James Ivory papers, circa 1960-2005 PDF
Overview of the Collection
- Creator
- Ivory, James
- Title
- James Ivory papers
- Dates
- circa 1960-2005 (inclusive)19602005
- Quantity
- 97.5 linear feet, (79 containers)
- Collection Number
- Coll 283
- Summary
- James Francis Ivory (1928-) is an American director best known for the films he made as part of Merchant Ivory Productions, the production company he formed with his longtime collaborators producer Ismail Merchant and screenwriter Ruth Prawer Jhabvala. The James Ivory Papers comprise his personal and professional papers, and include material relating to Ivory's feature films, television programs and commercials, Merchant Ivory Productions materials (including papers of Ismail Merchant and Ruth Prawer Jhabvala), and Ivory's published and unpublished writings, including literary and artistic work done while Ivory was a college student at the University of Oregon. The collection includes correspondence, screenplays, treatments, storyboards, production notes, promotional material, legal and financial notes, articles, reviews, sketchbooks, notebooks and photographs.
- Repository
- University of Oregon Libraries, Special Collections and University Archives.
UO Libraries--SCUA
1299 University of Oregon
Eugene OR
97403-1299
Telephone: 541-346-3068
spcarref@uoregon.edu - Access Restrictions
-
Collection is open to the public. Collection must be used in Special Collections and University Archives Reading Room. Collection or parts of collection may be stored offsite. Please contact Special Collections and University Archives in advance of your visit to allow for transportation time. Collection includes sound recordings, moving images, and digital files to which access is restricted. Access to these materials is governed by repository policy and may require the production of listening or viewing copies. Researchers requiring access must notify Special Collections and University Archives in advance and pay fees for reproduction services as necessary.
- Additional Reference Guides
-
See the Current Collection Guide for detailed description and requesting options.
- Languages
- English
- Sponsor
- Funding for encoding this finding aid was provided through a grant awarded by the National Endowment for the Humanities.
Historical NoteReturn to Top
James Ivory was born in Berkeley, California on June 7, 1928. Edward Ivory, his father, had grown up in New York state where he attended Syracuse University and graduated in forestry. As an ROTC graduate he served as an officer in France during World War I and after the war was employed in Thomas Edison's experimental laboratory in New Jersey at East Orange. In 1921 he married Hallie DeLoney, descended from an old Louisiana family. Later they moved to Berkeley, California where he was employed by the Weyerhaeuser Timber Company in San Francisco. In 1933 he moved his family to Klamath Falls, Oregon where in partnership with an investor he bought a lumber mill adjacent to Klamath Lake and later built another in Bly, Oregon called the Ivory Pine Company.
The family maintained their primary residence in Klamath Falls and James attended Sacred Heart Academy. While discipline was strict, a teaching sister recognized his artistic ability and encouraged him to take drawing and painting classes. He later attended Klamath Union High School where he made many lifelong friends among students and faculty. In addition to an academic course, he participated in school drama and journalism, and spent many of his weekends skiing at nearby Crater Lake National Park where he also worked as a cabin attendant during the summer.
After high school graduation in 1946, he enrolled in the University of Oregon's School of Fine Arts majoring in architecture, later changing to a general art course. His years at Oregon were intellectually challenging and many faculty members at Oregon made a lasting impression on Ivory. He traveled to Europe for the first time in the summer of 1950 and after returning, received a BA degree. In 1951 he began a graduate program in film production at the University of Southern California. Although the school emphasized industrial film production, Ivory was able to convince his teachers to let him film a Master's degree documentary thesis on Venice as reflected in its art. In 1953 he was drafted into the U.S. Army and was trained for the Signal Corps. Through a stroke of luck and resourcefulness on his part, he was assigned to Seventh Army Special Services in Europe with the job of booking cultural events for army units in Germany. During leave times he was able to continue working on his Venice film. He returned to the U.S. in 1955 where he completed Venice: Theme & Variations and his Masters Degree in Cinematography in 1957.
Then living in Los Angeles, he set out to produce his next documentary film based on his new found interest in Indian miniature painting. Filming paintings in American museums and private collections, he completed the film titled The Sword and the Flute in 1959. Both that film and the Venice film attracted the interest of the Asia Society of New York. Ivory was commissioned, with the support of a $20,000 grant from the Rockefellers, supporters of the Asia Society, to produce two documentaries--one on Delhi and another on Afghanistan. He spent the year 1960 shooting film in India and traveling by jeep over the Khyber Pass and on to Kabul where most of his Afghanistan footage was shot. The Delhi Way was released in 1964 although the Afghan film was never completed.
It was on his return to New York that he met Ismail Merchant. Ivory was impressed by Merchant's drive and business acumen while Merchant appreciated Ivory's artistic and intellectual attributes. Together they shared a love and fascination with India and cinema and decided to return to the subcontinent and produce a feature film. While seeking a suitable property to film and after a number of misadventures they met Ruth Prawer Jhabvala who had by then written four novels including , The Householder. She agreed to let them produce a film based on it and offered to write the screenplay. Thus was formed a cinema triumvirate that over the years would become the longest lasting film collaboration in cinema history.
The University of Oregon Ivory collection presently represents forty years of this collaboration and from it we learn much about James Ivory as a director and about the films of Merchant Ivory. Although a number of their films were produced in India, the majority are set in western Europe and the United States--from Nazi occupied France to the frenzied art scene in 1980s New York. Time periods run from the eighteenth century to the twenty-first. Screenplays are inspired by older established authors and their classic works, to new writers just making their names. Underlying all, however, is the team's basic artistic foundation: the Ruth Jhabvala-James Ivory collaboration, backed up by the inventive financial and logistical support of their producer, Ismail Merchant.
Ivory has compared making a motion picture to a military campaign. Scores of personnel and tons of equipment must arrive promptly at designated locations, while all the logistical aspects to support actors and crew must be undertaken over the days of the shoot. The director acts as the general in charge of the day-to-day shooting operation. It is, however, in the planning, development and cutting of a film that we more clearly see the genius of James Ivory. This is illustrated in reading the collection's correspondence between Ivory, Jhabvala, and various authors whose books were being filmed. Ivory and Jhabvala are perfectionists. Months are spent analyzing characters, their motivations and how they fit into the script. In the days before faxes and email, both Ivory and Jhabvala had to depend on letters, as they were so often on different continents. These letters, and those with other writers involved in Merchant Ivory's films, make rewarding reading.
Much of the casting for the Merchant-Ivory films was done by Ivory and we see many pages of comments about dozens of auditioning actors (some now household names) as he sought the perfect individual for a role. To his credit, scores of unknown and beginning actors have received their starts in his films. It is James Ivory the artist and historian that we see reflected as we read his director's notebooks: the legacy he will be known by to future generations, in addition to the films themselves, their involving stories, and nuanced acting. The reader will see how he arrived at the historically accurate sets, the detailed accouterments from table place settings, to the right kind of dog or period car, to costumes, the moods of color and background. The results of this infinite care and skill have been impressive. Films such as A Room with a View, Howards End and The Remains of the Day are now regarded as classics and have been awarded numerous European and American awards.
The dictionary defines genre as "a category of art distinguished by a definite style, form or content." James Ivory has created the Merchant Ivory genre that is now recognized throughout the film-going world.
Content DescriptionReturn to Top
The James Ivory Papers consist of Ivory's personal and professional papers, and include material relating to Ivory's feature films, television programs and commercials, Merchant Ivory Productions materials (including papers of Ismail Merchant and Ruth Prawer Jhabvala), and Ivory's published and unpublished writings, including literary and artistic work done while Ivory was a college student at the University of Oregon. The collection includes correspondence, screenplays, treatments, storyboards, production notes, promotional material, legal and financial notes, articles, reviews, sketchbooks, notebooks and photographs.
Administrative InformationReturn to Top
Detailed Description of the CollectionReturn to Top
Series I: Feature FilmsReturn to Top
Container(s) | Description | Dates | |
---|---|---|---|
Subseries A: Films Produced
|
|||
The Householder (1963)
|
1962-1965 | ||
Box | Folder | ||
1 | 1 |
Treatment
|
|
Letter from James Ivory to
Roseland Kossoff
|
January 29, 1962 | ||
1 | 2 |
Screenplay
|
|
1 | 3 |
Screenplay - French
|
|
1 | 4 |
Production - Director's
notebook
|
|
1 | 5 |
Production - Director's
notebook
|
|
1 | 6 |
Production - Director's
notebook
|
|
1 | 7 |
Production - Casting
|
|
1 | 8 |
Production - Lab
|
|
1 | 9 |
Production- Financial
|
|
1 | 10 |
Production - Columbia
controversy
|
|
Box | Folder | ||
1 | 10 |
Letter from Ivory to Ruth
Jhabvala
|
July 25, 1963 |
1 | 10 |
Letter, Ismail Merchant to
Ruth Jhabvala
|
undated |
1 | 10 |
Richard Davidson to James
Ivory & Ismail Merchant
|
November 12, 1963 |
1 | 10 |
India Mission UN to James
Ivory
|
January 14, 1964 |
1 | 10 |
L.F. Noronka to Ismail
Merchant
|
April 2, 1964 |
1 | 10 |
James Ivory to R.
Jhabvala
|
April 13, 1964 |
1 | 10 |
K.N. Wahal to James
Ivory
|
April 28, 1964 |
1 | 10 |
James Ivory to S.
Roy
|
May 5, 1964 |
1 | 10 |
Columbia Pictures
memos
|
August 16, 1964 |
1 | 10 |
Ismail Merchant to William
Blamey
|
September 20, 1965 |
1 | 10 |
Draft, William Blamey
(Columbia)
|
undated |
1 | 10 |
Draft, James Ivory to
?
|
|
1 | 10 |
Draft, James Ivory to Ed
Levine
|
undated |
1 | 11 |
Production - Columbia
controversy
|
|
Box | Folder | ||
1 | 11 |
James Ivory to
Jhabvala
|
undated |
1 | 11 |
Telegrams (many)
|
|
1 | 12 |
Production - Columbia
controversy
|
|
Box | Folder | ||
1 | 12 |
W. Blamey to E.
Horowitz
|
November 23, 1963 |
1 | 12 |
Portions of letters from
Ismail Merchant (7 items)
|
|
1 | 12 |
Burns Weston to James
Ivory
|
December 1, 1963 |
1 | 12 |
W. Blamey to E.
Horowitz
|
December 10, 1963 |
1 | 12 |
James Ivory to C.
Jhabvala
|
December 7, 1963 |
1 | 12 |
Burns Weston to James
Ivory
|
December 4, 1963 |
1 | 12 |
E. Horowitz to H.
Golden
|
December 4, 1963 |
1 | 12 |
Draft of letter
|
|
1 | 12 |
W. Blamey to E.
Horowitz
|
November 30, 1963 |
1 | 12 |
C. Jhabvala to James
Ivory
|
November 29, 1963 |
1 | 13 |
Correspondence - Columbia
controversy
|
|
Box | Folder | ||
1 | 13 |
James Ivory to C.
Jhabvala
|
December 7, 1963 |
1 | 13 |
James Ivory to ?? (Historical
founding of MIP)
|
|
1 | 13 |
Ismail Merchant to Reserve
Bank of India
|
February 25, 1964 |
1 | 13 |
James Ivory to A.K.
Ghosh
|
March 6, 1964 |
1 | 13 |
James Ivory to A.K.
Ghosh
|
March 11, 1964 |
1 | 13 |
James Ivory to Reserve Bank of
India
|
March 12, 1964* |
1 | 13 |
Telegrams
|
January 3, 1964 |
1 | 13 |
H. Golden to J.
Taubman
|
January 3, 1964 |
1 | 13 |
James Ivory to
Dailendra
|
January 3, 1964 |
1 | 13 |
James Ivory to
S.K.
|
January 4, 1964 |
1 | 13 |
Burns Weston to Ismail
Merchant
|
January 17, 1964 |
1 | 13 |
Ismail Merchant to Reserve
Bank of India*
|
February 5, 1964 |
1 | 13 |
James Ivory to B.K.
Nehru
|
February 19, 1964 |
1 | 14 |
Promotion
|
|
1 | 15 |
Reviews
|
|
1 | 16 |
Reviews
|
|
1 | 17 |
Personal/Miscellaneous
|
|
Box | Folder | ||
1 | 17 |
On James Ivory
|
|
1 | 17 |
Householder card
|
|
Shakespeare Wallah (1965)
|
1964-1966 | ||
Box | Folder | ||
2 | 1 |
Concept: Notes on
Savages/Shakespeare Wallah book
|
|
2 | 2 |
Treatment
|
|
Box | Folder | ||
2 | 2 |
James Ivory to Ruth Prawer
Jhabvala
|
January 5, 1964? |
2 | 2 |
Treatment &
script
|
|
2 | 2 |
"Shakespeare in
India" by C.J. Sission
|
|
2 | 3 |
Treatment: Geoffrey Kendall's
account of Shakespeariana
|
|
2 | 4 |
Treatment
|
|
Box | Folder | ||
2 | 4 |
Handwritten & partially
typed treatment
|
|
2 | 4 |
Typed treatment
|
|
2 | 5 |
Screenplay
|
|
Box | Folder | ||
2 | 5 |
Ismail Merchant to Ministry of
Finance
|
August 8, 1964 |
2 | 5 |
Contract MIP with Ruth Prawer
Jhabvala for Shakespeare Wallah Script
|
|
2 | 6 |
Screenplay: Final
script
|
|
2 | 7 |
Production - Director's
Notebook
|
|
2 | 8 |
Production - Director's
Notebook
|
|
2 | 9 |
Production - Director's
Notebook
|
|
2 | 10 |
Promotion - Financial
matters
|
|
2 | 11 |
Promotion - Distribution
Contract
|
|
2 | 12 |
Promotion -
correspondence
|
|
Box | Folder | ||
2 | 12 |
Contemporary Films to Ismail
Merchant
|
January 11, 1966 |
2 | 12 |
Contemporary Films to Ismail
Merchant
|
January 19, 1966 |
2 | 12 |
Contemporary Films to Ismail
Merchant
|
January 24, 1966 |
2 | 12 |
Contemporary Films to Ismail
Merchant
|
January 24, 1966 |
2 | 12 |
Contemporary Films to James
Ivory
|
undated |
2 | 12 |
Lila Williams to M.
Delahaye
|
October 2, 1966 |
2 | 12 |
Lila Williams to Madame L.
Peilllon
|
October 12, 1966 |
2 | 12 |
Lila Williams to M.
Tausky
|
October 12, 1966 |
2 | 12 |
Royal summaries
|
|
2 | 13 |
Promotion -
correspondence
|
|
Box | Folder | ||
2 | 13 |
James Ivory to Malcolm
Muggeridge
|
January 14, 1966 |
2 | 13 |
Alice Ichman to Continental
Films
|
April 14, 1966 |
2 | 13 |
H. Golden to 20th Century
Fox
|
May 3, 1966 |
2 | 13 |
James Norton to Walter Reade
Stirling
|
June 2, 1966 |
2 | 13 |
Ismail Merchant to Charles
Cooper
|
June 21, 1966 |
2 | 13 |
S. Glazer to India Peace Corps
Training Center
|
June 21, 1966 |
2 | 13 |
H. Golden to Lilli
Williams
|
June 30, 1966 |
2 | 13 |
H. Golden to Joe
Billfort
|
July 19, 1966 |
2 | 13 |
H. Golden to 20th Century
Fox
|
July 27, 1966 |
2 | 13 |
James Ivory to 20th Century
Fox
|
August 6, 1966 |
2 | 13 |
20th Century Fox to Ismail
Merchant
|
August 32, 1966 |
2 | 13 |
Michael Delahaye to James
Ivory
|
September 25, 1966 |
2 | 13 |
James Ivory to Lilli
Williams
|
October 8, 1966 |
2 | 13 |
James Ivory to Lilli
Williams
|
October 24, 1966 |
2 | 14 |
Promotion -
correspondence
|
|
Box | Folder | ||
2 | 14 |
Ismail Merchant to Reserve
Bank of India
|
undated |
2 | 14 |
Sanford Lieberson to James
Ivory
|
January 28, 1966 |
2 | 14 |
James Ivory to Sanford
Lieberson
|
February 3, 1966 |
2 | 14 |
James Ivory to Sanford
Lieberson
|
February 11, 1966 |
2 | 14 |
R.D. Bansal (Satyajit
Ray's producer & financier) to Ismail
Merchant
|
March 18, 1966 |
2 | 14 |
Rich LaCaille to Ismail
Merchant
|
March 31, 1966 |
2 | 14 |
R.D. Bansal & Co. to
Lexington Int., Inc.
|
May 5, 1966 |
2 | 14 |
John Blum to Ismail Merchant
(Macy's)
|
May 25, 1966 |
2 | 14 |
R.D. Bansal Agreement for
distribution of Shakespeare Wallah
|
|
2 | 14 |
R.D. Bansal to Ismail
Merchant
|
May 20, 1966 |
2 | 14 |
R.D. Bansal to H.
Golden
|
May 20, 1966 |
2 | 14 |
Lilli Williams to H.
Golden
|
December 14, 1966 |
3 | 1 |
Promotion
|
|
3 | 2 |
Promotion
|
|
Box | Folder | ||
3 | 2 |
Telegrams
|
|
3 | 2 |
James Ivory to National &
Grindlay's Bank (3 letters)
|
|
3 | 2 |
Ismail Merchant to R.D.
Bansal
|
January 21, 1966 |
3 | 2 |
Ismail Merchant to R.D.
Bansal
|
February 26, 1966 |
3 | 2 |
H. Golden to R.D.
Bansal
|
April 15, 1966 |
3 | 2 |
James Ivory to Ismail
Merchant
|
April 18, 1966 |
3 | 2 |
Ismail Merchant to R.D.
Bansal
|
May 3, 1966 |
3 | 2 |
Harry Golden to R.D.
Bansal
|
May 13, 1966 |
3 | 2 |
Harry Golden to Sheldon
Ginsberg
|
May 18, 1966 |
3 | 2 |
Harry Golden to R.D.
Bansal
|
May 27, 1966 |
3 | 2 |
Harry Golden to R.D.
Bansal
|
July 1, 1966 |
3 | 2 |
Harry Golden to R.D.
Bansal
|
August 5, 1966 |
3 | 2 |
R.D. Bansal to H.
Golden
|
August 18, 1966 |
3 | 3 |
Promotion
|
|
Box | Folder | ||
3 | 3 |
UNICEF Benefit
brochure
|
|
3 | 3 |
Promo review and French
brochure
|
|
3 | 3 |
Cinemathèque-Images of
India
|
|
3 | 3 |
Clips about Shakespeare Wallah
(Dinuba paper & NY Times)
|
|
3 | 3 |
Third NY Film Festival
flyer
|
|
3 | 3 |
Reading Festival of Arts June
66 (flyer)
|
|
3 | 3 |
Re-release of Shakespeare
Wallah in France and England 1990*
|
|
3 | 3 |
Shakespeare Wallah
tickets
|
|
3 | 3 |
Miscellaneous
financial
|
|
3 | 4 |
Promotion
|
|
Box | Folder | ||
3 | 4 |
A. Bauer to James Ivory
(Invitation to Berlin Festival)
|
undated |
3 | 4 |
Berlin Festival
programs
|
|
3 | 4 |
Film in Berlin
|
|
3 | 4 |
Shakespeare Wallah
flyer
|
|
3 | 4 |
Shakespeare Wallah in festival
article
|
|
3 | 4 |
Festival
tickets/invitation
|
|
3 | 4 |
Programs
|
|
3 | 4 |
Notice of Madhur
Jaffrey's Best Actress prize
|
|
3 | 4 |
Articles on Shakespeare Wallah
in festival
|
|
3 | 5 |
Promotion
|
|
Box | Folder | ||
3 | 5 |
Ismail Merchant to Neue Mars
Film
|
June 14, 1965 |
3 | 5 |
Ismail Merchant to Neue Mars
Film
|
June 22, 1965 |
3 | 5 |
Berlin Festival to Ismail
Merchant
|
August 9, 1965 |
3 | 5 |
Ismail Merchant to Shri
Bhagat
|
September 28, 1965 |
3 | 5 |
James Ivory to Neue Mars
Films
|
February 1, 1966 |
3 | 5 |
Neue Mars Films to Ismail
Merchant
|
February 14, 1966 |
3 | 5 |
N.P. Jain to Ismail
Merchant
|
July 6, 1966 |
3 | 5 |
N.P. Jain to G.
Peters
|
July 7, 1966 |
3 | 5 |
James Ivory to N.P.
Jain
|
July 22, 1966 |
3 | 5 |
N.P. Jain to G.
Peters
|
August 11, 1966 |
3 | 5 |
Ismail Merchant to N.P.
