4th draft |
1962 June |
11 | 39 | Constant Myth: Oregon Artist and his Northwest Environment - 4th draft |
1962 June |
11 | 40 | "Constant Myth" rough draft: Part III |
undated |
11 | 41 | "Constant Myth" rough draft: Part II (chapter V) |
undated |
11 | 42 | "Constant Myth" Parts II and III: 5th rough draft |
1962 December |
11 | 43 | "Constant Myth" chapters I and II |
undated |
11 | 44 | "Constant Myth" drafts by Carl Hall |
undated |
12 | 1 | Speeches (drafts) by Carl Hall |
circa 1950 |
12 | 2 | "You Are Blind" : five-minute speech by Carl Hall |
1950 |
12 | 3 | "Art - A Need" : five-minute speech by Carl Hall |
1950 |
12 | 4 | "The Most Unforgettable Character that I have Known," five-minute speech by Carl Hall |
1950 |
12 | 5 | "Art and Place" |
1953 April |
12 | 6 | The Masquerade of Time: 2nd, 3rd, and 4th drafts |
1982 |
12 | 7 | The Masquerade of Time: 5th draft |
1982 November |
12 | 8 | The Masquerade of Time (concerning museum collections of Northwest Coast Art) |
circa 1985 |
12 | 9 | The Masquerade of Time by Carl Hall - draft |
undated |
12 | 10 | Containers of Time: 1st (first) draft |
1982 February 18 |
12 | 11 | Esther Huffman memorial service speech by Carl Hall |
1988 February 3 |
12 | 12 | "The Destructive Caress" by Carl Hall |
undated |
12 | 13 | "Composition" drafts by Carl Hall |
undated |
12 | 14 | "Color: Paper" drafts by Carl Hall |
undated |
12 | 15 | "Color: Understanding" drafts by Carl Hall |
undated |
12 | 16 | "Form" drafts ("Light and Shade" and "Line") |
undated |
12 | 17 | "Blake" by Carl Hall |
undated |
12 | 18 | "Artist and Self" by Carl Hall |
undated |
12 | 19 | "Art and the Armchair" |
undated |
12 | 20 | Rough draft: part I by Carl Hall |
undated |
12 | 21 | "Space: Related to Art" by Carl Hall (draft) |
undated |
12 | 22 | American arts notes (artist notes) |
undated |
12 | 23 | American landscape painting notes |
undated |
12 | 24 | "Northwest Indian Art: Totem Poles" slide notes |
undated |
12 | 25 | "Resistance in Northwest Art" by Roger Hull notes on Carl Hall |
undated |
14 | 1 | Research articles about American artists (frontier artists and Oregon artists) (articles and notes) |
circa 1932-1956 |
14 | 2 | "American Colonial Painting in General" by James Thomas Flexner (research material) |
circa 1947 |
14 | 3 | Oregon artists material: background - historical and social conditions - pioneer reference (research and notes) |
circa 1948-1961 |
14 | 4 | "The Audubon Warbler" Oregon Audubon Society |
1949 |
14 | 5 | "Open Letter to a Young Artist" Carl Hall |
1950-1951 |
14 | 6 | Essays, images, and mis. (miscellaneous) notes - unused |
circa 1951-1952 |
14 | 7 | "Where 'Art' Thou?" (drafts and final copies) |
1960-1961 |
14 | 8 | "The Mute Pulpit" part I (draft) |
circa 1962-1966 |
14 | 9 | "Reaped by our Begats," "Heads or Tails," and "Tinkertoys - Brickbats and Moss" by Carl Hall |
1966 |
14 | 10 | "What Now, My Love?" |
1967-1968 |
14 | 11 | Northwest Coast Arts |
circa 1973-1977 |
14 | 12 | "The New Game: Monopoly with Children" |
undated |
14 | 13 | Alaskan art notes and bibliography |
undated |
14 | 14 | "Censorship Problem" notes |
undated |
14 | 15 | "Childhood" notes |
undated |
14 | 16 | "Constant Myth" prologue |
undated |
14 | 17 | "Father and Child" from Images by Carl Hall |
undated |
14 | 18 | "Fishing" by Carl Hall |
undated |
14 | 19 | "Nature" notes |
undated |
14 | 20 | "Check List of Birds" - the Salem Audubon Society |
undated |
14 | 21 | "Outside the Kitchen Door" series by Grace Sharritt |
undated |
14 | 22 | Oregon art notes (art in the Northwest) |
undated |
14 | 23 | "Symbolism, Art, and Man" drafts and notes |
undated |
14 | 24 | "Open Letter to a Young Artist" drafts |
undated |
14 | 25 | "On Art" - articles, notes, etc. |
undated |
16 | 19 | Plants, stories, and Legends, volume 1 by Carl Hall |
circa 1943 |
16 | 20 | First expressions of the "Broken Urn" : war in World War II - Leyte and Okinawa (personal writings and drafts by Carl Hall) |
undated |
16 | 21 | Local migration studies (birds): Brown Island (Minto Brown Island), Salem, Oregon |
1947-1975 |
16 | 22 | Notes and research on birds of Northwest Oregon |
circa 1966 |
item | |||
23 | 2 | Northwest Blue Heron Rookery Study |
1972 |
Subseries B: Poetry |
1940-1994 | ||
Box | Folder | ||
12 | 26 | Root and Branch: A Collection (poems) |
circa 1940-1949 |
12 | 27 | "Step and Reach: a Group of Poems" by Carl Hall |
1951-1960 |
12 | 28 | "Spread and Fall: a Group of Poems" by Carl Hall |
1953 |
12 | 29 | Water Beads - Book II (poetry by Carl Hall) |
circa 1953 |
12 | 30 | A collection of poems |
1956 |
12 | 31 | New Poems by Carl Hall |
1958 |
12 | 32 | Poetry by Carl Hall |
circa 1960-1961 |
12 | 33 | Merrilee's set (poems in response to the death of daughter Merrilee) |
1982-1983 |
12 | 34 | Carl Hall poetry (includes Beyond Tears: poetry about his daughter) |
