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James Ivory papers, circa 1960-2005

Overview of the Collection

Creator
Ivory, James, 1928-
Title
James Ivory papers
Dates
circa 1960-2005 (inclusive)
Quantity
97.5 linear feet, (79 containers)
Collection Number
Coll 283
Summary
James Francis Ivory (1928-) is an American director best known for the films he made as part of Merchant Ivory Productions, the production company he formed with his longtime collaborators producer Ismail Merchant and screenwriter Ruth Prawer Jhabvala. The James Ivory Papers comprise his personal and professional papers, and include material relating to Ivory's feature films, television programs and commercials, Merchant Ivory Productions materials (including papers of Ismail Merchant and Ruth Prawer Jhabvala), and Ivory's published and unpublished writings, including literary and artistic work done while Ivory was a college student at the University of Oregon. The collection includes correspondence, screenplays, treatments, storyboards, production notes, promotional material, legal and financial notes, articles, reviews, sketchbooks, notebooks and photographs.
Repository
University of Oregon Libraries, Special Collections and University Archives.
UO Libraries--SPC, 1299
University of Oregon
Eugene OR
97403-1299
Telephone: 541-346-3068
Fax: 541-346-3485
spcarref@uoregon.edu
Access Restrictions

Collection is open to the public.

Collection must be used in Special Collections & University Archives Reading Room.

Collection includes sound recordings or moving images to which access is restricted. Access to these materials is governed by repository policy and may require the production of listening or viewing copies. Researchers requiring access must notify Special Collections & University Archives in advance and pay fees for reproduction services as necessary.

Languages
English


Historical NoteReturn to Top

James Ivory was born in Berkeley, California on June 7, 1928. Edward Ivory, his father, had grown up in New York state where he attended Syracuse University and graduated in forestry. As an ROTC graduate he served as an officer in France during World War I and after the war was employed in Thomas Edison's experimental laboratory in New Jersey at East Orange. In 1921 he married Hallie DeLoney, descended from an old Louisiana family. Later they moved to Berkeley, California where he was employed by the Weyerhaeuser Timber Company in San Francisco. In 1933 he moved his family to Klamath Falls, Oregon where in partnership with an investor he bought a lumber mill adjacent to Klamath Lake and later built another in Bly, Oregon called the Ivory Pine Company.

The family maintained their primary residence in Klamath Falls and James attended Sacred Heart Academy. While discipline was strict, a teaching sister recognized his artistic ability and encouraged him to take drawing and painting classes. He later attended Klamath Union High School where he made many lifelong friends among students and faculty. In addition to an academic course, he participated in school drama and journalism, and spent many of his weekends skiing at nearby Crater Lake National Park where he also worked as a cabin attendant during the summer.

After high school graduation in 1946, he enrolled in the University of Oregon's School of Fine Arts majoring in architecture, later changing to a general art course. His years at Oregon were intellectually challenging and many faculty members at Oregon made a lasting impression on Ivory. He traveled to Europe for the first time in the summer of 1950 and after returning, received a BA degree. In 1951 he began a graduate program in film production at the University of Southern California. Although the school emphasized industrial film production, Ivory was able to convince his teachers to let him film a Master's degree documentary thesis on Venice as reflected in its art. In 1953 he was drafted into the U.S. Army and was trained for the Signal Corps. Through a stroke of luck and resourcefulness on his part, he was assigned to Seventh Army Special Services in Europe with the job of booking cultural events for army units in Germany. During leave times he was able to continue working on his Venice film. He returned to the U.S. in 1955 where he completed Venice: Theme & Variations and his Masters Degree in Cinematography in 1957.

Then living in Los Angeles, he set out to produce his next documentary film based on his new found interest in Indian miniature painting. Filming paintings in American museums and private collections, he completed the film titled The Sword and the Flute in 1959. Both that film and the Venice film attracted the interest of the Asia Society of New York. Ivory was commissioned, with the support of a $20,000 grant from the Rockefellers, supporters of the Asia Society, to produce two documentaries--one on Delhi and another on Afghanistan. He spent the year 1960 shooting film in India and traveling by jeep over the Khyber Pass and on to Kabul where most of his Afghanistan footage was shot. The Delhi Way was released in 1964 although the Afghan film was never completed.

It was on his return to New York that he met Ismail Merchant. Ivory was impressed by Merchant's drive and business acumen while Merchant appreciated Ivory's artistic and intellectual attributes. Together they shared a love and fascination with India and cinema and decided to return to the subcontinent and produce a feature film. While seeking a suitable property to film and after a number of misadventures they met Ruth Prawer Jhabvala who had by then written four novels including , The Householder. She agreed to let them produce a film based on it and offered to write the screenplay. Thus was formed a cinema triumvirate that over the years would become the longest lasting film collaboration in cinema history.

The University of Oregon Ivory collection presently represents forty years of this collaboration and from it we learn much about James Ivory as a director and about the films of Merchant Ivory. Although a number of their films were produced in India, the majority are set in western Europe and the United States--from Nazi occupied France to the frenzied art scene in 1980s New York. Time periods run from the eighteenth century to the twenty-first. Screenplays are inspired by older established authors and their classic works, to new writers just making their names. Underlying all, however, is the team's basic artistic foundation: the Ruth Jhabvala-James Ivory collaboration, backed up by the inventive financial and logistical support of their producer, Ismail Merchant.

Ivory has compared making a motion picture to a military campaign. Scores of personnel and tons of equipment must arrive promptly at designated locations, while all the logistical aspects to support actors and crew must be undertaken over the days of the shoot. The director acts as the general in charge of the day-to-day shooting operation. It is, however, in the planning, development and cutting of a film that we more clearly see the genius of James Ivory. This is illustrated in reading the collection's correspondence between Ivory, Jhabvala, and various authors whose books were being filmed. Ivory and Jhabvala are perfectionists. Months are spent analyzing characters, their motivations and how they fit into the script. In the days before faxes and email, both Ivory and Jhabvala had to depend on letters, as they were so often on different continents. These letters, and those with other writers involved in Merchant Ivory's films, make rewarding reading.

Much of the casting for the Merchant-Ivory films was done by Ivory and we see many pages of comments about dozens of auditioning actors (some now household names) as he sought the perfect individual for a role. To his credit, scores of unknown and beginning actors have received their starts in his films. It is James Ivory the artist and historian that we see reflected as we read his director's notebooks: the legacy he will be known by to future generations, in addition to the films themselves, their involving stories, and nuanced acting. The reader will see how he arrived at the historically accurate sets, the detailed accouterments from table place settings, to the right kind of dog or period car, to costumes, the moods of color and background. The results of this infinite care and skill have been impressive. Films such as A Room with a View, Howards End and The Remains of the Day are now regarded as classics and have been awarded numerous European and American awards.

The dictionary defines genre as "a category of art distinguished by a definite style, form or content." James Ivory has created the Merchant Ivory genre that is now recognized throughout the film-going world.

Content DescriptionReturn to Top

The James Ivory Papers consist of Ivory's personal and professional papers, and include material relating to Ivory's feature films, television programs and commercials, Merchant Ivory Productions materials (including papers of Ismail Merchant and Ruth Prawer Jhabvala), and Ivory's published and unpublished writings, including literary and artistic work done while Ivory was a college student at the University of Oregon. The collection includes correspondence, screenplays, treatments, storyboards, production notes, promotional material, legal and financial notes, articles, reviews, sketchbooks, notebooks and photographs.

Use of the CollectionReturn to Top

Restrictions on Use

Property rights reside with Special Collections & University Archives, University of Oregon Libraries. Copyright resides with the creators of the documents or their heirs. All requests for permission to publish collection materials must be submitted to Special Collections & University Archives. The reader must also obtain permission of the copyright holder.

Archival material may contain materials with sensitive or confidential information that is protected under federal and/or state right to privacy laws and other regulations.

Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. a cause of action for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the University of Oregon assumes no responsibility.

If a researcher finds sensitive personal information in a collection, please bring it to the attention of the reading room staff.

Preferred Citation

[Identification of item], James Ivory papers, Coll 283, Special Collections & University Archives, University of Oregon Libraries, Eugene, Or.