Jain
|
September 30, 1966 |
3 | 5 |
Neue Mars Films
material
|
|
3 | 5 |
Miscellaneous Berlin Festival
correspondence
|
|
3 | 6 |
Promotion - Berlin Festival
Materials
|
|
3 | 7 |
Promotion -
Distribution
|
|
Box | Folder | ||
3 | 7 |
H. Golden to E.
Schuman
|
April 18, 1966 |
3 | 7 |
Miscellaneous House attendance
figures
|
|
3 | 7 |
Record cover
|
|
3 | 8 |
Reviews
|
|
3 | 9 |
Reviews
|
|
3 | 10 |
Reviews
|
|
3 | 11 |
Reviews
|
|
3 | 12 |
Satyjit Ray articles-various
typescripts
|
|
The Guru (1969)
|
1967-1968 | ||
Box | Folder | ||
4 | 1 |
Treatment
|
|
Box | Folder | ||
4 | 1 |
James Ivory to Ruth Prawer
Jhabvala*
|
|
4 | 1 |
James Ivory to Ruth Prawer
Jhabvala*
|
|
4 | 1 |
The Ustad film
|
|
4 | 1 |
Synopsis
|
|
4 | 1 |
Jenny portrait
|
|
4 | 1 |
Origins of film &
cast
|
|
4 | 2 |
Treatment
|
|
Box | Folder | ||
4 | 2 |
Ruth Prawer Jhabvala to James
Ivory*
|
April 15, 1967 |
4 | 2 |
Ruth Prawer Jhabvala to James
Ivory*
|
June 26, 1967 |
4 | 2 |
Ruth Prawer Jhabvala to James
Ivory
|
August 12, 1967 |
4 | 2 |
Ruth Prawer Jhabvala to James
Ivory
|
August 16, 1967 |
4 | 3 |
Screenplay - bits and
pieces
|
|
4 | 4 |
Screenplay - rewritten or new
scenes
|
|
4 | 5 |
Screenplay - script
|
|
4 | 6 |
Production - sound effects
record
|
|
4 | 7 |
Production - continuity &
dialog
|
|
4 | 8 |
Production
|
|
Box | Folder | ||
4 | 8 |
James Ivory to Bill
Kaplan
|
June 18, 1968 |
4 | 8 |
Post production
|
|
4 | 8 |
Music clearances
|
|
4 | 8 |
Scenes to be
synced
|
|
4 | 8 |
"Vision"
parts
|
|
4 | 8 |
Call sheets
|
|
4 | 8 |
Ustad Musshtaq Husssain
Kahn
|
|
4 | 9 |
Production
|
|
Box | Folder | ||
4 | 9 |
Stuart Lyons to James
Ivory
|
December 27, 1967 |
4 | 9 |
James Ivory to Bill
Kaplan
|
January 22, 1968 |
4 | 9 |
Bill Kaplan to Subrata
Mitra
|
January 26, 1968 |
4 | 9 |
James Ivory to Bill
Kaplan
|
February 8, 1968 |
4 | 9 |
Note to James Ivory on
accents
|
|
4 | 9 |
20th Century lab
report
|
|
4 | 9 |
Inventory
|
|
4 | 10 |
Production - loop
charts
|
|
4 | 10 |
Production
|
|
Box | Folder | ||
4 | 11 |
Bill Kaplan to James
Ivory
|
January 17, 1968 |
4 | 11 |
James Ivory to Bill
Kaplan
|
April 15, 1968 |
4 | 11 |
James Ivory to Bill
Kaplan
|
April 16, 1968 |
4 | 11 |
James Ivory to Bill
Kaplan
|
April 18, 1968 |
4 | 11 |
James Ivory to Bill
Kaplan
|
April 20, 1968 |
4 | 11 |
James Ivory to Bill
Kaplan*
|
April 22, 1968 |
4 | 11 |
Post production
schedule
|
June 6, 1968 |
4 | 11 |
James Ivory to Bill
Kaplan
|
July 7, 1968 |
4 | 11 |
James Ivory to Bill
Kaplan
|
July 28, 1968 |
4 | 11 |
James Ivory to Bill
Kaplan
|
August 9, 1968 |
4 | 11 |
James Ivory to Bill
Kaplan
|
August 15, 1968 |
4 | 11 |
Revised list of additional
prints
|
|
4 | 11 |
Corrections &
miscellaneous
|
|
4 | 12 |
Production
|
|
Box | Folder | ||
4 | 12 |
Shot sequences of
sketches
|
|
4 | 12 |
Shot sequences of
sketches
|
|
4 | 12 |
Shot sequences of
sketches
|
|
4 | 12 |
Shot sequences of
sketches
|
|
4 | 12 |
Shot sequences of
sketches
|
|
4 | 12 |
Shot sequences of
sketches
|
|
4 | 13 |
Production
|
|
Box | Folder | ||
4 | 13 |
James Ivory to Don Black
(wrote "Tom's Boat Song")
|
January 17, 1968 |
4 | 13 |
James Ivory to Stuart
Lyon
|
July 11, 1968 |
4 | 13 |
Music items
|
|
4 | 14 |
Production - lab
report
|
|
4 | 15 |
Production - costume
material
|
|
5 | 1 |
Production - editing
|
|
5 | 2 |
Production - financial
|
|
5 | 3 |
Production - music
|
|
5 | 4 |
Promotion
|
|
5 | 5 |
Promotion
|
|
5 | 6 |
Promotion
|
|
5 | 7 |
Promotion
|
|
5 | 8 |
Reviews
|
|
5 | 9 |
Person/Miscellaneous
|
|
5 | 10 |
Awards/Miscellaneous
|
|
Bombay Talkie (1970)
|
1969-1975 | ||
Box | Folder | ||
6 | 1 |
Treatment - character
descriptions
|
|
6 | 2 |
Treatment - character
descriptions
|
|
6 | 3 |
Treatment - write-up by James
Ivory
|
|
6 | 4 |
Treatment
|
|
6 | 5 |
Treatment
|
|
6 | 6 |
Treatment
|
|
6 | 7 |
Treatment - scene by scene by
James Ivory
|
|
6 | 8 |
Screenplay - Film Scripts
|
|
6 | 9 |
Screenplay - Script 1
|
|
6 | 10 |
Screenplay - Script 2
|
|
6 | 11 |
Screenplay - Script 3
|
|
6 | 12 |
Production - director's
notebook
|
|
6 | 13 |
Production - costumes,
correspondence
|
|
6 | 14 |
Production - lab
material
|
|
6 | 15 |
Production - shooting
schedule
|
|
6 | 16 |
Production - crew
listing
|
|
6 | 17 |
Production - music
|
|
6 | 18 |
Production - set
|
|
6 | 19 |
Production - sound
|
|
6 | 20 |
Promotion
|
|
Box | Folder | ||
6 | 20 |
Miscellaneous
items
|
|
6 | 20 |
James Ivory interview on
India**
|
|
6 | 21 |
Promotion - miscellaneous
items
|
|
6 | 22 |
Reviews - New Yorker
|
|
6 | 23 |
Reviews -
miscellaneous
|
|
6 | 24 |
Reviews -
miscellaneous
|
|
6 | 25 |
Correspondence &
Miscellaneous
|
|
Box | Folder | ||
6 | 25 |
Michael Butterfield to James
Ivory
|
undated |
6 | 25 |
Lionel Medford to Ismail
Merchant
|
undated |
6 | 25 |
E. Crawford to James
Ivory
|
undated |
6 | 25 |
James Ivory to Ruth Prawer
Jhabvala
|
February 10, 1969 |
6 | 25 |
B. Dhar to Ismail
Merchant
|
December 17, 1969 |
6 | 25 |
Vinod to James
Ivory
|
January 27,1970 |
6 | 25 |
J.M. Pinera to James
Ivory
|
February 4, 1970 |
6 | 25 |
J.M. Pinera to James
Ivory
|
May 7, 1970 |
6 | 25 |
James Ivory to Ismail
Merchant
|
September 9, 1970** |
6 | 25 |
Shashi Kapoor to James
Ivory
|
March 4, 1971 |
6 | 25 |
G. Hagan to James
Ivory
|
November 23, 1975 |
6 | 25 |
James Ivory to G.
Hagan
|
December 30, 1975** |
6 | 25 |
"History of a
Flop"
|
|
6 | 25 |
Indian government regulations
on filming*
|
|
6 | 25 |
Memo: Subrata Mitra to Shri M.
Bhat
|
|
6 | 26 |
Personal &
Miscellaneous
|
|
Box | Folder | ||
6 | 26 |
Ten questions - James
Ivory's India
|
|
6 | 26 |
James Ivory's
India
|
|
6 | 26 |
James Ivory's views on
Bombay Talkie
|
|
Savages (1973)
|
1971-1974 | ||
Box | Folder | ||
7 | 1 |
Treatment - draft of Paris
review
|
|
7 | 2 |
Treatment
|
|
Box | Folder | ||
7 | 2 |
Pink treatment
|
|
7 | 2 |
How film came to be by James
Ivory*
|
|
7 | 3 |
Treatment
|
|
Box | Folder | ||
7 | 3 |
James Ivory to P.
Houston*
|
July 30, 1971 |
7 | 3 |
Draft of story about
Savages
|
|
7 | 3 |
James Ivory on
Savages
|
|
7 | 4 |
Screenplay - manuscript
copy
|
|
7 | 5 |
Screenplay - bits and
pieces
|
|
7 | 6 |
Screenplay in French
|
|
7 | 7 |
Production - Director's
notebook
|
|
7 | 8 |
Production - casting
|
|
Box | Folder | ||
7 | 8 |
Article about Sam Waterston in
Much Ado About Nothing
|
|
7 | 8 |
Cast list
|
|
7 | 8 |
Principals, crew and
cast
|
|
7 | 8 |
Bio: Asha Puthli
|
|
7 | 8 |
"Playbill" on Much
Ado about Nothing
|
|
7 | 8 |
Cast and principal
lists
|
|
7 | 9 |
Production - locations
|
|
Box | Folder | ||
7 | 9 |
Beechwood items
|
|
7 | 9 |
Room descriptions
|
|
7 | 9 |
Llyndhurst flyer
|
|
7 | 9 |
J.I. article on
Beechwood
|
|
7 | 10 |
Production - Geman Narration
|
|
Box | Folder | ||
7 | 10 |
J.I. to Siegbert Prawer
|
|
7 | 10 |
Siegbert Prawer to J.I.
|
|
7 | 10 |
German readings
|
|
7 | 11 |
Production -
financial/legal
|
|
Box | Folder | ||
7 | 11 |
DIA agreement
|
|
7 | 11 |
Misc. financial
|
|
7 | 12 |
Production -
financial/legal
|
|
Box | Folder | ||
7 | 12 |
Joseph Seleh to J.I. &
I.M.
|
|
7 | 12 |
Steven Scher to Joe
Seleh
|
|
7 | 12 |
Expense breakdown
|
|
7 | 12 |
Misc. financial
|
|
8 | 1 |
Production
|
|
Box | Folder | ||
8 | 1 |
Bernard Eisenshitz to James
Ivory
|
April 23, 1972 |
8 | 1 |
James Ivory to Bernard
Eisenshitz
|
April 26, 1972 |
8 | 1 |
James Ivory to Bernard
Eisenshitz
|
April 27, 1972 |
8 | 1 |
Motel rooms for the
cast
|
|
8 | 1 |
Title cards
|
|
8 | 1 |
Credit lists
|
|
8 | 1 |
Shooting schedules
|
|
8 | 1 |
Call sheets
|
|
8 | 1 |
Miscellaneous
|
|
8 | 2 |
Promotion
|
|
Box | Folder | ||
8 | 2 |
James Ivory to Joe
Seleh
|
April 4, 1973 |
8 | 2 |
Ken Stutz to Joe
Seleh
|
April 15, 1973 |
8 | 2 |
F.R. Raphael to James
Ivory
|
June 27, 1972 |
8 | 2 |
Draft, James Ivory to F.R.
Raphael
|
|
8 | 2 |
Cannes 1972
|
|
8 | 2 |
Sheila Graham
article
|
|
8 | 2 |
Flap over sports announcer
from South Africa
|
|
8 | 2 |
Comments about screenplay and
book
|
|
8 | 3 |
Promotion
|
|
Box | Folder | ||
8 | 3 |
Cannes 1972
|
|
8 | 3 |
Grove Press
catalog
|
|
8 | 3 |
Book covers
|
|
8 | 3 |
Savages Press kit
|
|
8 | 3 |
Savages Angelika Films
presents
|
|
8 | 4 |
Promotion
|
|
Box | Folder | ||
8 | 4 |
Curzon Cinema
|
|
8 | 4 |
American premier
|
|
8 | 4 |
London Film
Festival
|
|
8 | 4 |
L.A. International Film
Expo
|
|
8 | 5 |
Promotion
|
|
Box | Folder | ||
8 | 5 |
Savages brochure
|
|
8 | 5 |
Invitation: Nice
France
|
|
8 | 5 |
Premier: Museum of Modern
Art
|
|
8 | 5 |
Baronet Premier
|
|
8 | 5 |
Curzon Cinema
|
|
8 | 5 |
Filmex poster
|
|
8 | 5 |
Guest list
|
|
8 | 6 |
Promotion - Savages
ads
|
|
8 | 7 |
Reviews
|
|
8 | 8 |
Reviews
|
|
8 | 9 |
Reviews
|
|
8 | 10 |
Miscellaneous/Personal
|
|
Box | Folder | ||
8 | 10 |
Shri Taker S. Doctor to Ismail
Merchant & James Ivory
|
July 1, 1974 |
8 | 10 |
Penelope Houston to James
Ivory
|
November 17, 1972 |
8 | 10 |
Jeffrey Jacobs to James
Ivory
|
May 15, 1972 |
8 | 10 |
Harry Holland to James
Ivory
|
February 11, 1974 |
8 | 10 |
Harry Holland to James
Ivory
|
April 16, 1974 |
8 | 10 |
Donald Hatch to James
Ivory
|
November 15, 1972 |
8 | 10 |
Donald Hatch to James
Ivory
|
February 12, 1973 |
8 | 10 |
Miscellaneous
material
|
|
8 | 11 |
Personal/Miscellaneous: Book:
Savages-Shakespeare Wallah
|
|
Heat and Dust (1983)
|
1983 | ||
Box | Folder | ||
20 | 1-2 |
Treatment
|
|
20 | 3 |
Treatment - book
|
|
20 | 4 |
Screenplay - director's
copy
|
|
20 | 5 |
Screenplay - Embleton
|
|
20 | 6 |
Screenplay - phony
copy
|
|
20 | 7 |
Screenplay - working
copy
|
|
20 | 8 |
Screenplay -
Hindi/Urdu
|
|
20 | 9 |
Screenplay
|
|
20 | 10 |
Screenplay - revisions
|
|
20 | 11 |
Screenplay - additional scenes
& other materials
|
|
21 | 1 |
Production - Editing
|
|
21 | 2 |
Production - Props
|
|
21 | 3 |
Production - movement orders/Call
sheets 1
|
|
21 | 4 |
Production - movement orders/Call
sheets 2
|
|
21 | 5 |
Production - movement orders/Call
sheets 3
|
|
21 | 6 |
Production - Location
|
|
21 | 7 |
Production - Cast
|
|
21 | 8 |
Production -
Financial/Legal
|
|
Box | Folder | ||
21 | 8 |
RPJ contract
|
|
21 | 8 |
Indian Ministry of Information
to I.M.
|
|
21 | 8 |
J.I. to Stanley
Ackerma
|
|
21 | 8 |
Camera Effects Ltd.
invoices
|
|
21 | 9 |
Production -
Art/Costume
|
|
21 | 10 |
Production - Scene description
|
|
21 | 11 |
Production -
Titles/Trailer
|
|
21 | 12 |
Promotion - Royal Charity World
Premiere
|
|
21 | 13 |
Promotion - Cannes
1983
|
|
21 | 14 |
Promotion - Sunday
magazines
|
|
21 | 15 |
Promotion - The British Academy
|
|
21 | 16 |
Promotion - Interviews
|
|
Box | Folder | ||
21 | 16 |
Interview schedule
|
|
21 | 16 |
Daniel P. Moyniham invitation
for Heat & Dust spec. screening
|
|
21 | 16 |
Attendance figures
|
|
21 | 17 |
Promotion - Montreal Film Festival
'83
|
|
21 | 18 |
Reviews - U.S.
|
|
21 | 19 |
Reviews - U.K.
|
|
21 | 20 |
Reviews - Europe/India
|
|
21 | 21 |
Personal/Miscellaneous
|
|
Box | Folder | ||
21 | 21 |
Washington Iowa
correspondence/clipping
|
|
21 | 21 |
J.I. Cardiogram
|
|
21 | 21 |
Room w/View
wrapper
|
|
21 | 21 |
British Royal fimily
1923
|
|
21 | 21 |
About R.P.J. and book Heat
& Dust
|
|
21 | 22 |
Personal/Miscellaneous -
correspondence
|
|
21 | 23 |
Personal/Miscellaneous
|
|
Autobiography of a Princess
(1975)
|
1975-1976 | ||
Box | Folder | ||
9 | 1 |
Treatment by James
Ivory
|
|
9 | 2 |
Screenplay
|
|
Box | Folder | ||
9 | 2 |
Ruth Prawer Jhabvala first
draft
|
|
9 | 3 |
Screenplay
|
|
Box | Folder | ||
9 | 2 |
Ruth Prawer Jhabvala first
draft
|
|
9 | 2 |
Requiem for the Rajahs
(article)
|
|
9 | 2 |
Rough notes by Ruth Prawer
Jhabvala
|
|
9 | 4 |
Screenplay, copy
|
|
9 | 5 |
Typed copy
|
|
9 | 6 |
Screenplay - Miscellaneous
pieces
|
|
9 | 7 |
Production - Director's
notebook
|
|
9 | 8 |
Production - Director's
notebook with notes on Wild Party
|
|
9 | 9 |
Production - Music
|
|
9 | 10 |
Production - props
|
|
Box | Folder | ||
9 | 10 |
Salt & pepper
train
|
|
9 | 10 |
Fake documentary
narration
|
|
9 | 11 |
Financial/legal
|
|
9 | 12 |
Promotion - poster
|
|
9 | 13 |
Promotion - Lincoln Center NY Film
Festival
|
|
9 | 14 |
Promotion - London Film
Festival
|
|
9 | 15 |
Reviews - Sight and
Sound
|
|
9 | 16 |
Reviews - Films and
Filming
|
|
9 | 17 |
Reviews - Misc.
|
|
9 | 18 |
Reviews - Misc.
|
|
9 | 19 |
Personal/Miscellaneous
|
|
Box | Folder | ||
9 | 19 |
Review of Ray film
|
|
9 | 19 |
John Kenneth Galbraith to
James Ivory
|
October 7, 1975 |
9 | 19 |
James Ivory to J.K.
Galbraith
|
November 16, 1975 |
9 | 19 |
N.F.H. Fleming to James
Ivory
|
March 3, 1976 |
9 | 19 |
Shrimati Krishna Kumari, MP to
Ismail Merchant
|
April 19, 1976 |
9 | 19 |
James Ivory to Shrimati
Krishna Kumari
|
September 13, 1976 |
9 | 19 |
Mrs. Oakes Volandri to
MIP
|
October 23, 1975 |
9 | 19 |
Lynne Leatham to
WQED
|
October 13, 1975 |
9 | 19 |
Card (in French) from
friends
|
|
9 | 10 |
Eric Flackfield to Ismail
Merchant
|
August 22, 1975 |
9 | 19 |
Miscellaneous
items
|
|
9 | 19 |
G. Ragheimer to Ismail
Merchant*
|
June 20, 1975 |
9 | 19 |
James Ivory to Humphrey
Dixon*
|
June 3, 1975 |
9 | 19 |
Vincent Canby to James
Ivory
|
December 3, 1975 |
9 | 19 |
Humphrey Dixon to James
Ivory
|
June 1975 |
Roseland (1977)
|
1975-1979 | ||
Box | Folder | ||
10 | 1 |
Treatment
|
|
10 | 2 |
Jhabvala's Letter
|
|
10 | 3 |
Synopsis
|
|
10 | 4 |
Synopsis and Notes
|
|
10 | 5 |
Book
|
|
10 | 6 |
French
|
|
10 | 7 |
Original Script
|
|
10 | 8 |
Script with Director's
Notation
|
|
10 | 9 |
screenplay drafts
|
|
10 | 10 |
Revised with copy with directors
notation
|
|
10 | 11 |
"The Poem"
|
|
10 | 12 |
Various drafts
|
|
10 | 13 |
Various drafts
|
|
10 | 14 |
Casting and crew
|
|
10 | 15 |
Casting
|
|
10 | 16 |
Costume sketches
|
|
10 | 17 |
Credits
|
|
10 | 18 |
Cuts
|
|
10 | 19 |
Diary
|
|
11 |
Director's
notebook
|
||
Folder | |||
11 | 2 |
Lab
|
|
11 | 3 |
Legal/Financial
|
|
11 | 4 |
Locations
|
|
11 | 5 |
Music
|
|
11 | 6 |
Shooting schedule
|
|
11 | 7 |
AIP dispute 1
|
|
11 | 8 |
AIP dispute 2
|
|
11 | 9 |
AIP dispute 3
|
|
11 | 10 |
AIP dispute 4
|
|
11 | 11 |
AIP dispute 5
|
|
11 | 12 |
Flyers
|
|
11 | 13 |
Interview with J.I. by Debbie
Wally
|
|
11 | 14 |
Festivals
|
|
11 | 15 |
Paris festival papers
|
|
11 | 16 |
Poster
|
|
11 | 17 |
Previews
|
|
11 | 18 |
Warhol Interview
|
|
11 | 19 |
Miscellaneous
|
|
11 | 20 |
"After Dark"
|
|
11 | 21 |
"Monthly Film
Bulletin"
|
|
11 | 22 |
"Take One"
|
|
11 | 23 |
"Sight and
Sound"
|
|
11 | 24 |
Miscellaneous European and
U.S.
|
|
12 | 1 |
Miscellaneous
|
|
12 | 2 |
Miscellaneous
|
|
12 | 3 |
"New
Statesman"
|
|
12 | 4 |
Catholic
|
|
12 | 5 |
Time
|
|
12 | 6 |
Personal and miscellaneous - Index
of Censorship
|
|
12 | 7 |
Index of Censorship
|
|
12 | 8 |
Index of Censorship 3
|
|
12 | 9 |
Correspondence
|
|
12 | 10-12 |
Personal and
miscellaneous
|
|
12 | 13 |
Dano/Ray
|
|
12 | 14 |
Bids
|
|
12 | 15 |
Rachael Welch
|
|
The Europeans (1979)
|
1976-1980 | ||
Box | Folder | ||
13 | 1 |
Treatment
|
|
Box | Folder | ||
13 | 1 |
Ruth Prawer Jhabvala
Synopsis
|
December 3, 1975 |
13 | 1 |
PR release with
treatment
|
December 3, 1975 |
13 | 2 |
Screenplay
|
|
Box | Folder | ||
13 | 2 |
Ruth Prawer Jhabvala to James
Ivory
|
undated |
13 | 2 |
Handwritten notes on
screenplay
|
|
13 | 3 |
Screenplay
|
|
Box | Folder | ||
13 | 3 |
Ruth Prawer Jhabvala to James
Ivory
|
undated |
13 | 3 |
Script pages
|
|
13 | 3 |
Telegrams, Ruth Prawer
Jhabvala to James Ivory and James Ivory to Ruth Prawer
Jhabvala
|
|
13 | 4 |
Screenplay - MS for
typist
|
|
13 | 5 |
Production - casting
|
|
Box | Folder | ||
13 | 5 |
Blythe Danner material and
Ruth Prawer Jhabvala note
|
|
13 | 5 |
Biographies of
actors
|
|
13 | 6 |
Production
|
|
Box | Folder | ||
13 | 6 |
Call sheets
|
December 3, 1975 |
13 | 6 |
Production
schedule
|
December 3, 1975 |
13 | 6 |
Handwritten camera
instructions
|
December 3, 1975 |
13 | 7 |
Production -
financial/legal
|
|
13 | 8 |
Promotion
|
|
Box | Folder | ||
13 | 8 |
Ismail Merchant interview in
AMBA Executive
|
|
13 | 8 |
Lilia Skala items
|
|
13 | 8 |
Cinemashares
promotion
|
|
13 | 8 |
Havestock Hill
flyer
|
|
13 | 8 |
Large credit shee-Oregon
Four
|
|
13 | 8 |
21st London Film
Festival
|
|
13 | 9 |
Promotion - France
|
|
Box | Folder | ||
13 | 9 |
French press kits
|
|
13 | 9 |
Larry Fredricks to James
Ivory
|
November 11, 1977 |
13 | 10 |
Promotion
|
|
Box | Folder | ||
13 | 10 |
Lincoln Center September
1977
|
September 1977 |
13 | 10 |
N.Y. Film Festival
brochure
|
|
13 | 10 |
National Council of
Churches
|
|
13 | 11 |
Reviews - "Sight &
Sound"
|
|
13 | 12 |
Reviews - Misc.
|
|
13 | 13 |
Reviews - Misc.
|
|
13 | 14 |
Personal/Miscellaneous
correspondence
|
|
Box | Folder | ||
13 | 14 |
James Ivory to Manette
Berton
|
January 27, 1979 |
13 | 14 |
Manette Berton to James
Ivory
|
November 8, 1978 |
13 | 14 |
Handwritten MS
|
|
13 | 14 |
Ronni Chasen to Arnold
Friedman
|
January 26, 1978 |
13 | 14 |
Bernard Nichols to James
Ivory
|
December 1, 1977 |
13 | 14 |
Ronnie Ruben to James
Ivory
|
November 14, 1977 |
13 | 14 |
James Ivory to Michael
?