circa 1982-1984 |
12 | 35 | The Willamette Journal of the Liberal Arts: "Beyond Tears" poems in memory of Merrilee Hall |
1983 Fall |
12 | 36 | "Beyond Tears" : poems by Carl Hall in memory of Merrilee |
1983 Fall |
12 | 37 | Poems and personal writings |
circa 1983 October - 1985 July |
12 | 38 | Poems and personal writings |
circa 1983 October - 1985 July |
12 | 39 | Carl Hall poems |
circa 1994 |
12 | 40 | Poetry: personal - undeveloped early written work |
undated |
12 | 41 | Poetry |
undated |
12 | 42 | Poems and notes |
undated |
12 | 43 | Poems by Carl Hall |
undated |
12 | 44 | Poems by Carl and Phyllis Hall |
undated |
14 | 26 | Poems and correspondence (correspondence from World War II) |
circa 1941-1953 |
16 | 23 | Spread and Fall - book II (poetry by Carl Hall) |
1953 |
16 | 24 | Book III (poetry by Carl Hall) |
1954 |
16 | 25 | Poems by Carl Hall |
circa 1956-1960 |
Subseries C: Articles |
1941-1988 | ||
Box | Folder | ||
12 | 45 | Weather: newspaper and magazine articles and notes |
circa 1941 |
12 | 46 | Bird observations and notes |
circa 1954-1958 |
12 | 47 | Review of Nelson Sandgren's works at Willamette Gallery (by Carl Hall) |
1963 November 24 |
12 | 48 | "Pop Art" by Carl Hall for the Oregon Statesmen Review |
1965-1967 |
12 | 49 | Barbizon paintings at WU (Willamette University): article written by Carl Hall |
1967 December |
12 | 50 | Photographs from Alaska trip: used in Malahat Review no. 60 |
circa 1978 |
12 | 51 | The Alaska Journal |
1979-1980 |
12 | 52 | New Publications - University of Washington Press |
1987-1988 |
12 | 53 | Weather: article and notes |
undated |
12 | 54 | "Grass Roots" Part II by Carl Hall |
undated |
12 | 55 | Articles - personal statements (drafts) |
undated |
12 | 56 | Article by Carl Hall - "Voyage of the Eye: A Search for Sources" |
undated |
14 | 27 | Images column by Carl Hall for the Oregon Statesman (drafts of articles and newspaper clippings) |
1952 April 21 - 1956 October 21 |
14 | 28 | Images column by Carl Hall for the Oregon Statesman (drafts of articles and newspaper clippings) |
1957 January - 1968 January |
14 | 29 | Images column by Carl Hall for the Oregon Statesman (drafts of articles and newspaper clippings) |
undated |
14 | 30 | Drafts and newspaper clippings of articles by Carl Hall for the Oregon Statesman |
1964-1968 |
14 | 31 | Images column: rough drafts |
undated |
14 | 32 | Images column: rough drafts |
undated |
14 | 33 | Oregon artists: Martha Redd - Images column for the Oregon Statesman newspaper |
1953 August 2 |
14 | 34 | Oregon artists: Margaret Simpson - Images column for the Oregon Statesman newspaper |
1953 August 16 |
14 | 35 | Oregon artists: Louis Bunce - Images column for the Oregon Statesman newspaper |
1955 September 25 |
14 | 36 | Oregon artists: John Waddingham - Images column for the Oregon Statesman newspaper |
1955 October 23 |
14 | 37 | Oregon artists: David McCosh - Images column for the Oregon Statesman newspaper |
1956 March 11 |
14 | 38 | Oregon artists: Tom Hardy - Images column for the Oregon Statesman newspaper |
1956 May |
14 | 39 | Oregon artists: Milton Wilson - Images column for the Oregon Statesman newspaper |
1956 November 11 |
14 | 40 | Oregon artists: Jack McLarty - Images column for the Oregon Statesman newspaper |
1957 January 6 |
14 | 41 | Oregon artists: Robert Huck - Images column for the Oregon Statesman newspaper |
1957 January 13 |
14 | 42 | Oregon artists: Tom Hardy - Images column for the Oregon Statesman newspaper |
1957 January 27 |
14 | 43 | Oregon artists: Helen Blumenstiel - Images column for the Oregon Statesman newspaper |
1957 March 10 |
14 | 44 | Oregon artists: Margaret Simpson - Images column for the Oregon Statesman newspaper |
1957 April 14 |
14 | 45 | Oregon artists: Si Ostermeier - Images column for the Oregon Statesman newspaper |
1957 May 12 |
14 | 46 | Oregon artists: Anne Kutka - Images column for the Oregon Statesman newspaper |
1957 October 13 |
14 | 47 | Oregon artists: Frederick Heidel - Images column for the Oregon Statesman newspaper |
1957 October 20 |
14 | 48 | Oregon artists: Florence Saltzman Heidel - Images column for the Oregon Statesman newspaper |
1957 November 17 |
14 | 49 | Oregon artists: Evelyn Benner - Images column for the Oregon Statesman newspaper |
1957 |
15 | 1 | Oregon artists: Constance Fowler - Images column for the Oregon Statesman newspaper |
1957 |
15 | 2 | Oregon artists: Martha Glogau: Molly Young - Images column for the Oregon Statesman newspaper |
1957 |
15 | 3 | Oregon artists: Helen Blumenstiel - Images column for the Oregon Statesman newspaper |
1958 |
15 | 4 | Oregon artists: Margaret Simpson and Clifford Gleason - Images column for the Oregon Statesman newspaper |
undated |
15 | 5 | Oregon artists: Andrew Vincent - Images column for the Oregon Statesman newspaper |
