James Ivory papers, circa 1960-2005  PDF

Overview of the Collection

Creator
Ivory, James
Title
James Ivory papers
Dates
circa 1960-2005 (inclusive)
Quantity
97.5 linear feet, (79 containers)
Collection Number
Coll 283
Summary
James Francis Ivory (1928-) is an American director best known for the films he made as part of Merchant Ivory Productions, the production company he formed with his longtime collaborators producer Ismail Merchant and screenwriter Ruth Prawer Jhabvala. The James Ivory Papers comprise his personal and professional papers, and include material relating to Ivory's feature films, television programs and commercials, Merchant Ivory Productions materials (including papers of Ismail Merchant and Ruth Prawer Jhabvala), and Ivory's published and unpublished writings, including literary and artistic work done while Ivory was a college student at the University of Oregon. The collection includes correspondence, screenplays, treatments, storyboards, production notes, promotional material, legal and financial notes, articles, reviews, sketchbooks, notebooks and photographs.
Repository
University of Oregon Libraries, Special Collections and University Archives.
UO Libraries--SPC, 1299
University of Oregon
Eugene OR
97403-1299
Telephone: 541-346-3068
Fax: 541-346-3485
spcarref@uoregon.edu
Access Restrictions

Collection is open to the public.

Collection must be used in Special Collections & University Archives Reading Room.

Collection includes sound recordings or moving images to which access is restricted. Access to these materials is governed by repository policy and may require the production of listening or viewing copies. Researchers requiring access must notify Special Collections & University Archives in advance and pay fees for reproduction services as necessary.

Languages
English
Sponsor
Funding for encoding this finding aid was provided through a grant awarded by the National Endowment for the Humanities.


Historical NoteReturn to Top

James Ivory was born in Berkeley, California on June 7, 1928. Edward Ivory, his father, had grown up in New York state where he attended Syracuse University and graduated in forestry. As an ROTC graduate he served as an officer in France during World War I and after the war was employed in Thomas Edison's experimental laboratory in New Jersey at East Orange. In 1921 he married Hallie DeLoney, descended from an old Louisiana family. Later they moved to Berkeley, California where he was employed by the Weyerhaeuser Timber Company in San Francisco. In 1933 he moved his family to Klamath Falls, Oregon where in partnership with an investor he bought a lumber mill adjacent to Klamath Lake and later built another in Bly, Oregon called the Ivory Pine Company.

The family maintained their primary residence in Klamath Falls and James attended Sacred Heart Academy. While discipline was strict, a teaching sister recognized his artistic ability and encouraged him to take drawing and painting classes. He later attended Klamath Union High School where he made many lifelong friends among students and faculty. In addition to an academic course, he participated in school drama and journalism, and spent many of his weekends skiing at nearby Crater Lake National Park where he also worked as a cabin attendant during the summer.

After high school graduation in 1946, he enrolled in the University of Oregon's School of Fine Arts majoring in architecture, later changing to a general art course. His years at Oregon were intellectually challenging and many faculty members at Oregon made a lasting impression on Ivory. He traveled to Europe for the first time in the summer of 1950 and after returning, received a BA degree. In 1951 he began a graduate program in film production at the University of Southern California. Although the school emphasized industrial film production, Ivory was able to convince his teachers to let him film a Master's degree documentary thesis on Venice as reflected in its art. In 1953 he was drafted into the U.S. Army and was trained for the Signal Corps. Through a stroke of luck and resourcefulness on his part, he was assigned to Seventh Army Special Services in Europe with the job of booking cultural events for army units in Germany. During leave times he was able to continue working on his Venice film. He returned to the U.S. in 1955 where he completed Venice: Theme & Variations and his Masters Degree in Cinematography in 1957.

Then living in Los Angeles, he set out to produce his next documentary film based on his new found interest in Indian miniature painting. Filming paintings in American museums and private collections, he completed the film titled The Sword and the Flute in 1959. Both that film and the Venice film attracted the interest of the Asia Society of New York. Ivory was commissioned, with the support of a $20,000 grant from the Rockefellers, supporters of the Asia Society, to produce two documentaries--one on Delhi and another on Afghanistan. He spent the year 1960 shooting film in India and traveling by jeep over the Khyber Pass and on to Kabul where most of his Afghanistan footage was shot. The Delhi Way was released in 1964 although the Afghan film was never completed.

It was on his return to New York that he met Ismail Merchant. Ivory was impressed by Merchant's drive and business acumen while Merchant appreciated Ivory's artistic and intellectual attributes. Together they shared a love and fascination with India and cinema and decided to return to the subcontinent and produce a feature film. While seeking a suitable property to film and after a number of misadventures they met Ruth Prawer Jhabvala who had by then written four novels including , The Householder. She agreed to let them produce a film based on it and offered to write the screenplay. Thus was formed a cinema triumvirate that over the years would become the longest lasting film collaboration in cinema history.

The University of Oregon Ivory collection presently represents forty years of this collaboration and from it we learn much about James Ivory as a director and about the films of Merchant Ivory. Although a number of their films were produced in India, the majority are set in western Europe and the United States--from Nazi occupied France to the frenzied art scene in 1980s New York. Time periods run from the eighteenth century to the twenty-first. Screenplays are inspired by older established authors and their classic works, to new writers just making their names. Underlying all, however, is the team's basic artistic foundation: the Ruth Jhabvala-James Ivory collaboration, backed up by the inventive financial and logistical support of their producer, Ismail Merchant.

Ivory has compared making a motion picture to a military campaign. Scores of personnel and tons of equipment must arrive promptly at designated locations, while all the logistical aspects to support actors and crew must be undertaken over the days of the shoot. The director acts as the general in charge of the day-to-day shooting operation. It is, however, in the planning, development and cutting of a film that we more clearly see the genius of James Ivory. This is illustrated in reading the collection's correspondence between Ivory, Jhabvala, and various authors whose books were being filmed. Ivory and Jhabvala are perfectionists. Months are spent analyzing characters, their motivations and how they fit into the script. In the days before faxes and email, both Ivory and Jhabvala had to depend on letters, as they were so often on different continents. These letters, and those with other writers involved in Merchant Ivory's films, make rewarding reading.

Much of the casting for the Merchant-Ivory films was done by Ivory and we see many pages of comments about dozens of auditioning actors (some now household names) as he sought the perfect individual for a role. To his credit, scores of unknown and beginning actors have received their starts in his films. It is James Ivory the artist and historian that we see reflected as we read his director's notebooks: the legacy he will be known by to future generations, in addition to the films themselves, their involving stories, and nuanced acting. The reader will see how he arrived at the historically accurate sets, the detailed accouterments from table place settings, to the right kind of dog or period car, to costumes, the moods of color and background. The results of this infinite care and skill have been impressive. Films such as A Room with a View, Howards End and The Remains of the Day are now regarded as classics and have been awarded numerous European and American awards.

The dictionary defines genre as "a category of art distinguished by a definite style, form or content." James Ivory has created the Merchant Ivory genre that is now recognized throughout the film-going world.

Content DescriptionReturn to Top

The James Ivory Papers consist of Ivory's personal and professional papers, and include material relating to Ivory's feature films, television programs and commercials, Merchant Ivory Productions materials (including papers of Ismail Merchant and Ruth Prawer Jhabvala), and Ivory's published and unpublished writings, including literary and artistic work done while Ivory was a college student at the University of Oregon. The collection includes correspondence, screenplays, treatments, storyboards, production notes, promotional material, legal and financial notes, articles, reviews, sketchbooks, notebooks and photographs.

Use of the CollectionReturn to Top

Restrictions on Use

Property rights reside with Special Collections & University Archives, University of Oregon Libraries. Copyright resides with the creators of the documents or their heirs. All requests for permission to publish collection materials must be submitted to Special Collections & University Archives. The reader must also obtain permission of the copyright holder.

Archival material may contain materials with sensitive or confidential information that is protected under federal and/or state right to privacy laws and other regulations.

Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. a cause of action for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the University of Oregon assumes no responsibility.

If a researcher finds sensitive personal information in a collection, please bring it to the attention of the reading room staff.

Preferred Citation

[Identification of item], James Ivory papers, Coll 283, Special Collections & University Archives, University of Oregon Libraries, Eugene, Or.