|
May 5, 1977 |
13 | 14 |
James Ivory to Blythe
Danner
|
December 4, 1976 |
13 | 14 |
Ruth Prawer Jhabvala to James
Ivory
|
January 1, 1977 |
13 | 14 |
Maxine Kingston to James
Ivory
|
June 14, 1977 |
13 | 14 |
Christopher Walken to James
Ivory*
|
May 26, 1977 |
13 | 14 |
James Ivory to Maxine
Kingston
|
May 18, 1977 |
13 | 14 |
Card: Geraldine Chaplain to
James Ivory
|
undated |
13 | 15 |
Personal/Miscellaneous
|
|
Box | Folder | ||
13 | 15 |
James Ivory to Sylve
Blum
|
October 7, 1976 |
13 | 15 |
Manette Berton to James
Ivory
|
January 16, 1979 |
13 | 15 |
Lilia Skalia
correspondence
|
|
13 | 16 |
Personal/Miscellaneous -
"Sight & Sound"
|
|
13 | 17 |
Personal/Miscellaneous
|
|
Box | Folder | ||
13 | 17 |
Article on Ruth Prawer
Jhabvala
|
|
13 | 17 |
Article on Lilia Skala in LA
Times
|
|
13 | 17 |
Article on Geraldine
Chaplain
|
|
13 | 17 |
Making of Roseland-Agnes
Varda
|
|
13 | 17 |
Village Voice on
Roseland
|
|
13 | 17 |
Daily News on
Roseland
|
|
13 | 18 |
Personal/Miscellaneous
|
|
Jane Austen in Manhattan
(1980)
|
1978-1994 | ||
Box | Folder | ||
14 | 1 |
Treatment - English and
French
|
|
14 | 2 |
Treatment -
correspondence
|
|
Box | Folder | ||
14 | 2 |
James Ivory to Phil
Gersh
|
September 9, 1976 |
14 | 2 |
Phil Gersh to James
Ivory
|
September 22, 1976 |
14 | 2 |
James Ivory to Vanessa
Redgrave*
|
September 22, 1976 |
14 | 2 |
Linda Burton (NEA) to James
Ivory
|
December 2, 1976 |
14 | 2 |
James Ivory to Stephen Rabin
(NEA)
|
March 6, 1977 |
14 | 2 |
Tamara Robinson to James Ivory
with handwritten rebuttal by Ruth Prawer
Jhabvala**
|
March 31, 1977 |
14 | 2 |
James Ivory to Tamara
Robinson
|
April 24, 1977 |
14 | 2 |
James Ivory to Tamara
Robinson
|
June 2, 1977 |
14 | 2 |
Tamara Robinson to James
Ivory
|
June 7, 1977 |
14 | 2 |
James Ivory to Stephen Rabin
with draft
|
June 14, 1977 |
14 | 2 |
Stephen Rabin to James
Ivory
|
June 30, 1977 |
14 | 3 |
Treatment - Leon Edel on Henry
James
|
|
14 | 4 |
Treatment - MIP-NEA proposal for
Europeans
|
|
Box | Folder | ||
14 | 4 |
Grant instructions
|
|
14 | 4 |
Grant proposal
drafts/Miscellaneous
|
|
14 | 4 |
Grant proposal
|
|
14 | 5 |
Screenplay
|
|
Box | Folder | ||
14 | 5 |
Ruth Prawer Jhabvala
notes**
|
|
14 | 5 |
Rough with Ruth Prawer
Jhabvala notes
|
|
14 | 5 |
Pages 13-27 wtih Ruth Prawer
Jhabvala notes
|
|
14 | 5 |
Financial agreement between
James Ivory and Ruth Prawer Jhabvala
|
|
14 | 6 |
Original Script -
MISSING
|
|
14 | 7 |
Post production script
|
|
14 | 8 |
Screenplay - correspondence RPJ -
J.I.
|
|
14 | 9 |
Screenplay - Copy of The European
Story
|
|
14 | 10 |
Screenplay -Script
|
|
14 | 11 |
Screenplay -Script
|
|
14 | 12 |
Screenplay - Script
|
|
14 | 13 |
Screenplay -Script
|
|
14 | 14 |
Screenplay - Script
|
|
15 | 1 |
Production - financial
|
|
Box | Folder | ||
15 | 1 |
James Ivory to L.
Harbottle
|
September 5, 1978 |
15 | 1 |
James Ivory to Ismail
Merchant
|
September 6, 1978 |
15 | 1 |
Two receipts for
pre-production
|
|
15 | 1 |
James Ivory to L.
Harbottle
|
July, 31, 1979 |
15 | 1 |
L. Harbottle to James
Ivory
|
July 31, 1979 |
15 | 1 |
Ian Smyth to L.
Harbottle
|
August 2, 1979 |
15 | 1 |
L. Harbottle to James
Ivory
|
August 6, 1979 |
15 | 1 |
Two bank
transactions
|
|
15 | 2 |
Production - Salem
schedule/revised script
|
|
15 | 3 |
Production - financial
|
|
Box | Folder | ||
15 | 3 |
Trust Deed w/ National Film
Finance Coportation Limited.
|
|
15 | 4 |
Production - financial
|
|
Box | Folder | ||
15 | 4 |
Agreement w/ National Film
Finance Coporation Limited
|
|
15 | 5 |
Production - costs
|
|
15 | 6 |
Production - call
sheets
|
|
15 | 7 |
Production - prop: "Boston
Advertiser"
|
|
15 | 8 |
Production - casting and unit
lists
|
|
15 | 9 |
Production - locations and
costumes
|
|
15 | 10 |
Production - music &
art
|
|
15 | 11 |
Production -
correspondence
|
|
Box | Folder | ||
15 | 11 |
James Ivory to David
Coughtry
|
November 24, 1978 |
15 | 11 |
David Coughtry to James
Ivory
|
December 11, 1978 |
15 | 11 |
Connie? to James
Ivory
|
undated |
15 | 11 |
Connie? to James
Ivory
|
undated |
15 | 11 |
L. Harbottle to Ismail
Merchant
|
January 3, 1979 |
15 | 11 |
Movie credits
|
|
15 | 11 |
Julie Christie to James Ivory
and Ismail Merchant*
|
undated |
15 | 12 |
Promotion - Cannes
Festival
|
|
15 | 13 |
Production - Telerama
|
|
15 | 14 |
Promotion - Lincoln
Center
|
|
15 | 15 |
Promotion - expenses
|
|
15 | 16 |
Promotion - Miscellaneous
festivals and screenings
|
|
15 | 17 |
Promotion Screen
International
|
|
15 | 18 |
Promotion - NY Film
Festival
|
|
15 | 19 |
Promotion - Interview
schedules
|
|
15 | 20 |
Promotion -
correspondence
|
|
Box | Folder | ||
15 | 20 |
Alan Wagner to James
Ivory
|
February 13, 1978 |
15 | 20 |
Katherine Brown to James
Ivory
|
July 18, 1979 |
15 | 20 |
John Murray to James
Ivory
|
August 23, 1979 |
15 | 20 |
Ian Smyth to James
Ivory
|
February 28, 1980 |
15 | 20 |
Jean ? to James
Ivory
|
February 28, 1980 |
15 | 21 |
Articles about
Europeans
|
|
15 | 22 |
Promotion - lobby shots/promo
sheet
|
|
15 | 23 |
Reviews - Sight and
Sound
|
|
15 | 24 |
Reviews - Horizon
|
|
15 | 25 |
Reviews - French
|
|
15 | 26 |
Reviews - US
|
|
15 | 27 |
Reviews - US
|
|
15 | 28 |
Reviews - UK
|
|
15 | 29 |
Personal/Miscellaneous
|
|
Box | Folder | ||
15 | 29 |
Barnaby Conrad to James
Ivory
|
August 1, 1979 |
15 | 29 |
Lee Remick letter, obit and
bio
|
|
15 | 29 |
Miscellaneous articles about
James Ivory and MIP
|
|
A Room with a View (1985)
|
?? | ||
Box | Folder | ||
16 | 1 |
Treatment
|
|
Box | Folder | ||
16 | 1 |
Article on Sir Charles
Grandison play and manuscript
|
|
16 | 1 |
More about Sir Charles
Grandison
|
|
16 | 1 |
Printed copy of Sir Charles
Grandison
|
|
16 | 2 |
Treatment - story outline by Ruth
Prawer Jhabvala
|
|
16 | 3 |
Treatment - MS of scenes used for
film from Grandison
|
|
16 | 4 |
Screenplay
|
|
Box | Folder | ||
16 | 4 |
Ruth Prawer Jhabvala to James
Ivory
|
March 5, 1980? |
16 | 4 |
Ruth Prawer Jhabvala notes on
script
|
|
16 | 4 |
Opera scene
|
|
16 | 4 |
Script fragment
|
|
16 | 4 |
Script, notes and
fragment
|
|
16 | 5 |
Screenplay - Xerox
copy
|
|
16 | 6 |
Production - prop copy of
Grandison
|
|
16 | 7 |
Production -
financial/legal
|
|
16 | 8 |
Production - cast/crew
|
|
16 | 9 |
Production - call
sheets
|
|
16 | 10 |
Production - continuity
1
|
|
16 | 11 |
Production - continuity
2
|
|
16 | 12 |
Production - continuity
3
|
|
16 | 13 |
Promotion - invitation to US
premier
|
|
16 | 14 |
Reviews
|
|
16 | 15 |
Personal/Miscellaneous - Dutch
film festival
|
|
16 | 16 |
Personal/Miscellaneous
|
|
Box | Folder | ||
16 | 16 |
Article about Ruth Prawer
Jhabvala
|
|
16 | 16 |
Spiral notebook with
Miscellaneous entries
|
|
16 | 17 |
Personal/Miscellaneous -
correspondence
|
|
Box | Folder | ||
16 | 17 |
Ruth Prawer Jhabvala to James
Ivory*
|
January 3, 1980 |
16 | 17 |
Ruth Prawer Jhabvala to James
Ivory*
|
February 1980 |
16 | 17 |
Anne Baxter to James Ivory and
Ismail Merchant
|
February 16, 1980 |
16 | 17 |
Kurt Johnson to James
Ivory
|
February 21, 1980 |
16 | 17 |
Jenny Beway to Ismail
Merchant
|
undated |
16 | 17 |
Katrina Hadiah to James
Ivory
|
December 12, 1979 |
16 | 17 |
Melvyn Bragg to James Ivory
and Ismail Merchant
|
December 4, 1978 |
16 | 17 |
Nick ? to James
Ivory
|
March 6, 1980 |
16 | 17 |
Melvyn Bragg to James
Ivory
|
April 15, 1980 |
16 | 17 |
Melvyn Bragg to James
Ivory
|
December 12, 1978 |
16 | 17 |
Morton Leavy to Cannie
Kiserman
|
April 25, 1980 |
16 | 17 |
Sean Young to James
Ivory
|
November 9, 1994 |
Quartet (1981)
|
1981 | ||
Box | Folder | ||
26 | 1 |
Treatment- Book: A Room with A
View
|
|
26 | 2 |
Treatment
|
|
Box | Folder | ||
26 | 2 |
Article on Forster by Rama
Rau
|
|
26 | 2 |
Article by Forster on
Room
|
|
26 | 2 |
Why I made Room with a View by
J.I.
|
|
26 | 2 |
Article on Forster by J.
Meyers Univ of Colorado
|
|
26 | 3 |
Treatment - Synopsis
|
|
26 | 4 |
Screenplay
|
|
Box | Folder | ||
26 | 4 |
Original from which film was
shot
|
|
26 | 4 |
Notes on screenplay given to
Kings College Forster Collection
|
|
26 | 5 |
Screenplay - Notes on
script
|
|
26 | 6 |
Production - Casting-Actors bios,
misc.
|
|
26 | 7 |
Production
|
|
Box | Folder | ||
26 | 7 |
Sir Patrick's Day On The
Set
|
|
26 | 7 |
Memo: Tony Pierce Roberts to
J.I.
|
|
26 | 7 |
Memo Tony Pierce Roberts to
I.M.
|
|
26 | 7 |
Music cues
|
|
26 | 7 |
Cast and Unit
Lists
|
|
26 | 8 |
Production
|
|
Box | Folder | ||
26 | 8 |
Analysis of Florence
shooting
|
|
26 | 8 |
Chronologia
|
|
26 | 8 |
Chronologia,
revised
|
|
26 | 8 |
Production
schedules
|
|
26 | 8 |
misc.
|
|
26 | 9 |
Production - Notes
|
|
Box | Folder | ||
26 | 9 |
Notes, Goldcrest
screening
|
|
26 | 9 |
Director's
notes
|
|
26 | 10 |
Production - Call Sheets -
MISSING
|
|
26 | 11 |
Production - Call
Sheets
|
|
26 | 12 |
Production - Call
Sheets
|
|
26 | 13 |
Production -
Titles/Credits
|
|
26 | 14 |
Production - Locations
|
|
Box | Folder | ||
26 | 14 |
Foxwold
|
|
26 | 14 |
Pensione Quisisana
|
|
26 | 15 |
Production - Locations: Foxwold
Brochures
|
|
27 | 1 |
Production - Locations
|
|
Box | Folder | ||
27 | 15 |
Foxwold & Chiddingstone
sketches
|
|
27 | 1 |
Linley Sanbourne
House
|
|
27 | 1 |
Location addresses
|
|
27 | 1 |
Action location
schedule
|
|
27 | 2 |
Production -
Financial/Legal
|
|
Box | Folder | ||
27 | 2 |
Brian Acland Snow toJ.I.,
I.M.
|
|
27 | 16 |
Watergate Film Svc.
contract
|
|
27 | 2 |
Director's
contract
|
|
27 | 2 |
Florence permission
(Italian)
|
|
27 | 1 |
Production - Financial/Legal
DELETE
|
|
Box | Folder | ||
27 | 2A |
Financial
Statements
|
|
27 | 2A |
Cinecom Internation Films
|
10/1/1986 |
27 | 2A |
Correspondence about
Rights
|
2/21/2003 |
27 | 2A |
Witness Statement
|
11/22/1995 |
27 | 2A |
Victorian ledger
sheets
|
|
27 | 3 |
Production -
Miscellaneous
|
|
27 | 4 |
Production - Call
sheets
|
|
27 | 5 |
Promotion - Press book
notes
|
|
27 | 6 |
Promotion
|
|
Box | Folder | ||
27 | 6 |
CBS/Fox ad for
Room
|
|
27 | 6 |
First week grosses
|
|
27 | 6 |
Toronto material
|
|
27 | 6 |
Room w/a View calendar
1987
|
|
27 | 6 |
Original American Press
book
|
|
27 | 6 |
Cover picture
|
|
27 | 6 |
Article on Oscars
|
|
27 | 7 |
Promotion
|
|
Box | Folder | ||
27 | 7 |
UK National Trust
Premier
|
|
27 | 7 |
Goldcrest brochure
|
|
27 | 8 |
Promotion
|
|
Box | Folder | ||
27 | 9 |
First preview
BAFTA
|
|
27 | 9 |
Cambridge Arts
Theatre
|
|
27 | 9 |
Cinecom note
|
|
27 | 9 |
French totals
|
|
27 | 9 |
NY Times article
|
|
27 | 9 |
Room card
|
|
27 | 9 |
"Room" as a useful
name
|
|
27 | 10 |
Reviews - U.S.
|
|
27 | 11 |
Reviews
|
|
27 | 12 |
Reviews - Germany
|
|
27 | 13 |
Reviews - Italy
|
|
27 | 14 |
Reviews - U.K.
|
|
27 | 15 |
Reviews - U.K.
|
|
27 | 16 |
Personal/Miscellaneous
|
|
27 | 17 |
Personal/Miscellaneous - Calendar
book
|
|
28 | 1 |
Personal/Miscellaneous
|
|
Box | Folder | ||
28 | 1 |
Material on David Lean Passage
to India film
|
|
28 | 2 |
Personal/Miscellaneous
|
|
Box | Folder | ||
28 | 2 |
Academy Awards
press
|
|
28 | 3 |
Personal/Miscellaneous
|
|
Box | Folder | ||
28 | 3 |
Academy Award
material-letters
|
|
28 | 4 |
Personal/Miscellaneous
|
|
Box | Folder | ||
28 | 4 |
Academy Award
material
|
|
28 | 4b |
Personal/Miscellaneous
|
|
Box | Folder | ||
28 | 4b |
Oscar Night '87
material
|
|
28 | 5 |
Personal/Miscellaneous
|
|
Box | Folder | ||
28 | 5 |
Golden Globe
brochure
|
|
28 | 5 |
Donatello Award
material
|
|
28 | 5 |
David Griffith
Awards
|
|
28 | 5 |
Director's Guild
Awards
|
|
28 | 5 |
Writers Guild
Awards
|
|
28 | 5 |
Director's Guild
Newsletter
|
|
28 | 6-9 |
Personal/Miscellaneous
|
|
Box | Folder | ||
28 | 6-9 |
Travel & Expense
documents
|
|
28 | 10 |
Personal/Miscellaneous
|
|
Box | Folder | ||
28 | 10 |
Birthday cards
|
|
28 | 11 |
Personal/Miscellaneous
|
|
Box | Folder | ||
28 | 11 |
Claverak House
|
|
28 | 11 |
Ismael Merchant
cookery
|
|
28 | 12 |
Personal/Miscellaneous
|
|
Box | Folder | ||
28 | 12 |
David Puttnam (Columbia Pics)
to J.I.
|
|
28 | 12 |
Fredrique Tasse-Laurent to
J.I.
|
|
28 | 12 |
M.I.P. hate letter
|
|
28 | 12 |
Cards to J.I. & I.M.
|
|
28 | 12 |
Card J.I. from RPJ
|
|
28 | 12 |
Card: Frances Birnbaum to J.I.
|
|
28 | 12 |
Card: Dianna
|
|
28 | 12 |
Card: Joanna Jimenez to
J.I.
|
|
28 | 12 |
Patrick Hamilton to
J.I.
|
|
28 | 12 |
Telegram: Shashi Kapoor to
J.I.
|
|
28 | 12 |
Patsy Dance to I.M. & J.I.
|
|
28 | 12 |
Harry Keating to J.I.
|
|
28 | 12 |
David Whitcomb-intro
note
|
|
28 | 13 |
Personal/Miscellaneous
|
|
Box | Folder | ||
28 | 13 |
Misc. Oregon
|
|
28 | 13 |
Misc. materials
|
|
28 | 13 |
Card, H.B. Carter to
J.I.
|
|
28 | 13 |
Card, Emma Thompson to
J.I.
|
|
The Bostonians (1984)
|
?? | ||
Box | Folder | ||
17 | 1 |
Treatment - book
"Quartet"
|
|
17 | 2 |
Treatment - Edward de Neve on
prison life in France
|
|
17 | 3 |
Treatment - Quartet
origins**
|
|
17 | 4 |
Screenplay - early Ruth Prawer
Jhabvala notes/mark-up copy
|
|
17 | 5 |
Screenplay - unbound
copy
|
|
17 | 6 |
Screenplay - Ruth Prawer Jhabvala
copy with notes*
|
|
17 | 7 |
Screenplay - French
edition
|
|
17 | 8 |
Screenplay -
French/English
|
|
18 | 1 |
Screenplay - Michel Mangois
dialog
|
|
18 | 2 |
Screenplay - first MS
|
|
18 | 3 |
Screenplay - Notes
|
|
Box | Folder | ||
18 | 3 |
Script notes
|
|
18 | 3 |
Isabel's
lines
|
|
18 | 4 |
Screenplay - more script
notes
|
|
18 | 5 |
Production -
legal/financial
|
|
Box | Folder | ||
18 | 5 |
James Ivory Quartet
contract
|
|
18 | 5 |
New World on cuts
|
|
18 | 5 |
James Ivory/Susan
Smith
|
|
18 | 5 |
Lyric-MIP
agreement
|
|
18 | 5 |
James Ivory to Chatto and
Linnet
|
|
18 | 5 |
Miscellaneous
expenses
|
|
18 | 5 |
Costume budget
|
|
18 | 6 |
Production - casting-notebook with
interviews
|
|
18 | 7 |
Production -
editing/director's notebook
|
|
18 | 8 |
Production - editing
Miscellaneous
|
|
18 | 9 |
Production - call sheets
1
|
|
18 | 10 |
Production - call sheets
2
|
|
18 | 11 |
Production - call sheets
3
|
|
18 | 12 |
Production -
trailer/titles
|
|
Box | Folder | ||
18 | 12 |
Trailer notes
|
|
18 | 12 |
Sub-titles
|
|
18 | 12 |
Titles
|
|
18 | 13 |
Production - locations
|
|
18 | 14 |
Production - costumes, props,
miscellaneous
|
|
19 | 1 |
Promotion - booklet & flyer
|
|
19 | 2 |
Promotion - Giant sized Quartet
poster
|
|
19 | 3 |
Promotion - Med sized Quartet
poster
|
|
19 | 4 |
Promotion - Articles
|
|
Box | Folder | ||
19 | 4 |
Zoom article draft by
J.I.
|
|
19 | 4 |
Interview questions La
Nouvelle Obsevatoir
|
|
19 | 4 |
Article on R.P.J.
|
|
19 | 4 |
Celebrity News
|
|
19 | 4 |
Article about
Quartet
|
|
19 | 5-7 |
Promotion - Cannes
1981
|
|
19 | 8 |
Promotion
|
|
19 | 9 |
Reviews - French
|
|
19 | 10 |
Reviews, American
|
|
19 | 11 |
Reviews, United
Kingdom
|
|
19 | 12 |
Reviews, Europe
|
|
19 | 13-14 |
Personal/Miscellaneous
|
|
Maurice (1987)
|
?? | ||
Box | Folder | ||
22 | 1 |
Treatment/Concept
|
|
22 | 2 |
Treatment/Concept
|
|
22 | 3 |
Treatment
|
|
22 | 4 |
Screenplay, part 1
|
|
22 | 5 |
Screenplay, part 2
|
|
22 | 6 |
Screenplay-MISSING
|
|
22 | 7 |
Screenplay
|
|
22 | 8 |
Screenplay
|
|
22 | 9 |
Production - Actors
|
|
22 | 10 |
Production - Credits
|
|
Box | Folder | ||
22 | 12 |
Production - Unit
Lists
|
|
22 | 11 |
Production - Finance
|
|
22 | 13 |
Production - Call Sheets, part
1
|
|
22 | 14 |
Production - Call Sheets, part
2
|
|
23 | 1 |
Production - Continuity
Reports
|
|
23 | 2 |
Production - Continuity
Reports
|
|
23 | 3 |
Production - Continuity
Reports
|
|
23 | 4 |
Production - Continuity
Reports
|
|
23 | 5 |
Production - Continuity
Reports
|
|
23 | 6 |
Production - Continuity
Reports
|
|
23 | 7 |
Production - Continuity
Reports
|
|
23 | 8 |
Production - Continuity
Reports
|
|
23 | 9 |
Production - Continuity
Reports
|
|
23 | 10 |
Production - Continuity
Reports
|
|
24 | 1 |
Production - Props
|
|
24 | 2 |
Production - Locations
|
|
24 | 3 |
Production - Locations
|
|
24 | 4 |
Production - Locations
|
|
24 | 5 |
Production - Locations
|
|
24 | 6 |
Production - Director's
notebook
|
|
24 | 7 |
Production - Editing
|
|
24 | 8 |
Production - Casting
|
|
24 | 9 |
Promotion
|
|
Box | Folder | ||
24 | 9 |
"Columbia
Respository"-Bostonians premier
|
|
24 | 9 |
Cannes Festival 1984
program
|
|
24 | 10 |
Promotion - Film Francaise Cannes
84
|
|
24 | 11 |
Promotion - "The
Business" Cannes 84
|
|
24 | 12 |
Promotion
|
|
Box | Folder | ||
24 | 12 |
Times
|
|
24 | 12 |
Two Bostonian flyers, cinema
One
|
|
24 | 12 |
Preservation Soc. of Newport
Co. Screening
|
|
24 | 12 |
Misc. theater
advertisement
|
|
24 | 13 |
Promotion - Gross
receipts
|
|
24 | 14 |
Promotion -
Distribution
|
|
Box | Folder | ||
24 | 14 |
Press kit
|
|
24 | 14 |
Brian Botsford to
J.I.
|
|
24 | 14 |
Telegram: Lord
gibson
|
|
24 | 14 |
PR schedule
|
|
24 | 15 |
Reviews - Sight &
Sound
|
|
24 | 16 |
Reviews - U.K.
|
|
24 | 17 |
Reviews -
Kauffman-Kael
|
|
25 | 1 |
Reviews - France
|
|
25 | 2 |
Reviews - Screen
International
|
|
25 | 3 |
Reviews - U.S
|
|
25 | 4 |
Reviews - 235
Cineforum
|
|
25 | 5 |
Reviews - U.S. Press
|
|
25 | 6 |
Personal/Miscellaneous - Almi
Controversy
|
|
Box | Folder | ||
25 | 6 |
RKO to MIP
|
|
25 | 6 |
W. Horner to I.M.
|
|
25 | 6 |
M. Schildraut to
MIP
|
|
25 | 6 |
MIP to Morris Goldschlager
Almi
|
|
25 | 6 |
H. Thibault to Ml
Scheldkraut
|
|
25 | 6 |
Ian Smyth to J.I.
|
|
25 | 6 |
Lanenhold & Howrath to Ian
Smyth
|
|
25 | 6 |
J.I. to H.