Administrative InformationReturn to Top


Detailed Description of the CollectionReturn to Top

Series I:  Feature FilmsReturn to Top

Container(s) Description Dates
Subseries A: Films Produced
The Householder (1963)
1962-1965
Box Folder
1 1
Treatment
Letter from James Ivory to Roseland Kossoff
January 29, 1962
1 2
Screenplay
1 3
Screenplay - French
1 4
Production - Director's notebook
1 5
Householder
1 5a
Production - director's notebook
1 6
Production - director's notebook
1 7
Production - casting
1 8
Production - casting
1 9
Production - lab
1 10
Production - Columbia controversy
Box Folder
1 10
Letter from Ivory to Ruth Jhabvala
July 25, 1963
1 10
Letter, Ismail Merchant to Ruth Jhabvala
undated
1 10
Richard Davidson to James Ivory & Ismail Merchant
November 12, 1963
1 10
India Mission UN to James Ivory
January 14, 1964
1 10
L.F. Noronka to Ismail Merchant
April 2, 1964
1 10
James Ivory to R. Jhabvala
April 13, 1964
1 10
K.N. Wahal to James Ivory
April 28, 1964
1 10
James Ivory to S. Roy
May 5, 1964
1 10
Columbia Pictures memos
August 16, 1964
1 10
Ismail Merchant to William Blamey
September 20, 1965
1 10
Draft, William Blamey (Columbia)
undated
1 10
Draft, James Ivory to ?
1 10
Draft, James Ivory to Ed Levine
undated
1 11
James Ivory to Jhabvala
undated
1 11
Telegrams (many)
1 12
W. Blamey to E. Horowitz
November 23, 1963
1 12
C. Jhabvala to James Ivory
November 29, 1963
1 12
W. Blamey to E. Horowitz
November 30, 1963
1 12
Draft of letter
1 12
E. Horowitz to H. Golden
December 4, 1963
1 12
Burns Weston to James Ivory
December 4, 1963
1 12
James Ivory to C. Jhabvala
December 7, 1963
1 12
W. Blamey to E. Horowitz
December 10, 1963
1 12
Burns Weston to James Ivory
December 1, 1963
1 12
Portions of letters from Ismail Merchant (7 items)
1 13
Correspondence
Box Folder
1 13
James Ivory to C. Jhabvala
December 7, 1963
1 13
James Ivory to ?? (Historical founding of MIP)
1 13
Ismail Merchant to Reserve Bank of India
February 25, 1964
1 13
James Ivory to A.K. Ghosh
March 6, 1964
1 13
James Ivory to A.K. Ghosh
March 11, 1964
1 13
James Ivory to Reserve Bank of India
March 12, 1964*
1 13
Telegrams
January 3, 1964
1 13
H. Golden to J. Taubman
January 3, 1964
1 13
James Ivory to Dailendra
January 3, 1964
1 13
James Ivory to S.K.
January 4, 1964
1 13
Burns Weston to Ismail Merchant
January 17, 1964
1 13
Ismail Merchant to Reserve Bank of India*
February 5, 1964
1 13
James Ivory to B.K. Nehru
February 19, 1964
1 14
Promotion
1 15
Reviews
1 16
Reviews
1 17
Personal/Miscellaneous
Box Folder
1 17
On James Ivory
1 17
Householder card
Shakespeare Wallah (1965)
1964-1966
Box Folder
2 1
Treatment: Book: Savages/Shakespeare Wallah
2 2
Treatment
Box Folder
2 2
James Ivory to Ruth Prawer Jhabvala
January 5, 1964?
2 2
Treatment & script
2 2
"Shakespeare in India" by C.J. Sission
2 3
Treatment: Geoffrey Kendall's account of Shakespeariana
2 4
Treatment
Box Folder
2 4
Handwritten & partially typed treatment
2 4
Typed treatment
2 5
Screenplay
Box Folder
2 5
Ismail Merchant to Ministry of Finance
August 8, 1964
2 5
Contract MIP with Ruth Prawer Jhabvala for Shakespeare Wallah Script
2 6
Screenplay: Final script
2 7
Production - Director's notebook
2 8
Director's Notebook
2 9
Director's Notebook
2 10
Promotion - Financial matters
2 11
Promotion - Distribution contract
2 12
Promotion - correspondence
Box Folder
2 12
Contemporary Films to Ismail Merchant
January 11, 1966
2 12
Contemporary Films to Ismail Merchant
January 19, 1966
2 12
Contemporary Films to Ismail Merchant
January 24, 1966
2 12
Contemporary Films to Ismail Merchant
January 24, 1966
2 12
Contemporary Films to James Ivory
undated
2 12
Lila Williams to M. Delahaye
October 2, 1966
2 12
Lila Williams to Madame L. Peilllon
October 12, 1966
2 12
Lila Williams to M. Tausky
October 12, 1966
2 12
Royal summaries
2 13
Promotion: correspondence
Box Folder
2 13
James Ivory to Malcolm Muggeridge
January 14, 1966
2 13
Alice Ichman to Continental Films
April 14, 1966
2 13
H. Golden to 20th Century Fox
May 3, 1966
2 13
James Norton to Walter Reade Stirling
June 2, 1966
2 13
Ismail Merchant to Charles Cooper
June 21, 1966
2 13
S. Glazer to India Peace Corps Training Center
June 21, 1966
2 13
H. Golden to Lilli Williams
June 30, 1966
2 13
H. Golden to Joe Billfort
July 19, 1966
2 13
H. Golden to 20th Century Fox
July 27, 1966
2 13
James Ivory to 20th Century Fox
August 6, 1966
2 13
20th Century Fox to Ismail Merchant
August 32, 1966
2 13
Michael Delahaye to James Ivory
September 25, 1966
2 13
James Ivory to Lilli Williams
October 8, 1966
2 13
James Ivory to Lilli Williams
October 24, 1966
2 14
Promotion: correspondence
Box Folder
2 14
Ismail Merchant to Reserve Bank of India
undated
2 14
Sanford Lieberson to James Ivory
January 28, 1966
2 14
James Ivory to Sanford Lieberson
February 3, 1966
2 14
James Ivory to Sanford Lieberson
February 11, 1966
2 14
R.D. Bansal (Satyajit Ray's producer & financier) to Ismail Merchant
March 18, 1966
2 14
Rich LaCaille to Ismail Merchant
March 31, 1966
2 14
R.D. Bansal & Co. to Lexington Int., Inc.
May 5, 1966
2 14
John Blum to Ismail Merchant (Macy's)
May 25, 1966
2 14
R.D. Bansal Agreement for distribution of Shakespeare Wallah
2 14
R.D. Bansal to Ismail Merchant
May 20, 1966
2 14
R.D. Bansal to H. Golden
May 20, 1966
2 14
Lilli Williams to H. Golden
December 14, 1966
3 1
Promotion
3 2
Promotion
Box Folder
3 2
Telegrams
3 2
James Ivory to National & Grindlay's Bank (3 letters)
3 2
Ismail Merchant to R.D. Bansal
January 21, 1966
3 2
Ismail Merchant to R.D. Bansal
February 26, 1966
3 2
H. Golden to R.D. Bansal
April 15, 1966
3 2
James Ivory to Ismail Merchant
April 18, 1966
3 2
Ismail Merchant to R.D. Bansal
May 3, 1966
3 2
Harry Golden to R.D. Bansal
May 13, 1966
3 2
Harry Golden to Sheldon Ginsberg
May 18, 1966
3 2
Harry Golden to R.D. Bansal
May 27, 1966
3 2
Harry Golden to R.D. Bansal
July 1, 1966
3 2
Harry Golden to R.D. Bansal
August 5, 1966
3 2
R.D. Bansal to H. Golden
August 18, 1966
3 3
Promotion
Box Folder
3 3
UNICEF Benefit brochure
3 3
Promo review and French brochure
3 3
Cinemathèque-Images of India
3 3
Clips about Shakespeare Wallah (Dinuba paper & NY Times)
3 3
Third NY Film Festival flyer
3 3
Reading Festival of Arts June 66 (flyer)
3 3
Re-release of Shakespeare Wallah in France and England 1990*
3 3
Shakespeare Wallah tickets
3 3
Miscellaneous financial
3 4
Promotion
Box Folder
3 4
A. Bauer to James Ivory (Invitation to Berlin Festival)
undated
3 4
Berlin Festival programs
3 4
Film in Berlin
3 4
Shakespeare Wallah flyer
3 4
Shakespeare Wallah in festival article
3 4
Festival tickets/invitation
3 4
Programs
3 4
Notice of Madhur Jaffrey's Best Actress prize
3 4
Articles on Shakespeare Wallah in festival
3 5
Promotion
Box Folder
3 5
Ismail Merchant to Neue Mars Film
June 14, 1965
3 5
Ismail Merchant to Neue Mars Film
June 22, 1965
3 5
Berlin Festival to Ismail Merchant
August 9, 1965
3 5
Ismail Merchant to Shri Bhagat
September 28, 1965
3 5
James Ivory to Neue Mars Films
February 1, 1966
3 5
Neue Mars Films to Ismail Merchant
February 14, 1966
3 5
N.P. Jain to Ismail Merchant
July 6, 1966
3 5
N.P. Jain to G. Peters
July 7, 1966
3 5
James Ivory to N.P. Jain
July 22, 1966
3 5
N.P. Jain to G. Peters
August 11, 1966
3 5
Ismail Merchant to N.P. Jain
September 30, 1966
3 5
Neue Mars Films material
3 5
Miscellaneous Berlin Festival correspondence
3 6
Promotion - Berlin Festival Materials
3 7
Promotion - Distribution
Box Folder
3 7
H. Golden to E. Schuman
April 18, 1966
3 7
Miscellaneous House attendance figures
3 7
Record cover
3 8
Reviews
3 9
Reviews
3 10
Reviews
3 11
Reviews
3 12
Satyjit Ray articles-various typescripts
The Guru (1969)
1967-1968
Box Folder
4 1
Treatment
Box Folder
4 1
James Ivory to Ruth Prawer Jhabvala*
4 1
James Ivory to Ruth Prawer Jhabvala*
4 1
The Ustad film
4 1
Synopsis
4 1
Jenny portrait
4 1
Origins of film & cast
4 2
Treatment
Box Folder
4 2
Ruth Prawer Jhabvala to James Ivory*
April 15, 1967
4 2
Ruth Prawer Jhabvala to James Ivory*
June 26, 1967
4 2
Ruth Prawer Jhabvala to James Ivory
August 12, 1967
4 2
Ruth Prawer Jhabvala to James Ivory
August 16, 1967
4 3
Screenplay - bits and pieces
4 4
Screenplay - rewritten or new scenes
4 5
Screenplay
4 6
Production - sound effects record
4 7
Production - continuity & dialog
4 8
Production
Box Folder
4 8
James Ivory to Bill Kaplan
June 18, 1968
4 8
Post production
4 8
Music clearances
4 8
Scenes to be synced
4 8
"Vision" parts
4 8
Call sheets
4 8
Ustad Musshtaq Husssain Kahn
4 9
Production
Box Folder
4 9
Stuart Lyons to James Ivory
December 27, 1967
4 9
James Ivory to Bill Kaplan
January 22, 1968
4 9
Bill Kaplan to Subrata Mitra
January 26, 1968
4 9
James Ivory to Bill Kaplan
February 8, 1968
4 9
Note to James Ivory on accents
4 9
20th Century lab report
4 9
Inventory
4 10
Production - loop charts
4 10
Production
Box Folder