Administrative InformationReturn to Top


Detailed Description of the CollectionReturn to Top

Series I:  Feature FilmsReturn to Top

Container(s) Description Dates
Subseries A: Films Produced
The Householder (1963)
1962-1965
Box Folder
1 1
Treatment
Letter from James Ivory to Roseland Kossoff
January 29, 1962
1 2
Screenplay
1 3
Screenplay - French
1 4
Production - Director's notebook
1 5
Production - Director's notebook
1 6
Production - Director's notebook
1 7
Production - Casting
1 8
Production - Lab
1 9
Production- Financial
1 10
Production - Columbia controversy
Box Folder
1 10
Letter from Ivory to Ruth Jhabvala
July 25, 1963
1 10
Letter, Ismail Merchant to Ruth Jhabvala
undated
1 10
Richard Davidson to James Ivory & Ismail Merchant
November 12, 1963
1 10
India Mission UN to James Ivory
January 14, 1964
1 10
L.F. Noronka to Ismail Merchant
April 2, 1964
1 10
James Ivory to R. Jhabvala
April 13, 1964
1 10
K.N. Wahal to James Ivory
April 28, 1964
1 10
James Ivory to S. Roy
May 5, 1964
1 10
Columbia Pictures memos
August 16, 1964
1 10
Ismail Merchant to William Blamey
September 20, 1965
1 10
Draft, William Blamey (Columbia)
undated
1 10
Draft, James Ivory to ?
1 10
Draft, James Ivory to Ed Levine
undated
1 11
Production - Columbia controversy
Box Folder
1 11
James Ivory to Jhabvala
undated
1 11
Telegrams (many)
1 12
Production - Columbia controversy
Box Folder
1 12
W. Blamey to E. Horowitz
November 23, 1963
1 12
Portions of letters from Ismail Merchant (7 items)
1 12
Burns Weston to James Ivory
December 1, 1963
1 12
W. Blamey to E. Horowitz
December 10, 1963
1 12
James Ivory to C. Jhabvala
December 7, 1963
1 12
Burns Weston to James Ivory
December 4, 1963
1 12
E. Horowitz to H. Golden
December 4, 1963
1 12
Draft of letter
1 12
W. Blamey to E. Horowitz
November 30, 1963
1 12
C. Jhabvala to James Ivory
November 29, 1963
1 13
Correspondence - Columbia controversy
Box Folder
1 13
James Ivory to C. Jhabvala
December 7, 1963
1 13
James Ivory to ?? (Historical founding of MIP)
1 13
Ismail Merchant to Reserve Bank of India
February 25, 1964
1 13
James Ivory to A.K. Ghosh
March 6, 1964
1 13
James Ivory to A.K. Ghosh
March 11, 1964
1 13
James Ivory to Reserve Bank of India
March 12, 1964*
1 13
Telegrams
January 3, 1964
1 13
H. Golden to J. Taubman
January 3, 1964
1 13
James Ivory to Dailendra
January 3, 1964
1 13
James Ivory to S.K.
January 4, 1964
1 13
Burns Weston to Ismail Merchant
January 17, 1964
1 13
Ismail Merchant to Reserve Bank of India*
February 5, 1964
1 13
James Ivory to B.K. Nehru
February 19, 1964
1 14
Promotion
1 15
Reviews
1 16
Reviews
1 17
Personal/Miscellaneous
Box Folder
1 17
On James Ivory
1 17
Householder card
Shakespeare Wallah (1965)
1964-1966
Box Folder
2 1
Concept: Notes on Savages/Shakespeare Wallah book
2 2
Treatment
Box Folder
2 2
James Ivory to Ruth Prawer Jhabvala
January 5, 1964?
2 2
Treatment & script
2 2
"Shakespeare in India" by C.J. Sission
2 3
Treatment: Geoffrey Kendall's account of Shakespeariana
2 4
Treatment
Box Folder
2 4
Handwritten & partially typed treatment
2 4
Typed treatment
2 5
Screenplay
Box Folder
2 5
Ismail Merchant to Ministry of Finance
August 8, 1964
2 5
Contract MIP with Ruth Prawer Jhabvala for Shakespeare Wallah Script
2 6
Screenplay: Final script
2 7
Production - Director's Notebook
2 8
Production - Director's Notebook
2 9
Production - Director's Notebook
2 10
Promotion - Financial matters
2 11
Promotion - Distribution Contract
2 12
Promotion - correspondence
Box Folder
2 12
Contemporary Films to Ismail Merchant
January 11, 1966
2 12
Contemporary Films to Ismail Merchant
January 19, 1966
2 12
Contemporary Films to Ismail Merchant
January 24, 1966
2 12
Contemporary Films to Ismail Merchant
January 24, 1966
2 12
Contemporary Films to James Ivory
undated
2 12
Lila Williams to M. Delahaye
October 2, 1966
2 12
Lila Williams to Madame L. Peilllon
October 12, 1966
2 12
Lila Williams to M. Tausky
October 12, 1966
2 12
Royal summaries
2 13
Promotion - correspondence
Box Folder
2 13
James Ivory to Malcolm Muggeridge
January 14, 1966
2 13
Alice Ichman to Continental Films
April 14, 1966
2 13
H. Golden to 20th Century Fox
May 3, 1966
2 13
James Norton to Walter Reade Stirling
June 2, 1966
2 13
Ismail Merchant to Charles Cooper
June 21, 1966
2 13
S. Glazer to India Peace Corps Training Center
June 21, 1966
2 13
H. Golden to Lilli Williams
June 30, 1966
2 13
H. Golden to Joe Billfort
July 19, 1966
2 13
H. Golden to 20th Century Fox
July 27, 1966
2 13
James Ivory to 20th Century Fox
August 6, 1966
2 13
20th Century Fox to Ismail Merchant
August 32, 1966
2 13
Michael Delahaye to James Ivory
September 25, 1966
2 13
James Ivory to Lilli Williams
October 8, 1966
2 13
James Ivory to Lilli Williams
October 24, 1966
2 14
Promotion - correspondence
Box Folder
2 14
Ismail Merchant to Reserve Bank of India
undated
2 14
Sanford Lieberson to James Ivory
January 28, 1966
2 14
James Ivory to Sanford Lieberson
February 3, 1966
2 14
James Ivory to Sanford Lieberson
February 11, 1966
2 14
R.D. Bansal (Satyajit Ray's producer & financier) to Ismail Merchant
March 18, 1966
2 14
Rich LaCaille to Ismail Merchant
March 31, 1966
2 14
R.D. Bansal & Co. to Lexington Int., Inc.
May 5, 1966
2 14
John Blum to Ismail Merchant (Macy's)
May 25, 1966
2 14
R.D. Bansal Agreement for distribution of Shakespeare Wallah
2 14
R.D. Bansal to Ismail Merchant
May 20, 1966
2 14
R.D. Bansal to H. Golden
May 20, 1966
2 14
Lilli Williams to H. Golden
December 14, 1966
3 1
Promotion
3 2
Promotion
Box Folder
3 2
Telegrams
3 2
James Ivory to National & Grindlay's Bank (3 letters)
3 2
Ismail Merchant to R.D. Bansal
January 21, 1966
3 2
Ismail Merchant to R.D. Bansal
February 26, 1966
3 2
H. Golden to R.D. Bansal
April 15, 1966
3 2
James Ivory to Ismail Merchant
April 18, 1966
3 2
Ismail Merchant to R.D. Bansal
May 3, 1966
3 2
Harry Golden to R.D. Bansal
May 13, 1966
3 2
Harry Golden to Sheldon Ginsberg
May 18, 1966
3 2
Harry Golden to R.D. Bansal
May 27, 1966
3 2
Harry Golden to R.D. Bansal
July 1, 1966
3 2
Harry Golden to R.D. Bansal
August 5, 1966
3 2
R.D. Bansal to H. Golden
August 18, 1966
3 3
Promotion
Box Folder
3 3
UNICEF Benefit brochure
3 3
Promo review and French brochure
3 3
Cinemathèque-Images of India
3 3
Clips about Shakespeare Wallah (Dinuba paper & NY Times)
3 3
Third NY Film Festival flyer
3 3
Reading Festival of Arts June 66 (flyer)
3 3
Re-release of Shakespeare Wallah in France and England 1990*
3 3
Shakespeare Wallah tickets
3 3
Miscellaneous financial
3 4
Promotion
Box Folder
3 4
A. Bauer to James Ivory (Invitation to Berlin Festival)
undated
3 4
Berlin Festival programs
3 4
Film in Berlin
3 4
Shakespeare Wallah flyer
3 4
Shakespeare Wallah in festival article
3 4
Festival tickets/invitation
3 4
Programs
3 4
Notice of Madhur Jaffrey's Best Actress prize
3 4
Articles on Shakespeare Wallah in festival
3 5
Promotion
Box Folder
3 5
Ismail Merchant to Neue Mars Film
June 14, 1965
3 5
Ismail Merchant to Neue Mars Film
June 22, 1965
3 5
Berlin Festival to Ismail Merchant
August 9, 1965
3 5
Ismail Merchant to Shri Bhagat
September 28, 1965
3 5
James Ivory to Neue Mars Films
February 1, 1966
3 5
Neue Mars Films to Ismail Merchant
February 14, 1966
3 5
N.P. Jain to Ismail Merchant
July 6, 1966
3 5
N.P. Jain to G. Peters
July 7, 1966
3 5
James Ivory to N.P. Jain
July 22, 1966
3 5
N.P. Jain to G. Peters
August 11, 1966
3 5
Ismail Merchant to N.P. Jain
September 30, 1966
3 5
Neue Mars Films material
3 5
Miscellaneous Berlin Festival correspondence
3 6
Promotion - Berlin Festival Materials
3 7
Promotion - Distribution
Box Folder
3 7
H. Golden to E. Schuman
April 18, 1966
3 7
Miscellaneous House attendance figures
3 7
Record cover
3 8
Reviews
3 9
Reviews
3 10
Reviews
3 11
Reviews
3 12
Satyjit Ray articles-various typescripts
The Guru (1969)
1967-1968
Box Folder
4 1
Treatment
Box Folder
4 1
James Ivory to Ruth Prawer Jhabvala*
4 1
James Ivory to Ruth Prawer Jhabvala*
4 1
The Ustad film
4 1
Synopsis
4 1
Jenny portrait
4 1
Origins of film & cast
4 2
Treatment
Box Folder
4 2
Ruth Prawer Jhabvala to James Ivory*
April 15, 1967
4 2
Ruth Prawer Jhabvala to James Ivory*
June 26, 1967
4 2
Ruth Prawer Jhabvala to James Ivory
August 12, 1967
4 2
Ruth Prawer Jhabvala to James Ivory
August 16, 1967
4 3
Screenplay - bits and pieces
4 4
Screenplay - rewritten or new scenes
4 5
Screenplay - script
4 6
Production - sound effects record
4 7
Production - continuity & dialog
4 8
Production
Box Folder
4 8
James Ivory to Bill Kaplan
June 18, 1968
4 8
Post production
4 8
Music clearances
4 8
Scenes to be synced
4 8
"Vision" parts
4 8
Call sheets
4 8
Ustad Musshtaq Husssain Kahn
4 9
Production
Box Folder
4 9
Stuart Lyons to James Ivory
December 27, 1967
4 9
James Ivory to Bill Kaplan
January 22, 1968
4 9
Bill Kaplan to Subrata Mitra
January 26, 1968
4 9
James Ivory to Bill Kaplan
February 8, 1968
4 9
Note to James Ivory on accents
4 9
20th Century lab report
4 9
Inventory
4 10
Production - loop charts
4 10
Production
Box Folder
4 11
Bill Kaplan to James Ivory
January 17, 1968
4 11
James Ivory to Bill Kaplan
April 15, 1968
4 11
James Ivory to Bill Kaplan
April 16, 1968
4 11
James Ivory to Bill Kaplan
April 18, 1968
4 11
James Ivory to Bill Kaplan
April 20, 1968
4 11
James Ivory to Bill Kaplan*
April 22, 1968
4 11
Post production schedule
June 6, 1968
4 11
James Ivory to Bill Kaplan
July 7, 1968
4 11
James Ivory to Bill Kaplan
July 28, 1968
4 11
James Ivory to Bill Kaplan
August 9, 1968
4 11
James Ivory to Bill Kaplan
August 15, 1968
4 11
Revised list of additional prints
4 11
Corrections & miscellaneous
4 12
Production
Box Folder
4 12
Shot sequences of sketches
4 12
Shot sequences of sketches
4 12
Shot sequences of sketches
4 12
Shot sequences of sketches
4 12
Shot sequences of sketches
4 12
Shot sequences of sketches
4 13
Production
Box Folder
4 13
James Ivory to Don Black (wrote "Tom's Boat Song")
January 17, 1968
4 13
James Ivory to Stuart Lyon
July 11, 1968
4 13
Music items
4 14
Production - lab report
4 15
Production - costume material
5 1
Production - editing
5 2
Production - financial
5 3
Production - music
5 4
Promotion
5 5
Promotion
5 6
Promotion
5 7
Promotion
5 8
Reviews
5 9
Person/Miscellaneous
5 10
Awards/Miscellaneous
Bombay Talkie (1970)
1969-1975
Box Folder
6 1
Treatment - character descriptions
6 2
Treatment - character descriptions
6 3
Treatment - write-up by James Ivory
6 4
Treatment
6 5
Treatment
6 6
Treatment
6 7
Treatment - scene by scene by James Ivory
6 8
Screenplay - Film Scripts
6 9
Screenplay - Script 1
6 10
Screenplay - Script 2
6 11
Screenplay - Script 3
6 12
Production - director's notebook
6 13
Production - costumes, correspondence
6 14
Production - lab material
6 15
Production - shooting schedule
6 16
Production - crew listing
6 17
Production - music
6 18
Production - set
6 19
Production - sound
6 20
Promotion
Box Folder
6 20
Miscellaneous items
6 20
James Ivory interview on India**
6 21
Promotion - miscellaneous items
6 22
Reviews - New Yorker
6 23
Reviews - miscellaneous
6 24
Reviews - miscellaneous
6 25
Correspondence & Miscellaneous
Box Folder
6 25
Michael Butterfield to James Ivory
undated
6 25
Lionel Medford to Ismail Merchant
undated
6 25
E. Crawford to James Ivory
undated
6 25
James Ivory to Ruth Prawer Jhabvala
February 10, 1969
6 25
B. Dhar to Ismail Merchant
December 17, 1969
6 25
Vinod to James Ivory
January 27,1970
6 25
J.M. Pinera to James Ivory
February 4, 1970
6 25
J.M. Pinera to James Ivory
May 7, 1970
6 25
James Ivory to Ismail Merchant
September 9, 1970**
6 25
Shashi Kapoor to James Ivory
March 4, 1971
6 25
G. Hagan to James Ivory
November 23, 1975
6 25
James Ivory to G. Hagan
December 30, 1975**
6 25
"History of a Flop"
6 25
Indian government regulations on filming*
6 25
Memo: Subrata Mitra to Shri M. Bhat
6 26
Personal & Miscellaneous
Box Folder
6 26
Ten questions - James Ivory's India
6 26
James Ivory's India
6 26
James Ivory's views on Bombay Talkie
Savages (1973)
1971-1974
Box Folder
7 1
Treatment - draft of Paris review
7 2
Treatment
Box Folder
7 2
Pink treatment
7 2
How film came to be by James Ivory*
7 3
Treatment
Box Folder
7 3
James Ivory to P. Houston*
July 30, 1971
7 3
Draft of story about Savages
7 3
James Ivory on Savages
7 4
Screenplay - manuscript copy
7 5
Screenplay - bits and pieces
7 6
Screenplay in French
7 7
Production - Director's notebook
7 8
Production - casting
Box Folder
7 8
Article about Sam Waterston in Much Ado About Nothing
7 8
Cast list
7 8
Principals, crew and cast
7 8
Bio: Asha Puthli
7 8
"Playbill" on Much Ado about Nothing
7 8
Cast and principal lists
7 9
Production - locations
Box Folder
7 9
Beechwood items
7 9
Room descriptions
7 9
Llyndhurst flyer
7 9
J.I. article on Beechwood
7 10
Production - Geman Narration
Box Folder
7 10
J.I. to Siegbert Prawer
7 10
Siegbert Prawer to J.I.
7 10
German readings
7 11
Production - financial/legal
Box Folder
7 11
DIA agreement
7 11
Misc. financial
7 12
Production - financial/legal
Box Folder
7 12
Joseph Seleh to J.I. & I.M.
7 12
Steven Scher to Joe Seleh
7 12
Expense breakdown
7 12
Misc. financial
8 1
Production
Box Folder
8 1
Bernard Eisenshitz to James Ivory
April 23, 1972
8 1
James Ivory to Bernard Eisenshitz
April 26, 1972
8 1
James Ivory to Bernard Eisenshitz
April 27, 1972
8 1
Motel rooms for the cast
8 1
Title cards
8 1
Credit lists
8 1
Shooting schedules
8 1
Call sheets
8 1
Miscellaneous
8 2
Promotion
Box Folder
8 2
James Ivory to Joe Seleh
April 4, 1973
8 2
Ken Stutz to Joe Seleh
April 15, 1973
8 2
F.R. Raphael to James Ivory
June 27, 1972
8 2
Draft, James Ivory to F.R. Raphael
8 2
Cannes 1972
8 2
Sheila Graham article
8 2
Flap over sports announcer from South Africa
8 2
Comments about screenplay and book
8 3
Promotion
Box Folder
8 3
Cannes 1972
8 3
Grove Press catalog
8 3
Book covers
8 3
Savages Press kit
8 3
Savages Angelika Films presents
8 4
Promotion
Box Folder
8 4
Curzon Cinema
8 4
American premier
8 4
London Film Festival
8 4
L.A. International Film Expo
8 5
Promotion
Box Folder
8 5
Savages brochure
8 5
Invitation: Nice France
8 5
Premier: Museum of Modern Art
8 5
Baronet Premier
8 5
Curzon Cinema
8 5
Filmex poster
8 5
Guest list
8 6
Promotion - Savages ads
8 7
Reviews
8 8
Reviews
8 9
Reviews
8 10
Miscellaneous/Personal
Box Folder
8 10
Shri Taker S. Doctor to Ismail Merchant & James Ivory
July 1, 1974
8 10
Penelope Houston to James Ivory
November 17, 1972
8 10
Jeffrey Jacobs to James Ivory
May 15, 1972
8 10
Harry Holland to James Ivory
February 11, 1974
8 10
Harry Holland to James Ivory
April 16, 1974
8 10
Donald Hatch to James Ivory
November 15, 1972
8 10
Donald Hatch to James Ivory
February 12, 1973
8 10
Miscellaneous material
8 11
Personal/Miscellaneous: Book: Savages-Shakespeare Wallah
Heat and Dust (1983)
1983
Box Folder
20 1-2
Treatment
20 3
Treatment - book
20 4
Screenplay - director's copy
20 5
Screenplay - Embleton
20 6
Screenplay - phony copy
20 7
Screenplay - working copy
20 8
Screenplay - Hindi/Urdu
20 9
Screenplay
20 10
Screenplay - revisions
20 11
Screenplay - additional scenes & other materials
21 1
Production - Editing
21 2
Production - Props
21 3
Production - movement orders/Call sheets 1
21 4
Production - movement orders/Call sheets 2
21 5
Production - movement orders/Call sheets 3
21 6
Production - Location
21 7
Production - Cast
21 8
Production - Financial/Legal
Box Folder
21 8
RPJ contract
21 8
Indian Ministry of Information to I.M.
21 8
J.I. to Stanley Ackerma
21 8
Camera Effects Ltd. invoices
21 9
Production - Art/Costume
21 10
Production - Scene description
21 11
Production - Titles/Trailer
21 12
Promotion - Royal Charity World Premiere
21 13
Promotion - Cannes 1983
21 14
Promotion - Sunday magazines
21 15
