Marshall Hatch papers

Overview of the Collection

Creator
Hatch, Marshall
Title
Marshall Hatch papers
Quantity
6 cubic feet (6 boxes)
Collection Number
5581 (Accession No. 5581-001)
Summary
Papers of Marshall Hatch (1918-2008), a collector of Pacific Northwest art
Repository
University of Washington Libraries, Special Collections
Special Collections
University of Washington Libraries
Box 352900
Seattle, WA
98195-2900
Telephone: 2065431929
Fax: 2065431931
speccoll@uw.edu
Access Restrictions

Open to all users.

Material stored offsite; advance notice required for use.

Additional Reference Guides

Languages
English

Biographical NoteReturn to Top

Marshall Hatch (1918–2008) was a prominent collector of Northwest art, a strong supporter of local and regional art institutions, and a friend and patron of Northwest artists. A native of Seattle and fourth-generation Washingtonian, Hatch attended Garfield High School and the University of Washington. In 1945 he and Jack Kirk started Hatch & Kirk, Inc., a supplier of heavy-duty diesel equipment to companies in the railroad and marine industries. The company became very successful and Hatch continued to be involved even after the company was sold in the early 2000s.

Marshall Hatch and his wife, Helen Rupp Hatch, met in high school and married in 1939. They began to collect art in the 1960s, inspired in part by Helen Hatch’s friendship with the artist Morris Graves. The couple went on to amass a very highly regarded collection of Northwest art, acquiring some of the best examples of works by important artists such as Morris Graves, Mark Tobey, George Tsutakawa, Guy Anderson, Leo Kenney, Richard Gilkey, and Kenneth Callahan.

Hatch was a long-time supporter of both the Seattle Art Museum, where he served as president of the board of directors from 1982–1986, and the Museum of Northwest Art, which he helped establish and later served as an honorary trustee.

Content DescriptionReturn to Top

Correspondence, exhibition catalogs, clippings, photographs, and other materials related to Hatch’s art collection. The majority of the files relate to individual artists, with a special focus on Morris Graves. There are also some individual files for museums and galleries.

Use of the CollectionReturn to Top

Restrictions on Use

The creators' literary rights have been transferred to the University of Washington Libraries.

Administrative InformationReturn to Top

Arrangement

Arranged into 4 series:

  • Artist and Subject Files, 1970-2007
  • Museum and Gallery Files, 1970-2007
  • Morris Graves Files, 1970-2001
  • Miscellaneous Files, 1983-2007

Acquisition Information

Source: Cathy Hatch-Daniels, 2010 September 8

Processing Note

Processed by Sarah Caldwell; processing completed in 2011.

Detailed Description of the CollectionReturn to Top

 

Artist and Subject Files, 1970-2007Return to Top

Container(s): Box 1-3

Arranged alphabetically

Correspondence, clippings, photographs and other materials are included in these files.

Container(s) Description Dates
Box
1
Adams through Koenig
2
Krafft through Steensma
3
Stokes through Ziegler

Museum and Gallery Files, 1970-2007Return to Top

Container(s): Box 4-5

Arranged alphabetically

Correspondence, clippings, photographs and other materials are included in these files.

Morris Graves Files, 1970-2001Return to Top

Container(s): Box 5-6

Includes an announcement, annotated with original pencil drawings by Morris Graves, for a 1939 exhibition at the Julien Levy Gallery

Miscellaneous Files, 1983-2007Return to Top

Container(s): Box 6

Names and SubjectsReturn to Top

Personal Names

  • Graves, Morris, 1910-
  • Hatch, Marshall--Archives

Names and SubjectsReturn to Top

Subject Terms

  • Personal Papers/Corporate Records (University of Washington)