4 11
Bill Kaplan to James Ivory
January 17, 1968
4 11
James Ivory to Bill Kaplan
April 15, 1968
4 11
James Ivory to Bill Kaplan
April 16, 1968
4 11
James Ivory to Bill Kaplan
April 18, 1968
4 11
James Ivory to Bill Kaplan
April 20, 1968
4 11
James Ivory to Bill Kaplan*
April 22, 1968
4 11
Post production schedule
June 6, 1968
4 11
James Ivory to Bill Kaplan
July 7, 1968
4 11
James Ivory to Bill Kaplan
July 28, 1968
4 11
James Ivory to Bill Kaplan
August 9, 1968
4 11
James Ivory to Bill Kaplan
August 15, 1968
4 11
Revised list of additional prints
4 11
Corrections & miscellaneous
4 12
Production
Box Folder
4 12
Shot sequences of sketches
4 12
Shot sequences of sketches
4 12
Shot sequences of sketches
4 12
Shot sequences of sketches
4 12
Shot sequences of sketches
4 12
Shot sequences of sketches
4 13
Production
Box Folder
4 13
James Ivory to Don Black (wrote "Tom's Boat Song")
January 17, 1968
4 13
James Ivory to Stuart Lyon
July 11, 1968
4 13
Music items
4 14
Production - lab report
4 15
Production - costume material
5 1
Production
5 2
Production - financial
5 3
Production - music
5 4
Promotion
5 5
Promotion
5 6
Promotion
5 7
Promotion
5 8
Reviews
5 9
Person/Miscellaneous
Bombay Talkie (1970)
1969-1975
Box Folder
6 1
Treatment - character descriptions
6 2
Treatment - character descriptions
6 3
Treatment - write-up by James Ivory
6 4
Treatment
6 5
Treatment
6 6
Treatment
6 7
Treatment - scene by scene by James Ivory
6 8
Screenplay copy
6 9
Screenplay copy
6 10
Screenplay copy
6 11
Screenplay copy
6 12
Production - director's notebook
6 13
Production - costumes, correspondence about
6 14
Production - lab material
6 15
Production - shooting schedule
6 16
Production - crew listing
6 17
Production - music
6 18
Production - set
6 19
Production - sound
6 20
Promotion
Box Folder
6 20
Miscellaneous items
6 20
James Ivory interview on India**
6 21
Promotion - miscellaneous items
6 22
Reviews - New Yorker
6 23
Reviews - miscellaneous
6 24
Reviews - miscellaneous
6 25
Personal & Miscellaneous
Box Folder
6 25
Michael Butterfield to James Ivory
undated
6 25
Lionel Medford to Ismail Merchant
undated
6 25
E. Crawford to James Ivory
undated
6 25
James Ivory to Ruth Prawer Jhabvala
February 10, 1969
6 25
B. Dhar to Ismail Merchant
December 17, 1969
6 25
Vinod to James Ivory
January 27,1970
6 25
J.M. Pinera to James Ivory
February 4, 1970
6 25
J.M. Pinera to James Ivory
May 7, 1970
6 25
James Ivory to Ismail Merchant
September 9, 1970**
6 25
Shashi Kapoor to James Ivory
March 4, 1971
6 25
G. Hagan to James Ivory
November 23, 1975
6 25
James Ivory to G. Hagan
December 30, 1975**
6 25
"History of a Flop"
6 25
Indian government regulations on filming*
6 25
Memo: Subrata Mitra to Shri M. Bhat
6 26
Personal & Miscellaneous
Box Folder
6 26
Ten questions - James Ivory's India
6 26
James Ivory's India
6 26
James Ivory's views on Bombay Talkie
Savages (1973)
1971-1974
Box Folder
7 1
Treatment - draft of Paris review
7 2
Treatment
Box Folder
7 2
Pink treatment
7 2
How film came to be by James Ivory*
7 3
Treatment
Box Folder
7 3
James Ivory to P. Houston*
July 30, 1971
7 3
Draft of story about Savages
7 3
James Ivory on Savages
7 4
Screenplay - manuscript copy
7 5
Screenplay - bits and pieces
7 6
Screenplay in French
7 7
Production - Director's notebook
7 8
Production - casting
Box Folder
7 8
Article about Sam Waterston in Much Ado About Nothing
7 8
Cast list
7 8
Principals, crew and cast
7 8
Bio: Asha Puthli
7 8
"Playbill" on Much Ado about Nothing
7 8
Cast and principal lists
8 1
Production
Box Folder
8 1
Bernard Eisenshitz to James Ivory
April 23, 1972
8 1
James Ivory to Bernard Eisenshitz
April 26, 1972
8 1
James Ivory to Bernard Eisenshitz
April 27, 1972
8 1
Motel rooms for the cast
8 1
Title cards
8 1
Credit lists
8 1
Shooting schedules
8 1
Call sheets
8 1
Miscellaneous
8 2
Promotion
Box Folder
8 2
James Ivory to Joe Seleh
April 4, 1973
8 2
Ken Stutz to Joe Seleh
April 15, 1973
8 2
F.R. Raphael to James Ivory
June 27, 1972
8 2
Draft, James Ivory to F.R. Raphael
8 2
Cannes 1972
8 2
Sheila Graham article
8 2
Flap over sports announcer from South Africa
8 2
Comments about screenplay and book
8 3
Promotion
Box Folder
8 3
Cannes 1972
8 3
Grove Press catalog
8 3
Book covers
8 3
Savages Press kit
8 3
Savages Angelika Films presents
8 4
Promotion
Box Folder
8 4
Curzon Cinema
8 4
American premier
8 4
London Film Festival
8 4
L.A. International Film Expo
8 5
Promotion
Box Folder
8 5
Savages brochure
8 5
Invitation: Nice France
8 5
Premier: Museum of Modern Art
8 5
Baronet Premier
8 5
Curzon Cinema
8 5
Filmex poster
8 5
Guest list
8 6
Promotion - Savages adverts
8 7
Reviews
8 8
Reviews
8 9
Reviews
8 10
Miscellaneous/Personal
Box Folder
8 10
Shri Taker S. Doctor to Ismail Merchant & James Ivory
July 1, 1974
8 10
Penelope Houston to James Ivory
November 17, 1972
8 10
Jeffrey Jacobs to James Ivory
May 15, 1972
8 10
Harry Holland to James Ivory
February 11, 1974
8 10
Harry Holland to James Ivory
April 16, 1974
8 10
Donald Hatch to James Ivory
November 15, 1972
8 10
Donald Hatch to James Ivory
February 12, 1973
8 10
Miscellaneous material
8 11
Personal/Miscellaneous: Book: Savages-Shakespeare Wallah
Autobiography of a Princess (1975)
1975-1976
Box Folder
9 1
Treatment by James Ivory
9 2
Screenplay
Box Folder
9 2
Ruth Prawer Jhabvala first draft
9 2
Screenplay
Box Folder
9 2
Ruth Prawer Jhabvala first draft
9 2
Requiem for the Rajahs (article)
9 2
Rough notes by Ruth Prawer Jhabvala
9 3
Screenplay, copy of
9 4
Handwritten copy
9 5
Typed copy (for book?)
9 6
Screenplay - Miscellaneous pieces
9 7
Production - Director's notebook
9 8
Production - Director's notebook with notes on Wild Party
9 9
Production - Misci/Vick Flick
9 10
Production - props
Box Folder
9 10
Salt & pepper train
9 10
Fake documentary narration
9 11
Financial/legal
9 12
Promotion - poster
9 13
Promotion - Lincoln Center NY Film Festival
9 14
Promotion - London Film Festival
9 15
Reviews - Sight and Sound
9 16
Reviews - Films and Filming
9 17
Reviews
9 18
Reviews
9 19
Personal/Miscellaneous
Box Folder
9 10
Review of Ray film
9 10
John Kenneth Galbraith to James Ivory
October 7, 1975
9 10
James Ivory to J.K. Galbraith
November 16, 1975
9 10
N.F.H. Fleming to James Ivory
March 3, 1976
9 10
Shrimati Krishna Kumari, MP to Ismail Merchant
April 19, 1976
9 10
James Ivory to Shrimati Krishna Kumari
September 13, 1976
9 10
Mrs. Oakes Volandri to MIP
October 23, 1975
9 10
Lynne Leatham to WQED
October 13, 1975
9 10
Card (in French) from friends
9 10
Eric Flackfield to Ismail Merchant
August 22, 1975
9 10
Miscellaneous items
9 10
G. Ragheimer to Ismail Merchant*
June 20, 1975
9 10
James Ivory to Humphrey Dixon*
June 3, 1975
9 10
Vincent Canby to James Ivory
December 3, 1975
9 10
Humphrey Dixon to James Ivory
June 1975
Roseland (1977)
1975-1979
Box Folder
13 1
Treatment
Box Folder
13 1
Ruth Prawer Jhabvala Synopsis
December 3, 1975
13 1
PR release with treatment
December 3, 1975
13 2
Screenplay
Box Folder
13 2
Ruth Prawer Jhabvala to James Ivory
undated
13 2
Handwritten notes on screenplay
13 3
Screenplay
Box Folder
13 3
Ruth Prawer Jhabvala to James Ivory
undated
13 3
Script pages
13 3
Telegrams, Ruth Prawer Jhabvala to James Ivory and James Ivory to Ruth Prawer Jhabvala
13 4
Screenplay - MS for typist
13 5
Production - casting
Box Folder
13 5
Blythe Danner material and Ruth Prawer Jhabvala note
13 5
Biographies of actors
13 6
Production
Box Folder
13 6
Call sheets
December 3, 1975
13 6
Production schedule
December 3, 1975
13 6
Handwritten camera instructions
December 3, 1975
13 7
Production - financial/legal
13 8
Promotion
Box Folder
13 8
Ismail Merchant interview in AMBA Executive
13 8
Lilia Skala items
13 8
Cinemashares promotion
13 8
Havestock Hill flyer
13 8
Large credit shee-Oregon Four
13 8
21st London Film Festival
13 9
Promotion
Box Folder
13 9
French press kits
13 9
Larry Fredricks to James Ivory
November 11, 1977
13 10
Promotion
Box Folder
13 10
Lincoln Center September 1977
September 1977
13 10
N.Y. Film Festival brochure
13 10
National Council of Churches
13 11
Reviews
13 12
Reviews
13 13
Reviews
13 14
Personal/Miscellaneous correspondence
Box Folder
13 14
James Ivory to Manette Berton
January 27, 1979
13 14
Manette Berton to James Ivory
November 8, 1978
13 14
Handwritten MS
13 14
Ronni Chasen to Arnold Friedman
January 26, 1978
13 14
Bernard Nichols to James Ivory
December 1, 1977
13 14
Ronnie Ruben to James Ivory
November 14, 1977
13 14
James Ivory to Michael ?
May 5, 1977
13 14
James Ivory to Blythe Danner
December 4, 1976
13 14
Ruth Prawer Jhabvala to James Ivory
January 1, 1977
13 14
Maxine Kingston to James Ivory
June 14, 1977
13 14
Christopher Walken to James Ivory*
May 26, 1977
13 14
James Ivory to Maxine Kingston
May 18, 1977
13 14
Card: Geraldine Chaplain to James Ivory
undated
13 15
Personal/Miscellaneous