Promotion - The British Academy
21 16
Promotion - Interviews
Box Folder
21 16
Interview schedule
21 16
Daniel P. Moyniham invitation for Heat & Dust spec. screening
21 16
Attendance figures
21 17
Promotion - Montreal Film Festival '83
21 18
Reviews - U.S.
21 19
Reviews - U.K.
21 20
Reviews - Europe/India
21 21
Personal/Miscellaneous
Box Folder
21 21
Washington Iowa correspondence/clipping
21 21
J.I. Cardiogram
21 21
Room w/View wrapper
21 21
British Royal fimily 1923
21 21
About R.P.J. and book Heat & Dust
21 22
Personal/Miscellaneous - correspondence
21 23
Personal/Miscellaneous
Autobiography of a Princess (1975)
1975-1976
Box Folder
9 1
Treatment by James Ivory
9 2
Screenplay
Box Folder
9 2
Ruth Prawer Jhabvala first draft
9 3
Screenplay
Box Folder
9 2
Ruth Prawer Jhabvala first draft
9 2
Requiem for the Rajahs (article)
9 2
Rough notes by Ruth Prawer Jhabvala
9 4
Screenplay, copy
9 5
Typed copy
9 6
Screenplay - Miscellaneous pieces
9 7
Production - Director's notebook
9 8
Production - Director's notebook with notes on Wild Party
9 9
Production - Music
9 10
Production - props
Box Folder
9 10
Salt & pepper train
9 10
Fake documentary narration
9 11
Financial/legal
9 12
Promotion - poster
9 13
Promotion - Lincoln Center NY Film Festival
9 14
Promotion - London Film Festival
9 15
Reviews - Sight and Sound
9 16
Reviews - Films and Filming
9 17
Reviews - Misc.
9 18
Reviews - Misc.
9 19
Personal/Miscellaneous
Box Folder
9 19
Review of Ray film
9 19
John Kenneth Galbraith to James Ivory
October 7, 1975
9 19
James Ivory to J.K. Galbraith
November 16, 1975
9 19
N.F.H. Fleming to James Ivory
March 3, 1976
9 19
Shrimati Krishna Kumari, MP to Ismail Merchant
April 19, 1976
9 19
James Ivory to Shrimati Krishna Kumari
September 13, 1976
9 19
Mrs. Oakes Volandri to MIP
October 23, 1975
9 19
Lynne Leatham to WQED
October 13, 1975
9 19
Card (in French) from friends
9 10
Eric Flackfield to Ismail Merchant
August 22, 1975
9 19
Miscellaneous items
9 19
G. Ragheimer to Ismail Merchant*
June 20, 1975
9 19
James Ivory to Humphrey Dixon*
June 3, 1975
9 19
Vincent Canby to James Ivory
December 3, 1975
9 19
Humphrey Dixon to James Ivory
June 1975
Roseland (1977)
1975-1979
Box Folder
10 1
Treatment
10 2
Jhabvala's Letter
10 3
Synopsis
10 4
Synopsis and Notes
10 5
Book
10 6
French
10 7
Original Script
10 8
Script with Director's Notation
10 9
screenplay drafts
10 10
Revised with copy with directors notation
10 11
"The Poem"
10 12
Various drafts
10 13
Various drafts
10 14
Casting and crew
10 15
Casting
10 16
Costume sketches
10 17
Credits
10 18
Cuts
10 19
Diary
11
Director's notebook
Folder
11 2
Lab
11 3
Legal/Financial
11 4
Locations
11 5
Music
11 6
Shooting schedule
11 7
AIP dispute 1
11 8
AIP dispute 2
11 9
AIP dispute 3
11 10
AIP dispute 4
11 11
AIP dispute 5
11 12
Flyers
11 13
Interview with J.I. by Debbie Wally
11 14
Festivals
11 15
Paris festival papers
11 16
Poster
11 17
Previews
11 18
Warhol Interview
11 19
Miscellaneous
11 20
"After Dark"
11 21
"Monthly Film Bulletin"
11 22
"Take One"
11 23
"Sight and Sound"
11 24
Miscellaneous European and U.S.
12 1
Miscellaneous
12 2
Miscellaneous
12 3
"New Statesman"
12 4
Catholic
12 5
Time
12 6
Personal and miscellaneous - Index of Censorship
12 7
Index of Censorship
12 8
Index of Censorship 3
12 9
Correspondence
12 10-12
Personal and miscellaneous
12 13
Dano/Ray
12 14
Bids
12 15
Rachael Welch
The Europeans (1979)
1976-1980
Box Folder
13 1
Treatment
Box Folder
13 1
Ruth Prawer Jhabvala Synopsis
December 3, 1975
13 1
PR release with treatment
December 3, 1975
13 2
Screenplay
Box Folder
13 2
Ruth Prawer Jhabvala to James Ivory
undated
13 2
Handwritten notes on screenplay
13 3
Screenplay
Box Folder
13 3
Ruth Prawer Jhabvala to James Ivory
undated
13 3
Script pages
13 3
Telegrams, Ruth Prawer Jhabvala to James Ivory and James Ivory to Ruth Prawer Jhabvala
13 4
Screenplay - MS for typist
13 5
Production - casting
Box Folder
13 5
Blythe Danner material and Ruth Prawer Jhabvala note
13 5
Biographies of actors
13 6
Production
Box Folder
13 6
Call sheets
December 3, 1975
13 6
Production schedule
December 3, 1975
13 6
Handwritten camera instructions
December 3, 1975
13 7
Production - financial/legal
13 8
Promotion
Box Folder
13 8
Ismail Merchant interview in AMBA Executive
13 8
Lilia Skala items
13 8
Cinemashares promotion
13 8
Havestock Hill flyer
13 8
Large credit shee-Oregon Four
13 8
21st London Film Festival
13 9
Promotion - France
Box Folder
13 9
French press kits
13 9
Larry Fredricks to James Ivory
November 11, 1977
13 10
Promotion
Box Folder
13 10
Lincoln Center September 1977
September 1977
13 10
N.Y. Film Festival brochure
13 10
National Council of Churches
13 11
Reviews - "Sight & Sound"
13 12
Reviews - Misc.
13 13
Reviews - Misc.
13 14
Personal/Miscellaneous correspondence
Box Folder
13 14
James Ivory to Manette Berton
January 27, 1979
13 14
Manette Berton to James Ivory
November 8, 1978
13 14
Handwritten MS
13 14
Ronni Chasen to Arnold Friedman
January 26, 1978
13 14
Bernard Nichols to James Ivory
December 1, 1977
13 14
Ronnie Ruben to James Ivory
November 14, 1977
13 14
James Ivory to Michael ?
May 5, 1977
13 14
James Ivory to Blythe Danner
December 4, 1976
13 14
Ruth Prawer Jhabvala to James Ivory
January 1, 1977
13 14
Maxine Kingston to James Ivory
June 14, 1977
13 14
Christopher Walken to James Ivory*
May 26, 1977
13 14
James Ivory to Maxine Kingston
May 18, 1977
13 14
Card: Geraldine Chaplain to James Ivory
undated
13 15
Personal/Miscellaneous
Box Folder
13 15
James Ivory to Sylve Blum
October 7, 1976
13 15
Manette Berton to James Ivory
January 16, 1979
13 15
Lilia Skalia correspondence
13 16
Personal/Miscellaneous - "Sight & Sound"
13 17
Personal/Miscellaneous
Box Folder
13 17
Article on Ruth Prawer Jhabvala
13 17
Article on Lilia Skala in LA Times
13 17
Article on Geraldine Chaplain
13 17
Making of Roseland-Agnes Varda
13 17
Village Voice on Roseland
13 17
Daily News on Roseland
13 18
Personal/Miscellaneous
Jane Austen in Manhattan (1980)
1978-1994
Box Folder
14 1
Treatment - English and French
14 2
Treatment - correspondence
Box Folder
14 2
James Ivory to Phil Gersh
September 9, 1976
14 2
Phil Gersh to James Ivory
September 22, 1976
14 2
James Ivory to Vanessa Redgrave*
September 22, 1976
14 2
Linda Burton (NEA) to James Ivory
December 2, 1976
14 2
James Ivory to Stephen Rabin (NEA)
March 6, 1977
14 2
Tamara Robinson to James Ivory with handwritten rebuttal by Ruth Prawer Jhabvala**
March 31, 1977
14 2
James Ivory to Tamara Robinson
April 24, 1977
14 2
James Ivory to Tamara Robinson
June 2, 1977
14 2
Tamara Robinson to James Ivory
June 7, 1977
14 2
James Ivory to Stephen Rabin with draft
June 14, 1977
14 2
Stephen Rabin to James Ivory
June 30, 1977
14 3
Treatment - Leon Edel on Henry James
14 4
Treatment - MIP-NEA proposal for Europeans
Box Folder
14 4
Grant instructions
14 4
Grant proposal drafts/Miscellaneous
14 4
Grant proposal
14 5
Screenplay
Box Folder
14 5
Ruth Prawer Jhabvala notes**
14 5
Rough with Ruth Prawer Jhabvala notes
14 5
Pages 13-27 wtih Ruth Prawer Jhabvala notes
14 5
Financial agreement between James Ivory and Ruth Prawer Jhabvala
14 6
Original Script - MISSING
14 7
Post production script
14 8
Screenplay - correspondence RPJ - J.I.
14 9
Screenplay - Copy of The European Story
14 10
Screenplay -Script
14 11
Screenplay -Script
14 12
Screenplay - Script
14 13
Screenplay -Script
14 14
Screenplay - Script
15 1
Production - financial
Box Folder
15 1
James Ivory to L. Harbottle
September 5, 1978
15 1
James Ivory to Ismail Merchant
September 6, 1978
15 1
Two receipts for pre-production
15 1
James Ivory to L. Harbottle
July, 31, 1979
15 1
L. Harbottle to James Ivory
July 31, 1979
15 1
Ian Smyth to L. Harbottle
August 2, 1979
15 1
L. Harbottle to James Ivory
August 6, 1979
15 1
Two bank transactions
15 2
Production - Salem schedule/revised script
15 3
Production - financial
Box Folder
15 3
Trust Deed w/ National Film Finance Coportation Limited.
15 4
Production - financial
Box Folder
15 4
Agreement w/ National Film Finance Coporation Limited
15 5
Production - costs
15 6
Production - call sheets
15 7
Production - prop: "Boston Advertiser"
15 8
Production - casting and unit lists
15 9
Production - locations and costumes
15 10
Production - music & art
15 11
Production - correspondence
Box Folder
15 11
James Ivory to David Coughtry
November 24, 1978
15 11
David Coughtry to James Ivory
December 11, 1978
15 11
Connie? to James Ivory
undated
15 11
Connie? to James Ivory
undated
15 11
L. Harbottle to Ismail Merchant
January 3, 1979
15 11
Movie credits
15 11
Julie Christie to James Ivory and Ismail Merchant*
undated
15 12
Promotion - Cannes Festival
15 13
Production - Telerama
15 14
Promotion - Lincoln Center
15 15
Promotion - expenses
15 16
Promotion - Miscellaneous festivals and screenings
15 17
Promotion Screen International
15 18
Promotion - NY Film Festival
15 19
Promotion - Interview schedules
15 20
Promotion - correspondence
Box Folder
15 20
Alan Wagner to James Ivory
February 13, 1978
15 20
Katherine Brown to James Ivory
July 18, 1979
15 20
John Murray to James Ivory
August 23, 1979
15 20
Ian Smyth to James Ivory
February 28, 1980
15 20
Jean ? to James Ivory
February 28, 1980
15 21
Articles about Europeans
15 22
Promotion - lobby shots/promo sheet
15 23
Reviews - Sight and Sound
15 24
Reviews - Horizon
15 25
Reviews - French
15 26
Reviews - US
15 27
Reviews - US
15 28
Reviews - UK
15 29
Personal/Miscellaneous
Box Folder
15 29
Barnaby Conrad to James Ivory
August 1, 1979
15 29
Lee Remick letter, obit and bio
15 29
Miscellaneous articles about James Ivory and MIP
A Room with a View (1985)
??
Box Folder
16 1
Treatment
Box Folder
16 1
Article on Sir Charles Grandison play and manuscript
16 1
More about Sir Charles Grandison
16 1
Printed copy of Sir Charles Grandison
16 2
Treatment - story outline by Ruth Prawer Jhabvala
16 3
Treatment - MS of scenes used for film from Grandison
16 4
Screenplay
Box Folder
16 4
Ruth Prawer Jhabvala to James Ivory
March 5, 1980?
16 4
Ruth Prawer Jhabvala notes on script
16 4
Opera scene
16 4
Script fragment
16 4
Script, notes and fragment
16 5
Screenplay - Xerox copy
16 6
Production - prop copy of Grandison
16 7
Production - financial/legal
16 8
Production - cast/crew
16 9
Production - call sheets
16 10
Production - continuity 1
16 11
Production - continuity 2
16 12
Production - continuity 3
16 13
Promotion - invitation to US premier
16 14
Reviews
16 15
Personal/Miscellaneous - Dutch film festival
16 16
Personal/Miscellaneous
Box Folder
16 16
Article about Ruth Prawer Jhabvala
16 16
Spiral notebook with Miscellaneous entries
16 17
Personal/Miscellaneous - correspondence
Box Folder
16 17
Ruth Prawer Jhabvala to James Ivory*
January 3, 1980
16 17
Ruth Prawer Jhabvala to James Ivory*
February 1980
16 17
Anne Baxter to James Ivory and Ismail Merchant
February 16, 1980
16 17
Kurt Johnson to James Ivory
February 21, 1980
16 17
Jenny Beway to Ismail Merchant
undated
16 17
Katrina Hadiah to James Ivory
December 12, 1979
16 17
Melvyn Bragg to James Ivory and Ismail Merchant
December 4, 1978
16 17
Nick ? to James Ivory
March 6, 1980
16 17
Melvyn Bragg to James Ivory
April 15, 1980
16 17
Melvyn Bragg to James Ivory
December 12, 1978
16 17
Morton Leavy to Cannie Kiserman
April 25, 1980
16 17
Sean Young to James Ivory
November 9, 1994
Quartet (1981)
1981
Box Folder
26 1
Treatment- Book: A Room with A View
26 2
Treatment
Box Folder
26 2
Article on Forster by Rama Rau
26 2
Article by Forster on Room
26 2
Why I made Room with a View by J.I.
26 2
Article on Forster by J. Meyers Univ of Colorado
26 3
Treatment - Synopsis
26 4
Screenplay
Box Folder
26 4
Original from which film was shot
26 4
Notes on screenplay given to Kings College Forster Collection
26 5
Screenplay - Notes on script
26 6
Production - Casting-Actors bios, misc.
26 7
Production
Box Folder
26 7
Sir Patrick's Day On The Set
26 7
Memo: Tony Pierce Roberts to J.I.
26 7
Memo Tony Pierce Roberts to I.M.
26 7
Music cues
26 7
Cast and Unit Lists
26 8
Production
Box Folder
26 8
Analysis of Florence shooting
26 8
Chronologia
26 8
Chronologia, revised
26 8
Production schedules
26 8
misc.
26 9
Production - Notes
Box Folder
26 9
Notes, Goldcrest screening
26 9
Director's notes
26 10
Production - Call Sheets - MISSING
26 11
Production - Call Sheets
26 12
Production - Call Sheets
26 13
Production - Titles/Credits
26 14
Production - Locations
Box Folder
26 14
Foxwold
26 14
Pensione Quisisana
26 15
Production - Locations: Foxwold Brochures
27 1
Production - Locations
Box Folder
27 15
Foxwold & Chiddingstone sketches
27 1
Linley Sanbourne House
27 1
Location addresses
27 1
Action location schedule
27 2
Production - Financial/Legal
Box Folder
27 2
Brian Acland Snow toJ.I., I.M.
27 16
Watergate Film Svc. contract
27 2
Director's contract
27 2
Florence permission (Italian)
27 1
Production - Financial/Legal DELETE
Box Folder
27 2A
Financial Statements
27 2A
Cinecom Internation Films
10/1/1986
27 2A
Correspondence about Rights
2/21/2003
27 2A
Witness Statement
11/22/1995
27 2A
Victorian ledger sheets
27 3
Production - Miscellaneous
27 4
Production - Call sheets
27 5
Promotion - Press book notes
27 6
Promotion
Box Folder
27 6
CBS/Fox ad for Room
27 6
First week grosses
27 6
Toronto material
27 6
Room w/a View calendar 1987
27 6
Original American Press book
27 6
Cover picture
27 6
Article on Oscars
27 7
Promotion
Box Folder
27 7
UK National Trust Premier
27 7
Goldcrest brochure
27 8
Promotion
Box Folder
27 9
First preview BAFTA
27 9
Cambridge Arts Theatre
27 9
Cinecom note
27 9
French totals
27 9
NY Times article
27 9
Room card
27 9
"Room" as a useful name
27 10
Reviews - U.S.
27 11
Reviews
27 12
Reviews - Germany
27 13
Reviews - Italy
27 14
Reviews - U.K.
27 15
Reviews - U.K.
27 16
Personal/Miscellaneous
27 17
Personal/Miscellaneous - Calendar book
28 1
Personal/Miscellaneous
Box Folder
28 1
Material on David Lean Passage to India film
28 2
Personal/Miscellaneous
Box Folder
28 2
Academy Awards press
28 3
Personal/Miscellaneous
Box Folder
28 3
Academy Award material-letters
28 4
Personal/Miscellaneous
Box Folder
28 4
Academy Award material
28 4b
Personal/Miscellaneous
Box Folder
28 4b
Oscar Night '87 material
28 5
Personal/Miscellaneous
Box Folder
28 5
Golden Globe brochure
28 5
Donatello Award material
28 5
David Griffith Awards
28 5
Director's Guild Awards
28 5
Writers Guild Awards
28 5
Director's Guild Newsletter
28 6-9
Personal/Miscellaneous
Box Folder
28 6-9
Travel & Expense documents
28 10
Personal/Miscellaneous
Box Folder
28 10
Birthday cards
28 11
Personal/Miscellaneous
Box Folder
28 11
Claverak House
28 11
Ismael Merchant cookery
28 12
Personal/Miscellaneous
Box Folder
28 12
David Puttnam (Columbia Pics) to J.I.
28 12
Fredrique Tasse-Laurent to J.I.
28 12
M.I.P. hate letter
28 12
Cards to J.I. & I.M.
28 12
Card J.I. from RPJ
28 12
Card: Frances Birnbaum to J.I.
28 12
Card: Dianna
28 12
Card: Joanna Jimenez to J.I.
28 12
Patrick Hamilton to J.I.
28 12
Telegram: Shashi Kapoor to J.I.
28 12
Patsy Dance to I.M. & J.I.
28 12
Harry Keating to J.I.
28 12
David Whitcomb-intro note
28 13
Personal/Miscellaneous
Box Folder
28 13
Misc. Oregon
28 13
Misc. materials
28 13
Card, H.B. Carter to J.I.
28 13
Card, Emma Thompson to J.I.
The Bostonians (1984)
??
Box Folder
17 1
Treatment - book "Quartet"
17 2
Treatment - Edward de Neve on prison life in France
17 3
Treatment - Quartet origins**
17 4
Screenplay - early Ruth Prawer Jhabvala notes/mark-up copy
17 5
Screenplay - unbound copy
17 6
Screenplay - Ruth Prawer Jhabvala copy with notes*
17 7
Screenplay - French edition
17 8
Screenplay - French/English
18 1
Screenplay - Michel Mangois dialog
18 2
Screenplay - first MS
