Archives West Finding Aid
Table of Contents
James Blue papers , 1905-2014
Overview of the Collection
- Creator
- Blue, James, 1930-1980
- Title
- James Blue papers
- Dates
- 1905-2014 (inclusive)19052014
1960-1980 (bulk)19601980 - Quantity
- 191 linear feet, (112 containers)
- Collection Number
- Coll 458
- Summary
- James Blue (1930-1980) was a filmmaker and educator. The collection contains production materials, film, videotape, audiotape interviews, photographs, research materials, teaching materials, personal and professional correspondence, mementos, and news clippings.
- Repository
-
University of Oregon Libraries, Special Collections and University Archives
UO Libraries--SCUA
1299 University of Oregon
Eugene OR
97403-1299
Telephone: 5413463068
spcarref@uoregon.edu - Access Restrictions
-
Collection is open to the public. Collection must be used in Special Collections and University Archives Reading Room. Collection or parts of collection may be stored offsite. Please contact Special Collections and University Archives in advance of your visit to allow for transportation time.
- Additional Reference Guides
-
See the Current Collection Guide for detailed description and requesting options.
- Languages
Historical NoteReturn to Top
James Blue was born in 1930 in Tulsa, Oklahoma, and moved with his family to Portland, Oregon, in 1942. He graduated from Jefferson High School in Portland, where he participated in the Latin Club. As a teenager, he began experimenting with filmmaking with an 8mm film camera. While a student at the University of Oregon, he was active in theater and radio productions. In 1952, he produced a popular 8mm film parody of Shakespeare's Hamlet with college friends. He earned a B.A. in Speech and Theater from the University of Oregon in 1953. He served in the Armed Forces for two years, then returned to the University of Oregon to pursue a M.A. in Theater Arts in 1955. From 1956 to 1958, he studied cinematography at the prestigious Institut des hautes études cinématographiques (IHDEC) in Paris, thanks to a scholarship from the French government. At IHDEC, Blue took classes from Jean Mitry and Georges Sadoul, and alongside fellow students Costa-Gavras, Johan van der Keuken, and James Dormeyer.
Blue returned to New York in 1958 where he worked for an advertising agency producing television commercials. Two years later he left for Algeria to work with Studios Africa to produce short educational and documentary films for the Muslim population. Blue directed his only feature-length narrative fiction film Les Oliviers de la Justice (The Olive Trees of Justice) between December 1960 and September 1961 during the Algerian Revolution. Les Oliviers de la Justice won the Critics' Prize at the Cannes Film Festival in 1962 and widespread recognition, including showings at the New York and London Film Festivals.
Blue's success with Les Oliviers de la Justice attracted the attention of George Stevens, Jr., director of the motion picture service for the United States Information Agency (USIA). Blue directed several documentary films for the USIA: The School at Rincon Santo (1962), Letter from Colombia (1962), Evil Wind Out (1962), The March (1964), and A Few Notes on Our Food Problem (1968). His films for the USIA won major awards at international film festivals, including a Silver Lion at the Venice Film Festival, and top prizes in both the Bilbao and Amsterdam Documentary Film Festivals. A Few Notes on Our Food Problem received an Academy Award nomination in 1969, and The March was selected to the U.S. National Film Registry in 2008.
In 1964, James Blue received a Ford Foundation grant to interview renowned international film directors, including Jean-Luc Godard, Roberto Rossellini, Vittorio De Sica, Shirley Clarke, and Satyajit Ray. The interviews were intended as research material for a book Blue planned to write on the use of nonprofessional actors in film.
While a filmmaker in residence at the Media Center at Rice University, Blue collaborated with David MacDougall to produce a feature-length film study of an African tribe for the National Science Foundation, Kenya Boran (1974). From 1976 to 1979, Blue produced Who Killed Fourth Ward and Invisible City, multi-part documentaries that examined Houston's housing crisis, poverty, and racism. In Houston, Blue also helped create the Southwest Alternative Media Project (SWAMP), one of several U.S. regional media centers established in the early 1970s.
