Doris Chase video and art collection, 1948-2004

Images that document Doris Chase's work with oil painting 1948-1963, including 44 color prints, 31 b/w prints, 8 negatives, and 2 postcards of portraits and lanscapes. Many of the color prints include page number citations for inclusion in Patricia Failing's "Doris Chase, Artist In Motion: From Painting and Sculpture to Video Art." Also includes three clippings that feature Chase oil paintings displayed in the Northwest Plywood House exhibit at the Seattle Worlds Fair from the August 1962 edition of American Home Magazine.

Images of Doris Chase's work with watercolor and sumi ink from the early 1960's, including 17 color prints, 4 b/w prints, and 8 negatives of landscape paintings. Includes the cover page from a May 12th, 1963 copy of the Asahi Journal, featuring one of Chase's untitled watercolor and sumi ink works.

Images of Doris Chase's work with cement from 1959-1965 in home patios, exterior panels, and textural painting, including 10 color prints, 10 b/w prints, 10 negatives, and 4 2 1/4" x 2 1/4" color slides. Also includes clippings of her work with cement from a 1961 article in "Architectural Craftsman."

Images that document Doris Chase's work with large steel sculptures, including 3 color prints, 14 b/w contact sheets, 5 b/w prints, and 1 negative of the process involved in the creation and installation of sculptures in Osaka, Japan in 1970 (permanently housed in the Museum of Modern Art in Kobe) and Kerry Park, Seattle, Washington during the 1960's.

Mary Randlett, photographer.

Photographs of Doris Chase's work with smaller steel sculptures, including 1 color print and 10 b/w prints.

Nathan Rabin, photographer.

Images of Doris Chase's work in the 1960's with small wooden sculptures, including 4 color prints, 38 b/w prints, and 11 negatives. Includes a publicity shot of the the artist and her work in laminated fir, entitled "Moveable Form."

Photographed by: Mary Randlett, Nathan Rabin, Jane Flanders, Elizabeth Blaine.

Images of Doris Chase's studio and work with large wooden sculptures, including 6 b/w prints and 1 negative.

Mary Randlett, photographer.

Images of Doris Chase's work with paint and wood objects, including 1 color print, 9 b/w prints, and 7 negatives of laminated oak boxes and sculptures.

Photographs of Doris Chases' early work with wood sculptures, including 8 b/w prints of pieces, such as "Moving Form" for the College Club in Seattle, Washington and Doris working on a wood sculpture in November 1966.

Photographed by: Mary Randlett, Elizabeth Blaine, Art Lind Studio.

Photographs of Doris Chase's more recent work with glass, including 31 color prints of sculptures that incorporate colored glass spheres with painted wood bases.

Images of Doris Chase's work with lucite and plexiglass sculptures during the late 1960's, including 6 b/w prints, 1 b/w contact print sheet, and 2 postcards that document pieces entitled, "Nesting Forms" and "Moveable Semi-Circles." Includes publicity for Ruth White Gallery viewing of "Nesting Forms" in New York City on October 3rd, 1970.

Images of "Sculpture for Change" and "Forms to Change" from Doris Chase's work with flexible eurathane objects entitled "Sculpture for Children", including 3 color prints, 22 b/w prints, 10 negatives, and 1 drawing. Includes a number of duplicate prints of the Anderson children playing on a number of different untitled pieces from the collection, a template for a 1970 publicity photograph of "Forms to Change", and a blueprint sketch of an untitled piece.

Edward Peterson, photographer.

Images documenting Doris Chase's collaboration with dancer and choreographer, Mary Staton, to create theatre performances that merge kinetic sculptures and dance, including 1 b/w print and 1 oversize b/w print contact sheet. Includes a publicity flyer detailing Mary Staton's career up through the early 1970's

11 x 14 b/w print of Doris Chase and "Changing Form" sculpture during construction in July 1969.

Mary Randlett, photographer.

Includes reviews, articles, and exhibition advertisements on Chase's painting and sculpting career.

Includes reviews, articles, and exhibition advertisements on Chase's work with video sculpture, as well as inventories and descriptions of her films and videos.

Inventories and catalog records representing materials from Chase's professional career currently held at a number of repositories. The majority of the inventories are organized by format and include the current location.