18 3
Screenplay - Notes
Box Folder
18 3
Script notes
18 3
Isabel's lines
18 4
Screenplay - more script notes
18 5
Production - legal/financial
Box Folder
18 5
James Ivory Quartet contract
18 5
New World on cuts
18 5
James Ivory/Susan Smith
18 5
Lyric-MIP agreement
18 5
James Ivory to Chatto and Linnet
18 5
Miscellaneous expenses
18 5
Costume budget
18 6
Production - casting-notebook with interviews
18 7
Production - editing/director's notebook
18 8
Production - editing Miscellaneous
18 9
Production - call sheets 1
18 10
Production - call sheets 2
18 11
Production - call sheets 3
18 12
Production - trailer/titles
Box Folder
18 12
Trailer notes
18 12
Sub-titles
18 12
Titles
18 13
Production - locations
18 14
Production - costumes, props, miscellaneous
19 1
Promotion - booklet & flyer
19 2
Promotion - Giant sized Quartet poster
19 3
Promotion - Med sized Quartet poster
19 4
Promotion - Articles
Box Folder
19 4
Zoom article draft by J.I.
19 4
Interview questions La Nouvelle Obsevatoir
19 4
Article on R.P.J.
19 4
Celebrity News
19 4
Article about Quartet
19 5-7
Promotion - Cannes 1981
19 8
Promotion
19 9
Reviews - French
19 10
Reviews, American
19 11
Reviews, United Kingdom
19 12
Reviews, Europe
19 13-14
Personal/Miscellaneous
Maurice (1987)
??
Box Folder
22 1
Treatment/Concept
22 2
Treatment/Concept
22 3
Treatment
22 4
Screenplay, part 1
22 5
Screenplay, part 2
22 6
Screenplay-MISSING
22 7
Screenplay
22 8
Screenplay
22 9
Production - Actors
22 10
Production - Credits
Box Folder
22 12
Production - Unit Lists
22 11
Production - Finance
22 13
Production - Call Sheets, part 1
22 14
Production - Call Sheets, part 2
23 1
Production - Continuity Reports
23 2
Production - Continuity Reports
23 3
Production - Continuity Reports
23 4
Production - Continuity Reports
23 5
Production - Continuity Reports
23 6
Production - Continuity Reports
23 7
Production - Continuity Reports
23 8
Production - Continuity Reports
23 9
Production - Continuity Reports
23 10
Production - Continuity Reports
24 1
Production - Props
24 2
Production - Locations
24 3
Production - Locations
24 4
Production - Locations
24 5
Production - Locations
24 6
Production - Director's notebook
24 7
Production - Editing
24 8
Production - Casting
24 9
Promotion
Box Folder
24 9
"Columbia Respository"-Bostonians premier
24 9
Cannes Festival 1984 program
24 10
Promotion - Film Francaise Cannes 84
24 11
Promotion - "The Business" Cannes 84
24 12
Promotion
Box Folder
24 12
Times
24 12
Two Bostonian flyers, cinema One
24 12
Preservation Soc. of Newport Co. Screening
24 12
Misc. theater advertisement
24 13
Promotion - Gross receipts
24 14
Promotion - Distribution
Box Folder
24 14
Press kit
24 14
Brian Botsford to J.I.
24 14
Telegram: Lord gibson
24 14
PR schedule
24 15
Reviews - Sight & Sound
24 16
Reviews - U.K.
24 17
Reviews - Kauffman-Kael
25 1
Reviews - France
25 2
Reviews - Screen International
25 3
Reviews - U.S
25 4
Reviews - 235 Cineforum
25 5
Reviews - U.S. Press
25 6
Personal/Miscellaneous - Almi Controversy
Box Folder
25 6
RKO to MIP
25 6
W. Horner to I.M.
25 6
M. Schildraut to MIP
25 6
MIP to Morris Goldschlager Almi
25 6
H. Thibault to Ml Scheldkraut
25 6
Ian Smyth to J.I.
25 6
Lanenhold & Howrath to Ian Smyth
25 6
J.I. to H. Thibault
25 7
Personal/Miscellaneous - Director's agreement w/ MIP
25 8
Personal/Miscellaneous - People
25 9
Personal/Miscellaneous
Box Folder
25 9
Vogue article
25 9
A Jones to J.I.
25 9
Berenson to J.I.
25 9
J.I. to R Rainwater
25 9
Ian Smyth to J.I.
25 9
Lord Gibson to J.I.
25 10
Personal/Miscellaneous
Box Folder
25 10
Jessica Tandy to J.I.
25 10
Anne Baxter to J.I.
25 10
Mary Hilt to J.I.
25 10
Daniel Kornstein to J.I
25 10
Dusty Maxwell to J.I.
25 10
Jerry Tallmer to J.I.
25 10
Wilfred Singleton to J.I.
25 10
Telegram H. Dixon to J.I.
25 10
Christopher Reeve to J.I.
25 11
Personal/Miscellaneous
Box Folder
25 11
Personal calendar
25 11
Chris Reeve pronunciation guide
25 11
Cast letter to I.M. & J.I.
25 11
Chris Reeves to J.I.
Slaves of New York (1989)
??
Box Folder
29 1
Treatment
Box Folder
29 1
Letter J.I. to Dr. Rylands
29 1
Handwritten summary by J.I.
29 1
Treatment by J.I. and Kit Harvey
29 1
Treatment-duplicate (some notes)
29 1
Cynthia Ozick-"Morgan & Maurice: a Fairy Tale"
29 1a
Treatment - Book: Maurice-director's copy
29 2
Treatment - Synopsis w/ notes
29 3
Treatment
Box Folder
29 2
Letter from RPJ to J.I.
29 2
Character sketches
29 2
Thoughts on ending
29 2
Revised treatment and letter J.I. to Kit Harvey
29 4
Screenplay
Box Folder
29 4
Fragments of w/notes
29 4
Cards with sequences
29 4
Possible sequences
29 5
Screenplay - Early Version w/ Kit H. letter
29 6
Screenplay - Early Version w/ J.I. Notes
29 7
Screenplay - Early Version 3
29 8
Screenplay - Amendments
29 9
Screenplay - Draft for 2nd version
101 9
Screenplay - Draft for 2nd version (cont.)
29 11
Production - Titles
29 12
Production - Descriptions
29 13
Production - Settings - Wilbury House
30 1
Production - Call Sheets - Part 1
30 2
Production - Call Sheets - Part 2
30 3
Production - Call Sheets - Part 3
30 4
Production - Call Sheets - Part 4
30 5
Production - Cue Sheets - Part 1
30 6
Production - Cue Sheets - Part 2
30 7
Production - Memos
30 8
Production - Schedules
30 9
Production - Locations
30 10
Production - Locations
30 11
Production - Financial
30 12
Production - Scene Descriptions/Props
30 13
Production - Trailer
30 14
Production - Casting/Crew
30 15
Production - Lab
30 16
Production - Miscellaneous expenditures
30 16A
Production - misc correspondence & items
30 16B
Production - Misc items
30 17
Reviews
30 18
Reviews - New York Times
30 19
Reviews - U.K.
31 1
Promotion - Press releases
31 2
Promotion - Venice festival
31 3
Promotion - Sundance Film Festival
31 4
Promotion - Flyers
31 5
Promotion - Itineraries
31 6
Promotion - BBC Critics Forum
31 7
Promotion - Box office
31 8
Promotion - Advertisements
31 9
Reviews - U.K.
31 10
Reviews - Timeout
31 12
Reviews - U.S
31 13
Reviews - Italian
31 14
Reviews - Italian
31 15
Reviews - Italian
31 16
Personal/Misc - Maria St. Just
31 17
Personal/Misc - James Wilby items
31 18
Personal/Misc - People/Jhabvala
31 19
Personal/Misc - Fan letters
31 20
Personal/Misc - Letters/Friends
32 1
Personal/Misc - correspondence
32 2
Personal/Misc - Travel documents
32 3
Personal/Misc - London Illustrated News '87
32 4
Personal/Misc.
Box Folder
32 4
Julian Sands to J.I.
32 4
Julian Sands to I.M.
32 4
John Merri? to J.I.
32 5
Personal/Misc - Notebook
32 6
Personal/Misc - "Handful of Dust" material
32 7
Personal/Misc - correspondence
Box Folder
32 7
"Italian Skullduggery"
32 7
RPJ to J.I.
32 8
Personal/Misc - Kit Freeman
32 9
Personal/Misc - Merchant Ivory 25th anniversary brochure
32 10
Personal/Misc - Misc articles/items
Box Folder
32 10
Homosexuality-NY Times
32 10
Wales of August
32 10
Pauline Kael-spy
32 10
Caherine Freeman- Telegraph
32 10
Tchaikovsky-catalog of works
32 10
Rememberance-Steve Seifert
32 11
Personal/Misc
Mr. and Mrs. Bridge (1990)
??
Box Folder
32 12
Treatment - Copy
32 13
Treatment - Book: Slaves of NY
32 14
Screenplay - Notes
32 15
Screenplay - Notes
32 16
Screenplay - Notes
32 17
Screenplay - New Draft
32 18
Screenplay - New Draft cont.
32 19
Screenplay - 1st Draft
32 20
Screenplay - 1st Draft cont.
33 1
Screenplay
33 2
Screenplay
33 3
Screenplay
33 4
Screenplay
33 5
Production - Financial
33 6
Production - Legal
33 7
Production - Locations/Art
33 8
Production - Credits/Directors Guild of America
33 9
Production - Credits/NABET
33 10
Production - Credits/Tri Star Pictures
33 11
Production - Credits/R.G Greenburg
33 12
Production - Credits/R.G Greenburg
33 13
Production - Credits/Misc
33 14
Production - Casting
33 15
Production - Casting
33 16
Production - Music
33 17
Production - Sound
33 18
Production - Shooting
33 19
Production - Call Sheets
33 20
Production - Call Sheets
33 21
Production - Call Sheets
33 22
Production - Reshoots
34 1
Production - Lab/Staff
34 2
Promotion - Distribution Reports (Tristar Pictures)
34 3
Promotion - Distribution Reports (Tristar Pictures)
34 4
Promotion - Publicity Breaks
34 5
Promotion -Publicity Breaks
34 6
Promotion - NY Preservation League
34 7
Promotion - "Terrible American Press Tour"
34 8
Promotion - Frankfurter Allgemeigne Magazine
34 9
Promotion - France tour
34 10
Promotion - Misc/Flyers
34 10A
Promotion - Press folder
34 11
Reviews - U.K.
34 12
Reviews - U.S.
34 13
Reviews - U.S.
34 14
Personal/Miscellaneous
34 15
Personal/Miscellaneous - Warhol
34 16
Personal/Miscellaneous - Janowitz
34 17
Personal/Miscellaneous
34 18
Personal/Miscellaneous - Thompson Twin
Box Folder
34 19
Treatment/Concept
Howards End (1992)
??
Box Folder
34 20
Treatment/Concept - Evan Connell notes
34 21
Treatment/Concept
34 22
Treatment/Concept - Book: Mrs. Bridge & Mr. Bridge
35 1
Screenplay - First draft
35 2
Screenplay - R.P.J notes
35 3
Screenplay - correspondence
35 4
Screenplay - Connell
Box Folder
35 4
Script pages
35 4
J.I. to Evan Connell
35 4
Evan Connell to J.I. & I.M.
35 5
Screenplay
Box Folder
35 5
Letters from Evan Connell to J.I.
35 5
Article: Mirabella Nov 90
35 5
Article on Evan Connell
35 6
Screenplay
Box Folder
35 6
J.I. to Paul Newman & Joanne Woodward
35 6
Script work J.I., RPJ, Evan Connell
35 6
RPJ to J.I.
35 7
Production - Art, Costumes, Props
Box Folder
35 7
Score: "The Isle of Capri"
35 7
Nostalgic Music vol 3
35 7
Polish Invasion by Nazis + J.I. note
35 7
Francine Tener to J.I. n.d. "crank"
35 7
Karen Schulz to J.I.
8/24/1989
35 7
Longdreams brochure
35 7
Liste des decors
35 7
Misc. items
35 8
Production - Casting/Personnel
Box Folder
35 8
David Sardi bio
35 8
Audition schedule
35 8
Ed Novick
35 8
Felix. Swisher to J.I.
4/18/1989
35 8
Robert Sean Leonard
35 8
Lisa Krueger
35 8
Aaron Anawalt
35 8
J.I. to Paul Newman
5/22/1989
35 8
Irving Axelrud to I.M.
6/14/1989
35 8
Paul Newman article
35 8
Miss Lovejoy (letter from Myron Taylor)
6/21/1934
35 8A
Production - Cast/Crew/Staff
35 9
Production - Editing
Box Folder
35 9
Final cut letters
35 9
Final cut
35 10
Production - Financial/Legal
35 11
Production - Financial/Legal
Box Folder
35 11
Rand Holston to J.I. & I.M.
11/8/1988
35 11
Cineplex MIP agreement
35 12
Production - Financial/Legal
Box Folder
35 12
Delivery schedule
35 12
Net profits
35 12
Security
35 13
Production - Financial/Legal
Box Folder
35 13
Assignment
35 13
Steven Katz to Rand Holston
6/9/1988
35 13
Rand Holston to Ira Schreck
6/8/1988
35 13
Rand Hoston to J.I. & I.M.
11/6/1990
35 13
Joanne Woodward agreement letter
35 13
Paul Newman agreement letter
35 14
Production - Financial/Legal - Misc. expenses
35 14A
Production - Financial/Legal - Misc items
35 15
Production - Schedules
35 16
Production - Schedules
Box Folder
35 16
Canadian call sheets
35 16
Paris call sheets
35 17
Production - Schedules
35 18
Production - Schedules
35 19
Production - Schedules/shooting (Kansas City)
35 20
Production - Schedules/shooting ( Kansas City)
36 1
Production - Schedules/Day breakdown
36 2
Production - Locations
Box Folder
36 2
Susan Laubergayer to J.I.
6/23/1989
36 2
"Cupcake Land" Essay
7/31/1989
36 2
Marc Salle to J.I.
10/31/1989
36 2
Barbara Brink to I.M.
9/9
36 2
Scale drawing, Moulin Rouge
36 2
Misc. items
36 3
Production - Locations
36 4
Production - Locations/Louvre
36 5
Production - Locations/Paris
Box Folder
36 5
J.I. to Jack Lang
7/10/1989
36 5
Jack Lang to J.I.
1/8/1890
36 5
"Joe Friedman finds locations"
36 5
Chirac halts US film
36 6
Production - Locations/Wade Williams
36 6A
Production - Hospitality Correspondence
36 7
Production - Trailer/Credits/Titles
Box Folder
36 7
Harvey Weinstein to J.I.
12/7/1990
36 7
J.I. to Harvey Weinstein
12/17/1990
36 7
William Horner to Harvey Weinstein
12/19/1990
36 7
J.I. to Harvey Weinstein
11/30/1990
36 7
Harvey Weinstein to J.I.
12/18/1990
36 8
Production - Credits
36 9
Production - Credits
36 10
Production - Titles
Box Folder
36 10
J.I. to Paul Newman
10/19/1990
36 10
Harvey Weinstein to J.I.
11/1/1990
36 10
J.I. to Rand Holston
11/2/1990
36 10
Miramax titles
36 10
More titles
36 11
Production - End Titles
36 12
Promotion - Distribution
Box Folder
36 12
Card "The Miramax Gang" to J.I.
36 12
Bookings
36 12
Buffalo materials
36 13
Promotion
36 14
Promotion - France
36 15
Promotion - New release of book: Mr. & Mrs Bridge
Box Folder
36 15
Jack S. (North Point Press) to J.I and I.M.
4/17/1990
36 15
Sample covers
36 16
Promotion - Marimax previews (comments of audience)
36 17
Promotion - Press Kit
36 18
Promotion - Misc. Articles
36 19
Promotion - Misc. Articles
36 20
Promotion - Venice Film Festival Book
36 21
Promotion - Venice Film Festival materials
37 1
Reviews - U.S.
37 2
Reviews - U.S.
37 3
Reviews - U.S.
37 4
Reviews - U.K.
37 5A
Reviews - Italy
37 5B
Personal/Miscellaneous
Box Folder
37 5B
J.I. to Ruth PJ
3/8/1990
37 5B
Induction Center Scene
37 5B
Personal note on film ending
37 5B
Grant Wood Gothic model obit
37 5B
Chronicle of film ending
37 5B
Canadian Immigration form
37 5B
Telegram: Cineplex Odeon films
37 6
Personal/Miscellaneous
Box Folder
37 6
Dan Taylor to J.I
10/17/1989
37 6
J.I. to USC School of Cinema
10/22/1989
37 6
Paul Newman, J. Woodward scene on ship (not Used)
37 6
Ismail to Jim memo
37 6
J. I -Senator Dole note about Romeo & Juliet
37 6
Mr & Mrs Bridge envelope
37 6
Air France/travel agent foul up
37 6
Party invitation flyer
37 7
Personal/Miscellaneous
Box Folder
37 7
Articles about
37 7
Harvey Weinstein to Paul Newman
9/20/1990
37 7
Fay Lellios to J.I
9/28/1990
37 7
Harvey Weinstein to J.I.
9/4/1990
37 7
J.I note on Harvey Weinstein
37 7
Long Journal About Harvey Weinstein meeting (MIP staffs)
37 7
J.I to Harvey Weinstein -rough draft
37 7
Misc Production Correspondence
37 8
Personal/Miscellaneous - Academy Awards
Box Folder
37 8
Ballot 63rd Academy Awards
37 8
"Reminder of Eligible Releases"
37 8
"Eligible Features 1990"
37 8
Job application to Mr. Bridge from Julia Lovejoy
37 8
Actress nominees
37 8
Academy Award articles
37 9
Personal/Miscellaneous
Box Folder
37 9
NY Film critics award dinner
37 9
Credit Lyonnais Xma Card to J.I
37 9
Xmas card (Zimmerman)
37 9
Card from B. Zimmerman (Evan Connell's sister)
37 9
B. Zimmerman to J.I.
37 9
Train letter to B Zimmerman
37 10
Personal/Miscellaneous - Letters, cards from actors
Remains of the Day (1993)
??
Box Folder
37 11
Treatment
Box Folder
37 11
J.I. to RPJ
37 11
RPJ to J.I.
37 11
Loose pages from Howards End
37 11
Synopsis of Howards End
37 12
Treatment - Novels
Box Folder
37 12
Three copies of book: Howards End w/ notes
37 13
Screenplay
Box Folder
37 13
RPJ to J.I. with script notes
37 13
David Aukin to J.I.
2/28/1991
37 14
Screenplay - First draft, part 1
37 15
Screenplay - First draft, part 2
37 16
Screenplay - First draft, part 3
37 17
Screenplay - Version submitted to typists
37 18
Screenplay - Version submitted to typists (cont.)
37 19
Screenplay - Typed version w/ notes
38 1
Screenplay - French
38 2
Screenplay - Misc. papers
38 3
Production - Director's Notes
38 4
Production - Breakdowns & Finance
38 5
Production - Art & Locations
Box Folder
38 5
Luciana Arrighi to J.I.
38 5
Location recon Dec 15 & 16
38 5
Sketch by Luciana Arrighi
38 5
Aunt Juley's House
38 5
Plans: No. 6. Victoria Square
38 5
Locations/Joe Friedman to J.I.
9/30/1990
38 5
Marriage Certificate prop
38 6
Production - Call sheets
38 7
Production - Call sheets
38 8
Production - Call sheets
38 9
Production - Call sheets
38 10
Production - Call sheets/Schedules
38 11
Production - Sound/Music
Box Folder
38 11
Morris Dance
38 11
Morris & Sword Dance
38 11
Dick Robbins to Anne Wingate
11/06/1991
38 11
Anne Wingate to Dick Robbins
6/19/1991
38 12
Production - Art/Locations
Box Folder
38 12
Location recons
38 12