Blue taught filmmaking at the American Film Institute, UCLA Film School, Fordham University, Rice University, and SUNY Buffalo. He also lectured at Yale University, the British Film Institute, and the Museum of Modern Art in New York City.
James Blue passed away on June 14, 1980 in Buffalo, New York.
Content DescriptionReturn to Top
The James Blue papers document both Blue's professional work as a filmmaker and educator, and facets of his personal life. The collection includes production materials for Blue's films (e.g. scripts, correspondence, research and subject files, notes, and contracts); audio-visual material in a variety of formats that document produced films, personal projects, and interviews; photographs, both professional and personal; materials documenting Blue's teaching career at Rice University, the State University of New York at Buffalo, Yale, the University of California, Los Angeles, the University of Houston, and the Museum of Modern Art; personal materials including correspondence, journals and notes, financial documents, contracts, and biographical material; and mementos, artwork, and ephemera.
Administrative InformationReturn to Top
Detailed Description of the CollectionReturn to Top
Series I: Films: ProducedReturn to Top
Container(s) | Description | Dates | |
---|---|---|---|
Subseries A: A Few Notes on Our Food
Problem |
|||
Subsubseries 1: Correspondence |
|||
Box | Folder | ||
6 | 7 | Brazil research: The United States
Consulate |
January 1967-May 9, 1967 |
6 | 12 | India research: United States
Information Agency |
December 22, 1966-February 19, 1967 |
6 | 13 | India research |
December 23, 1966-February 16, 1967 |
69 | 12 | Incoming: Financial
supporters |
January 5, 1957-November 22, 1968 |
69 | 13 | Incoming: Financial
supporters |
April 10, 1968-April 25, 1968 |
Subsubseries 2: Contracts |
|||
Box | Folder | ||
43 | 43 | Contract between the United States
of America and James Blue |
February 11, 1966 |
Subsubseries 3: Research and Subject Files |
|||
Box | Folder | ||
6 | 4 | Photographs pertaining to research
on Brazil |
March 29, 1967 |
6 | 5 | Brazil research: Interview and
research notes |
|
6 | 6 | Brazil research: Fundo Especial
del Naques Unidas: Programa de Irragacoa en Larga Escala no Sub
Medio Soa Francisco |
June 1966 |
6 | 8 | Brazil research: Pamphlets, maps,
and articles |
March 29, 1967-April 4, 1967 |
6 | 9 | India research: United States
Information Agency
Receipts for motion picture materials, and a list of production
requests.
|
January 10, 1967-January 30, 1967 |
6 | 10 | India research: United States
Information Agency |
December 22, 1966 |
6 | 14 | India research: Itineraries and
travel requests |
December 27, 1966-January 30, 1967 |
6 | 15 | India research: Notes and a
tourist hostel pamphlet |
|
11 | 19 | hand-written notes, film review
and information on subtitles |
|
11 | 58 | Editing notebook |
1967 |
22 | 16 | A Few Notes on Our Food
Problem
Notes, letters, articles, and correspondence regarding a movie on
famine for the US Information Agency.
|
1960s |
22 | 33 | Food Problems
Extensive notes and information about impending famine in Africa,
Asia and Latin America in the 1970s.
|
|
22 | 35 | Food Problem Research: USDA
Economic reports |
|
22 | 38 | Production Notes, Budgets, and
Logistics |
|
60 | 61 | "Food Film" Project:
Journals, Research Report |
|
60 | 63 | Background and Information for the
Making of "Food Film" |
February 20, 1968-January 5, 1975 |
69 | 11 | Information on financial
supporters and correspondence |
January 5, 1957-August 22, 1966 |
74 | 3 | A Few Notes on Our Food
Problem |
1968-1969 |
78 | 35 | hand-written Notes for "A Few
Notes on Our Food Film" |
September 13, 1968 |
Subsubseries 4: Ephemera |
|||
Box | Folder | ||
53 | 36 | Program: 41st Annual Academy
Presentation |
April 14, 1969 |
60 | 54 | "Food Film" purchase
order |
April 23, 1979 |
88 | 24 | Certificate of Nomination for
Award |
|
Subsubseries 5: Scripts |
|||
Box | Folder | ||
22 | 34 | Food Problem Script |
|
22 | 37 | Food Problem Script
Script bound in leather.