undated |
15 | 6 | Oregon artists: Charles Heaney - Images column for the Oregon Statesman newspaper |
undated |
15 | 7 | Oregon artists: Paul Gunn - Images column for the Oregon Statesman newspaper |
undated |
15 | 8 | Oregon artists: Sister Noreen Elizabeth - Images column for the Oregon Statesman newspaper |
undated |
15 | 9 | Images column by Carl Hall for the Oregon Statesman - newspaper clippings |
undated |
15 | 10 | Oregon Statesman (articles by Carl Hall) |
1960-1963 |
15 | 11 | Oregon Statesman (articles by Carl Hall) |
1960-1963 |
15 | 12 | Oregon Statesman (articles by Carl Hall) |
1960-1963 |
15 | 13 | Young artists and Oregon artist (articles by Carl Hall for the Oregon Statesman - includes correspondence from Helen Blumenstiel and Charles Heaney) |
1949-1959 |
15 | 14 | Young artists and Oregon artist (articles by Carl Hall for the Oregon Statesman) |
1955-1958 |
15 | 15 | Young artists and Oregon artist (articles by Carl Hall for the Oregon Statesman) |
1955-1958 |
15 | 16 | Art reviews (articles by Carl Hall) |
1957-1961 |
15 | 17 | Art reviews (articles by Carl Hall) |
1957-1961 |
15 | 18 | Art reviews (articles by Carl Hall) |
1957-1961 |
15 | 19 | "Art is an Untangling of Man's Heart Strings" - article by Carl Hall for the Willamette Collegian |
1953 |
15 | 20 | Newspaper articles about art and artists: the Sunday Oregonian |
1966-1967 |
15 | 21 | Newspaper articles by Carl Hall concerning art and art exhibitions |
1967 |
16 | 26 | Articles by Carl Hall (drafts) |
undated |
Subseries D: Personal writing |
1939-1995 | ||
Box | Folder | ||
12 | 57 | Quotations and writings collected by Carl Hall |
circa 1940 |
12 | 58 | Miscellaneous writings about art and artists |
1948-1949 |
12 | 59 | Miscellaneous writings about art and artists |
1948-1949 |
12 | 60 | Miscellaneous writings about art and artists |
1948-1949 |
13 | 1 | Carl Hall: writing in progress |
1952 October - 1989 October |
13 | 2 | Senate Bill no. 300: Oregon Fine arts commission (notes by Carl Hall) |
1955 March |
13 | 3 | 60 - worksheets - poems (poetry and correspondence) |
circa 1957-1961 |
13 | 4 | 60 - worksheets - poems (poetry and correspondence) |
circa 1957-1961 |
13 | 5 | "The Purpose of a University Art Department" |
1966 February |
13 | 6 | Notes and writings |
circa 1971-1995 |
13 | 7 | Writings about art and artists |
undated |
13 | 8 | Miscellaneous writings about art |
undated |
13 | 9 | Quotations from various authors (and Hall's notes) |
undated |
13 | 10 | Thoughts on are (notes) |
undated |
13 | 11 | Quotations about art and nature collected by Carl Hall |
undated |
13 | 12 | Quotations collected by Carl Hall |
undated |
13 | 13 | Personal writings and notes |
undated |
13 | 14 | Personal writings |
undated |
13 | 15 | Writing on nature |
undated |
13 | 16 | Notebook of vocabulary words with definitions |
circa 1939 |
13 | 17 | Journal |
1942 |
13 | 18 | Journal (quotations and newspaper clippings) |
1942 |
13 | 19 | Notebook: warfare notes and sketches |
1943 |
item | |||
21 | 1 | World War II journal |
1944-1945 |
Folder | |||
13 | 20 | Journal (quotations) |
1945 July - September |
13 | 21 | Journal (information and quotations about artists and art) |
1946 - 1947 |
13 | 22 | Notebook: weather notes and bird information |
1946-1951 |
13 | 23 | Notebook of art supplies and art information |
1948 |
13 | 24 | Dillard workshop journal |
1949 |
13 | 25 | Notebook (personal notes) |
circa 1958 |
13 | 26 | Notebook of personal writings and reviews |
circa 1958-1960 |
13 | 27 | Notebook book excerpts and book lists |
circa 1959 |
13 | 28 | Journal |
1959-1960 |
13 | 29 | Journal |
1959-1960 |
13 | 30 | Art journal (writings about art and techniques) |
1967-1968 |
13 | 31 | Artists' Diary (daily calendar) |
1973 |
13 | 32 | Notebook (notes concerning Northwest art and Oregon artists) |
undated |
13 | 33 | Notebook (Oregon artists notes) |
undated |
13 | 34 | Copied excerpts from books |
undated |
13 | 35 | Notebook: excerpts from books |
undated |
13 | 36 | Notebook (personal notes) |
undated |
13 | 37 | Notebook of personal notes and sketches |
undated |
13 | 38 | Notebook: book excerpts, flower notes, and sketches |
undated |
13 | 39 | Notebook: "Weather of Detroit and Vicinity" (Carl Hall's notes on weather) |
undated |
15 | 22 | Miscellaneous notes, writings, and newspaper clippings about art |
1937-1965 |
15 | 23 | Writings in progress |
circa 1941-1946 |
15 | 24 | Miscellaneous writings about life and art |
circa 1948-1951 |
15 | 25 | Miscellaneous writings about life and art |
circa 1948-1951 |
15 | 26 | Notes and writings about art, life, and society |
circa 1953-1975 |
15 | 27 | Writings about art and being an artist |
circa 1954 |
15 | 28 | Writings and poetry |
circa 1955 |
15 | 29 | Writings about education and art |
circa 1959-1965 |