Box Folder
13 15
James Ivory to Sylve Blum
October 7, 1976
13 15
Manette Berton to James Ivory
January 16, 1979
13
Lilia Skalia correspondence
13 16
Personal/Miscellaneous
Box Folder
13 16
Article on Ruth Prawer Jhabvala
13 16
Article on Lilia Skala in LA Times
13 16
Article on Geraldine Chaplain
13 16
Making of Roseland-Agnes Varda
13 16
Village Voice on Roseland
13 16
Daily News on Roseland
The Europeans (1979)
1976-1980
Box Folder
14 1
Treatment - English and French
14 2
Treatment - NEA correspondence
Box Folder
14 2
James Ivory to Phil Gersh
September 9, 1976
14 2
Phil Gersh to James Ivory
September 22, 1976
14 2
James Ivory to Vanessa Redgrave*
September 22, 1976
14 2
Linda Burton (NEA) to James Ivory
December 2, 1976
14 2
James Ivory to Stephen Rabin (NEA)
March 6, 1977
14 2
Tamara Robinson to James Ivory with handwritten rebuttal by Ruth Prawer Jhabvala**
March 31, 1977
14 2
James Ivory to Tamara Robinson
April 24, 1977
14 2
James Ivory to Tamara Robinson
June 2, 1977
14 2
Tamara Robinson to James Ivory
June 7, 1977
14 2
James Ivory to Stephen Rabin with draft
June 14, 1977
14 2
Stephen Rabin to James Ivory
June 30, 1977
14 3
Treatment - Leon Edel on Henry James
14 4
Treatment - MIP-NEA proposal for Europeans
Box Folder
14 4
Grant instructions
14 4
Grant proposal drafts/Miscellaneous
14 4
Grant proposal
14 5
Screenplay
Box Folder
14 5
Ruth Prawer Jhabvala notes**
14 5
Rough with Ruth Prawer Jhabvala notes
14 5
Pages 13-27 wtih Ruth Prawer Jhabvala notes
14 5
Financial agreement between James Ivory and Ruth Prawer Jhabvala
14 6
Original Script
14 7
Post production script
14 8
Screenplay
14 9
Screenplay
14 10
Screenplay
14 11
Screenplay
14 12
Screenplay
14 13
Screenplay
14 14
Screenplay
15 1
Production - financial
Box Folder
15 1
James Ivory to L. Harbottle
September 5, 1978
15 1
James Ivory to Ismail Merchant
September 6, 1978
15 1
Two receipts for pre-production
15 1
James Ivory to L. Harbottle
July, 31, 1979
15 1
L. Harbottle to James Ivory
July 31, 1979
15 1
Ian Smyth to L. Harbottle
August 2, 1979
15 1
L. Harbottle to James Ivory
August 6, 1979
15 1
Two bank transactions
15 2
Production - Salem schedule/revised script
15 3
Production - trust deed
15 4
Production - trust deed
15 5
Production - costs
15 6
Production - call sheets
15 7
Production - prop: "Boston Advertiser"
15 8
Cast and unit lists
15 9
Production - locations and costumes
15 10
Production - music /art
15 11
Production
Box Folder
15 11
James Ivory to David Coughtry
November 24, 1978
15 11
David Coughtry to James Ivory
December 11, 1978
15 11
Connie? to James Ivory
undated
15 11
Connie? to James Ivory
undated
15 11
L. Harbottle to Ismail Merchant
January 3, 1979
15 11
Movie credits
15 11
Julie Christie to James Ivory and Ismail Merchant*
undated
15 12
Promotion - Cannes Festival
15 13
Telerama
15 14
Promotion - Lincoln Center
15 15
Promotion - expenses
15 16
Promotion - Miscellaneous festivals and screenings
15 17
Promotion Screen International
15 18
Promotion - NY Film Festival
15 19
Promotion - Interview schedules
15 20
Promotion - correspondence
Box Folder
15 20
Alan Wagner to James Ivory
February 13, 1978
15 20
Katherine Brown to James Ivory
July 18, 1979
15 20
John Murray to James Ivory
August 23, 1979
15 20
Ian Smyth to James Ivory
February 28, 1980
15 20
Jean ? to James Ivory
February 28, 1980
15 21
Articles about Europeans
15 22
Promotion - lobby shots/promo sheet
15 23
Reviews - Sight and Sound
15 24
Reviews - Horizon
15 25
Reviews - French
15 26
Reviews - US
15 27
Reviews - US
15 28
Reviews - UK
15 29
Personal/Miscellaneous
Box Folder
15 29
Barnaby Conrad to James Ivory
August 1, 1979
15 29
Lee Remick letter, obit and bio
15 29
Miscellaneous articles about James Ivory and MIP
Jane Austen in Manhattan (1980)
1978-1994
Box Folder
16 1
Treatment
Box Folder
16 1
Article on Sir Charles Grandison play and manuscript
16 1
More about Sir Charles Grandison
16 1
Printed copy of Sir Charles Grandison
16 2
Treatment - story outline by Ruth Prawer Jhabvala
16 3
Treatment - MS of scenes used for film from Grandison
16 4
Screenplay
Box Folder
16 4
Ruth Prawer Jhabvala to James Ivory
March 5, 1980?
16 4
Ruth Prawer Jhabvala notes on script
16 4
Opera scene
16 4
Script fragment
16 4
Script, notes and fragment
16 5
Screenplay - Xerox copy
16 6
Production - prop copy of Grandison
16 7
Production - financial/legal
16 8
Production - cast/crew
16 9
Production - call sheets
16 10
Production - continuity 1
16 11
Production - continuity 2
16 12
Production - continuity 3
16 13
Promotion - invitation to US premier
16 14
Reviews
16 15
Personal/Miscellaneous - Dutch film festival
16 16
Personal/Miscellaneous
Box Folder
16 16
Article about Ruth Prawer Jhabvala
16 16
Spiral notebook with Miscellaneous entries
17
Personal/Miscellaneous - correspondence
Box Folder
16 17
Ruth Prawer Jhabvala to James Ivory*
January 3, 1980
16 17
Ruth Prawer Jhabvala to James Ivory*
February 1980
16 17
Anne Baxter to James Ivory and Ismail Merchant
February 16, 1980
16 17
Kurt Johnson to James Ivory
February 21, 1980
16 17
Jenny Beway to Ismail Merchant
undated
16 17
Katrina Hadiah to James Ivory
December 12, 1979
16 17
Melvyn Bragg to James Ivory and Ismail Merchant
December 4, 1978
16 17
Nick ? to James Ivory
March 6, 1980
16 17
Melvyn Bragg to James Ivory
April 15, 1980
16 17
Melvyn Bragg to James Ivory
December 12, 1978
16 17
Morton Leavy to Cannie Kiserman
April 25, 1980
16 17
Sean Young to James Ivory
November 9, 1994
Quartet (1981)
1981
Box Folder
17 1
Treatment - book "Quartet"
17 2
Treatment - Edward de Neve on prison life in France
17 3
Treatment - Quartet origins**
17 4
Screenplay - early Ruth Prawer Jhabvala notes/mark-up copy
17 5
Screenplay - unbound copy
17 6
Screenplay - Ruth Prawer Jhabvala copy with notes*
17 7
Screenplay - French edition
17 8
Screenplay - French/English
Quartet (1981)
1981
Box Folder
18 1
Screenplay - Michel Mangois dialog
18 2
Screenplay - first MS
18 3
Screenplay
Box Folder
18 3
Script notes
18 3
Isabel's lines
18 4
Screenplay - more script notes
18 5
Production - legal/financial
Box Folder
18 5
James Ivory Quartet contract
18 5
New World on cuts
18 5
James Ivory/Susan Smith
18 5
Lyric-MIP agreement
18 5
James Ivory to Chatto and Linnet
18 5
Miscellaneous expenses
18 5
Costume budget
18 6
Production - casting-notebook with interviews
18 7
Production - editing/director's notebook
18 8
Production - editing Miscellaneous
18 9
Production - call sheets 1
18 10
Production - call sheets 2
18 11
Production - call sheets 3
18 12
Production - trailer/titles
Box Folder
18 12
Trailer notes
18 12
Sub-titles
18 12
Titles
18 13
Production - locations
18 14
Production - costumes, props, miscellaneous
19 1
Promotion
19 2
Promotion
19 3
Promotion
19 4
Promotion
19 5-7
Promotion - Cannes 1981
19 8
Promotion
19 9
Reviews
19 10
Reviews, American
19 11
Reviews, United Kingdom
19 12
Reviews, Europe
19 13-14
Personal/Miscellaneous
Heat and Dust (1983)
1983
Box Folder
20 1-2
Treatment
20 3
Treatment - book
20 4
Screenplay - director's copy
20 5
Screenplay - Embleton
20 6
Screenplay - phony copy
20 7
Screenplay - working copy
20 8
Screenplay - Hindi/Urdu
20 9
Screenplay
20 10
Screenplay - revisions
20 11
Screenplay
21 1
Production - Editing
21 2
Production - Props
21 3
Production
21 4
Production
21 5
Production
21 6
Production - Location
21 7
Production - Cast
21 8
Production - Financial/Legal
21 9
Production - Art/Costume
21 10
Production
21 11
Production - Titles/Trailer
21 12
Promotion
21 13
Promotion - Cannes 1983
21 14
Promotion
21 15
Promotion
21 16
Promotion
21 17
Promotion
21 18
Reviews - U.S.
21 19
Reviews - U.K.
21 20
Reviews - Europe/India
21 21
Personal/Miscellaneous
21 22
Personal/Miscellaneous - correspondence
21 23
Personal/Miscellaneous
The Bostonians (1984)
??
Box Folder
22 1
Treatment/Concept
22 2
Treatment/Concept
22 3
Treatment
22 4
Screenplay, part 1
22 5
Screenplay, part 2
22 6
Screenplay
22 7
Screenplay
22 8
Screenplay
22 9
The Europeans - Production - Actors
22 10
Production - Credits
22 11
Production - Finance
22 12
Production - Unit Lists
22 13
Production - Call Sheets, part 1
22 14
Production - Call Sheets, part 2
23 1
Production - Continuity Reports
23 2
Production - Continuity Reports
23 3
Production - Continuity Reports
23 4
Production - Continuity Reports
23 5
Production - Continuity Reports
23 6
Production - Continuity Reports
23 7
Production - Continuity Reports
23 8
Production - Continuity Reports
23 9
Production - Continuity Reports
23 10
Production - Continuity Reports
24 1
Production - Props
24 2
Production - Locations
24 3
Production - Locations
24 4
Production - Director's Notebook
24 5
Production - Locations
24 6
Production - Locations
24 7
Production - Editing
24 8
Production - Casting
24 9
Promotion
24 10
Promotion
24 11
Promotion
24 12
Promotion
24 13