|
1967-1968 |
Subseries B: Who Killed Fourth Ward? |
|||
Subsubseries 1: Correspondence |
|||
Box | Folder | ||
6 | 64 | Information on Houston,
Texas |
February 14, 1977-March 11, 1977 |
54 | 31 | Incoming |
June 26, 1978 |
Subsubseries 2: Research and Subject Files |
|||
Box | Folder | ||
4 | 27 | hand-written notes |
|
6 | 54 | Houston Background: Interview with
James Blue and McGonigle |
|
6 | 55 | Houston Background: Texas
Committee for the Humanities, grant application and
instructions |
October 17, 1978 |
6 | 56 | Houston Background: Newsweek
article on "Texas! The SuperState" |
December 12, 1977-March 31, 1978 |
6 | 57 | Map of Houston and a general study
plan for Houston City Planning Commission |
1999 |
6 | 58 | Houston Background: U.S Department
of Housing and Urban Development programs |
|
6 | 59 | Houston Background: Houston's
neighborhood improvement planning program, Midtown, Fourth
ward |
September 1975 |
6 | 60 | Houston Background: "The
Social Role of Multinational Corporations with Special Reference
to Two Companies in the Baytown, Texas Area,," by Loraine
Elms
Includes correspondence.
|
May 14, 1975-February 29, 1976 |
6 | 61 | Houston Background: Texas Coastal
Management Program Executive Summary |
November 1976 |
6 | 62 | Houston Background: List of
Houston/Galveston area publications and articles regarding
Houston's Fourth Ward |
July 19, 1970-September 23, 1976 |
6 | 63 | Houston Background: hand-written
notes |
|
6 | 65 | Houston Background: Antioch
Baptist Church, pamphlets |
|
43 | 9 | Newspaper clippings and
articles |
May 9, 1979 |
54 | 7 | Rice School of Architecture: Loop
610 A and S, Accommodations and Strategies: Housing Options for
the Inner City |
|
54 | 8 | Houston City Planning Department:
Midtown/Fourth Ward Neighborhood Plan |
1975 |
54 | 10 | hand-written film
notes |
|
54 | 13 | "Inside Loop 610: Forces for
Change": A research paper for the Houston, Texas Department
of City Planning |
|
54 | 14 | "Housing Houston's
Elderly,," by Joanne Tullis |
April 30, 1976 |
54 | 15 | "A Distributional Analysis of
Citizen Needs, Problems and Complaints on Selected City
Services" |
January 14, 1976 |
60 | 51 | Grant Information, Notes, Scripts
and Revisions |
August 1, 1976-April 22, 1978 |
6 | 66 | Houston Background: Notepad of
hand-written notes |
|
Subseries C: A Letter from Columbia / The School at
Rincon Santo |
|||
Subsubseries 1: Correspondence |
|||
Box | Folder | ||
6 | 44 | United States Information
Agency
Regarding James Blue's USIA contract; includes a contract
amendment.
|
June 29, 1962-November 10, 1962 |
Subsubseries 2: Clippings |
|||
Box | Folder | ||
6 | 47 | United States Information Agency
films |
February 8, 1963-December 12, 1964 |
Subsubseries 3: Research and Subject Files |
|||
Box | Folder | ||
6 | 49 | United States Information
Agency |
April 22, 1965 |
Subseries D: The School at Rincon Santo |
|||
Subsubseries 1: Correspondence |
|||
Box | Folder | ||
6 | 48 | General correspondence |
May 9, 1963-November 21, 1971 |
Subsubseries 2: Publications |
|||
Box | Folder | ||
6 | 45 | United States Information Agency:
News release |
|
Subsubseries 3: Ephemera |
|||
Box | Folder | ||
6 | 50 | Programs, receipts for film
equipment |
June 1962-November 16, 1971 |
Subsubseries 4: Scripts |
|||
Box | Folder | ||
52 | 50 | Arabic translation |
|
Subseries E: Amal |
|||
Subsubseries 1: Correspondence |
|||
Box | Folder | ||
9 | 41 | Regarding the narration text of
Amal
Includes a translated copy.