15 | 30 | Notes, writings, and correspondence drafts |
circa 1963 |
15 | 31 | Writings and notes on art |
circa 1969 |
15 | 32 | Poetry (by Carl Hall) (and correspondence) |
undated |
15 | 33 | Miscellaneous writings by Hall |
undated |
15 | 34 | Miscellaneous writings about art |
undated |
15 | 35 | Miscellaneous writings about art |
undated |
15 | 36 | Writings about art and childhood memories |
undated |
15 | 37 | Writings on contemporary art |
undated |
16 | 27 | Biography - rough drafts |
undated |
Series IV: Correspondence, 1940-2008Return to Top
Container(s) | Description | Dates | |
---|---|---|---|
Subseries A: World War II |
1944-1946 | ||
Box | Folder | ||
16 | 28 | World War II correspondence from Carl Hall to family |
1944 June 9 - December 27 |
16 | 29 | World War II correspondence from Carl Hall to family |
1945 January 4 - July 20 |
17 | 1 | Correspondence: Carl Hall to Phyllis Blake (Hall) during World War II deployment |
1944 January 19 - May 8 |
17 | 2 | Correspondence: Carl Hall to Phyllis Blake (Hall) during World War II deployment |
1944 May 10 - June 28 |
17 | 3 | Correspondence: Carl Hall to Phyllis Blake-Hall during World War II deployment |
1944 July 2 - August 2 |
17 | 4 | Correspondence: Carl Hall to Phyllis Hall during World War II deployment |
1944 August 11-29 |
20 | 1 | Correspondence: Carl Hall to Phyllis Hall during World War II deployment |
1944 September 11 - December 30 |
17 | 5 | Correspondence: Carl Hall to Phyllis Hall during World War II deployment |
1944 November 28 - December 22 |
17 | 6 | Correspondence: Carl Hall to Phyllis Hall during World War II deployment |
1945 January 8 - February 17 |
17 | 7 | Correspondence: Carl Hall to Phyllis Hall during World War II deployment |
1945 February 20 - May 31 |
17 | 8 | Correspondence: Carl Hall to Phyllis Hall during World War II deployment |
1945 June 7 - October 9 |
17 | 9 | Correspondence: Carl Hall to Phyllis Hall during World War II deployment |
1945 October 10 - November 30 |
20 | 2 | Correspondence: Carl Hall to Phyllis Hall during World War II deployment |
1945 December 1 - 12 |
17 | 10 | Correspondence between Carl and Phyllis Hall |
undated |
17 | 11 | Correspondence: Phyllis Hall to Carl Hall and his mother during Carl's World War II deployment |
1944 October 3 - 1945 October 14 |
17 | 12 | Correspondence - Carl to family |
undated |
17 | 13 | Correspondence - war drawings |
1946 July 27 |
Subseries B: Art - related |
1940-2008 | ||
Box | Folder | ||
17 | 14 | Art - painting and buyer location project |
1940-2007 |
17 | 15 | Blake family: correspondence - College Art Centers, Dale Cleavers (former student and friend), and U (University) of Tennessee |
1945-1988 |
17 | 16 | Correspondence - former students: letters of recommendation for students |
1948-1981 |
17 | 17 | College correspondence - Oregon State College - Monmouth - V.O.E. (Willamette University and Oregon College of Education) |
1950 March 14 - 1980 November 10 |
17 | 18 | Oregonian - correspondence |
1954 September 14 - 1955 January 14 |
17 | 19 | Correspondence - art galleries: Window Gallery, Salem (Oregon) |
1964 August 15 |
17 | 20 | Correspondence - museums, art centers: Salem Art Association |
1966-1986 |
17 | 21 | Correspondence - college art centers: Oregon State University, Corvallis (Oregon) |
1966-1986 |
17 | 22 | Correspondence: art agreements and exhibits |
1968 July 16 - 1986 March 17 |
17 | 23 | Howard E. Wooden (Wichita Art Museum) |
1971-1981 |
17 | 24 | Correspondence - Oregon arts: Oregon Arts Commission |
1976-1985 |
17 | 25 | Correspondence concerning Willamette University |
1977 August 27 - 1983 September 13 |
17 | 26 | Rental Sales Gallery correspondence |
1979 |
17 | 27 | Correspondence: Nancy Lindburg |
1980 October 28 - 1996 June 24 |
17 | 28 | Correspondence - former students Dale and Lois Bunse |
1983-1990 |
17 | 29 | Correspondence - former students: Herb Bastuscheck - Japan |
1983-1997 |
17 | 30 | Art - Correspondence |
1985-2000 |
17 | 31 | Correspondence - College Art Centers Lane Community College, Eugene (Oregon) |
1986 June 11 |
17 | 32 | Correspondence - Former students: Lenore (Hall) Childs |
1986-1997 |
17 | 33 | Notices to museums |
1988-1997 |
17 | 34 | Correspondence - paintings and collectors: Pat Glascock and Michael Hall |
1989-2000 |
17 | 35 | Correspondence - former students Tom and Pat Basset |
1992-1993 |
17 | 36 | Correspondence with Phyllis Hall concerning Carl Hall's works |
1993-2002 |
17 | 37 | Business - art - correspondence: Roger Hall |
1996-2004 |
17 | 38 | Memorabilia - correspondence |
1996-2006 |
17 | 39 | Seamans, Robert and Georgia (correspondence) |
1996-2006 |
17 | 40 | Christenson, Jon (correspondence) |
1996-2008 |
17 | 41 | Correspondence between Phyllis Hall and Dr. Hudson at Willamette University |
1997 March 25 |