Oxford location
38 12
Stakesay Castle
38 12
Bombing of Chamber of Shipping
38 12
Memo: Luciana Arrighi to crew members
5/12/1991
38 12
Street traffic-London
38 12
Paul Bradley to J.I.
38 12
Peter James to J.I.
3/10/1989
38 12
Luciana Arrighi to J.I.
11/03/1991
38 12
Lady Tilney's hall chairs
38 12
Luciana Arrighi to J.I. (card)
7/17/1991
38 12
Article "The City at High Noon"
38 12
Fax: Anne Wingate to J.I.
3/20/1991
38 12
Memo to residents of Chiswick Mall from MIP
38 12
Schlegle House
38 12
Wigmore
38 12
MIP to residents of Chiswick Mall
38 13
Production - Sound/Music
Box Folder
38 13
Mayflower film recording cue sheets
38 13
Sept 25th cue sheets
38 13
Twickenham Film Studios
38 13
C.D. liner notes
38 13
Music cue sheets
38 14
Production - Video mastering controversy
Box Folder
38 14
J.I. to Marcie Bloom
10/19/1992
38 14
Widescreen theatrical version
38 14
J.I .to Marcie Bloom
38 14
Marcie Bloom to J.I., I.M.
9/24/1992
38 14
IM to Adam Falik
9/24/1992
38 14
Marcie Bloom to JI, IM
9/24/1992
38 14
J.I. to Marcie Bloom
10/19/1992
38 15
Production - Notes on screening
38 16
Production
Box Folder
38 16
Titles
38 16
Cast lists
38 16
Correspondence
38 17
Production - Legal/Financial
Box Folder
38 17
Legal/Financial Pyramide
38 17
Director's service agreement
38 17
Financing Agreement
38 17
Licence Agreement
15/03/1991
38 17A
Production - Legal/Financial
Box Folder
38 17A
Loan Agreement & Security Assignment
39 1A
Production - Legal/Financial
Box Folder
39 1A
Lender Agreement
39 1A
Legal & Financial Correspondence
39 1B
Production - Legal/Financial (misc items)
39 1
Promotion - CLAK Anno 9 -No.5
39 2
Promotion - Cannes 1992 Program
39 3
Promotion
Box Folder
39 3
Premier Happy Home School
39 3
Smithsonian Programs
39 3
Premier LA Screening
39 3
Preservation League of N.Y.
39 4
Promotion - Press Kit w/ revisions
39 5
Promotion - Drafts of Orion/U.K Press Kit
39 6
Promotion
Box Folder
39 6
Royalty Charity Premier
39 6
Emma Thompson and Princess Margaret articles
39 6
Misc. interview schedules
39 7
Promotion - Vanity Fair Promotion
39 8
Promotion - Distribution/Misc. Advertisements
39 9
Promotion - French brochure
39 10
Promotion - Cannes articles
39 11
Promotion
Box Folder
39 11
Italian materials
39 11
The infamous count
39 11
Interview schedule
39 11
Michel Fanto to J.I.
5/11/1992
39 11
I.M. Interview
39 11
French articles
39 12
Reviews
39 13
Reviews - Student
39 14
Reviews - English
39 15
Reviews - U.S.
40 1
Personal/Miscellaneous - Newspaper clippings
40 2
Personal/Miscellaneous
Box Folder
40 2
Birthday cards
40 2
Certificate of Recognition (from the City of New York)
40 3
Personal/Miscellaneous
Box Folder
40 3
Carol Hemming to J.I.
3/3/1991
40 3
Carol Hemming to J.I.
n.d
40 3
Four digital shots at Claverak by Liz Susher, Tom Freeman
40 3
Article about Sophie Thompson
40 3
Vanessa Redgrave material
40 3
Academy membership screening May 92
40 3
Moira Govan to J.I.
n.d.
40 3
Martin Pickle to J.I.
7/29/1991
40 4
Personal/Miscellaneous
Box Folder
40 4
Writer's Guild
40 4
Director's Guild
40 4
D.W. Griffith Award
40 4
Writer's Guild Newsletter
2/3/1993
40 5
Personal/Miscellaneous - Academy Awards
Box Folder
40 5
Board of Governor's Ball Program
40 5
Academy to J.I. (Best Director nomination)
2/19/1993
40 5
Block-Korenbrot memo to J.I (award schedules)
3/25/1993
40 5
The Hollywood Reporter
3/30/1993
40 5
Howards End Welcoming dinner invitation
40 5
Academy Awards odds & ends
40 5
Betty Boatwright to J.I.
40 5
Rizwan Chowhan (note) to J.I. & I.M.
40 6
Personal/Miscellaneous - Academy Awards
Box Folder
40 6
Academy Awards Press
40 6
Academy Program
40 7
Personal/Miscellaneous - Actors' letters/cards/etc.
40 8
Personal/Miscellaneous - letters
40 9
Personal/Miscellaneous
Box Folder
40 9
Vanessa Redgrave to IM & J.I.
10/18/1991
40 9
Toby Young Material
40 9
Article about Emma Thompson
40 10
Personal/Miscellaneous - More Academy Awards
40 11
Personal/Miscellaneous - Where Angels Fear to Tread
40 12
Personal/Miscellaneous - Orion bankruptcy
40 13
Personal/Miscellaneous
Box Folder
40 13
Andre Agassi items.
40 13
French article on I.M. & J.I.
40 13
Misc material
40 13
Article on James Ivory
40 13
Variety on academy Awards
40 14
Personal/Miscellaneous - Book Howards End w/ J.I.forward
40 15
Personal/Miscellaneous - References on Forster
40 16
Personal/Miscellaneous - Random House correspondence
40 17
Personal/Miscellaneous - Random House-J.I. correspondence
40 18
Personal/Miscellaneous - MISSING
40 19
Personal/Miscellaneous - Random House Commentary Section
40 20
Personal/Miscellaneous - Drafts of Introduction by J.I.
40 21
Personal/Miscellaneous - Drafts of Introduction by J.I. (cont.)
40 22
Personal/Miscellaneous - Notebook
41
Personal/Miscellaneous - Music Cue sheets
Box Folder
41 1
Cue 1
41 2
Cue 2
41 3
Cue 3
41 4
Cue 4A
41 5
Cue 4B
41 6
Cue 7
41 7
Cue 9A+B
41 8
Cue 10
41 9
Cue 11
41 10
Cue 12/13
41 11
Cue 14
41 12
Cue 16/17
42
Personal/Miscellaneous - Music Cue sheets
Box Folder
42 1
Cue 18
42 2
Cue 21A+B/22
42 3
Cue 23/24/25
42 4
Cue 26
42 5
Cue 27A
42 6
Cue 27B
42 7
Cue 28A
42 8
Cue 28B
42 9
Cue 28C
42 10
Cue 28D
42 11
Cue 29
42 12
Cue 32
43
Personal/Miscellaneous - Music Cue sheets
Box Folder
43 1
Cue 33
43 2
Cue 34A+B
43 3
Cue 36
43 4
Cue 37
43 5
Cue 39A
43 6
Cue 39B
43 7
Cue 39C
43 8
Cue 39D
43 9
Cue 41
43 10
Cue 42
43 11
Cue 43
The Wild Party
Box Folder
44 1
Treatment - Book: The Remains of the Day
44 2
Screenplay - by Harold Pinter
44 3
Screenplay - 2nd Draft by Jhabvala
8/1992
44 4
Screenplay - Revisions
44 5
Screenplay - Revisions
44 6
Screenplay
Box Folder
44 6
Third draft timing sheet
44 6
J.I. to Chris Reeve
9/6/1992
44 7
Screenplay - Anthony Hopskin
44 8
Screenplay - Subtitles
44 9
Screenplay - Final Continuity List
45 1
Production - Credits
45 2
Production - Credits
45 3
Production - Locations - Corsham Court
45 4
Production - Locations - Irish
45 5
Production - Locations - Badminton House
45 6
Production - Locations - Darlington Hall
45 7
Production - Art (Arrighi)
45 8
Production - Art (Arrighi)
45 9
Production - Financial/Legal - Budget
45 10
Production - Financial/Legal - Contracts
45 11
Production - Financial/Legal - Receipts
45 12
Production - Casting
45 13
Production - Casting
46 1
Production - Music
46 2
Production - Call Sheets
46 3
Production - Draft Shooting Schedules
46 4
Production - Call Sheets (cont.)
46 5
Production - Reshoots
46 6
Production - Reshoots
46 7
Production - Sound Recording
46 8
Production - Sound Sync
46 9
Production - Sound Sync
46 11
Production - Post production
46 10
Production - Post production
46 12
Promotion/Distribution - Gate receipts
46 13
Promotion/Distribution - Gate receipts
46 14
Promotion/Distribution - Gate Receipts
46 15
Promotion/Distribution - Ishiguro Interview
46 16
Promotion/Distribution - Premiers
46 17
Promotion/Distribution - Premiers
47 1
Promotion/Distribution - Venice Festival
47 2
Promotion/Distribution - Venice Festival
47 3
Promotion/Distribution - Venice Festival
47 3a
Promotion/Distribution - The Remains the Day's program schedule
47 4
Promotion/Distribution - Berlin
47 5
Promotion/Distribution - Berlin
47 6
Promotion/Distribution - Press Kit items
47 7
Promotion/Distribution - Press Releases
47 8
Promotion/Distribution - Distribution Plan & Delivery
47 9
Screening Reactions - Evaluations from sneak preview
48 1
Promotion - Academy Awards
48 2
Promotion - Academy Awards
48 3
Promotion - Academy Awards Press
48 4
Promotion - Academy Awards, misc.
48 5
Promotion - Video
48 6
Promotion - PR Schedules
48 7
Promotion - PR Schedules
48 8
Reviews - U.S.
48 9
Reviews - U.S.
48 10
Reviews - U.S.
48 11
Reviews - British
48 12
Reviews - British
48 13
Reviews - French
48 14
Personal/Miscellaneous - Scorcese
48 15
Personal/Miscellaneous - Jacoby Dispute
48 16
Personal/Miscellaneous - Directors Guild
48 17
Personal/Miscellaneous - Sony/Columbia
48 18
Personal/Miscellaneous - Misc. materials
48 19
Personal/Miscellaneous - DVD Interview
48 20
Personal/Miscellaneous - DVD Interview
48 21
Personal/Miscellaneous - DVD Interview
Jefferson in Paris (1995)
??
Box Folder
49 1
Treatment (Tony Chase)
49 2-3
Treatment (J.I & Anthony Chase)
49 4-6
Screenplay - Draft by Tony Chase
49 7-10
Screenplay - Ivory/Chase
49 11-14
Screenplay - French
49 15
Screenplay - Financial
49 16-19
Screenplay - First draft by Jhabvala
50 1-4
Screenplay - First draft by Jhabvala
50 4a
Screenplay - Second draft by Jhabvala
50 5
Screenplay - Revisions
50 6
Screenplay - Revisions notes
50 7
Screenplay - Revisions 1
50 8
Screenplay - Revisions 2
50 9-11
Screenplay - Revisions (screenplay annotations)
50 12-15
Screenplay - Final
50 16-17
Screenplay - Dialogue Revisions
50 18
Production - Subtitles
50 19
Production - Financial
50 20
Production - Sets
51 1-8
Production - Casting
51 9-11
Production - Costumes
51 12
Production - Sets: gardens
51 13
Production - Sets: Versailles
51 14
Production - Sets: The Villa Trinanon
51 15
Production - Sets: Guy Claude Francois
51 16
Production - Sets: Le Desert deRetz
51 17
Production - Sets: Jefferson items
52 1
Production - Sets: Hotels, misc
52 2
Production - Sets: Nancy/Bordeaux
52 3-4
Production - Sets: Misc materials
52 5
Production - Actors & crews directory
52 6-10
Production - Titles
52 11-17
Production - Music
52 18-19
Production - Sound Editing
52 20-21
Production - Editing
52 22
Production - Legal
53 1
Production - Dialogue & Continuity (REEL 1A/1B)
53 2
Production - Dialogue & Continuity (REEL 2A/2B)
53 3
Production - Dialogue & Continuity (REEL 3A/3B)
53 4
Production - Dialogue & Continuity (REEL 4A/4B)
53 5
Production - Dialogue & Continuity (REEL 5A/5B)
53 6
Production - Dialogue & Continuity (REEL 6A/6B)
53 7
Production - Dialogue & Continuity (REEL 7A/7B)
53 8
Production - Upstate New York
53 9
Production - List of boxes & daily continuity
53 10-11
Production - Draft of all voice-overs
53 12
Production - Voice-overs
53 13
Production - Assistant Director's breakdown-cast/crowd/ stunts
53 14
Production - Extra breakdown
53 15
Production - Day breakdown
53 16
Production - Timing, Locations & Remaining Sequences
54 1
Production - General Breakdown
54 2-11
Production - Day out of Day Schedule
54 12
Production - Unit List
54 13
Production - Production Boards
54 14
Production - Pre & Post Production
54 15
Production - Correspondence
Box Folder
54 15
J.I. to Humbert Balsan
11/03/1994
54 15
John Bright to J.I.
10/16/1994
54 15
Melissa Chung to J.I.
11/17/1994
54 15
Sian Parry to MIP
10/27/1994
54 15
MIP to Sian Parry
10/26/1994
54 15
J.I. to Diana Hankins
4/17/1995
54 15
J.I. to Dr Charles Hadley
54 15
Graham Easton to I.M. and H. Balsan
4/22/1994
55 1
Promotion - NY Times & Walt Disney Ads
55 2-4
Promotion - Personal Appearance Tour
55 5
Promotion - Preservation League of NY State
55 6
Promotion - Cannes Official Program 1995
55 7
Promotion - Study Guide
55 8
Promotion - Promo kit
55 9
Promotion - Cannes The Holywood Reporter
55 10
Promotion - Cannes Schedule & French articles
55 11
Promotion - Press (U.S & France)
55 12-19
Reviews - Buena Vista
55 20-22
Reviews - Misc articles
56 1
Reviews -Misc
56 2
Reviews - French
56 3
Reviews - English
56 4
Personal/Miscellaneous - MISSING
56 5-7
Personal/Miscellaneous - Sally Hemings Controversy
56 8-10
Personal/Miscellaneous - Thomas Jefferson
56 11
Personal/Miscellaneous - Walt Disney
56 12
Personal/Miscellaneous - Correspondence
56 13
Personal/Miscellaneous - Jefferson's Vision
56 14
Personal/Miscellaneous - Characters of Jefferson
56 15
Personal/Miscellaneous
Box Folder
56 15
The Jefferson Players
56 15
Monticello-architectural drawings
56 16
Personal/Miscellaneous - Misc materials
56 17
Research: Pontificale Romanum
56 18
Research: Prise de Voile
56 19-20
Research: Principaux personnages
56 21
Research: Dosier Voitures
56 22
Research: Mesmer
56 23
Research :Etats Generaux
57 1
Research: Eclairages Rues
57 2
Research: Scenes de Guignol
57 3
Research: Thomas, Martha, and the American Ideal
57 4-7
Research: Pictures of Paris before & after the revolution
57 8-10
Research: In Paris with MIP and Thomas Jefferson (by Weiser)
57 11-15
Research: Documentation Inconographique Generale
57 16
Research: Doug Kitveatis story
57 17
Misc articles
57 18
Slavery items
57 19
Humphreys in France
57 20
Court Ritual
57 21
Dinina/Feasting
57 22
Misc correspondence
Surviving Picasso
Box Folder
58 1
Treatment - TIME articles
58 2
Books about Picasso
58 3
Newsweek's articles
58 4
New York Articles
58 5
Other articles
58 6
French articles
58 7
Film materials
58 8-9
Treatment
58 10-13
Screenplay (film 19) revised 3rd draft
58 14-19
Screenplay (film 19) final script
58 20-22
Screenplay - surviving Picasso script
58 23
Screenplay
59 1
Screenplay
59 2
Script Breakdowns
59 3
Titles and credits
59 4
Production
59 5-7
Titles and credits
59 6
Titles and credits - DELETE
59 8
Film logo
59 9
Titles and end credit rolls
59 10
(Film 19) Unit list
59 11
Unit list
January 12, 1995
59 12
Main titles
59 13
Titles and miscellaneous
59 14
End titles
59 15
Titles, artistic
59 16
Subtitles
59 17
Crew list (film 19)
59 18
One line cast list (film 19)
59 19
Crew/cast directory (film 19)
59 20
Crew list
59 21
Casting interviews
59 22
Casting and actor biographies
59 23
Casting miscellaneous
59 24
Schedule and index binder
60 1
Costumes
60 2-3
Locations
60 4-5
Set materials
60 6-11
Set locations
60 12
Painting locations and descriptions
60 13
Location schedule (Film 19)
60 14
Luciana Arrighi and J.I. Correspondence
60 15
Picasso like drawings and props
60 16
Miscellaneous materials
61 1-2
Music
61 3
Legal Contracts
61 4
Legal/director loan out agreement
61 5
Film budget
61 6
Comparative budgets remains, Jefferson, Picasso
61 7
Miscellaneous budgets
61 8
Production
61 9-12
Correspondence
61 13
Miscellaneous materials
61 14-17
Miscellaneous legal financial
61 18
Script clearance and research
61 20
Ivory's drawings: Francoise in the Vellasquez Press
61 21
Francoise by Picasso
61 22
Story boards
61 23
Dubbing
62 1
Pre-production schedule
62 2
Staffing casting letters
62 3
Miscellaneous correspondence and memos
62 4
Schedule order (film 19)
62 5
Cast schedule
62 6-7
Movement order to U.K.
62 8
Paris under German occupation shots
62 9
online schedule (film 19)
62 10-11
Online schedule (Surviving Picasso)
62 12
Scene and state breakdown
62 13
Line sheets (Anthony Hopkins)
62 14
Line sheets (Natascha Mcelhone)
62 15-17
Line sheets (other actors)
62 18
Line sheets (group loops)
62 19
Voice over Francoise
62 20-22
Editing
62 23-25
TV Editing
63
Call Sheets
Folder
63 2
Call sheets - South of France
63 3
Combined continuity and master English spotting/subtitle list
63 4-5
Master English dialogue list
63 6
Master English subtitle/spotting list
64 1-2
Italian presentation
64 3
Press notes
64 4
Press notes with corrections
64 5
Interview schedules
64 6
French promotion material
64 7
European tour
64 8
Portrait show
64 9
Promotion pieces
64 10
Newspaper controversy (Sunday telegraph)
August 18, 1996
64 11
Orders for PR prints
64 12
Box office
64 13
Poster title treatments
64 14
Press Junket
64 15-19
Audience Surveys
64 20-21
French reviews
64 22
U.S. Reviews
64 23
Richardson controversy
65 1-2
Richardson controversy
65 3
Press articles and reviews
65 4
Reviews of "Faking Picasso"
65 5-9
Reviews
65 10
Production correspondence
65 11
Dora Maar
65 12
Anthony Hopkins
65 13
Bruno Pasquier-Desvignes
65 14
Ratings appeal
65 15
Congratulations
65 16
Pierrette le bourdiec interview
65 17
Pullman ladies
65 18
Academy list of releases
1996
65 19
"Talk of the Town" correspondence
65 20
Personal and miscellaneous
65 21
Brassai
65 22
Picasso
65 23
Francoise Gilot
65 24
J.I. Miscellaneous financial item
65 25
Miscellaneous items