Thibault
|
|
25 | 7 |
Personal/Miscellaneous -
Director's agreement w/ MIP
|
|
25 | 8 |
Personal/Miscellaneous -
People
|
|
25 | 9 |
Personal/Miscellaneous
|
|
Box | Folder | ||
25 | 9 |
Vogue article
|
|
25 | 9 |
A Jones to J.I.
|
|
25 | 9 |
Berenson to J.I.
|
|
25 | 9 |
J.I. to R
Rainwater
|
|
25 | 9 |
Ian Smyth to J.I.
|
|
25 | 9 |
Lord Gibson to
J.I.
|
|
25 | 10 |
Personal/Miscellaneous
|
|
Box | Folder | ||
25 | 10 |
Jessica Tandy to
J.I.
|
|
25 | 10 |
Anne Baxter to
J.I.
|
|
25 | 10 |
Mary Hilt to J.I.
|
|
25 | 10 |
Daniel Kornstein to
J.I
|
|
25 | 10 |
Dusty Maxwell to
J.I.
|
|
25 | 10 |
Jerry Tallmer to
J.I.
|
|
25 | 10 |
Wilfred Singleton to
J.I.
|
|
25 | 10 |
Telegram H. Dixon to
J.I.
|
|
25 | 10 |
Christopher Reeve to
J.I.
|
|
25 | 11 |
Personal/Miscellaneous
|
|
Box | Folder | ||
25 | 11 |
Personal calendar
|
|
25 | 11 |
Chris Reeve pronunciation
guide
|
|
25 | 11 |
Cast letter to I.M. &
J.I.
|
|
25 | 11 |
Chris Reeves to
J.I.
|
|
Slaves of New York (1989)
|
?? | ||
Box | Folder | ||
29 | 1 |
Treatment
|
|
Box | Folder | ||
29 | 1 |
Letter J.I. to Dr.
Rylands
|
|
29 | 1 |
Handwritten summary by
J.I.
|
|
29 | 1 |
Treatment by J.I. and Kit
Harvey
|
|
29 | 1 |
Treatment-duplicate (some
notes)
|
|
29 | 1 |
Cynthia Ozick-"Morgan
& Maurice: a Fairy Tale"
|
|
29 | 1a |
Treatment - Book:
Maurice-director's copy
|
|
29 | 2 |
Treatment - Synopsis w/
notes
|
|
29 | 3 |
Treatment
|
|
Box | Folder | ||
29 | 2 |
Letter from RPJ to
J.I.
|
|
29 | 2 |
Character sketches
|
|
29 | 2 |
Thoughts on ending
|
|
29 | 2 |
Revised treatment and letter
J.I. to Kit Harvey
|
|
29 | 4 |
Screenplay
|
|
Box | Folder | ||
29 | 4 |
Fragments of
w/notes
|
|
29 | 4 |
Cards with
sequences
|
|
29 | 4 |
Possible sequences
|
|
29 | 5 |
Screenplay - Early Version w/ Kit
H. letter
|
|
29 | 6 |
Screenplay - Early Version w/ J.I.
Notes
|
|
29 | 7 |
Screenplay - Early Version
3
|
|
29 | 8 |
Screenplay -
Amendments
|
|
29 | 9 |
Screenplay - Draft for 2nd
version
|
|
101 | 9 |
Screenplay - Draft for 2nd version
(cont.)
|
|
29 | 11 |
Production - Titles
|
|
29 | 12 |
Production -
Descriptions
|
|
29 | 13 |
Production - Settings - Wilbury
House
|
|
30 | 1 |
Production - Call Sheets - Part
1
|
|
30 | 2 |
Production - Call Sheets - Part
2
|
|
30 | 3 |
Production - Call Sheets - Part
3
|
|
30 | 4 |
Production - Call Sheets - Part
4
|
|
30 | 5 |
Production - Cue Sheets - Part
1
|
|
30 | 6 |
Production - Cue Sheets - Part
2
|
|
30 | 7 |
Production - Memos
|
|
30 | 8 |
Production - Schedules
|
|
30 | 9 |
Production - Locations
|
|
30 | 10 |
Production - Locations
|
|
30 | 11 |
Production - Financial
|
|
30 | 12 |
Production - Scene
Descriptions/Props
|
|
30 | 13 |
Production - Trailer
|
|
30 | 14 |
Production -
Casting/Crew
|
|
30 | 15 |
Production - Lab
|
|
30 | 16 |
Production - Miscellaneous
expenditures
|
|
30 | 16A |
Production - misc correspondence
& items
|
|
30 | 16B |
Production - Misc
items
|
|
30 | 17 |
Reviews
|
|
30 | 18 |
Reviews - New York
Times
|
|
30 | 19 |
Reviews - U.K.
|
|
31 | 1 |
Promotion - Press
releases
|
|
31 | 2 |
Promotion - Venice
festival
|
|
31 | 3 |
Promotion - Sundance Film
Festival
|
|
31 | 4 |
Promotion - Flyers
|
|
31 | 5 |
Promotion -
Itineraries
|
|
31 | 6 |
Promotion - BBC Critics
Forum
|
|
31 | 7 |
Promotion - Box office
|
|
31 | 8 |
Promotion -
Advertisements
|
|
31 | 9 |
Reviews - U.K.
|
|
31 | 10 |
Reviews - Timeout
|
|
31 | 12 |
Reviews - U.S
|
|
31 | 13 |
Reviews - Italian
|
|
31 | 14 |
Reviews - Italian
|
|
31 | 15 |
Reviews - Italian
|
|
31 | 16 |
Personal/Misc - Maria St.
Just
|
|
31 | 17 |
Personal/Misc - James Wilby
items
|
|
31 | 18 |
Personal/Misc -
People/Jhabvala
|
|
31 | 19 |
Personal/Misc - Fan
letters
|
|
31 | 20 |
Personal/Misc -
Letters/Friends
|
|
32 | 1 |
Personal/Misc -
correspondence
|
|
32 | 2 |
Personal/Misc - Travel
documents
|
|
32 | 3 |
Personal/Misc - London Illustrated
News '87
|
|
32 | 4 |
Personal/Misc.
|
|
Box | Folder | ||
32 | 4 |
Julian Sands to
J.I.
|
|
32 | 4 |
Julian Sands to
I.M.
|
|
32 | 4 |
John Merri? to J.I.
|
|
32 | 5 |
Personal/Misc -
Notebook
|
|
32 | 6 |
Personal/Misc - "Handful of
Dust" material
|
|
32 | 7 |
Personal/Misc -
correspondence
|
|
Box | Folder | ||
32 | 7 |
"Italian
Skullduggery"
|
|
32 | 7 |
RPJ to J.I.
|
|
32 | 8 |
Personal/Misc - Kit
Freeman
|
|
32 | 9 |
Personal/Misc - Merchant Ivory
25th anniversary brochure
|
|
32 | 10 |
Personal/Misc - Misc
articles/items
|
|
Box | Folder | ||
32 | 10 |
Homosexuality-NY
Times
|
|
32 | 10 |
Wales of August
|
|
32 | 10 |
Pauline Kael-spy
|
|
32 | 10 |
Caherine Freeman-
Telegraph
|
|
32 | 10 |
Tchaikovsky-catalog of
works
|
|
32 | 10 |
Rememberance-Steve
Seifert
|
|
32 | 11 |
Personal/Misc
|
|
Mr. and Mrs. Bridge (1990)
|
?? | ||
Box | Folder | ||
32 | 12 |
Treatment - Copy
|
|
32 | 13 |
Treatment - Book: Slaves of
NY
|
|
32 | 14 |
Screenplay - Notes
|
|
32 | 15 |
Screenplay - Notes
|
|
32 | 16 |
Screenplay - Notes
|
|
32 | 17 |
Screenplay - New Draft
|
|
32 | 18 |
Screenplay - New Draft
cont.
|
|
32 | 19 |
Screenplay - 1st Draft
|
|
32 | 20 |
Screenplay - 1st Draft
cont.
|
|
33 | 1 |
Screenplay
|
|
33 | 2 |
Screenplay
|
|
33 | 3 |
Screenplay
|
|
33 | 4 |
Screenplay
|
|
33 | 5 |
Production - Financial
|
|
33 | 6 |
Production - Legal
|
|
33 | 7 |
Production -
Locations/Art
|
|
33 | 8 |
Production - Credits/Directors
Guild of America
|
|
33 | 9 |
Production -
Credits/NABET
|
|
33 | 10 |
Production - Credits/Tri Star
Pictures
|
|
33 | 11 |
Production - Credits/R.G
Greenburg
|
|
33 | 12 |
Production - Credits/R.G
Greenburg
|
|
33 | 13 |
Production -
Credits/Misc
|
|
33 | 14 |
Production - Casting
|
|
33 | 15 |
Production - Casting
|
|
33 | 16 |
Production - Music
|
|
33 | 17 |
Production - Sound
|
|
33 | 18 |
Production - Shooting
|
|
33 | 19 |
Production - Call
Sheets
|
|
33 | 20 |
Production - Call
Sheets
|
|
33 | 21 |
Production - Call
Sheets
|
|
33 | 22 |
Production - Reshoots
|
|
34 | 1 |
Production - Lab/Staff
|
|
34 | 2 |
Promotion - Distribution Reports
(Tristar Pictures)
|
|
34 | 3 |
Promotion - Distribution Reports
(Tristar Pictures)
|
|
34 | 4 |
Promotion - Publicity
Breaks
|
|
34 | 5 |
Promotion -Publicity
Breaks
|
|
34 | 6 |
Promotion - NY Preservation
League
|
|
34 | 7 |
Promotion - "Terrible
American Press Tour"
|
|
34 | 8 |
Promotion - Frankfurter
Allgemeigne Magazine
|
|
34 | 9 |
Promotion - France
tour
|
|
34 | 10 |
Promotion -
Misc/Flyers
|
|
34 | 10A |
Promotion - Press
folder
|
|
34 | 11 |
Reviews - U.K.
|
|
34 | 12 |
Reviews - U.S.
|
|
34 | 13 |
Reviews - U.S.
|
|
34 | 14 |
Personal/Miscellaneous
|
|
34 | 15 |
Personal/Miscellaneous -
Warhol
|
|
34 | 16 |
Personal/Miscellaneous -
Janowitz
|
|
34 | 17 |
Personal/Miscellaneous
|
|
34 | 18 |
Personal/Miscellaneous - Thompson
Twin
|
|
Box | Folder | ||
34 | 19 |
Treatment/Concept
|
|
Howards End (1992)
|
?? | ||
Box | Folder | ||
34 | 20 |
Treatment/Concept - Evan Connell
notes
|
|
34 | 21 |
Treatment/Concept
|
|
34 | 22 |
Treatment/Concept - Book: Mrs.
Bridge & Mr. Bridge
|
|
35 | 1 |
Screenplay - First
draft
|
|
35 | 2 |
Screenplay - R.P.J
notes
|
|
35 | 3 |
Screenplay -
correspondence
|
|
35 | 4 |
Screenplay - Connell
|
|
Box | Folder | ||
35 | 4 |
Script pages
|
|
35 | 4 |
J.I. to Evan
Connell
|
|
35 | 4 |
Evan Connell to J.I. &
I.M.
|
|
35 | 5 |
Screenplay
|
|
Box | Folder | ||
35 | 5 |
Letters from Evan Connell to
J.I.
|
|
35 | 5 |
Article: Mirabella Nov
90
|
|
35 | 5 |
Article on Evan
Connell
|
|
35 | 6 |
Screenplay
|
|
Box | Folder | ||
35 | 6 |
J.I. to Paul Newman &
Joanne Woodward
|
|
35 | 6 |
Script work J.I., RPJ, Evan
Connell
|
|
35 | 6 |
RPJ to J.I.
|
|
35 | 7 |
Production - Art, Costumes,
Props
|
|
Box | Folder | ||
35 | 7 |
Score: "The Isle of
Capri"
|
|
35 | 7 |
Nostalgic Music vol
3
|
|
35 | 7 |
Polish Invasion by Nazis +
J.I. note
|
|
35 | 7 |
Francine Tener to J.I. n.d.
"crank"
|
|
35 | 7 |
Karen Schulz to J.I.
|
8/24/1989 |
35 | 7 |
Longdreams
brochure
|
|
35 | 7 |
Liste des decors
|
|
35 | 7 |
Misc. items
|
|
35 | 8 |
Production -
Casting/Personnel
|
|
Box | Folder | ||
35 | 8 |
David Sardi bio
|
|
35 | 8 |
Audition schedule
|
|
35 | 8 |
Ed Novick
|
|
35 | 8 |
Felix. Swisher to
J.I.
|
4/18/1989 |
35 | 8 |
Robert Sean
Leonard
|
|
35 | 8 |
Lisa Krueger
|
|
35 | 8 |
Aaron Anawalt
|
|
35 | 8 |
J.I. to Paul
Newman
|
5/22/1989 |
35 | 8 |
Irving Axelrud to
I.M.
|
6/14/1989 |
35 | 8 |
Paul Newman
article
|
|
35 | 8 |
Miss Lovejoy (letter from
Myron Taylor)
|
6/21/1934 |
35 | 8A |
Production -
Cast/Crew/Staff
|
|
35 | 9 |
Production - Editing
|
|
Box | Folder | ||
35 | 9 |
Final cut letters
|
|
35 | 9 |
Final cut
|
|
35 | 10 |
Production -
Financial/Legal
|
|
35 | 11 |
Production -
Financial/Legal
|
|
Box | Folder | ||
35 | 11 |
Rand Holston to J.I. &
I.M.
|
11/8/1988 |
35 | 11 |
Cineplex MIP
agreement
|
|
35 | 12 |
Production -
Financial/Legal
|
|
Box | Folder | ||
35 | 12 |
Delivery schedule
|
|
35 | 12 |
Net profits
|
|
35 | 12 |
Security
|
|
35 | 13 |
Production -
Financial/Legal
|
|
Box | Folder | ||
35 | 13 |
Assignment
|
|
35 | 13 |
Steven Katz to Rand
Holston
|
6/9/1988 |
35 | 13 |
Rand Holston to Ira
Schreck
|
6/8/1988 |
35 | 13 |
Rand Hoston to J.I. & I.M.
|
11/6/1990 |
35 | 13 |
Joanne Woodward agreement
letter
|
|
35 | 13 |
Paul Newman agreement
letter
|
|
35 | 14 |
Production - Financial/Legal -
Misc. expenses
|
|
35 | 14A |
Production - Financial/Legal -
Misc items
|
|
35 | 15 |
Production - Schedules
|
|
35 | 16 |
Production - Schedules
|
|
Box | Folder | ||
35 | 16 |
Canadian call
sheets
|
|
35 | 16 |
Paris call sheets
|
|
35 | 17 |
Production - Schedules
|
|
35 | 18 |
Production - Schedules
|
|
35 | 19 |
Production - Schedules/shooting
(Kansas City)
|
|
35 | 20 |
Production - Schedules/shooting (
Kansas City)
|
|
36 | 1 |
Production - Schedules/Day
breakdown
|
|
36 | 2 |
Production - Locations
|
|
Box | Folder | ||
36 | 2 |
Susan Laubergayer to
J.I.
|
6/23/1989 |
36 | 2 |
"Cupcake Land"
Essay
|
7/31/1989 |
36 | 2 |
Marc Salle to J.I.
|
10/31/1989 |
36 | 2 |
Barbara Brink to I.M.
|
9/9 |
36 | 2 |
Scale drawing, Moulin
Rouge
|
|
36 | 2 |
Misc. items
|
|
36 | 3 |
Production - Locations
|
|
36 | 4 |
Production -
Locations/Louvre
|
|
36 | 5 |
Production -
Locations/Paris
|
|
Box | Folder | ||
36 | 5 |
J.I. to Jack Lang
|
7/10/1989 |
36 | 5 |
Jack Lang to J.I.
|
1/8/1890 |
36 | 5 |
"Joe Friedman finds
locations"
|
|
36 | 5 |
Chirac halts US
film
|
|
36 | 6 |
Production - Locations/Wade
Williams
|
|
36 | 6A |
Production - Hospitality
Correspondence
|
|
36 | 7 |
Production -
Trailer/Credits/Titles
|
|
Box | Folder | ||
36 | 7 |
Harvey Weinstein to
J.I.
|
12/7/1990 |
36 | 7 |
J.I. to Harvey
Weinstein
|
12/17/1990 |
36 | 7 |
William Horner to Harvey
Weinstein
|
12/19/1990 |
36 | 7 |
J.I. to Harvey
Weinstein
|
11/30/1990 |
36 | 7 |
Harvey Weinstein to
J.I.
|
12/18/1990 |
36 | 8 |
Production - Credits
|
|
36 | 9 |
Production - Credits
|
|
36 | 10 |
Production - Titles
|
|
Box | Folder | ||
36 | 10 |
J.I. to Paul
Newman
|
10/19/1990 |
36 | 10 |
Harvey Weinstein to
J.I.
|
11/1/1990 |
36 | 10 |
J.I. to Rand
Holston
|
11/2/1990 |
36 | 10 |
Miramax titles
|
|
36 | 10 |
More titles
|
|
36 | 11 |
Production - End
Titles
|
|
36 | 12 |
Promotion -
Distribution
|
|
Box | Folder | ||
36 | 12 |
Card "The Miramax
Gang" to J.I.
|
|
36 | 12 |
Bookings
|
|
36 | 12 |
Buffalo materials
|
|
36 | 13 |
Promotion
|
|
36 | 14 |
Promotion - France
|
|
36 | 15 |
Promotion - New release of book:
Mr. & Mrs Bridge
|
|
Box | Folder | ||
36 | 15 |
Jack S. (North Point Press) to
J.I and I.M.
|
4/17/1990 |
36 | 15 |
Sample covers
|
|
36 | 16 |
Promotion - Marimax previews
(comments of audience)
|
|
36 | 17 |
Promotion - Press Kit
|
|
36 | 18 |
Promotion - Misc.
Articles
|
|
36 | 19 |
Promotion - Misc.