17 | 42 | Business - art - correspondence: Beverly Kogelman |
1997 September 6 - 21 |
17 | 43 | Elizabeth Chambers: Portland Art Museum - painting restoration |
1997 |
17 | 44 | Mary Ann Thibault (correspondence) |
1997-2004 |
17 | 45 | Day, Cynthia (correspondence) |
1997-2004 |
17 | 46 | Business - art - Oregon State: Tillamook Burn Interpretive Center |
1999 January 2 |
17 | 47 | Michael Hall and Pat Glascock (correspondence about art inventory) |
2001 |
17 | 48 | Correspondence: Tom Bassett |
2001-2005 |
17 | 49 | Correspondence - art galleries: Sovereign Collections - Robert Joki |
2001-2007 |
17 | 50 | Cobe (Coburn) Grabenhorst |
2002-2004 |
17 | 51 | Correspondence: Frohnmayer |
2003 |
17 | 52 | Roger and Deborah Swizer (correspondence) |
2003 |
17 | 53 | Bill Mitchell (correspondence) |
2004 |
17 | 54 | April Waters (correspondence) |
2005 |
17 | 55 | Correspondence to Phyllis Hall from Priscilla Carrasco |
2005 |
17 | 56 | Portland Art Museum (correspondence to Phyllis Hall about I Went Walking) |
2008 March 7 |
17 | 57 | Correspondence: Mary McKay (McRobinson) - Willamette University archives |
2009 May 26 |
18 | 1 | Reginald Poland - Fine Arts Gallery: City of San Diego |
1941 November 24 - December 11 |
18 | 2 | David Porter - the G Place Gallery |
1943 August 20 |
18 | 3 | Julien Levy correspondence - copies of letters in Carl Hall's possession |
1943-1948 |
18 | 4 | Correspondence with Julien Levy: Julien Levy Gallery |
1944-1948 |
18 | 5 | Julien Levy |
1944-1949 |
18 | 6 | Letters concerning the Guggenheim Grant |
1945-1946 |
18 | 7 | Carlos Lopez (mentor and teacher) |
circa 1946-1952 |
18 | 8 | Mary T. Williams - American Academy in Rome |
1947 |
18 | 9 | Wallace Richards - Pittsburgh Regional Planning Association |
1948 March |
18 | 10 | Margaret Cabell |
1948 July 17 |
18 | 11 | John Yeon |
1948 |
18 | 12 | Roy G. Cole - Cole Lumbar Company (interest in work from Life magazine) |
1948 |
18 | 13 | Maude Walker - The Paint Box |
circa 1948 |
18 | 14 | Oregon State System of Higher Education |
1949 February 8 - 1950 February 27 |
18 | 15 | Ruth Elise Halvorsen, Oregon Annual Scholastic Awards |
1949 February 21 - 1960 March 2 |
18 | 16 | Carl Ruff: Carson - Ruff Associates |
1949 April 12 - May 19 |
18 | 17 | Buckner Coleman - Meinzinger Art School |
1949 June 3 - July 14 |
18 | 18 | Pacific Arts Association |
1949 August 10 - September 2 |
18 | 19 | Sidney Little - School of Architecture and Allied Arts - University of Oregon |
1949 September 27 |
18 | 20 | Salem Public Schools |
1949 September 30 - 1965 April 27 |
18 | 21 | The American Artists Professional League |
1949 October 5 |
18 | 22 | Carnegie Institute |
1949 October 26 - December 6 |
18 | 23 | Lester B. Arwin - 3 in 1 Art Frame Company |
1949 November 25 |
18 | 24 | National Institute of Arts and Letters |
1949 |
18 | 25 | William Stener |
circa 1949 |
18 | 26 | Portland Art Association |
1949-1987 |
18 | 27 | Louise Aaron - The Oregon Journal |
1950 January 23 |
18 | 28 | Francis Henry Taylor - The Metropolitan Museum of Art |
1950 February |
18 | 29 | Edgar Richardson - Detroit Institute of Art |
1950 March 8 |
18 | 30 | Robert Hale - The Metropolitan Museum of Art |
1950 October 31 |
18 | 31 | Mabel Hardenbrook |
1950 November 29 |
18 | 32 | James Merrick - Philadelphia Water Color Club |
1950 November |
18 | 33 | California Palace of the Legion of Honor |
1950 |
18 | 34 | Union Theological Seminary |
1950 |
18 | 35 | The Michigan Water Color Society |
1950 |
18 | 36 | Edwin Rae - University of Illinois |
1950 |
18 | 37 | The Detroit Institute of the Arts |
1950-1957 |
18 | 38 | Macbeth Gallery |
1951 February 1 - 1953 March 11 |
18 | 39 | Willamette University correspondence |
1951 February 28 - 2008 January 8 |
18 | 40 | Lena Gurr - Artists Equity Association |
1951 March 2 |
18 | 41 | Art Book Build |
1951 November 1 |
18 | 42 | Pat Pomerlo |
1951-1952 |
18 | 43 | Seattle Art Museum |
1951-1961 |
18 | 44 | Correspondence from students |
1952 July - 1985 July |
18 | 45 | Ellen Reynolds |
1952 September 12 |
18 | 46 | Whitney Museum of American Art |
1952 October 20 |
18 | 47 | Correspondence from Carl Hall to Mr. Englemand regarding art purchase |
1952 |
18 | 48 | American Friends Service Committee |
1953 March 13 |
18 | 49 | Carl Hall to T. W. Corson - Grays Harbor Pulp and Paper Co. (painting purchase) |
1953 May 26 |
18 | 50 | Marion A. Taft - Hoquiam Public Library (concerning painting purchase) |
1953 June 9 - 29 |
18 | 51 | Erb Memorial Student Union Board - University of Oregon |
1953 October 12 - 1962 May 24 |
18 | 52 | Helen W. Doane - Chehalis Free Public Library |
1953 November 17 - 1955 November 20 |
18 | 53 | Judy Wolfe |
circa 1954 |
18 | 54 | Alice Boyle - Peeble's Gallery |
1955 February 13 |
18 | 55 | Catherine Peterson - regarding art purchase |
1955 May 7 |