66 1-4
Treatment by Ariana S. Huffington
66 5-7
"Picasso - An Intimate Portrait" by Sabartes
66 8-10
"Picasso - An Intimate Look at His Last Year" by Otero
66 11-14
"An Island in Paris" - by Carlton Lake
66 15
Art Journal 68/69
66 16-18
"Picasso - The Recent Years 1939-1946" by Janis
A Soldier's Daughter Never Cries
Box Folder
67 1
Treatment
67 2
Directors marked up copy of the novel
67 3
Screenplay - First Draft
July 7, 1992
67 4
First draft with inserts
July 7, 1992
67 5
First draft with notes
67 6
Director's copy
67 7-8
Fragments
67 9
Pink script pages
67 10
Kaylie Jones
67 11
Photo Ruckus
68 1
Working draft
68 2
Third draft
68 3
Ruth's re-write
68 4
Final combined version
68 5
Partial remains of Jim's script
69 1-2
Post production release script
September 28, 1998
69 3-4
Script
70 1
Production art
70 2-5
Casting
70 6-8
Credits and titles
70 9
Crew
70 10
Script and shooting report
70 11-14
Continuity sheets
70 15-16
Miscellaneous schedule
70 17
Breakdown schedule
70 18
Shoot schedules
70 19
Schedules
70 20
AD breakdown
70 21
Call sheets - Wilmington
70 22-26
Call sheets - France
70 27
France miscellaneous material
71 1
Shooting schedules
71 2
Continuity
71 3-4
AD breakdown
71 5
Shoot schedules
71 6
Scene timing
71 7
Memos and reports
71 8
Miscellaneous locations
71 9-15
Music
71 16
Sound and dialogue
71 17-19
Post-production
72 1
Rushes - note to be returned
72 2
Legal and Financial
72 3
Legal and financial beginnings
72 4-7
Legal and financial
72 8
James Jones photos
72 9-11
Promotion
72 12
French promotion
72 13
Promotion - Toronto Film Festival
72 14
Promotion - Brussels Festival
72 15
Deauville Festival
72 16
Spirit Awards
73 1
Venice Festival
73 2
Promotion in Italy
73 3
Venice promotional material
73 4
Color Negotiation Stills
73 5
Time life photo lab
73 6
Paris festival
73 7-11
France promotional material
73 12
Reviews - Periscope
73 12
Reviews - UK
73 14-16
Reviews - USA
74 1-2
Research - American in Paris
74 3
James Jones: Glimpses
74 4
James Jones by G. Garrett
74 5
Harpers
February 1974
74 6
Paul Jenkins Paintings
The Golden Bowl
Box Folder
75 1
Synopsis
75 2
Novel by H.J.
75 3
Screenplay
July 1998
75 4
Screenplay
March 1999
75 65
Screenplay
August 11, 1999
75 6
Screenplay - French adaptation
75 7-10
Screenplay revisions
76 1-5
Production art
76 6-10
Production locations
76 11
Costumes
76 13
Sets and scenes
76 14
Music
76 15
Mix
77 1
Casting - Duke and Duchess
77 2-4
Casting
77 5.
Cast and crew lists
77 6-8
Schedules
77 9-14
Call sheets
77 15
AD's breakdown
77 16-20
Legal and financial
78 1
Editing
78 2
Editing with music
78 3
Dubbing - Thurman
78 4
Dubbing - Nolte
78 5
Dubbing - Houston
78 6-7
Dubbing - French
78 8
Dubbing - Northam
78 9
Dubbing - Beskinsale
78 10
Dubbing - miscellaneous
78 11
Dubbing - Italian
78 12
Production lab
78 13
Pickup shots
78 14
Credits: Crew lists and titles
78 15
Credits and titles
78 16
Cannes program material
78 17
Talk magazine
78 18
Press book - early
78 19-20
Press notes
79 1
Press material
79 2
Interviews
79 3
USA film festival
79 4
Premier article
79 5-7
NY opening
79 8
Palm Springs festival
79 9
Netherlands
79 10
Canada Film Festival
79 11
Miramax Rubbish
79 12
Souvenirs of Premier Party
79 13
Scene photos
79 14
Promotional concert
79 15-19
Audience reactions
80 1
Press book - Italian
80 2
Visuals
80 3
Junkets
80 4
TV clips
80 5-6
Miscellaneous
80 7
Cannes guide
80 8
Cannes program
80 10
Cannes - Robert Bresson
80 11
Cannes - Film Francois
80 12
Promotion
80 13
Cannes - Cannel
80 14
Cannes
2000
80 15
Cannes - Italian
80 16
Cannes - 2000 - Le Film Francaise
80 17
Cannes - Miscellaneous
80 18
Cannes reviews
80 19
Interviews
81 1
Correspondence
81 2-5
Personal and miscellaneous
81 6-13
Miramax Dispute
81 14
Jude law miscellaneous
81 15
Jhabvala
82 2
Miscellaneous reviews
82 3
Reviews - France
82 4
J.I. Reaction to Lisa Zeider article
82 5
Paramount - MIP
82 6
Reviews - Italian
82 7-9
Reviews - U.K.
82 10
Miscellaneous items
82 11
Press reviews
Le Divorce
Box Folder
83 1-8
D. Johnson
83 9-12
Ruth's first draft
83 13-16
Ruth's with J.I. Notes
83 17-19
Ruth's 2nd rewrite
83 20-23
Screenplay
March 30, 2001
84 1-4
Screenplay - Early
March 30, 2001
84 5-8
Screenplay - Early
May 15, 2001
84 9-14
Screenplay - early #3
84 15-17
Screenplay - Rewrite
July 4, 2001
84 18-22
Screenplay - 1st draft - revisions
84 23
Screenplay - English dialogue
85 1
Screenplay - Fox exchanges
85 2-5
J.I. 1st draft
85 6
First script
85 7-9
First draft
85 10-13
2nd script
85 14
Handwritten draft
86 1-3
A.D. Breakdown
86 4-6
Dialect notes
86 7
Miscellaneous notes
86 8-9
Continuity
86 10
Screenplay - French
86 11-14
Screenplay
87 1
Le Divorce by Diane Johnson - 2 copies
87 2
Treatment
87 3
Casting correspondence
87 4
Casting possibilities
87 5
Casting
87 6-7
Casting Interviews
87 8
Casting bios
87 9-12
Casting bios (IMDB)
87 13-14
Casting bios and photos
87 15
Casting extras
88 1
Cast bios and photos
88 2
The cast
88 3-4
The cast and crew
88 5
Naomi Watts
88 6
Production - Financial and legal
88 10
Production schedules
88 11-18
Call sheets
88 19-23
Production - The Eiffel Tower
89 1
The Red Purse
89 2
Miscellaneous scenes
89 3
Credits and art
89 4-9
Credits
89 10-11
Music
89 12-13
Editing
89 14-15
Post production
89 16
Post production notes
89 17
Costume and makeup
89 18
Subtitle simulator
89 19
ADR voice over
89 20
Film cut notes
89 21
Cut analysis (Richard Hawley)
89 22
Naughty words
89 23
Disney world
89 24-25
Screening
90 1-5
Eiffel Tower
90 6
Post production
90 7
Fox booklet promotion
90 8
Paris Match promotion
90 9
TV promotion
90 10
Air France and Paris Voice promotions
90 11
Fox Public Relations Folder
90 12
Venice Festival
90 13-15
Venice
90 16
DVD artwork
90 17
Gotham awards
90 18
Public Relations controversy
91 1
L.A. Press
91 2
Teaser trailer
91 3-4
Deauville Festival
91 5-6
Odds and ends
91 7
Promotional material
91 8-15
Preview notes
91 16
Miscellaneous
91 17
St. Ursala
91 18
Miscellaneous promotional material
91 19
Miscellaneous
92 1
Financial and legal - budget
92 2
Costumes
92 3
Director contract
92 4
Writer contract
92 5
Director agreement
92 7
Common script elements
92 8
Child pornography act
92 9
Grosses and statements
92 10
Petty cash receipts
92 11
Petty cash
92 12-14
Directors expenses
92 15
Financial
92 16
Contracts and agreements
92 17
Directors guild
92 18
English reviews
92 19-20
Reviews - U.K.
92 21
Reviews - France
92 22-23
Reviews - U.S.
item
93 1
Auction catalog and notes
93 2
Une Americaine A Paris by Diane Johnson
93 3
Emergency Exit - An Anthology of Women's Poetry in America by Olivia Pace
Folder
93 4
Publications
93 5
Magazines
93 6
Magazine article
93 7
German Auction Catalog
93 8
Promotional materials
item
93 9
2 loose posters
The White Countess
Box Folder
94 1
Treatment
94 2
Background
94 3-4
historical background
94 5
Chinese Nationalists attempt to regulate Shanghai
94 6
Screenplay draft 1
94 7
Screenplay draft 2
94 8
Screenplay draft 3
94 9
Screenplay draft 5
94 10
Screenplay draft 6
94 11
Screenplay number 8
95 1
Screenplay draft 7
95 2
Screenplay draft 8
95 3
French screenplay
95 4
MIP Sony agreement
95 5
Financial and legal
95 6
Financial and legal - Italian budget
95 7-8
Financial and legal
95 9
Funding problems
95 10
Financial, legal and miscellaneous
95 11
Costumes
95 12-13
Casting and crew lists
95 14
Miscellaneous items
95 15-16
Casting - Chinese
95 17
Casting - Extras
96 1
Casting notes
96 2-7
Casting
96 8-12,14-18
locations
96 13
Drawn locations
96 19
Locations: Drawings for Twickenham sets
96 20
Locations: Shanghai
96 21
Location scout schedules
97 1-3
Locations: Suzhou
97 4
Settings - War
97 5
Settings - people
97 6
Posters
97 7-8
Pre-production schedule
97 9
Productions stop lists
97 10-14
Production schedules
97 15-18
Production - Ad schedule
97 19-24
Call sheets
98 1-3
Music and dance
98 4-6
Editing and screening
98 7
Credits
98 8-10
Titles
98 11
Directors Guild
98 12-18
Financial and legal
98 19
Financial and legal - Chinese
98 20-22
Miscellaneous financial materials
99 1
Contacts
99 2
Film financing
99 3-7
Promotion
99 8
Sony - Italian package
99 9-10
Articles
99 11
Miscellaneous promotional material - Chinese
99 12-13
Promotional material
99 14
Sales projections
97 25
Production labs
97 26
Technical and Camera
97 27
Budget drafts
97 28
Budget
99 15
Reviews
99 16-17
Reviews in articles and magazines
99 18-19
Correspondence
99 20
Business correspondence
100 1-2
Personal correspondence
100 3-6
Personal and miscellaneous
City of Your Final Destination
Box Folder
101 1
Novel in Italian
101 2
Screenplay 1st version
101 3
Screenplay 2nd version
101 4
Screenplay 3rd version
101 5
Screenplay 4th version
101 6
Screenplay Spanish version
101 7
Screenplay with notes
101 8
Script with Ruth Jhabvala
101 9
Screenplay
102 1-3
Screenplay
102 4
Notes on novel
102 5-6
Ivory and Jhabvala Notes
102 7
Screenplay James Ivory and Ruth Jhabvala notes
102 8
Screenplay - Ruth Jhabvala notes to James Ivory
102 9
Screenplay - James Ivory notes to Ruth Jhabvala
102 10-11
Screenplay - Notes and revisions
102 12
Peter Cameron notes
102 13
Miscellaneous notes
103 1-3
Casting
103 4
Casting evaluation
103 5-6
Casting
103 7
Casting - extras and miscellaneous
103 8
Production crew and staff
103 9-13
Locations
103 14
Production technology
103 15
Post production
103 16-19
Credits and titles
103 20
Production post sync
104 1
Shoot schedule
104 2-8
Call sheets
104 9
Shooting schedules
104 10
Production schedules
104 11
Colorado Shoot
104 12
Production music
104 13
Directors guild
104 14
Anthony Hopkins
104 15
Props
104 16
Financial
104 17
Production correspondence
104 18
Peter Cameron
104 19
Miscellaneous
104 20
Reviews
105 1-3, 5-7, 9
Promotion
105 4
Dutch promo material
105 8
Rome promotional material
105 10
Planet Hopkins
105 11
Press
105 12
Press clippings
A Room With a View
Box Folder
106 1
Miscellaneous promotional material
106 2
Reviews from France
106 3-6
Financial and legal
106 7
Miscellaneous
Maurice
Box Folder
106 8
Maurice - Screenplay 2nd draft
106 9
Maurice - Screenplay
108 1
Cue I MI
108 2
Cue I MI B
108 3
I MIC
108 5
Cue 2 M 2 C
108 6
Cue 5M8
108 8
Cue 13/14 M22A
108 9
14 M22 B
108 10
Cue 5M9B
108 11
Cue 6MI2
108 12
Cue 7MI4I15
109 1
Cue 8MI6
109 2
Cue 11MI9
109 3
Cue 12M20
109 4
Cue 13M21
109 5
Cue 14M22C
109 6
Cue 14M23
109 7
14M23 (end)
Subseries B: Films Not Produced
Xevox of Book - The Cottage Countness
Box Folder
110 1
Xerox
How I Became a Holy Mother
1974-1976
Box Folder
110 2
Treatment
1976
110 2
Treatment
1974-1976
110 4
Treatment
110 5
Treatment
110 6
Screenplay - Original Story, pt. 1
110 7
Screenplay - Original Story, pt. 2
110 8
Screenplay - Original Story, pt. 3
110 9
Screenplay - Original Story, pt. 4
110 10
Screenplay
110 11
Screenplay
110 12
Screenplay
110 13
Screenplay
Woman Wanted
1985-2000
Box Folder
110 14
Treatment
110 15
Synopsis
111 1
Screenplay
111 2
Screenplay
January 16, 1987
111 3
Screenplay
January 8, 1987
111 4
Production - Casting
January 14, 1987-January 20, 1987
111 5
Production - Schedule/Casting suggestion
1986-2000
111 6
Production - Financial
111 7
Production - Correspondence
1986-1987
111 8
Production - Legal/Agreement
1986-1987
A Lovely World
1966-2000
Box Folder
111 9
Treatment
111 10
Screenplay, pt. 1
111 11
Screenplay, pt. 2
111 12
Screenplay, pt. 3
111 13
Screenplay, pt. 4
111 14
Screenplay, second copy, pt. 1
1972-2000
111 15
Screenplay, second copy, pt. 2
1972-2000
111 16
Personal/Miscellaneous
1966-1967
Major Molineux
1975-1976
Box Folder
112 1
Treatment
1975
112 2
Screenplay
112 3
Screenplay
circa 1976
112 4
Screenplay, typescript
112 5
Screenplay (Revised)
July 27, 1976
112 6
Screenplay (Essay)
1976
112 7
Screenplay (Screen Adaptation)
August 17, 1976
112 8
Correspondence
1975-1976
An Innocent Millionaire
1985-2000
Box Folder
112 9
Book
1985
112 10
Magazines, Brochures
1986-2000
112 11
Misc magazines and photographs
112 12
Clippings
1986-1987
112 13
Miscellaneous (hand notes)
112 14
Miscellaneous (notebook)
113 1
Miscellaneous (notebook)
113 2
First draft, pt. 1
113 3
First draft, pt. 2
113 4
First draft, pt. 3
113 5
First draft, pt. 4
113 6
Screenplay, pt. 1
June 3, 1987
113 7
Screenplay, pt. 2
June 3, 1987
113 8
Screenplay, pt. 3
June 3, 1987
113 9
Misc Correspondence
Three Continents
1978-1986
Box Folder
113 10
Treatment - Notes
113 11
Treatment
113 12
Treatment
1986
113 13
Synopsis
113 14
Screenplay, pt. 1
1985
113 15
Screenplay, pt. 2
1985
113 16
Screenplay, pt. 3
1985
113 17
Legal
1984-1986
113 18
Miscellaneous
1978-1984
Short Films Not Produced
Met Museum Film
1981-1984
Box Folder
114 6
Treatment
114 7
Treatment
114 8
Budget details
114 9
Correspondence
1984
114 10
Miscellaneous
1981
Artful Thieving
1994
Box Folder
114 11
The New York Times Article
1994
114 11
Notes on Museum Thief
Passion
1969
Box Folder
114 1
The New Yorker Article
114 2
Script
114 3
Script
114 4
Script
Silver Sluts
1970-2000
Box Folder
114 12
Notes Screenplay
2000
114 13
Scene Details
1970
114 14
Miscellaneous
Friends of the Earth
1989-1990
Box Folder
114 15
Treatment
114 16
Treatment & Casting
114 17
Correspondence
1989-1990
114 18
Promotional Material
1989-1990
Berlin Diaries
1987-1995
Box Folder
114 19
Correspondence
1987-1995
Alias Grace
1997-1999
Box Folder
114 20
Correspondence and Notes
1997-1999
114 21
Screenplay by Shane Connaughton
Into the Land of Nod
1992
Box Folder
114 22
Screenplay & Casting Notes
June 29, 1992
Subseries C: Documentaries
Venice (1957)
??
Box Folder
115 1
Pre-treatment
115 2
Pre-treatment
115 3
Pre-treatment
115 4
Pre-treatment
115 5
Treatment
115 6
Narration (Draft)
115 7
Narration (Draft)
115 8
Narration
115 9
Production - Storyboard
115 10
Production - Storyboard
115 11
Production - Storyboard
115 12
Production (Misc papers)
115 13
Production - Progress
115 14
Production - Sound
115 15
Production - Edge Numbers
115 16
Production - Permissions
115 17
Production - Finance
115 18
Production - Finance
115 19
Production - Finance
115 20
Production - Finance
116 1
Production - Sequences
116 2
Production - Misc.
116 3
Promotion - Kossoff
116 4
Promotion - Kossoff
116 5
Promotion - Kossoff
116 6
Promotion
116 7
Personal/Miscellaneous
Sword and Flute (1959)
??
Box Folder
116 8
Treatment
116 9
Treatment
116 10
Treatment
116 11
Sword and Flute
116 12
Sword and Flute (Italian)
116 13
Production - General Notebook
116 14
Production - Notebook
116 15
Production - Notes on footage with edge numbers
116 16
Production - Cue sheets
116 17
Production - Cue sheets for the mix
116 18
Production - Misc notes
116 19
Production - Misc notes
116 20
Production - Correspondence
116 21
Promotion/Distribution
116 22
Reviews
The Delhi Way (1964)
??
Box Folder
117 1
Narration
117 2
Production - Notes
117 3
Production - Notes
117 4
Production - Financial
117 5
Production -Correspondence
117 6
Promotion
117 7
Personal/Miscellaneous
117 8
Kossoff/Ivory correspondence
117 9
Kossoff/Ivory correspondence
117 10
Rough Drafts
117 11
Rough Drafts
117 12
Rough Drafts
117 13
Rough Drafts
117 14
Rough Drafts
117 15
Rough Drafts
Subseries D: Short Films Produced
Adventures of a Brown Man (1972)
??
Box Folder
118 1
Treatment
118 2
Screenplay
118 3
Script
118 4
Production - Misc Notes
118 5
Production - Permission and Financial
118 6
Production - Credit/Shot Sheet/ Sound Report
118 7
Production - Correspondence
118 8
Promotion - Promotion
118 9
Promotion - Publicity/Interviews
118 10
Promotion - Misc Correspondence
118 11
Promotion - Articles/Notes
118 12
Personal/Miscellaneous
Helen - Queen of the Nauch Girls (1973)
??
Box Folder
118 13
Treatment/Screenplay
118 14
Screenplay with Notes
118 15
Notebook
118 16
Promotion
Mahatma and the Mad Boy (1974)
??
Box Folder
118 17
Treatment