Promotion - Distribution
24 14
Promotion
24 15
Reviews
24 16
Reviews - U.K.
24 17
Reviews
25 1
Reviews - France
25 2
Reviews
25 3
Reviews
25 4
Reviews
25 5
Reviews - U.S.
25 6
Personal/Miscellaneous - Almi
25 7
Personal/Miscellaneous
25 8
Personal/Miscellaneous - People
25 9
Personal/Miscellaneous
25 10
Personal/Miscellaneous
25 11
Personal/Miscellaneous
A Room with a View (1985)
??
Box Folder
26 1
Treatment
26 2
Treatment
26 3
Treatment
26 4
Screenplay
26 5
Screenplay
26 6
Production
26 7
Production
26 8
Production
26 9
Production
26 10
Production - Call Sheets
26 11
Production - Call Sheets
26 12
Production - Call Sheets
26 13
Production - Titles
26 14
Production - Locations
26 15
Production - Locations
26 16
Production - Locations
26 17
Production
26 18
Production - Miscellaneous
27 1
Promotion
27 2
Promotion
27 3
Promotion
27 4
Promotion
27 5
Promotion
27 6
Reviews - U.S.
27 7
Reviews
27 8
Reviews - Germany
27 9
Reviews - Italy
27 10
Reviews - U.K.
27 11
Reviews - U.K.
27 12
Personal/Miscellaneous
27 13
Personal/Miscellaneous
27 14
Personal/Miscellaneous
28 1
Personal/Miscellaneous
28 2
Personal/Miscellaneous
28 3
Personal/Miscellaneous
28 4
Personal/Miscellaneous
28 4b
Personal/Miscellaneous
28 5
Personal/Miscellaneous
28 6
Personal/Miscellaneous
28 7
Personal/Miscellaneous
28 8
Personal/Miscellaneous
28 9
Personal/Miscellaneous
28 10
Personal/Miscellaneous
28 11
Personal/Miscellaneous
28 12
Personal/Miscellaneous
28 13
Personal/Miscellaneous
Maurice (1987)
??
Box Folder
29 1
Treatment
29 1a
Treatment - Novel
29 2
Treatment
29 3
Treatment
29 4
Screenplay
29 5
Screenplay - Early Version, 1
29 6
Screenplay
29 7
Screenplay - Early Version, 3
29 8
Screenplay - Amendments
29 9
Screenplay - Draft
29 10
Screenplay
29 11
Production - Titles
29 12
Scene Descriptions
29 13
Settings - Wilbury House
30 1
Production - Call Sheets - Part 1
30 2
Production - Call Sheets - Part 2
30 3
Production - Call Sheets - Part 3
30 4
Production - Call Sheets - Part 4
30 5
Production - Cue Sheets - Part 1
30 6
Production - Cue Sheets - Part 2
30 7
Production - Memos
30 8
Production - Schedules
30 9
Production - Locations
30 10
Production - Locations
30 11
Financial
30 12
Production - Scene Descriptions/Props
30 13
Production - Trailer
30 14
Production - Casting/Crew
30 15
Production - Lab
30 16
Production - Miscellaneous expenditures
30 17
Reviews
30 18
Reviews - New York Times
30 19
Reviews - U.K.
31 1
Promotion - Press releases
31 2
Promotion - Venice festival
31 3
Promotion - Sundance Film Festival
31 4
Promotion - Flyers
31 5
Promotion - Itineraries
31 6
Promotion - BBC Critics Forum
31 7
Promotion - Box office
31 8
Promotion - Advertisements
31 9
Reviews - U.K.
31 10
Reviews - Timeout
31 12
Reviews
31 13
Reviews
31 14
Reviews
31 15
Reviews
31 16
Miscellaneous - Maria St. Just
31 17
Miscellaneous - James Wilby
31 18
Miscellaneous - People/Jhabvala
31 19
Miscellaneous - Fan letters
31
Miscellaneous - Letters/Friends
32 1
Miscellaneous - correspondence
32 2
Personal/Miscellaneous
32 3
Personal/Miscellaneous
32 4
Personal/Miscellaneous
32 5
Personal/Miscellaneous
32 6
Personal/Miscellaneous
32 7
Personal/Miscellaneous
32 8
Personal/Miscellaneous
32 9
Personal/Miscellaneous
32 10
Personal/Miscellaneous
32 11
Personal/Miscellaneous
Slaves of New York (1989)
??
Box Folder
32 12
Treatment - Novel
32 13
Novel
32 14
Screenplay - Notes
32 15
Screenplay - Notes
32 16
Screenplay - Notes
32 17
Screenplay
32 18
Screenplay
32 19
Screenplay
32 20
Screenplay
33 1
Screenplay
33 2
Screenplay
33 3
Screenplay
33 4
Screenplay
33 5
Production - Financial
33 6
Production - Legal
33 7
Production - Locations/Art
33 8
Production - Credits/Directors Guild of America
33 9
Production - Credits/NABET
33 10
Production - Credits
33 11
Production - Credits
33 12
Production - Credits
33 13
Production - Credits
33 14
Production - Casting
33 15
Production - Casting
33 16
Production - Music
33 17
Production - Sound
33 18
Production - Shooting
33 19
Production - Call Sheets
33 20
Production - Call Sheets
33 21
Production - Call Sheets
33 22
Production - Reshoots
34 1
Production - Lab/Staff
34 2
Promotion
34 3
Promotion
34 4
Promotion
34 5
Promotion
34 6
Promotion - NY Preservation League
34 7
Promotion
34 8
Promotion
34 9
Promotion - France
34 10
Promotion
34 11
Reviews - U.K.
34 12
Reviews - U.S.
34 13
Reviews - U.S.
34 14
Personal/Miscellaneous
34 15
Personal/Miscellaneous - Warhol
34 16
Personal/Miscellaneous - Janowitz
34 17
Personal/Miscellaneous
34 18
Personal/Miscellaneous
Mr. and Mrs. Bridge (1990)
??
Box Folder
34 19
Treatment/Concept
34 20
Treatment/Concept
34 21
Treatment/Concept
34 22
Novel
35 1
Screenplay
35 2
Screenplay
35 3
Screenplay
35 4
Screenplay - Connell
35 5
Screenplay
35 6
Screenplay
35 7
Production - Art, Costumes, Props
35 8
Production - Casting/Personnel
35 9
Production - Editing
35 10
Production - Financial/Legal
35 11
Production - Financial/Legal
35 12
Production - Financial/Legal
35 13
Production - Financial/Legal
35 14
Production - Financial
35 15
Production - Financial
35 16
Production - Schedules
35 17
Production - Schedules
35 18
Production - Schedules
35 19
Production - Schedules
35 20
Production - Schedules
36 1
Production
36 2
Production - Locations
36 3
Production - Locations
36 4
Production - Locations/Louvre
36 5
Production - Locations/Paris
36 6
Production - Locations
36 7
Production - Trailer/Credits
36 8
Production - Credits
36 9
Production - Credits
36 10
Production - Titles
36 11
Production - End Titles
36 12
Promotion - Distribution
36 13
Promotion
36 14
Promotion - France
36 15
Promotion
36 16
Promotion
36 17
Promotion - Press Kit
36 18
Promotion
36 19
Promotion
36 20
Promotion
36 21
Promotion - Venice
37 1
Reviews - U.S.
37 2
Reviews - U.S.
37 3
Reviews - U.S.
37 4
Reviews - U.K.
37 5
Reviews - Italy
37 6
Personal/Miscellaneous
37 7
Personal/Miscellaneous
37 8
Personal/Miscellaneous
37 9
Personal/Miscellaneous
37 10
Personal/Miscellaneous
Howards End (1992)
??
Box Folder
37 11
Treatment
37 12
Treatment - Novels
37 13
Screenplay
37 14
Screenplay - First draft, part 1
37 15
Screenplay - First draft, part 2
37 16
Screenplay - First draft, part 3
37 17
Screenplay
37 18
Screenplay
37 19
Screenplay
38 1
Screenplay
38 2
Screenplay
38 3
Production - Director's Notes
38 4
Production
38 5
Production
38 6
Production
38 7
Production
38 8
Production
38 9
Production
38 10
Production
38 11
Production
38 12
Production
38 13
Production
38 14
Production
38 15
Production
38 16
Production
38 17
Production - Legal
39
39 1
Promotion
39 2
Promotion
39 3
Promotion
39 4
Promotion
39 5
Promotion
39 6
Promotion
39 7
Promotion
39 8
Promotion - Distribution
39 9
Promotion
39 10
Promotion
39 11
Promotion
39 12
Reviews
39 13
Reviews - Student
39 14
Reviews - English
39 15
Reviews - U.S.
40 1
Personal/Miscellaneous
40 2
Personal/Miscellaneous
40 3
Personal/Miscellaneous
40 4
Personal/Miscellaneous
40 5
Personal/Miscellaneous - Academy Awards
40 6
Personal/Miscellaneous - Academy Awards
40 7
Personal/Miscellaneous
40 8
Personal/Miscellaneous - letters
40 9
Personal/Miscellaneous
40 10
Personal/Miscellaneous
40 11
Personal/Miscellaneous
40 12
Personal/Miscellaneous
40 13
Personal/Miscellaneous
40 14
Personal/Miscellaneous
40 15
Personal/Miscellaneous
40 16
Personal/Miscellaneous
40 17
Personal/Miscellaneous
40 18
Personal/Miscellaneous
40 19
Personal/Miscellaneous
40 20
Personal/Miscellaneous
40 21
Personal/Miscellaneous
40 22
Personal/Miscellaneous
Remains of the Day (1993)
??
Box Folder
41 1
Treatment
41 2
Screenplay - Pinter
41 3
Screenplay - Jhabvala
41 4
Screenplay
41 5
Screenplay
41 6
Screenplay
41 7
Screenplay
41 8
Screenplay - Subtitles
41 9
Screenplay - Continuity List
42 1
Production - Credits
42 2
Production - Credits
42 3
Production - Locations - Corsham
42 4
Production - Locations - Irish
42 5
Production - Locations - Badminton
42 6
Production - Locations - Darlington
42 7
Production - Art (Arrighi)
42 8
Production - Art (Arrighi)
42 9
Production - Financial/Legal/Budget
42 10
Production - Financial/Legal
42 11
Production - Financial/Legal (Receipts)
42 12
Production - Casting
42 13
Production - Casting
43 1
Production - Music
43 2
Production - Call Sheets
43 3
Production - Call Sheets
43 4
Production - Call Sheets
43 5
Production - Reshoots
43 6
Production - Reshoots
43 7
Production - Sound Recording
43 8
Production - Sound Sync
43 9
Production - Sound Sync
43 10
Production - Post production
43 11
Production - Post production
43 12
Promotion/Distribution - Gate receipts
43 13
Promotion/Distribution - Gate receipts
43 14
Promotion/Distribution - Gate Receipts
43 15
Promotion/Distribution - Ishiguro
43 16
Promotion/Distribution - Premiers
43 17
Promotion/Distribution - Premiers
44 1
Promotion/Distribution - Venice
44 2
Promotion/Distribution - Venice
44 3
Promotion/Distribution - Venice