Articles
|
|
36 | 20 |
Promotion - Venice Film Festival
Book
|
|
36 | 21 |
Promotion - Venice Film Festival
materials
|
|
37 | 1 |
Reviews - U.S.
|
|
37 | 2 |
Reviews - U.S.
|
|
37 | 3 |
Reviews - U.S.
|
|
37 | 4 |
Reviews - U.K.
|
|
37 | 5A |
Reviews - Italy
|
|
37 | 5B |
Personal/Miscellaneous
|
|
Box | Folder | ||
37 | 5B |
J.I. to Ruth PJ
|
3/8/1990 |
37 | 5B |
Induction Center
Scene
|
|
37 | 5B |
Personal note on film
ending
|
|
37 | 5B |
Grant Wood Gothic model
obit
|
|
37 | 5B |
Chronicle of film
ending
|
|
37 | 5B |
Canadian Immigration
form
|
|
37 | 5B |
Telegram: Cineplex Odeon
films
|
|
37 | 6 |
Personal/Miscellaneous
|
|
Box | Folder | ||
37 | 6 |
Dan Taylor to J.I
|
10/17/1989 |
37 | 6 |
J.I. to USC School of
Cinema
|
10/22/1989 |
37 | 6 |
Paul Newman, J. Woodward scene
on ship (not Used)
|
|
37 | 6 |
Ismail to Jim memo
|
|
37 | 6 |
J. I -Senator Dole note about
Romeo & Juliet
|
|
37 | 6 |
Mr & Mrs Bridge
envelope
|
|
37 | 6 |
Air France/travel agent foul
up
|
|
37 | 6 |
Party invitation
flyer
|
|
37 | 7 |
Personal/Miscellaneous
|
|
Box | Folder | ||
37 | 7 |
Articles about
|
|
37 | 7 |
Harvey Weinstein to Paul
Newman
|
9/20/1990 |
37 | 7 |
Fay Lellios to J.I
|
9/28/1990 |
37 | 7 |
Harvey Weinstein to
J.I.
|
9/4/1990 |
37 | 7 |
J.I note on Harvey
Weinstein
|
|
37 | 7 |
Long Journal About Harvey
Weinstein meeting (MIP staffs)
|
|
37 | 7 |
J.I to Harvey Weinstein -rough
draft
|
|
37 | 7 |
Misc Production
Correspondence
|
|
37 | 8 |
Personal/Miscellaneous - Academy
Awards
|
|
Box | Folder | ||
37 | 8 |
Ballot 63rd Academy
Awards
|
|
37 | 8 |
"Reminder of Eligible
Releases"
|
|
37 | 8 |
"Eligible Features
1990"
|
|
37 | 8 |
Job application to Mr. Bridge
from Julia Lovejoy
|
|
37 | 8 |
Actress nominees
|
|
37 | 8 |
Academy Award
articles
|
|
37 | 9 |
Personal/Miscellaneous
|
|
Box | Folder | ||
37 | 9 |
NY Film critics award
dinner
|
|
37 | 9 |
Credit Lyonnais Xma Card to
J.I
|
|
37 | 9 |
Xmas card
(Zimmerman)
|
|
37 | 9 |
Card from B. Zimmerman (Evan
Connell's sister)
|
|
37 | 9 |
B. Zimmerman to J.I.
|
|
37 | 9 |
Train letter to B
Zimmerman
|
|
37 | 10 |
Personal/Miscellaneous - Letters,
cards from actors
|
|
Remains of the Day (1993)
|
?? | ||
Box | Folder | ||
37 | 11 |
Treatment
|
|
Box | Folder | ||
37 | 11 |
J.I. to RPJ
|
|
37 | 11 |
RPJ to J.I.
|
|
37 | 11 |
Loose pages from Howards
End
|
|
37 | 11 |
Synopsis of Howards
End
|
|
37 | 12 |
Treatment - Novels
|
|
Box | Folder | ||
37 | 12 |
Three copies of book: Howards
End w/ notes
|
|
37 | 13 |
Screenplay
|
|
Box | Folder | ||
37 | 13 |
RPJ to J.I. with script
notes
|
|
37 | 13 |
David Aukin to
J.I.
|
2/28/1991 |
37 | 14 |
Screenplay - First draft, part
1
|
|
37 | 15 |
Screenplay - First draft, part
2
|
|
37 | 16 |
Screenplay - First draft, part
3
|
|
37 | 17 |
Screenplay - Version submitted to
typists
|
|
37 | 18 |
Screenplay - Version submitted to
typists (cont.)
|
|
37 | 19 |
Screenplay - Typed version w/
notes
|
|
38 | 1 |
Screenplay - French
|
|
38 | 2 |
Screenplay - Misc.
papers
|
|
38 | 3 |
Production - Director's
Notes
|
|
38 | 4 |
Production - Breakdowns &
Finance
|
|
38 | 5 |
Production - Art &
Locations
|
|
Box | Folder | ||
38 | 5 |
Luciana Arrighi to
J.I.
|
|
38 | 5 |
Location recon Dec 15 &
16
|
|
38 | 5 |
Sketch by Luciana
Arrighi
|
|
38 | 5 |
Aunt Juley's
House
|
|
38 | 5 |
Plans: No. 6. Victoria
Square
|
|
38 | 5 |
Locations/Joe Friedman to
J.I.
|
9/30/1990 |
38 | 5 |
Marriage Certificate
prop
|
|
38 | 6 |
Production - Call
sheets
|
|
38 | 7 |
Production - Call
sheets
|
|
38 | 8 |
Production - Call
sheets
|
|
38 | 9 |
Production - Call
sheets
|
|
38 | 10 |
Production - Call
sheets/Schedules
|
|
38 | 11 |
Production -
Sound/Music
|
|
Box | Folder | ||
38 | 11 |
Morris Dance
|
|
38 | 11 |
Morris & Sword
Dance
|
|
38 | 11 |
Dick Robbins to Anne
Wingate
|
11/06/1991 |
38 | 11 |
Anne Wingate to Dick
Robbins
|
6/19/1991 |
38 | 12 |
Production -
Art/Locations
|
|
Box | Folder | ||
38 | 12 |
Location recons
|
|
38 | 12 |
Oxford location
|
|
38 | 12 |
Stakesay Castle
|
|
38 | 12 |
Bombing of Chamber of
Shipping
|
|
38 | 12 |
Memo: Luciana Arrighi to crew
members
|
5/12/1991 |
38 | 12 |
Street
traffic-London
|
|
38 | 12 |
Paul Bradley to J.I.
|
|
38 | 12 |
Peter James to
J.I.
|
3/10/1989 |
38 | 12 |
Luciana Arrighi to
J.I.
|
11/03/1991 |
38 | 12 |
Lady Tilney's hall
chairs
|
|
38 | 12 |
Luciana Arrighi to J.I.
(card)
|
7/17/1991 |
38 | 12 |
Article "The City at High
Noon"
|
|
38 | 12 |
Fax: Anne Wingate to
J.I.
|
3/20/1991 |
38 | 12 |
Memo to residents of Chiswick
Mall from MIP
|
|
38 | 12 |
Schlegle House
|
|
38 | 12 |
Wigmore
|
|
38 | 12 |
MIP to residents of Chiswick
Mall
|
|
38 | 13 |
Production -
Sound/Music
|
|
Box | Folder | ||
38 | 13 |
Mayflower film recording cue
sheets
|
|
38 | 13 |
Sept 25th cue
sheets
|
|
38 | 13 |
Twickenham Film
Studios
|
|
38 | 13 |
C.D. liner notes
|
|
38 | 13 |
Music cue sheets
|
|
38 | 14 |
Production - Video mastering
controversy
|
|
Box | Folder | ||
38 | 14 |
J.I. to Marcie
Bloom
|
10/19/1992 |
38 | 14 |
Widescreen theatrical
version
|
|
38 | 14 |
J.I .to Marcie
Bloom
|
|
38 | 14 |
Marcie Bloom to J.I.,
I.M.
|
9/24/1992 |
38 | 14 |
IM to Adam Falik
|
9/24/1992 |
38 | 14 |
Marcie Bloom to JI, IM
|
9/24/1992 |
38 | 14 |
J.I. to Marcie
Bloom
|
10/19/1992 |
38 | 15 |
Production - Notes on
screening
|
|
38 | 16 |
Production
|
|
Box | Folder | ||
38 | 16 |
Titles
|
|
38 | 16 |
Cast lists
|
|
38 | 16 |
Correspondence
|
|
38 | 17 |
Production - Legal/Financial
|
|
Box | Folder | ||
38 | 17 |
Legal/Financial
Pyramide
|
|
38 | 17 |
Director's service
agreement
|
|
38 | 17 |
Financing
Agreement
|
|
38 | 17 |
Licence Agreement
|
15/03/1991 |
38 | 17A |
Production -
Legal/Financial
|
|
Box | Folder | ||
38 | 17A |
Loan Agreement & Security
Assignment
|
|
39 | 1A |
Production -
Legal/Financial
|
|
Box | Folder | ||
39 | 1A |
Lender Agreement
|
|
39 | 1A |
Legal & Financial
Correspondence
|
|
39 | 1B |
Production - Legal/Financial (misc
items)
|
|
39 | 1 |
Promotion - CLAK Anno 9
-No.5
|
|
39 | 2 |
Promotion - Cannes 1992
Program
|
|
39 | 3 |
Promotion
|
|
Box | Folder | ||
39 | 3 |
Premier Happy Home
School
|
|
39 | 3 |
Smithsonian
Programs
|
|
39 | 3 |
Premier LA
Screening
|
|
39 | 3 |
Preservation League of N.Y.
|
|
39 | 4 |
Promotion - Press Kit w/
revisions
|
|
39 | 5 |
Promotion - Drafts of Orion/U.K
Press Kit
|
|
39 | 6 |
Promotion
|
|
Box | Folder | ||
39 | 6 |
Royalty Charity
Premier
|
|
39 | 6 |
Emma Thompson and Princess
Margaret articles
|
|
39 | 6 |
Misc. interview
schedules
|
|
39 | 7 |
Promotion - Vanity Fair
Promotion
|
|
39 | 8 |
Promotion - Distribution/Misc.
Advertisements
|
|
39 | 9 |
Promotion - French
brochure
|
|
39 | 10 |
Promotion - Cannes
articles
|
|
39 | 11 |
Promotion
|
|
Box | Folder | ||
39 | 11 |
Italian materials
|
|
39 | 11 |
The infamous count
|
|
39 | 11 |
Interview schedule
|
|
39 | 11 |
Michel Fanto to J.I.
|
5/11/1992 |
39 | 11 |
I.M. Interview
|
|
39 | 11 |
French articles
|
|
39 | 12 |
Reviews
|
|
39 | 13 |
Reviews - Student
|
|
39 | 14 |
Reviews - English
|
|
39 | 15 |
Reviews - U.S.
|
|
40 | 1 |
Personal/Miscellaneous - Newspaper
clippings
|
|
40 | 2 |
Personal/Miscellaneous
|
|
Box | Folder | ||
40 | 2 |
Birthday cards
|
|
40 | 2 |
Certificate of Recognition
(from the City of New York)
|
|
40 | 3 |
Personal/Miscellaneous
|
|
Box | Folder | ||
40 | 3 |
Carol Hemming to
J.I.
|
3/3/1991 |
40 | 3 |
Carol Hemming to
J.I.
|
n.d |
40 | 3 |
Four digital shots at Claverak
by Liz Susher, Tom Freeman
|
|
40 | 3 |
Article about Sophie
Thompson
|
|
40 | 3 |
Vanessa Redgrave
material
|
|
40 | 3 |
Academy membership screening
May 92
|
|
40 | 3 |
Moira Govan to
J.I.
|
n.d. |
40 | 3 |
Martin Pickle to J.I.
|
7/29/1991 |
40 | 4 |
Personal/Miscellaneous
|
|
Box | Folder | ||
40 | 4 |
Writer's
Guild
|
|
40 | 4 |
Director's
Guild
|
|
40 | 4 |
D.W. Griffith
Award
|
|
40 | 4 |
Writer's Guild
Newsletter
|
2/3/1993 |
40 | 5 |
Personal/Miscellaneous - Academy
Awards
|
|
Box | Folder | ||
40 | 5 |
Board of Governor's Ball
Program
|
|
40 | 5 |
Academy to J.I. (Best Director
nomination)
|
2/19/1993 |
40 | 5 |
Block-Korenbrot memo to J.I
(award schedules)
|
3/25/1993 |
40 | 5 |
The Hollywood
Reporter
|
3/30/1993 |
40 | 5 |
Howards End Welcoming dinner
invitation
|
|
40 | 5 |
Academy Awards odds &
ends
|
|
40 | 5 |
Betty Boatwright to
J.I.
|
|
40 | 5 |
Rizwan Chowhan (note) to J.I.
& I.M.
|
|
40 | 6 |
Personal/Miscellaneous - Academy
Awards
|
|
Box | Folder | ||
40 | 6 |
Academy Awards
Press
|
|
40 | 6 |
Academy Program
|
|
40 | 7 |
Personal/Miscellaneous -
Actors' letters/cards/etc.
|
|
40 | 8 |
Personal/Miscellaneous -
letters
|
|
40 | 9 |
Personal/Miscellaneous
|
|
Box | Folder | ||
40 | 9 |
Vanessa Redgrave to IM &
J.I.
|
10/18/1991 |
40 | 9 |
Toby Young
Material
|
|
40 | 9 |
Article about Emma
Thompson
|
|
40 | 10 |
Personal/Miscellaneous - More
Academy Awards
|
|
40 | 11 |
Personal/Miscellaneous - Where
Angels Fear to Tread
|
|
40 | 12 |
Personal/Miscellaneous - Orion
bankruptcy
|
|
40 | 13 |
Personal/Miscellaneous
|
|
Box | Folder | ||
40 | 13 |
Andre Agassi
items.
|
|
40 | 13 |
French article on I.M. &
J.I.
|
|
40 | 13 |
Misc material
|
|
40 | 13 |
Article on James
Ivory
|
|
40 | 13 |
Variety on academy
Awards
|
|
40 | 14 |
Personal/Miscellaneous - Book
Howards End w/ J.I.forward
|
|
40 | 15 |
Personal/Miscellaneous -
References on Forster
|
|
40 | 16 |
Personal/Miscellaneous - Random
House correspondence
|
|
40 | 17 |
Personal/Miscellaneous - Random
House-J.I. correspondence
|
|
40 | 18 |
Personal/Miscellaneous -
MISSING
|
|
40 | 19 |
Personal/Miscellaneous - Random
House Commentary Section
|
|
40 | 20 |
Personal/Miscellaneous - Drafts of
Introduction by J.I.
|
|
40 | 21 |
Personal/Miscellaneous - Drafts of
Introduction by J.I. (cont.)
|
|
40 | 22 |
Personal/Miscellaneous -
Notebook
|
|
41 |
Personal/Miscellaneous - Music Cue
sheets
|
||
Box | Folder | ||
41 | 1 |
Cue 1
|
|
41 | 2 |
Cue 2
|
|
41 | 3 |
Cue 3
|
|
41 | 4 |
Cue 4A
|
|
41 | 5 |
Cue 4B
|
|
41 | 6 |
Cue 7
|
|
41 | 7 |
Cue 9A+B
|
|
41 | 8 |
Cue 10
|
|
41 | 9 |
Cue 11
|
|
41 | 10 |
Cue 12/13
|
|
41 | 11 |
Cue 14
|
|
41 | 12 |
Cue 16/17
|
|
42 |
Personal/Miscellaneous - Music Cue
sheets
|
||
Box | Folder | ||
42 | 1 |
Cue 18
|
|
42 | 2 |
Cue 21A+B/22
|
|
42 | 3 |
Cue 23/24/25
|
|
42 | 4 |
Cue 26
|
|
42 | 5 |
Cue 27A
|
|
42 | 6 |
Cue 27B
|
|
42 | 7 |
Cue 28A
|
|
42 | 8 |
Cue 28B
|
|
42 | 9 |
Cue 28C
|
|
42 | 10 |
Cue 28D
|
|
42 | 11 |
Cue 29
|
|
42 | 12 |
Cue 32
|
|
43 |
Personal/Miscellaneous - Music Cue
sheets
|
||
Box | Folder | ||
43 | 1 |
Cue 33
|
|
43 | 2 |
Cue 34A+B
|
|
43 | 3 |
Cue 36
|
|
43 | 4 |
Cue 37
|
|
43 | 5 |
Cue 39A
|
|
43 | 6 |
Cue 39B
|
|
43 | 7 |
Cue 39C
|
|
43 | 8 |
Cue 39D
|
|
43 | 9 |
Cue 41
|
|
43 | 10 |
Cue 42
|
|
43 | 11 |
Cue 43
|
|
The Wild Party
|
|||
Box | Folder | ||
44 | 1 |
Treatment - Book: The Remains of
the Day
|
|
44 | 2 |
Screenplay - by Harold
Pinter
|
|
44 | 3 |
Screenplay - 2nd Draft by
Jhabvala
|
8/1992 |
44 | 4 |
Screenplay - Revisions
|
|
44 | 5 |
Screenplay - Revisions
|
|
44 | 6 |
Screenplay
|
|
Box | Folder | ||
44 | 6 |
Third draft timing
sheet
|
|
44 | 6 |
J.I. to Chris
Reeve
|
9/6/1992 |
44 | 7 |
Screenplay - Anthony
Hopskin
|
|
44 | 8 |
Screenplay - Subtitles
|
|
44 | 9 |
Screenplay - Final Continuity
List
|
|
45 | 1 |
Production - Credits
|
|
45 | 2 |
Production - Credits
|
|
45 | 3 |
Production - Locations - Corsham
Court
|
|
45 | 4 |
Production - Locations -
Irish
|
|
45 | 5 |
Production - Locations - Badminton
House
|
|
45 | 6 |
Production - Locations -
Darlington Hall
|
|
45 | 7 |
Production - Art
(Arrighi)
|
|
45 | 8 |
Production - Art
(Arrighi)
|
|
45 | 9 |
Production - Financial/Legal -
Budget
|
|
45 | 10 |
Production - Financial/Legal -
Contracts
|
|
45 | 11 |
Production - Financial/Legal -
Receipts
|
|
45 | 12 |
Production - Casting
|
|
45 | 13 |
Production - Casting
|
|
46 | 1 |
Production - Music
|
|
46 | 2 |
Production - Call
Sheets
|
|
46 | 3 |
Production - Draft Shooting
Schedules
|
|
46 | 4 |
Production - Call Sheets
(cont.)
|
|
46 | 5 |
Production - Reshoots
|
|
46 | 6 |
Production - Reshoots
|
|
46 | 7 |
Production - Sound
Recording
|
|
46 | 8 |
Production - Sound
Sync
|
|
46 | 9 |
Production - Sound
Sync
|
|
46 | 11 |
Production - Post
production
|
|
46 | 10 |
Production - Post
production
|
|
46 | 12 |
Promotion/Distribution - Gate
receipts
|
|
46 | 13 |
Promotion/Distribution - Gate
receipts
|
|
46 | 14 |
Promotion/Distribution - Gate
Receipts
|
|
46 | 15 |
Promotion/Distribution - Ishiguro
Interview
|
|
46 | 16 |
Promotion/Distribution -
Premiers
|
|
46 | 17 |
Promotion/Distribution -
Premiers
|
|
47 | 1 |
Promotion/Distribution - Venice
Festival
|
|
47 | 2 |
Promotion/Distribution - Venice
Festival
|
|
47 | 3 |
Promotion/Distribution - Venice
Festival
|
|
47 | 3a |
Promotion/Distribution - The
Remains the Day's program schedule
|
|
47 | 4 |
Promotion/Distribution -
Berlin
|
|
47 | 5 |
Promotion/Distribution -
Berlin
|
|
47 | 6 |
Promotion/Distribution - Press Kit
items
|
|
47 | 7 |
Promotion/Distribution - Press
Releases
|
|
47 | 8 |
Promotion/Distribution -
Distribution Plan & Delivery
|
|
47 | 9 |
Screening Reactions - Evaluations
from sneak preview
|
|
48 | 1 |
Promotion - Academy
Awards
|
|
48 | 2 |
Promotion - Academy
Awards
|
|
48 | 3 |
Promotion - Academy Awards Press
|
|
48 | 4 |
Promotion - Academy Awards,
misc.
|
|
48 | 5 |
Promotion - Video
|
|
48 | 6 |
Promotion - PR
Schedules
|
|
48 | 7 |
Promotion - PR
Schedules
|
|
48 | 8 |
Reviews - U.S.
|
|
48 | 9 |
Reviews - U.S.
|
|
48 | 10 |
Reviews - U.S.
|
|
48 | 11 |
Reviews - British
|
|
48 | 12 |
Reviews - British
|
|
48 | 13 |
Reviews - French
|
|
48 | 14 |
Personal/Miscellaneous -
Scorcese
|
|
48 | 15 |
Personal/Miscellaneous - Jacoby
Dispute
|
|
48 | 16 |
Personal/Miscellaneous - Directors
Guild
|
|
48 | 17 |
Personal/Miscellaneous -
Sony/Columbia
|
|
48 | 18 |
Personal/Miscellaneous - Misc.
materials
|
|
48 | 19 |
Personal/Miscellaneous - DVD
Interview
|
|
48 | 20 |
Personal/Miscellaneous - DVD
Interview
|
|
48 | 21 |
Personal/Miscellaneous - DVD
Interview
|
|
Jefferson in Paris (1995)
|
?? | ||
Box | Folder | ||
49 | 1 |
Treatment (Tony Chase)
|
|
49 | 2-3 |
Treatment (J.I & Anthony
Chase)
|
|
49 | 4-6 |
Screenplay - Draft by Tony
Chase
|
|
49 | 7-10 |
Screenplay -
Ivory/Chase
|
|
49 | 11-14 |
Screenplay - French
|
|
49 | 15 |
Screenplay - Financial
|
|
49 | 16-19 |
Screenplay - First draft by
Jhabvala
|
|
50 | 1-4 |
Screenplay - First draft by
Jhabvala
|
|
50 | 4a |
Screenplay - Second draft by
Jhabvala
|
|
50 | 5 |
Screenplay - Revisions
|
|
50 | 6 |
Screenplay - Revisions notes
|
|
50 | 7 |
Screenplay - Revisions
1
|
|
50 | 8 |
Screenplay - Revisions
2
|
|
50 | 9-11 |
Screenplay - Revisions (screenplay
annotations)
|
|
50 | 12-15 |
Screenplay - Final
|
|
50 | 16-17 |
Screenplay - Dialogue
Revisions
|
|
50 | 18 |
Production - Subtitles
|
|
50 | 19 |
Production - Financial
|
|
50 | 20 |
Production - Sets
|
|
51 | 1-8 |
Production - Casting
|
|
51 | 9-11 |
Production - Costumes
|
|
51 | 12 |
Production - Sets:
gardens
|
|
51 | 13 |
Production - Sets:
Versailles
|
|
51 | 14 |
Production - Sets: The Villa
Trinanon
|
|
51 | 15 |
Production - Sets: Guy Claude
Francois
|
|
51 | 16 |
Production - Sets: Le Desert
deRetz
|
|
51 | 17 |
Production - Sets: Jefferson
items
|
|
52 | 1 |
Production - Sets: Hotels,
misc
|
|
52 | 2 |
Production - Sets:
Nancy/Bordeaux
|
|
52 | 3-4 |
Production - Sets: Misc
materials
|
|
52 | 5 |
Production - Actors & crews
directory
|
|
52 | 6-10 |
Production - Titles
|
|
52 | 11-17 |
Production - Music
|
|
52 | 18-19 |
Production - Sound
Editing
|
|
52 | 20-21 |
Production - Editing
|
|
52 | 22 |
Production - Legal
|
|
53 | 1 |
Production - Dialogue &
Continuity (REEL 1A/1B)
|
|
53 | 2 |
Production - Dialogue &
Continuity (REEL 2A/2B)
|
|
53 | 3 |
Production - Dialogue &
Continuity (REEL 3A/3B)
|
|
53 | 4 |
Production - Dialogue &
Continuity (REEL 4A/4B)
|
|
53 | 5 |
Production - Dialogue &
Continuity (REEL 5A/5B)
|
|
53 | 6 |
Production - Dialogue &
Continuity (REEL 6A/6B)
|
|
53 | 7 |
Production - Dialogue &
Continuity (REEL 7A/7B)
|
|
53 | 8 |
Production - Upstate New
York
|
|
53 | 9 |
Production - List of boxes &
daily continuity
|
|
53 | 10-11 |
Production - Draft of all
voice-overs
|
|
53 | 12 |
Production -
Voice-overs
|
|
53 | 13 |
Production - Assistant
Director's breakdown-cast/crowd/ stunts
|
|
53 | 14 |
Production - Extra
breakdown
|
|
53 | 15 |
Production - Day
breakdown
|
|
53 | 16 |
Production - Timing, Locations
& Remaining Sequences
|
|
54 | 1 |
Production - General
Breakdown
|
|
54 | 2-11 |
Production - Day out of Day
Schedule
|
|
54 | 12 |
Production - Unit List
|
|
54 | 13 |
Production - Production
Boards
|
|
54 | 14 |
Production - Pre & Post
Production
|
|
54 | 15 |
Production -
Correspondence
|
|
Box | Folder | ||
54 | 15 |
J.I. to Humbert Balsan
|
11/03/1994 |
54 | 15 |
John Bright to J.I.
|
10/16/1994 |
54 | 15 |
Melissa Chung to
J.I.
|
11/17/1994 |
54 | 15 |
Sian Parry to MIP
|
10/27/1994 |
54 | 15 |
MIP to Sian Parry
|
10/26/1994 |
54 | 15 |
J.I. to Diana Hankins
|
4/17/1995 |
54 | 15 |
J.I. to Dr Charles
Hadley
|
|
54 | 15 |
Graham Easton to I.M. and H.