Series II:  TelevisionReturn to Top

Container(s) Description Dates
TV Films
Hullabaloo (1976)
??
Box Folder
119 1
Treatment/Correspondence with Melvyn Bragg
119 2
Treatment with Notes
119 3
Screenplay
119 4
Screenplay
119 5
Screenplay
119 6
Planner
119 7
Script Notes
119 8
Script Notes (Cont)
119 9
Script Notes (Cont)
119 10
Shot Notes
119 11
Printing Order
119 12
Promotion - The South & Bank Show
119 13
Reviews
119 14
Personal/Miscellaneous
119 15
Personal/Miscellaneous
The 5:48 (1979)
??
Box Folder
120 1
Treatment
120 2
Screenplay
120 3
Screenplay
120 4
Screenplay
120 5
Screenplay - McNally
120 6
Screenplay - Director's copy
120 7
Screenplay, June 12, 1979
120 8
Screenplay, June 26, 1979
120 9
Screenplay - Ruth Prawer Jhabvala notes
120 10
Production - Financial/Legal
120 11
Production - Memorandum/Sketch/Correspondence
120 12
Production - Call Sheets
120 13
Promotion - Press Kits
120 14
Promotion - Press Kits
120 15
Promotion - Miscellaneous
120 16
Reviews
TV Commercials
Chivas Regal
1987
Box Folder
120 17
Miscellaneous
120 18
Production
1987
120 19
Correspondence
1987
120 20
Correspondence
1987
Ralph Lauren
1987-1988
Box Folder
120 21
Scenarios
1988
120 22
Schedule
1988
120 23
Faxes
1988
120 24
Audition notes
February 18, 1988
120 25
Personal/Miscellaneous
1987-1988
Coca Cola
1997
Box Folder
120 26
Script
1997
120 27
Production Details Brochure
February 1997
120 28
Shooting/Casting
February 1997
120 29
Production - Set
120 30
Notes, clippings
February 1997-April 1997
Labor Party
1997-2000
Box Folder
120 31
Correspondence, notes
March 20, 1997-June 22, 2000

Series IV:  James Ivory WritingsReturn to Top

Container(s) Description Dates
Published Writings
New Yorker
Box Folder
122 1
Talk of the Town - Notes
122 2
Talk of the Town - Manuscript
122 3
Talk of the Town - Galleys
122 4
Talk of the Town - Correspondence
122 5
Talk of the Town - Article
122 6
"Namaz" (Feb. 5, 1966)
122 7
"Namaz" - Manuscript
122 8
"Namaz" - Galleys
122 9
"Namaz"
122 10
"Tribute" - Manuscript
122 11
"Memorial Service" - Galleys
122 12
"Memorial" - Personal/Miscellaneous
122 13
"Memorial"
122 14
"Meher Baba" (June 21, 1969)
122 15
"Meher Baba" - Manuscript draft
122 16
"Meher Baba" - Manuscript
122 17
"Meher Baba" - Galleys
122 18
"Meher Baba" - Miscellaneous
122 19
"Meher Baba"
122 20
"Maestro" - Notes
122 21
"Maestro" - Drafts
122 22
"Maestro" - Manuscript
122 23
"Maestro" - Galleys
122 24
"Maestro" - Pers/Misc.
122 25
New Yorker, July 22, 1967
122 26
"Jan Kadar" - Manuscript
122 27
"Jan Kadar" - Galleys
122 28
"Jan Kadar"
Sight and Sound
Box Folder
123 1
"Jane Buck"
123 2
"Isherwood"
123 3
"Isherwood"
123 4
"Isherwood"
123 5
"Heaven's Gate"
123 6
"Heaven's Gate"
123 7
"Glass Menagerie"
123 8
"Glass Menagerie"
123 9
"The Trouble with Olive"
123 10
"The Trouble with Olive"
123 11
"The Trouble with Olive" (spring 1985)
123 12
"The Trouble with Olive"
123 13
"The Trouble with Olive"
123 14
"The Trouble with Olive"
123 15
"Arachnophobia" (autumn 1990)
123 16
"Arachnophobia"
123 17
"Arachnophobia"
Art Forum
Box Folder
123 18
Robert Helm (Nov. 1984)
123 19
Robert Helm
123 20
Robert Helm
123 21a
Robert Helm
World Film Directors
Box Folder
123 22
Biography
123 23
Biography
World Film Directors
Box Folder
123 24-25
Raquel Welch
Debrett's
Box Folder
123 26
Hudson Valley
123 27
Hudson Valley
123 28
Hudson Valley
Box Folder
123 29
Conversations/Raquel Welch
Autobiography of a Princess
Box Folder
124 1
Research
124 2
Manuscript
124 3
Manuscript
124 4
Manuscript
124 5
Manuscript
124 6
Production - Joan Kahn Correspondence
124 7
Production - Misc papers
124 8
Production - Galleys
124 9
Production - Book Jacket
124 10
Production - Misc
124 11
Reviews
124 12
Personal/Miscellaneous
Afghanistan
Box Folder
125 1
Afghanistan - Draft
125 2
Afghanistan - Draft
125 3
Afghanistan - Draft, with corrections
125 4
Afghanistan - Other corrections
125 5
Afghanistan/Pusuit of Peace
125 6
Afghanistan - Diaries
125 7
Afghanistan - Notes
Indian Style
Box Folder
125 8
Indian Style - Merchant's Draft
125 9
Indian Style - Intro Manual Script
125 10
Indian Style - Correspondence
125 11
Indian Style - Corrected Manuscript
Opera Program
Box Folder
125 12
Apollo and Dafne
Writings Not Published
Box Folder
126 1
Licia Albanese - Drafts
1967
126 2
Licia Albanese - correspondence
1967
126 3
Necklace
126 4
Necklace - Correspondence, clippings
1973
126 5
Jacques Demy
1966-1969
126 6
Professionals
126 7
Professionals
126 8
Professionals - Correspondence, clippings
1971

