UW Ethnomusicology Archives video recordings: Film Session with Lydia Mendoza, 1978-04-10  PDF

Overview of the Collection

Creator
University of Washington Ethnomusicology Archives
Title
UW Ethnomusicology Archives video recordings: Film Session with Lydia Mendoza
Dates
1978-04-10
Quantity
1 items  :  EC - 1 vct (DigiBeta); WD - 1 DVD; Duration: 29:00 ; Wash. Film Preservation Project documentation (2006)
Collection Number
2006016
Summary
Copy of 16mm film recorded and filmed at the University of Washington, HUB Auditorium, 4/10/78.
Repository
University of Washington Ethnomusicology Archives
University of Washington
Ethnomusicology Archives
Box 353450
Seattle, WA
98195-3450
Telephone: 206-543-0974
ethnoarc@uw.edu
Access Restrictions

Access is restricted.

Languages
English


Biographical NoteReturn to Top

Dubbed "La Alondra de la Frontera," singer Lydia Mendoza was an early legend of Tejano music. Born May 21, 1916, in Houston, TX, she was the product of a musical family; she performed with her parents and sister Francisca in a group, La Familia Mendoza, which found success in local variety shows, and her other sisters Maria and Juanita made up their own popular duet act, Las Hermanas Mendoza. In 1928 Mendoza's father spotted an advertisement in a Spanish-language newspaper calling for musical groups, and they soon traveled to San Antonio to record for the Okeh label; their profits from the session funded a move to Detroit, MI, in the pursuit of migrant labor. There the Mendozas earned a dedicated fan base among their fellow migrant workers and other Latin Americans who had journeyed north during the Mexican Revolution. Upon returning to Texas during the early '30s to play San Antonio's Plaza de Zacate, La Familia Mendoza earned another opportunity to record in 1934. After cutting a half-dozen tracks with the entire family unit, Lydia was offered the opportunity to record another six songs solo; among them was "Mal Hombre," which became a major hit throughout the Spanish-speaking community. Its success led to a contract with the Bluebird label, for whom she recorded close to 200 songs between 1934 and 1940; she also became the featured talent in the family show, backed by her sisters, before the outbreak of World War II brought a halt to their touring schedule. Following her mother's 1952 death, Mendoza continued as a solo performer, recording for labels including Falcon, Ideal, and Victor; a noted songwriter, she also penned the Tejano perennial "Amor Bonito." She announced her retirement in 1988 and passed away nearly 20 years later in late 2007.

- Jason Ankeny, https://www.allmusic.com

Content DescriptionReturn to Top

Filmed by Robert Garfias; audio recorded by Gary Margason (Arriflex camera, Tungsten 7240, Nagra IV-S (KM-83 mics))

Nortena style: Performers: Lydia Mendoza/voice, 12-string guitar; Leo Garza/accordion, voice; Carlos B. Gil/interviewer.

Contents: (S-122) El Lindo Pajarito; Las Cuatro Milpas; (S-123) Malhombre; "Polkita"; Amor Bonito; Hace un Ano (beg.); picture and sound go out of synch at 19:35; at 20:13 film is interrupted by switch to footage of Son House (S-024-A); Son House footage runs for last 9 minutes (with no sound) (see logsheet for detailed description)

DigiBeta master (2006-16.1 EC) produced from original film reel and mag by Alpha Cine 4/2006 as part of Washington Film Preservation Project; DVD (2006-16.1 WD) copied from DigiBeta master.

Related collection: 78-9.1 OT - original audio soundtrack for film (includes 6 complete musical items)

Duration: 00:29:00

Documentation: Film log

Administrative InformationReturn to Top


Names and SubjectsReturn to Top

  • Subject Terms :
  • Ethnomusicology
  • Nortena
  • Video recordings in ethnomusicology
  • Geographical Names :
  • Mexicans of the SW
  • North America
  • Seattle (Wash.)
  • United States
  • Form or Genre Terms :
  • Video recordings
  • Other Creators :
    • Personal Names :
    • Garza, Leo (performer)
    • Gil, Carlos B., 1937- (performer)
    • Mendoza, Lydia (performer)