Balsan
|
4/22/1994 |
55 | 1 |
Promotion - NY Times & Walt
Disney Ads
|
|
55 | 2-4 |
Promotion - Personal Appearance
Tour
|
|
55 | 5 |
Promotion - Preservation League of
NY State
|
|
55 | 6 |
Promotion - Cannes Official
Program 1995
|
|
55 | 7 |
Promotion - Study
Guide
|
|
55 | 8 |
Promotion - Promo kit
|
|
55 | 9 |
Promotion - Cannes The Holywood
Reporter
|
|
55 | 10 |
Promotion - Cannes Schedule &
French articles
|
|
55 | 11 |
Promotion - Press (U.S &
France)
|
|
55 | 12-19 |
Reviews - Buena Vista
|
|
55 | 20-22 |
Reviews - Misc
articles
|
|
56 | 1 |
Reviews -Misc
|
|
56 | 2 |
Reviews - French
|
|
56 | 3 |
Reviews - English
|
|
56 | 4 |
Personal/Miscellaneous -
MISSING
|
|
56 | 5-7 |
Personal/Miscellaneous - Sally
Hemings Controversy
|
|
56 | 8-10 |
Personal/Miscellaneous - Thomas
Jefferson
|
|
56 | 11 |
Personal/Miscellaneous - Walt
Disney
|
|
56 | 12 |
Personal/Miscellaneous -
Correspondence
|
|
56 | 13 |
Personal/Miscellaneous -
Jefferson's Vision
|
|
56 | 14 |
Personal/Miscellaneous -
Characters of Jefferson
|
|
56 | 15 |
Personal/Miscellaneous
|
|
Box | Folder | ||
56 | 15 |
The Jefferson
Players
|
|
56 | 15 |
Monticello-architectural
drawings
|
|
56 | 16 |
Personal/Miscellaneous - Misc
materials
|
|
56 | 17 |
Research: Pontificale
Romanum
|
|
56 | 18 |
Research: Prise de
Voile
|
|
56 | 19-20 |
Research: Principaux
personnages
|
|
56 | 21 |
Research: Dosier
Voitures
|
|
56 | 22 |
Research: Mesmer
|
|
56 | 23 |
Research :Etats
Generaux
|
|
57 | 1 |
Research: Eclairages
Rues
|
|
57 | 2 |
Research: Scenes de
Guignol
|
|
57 | 3 |
Research: Thomas, Martha, and the
American Ideal
|
|
57 | 4-7 |
Research: Pictures of Paris before
& after the revolution
|
|
57 | 8-10 |
Research: In Paris with MIP and
Thomas Jefferson (by Weiser)
|
|
57 | 11-15 |
Research: Documentation
Inconographique Generale
|
|
57 | 16 |
Research: Doug Kitveatis
story
|
|
57 | 17 |
Misc articles
|
|
57 | 18 |
Slavery items
|
|
57 | 19 |
Humphreys in France
|
|
57 | 20 |
Court Ritual
|
|
57 | 21 |
Dinina/Feasting
|
|
57 | 22 |
Misc correspondence
|
|
Surviving Picasso
|
|||
Box | Folder | ||
58 | 1 |
Treatment - TIME
articles
|
|
58 | 2 |
Books about Picasso
|
|
58 | 3 |
Newsweek's
articles
|
|
58 | 4 |
New York Articles
|
|
58 | 5 |
Other articles
|
|
58 | 6 |
French articles
|
|
58 | 7 |
Film materials
|
|
58 | 8-9 |
Treatment
|
|
58 | 10-13 |
Screenplay (film 19) revised 3rd
draft
|
|
58 | 14-19 |
Screenplay (film 19) final
script
|
|
58 | 20-22 |
Screenplay - surviving Picasso
script
|
|
58 | 23 |
Screenplay
|
|
59 | 1 |
Screenplay
|
|
59 | 2 |
Script Breakdowns
|
|
59 | 3 |
Titles and credits
|
|
59 | 4 |
Production
|
|
59 | 5-7 |
Titles and credits
|
|
59 | 6 |
Titles and credits -
DELETE
|
|
59 | 8 |
Film logo
|
|
59 | 9 |
Titles and end credit
rolls
|
|
59 | 10 |
(Film 19) Unit list
|
|
59 | 11 |
Unit list
|
January 12, 1995 |
59 | 12 |
Main titles
|
|
59 | 13 |
Titles and
miscellaneous
|
|
59 | 14 |
End titles
|
|
59 | 15 |
Titles, artistic
|
|
59 | 16 |
Subtitles
|
|
59 | 17 |
Crew list (film 19)
|
|
59 | 18 |
One line cast list (film
19)
|
|
59 | 19 |
Crew/cast directory (film
19)
|
|
59 | 20 |
Crew list
|
|
59 | 21 |
Casting interviews
|
|
59 | 22 |
Casting and actor
biographies
|
|
59 | 23 |
Casting miscellaneous
|
|
59 | 24 |
Schedule and index
binder
|
|
60 | 1 |
Costumes
|
|
60 | 2-3 |
Locations
|
|
60 | 4-5 |
Set materials
|
|
60 | 6-11 |
Set locations
|
|
60 | 12 |
Painting locations and
descriptions
|
|
60 | 13 |
Location schedule (Film
19)
|
|
60 | 14 |
Luciana Arrighi and J.I.
Correspondence
|
|
60 | 15 |
Picasso like drawings and
props
|
|
60 | 16 |
Miscellaneous
materials
|
|
61 | 1-2 |
Music
|
|
61 | 3 |
Legal Contracts
|
|
61 | 4 |
Legal/director loan out
agreement
|
|
61 | 5 |
Film budget
|
|
61 | 6 |
Comparative budgets remains,
Jefferson, Picasso
|
|
61 | 7 |
Miscellaneous budgets
|
|
61 | 8 |
Production
|
|
61 | 9-12 |
Correspondence
|
|
61 | 13 |
Miscellaneous
materials
|
|
61 | 14-17 |
Miscellaneous legal
financial
|
|
61 | 18 |
Script clearance and
research
|
|
61 | 20 |
Ivory's drawings: Francoise
in the Vellasquez Press
|
|
61 | 21 |
Francoise by Picasso
|
|
61 | 22 |
Story boards
|
|
61 | 23 |
Dubbing
|
|
62 | 1 |
Pre-production
schedule
|
|
62 | 2 |
Staffing casting
letters
|
|
62 | 3 |
Miscellaneous correspondence and
memos
|
|
62 | 4 |
Schedule order (film
19)
|
|
62 | 5 |
Cast schedule
|
|
62 | 6-7 |
Movement order to U.K.
|
|
62 | 8 |
Paris under German occupation
shots
|
|
62 | 9 |
online schedule (film
19)
|
|
62 | 10-11 |
Online schedule (Surviving
Picasso)
|
|
62 | 12 |
Scene and state
breakdown
|
|
62 | 13 |
Line sheets (Anthony
Hopkins)
|
|
62 | 14 |
Line sheets (Natascha
Mcelhone)
|
|
62 | 15-17 |
Line sheets (other
actors)
|
|
62 | 18 |
Line sheets (group
loops)
|
|
62 | 19 |
Voice over Francoise
|
|
62 | 20-22 |
Editing
|
|
62 | 23-25 |
TV Editing
|
|
63 |
Call Sheets
|
||
Folder | |||
63 | 2 |
Call sheets - South of
France
|
|
63 | 3 |
Combined continuity and master
English spotting/subtitle list
|
|
63 | 4-5 |
Master English dialogue list
|
|
63 | 6 |
Master English subtitle/spotting
list
|
|
64 | 1-2 |
Italian presentation
|
|
64 | 3 |
Press notes
|
|
64 | 4 |
Press notes with
corrections
|
|
64 | 5 |
Interview schedules
|
|
64 | 6 |
French promotion
material
|
|
64 | 7 |
European tour
|
|
64 | 8 |
Portrait show
|
|
64 | 9 |
Promotion pieces
|
|
64 | 10 |
Newspaper controversy (Sunday
telegraph)
|
August 18, 1996 |
64 | 11 |
Orders for PR prints
|
|
64 | 12 |
Box office
|
|
64 | 13 |
Poster title
treatments
|
|
64 | 14 |
Press Junket
|
|
64 | 15-19 |
Audience Surveys
|
|
64 | 20-21 |
French reviews
|
|
64 | 22 |
U.S. Reviews
|
|
64 | 23 |
Richardson controversy
|
|
65 | 1-2 |
Richardson controversy
|
|
65 | 3 |
Press articles and
reviews
|
|
65 | 4 |
Reviews of "Faking
Picasso"
|
|
65 | 5-9 |
Reviews
|
|
65 | 10 |
Production
correspondence
|
|
65 | 11 |
Dora Maar
|
|
65 | 12 |
Anthony Hopkins
|
|
65 | 13 |
Bruno
Pasquier-Desvignes
|
|
65 | 14 |
Ratings appeal
|
|
65 | 15 |
Congratulations
|
|
65 | 16 |
Pierrette le bourdiec
interview
|
|
65 | 17 |
Pullman ladies
|
|
65 | 18 |
Academy list of
releases
|
1996 |
65 | 19 |
"Talk of the Town"
correspondence
|
|
65 | 20 |
Personal and
miscellaneous
|
|
65 | 21 |
Brassai
|
|
65 | 22 |
Picasso
|
|
65 | 23 |
Francoise Gilot
|
|
65 | 24 |
J.I. Miscellaneous financial
item
|
|
65 | 25 |
Miscellaneous items
|
|
66 | 1-4 |
Treatment by Ariana S.
Huffington
|
|
66 | 5-7 |
"Picasso - An Intimate
Portrait" by Sabartes
|
|
66 | 8-10 |
"Picasso - An Intimate Look
at His Last Year" by Otero
|
|
66 | 11-14 |
"An Island in Paris" -
by Carlton Lake
|
|
66 | 15 |
Art Journal 68/69
|
|
66 | 16-18 |
"Picasso - The Recent Years
1939-1946" by Janis
|
|
A Soldier's Daughter Never
Cries
|
|||
Box | Folder | ||
67 | 1 |
Treatment
|
|
67 | 2 |
Directors marked up copy of the
novel
|
|
67 | 3 |
Screenplay - First
Draft
|
July 7, 1992 |
67 | 4 |
First draft with
inserts
|
July 7, 1992 |
67 | 5 |
First draft with notes
|
|
67 | 6 |
Director's copy
|
|
67 | 7-8 |
Fragments
|
|
67 | 9 |
Pink script pages
|
|
67 | 10 |
Kaylie Jones
|
|
67 | 11 |
Photo Ruckus
|
|
68 | 1 |
Working draft
|
|
68 | 2 |
Third draft
|
|
68 | 3 |
Ruth's re-write
|
|
68 | 4 |
Final combined version
|
|
68 | 5 |
Partial remains of Jim's
script
|
|
69 | 1-2 |
Post production release
script
|
September 28, 1998 |
69 | 3-4 |
Script
|
|
70 | 1 |
Production art
|
|
70 | 2-5 |
Casting
|
|
70 | 6-8 |
Credits and titles
|
|
70 | 9 |
Crew
|
|
70 | 10 |
Script and shooting
report
|
|
70 | 11-14 |
Continuity sheets
|
|
70 | 15-16 |
Miscellaneous schedule
|
|
70 | 17 |
Breakdown schedule
|
|
70 | 18 |
Shoot schedules
|
|
70 | 19 |
Schedules
|
|
70 | 20 |
AD breakdown
|
|
70 | 21 |
Call sheets -
Wilmington
|
|
70 | 22-26 |
Call sheets - France
|
|
70 | 27 |
France miscellaneous
material
|
|
71 | 1 |
Shooting schedules
|
|
71 | 2 |
Continuity
|
|
71 | 3-4 |
AD breakdown
|
|
71 | 5 |
Shoot schedules
|
|
71 | 6 |
Scene timing
|
|
71 | 7 |
Memos and reports
|
|
71 | 8 |
Miscellaneous
locations
|
|
71 | 9-15 |
Music
|
|
71 | 16 |
Sound and dialogue
|
|
71 | 17-19 |
Post-production
|
|
72 | 1 |
Rushes - note to be
returned
|
|
72 | 2 |
Legal and Financial
|
|
72 | 3 |
Legal and financial
beginnings
|
|
72 | 4-7 |
Legal and financial
|
|
72 | 8 |
James Jones photos
|
|
72 | 9-11 |
Promotion
|
|
72 | 12 |
French promotion
|
|
72 | 13 |
Promotion - Toronto Film
Festival
|
|
72 | 14 |
Promotion - Brussels
Festival
|
|
72 | 15 |
Deauville Festival
|
|
72 | 16 |
Spirit Awards
|
|
73 | 1 |
Venice Festival
|
|
73 | 2 |
Promotion in Italy
|
|
73 | 3 |
Venice promotional
material
|
|
73 | 4 |
Color Negotiation
Stills
|
|
73 | 5 |
Time life photo lab
|
|
73 | 6 |
Paris festival
|
|
73 | 7-11 |
France promotional
material
|
|
73 | 12 |
Reviews - Periscope
|
|
73 | 12 |
Reviews - UK
|
|
73 | 14-16 |
Reviews - USA
|
|
74 | 1-2 |
Research - American in
Paris
|
|
74 | 3 |
James Jones: Glimpses
|
|
74 | 4 |
James Jones by G.
Garrett
|
|
74 | 5 |
Harpers
|
February 1974 |
74 | 6 |
Paul Jenkins Paintings
|
|
The Golden Bowl
|
|||
Box | Folder | ||
75 | 1 |
Synopsis
|
|
75 | 2 |
Novel by H.J.
|
|
75 | 3 |
Screenplay
|
July 1998 |
75 | 4 |
Screenplay
|
March 1999 |
75 | 65 |
Screenplay
|
August 11, 1999 |
75 | 6 |
Screenplay - French
adaptation
|
|
75 | 7-10 |
Screenplay revisions
|
|
76 | 1-5 |
Production art
|
|
76 | 6-10 |
Production locations
|
|
76 | 11 |
Costumes
|
|
76 | 13 |
Sets and scenes
|
|
76 | 14 |
Music
|
|
76 | 15 |
Mix
|
|
77 | 1 |
Casting - Duke and
Duchess
|
|
77 | 2-4 |
Casting
|
|
77 | 5. |
Cast and crew lists
|
|
77 | 6-8 |
Schedules
|
|
77 | 9-14 |
Call sheets
|
|
77 | 15 |
AD's breakdown
|
|
77 | 16-20 |
Legal and financial
|
|
78 | 1 |
Editing
|
|
78 | 2 |
Editing with music
|
|
78 | 3 |
Dubbing - Thurman
|
|
78 | 4 |
Dubbing - Nolte
|
|
78 | 5 |
Dubbing - Houston
|
|
78 | 6-7 |
Dubbing - French
|
|
78 | 8 |
Dubbing - Northam
|
|
78 | 9 |
Dubbing - Beskinsale
|
|
78 | 10 |
Dubbing -
miscellaneous
|
|
78 | 11 |
Dubbing - Italian
|
|
78 | 12 |
Production lab
|
|
78 | 13 |
Pickup shots
|
|
78 | 14 |
Credits: Crew lists and
titles
|
|
78 | 15 |
Credits and titles
|
|
78 | 16 |
Cannes program
material
|
|
78 | 17 |
Talk magazine
|
|
78 | 18 |
Press book - early
|
|
78 | 19-20 |
Press notes
|
|
79 | 1 |
Press material
|
|
79 | 2 |
Interviews
|
|
79 | 3 |
USA film festival
|
|
79 | 4 |
Premier article
|
|
79 | 5-7 |
NY opening
|
|
79 | 8 |
Palm Springs festival
|
|
79 | 9 |
Netherlands
|
|
79 | 10 |
Canada Film Festival
|
|
79 | 11 |
Miramax Rubbish
|
|
79 | 12 |
Souvenirs of Premier
Party
|
|
79 | 13 |
Scene photos
|
|
79 | 14 |
Promotional concert
|
|
79 | 15-19 |
Audience reactions
|
|
80 | 1 |
Press book - Italian
|
|
80 | 2 |
Visuals
|
|
80 | 3 |
Junkets
|
|
80 | 4 |
TV clips
|
|
80 | 5-6 |
Miscellaneous
|
|
80 | 7 |
Cannes guide
|
|
80 | 8 |
Cannes program
|
|
80 | 10 |
Cannes - Robert
Bresson
|
|
80 | 11 |
Cannes - Film Francois
|
|
80 | 12 |
Promotion
|
|
80 | 13 |
Cannes - Cannel
|
|
80 | 14 |
Cannes
|
2000 |
80 | 15 |
Cannes - Italian
|
|
80 | 16 |
Cannes - 2000 - Le Film
Francaise
|
|
80 | 17 |
Cannes - Miscellaneous
|
|
80 | 18 |
Cannes reviews
|
|
80 | 19 |
Interviews
|
|
81 | 1 |
Correspondence
|
|
81 | 2-5 |
Personal and
miscellaneous
|
|
81 | 6-13 |
Miramax Dispute
|
|
81 | 14 |
Jude law miscellaneous
|
|
81 | 15 |
Jhabvala
|
|
82 | 2 |
Miscellaneous reviews
|
|
82 | 3 |
Reviews - France
|
|
82 | 4 |
J.I. Reaction to Lisa Zeider
article
|
|
82 | 5 |
Paramount - MIP
|
|
82 | 6 |
Reviews - Italian
|
|
82 | 7-9 |
Reviews - U.K.
|
|
82 | 10 |
Miscellaneous items
|
|
82 | 11 |
Press reviews
|
|
Le Divorce
|
|||
Box | Folder | ||
83 | 1-8 |
D. Johnson
|
|
83 | 9-12 |
Ruth's first
draft
|
|
83 | 13-16 |
Ruth's with J.I.
Notes
|
|
83 | 17-19 |
Ruth's 2nd
rewrite
|
|
83 | 20-23 |
Screenplay
|
March 30, 2001 |
84 | 1-4 |
Screenplay - Early
|
March 30, 2001 |
84 | 5-8 |
Screenplay - Early
|
May 15, 2001 |
84 | 9-14 |
Screenplay - early #3
|
|
84 | 15-17 |
Screenplay - Rewrite
|
July 4, 2001 |
84 | 18-22 |
Screenplay - 1st draft -
revisions
|
|
84 | 23 |
Screenplay - English
dialogue
|
|
85 | 1 |
Screenplay - Fox
exchanges
|
|
85 | 2-5 |
J.I. 1st draft
|
|
85 | 6 |
First script
|
|
85 | 7-9 |
First draft
|
|
85 | 10-13 |
2nd script
|
|
85 | 14 |
Handwritten draft
|
|
86 | 1-3 |
A.D. Breakdown
|
|
86 | 4-6 |
Dialect notes
|
|
86 | 7 |
Miscellaneous notes
|
|
86 | 8-9 |
Continuity
|
|
86 | 10 |
Screenplay - French
|
|
86 | 11-14 |
Screenplay
|
|
87 | 1 |
Le Divorce by Diane Johnson - 2
copies
|
|
87 | 2 |
Treatment
|
|
87 | 3 |
Casting correspondence
|
|
87 | 4 |
Casting possibilities
|
|
87 | 5 |
Casting
|
|
87 | 6-7 |
Casting Interviews
|
|
87 | 8 |
Casting bios
|
|
87 | 9-12 |
Casting bios (IMDB)
|
|
87 | 13-14 |
Casting bios and
photos
|
|
87 | 15 |
Casting extras
|
|
88 | 1 |
Cast bios and photos
|
|
88 | 2 |
The cast
|
|
88 | 3-4 |
The cast and crew
|
|
88 | 5 |
Naomi Watts
|
|
88 | 6 |
Production - Financial and
legal
|
|
88 | 10 |
Production schedules
|
|
88 | 11-18 |
Call sheets
|
|
88 | 19-23 |
Production - The Eiffel
Tower
|
|
89 | 1 |
The Red Purse
|
|
89 | 2 |
Miscellaneous scenes
|
|
89 | 3 |
Credits and art
|
|
89 | 4-9 |
Credits
|
|
89 | 10-11 |
Music
|
|
89 | 12-13 |
Editing
|
|
89 | 14-15 |
Post production
|
|
89 | 16 |
Post production notes
|
|
89 | 17 |
Costume and makeup
|
|
89 | 18 |
Subtitle simulator
|
|
89 | 19 |
ADR voice over
|
|
89 | 20 |
Film cut notes
|
|
89 | 21 |
Cut analysis (Richard
Hawley)
|
|
89 | 22 |
Naughty words
|
|
89 | 23 |
Disney world
|
|
89 | 24-25 |
Screening
|
|
90 | 1-5 |
Eiffel Tower
|
|
90 | 6 |
Post production
|
|
90 | 7 |
Fox booklet promotion
|
|
90 | 8 |
Paris Match promotion
|
|
90 | 9 |
TV promotion
|
|
90 | 10 |
Air France and Paris Voice
promotions
|
|
90 | 11 |
Fox Public Relations
Folder
|
|
90 | 12 |
Venice Festival
|
|
90 | 13-15 |
Venice
|
|
90 | 16 |
DVD artwork
|
|
90 | 17 |
Gotham awards
|
|
90 | 18 |
Public Relations
controversy
|
|
91 | 1 |
L.A. Press
|
|
91 | 2 |
Teaser trailer
|
|
91 | 3-4 |
Deauville Festival
|
|
91 | 5-6 |
Odds and ends
|
|
91 | 7 |
Promotional material
|
|
91 | 8-15 |
Preview notes
|
|
91 | 16 |
Miscellaneous
|
|
91 | 17 |
St. Ursala
|
|
91 | 18 |
Miscellaneous promotional
material
|
|
91 | 19 |
Miscellaneous
|
|
92 | 1 |
Financial and legal -
budget
|
|
92 | 2 |
Costumes
|
|
92 | 3 |
Director contract
|
|
92 | 4 |
Writer contract
|
|
92 | 5 |
Director agreement
|
|
92 | 7 |
Common script elements
|
|
92 | 8 |
Child pornography act
|
|
92 | 9 |
Grosses and statements
|
|
92 | 10 |
Petty cash receipts
|
|
92 | 11 |
Petty cash
|
|
92 | 12-14 |
Directors expenses
|
|
92 | 15 |
Financial
|
|
92 | 16 |
Contracts and
agreements
|
|
92 | 17 |
Directors guild
|
|
92 | 18 |
English reviews
|
|
92 | 19-20 |
Reviews - U.K.
|
|
92 | 21 |
Reviews - France
|
|
92 | 22-23 |
Reviews - U.S.