44 3a
Promotion/Distribution - Venice
44 4
Promotion/Distribution - Berlin
44 5
Promotion/Distribution - Berlin
44 6
Promotion/Distribution - Press Releases
44 7
Promotion/Distribution - Press Releases
44 8
Promotion/Distribution - Distribution/Delivery
44
Screening Reactions
Folder
45 1
Promotion - Academy Awards
45 2
Promotion - Academy Awards
45 3
Promotion - Academy Awards
45 4
Promotion - Academy Awards, misc.
45 5
Promotion - Video
45 6
Promotion - Press Releases
45 7
Promotion - Press Releases
45 8
Reviews - U.S.
45 9
Reviews - U.S.
45 10
Reviews - U.S.
45 11
Reviews - British
45 12
Reviews - British
45 13
Reviews - French
45 14
Personal/Miscellaneous - Scorcese
45 15
Personal/Miscellaneous - Jacoby Dispute
45 16
Personal/Miscellaneous - Directors Guild
45 17
Personal/Miscellaneous - Sony/Columbia
45 18
Personal/Miscellaneous - Miscellaneous
45 19
Personal/Miscellaneous - DVD Interview
45 20
Personal/Miscellaneous - DVD Interview
45 21
Personal/Miscellaneous - DVD Interview
Jefferson in Paris (1995)
??
Box Folder
46 1
Treatment
46 2
Treatment
46 3
Treatment - Ivory/Chase
46 4
Screenplay - Chase
46 5
Screenplay - Chase
46 6
Screenplay - Chase
46 7
Screenplay - Ivory/Chase
46 8
Screenplay - Ivory/Chase
46 9
Screenplay - Ivory/Chase
46 10
Screenplay - Ivory/Chase
46 11
Screenplay - French
46 12
Screenplay - French
46 13
Screenplay - French
46 14
Screenplay - French
46 15
Screenplay - Financial
46 16
Screenplay - Jhabvala
46 17
Screenplay - Jhabvala
46 18
Screenplay - Jhabvala
46 19
Screenplay - Jhabvala
47 1
Screenplay - Jhabvala
47 2
Screenplay - Jhabvala
47 3
Screenplay - Jhabvala
47 4
Screenplay - Jhabvala
47 5
Screenplay - Revisions
47 6
Screenplay - Revisions
47 7
Screenplay - Revisions
47 8
Screenplay - Revisions
47 9
Screenplay - Revisions
47 10
Screenplay - Revisions
47 11
Screenplay - Revisions
47 12
Screenplay - Final
47 13
Screenplay - Final
47 14
Screenplay - Final
47 15
Screenplay - Final
47 16
Screenplay - Dialogue Revisions
47 17
Screenplay - Dialogue Revisions
47 18
Production - Subtitles
47 19
Production - Financial
47 20
Production - Sets
48 1
Production - Casting
48 2
Production - Casting
48 3
Production - Casting
48 4
Production - Casting
48 5
Production - Casting
48 6
Production - Casting
48 7
Production - Casting
48 8
Production - Casting
48 9
Production - Costumes
48 10
Production - Costumes
48 11
Production - Costumes
48 12
Production - Sets
48 13
Production - Sets
48 14
Production - Sets
48 15
Production - Sets
48 16
Production - Sets
48 17
Production - Sets
49 1
Production - Sets
49 2
Production - Sets
49 3
Production - Sets
49 4
Production - Sets
49 5
Production - Actors
49 6
Production - Titles
49 7
Production - Titles
49 8
Production - Titles
49 9
Production - Titles
49 10
Production - Titles
49 11
Production - Music
49 12
Production - Music
49 13
Production - Music
49 14
Production - Music
49 15
Production - Music
49 16
Production - Music
49 17
Production - Music
49 18
Production - Editing
49 19
Production - Editing
49 20
Production - Editing
49 21
Production - Editing
49 22
Production - Legal
50 1-22
Jefferson in Paris [Folders are mislabeled Box 52]
51 1-16
Jefferson in Paris
52 1
Jefferson in Paris - Promotion
52 2
Jefferson in Paris - Promotion
52 3
Jefferson in Paris - Promotion
52 4
Jefferson in Paris - Promotion
52 5
Jefferson in Paris - Promotion
52 6
Jefferson in Paris - Promotion
52 7
Jefferson in Paris - Promotion
52 8
Jefferson in Paris - Promotion
52 9
Jefferson in Paris - Promotion
52 10
Jefferson in Paris - Promotion
52 11
Jefferson in Paris - Promotion
52 12
Jefferson in Paris - Reviews
52 13
Jefferson in Paris - Reviews
52 14
Jefferson in Paris - Reviews
52 15
Jefferson in Paris - Reviews
52 16
Jefferson in Paris - Reviews
52 17
Jefferson in Paris - Reviews
52 18
Jefferson in Paris - Reviews
52 19
Jefferson in Paris - Reviews
52 20
Jefferson in Paris - Reviews
52 21
Jefferson in Paris - Reviews
52 22
Jefferson in Paris - Reviews
53 1
Reviews
53 2
Reviews - French
53 3
Reviews - English
53 4
Personal/Miscellaneous
53 5
Personal/Miscellaneous
53 6
Personal/Miscellaneous
53 7
Personal/Miscellaneous
53 8
Personal/Miscellaneous
53 9
Personal/Miscellaneous
53 10
Personal/Miscellaneous
53 11
PPersonal/Miscellaneous
53 12
Personal/Miscellaneous
53 13
Personal/Miscellaneous
53 14
Personal/Miscellaneous
53 15
Personal/Miscellaneous
Subseries B: Films Not Produced
How I Became a Holy Mother
1974-1976
Box Folder
1 1
Treatment
1976
1 2
Treatment
1974-1976
1 3
Treatment
1 4
Treatment
1 5
Screenplay, pt. 1
1 6
Screenplay, pt. 2
1 7
Screenplay, pt. 3
1 8
Screenplay, pt. 4
1 9
Screenplay
1 10
Screenplay
1 11
Screenplay
1 12
Screenplay
Woman Wanted
1985-2000
Box Folder
1 13
Treatment
1 14
Synopsis
2 1
Screenplay
2 2
Screenplay
January 16, 1987
2 3
Screenplay
January 8, 1987
2 4
Production - Casting
January 14, 1987-January 20, 1987
2 5
Production
1986-2000
2 6
Production
2 7
Production
1986-1987
2 8
Production
1986-1987
A Lovely World
1966-2000
Box Folder
2 9
Treatment
2 10
Screenplay, pt. 1
2 11
Screenplay, pt. 2
2 12
Screenplay, pt. 3
2 13
Screenplay, pt. 4
2 14
Screenplay, second copy, pt. 1
1972-2000
2 15
Screenplay, second copy, pt. 2
1972-2000
2 16
Personal/Miscellaneous
1966-1967
Major Molineux
1975-1976
Box Folder
3 1
Treatment
1975
3 2
Screenplay
3 3
Screenplay
circa 1976
3 4
Screenplay, typescript
3 5
Screenplay
July 27, 1976
3 6
Screenplay
1976
3 7
Screenplay
August 17, 1976
3 8
Correspondence
1975-1976
An Innocent Millionaire
1985-2000
Box Folder
3 9
Book
1985
3 10
Magazines, Brochures
1986-2000
3 11
Miscellaneous
3 12
Clippings
1986-1987
3 13
Miscellaneous
3 14
Miscellaneous
4 1
Miscellaneous
4 2
First draft, pt. 1
4 3
First draft, pt. 2
4 4
First draft, pt. 3
4 5
First draft, pt. 4
4 6
Screenplay, pt. 1
June 3, 1987
4 7
Screenplay, pt. 2
June 3, 1987
4 8
Screenplay, pt. 3
June 3, 1987
4 9
Correspondence
1986
Three Continents
1978-1986
Box Folder
4 10
Treatment - Notes
4 11
Treatment
4 12
Treatment
1986
4 13
Synopsis
4 14
Screenplay, pt. 1
1985
4 15
Screenplay, pt. 2
1985
4 16
Screenplay, pt. 3
1985
4 17
Legal
1984-1986
4 18
Miscellaneous
1978-1984
Short Films Not Produced
Passion
1969
Box Folder
5 1
Miscellaneous
5 2
Miscellaneous
5 3
Miscellaneous
5 4
Miscellaneous
5 5
Miscellaneous
March 2, 1969
Met Museum Film
1981-1984
Box Folder
5 6
Treatment
5 7
Treatment
5 8
Miscellaneous
5 9
Correspondence
1984
5 10
Miscellaneous
1981
Artful Thieving
1994
Box Folder
5 11
Miscellaneous
1994
Silver Sluts
1970-2000
Box Folder
5 12
Notes
2000
5 13
Miscellaneous
1970
5 14
Miscellaneous
Friends of the Earth
1989-1990
Box Folder
5 15
Miscellaneous
5 16
Miscellaneous
5 17
Correspondence
1989-1990
5 18
Promotional Material
1989-1990
Berlin Diaries
1987-1995
Box Folder
5 19
Correspondence
1987-1995
Alias Grace
1997-1999
Box Folder
5 20
Correspondence and Notes
1997-1999
5 21
Miscellaneous
Into the Land of Nod
1992
Box Folder
5 22
Miscellaneous
June 29, 1992
Subseries C: Documentaries
Venice (1957)
??
Box Folder
1 1
Pre-treatment
1 2
Pre-treatment
1 3
Pre-treatment
1 4
Pre-treatment
1 5
Treatment
1 6
Narration - draft
1 7
Narration
1 8
Narration
1 9
Production - Storyboard
1 10
Production - Storyboard
1 11
Production - Storyboard
1 12
Production - Storyboard
1 13
Production
1 14
Production - Progress
1 15
Production - Sound
1 16
Production - Edge Numbers
1 17
Production - Permissions
1 18
Production - Finance
1 19
Production - Finance
1 20
Production - Finance
1 21
Production - Finance
2 1
Production - Sequences
2 2
Production - Misc.
2 3
Promotion - Kossoff
2 4
Promotion - Kossoff
2 5
Promotion - Kossoff
2 6
Promotion
2 7
Personal/Miscellaneous
Sword and Flute (1959)
??
Box Folder
2 8
Sword and Flute
2 9
Sword and Flute
2 10
Sword and Flute
2 11
Sword and Flute
2 12
Sword and Flute
2 13
Production
2 14
Production
2 15
Production
2 16
Production
2 17
Production
2 18
Production
2 19
Production
2 20
Production
2 21
Promotion/Distribution
2 22
Reviews
The Delhi Way (1964)
??
Box Folder
3 1
Narration
3 2
Production
3 3
Production
3 4
Production
3 5
Production
3 6
Promotion
3 7
Personal/Miscellaneous
3 8
Kossoff/Ivory correspondence
3 9
Kossoff/Ivory correspondence
3 10
Rough Drafts
3 11
Rough Drafts
3 12
Rough Drafts
3 13
Rough Drafts
3 14
Rough Drafts
3 15
Rough Drafts
Subseries D: Short Films Produced
Adventures of a Brown Man (1972)
??
Box Folder
1 1
Adventures of a Brown Man
1 2
Screenplay
1 3
Adventures of a Brown Man
1 4
Production
1 5
Production
1 6
Production
1 7
Production
1 8
Production
1 9
Production
1 10
Production
1 11
Production
1 12
Personal/Miscellaneous
Helen - Queen of the Nauch Girls (1973)
??
Box Folder
1 13
Helen - Queen of the Nauch Girls
1 14
Helen - Queen of the Nauch Girls
1 15
Helen - Queen of the Nauch Girls
1 16
Promotion
Mahatma and the Mad Boy (1974)
??
Box Folder
1 17
Mahatma and the Mad Boy