18 | 56 | Robert Banister - Headquarters Fifth Army |
1955 November 22 |
18 | 57 | Wirth McCoy - The Art Center |
1955 |
18 | 58 | Helen Woane - Southwest Washington Exhibition |
1955-1956 |
18 | 59 | Marion Hendrick |
1956 July 24 |
18 | 60 | Mark Collins - The Yearling |
1956 September 25 - October 3 |
18 | 61 | Margaret DeWitt - Oregon Art Education Association |
1956 November 13 |
18 | 62 | Oregon State College (University) |
1956-1973 |
18 | 63 | Stanford University Press |
1957 March 18 |
18 | 64 | Carl Hall to William McGonagle - Artists Market |
1957 March 19 |
18 | 65 | Ann Nichols - Dodd, Mead, and Company (manuscript rejection) |
1957 May 1 |
18 | 66 | Ann Tiffany - Simon and Schuster, Inc. (manuscript rejection) |
1957 October 1 |
18 | 67 | Tom Loree - University Club |
1957 October 28 |
18 | 68 | Washington State College |
1957-1961 |
18 | 69 | Betty Allyn - The Master Watercolor Society of Oregon |
1958 March 31 |
18 | 70 | Joslyn Art Museum |
1958 May 5 - June 3 |
18 | 71 | Amanda Snyder - concerning Hall's review of her show at the Bush House |
1958 July 10 |
18 | 72 | Barbara Alley - Charles Scribner's Sons (manuscript rejection) |
1958 July 29 |
18 | 73 | Correspondence in regards to Oregon Centennial |
1958-1965 |
18 | 74 | Barbara McLarty - McLarty's Choice |
1958-1996 |
18 | 75 | Carl Hall to D. Hartman - National Poetry Association |
1959 January 29 |
18 | 76 | Ohio Wesleyan University - Lyon Art Hall |
1959 April 24 |
18 | 77 | Correspondence: University of Oregon museum exhibitions |
1959 May 6 - 1975 May 15 |
18 | 78 | Eastern Oregon University |
1959 October 6 - 1960 January 20 |
18 | 79 | Berger Underdahl |
1959 |
18 | 80 | Paul Tetzner - Northwest Review |
1959 |
18 | 81 | Seymour Lawrence - The Atlantic Monthly Press(Spectator and Gladiator submission) |
1960 February 26 |
18 | 82 | American Association of University Women |
1960 April 18 - June 25 |
18 | 83 | Ben J. Trowbridge, Jr. - Rogue Valley Art Association |
1960 December 9 - 1961 March 26 |
18 | 84 | Rose Flory |
1961 April 8 |
18 | 85 | Fred Bartlett - Colorado Springs Fine Arts Center |
1961 May 8 - June 4 |
18 | 86 | Malcolm Lein - Saint Paul Gallery and School of Art |
1961 November 1 - 1962 January 20 |
18 | 87 | Robert Sterling - Washington State University |
1962 January 22 |
18 | 88 | Norman Davis - Seattle World's Fair |
1962 January 25 - April 4 |
18 | 89 | Franz Stenzel - from Carl Hall concerning Hall's research about Oregon artists |
1962 |
18 | 90 | San Francisco Art Institute |
1962 |
18 | 91 | Betty Warren (asking for advice on art career) |
1963 January 15 |
18 | 92 | Yvonne Jaffe - Fine Arts Calendar |
1963 March 15 |
18 | 93 | Wilma Sanders - concerning a stolen painting |
1963 May 16 |
18 | 94 | Corrine Chaves - Corvallis Arts Center |
1963 July 9 |
18 | 95 | Berkeley Express and Moving Co. (company) |
1964 January 14 |
18 | 96 | C. Kermit Ewing - University of Tennessee: Knoxville |
1964 January 30 - April 22 |
18 | 97 | Evelyn Zemlicka - Oregon Art Education Association |
1964 November 10 |
18 | 98 | Rosalie Ronton |
1965 June 15 |
18 | 99 | Dorothy Vaughan - Vaughan Interiors |
1965 October 16 |
18 | 100 | Arthur Kaplan |
1965 November 1 |
18 | 101 | Mary Lou Raphael - Pacific Gallery Artists |
1965-1966 |
18 | 102 | Ronald Neperud - Eastern Washington State College |
1966 March 8 |
18 | 103 | Ronald Neperud - Eastern Washington State College |
1967 February 20 |
18 | 104 | Student requests for artist statements |
1967 November 30 - 1968 March 12 |
18 | 105 | Mabel Hansen - Coos Artist League |
circa 1967 |
18 | 106 | Glen Mick - Riverdale School |
1968 January 25 |
18 | 107 | Oregon College of Education |
1968 February 1 |
18 | 108 | Norfolk Museum of Arts and Sciences |
1968 February 7 |
18 | 109 | May Hathaway - The Cellar Gallery |
1968 June 7 - August 7 |
18 | 110 | Catherine Beggs |
1968 December 5 |
18 | 111 | Harriet Shuug - concerning purchase of art |
1968 |
18 | 112 | Sunriver Lodge |
1968 |
18 | 113 | Michelle Davidson - Corvallis Arts Center (exhibition invitation) |
1969 January 15 |
18 | 114 | Dorothy Luthy - The Dalles Art Club |
1969 February 10 |
18 | 115 | Dorothy Van Arsdale - Smithsonian Institution |
1969 February 25 |
18 | 116 | Mrs. Allan Munro - Corvallis Art Center |
1969 June 10 |
18 | 117 | Allen Dodworth - Portland State College |
1969 July 8 |
18 | 118 | Pat Misko - Kaleidoscope |
1969 |
18 | 119 | Rita Herman |
circa 1969 |
18 | 120 | Oregon State Fair |
1969-1972 |
18 | 121 | Salem Art Association |
1969-1972 |
18 | 122 | Marjorie Revling |
1971 April 10 |
18 | 123 | Salishan Lodge |
circa 1971 |
18 | 124 | Lyle Anne Eichsteadt - Woodburn Art League |
1972 January 24 - February 13 |
18 | 125 | Pamela Martin - Lane Arts Association |
1972 April 13 |
20 | 3 | Senator Edward N. Fadeley (concerning the Oregon Arts Commission) |