|
|
item | |||
93 | 1 |
Auction catalog and
notes
|
|
93 | 2 |
Une Americaine A Paris by Diane
Johnson
|
|
93 | 3 |
Emergency Exit - An Anthology of
Women's Poetry in America by Olivia Pace
|
|
Folder | |||
93 | 4 |
Publications
|
|
93 | 5 |
Magazines
|
|
93 | 6 |
Magazine article
|
|
93 | 7 |
German Auction Catalog
|
|
93 | 8 |
Promotional materials
|
|
item | |||
93 | 9 |
2 loose posters
|
|
The White Countess
|
|||
Box | Folder | ||
94 | 1 |
Treatment
|
|
94 | 2 |
Background
|
|
94 | 3-4 |
historical background
|
|
94 | 5 |
Chinese Nationalists attempt to
regulate Shanghai
|
|
94 | 6 |
Screenplay draft 1
|
|
94 | 7 |
Screenplay draft 2
|
|
94 | 8 |
Screenplay draft 3
|
|
94 | 9 |
Screenplay draft 5
|
|
94 | 10 |
Screenplay draft 6
|
|
94 | 11 |
Screenplay number 8
|
|
95 | 1 |
Screenplay draft 7
|
|
95 | 2 |
Screenplay draft 8
|
|
95 | 3 |
French screenplay
|
|
95 | 4 |
MIP Sony agreement
|
|
95 | 5 |
Financial and legal
|
|
95 | 6 |
Financial and legal - Italian
budget
|
|
95 | 7-8 |
Financial and legal
|
|
95 | 9 |
Funding problems
|
|
95 | 10 |
Financial, legal and
miscellaneous
|
|
95 | 11 |
Costumes
|
|
95 | 12-13 |
Casting and crew lists
|
|
95 | 14 |
Miscellaneous items
|
|
95 | 15-16 |
Casting - Chinese
|
|
95 | 17 |
Casting - Extras
|
|
96 | 1 |
Casting notes
|
|
96 | 2-7 |
Casting
|
|
96 | 8-12,14-18 |
locations
|
|
96 | 13 |
Drawn locations
|
|
96 | 19 |
Locations: Drawings for Twickenham
sets
|
|
96 | 20 |
Locations: Shanghai
|
|
96 | 21 |
Location scout
schedules
|
|
97 | 1-3 |
Locations: Suzhou
|
|
97 | 4 |
Settings - War
|
|
97 | 5 |
Settings - people
|
|
97 | 6 |
Posters
|
|
97 | 7-8 |
Pre-production schedule
|
|
97 | 9 |
Productions stop lists
|
|
97 | 10-14 |
Production schedules
|
|
97 | 15-18 |
Production - Ad
schedule
|
|
97 | 19-24 |
Call sheets
|
|
98 | 1-3 |
Music and dance
|
|
98 | 4-6 |
Editing and screening
|
|
98 | 7 |
Credits
|
|
98 | 8-10 |
Titles
|
|
98 | 11 |
Directors Guild
|
|
98 | 12-18 |
Financial and legal
|
|
98 | 19 |
Financial and legal -
Chinese
|
|
98 | 20-22 |
Miscellaneous financial
materials
|
|
99 | 1 |
Contacts
|
|
99 | 2 |
Film financing
|
|
99 | 3-7 |
Promotion
|
|
99 | 8 |
Sony - Italian package
|
|
99 | 9-10 |
Articles
|
|
99 | 11 |
Miscellaneous promotional material
- Chinese
|
|
99 | 12-13 |
Promotional material
|
|
99 | 14 |
Sales projections
|
|
97 | 25 |
Production labs
|
|
97 | 26 |
Technical and Camera
|
|
97 | 27 |
Budget drafts
|
|
97 | 28 |
Budget
|
|
99 | 15 |
Reviews
|
|
99 | 16-17 |
Reviews in articles and
magazines
|
|
99 | 18-19 |
Correspondence
|
|
99 | 20 |
Business
correspondence
|
|
100 | 1-2 |
Personal
correspondence
|
|
100 | 3-6 |
Personal and
miscellaneous
|
|
City of Your Final
Destination
|
|||
Box | Folder | ||
101 | 1 |
Novel in Italian
|
|
101 | 2 |
Screenplay 1st version
|
|
101 | 3 |
Screenplay 2nd version
|
|
101 | 4 |
Screenplay 3rd version
|
|
101 | 5 |
Screenplay 4th version
|
|
101 | 6 |
Screenplay Spanish
version
|
|
101 | 7 |
Screenplay with notes
|
|
101 | 8 |
Script with Ruth
Jhabvala
|
|
101 | 9 |
Screenplay
|
|
102 | 1-3 |
Screenplay
|
|
102 | 4 |
Notes on novel
|
|
102 | 5-6 |
Ivory and Jhabvala
Notes
|
|
102 | 7 |
Screenplay James Ivory and Ruth
Jhabvala notes
|
|
102 | 8 |
Screenplay - Ruth Jhabvala notes
to James Ivory
|
|
102 | 9 |
Screenplay - James Ivory notes to
Ruth Jhabvala
|
|
102 | 10-11 |
Screenplay - Notes and
revisions
|
|
102 | 12 |
Peter Cameron notes
|
|
102 | 13 |
Miscellaneous notes
|
|
103 | 1-3 |
Casting
|
|
103 | 4 |
Casting evaluation
|
|
103 | 5-6 |
Casting
|
|
103 | 7 |
Casting - extras and
miscellaneous
|
|
103 | 8 |
Production crew and
staff
|
|
103 | 9-13 |
Locations
|
|
103 | 14 |
Production technology
|
|
103 | 15 |
Post production
|
|
103 | 16-19 |
Credits and titles
|
|
103 | 20 |
Production post sync
|
|
104 | 1 |
Shoot schedule
|
|
104 | 2-8 |
Call sheets
|
|
104 | 9 |
Shooting schedules
|
|
104 | 10 |
Production schedules
|
|
104 | 11 |
Colorado Shoot
|
|
104 | 12 |
Production music
|
|
104 | 13 |
Directors guild
|
|
104 | 14 |
Anthony Hopkins
|
|
104 | 15 |
Props
|
|
104 | 16 |
Financial
|
|
104 | 17 |
Production
correspondence
|
|
104 | 18 |
Peter Cameron
|
|
104 | 19 |
Miscellaneous
|
|
104 | 20 |
Reviews
|
|
105 | 1-3, 5-7, 9 |
Promotion
|
|
105 | 4 |
Dutch promo material
|
|
105 | 8 |
Rome promotional
material
|
|
105 | 10 |
Planet Hopkins
|
|
105 | 11 |
Press
|
|
105 | 12 |
Press clippings
|
|
A Room With a View
|
|||
Box | Folder | ||
106 | 1 |
Miscellaneous promotional
material
|
|
106 | 2 |
Reviews from France
|
|
106 | 3-6 |
Financial and legal
|
|
106 | 7 |
Miscellaneous
|
|
Maurice
|
|||
Box | Folder | ||
106 | 8 |
Maurice - Screenplay 2nd
draft
|
|
106 | 9 |
Maurice - Screenplay
|
|
108 | 1 |
Cue I MI
|
|
108 | 2 |
Cue I MI B
|
|
108 | 3 |
I MIC
|
|
108 | 5 |
Cue 2 M 2 C
|
|
108 | 6 |
Cue 5M8
|
|
108 | 8 |
Cue 13/14 M22A
|
|
108 | 9 |
14 M22 B
|
|
108 | 10 |
Cue 5M9B
|
|
108 | 11 |
Cue 6MI2
|
|
108 | 12 |
Cue 7MI4I15
|
|
109 | 1 |
Cue 8MI6
|
|
109 | 2 |
Cue 11MI9
|
|
109 | 3 |
Cue 12M20
|
|
109 | 4 |
Cue 13M21
|
|
109 | 5 |
Cue 14M22C
|
|
109 | 6 |
Cue 14M23
|
|
109 | 7 |
14M23 (end)
|
|
Subseries B: Films Not Produced
|
|||
Xevox of Book - The Cottage
Countness
|
|||
Box | Folder | ||
110 | 1 |
Xerox
|
|
How I Became a Holy Mother
|
1974-1976 | ||
Box | Folder | ||
110 | 2 |
Treatment
|
1976 |
110 | 2 |
Treatment
|
1974-1976 |
110 | 4 |
Treatment
|
|
110 | 5 |
Treatment
|
|
110 | 6 |
Screenplay - Original Story, pt.
1
|
|
110 | 7 |
Screenplay - Original Story, pt.
2
|
|
110 | 8 |
Screenplay - Original Story, pt.
3
|
|
110 | 9 |
Screenplay - Original Story, pt.
4
|
|
110 | 10 |
Screenplay
|
|
110 | 11 |
Screenplay
|
|
110 | 12 |
Screenplay
|
|
110 | 13 |
Screenplay
|
|
Woman Wanted
|
1985-2000 | ||
Box | Folder | ||
110 | 14 |
Treatment
|
|
110 | 15 |
Synopsis
|
|
111 | 1 |
Screenplay
|
|
111 | 2 |
Screenplay
|
January 16, 1987 |
111 | 3 |
Screenplay
|
January 8, 1987 |
111 | 4 |
Production - Casting
|
January 14, 1987-January 20, 1987 |
111 | 5 |
Production - Schedule/Casting
suggestion
|
1986-2000 |
111 | 6 |
Production - Financial
|
|
111 | 7 |
Production -
Correspondence
|
1986-1987 |
111 | 8 |
Production -
Legal/Agreement
|
1986-1987 |
A Lovely World
|
1966-2000 | ||
Box | Folder | ||
111 | 9 |
Treatment
|
|
111 | 10 |
Screenplay, pt. 1
|
|
111 | 11 |
Screenplay, pt. 2
|
|
111 | 12 |
Screenplay, pt. 3
|
|
111 | 13 |
Screenplay, pt. 4
|
|
111 | 14 |
Screenplay, second copy, pt.
1
|
1972-2000 |
111 | 15 |
Screenplay, second copy, pt.
2
|
1972-2000 |
111 | 16 |
Personal/Miscellaneous
|
1966-1967 |
Major Molineux
|
1975-1976 | ||
Box | Folder | ||
112 | 1 |
Treatment
|
1975 |
112 | 2 |
Screenplay
|
|
112 | 3 |
Screenplay
|
circa 1976 |
112 | 4 |
Screenplay, typescript
|
|
112 | 5 |
Screenplay (Revised)
|
July 27, 1976 |
112 | 6 |
Screenplay (Essay)
|
1976 |
112 | 7 |
Screenplay (Screen
Adaptation)
|
August 17, 1976 |
112 | 8 |
Correspondence
|
1975-1976 |
An Innocent Millionaire
|
1985-2000 | ||
Box | Folder | ||
112 | 9 |
Book
|
1985 |
112 | 10 |
Magazines, Brochures
|
1986-2000 |
112 | 11 |
Misc magazines and
photographs
|
|
112 | 12 |
Clippings
|
1986-1987 |
112 | 13 |
Miscellaneous (hand
notes)
|
|
112 | 14 |
Miscellaneous
(notebook)
|
|
113 | 1 |
Miscellaneous
(notebook)
|
|
113 | 2 |
First draft, pt. 1
|
|
113 | 3 |
First draft, pt. 2
|
|
113 | 4 |
First draft, pt. 3
|
|
113 | 5 |
First draft, pt. 4
|
|
113 | 6 |
Screenplay, pt. 1
|
June 3, 1987 |
113 | 7 |
Screenplay, pt. 2
|
June 3, 1987 |
113 | 8 |
Screenplay, pt. 3
|
June 3, 1987 |
113 | 9 |
Misc Correspondence
|
|
Three Continents
|
1978-1986 | ||
Box | Folder | ||
113 | 10 |
Treatment - Notes
|
|
113 | 11 |
Treatment
|
|
113 | 12 |
Treatment
|
1986 |
113 | 13 |
Synopsis
|
|
113 | 14 |
Screenplay, pt. 1
|
1985 |
113 | 15 |
Screenplay, pt. 2
|
1985 |
113 | 16 |
Screenplay, pt. 3
|
1985 |
113 | 17 |
Legal
|
1984-1986 |
113 | 18 |
Miscellaneous
|
1978-1984 |
Short Films Not Produced
|
|||
Met Museum Film
|
1981-1984 | ||
Box | Folder | ||
114 | 6 |
Treatment
|
|
114 | 7 |
Treatment
|
|
114 | 8 |
Budget details
|
|
114 | 9 |
Correspondence
|
1984 |
114 | 10 |
Miscellaneous
|
1981 |
Artful Thieving
|
1994 | ||
Box | Folder | ||
114 | 11 |
The New York Times Article
|
1994 |
114 | 11 |
Notes on Museum
Thief
|
|
Passion
|
1969 | ||
Box | Folder | ||
114 | 1 |
The New Yorker Article
|
|
114 | 2 |
Script
|
|
114 | 3 |
Script
|
|
114 | 4 |
Script
|
|
Silver Sluts
|
1970-2000 | ||
Box | Folder | ||
114 | 12 |
Notes
Screenplay
|
2000 |
114 | 13 |
Scene Details
|
1970 |
114 | 14 |
Miscellaneous
|
|
Friends of the Earth
|
1989-1990 | ||
Box | Folder | ||
114 | 15 |
Treatment
|
|
114 | 16 |
Treatment & Casting
|
|
114 | 17 |
Correspondence
|
1989-1990 |
114 | 18 |
Promotional
Material
|
1989-1990 |
Berlin Diaries
|
1987-1995 | ||
Box | Folder | ||
114 | 19 |
Correspondence
|
1987-1995 |
Alias Grace
|
1997-1999 | ||
Box | Folder | ||
114 | 20 |
Correspondence and
Notes
|
1997-1999 |
114 | 21 |
Screenplay by Shane
Connaughton
|
|
Into the Land of Nod
|
1992 | ||
Box | Folder | ||
114 | 22 |
Screenplay & Casting
Notes
|
June 29, 1992 |
Subseries C: Documentaries
|
|||
Venice (1957)
|
?? | ||
Box | Folder | ||
115 | 1 |
Pre-treatment
|
|
115 | 2 |
Pre-treatment
|
|
115 | 3 |
Pre-treatment
|
|
115 | 4 |
Pre-treatment
|
|
115 | 5 |
Treatment
|
|
115 | 6 |
Narration (Draft)
|
|
115 | 7 |
Narration (Draft)
|
|
115 | 8 |
Narration
|
|
115 | 9 |
Production -
Storyboard
|
|
115 | 10 |
Production -
Storyboard
|
|
115 | 11 |
Production -
Storyboard
|
|
115 | 12 |
Production (Misc
papers)
|
|
115 | 13 |
Production - Progress
|
|
115 | 14 |
Production - Sound
|
|
115 | 15 |
Production - Edge
Numbers
|
|
115 | 16 |
Production -
Permissions
|
|
115 | 17 |
Production - Finance
|
|
115 | 18 |
Production - Finance
|
|
115 | 19 |
Production - Finance
|
|
115 | 20 |
Production - Finance
|
|
116 | 1 |
Production - Sequences
|
|
116 | 2 |
Production - Misc.
|
|
116 | 3 |
Promotion - Kossoff
|
|
116 | 4 |
Promotion - Kossoff
|
|
116 | 5 |
Promotion - Kossoff
|
|
116 | 6 |
Promotion
|
|
116 | 7 |
Personal/Miscellaneous
|
|
Sword and Flute (1959)
|
?? | ||
Box | Folder | ||
116 | 8 |
Treatment
|
|
116 | 9 |
Treatment
|
|
116 | 10 |
Treatment
|
|
116 | 11 |
Sword and Flute
|
|
116 | 12 |
Sword and Flute
(Italian)
|
|
116 | 13 |
Production - General
Notebook
|
|
116 | 14 |
Production - Notebook
|
|
116 | 15 |
Production - Notes on footage with
edge numbers
|
|
116 | 16 |
Production - Cue
sheets
|
|
116 | 17 |
Production - Cue sheets for the
mix
|
|
116 | 18 |
Production - Misc
notes
|
|
116 | 19 |
Production - Misc
notes
|
|
116 | 20 |
Production -
Correspondence
|
|
116 | 21 |
Promotion/Distribution
|
|
116 | 22 |
Reviews
|
|
The Delhi Way (1964)
|
?? | ||
Box | Folder | ||
117 | 1 |
Narration
|
|
117 | 2 |
Production - Notes
|
|
117 | 3 |
Production - Notes
|
|
117 | 4 |
Production - Financial
|
|
117 | 5 |
Production -Correspondence
|
|
117 | 6 |
Promotion
|
|
117 | 7 |
Personal/Miscellaneous
|
|
117 | 8 |
Kossoff/Ivory
correspondence
|
|
117 | 9 |
Kossoff/Ivory
correspondence
|
|
117 | 10 |
Rough Drafts
|
|
117 | 11 |
Rough Drafts
|
|
117 | 12 |
Rough Drafts
|
|
117 | 13 |
Rough Drafts
|
|
117 | 14 |
Rough Drafts
|
|
117 | 15 |
Rough Drafts
|
|
Subseries D: Short Films Produced
|
|||
Adventures of a Brown Man
(1972)
|
?? | ||
Box | Folder | ||
118 | 1 |
Treatment
|
|
118 | 2 |
Screenplay
|
|
118 | 3 |
Script
|
|
118 | 4 |
Production - Misc
Notes
|
|
118 | 5 |
Production - Permission and
Financial
|
|
118 | 6 |
Production - Credit/Shot Sheet/
Sound Report
|
|
118 | 7 |
Production -
Correspondence
|
|
118 | 8 |
Promotion - Promotion
|
|
118 | 9 |
Promotion -
Publicity/Interviews
|
|
118 | 10 |
Promotion - Misc
Correspondence
|
|
118 | 11 |
Promotion -
Articles/Notes
|
|
118 | 12 |
Personal/Miscellaneous
|
|
Helen - Queen of the Nauch Girls
(1973)
|
?? | ||
Box | Folder | ||
118 | 13 |
Treatment/Screenplay
|
|
118 | 14 |
Screenplay with Notes
|
|
118 | 15 |
Notebook
|
|
118 | 16 |
Promotion
|
|
Mahatma and the Mad Boy
(1974)
|
?? | ||
Box | Folder | ||
118 | 17 |
Treatment
|
Series II: TelevisionReturn to Top
Container(s) | Description | Dates | |
---|---|---|---|
TV Films
|
|||
Hullabaloo (1976)
|
?? | ||
Box | Folder | ||
119 | 1 |
Treatment/Correspondence with
Melvyn Bragg
|
|
119 | 2 |
Treatment with Notes
|
|
119 | 3 |
Screenplay
|
|
119 | 4 |
Screenplay
|
|
119 | 5 |
Screenplay
|
|
119 | 6 |
Planner
|
|
119 | 7 |
Script Notes
|
|
119 | 8 |
Script Notes (Cont)
|
|
119 | 9 |
Script Notes (Cont)
|
|
119 | 10 |
Shot Notes
|
|
119 | 11 |
Printing Order
|
|
119 | 12 |
Promotion - The South & Bank
Show
|
|
119 | 13 |
Reviews
|
|
119 | 14 |
Personal/Miscellaneous
|
|
119 | 15 |
Personal/Miscellaneous
|
|
The 5:48 (1979)
|
?? | ||
Box | Folder | ||
120 | 1 |
Treatment
|
|
120 | 2 |
Screenplay
|
|
120 | 3 |
Screenplay
|
|
120 | 4 |
Screenplay
|
|
120 | 5 |
Screenplay - McNally
|
|
120 | 6 |
Screenplay - Director's
copy
|
|
120 | 7 |
Screenplay, June 12,
1979
|
|
120 | 8 |
Screenplay, June 26,
1979
|
|
120 | 9 |
Screenplay - Ruth Prawer Jhabvala
notes
|
|
120 | 10 |
Production -
Financial/Legal
|
|
120 | 11 |
Production -
Memorandum/Sketch/Correspondence
|
|
120 | 12 |
Production - Call
Sheets
|
|
120 | 13 |
Promotion - Press Kits
|
|
120 | 14 |
Promotion - Press Kits
|
|
120 | 15 |
Promotion -
Miscellaneous
|
|
120 | 16 |
Reviews
|
|
TV Commercials
|
|||
Chivas Regal
|
1987 | ||
Box | Folder | ||
120 | 17 |
Miscellaneous
|
|
120 | 18 |
Production
|
1987 |
120 | 19 |
Correspondence
|
1987 |
120 | 20 |
Correspondence
|
1987 |
Ralph Lauren
|
1987-1988 | ||
Box | Folder | ||
120 | 21 |
Scenarios
|
1988 |
120 | 22 |
Schedule
|
1988 |
120 | 23 |
Faxes
|
1988 |
120 | 24 |
Audition notes
|
February 18, 1988 |
120 | 25 |
Personal/Miscellaneous
|
1987-1988 |
Coca Cola
|
1997 | ||
Box | Folder | ||
120 | 26 |
Script
|
1997 |
120 | 27 |
Production Details
Brochure
|
February 1997 |
120 | 28 |
Shooting/Casting
|
February 1997 |
120 | 29 |
Production - Set
|
|
120 | 30 |
Notes, clippings
|
February 1997-April 1997 |
Labor Party
|
1997-2000 | ||
Box | Folder | ||
120 | 31 |
Correspondence, notes
|
March 20, 1997-June 22, 2000 |
Series IV: James Ivory WritingsReturn to Top
Container(s) | Description | Dates | |
---|---|---|---|
Published Writings
|
|||
New Yorker
|
|||
Box | Folder | ||
122 | 1 |
Talk of the Town -
Notes
|
|
122 | 2 |
Talk of the Town -
Manuscript
|
|
122 | 3 |
Talk of the Town -
Galleys
|
|
122 | 4 |
Talk of the Town -
Correspondence
|
|
122 | 5 |
Talk of the Town -
Article
|
|
122 | 6 |
"Namaz" (Feb. 5,
1966)
|
|
122 | 7 |
"Namaz" -
Manuscript
|
|
122 | 8 |
"Namaz" -
Galleys
|
|
122 | 9 |
"Namaz"
|
|
122 | 10 |
"Tribute" -
Manuscript
|
|
122 | 11 |
"Memorial Service" -
Galleys
|
|
122 | 12 |
"Memorial" -
Personal/Miscellaneous
|
|
122 | 13 |
"Memorial"
|
|
122 | 14 |
"Meher Baba" (June 21,
1969)
|
|
122 | 15 |
"Meher Baba" -
Manuscript draft
|
|
122 | 16 |
"Meher Baba" -
Manuscript
|
|
122 | 17 |
"Meher Baba" -
Galleys
|
|
122 | 18 |
"Meher Baba" -
Miscellaneous
|
|
122 | 19 |
"Meher Baba"
|
|
122 | 20 |
"Maestro" -
Notes
|
|
122 | 21 |
"Maestro" -
Drafts
|
|
122 | 22 |
"Maestro" -
Manuscript
|
|
122 | 23 |
"Maestro" -
Galleys
|
|
122 | 24 |
"Maestro" -
Pers/Misc.
|
|
122 | 25 |
New Yorker, July 22,
1967
|
|
122 | 26 |
"Jan Kadar" -
Manuscript
|
|
122 | 27 |
"Jan Kadar" -
Galleys
|
|
122 | 28 |
"Jan Kadar"
|
|
Sight and Sound
|
|||
Box | Folder | ||
123 | 1 |
"Jane Buck"
|
|
123 | 2 |
"Isherwood"
|
|
123 | 3 |
"Isherwood"
|
|
123 | 4 |
"Isherwood"
|
|
123 | 5 |
"Heaven's
Gate"
|
|
123 | 6 |
"Heaven's
Gate"
|
|
123 | 7 |
"Glass
Menagerie"
|
|
123 | 8 |
"Glass
Menagerie"
|
|
123 | 9 |
"The Trouble with
Olive"
|
|
123 | 10 |
"The Trouble with
Olive"
|
|
123 | 11 |
"The Trouble with Olive"
(spring 1985)
|
|
123 | 12 |
"The Trouble with
Olive"
|
|
123 | 13 |
"The Trouble with
Olive"
|
|
123 | 14 |
"The Trouble with
Olive"
|
|
123 | 15 |
"Arachnophobia" (autumn
1990)
|
|
123 | 16 |
"Arachnophobia"
|
|
123 | 17 |
"Arachnophobia"
|
|
Art Forum
|
|||
Box | Folder | ||
123 | 18 |
Robert Helm (Nov.