Series II:  TelevisionReturn to Top

Container(s) Description Dates
TV Films
Hullabaloo (1976)
??
Box Folder
1 1
Hullabaloo
1 2
Hullabaloo
1 3
Screenplay
1 4
Hullabaloo
1 4A
Hullabaloo
1 5
Hullabaloo
1 6
Hullabaloo
1 7
Hullabaloo
1 8
Hullabaloo
1 9
Hullabaloo
1 10
Hullabaloo
1 11
Hullabaloo
1 12
Reviews
1 13
Personal/Miscellaneous
1 14
Personal/Miscellaneous
The 5:48 (1979)
??
Box Folder
2 1
Treatment
2 2
Screenplay
2 3
Screenplay
2 4
Screenplay
2 5
Screenplay - McNally
2 6
Screenplay - Director's copy
2 7
Screenplay, June 12, 1979
2 8
Screenplay, June 26, 1979
2 9
Screenplay - Ruth Prawer Jhabvala notes
2 10
Production - Financial/Legal
2 11
Production
2 12
Production
2 14
Promotion - Press Kits
2 15
Promotion - Press Kits
2 16
Promotion - Miscellaneous
2 17
Reviews
TV Commercials
Chivas Regal
1987
Box Folder
2 18
Miscellaneous
2 19
Production
1987
2 20
Correspondence
1987
2 21
Correspondence
1987
Ralph Lauren
1987-1988
Box Folder
2 22
Scenarios
1988
2 23
Schedule
1988
2 24
Faxes
1988
2 25
Audition notes
February 18, 1988
2 26
Personal/Miscellaneous
1987-1988
Coca Cola
1997
Box Folder
2 27
Script
1997
2 28
Script
February 1997
2 29
Shooting/Casting
February 1997
2 30
Production - Set
2 31
Notes, clippings
February 1997-April 1997
2 32
Miscellaneous
Labor Party
1997-2000
Box Folder
2 32
Correspondence, notes
March 20, 1997-June 22, 2000