Series V:  Personal PapersReturn to Top

Container(s) Description Dates
Subseries A: Correspondence
Box Folder
127 1
Outgoing
1969-1972
127 2
Outgoing
1973-2003
127 3
Incoming, Ab-Au
127 4
Incoming, Ba-Ba
127 5
Incoming, Ba-Be
127 6
Incoming, Bl-Bu
127 7
Incoming, Cal-Car
127 8
Incoming, Car-Car
127 9
Incoming, Cal-Cr
127 10
Incoming, Da-De
127 11
Incoming, Di-Di
128 1
Incoming, Ed-Ey
128 2
Incoming, Fe-Fr
128 3
Incoming, Ga-Gl
128 4
Incoming, Gl-Gu
128 5
Incoming, Ha-Ha
128 6
Incoming, Has-Ho
128 7
Incoming, Is-Jh
128 8
Incoming, Jo-Jo
128 9
Incoming, Ka-Ke
128 10
Incoming, Kendall
128 11
Incoming, Ke-Ko
129 1
Incoming, L-Lo
129 2
Incoming, Ma-Mc
129 3
Incoming, Me-Mo
129 4
Incoming, Mo-Mu
129 5
Incoming, Na-No
129 6
Incoming, Ob-Ow
129 7
Incoming, Pa-Pe
129 8
Incoming, Pe-Py
129 9
Incoming, Ra-Re
129 10
Incoming, Re-Rd
129 11
Incoming, Ro-Ru
130 1
Incoming, Sa-Sc
130 2
Incoming, Sc-Se
130 3
Incoming, Se-Si
130 4
Incoming, Si-Sp
130 5
Incoming, St-Sw
130 6
Incoming, Ta-Th
130 7
Incoming, To-Tu
130 8
Incoming, Va-Vu
130 9
Incoming, Wa-Wo
130 10
Incoming, Ya-Ze
Subseries B: Financial records
Box Folder
131 1
Check Register
May 1959-October 1959
131 2
Check Register
1954-1960
131 3
Check Register
1956-1957
131 4
Check Register
1957-1958
Subseries C: School Materials
Box Folder
131 5
University of Oregon
1949
131 6
University of Oregon
1950+
131 7
University of Oregon - Sketchbook
131 8
University of Oregon - Sketchbook
1951
131 9
University of Oregon - Notebook
132 1
University of Oregon - Interior Design
132 2
University of Oregon - History of Architecture
132 3
University of Oregon - Ceramics
132 4
University of Oregon - Ceramics
132 5
University of Oregon - Graphics
132 6
University of Oregon - Languages
132 7
University of Oregon - Shakespeare
132 8
University of Oregon - Religion
132 9
University of Oregon - Dianetics
132 10
University of Oregon - Miscellaneous
132 11
USC - "Esther" screenplay
132 12
USC - Notes
132 13
USC - Sets
132 14
USC - Notebooks
132 15
USC - Notebooks
132 16
USC - Miscellaneous subjects
132 17
USC - Miscellaneous subjects
132 18
USC - "Four in the Morning"
133 1-8, 10-15
Correspondence
133 9
Film related correspondence
133 16
Correspondence - Svetlana and Peters
133 17
Correspondence
1965
133 18
E.P. Ivory (Father)
133 19-20
Film Correspondence
1965
133 21
Felicity Kendall
1965
134 1
Felicity Kendall
1966
134 2
Jennifer Kendall
1965
134 3
Jennifer Kendall
1966
134 4
Felicity and Jennifer
1965-1966
134 5
T.M. - J.I.
134 6
Lillian Ross
134 7
Radim Films
134 8-10
Correspondence
134 11
Correspondence
1969
134 12
January through May
1970
134 13-14
Correspondence
134 15
Correspondence
1964
135 1
Correspondence - Family and friends
135 2-3
EPI condolences
135 4-5
Householder
1961-1963
135 6
Sashi and Jennifer Kapoor
135 7
Correspondence
1961-1963
135 8
Venice, Sword and Delhi
1962-1964
135 9
Delhi Way, Asia Soc
135 10
Jan and Daphne Wall
1961-1962
135 11
Deaths
135 12
English Friends
135 13
E.P. Ivory
135 14
Dick Robbins and M. Schill
135 15
R. Yates
136 1
January - April
1960-1961
136 2
May - October
1961
136 3
Correspondence
1963-1964
136 4
Correspondence
1964-1965
136 5
Correspondence
1966-1969
136 6-7
Miscellaneous letters
136 8
K. Falls
136 9
Family
136 10
M.I.P. Related
137 1-2
Correspondence
Subseries E: Personal Collection
Box Folder
?? ??
[Missing]
146
A Soldier's Daughter Never Cries - Design material
147
Set material

Series VI:  BiographicalReturn to Top

Container(s) Description
Box Folder
138 1
Army Life - Cryptography
138 2
Army Life - 2nd Armored Division
138 3
Army Life - 2nd Armored Division
138 4
Army Life - Amahl and the Night Visitor
138 5
Biography, circa 1984
138 6
Bruce DeWitt journal
138 7
Bill O'Neill journal
138 8
Personal Correspondence
138 9
Odds and ends
138 10
Miscellaneous
138 11
2003 Material
138 12
Miscellaneous

Series IX:  Photographs (PH321), not yet assignedReturn to Top

Ivory, James
3 linear feet
Container(s) Description Dates
Box Folder
148 1
Wild Party
149 1
Jefferson in Paris
150 1
Heat and Dust
151
The Golden Bowl
Folder
152 1
Quartet
153 1
Howard's End I
148 2
The Europeans
148 3
The 5:48
148 4
The Bostonian's
149 2
Actors: Jefferson in Paris
149 3
Slaves of New York
150 2
Venice I
150 3
Venice II
150 4
Bombay Talkie
150 5
Satiajit Ray
150 6
Sword and the Flute
152 2
Room with a View
152 3
Room with a View
152 4
Room with a View
152 5
Women Wanted
7
Savages, Bombay Talkie, Surviving Picasso, The Guru
155
Oversized materials, various films
156
Mr. & Mrs. Bridge
157
Maurice
158
Remains of the Day
159
A Soldier's Daughter I
160
A Soldier's Daughter II
Folder
153 2
Jane Austen in Manhattan
153 3
Howard's End II
153 4
Howard's End III
153 5
Autobiography of a Princess
154 1
Savages
154 2
Bombay Talkie
154 3
Surviving Picasso
154 4
The Guru
154 5
Roseland
162
The Mystic Masseur

Misc MIPReturn to Top

Container(s) Description
Box Folder
121 1
GAACH
121 2
GAACH
121 3
GAACH - production
121 4
GAACH - production music
121 5
GAACH - production editing
121 6
GAACH - production voice over
121 7
GAACH - Production "The Tree"
121 8
GAACH - Personal and miscellaneous
121 9
The Deceivers - Production call sheet
121 10
The Deceivers - Shooting schedule
121 11
The Deceivers - Promotion
121 12-13
The Deceivers - Reviews
121 14
The Deceivers - miscellaneous items
121 15
Lumier film
121 16
Street musician of Bombay
121 17
Ballad of Sad Cafe
121 18-20
Ballad of Sad Cafe - script
121 21
Ballad of Sad Cafe - Miscellaneous notes

VII:  Personal PapersReturn to Top

Container(s) Description Dates
Box Folder
139 1
History
139 2
Odds and Ends
139 3
Awards
139 4
Miscellaneous papers
139 5
Dick Robbin's portfolio
139 6-7
Dick Robbins
139 8
Film proposal
139 9-10
Films of MIP
140 1
"Playmaker"/Literary option agreement
140 2
Channel four television corporation agreement
140 3
High court, Bombay
140 4
University of Oregon exhibit
140 5
Miscellaneous correspondence
140 6-8
Screen actor's suit
140 9
Miscellaneous brochures
140 10
Miscellaneous financial
141 1-2
Gugenheim grant
141 3
Where angels fear to read
141 4
Teatro Comunal
141 5-7
Miscellaneous material
141 8
Mail phone numbers
141 9
Opera
141 10
Miscellaneous
141 11-12
Cinderella
141 13
Miscellaneous material
141 14
MIP stationary
141 15
Ruth Jhabvala
141 16
Emma Thompson/ Princess Margaret
141 17
James Ivory
141 18-20
John Pym
142 1
Films produced
142 3
Art - Music
142 4
Interview - Andrew Robinson
142 5
Cahiers du Cinema
142 6
Art forum article (J.I.)
142 7-8
Satyajit Ray correspondence
142 9
Subrata Mitra
142 10
MIP Release/Nghosh Book
142 11
Subatra Mitra
142 12
MOMA
142 13
Press reviews
142 14
J. Library of Congress
142 15
Asia Magazine
142 16
Film culture/Atlantic
142 17
Net Festival
142 18
Academy awards
142 19
Death
142 20
Satyajit Ray
142 21
Restoration Controversy
item
142 22
The masterworks of Satyajit Ray - CD
Folder
143 1-2
Writings
143 3
Writings and Journals
143 4
Articles
143 5
Assorted miscellaneous items
143 6
LA Tour - Le Divorce
143 7
Miscellaneous
143 8
French Institute
143 9
Richard II screenplay
143 10
Personal papers
143 11
LIFE Magazine
2013
143 12
Blueprints for a kitchen
162 1
Correspondence and print outs
162 2
News clippings
162 3
Dajeerling LTD
162 4
Call Me By Your Name script
162 5
Printed articles and personal notes
162 6-7
Restricted correspondence
163 1
Black and white stills from Slaves of New York
1988
163 2-3
Jhabvala correspondence
163 4
Material regarding Howard's End
163 5
Email correspondence
163 6-8
Personal papers
163 9
Bombay Talkie
item
163 10
Empty Howard's End VHS Box
164 1
Howard's End by E.M. Forster
164 2
Mrs. Bridge and Mr. Bridge by Evan S. Connell
164 3
Reich Speaks of Freud by Wilhelm Reich
164 4
The Remains of the Day by Kazuo Ishiguro
164 5
Jefferson and the Rights of Man by Dumas Malone
Folder
164 6
Conversations with Screenwriters by Susan Bullington Katz
item
164 7
Savages Shakespeare Wallah by James Ivory
164 8
Home by Marilynne Robinson
164 9
Journal and Letters of Philip Vickers Fithian
164 10
Mr. Bridge by Evan S. Connell
164 11
Howard's End by E.M. Forster
164 12
Mrs. Bridge by Evan S. Connell
164 13
Thomas Jefferson - An Intimate History by Fawn M. Brodie
164 14
The Coming of the French Revolution by Georges Lefebvre
164 15
The Jefferson Scandals by Virginius Dabney
164 16
Mirage in the West by Durand Echeverria
Folder
164 17
The Adventures of Huckleberry Finn by Mark Twain
item
164 18
Jeffersonian Legacies
164 19
Within the Plantation Household by Elizabeth Fox-Genovese
Folder
164 20
The True Thomas Jefferson by William Eleroy Curtis
item
164 21
Bullwhip Days
164 22
Madame Vigee Lebrun
164 23
The Domestic Life of Thomas Jefferson by Sarah N. Randolph
164 24
Savage Beauty by Nancy Milford
164 25
The Confessions of Nat Turner by William Styron
164 26
My Head and My Heart by Helen Duprey Bullock
164 27
Life with Picasso by Francoise Gilot and Carlton Lake
164 28
Diseno y Decoracion en la Argentina

IX:  Audio and Visual MaterialsReturn to Top

Container(s) Description Dates
Box item
144 1
Le Divorce
144 2
Le Divorce - Airline version
144 3
Maurice
February 1, 1988
144 4
Golden Bowl Trailer version 8
February 5, 2001
144 5
The Golden Bowl with suggested cuts
July 28, 2000
144
Le Divorce
item
144 7
The Golden Bowl Trailer Version 5
144 8
The Golden Bowl version 6/6 ALT
Folder
144 9
The Golden Bowl Films Sans Frontieres Trailer
July 25, 2000
item
144 10
Slaves of New York
January 9, 1989
144 11
Mr. and Mrs. Bridge - Lifts of early scenes
Folder
145 1
Le Divorce - rough international trailers v.2 and v.3
item
145 2
Le Divorce - Teaser #1 v.5
November 15, 2002
145 3
Le Divorce
145 4
Le Divorce - Teaser trailer
February 9, 2003
145 5
Mr. and Mrs. Bridge - Connell family home version
145 6
Le Divorce - Merchant Ivory Productions
June 13, 2003
145 7
Le Divorce International trailer
145 8
Thomas Lennon Scenes
145 9
Recut version of Surviving Picasso for USA network
145 10
Thomas Lennon acting reel
145 11
Thomas Lennon - Reno 911 Television Pilot
Folder
161 1
Cassette tapes - assorted
item
161 2
Wild Party - audio material
161 3
Surviving Picasso
161 4
Remains of the Day
161 5
Edward R. Murrow Interview with James and Gloria Jones
January 10, 1958
161 6
A Soldier's Daughter Never Cries
June 30, 2009
161 7-8
A Soldier's Daughter Never Cries - Casting tape for teenagers in New York
161 9
The Remains of the Day - locations video
August 27, 1992
161 10
Surviving Picasso - 5 shorts cut out from film music
1996
161 11-12
A Soldier's Daughter Never Cries - Casting tapes for kids from Paris
161 13
Box of cassette tapes
Folder
161 14
Casting photographs
item
161 15
Surviving Picasso
161 16
Surviving Picasso - Natasha McElhone
161 17
Surviving Picasso - Frank Langella
Folder
161 19
Envelope of cassettes

Names and SubjectsReturn to Top

  • Subject Terms :
  • Motion picture producers and directors--United States
  • Motion pictures--Production and direction--England
  • Motion pictures--Production and direction--India
  • Motion pictures--Production and direction--United States
  • Personal Names :
  • Ivory, James
  • Ivory, James--Correspondence
  • Jhabvala, Ruth Prawer
  • Merchant, Ismail
  • Corporate Names :
  • Merchant Ivory Productions
  • Form or Genre Terms :
  • Galleys
  • Letters
  • Manuscripts for publication
  • Photographs
  • Screenplays
  • Television scripts