1984)
|
|
123 | 19 |
Robert Helm
|
|
123 | 20 |
Robert Helm
|
|
123 | 21a |
Robert Helm
|
|
World Film Directors
|
|||
Box | Folder | ||
123 | 22 |
Biography
|
|
123 | 23 |
Biography
|
|
World Film Directors
|
|||
Box | Folder | ||
123 | 24-25 |
Raquel Welch
|
|
Debrett's
|
|||
Box | Folder | ||
123 | 26 |
Hudson Valley
|
|
123 | 27 |
Hudson Valley
|
|
123 | 28 |
Hudson Valley
|
|
Box | Folder | ||
123 | 29 |
Conversations/Raquel Welch
|
|
Autobiography of a
Princess
|
|||
Box | Folder | ||
124 | 1 |
Research
|
|
124 | 2 |
Manuscript
|
|
124 | 3 |
Manuscript
|
|
124 | 4 |
Manuscript
|
|
124 | 5 |
Manuscript
|
|
124 | 6 |
Production - Joan Kahn
Correspondence
|
|
124 | 7 |
Production - Misc papers
|
|
124 | 8 |
Production - Galleys
|
|
124 | 9 |
Production - Book
Jacket
|
|
124 | 10 |
Production - Misc
|
|
124 | 11 |
Reviews
|
|
124 | 12 |
Personal/Miscellaneous
|
|
Afghanistan
|
|||
Box | Folder | ||
125 | 1 |
Afghanistan - Draft
|
|
125 | 2 |
Afghanistan - Draft
|
|
125 | 3 |
Afghanistan - Draft, with
corrections
|
|
125 | 4 |
Afghanistan - Other
corrections
|
|
125 | 5 |
Afghanistan/Pusuit of
Peace
|
|
125 | 6 |
Afghanistan - Diaries
|
|
125 | 7 |
Afghanistan - Notes
|
|
Indian Style
|
|||
Box | Folder | ||
125 | 8 |
Indian Style - Merchant's
Draft
|
|
125 | 9 |
Indian Style - Intro Manual Script
|
|
125 | 10 |
Indian Style -
Correspondence
|
|
125 | 11 |
Indian Style - Corrected
Manuscript
|
|
Opera Program
|
|||
Box | Folder | ||
125 | 12 |
Apollo and Dafne
|
|
Writings Not Published
|
|||
Box | Folder | ||
126 | 1 |
Licia Albanese - Drafts
|
1967 |
126 | 2 |
Licia Albanese -
correspondence
|
1967 |
126 | 3 |
Necklace
|
|
126 | 4 |
Necklace - Correspondence,
clippings
|
1973 |
126 | 5 |
Jacques Demy
|
1966-1969 |
126 | 6 |
Professionals
|
|
126 | 7 |
Professionals
|
|
126 | 8 |
Professionals - Correspondence,
clippings
|
1971 |
Series V: Personal PapersReturn to Top
Container(s) | Description | Dates | |
---|---|---|---|
Subseries A: Correspondence
|
|||
Box | Folder | ||
127 | 1 |
Outgoing
|
1969-1972 |
127 | 2 |
Outgoing
|
1973-2003 |
127 | 3 |
Incoming, Ab-Au
|
|
127 | 4 |
Incoming, Ba-Ba
|
|
127 | 5 |
Incoming, Ba-Be
|
|
127 | 6 |
Incoming, Bl-Bu
|
|
127 | 7 |
Incoming, Cal-Car
|
|
127 | 8 |
Incoming, Car-Car
|
|
127 | 9 |
Incoming, Cal-Cr
|
|
127 | 10 |
Incoming, Da-De
|
|
127 | 11 |
Incoming, Di-Di
|
|
128 | 1 |
Incoming, Ed-Ey
|
|
128 | 2 |
Incoming, Fe-Fr
|
|
128 | 3 |
Incoming, Ga-Gl
|
|
128 | 4 |
Incoming, Gl-Gu
|
|
128 | 5 |
Incoming, Ha-Ha
|
|
128 | 6 |
Incoming, Has-Ho
|
|
128 | 7 |
Incoming, Is-Jh
|
|
128 | 8 |
Incoming, Jo-Jo
|
|
128 | 9 |
Incoming, Ka-Ke
|
|
128 | 10 |
Incoming, Kendall
|
|
128 | 11 |
Incoming, Ke-Ko
|
|
129 | 1 |
Incoming, L-Lo
|
|
129 | 2 |
Incoming, Ma-Mc
|
|
129 | 3 |
Incoming, Me-Mo
|
|
129 | 4 |
Incoming, Mo-Mu
|
|
129 | 5 |
Incoming, Na-No
|
|
129 | 6 |
Incoming, Ob-Ow
|
|
129 | 7 |
Incoming, Pa-Pe
|
|
129 | 8 |
Incoming, Pe-Py
|
|
129 | 9 |
Incoming, Ra-Re
|
|
129 | 10 |
Incoming, Re-Rd
|
|
129 | 11 |
Incoming, Ro-Ru
|
|
130 | 1 |
Incoming, Sa-Sc
|
|
130 | 2 |
Incoming, Sc-Se
|
|
130 | 3 |
Incoming, Se-Si
|
|
130 | 4 |
Incoming, Si-Sp
|
|
130 | 5 |
Incoming, St-Sw
|
|
130 | 6 |
Incoming, Ta-Th
|
|
130 | 7 |
Incoming, To-Tu
|
|
130 | 8 |
Incoming, Va-Vu
|
|
130 | 9 |
Incoming, Wa-Wo
|
|
130 | 10 |
Incoming, Ya-Ze
|
|
Subseries B: Financial records
|
|||
Box | Folder | ||
131 | 1 |
Check Register
|
May 1959-October 1959 |
131 | 2 |
Check Register
|
1954-1960 |
131 | 3 |
Check Register
|
1956-1957 |
131 | 4 |
Check Register
|
1957-1958 |
Subseries C: School Materials
|
|||
Box | Folder | ||
131 | 5 |
University of Oregon
|
1949 |
131 | 6 |
University of Oregon
|
1950+ |
131 | 7 |
University of Oregon -
Sketchbook
|
|
131 | 8 |
University of Oregon -
Sketchbook
|
1951 |
131 | 9 |
University of Oregon -
Notebook
|
|
132 | 1 |
University of Oregon - Interior
Design
|
|
132 | 2 |
University of Oregon - History of
Architecture
|
|
132 | 3 |
University of Oregon -
Ceramics
|
|
132 | 4 |
University of Oregon -
Ceramics
|
|
132 | 5 |
University of Oregon -
Graphics
|
|
132 | 6 |
University of Oregon -
Languages
|
|
132 | 7 |
University of Oregon -
Shakespeare
|
|
132 | 8 |
University of Oregon -
Religion
|
|
132 | 9 |
University of Oregon -
Dianetics
|
|
132 | 10 |
University of Oregon -
Miscellaneous
|
|
132 | 11 |
USC - "Esther"
screenplay
|
|
132 | 12 |
USC - Notes
|
|
132 | 13 |
USC - Sets
|
|
132 | 14 |
USC - Notebooks
|
|
132 | 15 |
USC - Notebooks
|
|
132 | 16 |
USC - Miscellaneous
subjects
|
|
132 | 17 |
USC - Miscellaneous
subjects
|
|
132 | 18 |
USC - "Four in the
Morning"
|
|
133 | 1-8, 10-15 |
Correspondence
|
|
133 | 9 |
Film related
correspondence
|
|
133 | 16 |
Correspondence - Svetlana and
Peters
|
|
133 | 17 |
Correspondence
|
1965 |
133 | 18 |
E.P. Ivory (Father)
|
|
133 | 19-20 |
Film Correspondence
|
1965 |
133 | 21 |
Felicity Kendall
|
1965 |
134 | 1 |
Felicity Kendall
|
1966 |
134 | 2 |
Jennifer Kendall
|
1965 |
134 | 3 |
Jennifer Kendall
|
1966 |
134 | 4 |
Felicity and Jennifer
|
1965-1966 |
134 | 5 |
T.M. - J.I.
|
|
134 | 6 |
Lillian Ross
|
|
134 | 7 |
Radim Films
|
|
134 | 8-10 |
Correspondence
|
|
134 | 11 |
Correspondence
|
1969 |
134 | 12 |
January through May
|
1970 |
134 | 13-14 |
Correspondence
|
|
134 | 15 |
Correspondence
|
1964 |
135 | 1 |
Correspondence - Family and
friends
|
|
135 | 2-3 |
EPI condolences
|
|
135 | 4-5 |
Householder
|
1961-1963 |
135 | 6 |
Sashi and Jennifer Kapoor
|
|
135 | 7 |
Correspondence
|
1961-1963 |
135 | 8 |
Venice, Sword and Delhi
|
1962-1964 |
135 | 9 |
Delhi Way, Asia Soc
|
|
135 | 10 |
Jan and Daphne Wall
|
1961-1962 |
135 | 11 |
Deaths
|
|
135 | 12 |
English Friends
|
|
135 | 13 |
E.P. Ivory
|
|
135 | 14 |
Dick Robbins and M. Schill
|
|
135 | 15 |
R. Yates
|
|
136 | 1 |
January - April
|
1960-1961 |
136 | 2 |
May - October
|
1961 |
136 | 3 |
Correspondence
|
1963-1964 |
136 | 4 |
Correspondence
|
1964-1965 |
136 | 5 |
Correspondence
|
1966-1969 |
136 | 6-7 |
Miscellaneous letters
|
|
136 | 8 |
K. Falls
|
|
136 | 9 |
Family
|
|
136 | 10 |
M.I.P. Related
|
|
137 | 1-2 |
Correspondence
|
|
Subseries E: Personal Collection
|
|||
Box | Folder | ||
?? | ?? |
[Missing]
|
|
146 |
A Soldier's Daughter Never Cries
- Design material
|
||
147 |
Set material
|
Series VI: BiographicalReturn to Top
Container(s) | Description | |
---|---|---|
Box | Folder | |
138 | 1 |
Army Life - Cryptography
|
138 | 2 |
Army Life - 2nd Armored
Division
|
138 | 3 |
Army Life - 2nd Armored
Division
|
138 | 4 |
Army Life - Amahl and the Night
Visitor
|
138 | 5 |
Biography, circa 1984
|
138 | 6 |
Bruce DeWitt journal
|
138 | 7 |
Bill O'Neill journal
|
138 | 8 |
Personal Correspondence
|
138 | 9 |
Odds and ends
|
138 | 10 |
Miscellaneous
|
138 | 11 |
2003 Material
|
138 | 12 |
Miscellaneous
|
Series IX: Photographs (PH321), not yet assignedReturn to Top
Ivory, JamesContainer(s) | Description | Dates | |
---|---|---|---|
Box | Folder | ||
148 | 1 |
Wild Party
|
|
149 | 1 |
Jefferson in Paris
|
|
150 | 1 |
Heat and Dust
|
|
151 |
The Golden Bowl
|
||
Folder | |||
152 | 1 |
Quartet
|
|
153 | 1 |
Howard's End I
|
|
148 | 2 |
The Europeans
|
|
148 | 3 |
The 5:48
|
|
148 | 4 |
The Bostonian's
|
|
149 | 2 |
Actors: Jefferson in Paris
|
|
149 | 3 |
Slaves of New York
|
|
150 | 2 |
Venice I
|
|
150 | 3 |
Venice II
|
|
150 | 4 |
Bombay Talkie
|
|
150 | 5 |
Satiajit Ray
|
|
150 | 6 |
Sword and the Flute
|
|
152 | 2 |
Room with a View
|
|
152 | 3 |
Room with a View
|
|
152 | 4 |
Room with a View
|
|
152 | 5 |
Women Wanted
|
|
7 |
Savages, Bombay Talkie, Surviving Picasso,
The Guru
|
||
155 |
Oversized materials, various
films
|
||
156 |
Mr. & Mrs. Bridge
|
||
157 |
Maurice
|
||
158 |
Remains of the Day
|
||
159 |
A Soldier's Daughter I
|
||
160 |
A Soldier's Daughter II
|
||
Folder | |||
153 | 2 |
Jane Austen in Manhattan
|
|
153 | 3 |
Howard's End II
|
|
153 | 4 |
Howard's End III
|
|
153 | 5 |
Autobiography of a Princess
|
|
154 | 1 |
Savages
|
|
154 | 2 |
Bombay Talkie
|
|
154 | 3 |
Surviving Picasso
|
|
154 | 4 |
The Guru
|
|
154 | 5 |
Roseland
|
|
162 |
The Mystic Masseur
|
Misc MIPReturn to Top
Container(s) | Description | |
---|---|---|
Box | Folder | |
121 | 1 |
GAACH
|
121 | 2 |
GAACH
|
121 | 3 |
GAACH - production
|
121 | 4 |
GAACH - production music
|
121 | 5 |
GAACH - production editing
|
121 | 6 |
GAACH - production voice over
|
121 | 7 |
GAACH - Production "The
Tree"
|
121 | 8 |
GAACH - Personal and miscellaneous
|
121 | 9 |
The Deceivers - Production call
sheet
|
121 | 10 |
The Deceivers - Shooting
schedule
|
121 | 11 |
The Deceivers - Promotion
|
121 | 12-13 |
The Deceivers - Reviews
|
121 | 14 |
The Deceivers - miscellaneous
items
|
121 | 15 |
Lumier film
|
121 | 16 |
Street musician of Bombay
|
121 | 17 |
Ballad of Sad Cafe
|
121 | 18-20 |
Ballad of Sad Cafe - script
|
121 | 21 |
Ballad of Sad Cafe - Miscellaneous
notes
|
VII: Personal PapersReturn to Top
Container(s) | Description | Dates | |
---|---|---|---|
Box | Folder | ||
139 | 1 |
History
|
|
139 | 2 |
Odds and Ends
|
|
139 | 3 |
Awards
|
|
139 | 4 |
Miscellaneous papers
|
|
139 | 5 |
Dick Robbin's portfolio
|
|
139 | 6-7 |
Dick Robbins
|
|
139 | 8 |
Film proposal
|
|
139 | 9-10 |
Films of MIP
|
|
140 | 1 |
"Playmaker"/Literary option
agreement
|
|
140 | 2 |
Channel four television corporation
agreement
|
|
140 | 3 |
High court, Bombay
|
|
140 | 4 |
University of Oregon exhibit
|
|
140 | 5 |
Miscellaneous correspondence
|
|
140 | 6-8 |
Screen actor's suit
|
|
140 | 9 |
Miscellaneous brochures
|
|
140 | 10 |
Miscellaneous financial
|
|
141 | 1-2 |
Gugenheim grant
|
|
141 | 3 |
Where angels fear to read
|
|
141 | 4 |
Teatro Comunal
|
|
141 | 5-7 |
Miscellaneous material
|
|
141 | 8 |
Mail phone numbers
|
|
141 | 9 |
Opera
|
|
141 | 10 |
Miscellaneous
|
|
141 | 11-12 |
Cinderella
|
|
141 | 13 |
Miscellaneous material
|
|
141 | 14 |
MIP stationary
|
|
141 | 15 |
Ruth Jhabvala
|
|
141 | 16 |
Emma Thompson/ Princess
Margaret
|
|
141 | 17 |
James Ivory
|
|
141 | 18-20 |
John Pym
|
|
142 | 1 |
Films produced
|
|
142 | 3 |
Art - Music
|
|
142 | 4 |
Interview - Andrew Robinson
|
|
142 | 5 |
Cahiers du Cinema
|
|
142 | 6 |
Art forum article (J.I.)
|
|
142 | 7-8 |
Satyajit Ray correspondence
|
|
142 | 9 |
Subrata Mitra
|
|
142 | 10 |
MIP Release/Nghosh Book
|
|
142 | 11 |
Subatra Mitra
|
|
142 | 12 |
MOMA
|
|
142 | 13 |
Press reviews
|
|
142 | 14 |
J. Library of Congress
|
|
142 | 15 |
Asia Magazine
|
|
142 | 16 |
Film culture/Atlantic
|
|
142 | 17 |
Net Festival
|
|
142 | 18 |
Academy awards
|
|
142 | 19 |
Death
|
|
142 | 20 |
Satyajit Ray
|
|
142 | 21 |
Restoration Controversy
|
|
item | |||
142 | 22 |
The masterworks of Satyajit Ray -
CD
|
|
Folder | |||
143 | 1-2 |
Writings
|
|
143 | 3 |
Writings and Journals
|
|
143 | 4 |
Articles
|
|
143 | 5 |
Assorted miscellaneous items
|
|
143 | 6 |
LA Tour - Le Divorce
|
|
143 | 7 |
Miscellaneous
|
|
143 | 8 |
French Institute
|
|
143 | 9 |
Richard II screenplay
|
|
143 | 10 |
Personal papers
|
|
143 | 11 |
LIFE Magazine
|
2013 |
143 | 12 |
Blueprints for a kitchen
|
|
162 | 1 |
Correspondence and print outs
|
|
162 | 2 |
News clippings
|
|
162 | 3 |
Dajeerling LTD
|
|
162 | 4 |
Call Me By Your Name script
|
|
162 | 5 |
Printed articles and personal
notes
|
|
162 | 6-7 |
Restricted correspondence
|
|
163 | 1 |
Black and white stills from Slaves of New
York
|
1988 |
163 | 2-3 |
Jhabvala correspondence
|
|
163 | 4 |
Material regarding Howard's
End
|
|
163 | 5 |
Email correspondence
|
|
163 | 6-8 |
Personal papers
|
|
163 | 9 |
Bombay Talkie
|
|
item | |||
163 | 10 |
Empty Howard's End VHS
Box
|
|
164 | 1 |
Howard's End by E.M.
Forster
|
|
164 | 2 |
Mrs. Bridge and Mr. Bridge by Evan S.
Connell
|
|
164 | 3 |
Reich Speaks of Freud by Wilhelm
Reich
|
|
164 | 4 |
The Remains of the Day by Kazuo
Ishiguro
|
|
164 | 5 |
Jefferson and the Rights of Man by Dumas
Malone
|
|
Folder | |||
164 | 6 |
Conversations with Screenwriters by Susan
Bullington Katz
|
|
item | |||
164 | 7 |
Savages Shakespeare Wallah by James
Ivory
|
|
164 | 8 |
Home by Marilynne Robinson
|
|
164 | 9 |
Journal and Letters of Philip Vickers
Fithian
|
|
164 | 10 |
Mr. Bridge by Evan S. Connell
|
|
164 | 11 |
Howard's End by E.M.
Forster
|
|
164 | 12 |
Mrs. Bridge by Evan S. Connell
|
|
164 | 13 |
Thomas Jefferson - An Intimate History by
Fawn M. Brodie
|
|
164 | 14 |
The Coming of the French Revolution by
Georges Lefebvre
|
|
164 | 15 |
The Jefferson Scandals by Virginius
Dabney
|
|
164 | 16 |
Mirage in the West by Durand
Echeverria
|
|
Folder | |||
164 | 17 |
The Adventures of Huckleberry Finn by Mark
Twain
|
|
item | |||
164 | 18 |
Jeffersonian Legacies
|
|
164 | 19 |
Within the Plantation Household by
Elizabeth Fox-Genovese
|
|
Folder | |||
164 | 20 |
The True Thomas Jefferson by William
Eleroy Curtis
|
|
item | |||
164 | 21 |
Bullwhip Days
|
|
164 | 22 |
Madame Vigee Lebrun
|
|
164 | 23 |
The Domestic Life of Thomas Jefferson by
Sarah N. Randolph
|
|
164 | 24 |
Savage Beauty by Nancy Milford
|
|
164 | 25 |
The Confessions of Nat Turner by William
Styron
|
|
164 | 26 |
My Head and My Heart by Helen Duprey
Bullock
|
|
164 | 27 |
Life with Picasso by Francoise Gilot and
Carlton Lake
|
|
164 | 28 |
Diseno y Decoracion en la
Argentina
|
IX: Audio and Visual MaterialsReturn to Top
Container(s) | Description | Dates | |
---|---|---|---|
Box | item | ||
144 | 1 |
Le Divorce
|
|
144 | 2 |
Le Divorce - Airline version
|
|
144 | 3 |
Maurice
|
February 1, 1988 |
144 | 4 |
Golden Bowl Trailer version 8
|
February 5, 2001 |
144 | 5 |
The Golden Bowl with suggested
cuts
|
July 28, 2000 |
144 |
Le Divorce
|
||
item | |||
144 | 7 |
The Golden Bowl Trailer Version
5
|
|
144 | 8 |
The Golden Bowl version 6/6
ALT
|
|
Folder | |||
144 | 9 |
The Golden Bowl Films Sans Frontieres
Trailer
|
July 25, 2000 |
item | |||
144 | 10 |
Slaves of New York
|
January 9, 1989 |
144 | 11 |
Mr. and Mrs. Bridge - Lifts of early
scenes
|
|
Folder | |||
145 | 1 |
Le Divorce - rough international trailers
v.2 and v.3
|
|
item | |||
145 | 2 |
Le Divorce - Teaser #1 v.5
|
November 15, 2002 |
145 | 3 |
Le Divorce
|
|
145 | 4 |
Le Divorce - Teaser trailer
|
February 9, 2003 |
145 | 5 |
Mr. and Mrs. Bridge - Connell family home
version
|
|
145 | 6 |
Le Divorce - Merchant Ivory
Productions
|
June 13, 2003 |
145 | 7 |
Le Divorce International
trailer
|
|
145 | 8 |
Thomas Lennon Scenes
|
|
145 | 9 |
Recut version of Surviving Picasso for USA
network
|
|
145 | 10 |
Thomas Lennon acting reel
|
|
145 | 11 |
Thomas Lennon - Reno 911 Television
Pilot
|
|
Folder | |||
161 | 1 |
Cassette tapes - assorted
|
|
item | |||
161 | 2 |
Wild Party - audio material
|
|
161 | 3 |
Surviving Picasso
|
|
161 | 4 |
Remains of the Day
|
|
161 | 5 |
Edward R. Murrow Interview with James and
Gloria Jones
|
January 10, 1958 |
161 | 6 |
A Soldier's Daughter Never
Cries
|
June 30, 2009 |
161 | 7-8 |
A Soldier's Daughter Never Cries -
Casting tape for teenagers in New York
|
|
161 | 9 |
The Remains of the Day - locations
video
|
August 27, 1992 |
161 | 10 |
Surviving Picasso - 5 shorts cut out from
film music
|
1996 |
161 | 11-12 |
A Soldier's Daughter Never Cries -
Casting tapes for kids from Paris
|
|
161 | 13 |
Box of cassette tapes
|
|
Folder | |||
161 | 14 |
Casting photographs
|
|
item | |||
161 | 15 |
Surviving Picasso
|
|
161 | 16 |
Surviving Picasso - Natasha
McElhone
|
|
161 | 17 |
Surviving Picasso - Frank
Langella
|
|
Folder | |||
161 | 19 |
Envelope of cassettes
|
Names and SubjectsReturn to Top
- Subject Terms :
- Motion picture producers and directors--United States
- Motion pictures--Production and direction--England
- Motion pictures--Production and direction--India
- Motion pictures--Production and direction--United States
- Personal Names :
- Ivory, James
- Jhabvala, Ruth Prawer, 1927-2013
- Merchant, Ismail
- Corporate Names :
- Merchant Ivory Productions
- Form or Genre Terms :
- Galley proofs
- Letters
- Manuscripts for publication
- Photographs
- Screenplays
- Television scripts