1973 February |
18 | 126 | Robert MacVicar - Oregon State University |
1973 May 13 |
18 | 127 | Rosemary Hauge - Portland Center for the Visual Arts |
1974 February 11 |
18 | 128 | Beverly Jansen - Coos Arts League |
1974 February 12 |
18 | 129 | Carl Hall to Hallie Ford and Willamette President Lisensky |
1974 March 28 |
18 | 130 | Charles B. Gill, Jr. - SAIF (State Accident Insurance Fund) |
1974 December 2 |
18 | 131 | Alaska Northwest Publishing Company |
1977 December 12 - 1978 January 12 |
20 | 4 | Government of Yukon: Art Gallery of the Whitehorse Public Library |
1978 August 8 - 1979 March 8 |
18 | 132 | The Alaska Journal |
1979 March 7 - 1982 January 20 |
18 | 133 | The Malahat Review |
1979-1982 |
18 | 134 | Loren C. Winterscheid - concerning painting purchase |
1981 January - February |
18 | 135 | Northwest Artists Workshop |
1982 May 29 |
18 | 136 | Michele Taylor - Lakewood Center Gallery |
1982 |
18 | 137 | Carol Cohen |
1983 January 15 |
18 | 138 | Studio Cennina |
1983 April |
18 | 139 | Carol Yates |
1983 July 6 |
18 | 140 | Paul Missal - Blackfish Gallery |
1986 January 30 - September 4 |
18 | 141 | Helen Lundblood - Rental Sales Gallery |
1986 February 28 |
18 | 142 | Robin Carruthers - Lark String Quartet |
1986 August 1 |
18 | 143 | Bob Voight |
1987 November 23 |
18 | 144 | Oregon Art Institute |
1987-1989 |
18 | 145 | Image Gallery |
1987-1994 |
18 | 146 | Nancy McGary |
1988 December 5 |
18 | 147 | Roger Hull to Carl and Phyllis Hall |
1993 February 11 - 2007 May 6 |
18 | 148 | Marie Rasmussen - Umpqua Community College |
1993 February 16 - November 3 |
18 | 149 | Fulcrum Fine Art Gallery |
1993 April 30 |
18 | 150 | Steve Turner - Steve Turner Gallery |
1993 September 7 |
18 | 151 | Matt Ferranto |
1994 September |
18 | 152 | Sue-Del McCulloch correspondence to Phyllis Hall |
1995-2005 |
18 | 153 | Detroit Institute of Arts |
1996 March 7-11 |
18 | 154 | Roger Hull to Phyllis Hall |
1996 |
18 | 155 | Cynthia Nartonis to Phyllis Hall |
1998 February 2 |
18 | 156 | Hallie Ford (correspondence from Phyllis Hall) |
2000 August |
18 | 157 | Bobby Goldsmith |
undated |
18 | 158 | Joanne Senders |
undated |
18 | 159 | Howard Corning (reflection on Hall's article in the Oregonian) |
undated |
18 | 160 | Frank Judd - response to Images column |
undated |
18 | 161 | Marshall Blankarn |
undated |
18 | 162 | Ford Motor Company - Ford Times |
undated |
18 | 163 | Who's Who in the West |
undated |
18 | 164 | National Poetry Association |
undated |
20 | 5 | Correspondence - art purchases |
undated |
Subseries C: Personal |
1946-2007 | ||
Box | Folder | ||
18 | 165 | Correspondence to Carl Hall from classmate (Gaylord) |
1946 March 20 |
20 | 6 | Audubon: Warbler correspondence (Oregon Audubon Society) |
1947 March 12 - 1948 January 4 |
18 | 166 | Albert Decker |
1949 July 27 |
18 | 167 | Dale Cleaver |
1951-1955 |
18 | 168 | David and Marilyn Anderson |
1952 |
18 | 169 | Carl Hall to Diana |
1953 |
18 | 170 | Nancy Gay |
1954 June 20 - 1955 January 5 |
18 | 171 | Fred Cummings |
1954-1956 |
18 | 172 | Nelson Sandgren |
1959-1995 |
18 | 173 | Frank Judd |
1960-1962 |
18 | 174 | Evelyn Benner (concerning Carl Hall's review of her work) |
1962 September 26 |
18 | 175 | Dan Newman |
1963-1964 |
18 | 176 | Judy McLean (The Jason) |
1964 August 20 |
18 | 177 | Elaine Craig |
1968 |
18 | 178 | Image Gallery |
circa 1968 |
18 | 179 | Ruth White |
1970 December 16 |
18 | 180 | Correspondence concerning Hall's Salem Audubon Society article about blue herons on Minto Island |
1971-1972 |
18 | 181 | Correspondence from Carl Hall to Lenore |
1972 January 18 |
18 | 182 | Judith Kent (Rama's Seashell Bracelets illustrations) |
1976 March 19 |
18 | 183 | Jan Rimerman |
1981-1997 |
18 | 184 | Correspondence from friends |
circa 1982-1989 |
18 | 185 | Margaret Karl |
1982-1994 |
18 | 186 | Lenore Child |
1985-2006 |
18 | 187 | Mark Sponenburgh |
undated |
19 | 1 | Correspondence from Carl and Phyllis Hall to family |
circa 1961-2007 |
19 | 2 | Special cards (from family to Carl and Phyllis Hall) |
1974-2002 |
19 | 3 | Special cards (from family to Carl and Phyllis Hall) |
1974-2002 |
19 | 4 | Special cards (from friends to Phyllis Hall) |
circa 1987-2001 |
19 | 5 | Special cards (from friends to Phyllis Hall) |
circa 1987-2001 |
19 | 6 | Special cards (from friends to Phyllis Hall when Carl was ill and for his memorial) |
circa 1994-1996 |
19 | 7 | Special cards (from Roger and Bonnie Hull to Phyllis Hall) |
1995-2001 |
19 | 8 | Special cards (from Nelson and Olive Sandgren to Phyllis Hall) |
undated |
20 | 8 | Special cards (from Carl Hall to Phyllis Hall) |
undated |
19 | 9 | Phyllis Hall to her parents |
undated |
19 | 10 | Correspondence to Carl Hall from grandchild |
undated |
19 | 11 | Letter drafts by Carl Hall |
undated |
19 | 12 | Publisher refusal letters |