Series IV:  James Ivory WritingsReturn to Top

Container(s) Description Dates
Published Writings
New Yorker
Box Folder
1 1
Talk of the Town - Notes
1 2
Talk of the Town - Manuscript
1 3
Talk of the Town - Galleys
1 4
Talk of the Town
1 5
Talk of the Town - Article
1 6
"Namaz" (Feb. 5, 1966)
1 7
"Namaz" - Manuscript
1 8
"Namaz" - Galleys
1 9
"Namaz"
1 10
"Tribute" - Manuscript
1 11
"Memorial Service" - Galleys
1 12
"Memorial" - Personal/Miscellaneous
1 13
"Memorial"
1 14
"Meher Baba" (June 21, 1969)
1 15
"Meher Baba" - Manuscript draft
1 16
"Meher Baba" - Manuscript
1 17
"Meher Baba" - Galleys
1 18
"Meher Baba" - Miscellaneous
1 19
"Meher Baba"
1 20
"Maestro" - Notes
1 21
"Maestro" - Drafts
1 22
"Maestro" - Manuscript
1 23
"Maestro" - Galleys
1 24
"Maestro" - Pers/Misc.
1 25
New Yorker, July 22, 1967
1 26
"Jan Kadar" - Manuscript
1 27
"Jan Kadar"
Sight and Sound
Box Folder
2 1
"Jane Buck"
2 2
"Isherwood"
2 3
"Isherwood"
2 4
"Isherwood"
2 5
"Heaven's Gate"
2 6
"Heaven's Gate"
2 7
"Glass Menagerie"
2 8
"Glass Menagerie"
2 9
"The Trouble with Olive"
2 10
"The Trouble with Olive"
2 11
"The Trouble with Olive" (spring 1985)
2 12
"The Trouble with Olive"
2 13
"The Trouble with Olive"
2 14
"The Trouble with Olive"
2 15
"Arachnophobia" (autumn 1990)
2 16
"Arachnophobia"
2 17
"Arachnophobia"
Art Forum
Box Folder
2 18
Robert Helm (Nov. 1984)
2 19
Robert Helm
2 20
Robert Helm
2 21a
Robert Helm
World Film Directors
Box Folder
2 21b
Biography
2 22
Biography
World Film Directors
Box Folder
2 23
Raquel Welch
2 24
Raquel Welch
2 25
Raquel Welch
Debrett's
Box Folder
2 26
Hudson Valley
2 27
Hudson Valley
2 28
Hudson Valley
Box Folder
2 29
Conversations/Raquel Welch
Autobiography of a Princess
Box Folder
3 1
Autobiography of a Princess
3 2
Autobiography of a Princess
3 3
Autobiography of a Princess
3 4
Autobiography of a Princess
3 5
Autobiography of a Princess
3 6
Autobiography of a Princess
3 7
Autobiography of a Princess
3 8
Autobiography of a Princess
3 9
Autobiography of a Princess
3 10
Autobiography of a Princess
3 11
Autobiography of a Princess
3 12
Autobiography of a Princess
Afghanistan
Box Folder
4 1
Afghanistan - Draft
4 2
Afghanistan - Draft
4 3
Afghanistan - Draft, with corrections
4 4
Afghanistan
4 5
Afghanistan/Pusuit of Peace
4 6
Afghanistan
4 7
Afghan Diaries
Box Folder
4 8
Notes on Jefferson
Indian Style
Box Folder
4 9
Indian Style
4 10
Indian Style
4 12
Indian Style
Opera Program
Box Folder
4 11
Apollo and Dafne
Writings Not Published
Box Folder
1 1
Licia Albanese - Drafts
1967
1 2
Licia Albanese - correspondence
1967
1 3
Necklace
1 4
Necklace - Correspondence, clippings
1973
1 5
Jacques Demy
1966-1969
1 6
Jacques Demy
1 7
Professionals
1 8
Professionals - Correspondence, clippings
1971

Series V:  Personal PapersReturn to Top

Container(s) Description Dates
Subseries A: Correspondence
Box Folder
1 1
Outgoing
1969-1972
1 2
Outgoing
1973-2003
1 3
Incoming, Ab-Au
1 4
Incoming, Ba-Ba
1 5
Incoming, Ba-Be
1 6
Incoming, Bl-Bu
1 7
Incoming, Cal-Car
1 8
Incoming, Car-Car
1 9
Incoming, Cal-Cr
1 10
Incoming, Da-De
1 11
Incoming, Di-Di
2 1
Incoming, Ed-Ey
2 2
Incoming, Fe-Fr
2 3
Incoming, Ga-Gl
2 4
Incoming, Gl-Gu
2 5
Incoming, Ha-Ha
2 6
Incoming, Has-Ho
2 7
Incoming, Is-Jh
2 8
Incoming, Jo-Jo
2 9
Incoming, Ka-Ke
2 10
Incoming, Kendall
2 11
Incoming, Ke-Ko
3 1
Incoming, L-Lo
3 2
Incoming,Ma-Mc
3 3
Incoming, Me-Mo
3 4
Incoming, Mo-Mu
3 5
Incoming, Na-No
3 6
Incoming, Ob-Ow
3 7
Incoming, Pa-Pe
3 8
Incoming, Pe-Py
3 9
Incoming, Ra-Re
3 10
Incoming, Re-Rd
3 11
Incoming, Ro-Ru
4 1
Incoming, Sa-Sc
4 2
Incoming, Sc-Se
4 3
Incoming, Se-Si
4 4
Incoming, Si-Sp
4 5
Incoming, St-Sw
4 6
Incoming, Ta-Th
4 7
Incoming, To-Tu
4 8
Incoming, Va-Vu
4 9
Incoming, Wa-Wo
4 10
Incoming, Ya-Ze
Subseries B: Financial records
Box Folder
1 1
Check Register
May 1959-October 1959
1 2
Check Register
1954-1960
1 3
Check Register
1956-1957
1 4
Check Register
1957-1958
2
Checks written by James Ivory
late 1950s
Subseries C: School Materials
Box Folder
1 5
University of Oregon
1949
1 6
University of Oregon
1950+
1 7
University of Oregon - Sketchbook
1 8
University of Oregon - Sketchbook
1951
1 9
University of Oregon - Notebook
2 1
University of Oregon - Interior Design
2 2
University of Oregon - History of Architecture
2 3
University of Oregon - Ceramics
2 4
University of Oregon - Ceramics
2 5
University of Oregon - Graphics
2 6
University of Oregon - Languages
2 7
University of Oregon - Shakespeare
2 8
University of Oregon - Religion
2 9
University of Oregon - Dianetics
2 10
University of Oregon - Miscellaneous
2 11
USC - "Esther" screenplay
2 12
USC - Notes
2 13
USC - Sets
2 14
USC - Notebooks
2 15
USC - Notebooks
2 16a
USC - Miscellaneous subjects
2 16b
USC - Miscellaneous subjects
2 17
USC - "Four in the Morning"
Subseries D: Family
Box Folder
3 1
E.P. Ivory and Hallie Ivory
Subseries E: Personal Collection
Box Folder
?? ??
[Missing]
Subseries F: University of Oregon. Special Collections
Box Folder
3 2
University of Oregon Special Collections

Series VI:  BiographicalReturn to Top

Container(s) Description
Box Folder
1 1
Army Life
1 2
Army Life - 2nd Armored Division
1 3
Army Life - 2nd Armored Division
1 4
Amahl and the Night Visitor
1 5
Biography, circa 1984
1 6
Bruce DeWitt journal
1 7
Bill O'Neill journal
1 8
Miscellaneous
1 9
Early correspondence
1 10
Odds and ends
1 11
Miscellaneous
1 12
2003 Material
1 13
Miscellaneous

Series IX:  Photographs (PH321), not yet assignedReturn to Top

3.0 linear feet
Ivory, James, 1928-
Container(s) Description Dates
Box
1
Wild Party, Europeans, 5:48, Bostonians
2
Slaves of New York, Jefferson in Paris (Actors), Jefferson in Paris
3
Heat and Dust, Venice I, Venice II, Bombay Talkie, Satyajit Ray, Sword & the Flute
4
The Golden Bowl
5
Quartet, Room with a View, Women Wanted
6
Jane Austen in Manhattan, Howards End, Autobiography of a Princess
7
Savages, Bombay Talkie, Surviving Picasso, The Guru
8
Oversized materials, various films
9
Mr. & Mrs. Bridge
10
Maurice
11
Remains of the Day
12
A Soldier's Daughter I
13
A Soldier's Daughter II
14
Unprocessed misc