1953-1956 |
19 | 13 | Carlos Lopez - biographical clippings, etc. (correspondence with Carlos Lopez, teacher and mentor for Carl Hall) |
1942-1953 |
19 | 14 | Correspondence: Ella Hall (Carl Hall's mother) |
circa 1972-1979 |
19 | 15 | Correspondence: Ella Hall (Carl Hall's mother) |
circa 1972-1979 |
19 | 16 | Correspondence: Ella Hall (Carl Hall's mother) |
circa 1980-1991 |
19 | 17 | Correspondence: Ella Hall (Carl Hall's mother) |
circa 1980-1991 |
20 | 7 | Family correspondence |
1977-2000 |
19 | 18 | Correspondence: Betty Gold (Carl Hall's sister) |
1988 May 11 - 1990 July 3 |
19 | 19 | Correspondence to Phyllis Hall from Dorothy Liscum |
1987 June 29 - 1988 December 28 |
19 | 20 | Correspondence to Phyllis Hall from friends |
circa 1987-2000 |
19 | 21 | Correspondence to Phyllis Hall from family |
1987 August 31 - 2001 February 14 |
19 | 22 | Correspondence to Phyllis Hall from Hallie Ford |
1998-1999 |
19 | 23 | Ruth Graham Framing |
2000 November 29 |
19 | 24 | McCullock (McCulloch), Sue Del |
undated |
Series V: Family records, 1939-2007Return to Top
Container(s) | Description | Dates | |
---|---|---|---|
Box | Folder | ||
22 | 3 | East Detroit High School senior class picture |
1939 |
19 | 25 | Photos (photographs of Carl Hall during military deployment) |
circa 1944-1947 |
19 | 26 | Jason (Willamette University): includes poem by Merrilee Hall |
1970 |
19 | 27 | Blake family: bio (biography) letters - original |
1949-2000 |
19 | 28 | Blake family: family memories |
undated |
19 | 29 | Carl - childhood (recollections by his siblings and photographs) |
circa 1942-2007 |
19 | 30 | Phyllis Hall diary |
1952 |
19 | 31 | Phyllis Hall travel journal - Alaska |
circa 1975 |
19 | 32 | Writings by Carol Hall (daughter) |
1960 |
19 | 33 | Photographs of Walter and Ella Hall (Carl Hall's parents) from their wedding |
undated |
19 | 34 | Biographical: Carl and both families |
1972-1991 |
19 | 35 | Family biography (letters) |
undated |
19 | 36 | Ancestor chart (Hall family tree) |
undated |
22 | 4 | Photographs of Carl and Phyllis Hall |
undated |
20 | 9 | Newspaper clippings concerning Carl Hall's death |
1996 |
19 | 37 | Memorial service for Carl Hall |
1996 |
19 | 38 | Personal material for memory book |
circa 1996-1997 |
19 | 39 | Remembrances of Carl Hall |
1997-1999 |
item | |||
26 | 1 | Multimedia concerning Carl Hall
Includes one DVD titled Oregon at War, one cassette of Hall's memorial service, and one VHS of "Friends from Salem" exhibition.
|
circa 1993-1996 |
Folder | |||
31 | 2 | Phyllis Hall correspondence and Carl Hall railway express receipts |
1941-1947 |
Series VI: Books and periodicals, 1939-2000Return to Top
Container(s) | Description | Dates | |
---|---|---|---|
Box | Folder | ||
19 | 40 | A Natural History of Minto Brown Island Park by Sharon L. Rose |
1999 |
19 | 41 | Eden Again: the Art of Carl Hall by Roger Hull |
2000 |
item | |||
25 | 1 | Magazines from Hall's personal library
Includes 1948 Life magazine article about Carl Hall.
|
1945-1974 |
Folder | |||
28 | 1 | The Social History of Art, Volume 1 by Arnold Hauser |
1957 |
28 | 2 | The Social History of Art, Volume 2 by Arnold Hauser |
1957 |
28 | 3 | The Social History of Art, Volume 3 by Arnold Hauser |
1958 |
28 | 4 | Italian Painters of the Renaissance by Bernard Berenson |
1957 |
28 | 5 | The Psycho-Analyst and the Artist by Daniel E. Schneider |
1950 |
28 | 6 | What to Listen for in Music byu Aaron Copland |
1953 |
28 | 7 | The Shape of Content by Ben Shahn |
1957 |
29 | 1 | Major: Memiors of Pieter Justus van Loben Sels (No. 304 of 400) |
1970 |
29 | 2 | Irving Amen pamphlet, Amen Galleries |
1964 |
29 | 3 | Copy of "On Art Criticism" by Eugene Delacroix |
1946 |
29 | 4 | New Ideas in Art Education, A Critical Anthology edited by Gregory Battcock |
1973 |
29 | 5 | The Meaning of Culture by John Cowper Powys |
1939 |
29 | 6 | The New Art Education by Ralph M. Pearson |
1941 |
29 | 7 | Arts & Crafts in Detroit 1906-1976: The Movement, The Society, The School by The Detroit Institute of Arts |
1976 |
item | |||
30 | 1 | The Works of Ralph Waldo Emerson: Four Volumes in One |
Undated |
Names and SubjectsReturn to Top
Subject Terms
- Art
- Art--Study and teaching
Personal Names
- Ford, Hallie Brown, 1905-2007
- Levy, Julien
- Lopez, Carlos, 1908-1953
- Sandgren, Nelson
- Sandgren, Olive
- Sponenburgh, Mark
Corporate Names
- Audubon Society of Salem
- Hallie Ford Museum of Art
- Meinzinger Art School
- Metropolitan Museum of Art (New York, N.Y.)
- Salem Art Association (Salem, Or.)
- Whitney Museum of American Art
- Willamette University
Geographical Names
- Detroit (Mi.)
- Salem (Or.)
Form or Genre Terms
- Photographs
- clippings (information artifacts)
- correspondence
- fliers (printed matter)
- journals (periodicals)
- magazines (periodicals)
- manuscripts for publication