|
July 1, 1981-July 28, 1981 |
Subsubseries 2: Scripts |
|||
Box | Folder | ||
15 | 46 | Two copies
Includes hand-written notes pertaining to the film, and a French
to English translation.
|
|
69 | 34 | Narration text
Includes a correspondence with Pierre Aubery.
|
July 13, 1981 |
Subsubseries 3: Publications |
|||
Box | Folder | ||
69 | 42 | Miscellaneous articles
Includes a film proposal for Amal.
|
|
Subsubseries 4: Miscellaneous |
|||
Box | Folder | ||
67 | 50 | ["Amal" and "A Few
Notes on Our Food Problem"] |
|
Subseries F: The Olive Trees of Justice |
|||
Subsubseries 1: Scripts |
|||
Box | Folder | ||
67 | 7 | ["The Olive Trees of
Justice"] |
|
75 | 47 | Partial translation and
synopsis |
|
100 | 40 | "The Olive Trees of
Justice" |
|
100 | 48 | "Les Oliviers de la
Justice," Continuite dialogue |
|
Subsubseries 2: Research and Subject Files |
|||
Box | Folder | ||
15 | 21 | Correspondence, articles,
newspaper clippings, and budgets |
May 17, 1979 |
52 | 44 | Correspondence, magazines,
clippings, papers |
|
57 | 6 | Proposals, grant
application
Includes a McGraw Hill Royalty Statement.
|
|
69 | 48 | Correspondence from Gerald
O'Grady and a summary of Les Oliviers de la
Justice |
April 28, 2002 |
74 | 2 | Algeria and Kenya
Papers |
|
74 | 4 | Olive Trees of Justice
Includes one drawing, two screening show times, three film notes
and four reviews.
|
|
75 | 38 | "Les Oliviers de la
Justice" |
|
76 | 28 | Les Oliviers Materials
Includes letters in French granting James Blue authorization to
make copies of "Oliviers de la Justice."
|
1979 |
100 | 35 | Information and correspondence
pertaining to "Les Oliviers de la Justice" |
|
100 | 49 | Information and correspondence
pertaining to "Les Oliviers de la Justice" |
|
100 | 50 | Correspondence, hand-written
notes, and a copy of "Les Oliviers de la
Justice" |
March 17, 1961-April 15, 1961 |
Subsubseries 3: Showings |
|||
Box | Folder | ||
60 | 20 | Benefit Screening for the National
Endowment for the Arts Challenge Grant |
May 17, 1979 |
Subsubseries 4: Ephemera |
|||
Box | Folder | ||
67 | 48 | Movie Poster |
|
112 | 6 | Film note written by Gerald
O'Grady |
|
Subseries G: The Invisible City |
|||
Subsubseries 1: Correspondence |
|||
Box | Folder | ||
15 | 38 | Southwest Alternate Media
Project |
August 18, 1980 |
Subsubseries 2: Publications |
|||
Box | Folder | ||
15 | 26 | Articles and
publications
Includes articles pertaining to The March.
|
December 1970-May 18, 1991 |
Subsubseries 3: Research and Subject Files |
|||
Box | Folder | ||
6 | 17 | "Accommodations and
Strategies": Housing Options for the Inner City, Rice
School of Architecture |
|
66 | 59 | Texas Committee for the
Humanities, Southwestern Alternate Media Project: Grant
Requests, Expenditure Reports, Progress Reports,
Resumes |
October 15, 1978-December 10, 1980 |
66 | 69 | Correspondence, Transcript of
Speech by Martin Luther King |
March 2, 1982-May 5, 2000 |
69 | 7 | The Invisible City |
September 1979 |
69 | 40 | Outline of The Invisible
City |
|
74 | 6 | Interviews |
|
77 | 6 | Notes and notebooks |
|
77 | 7 | Notes and notebooks |
|
77 | 8 | Notes and notebooks |
|
83 | 16 | Proposal of Adele
Santos
Includes application for funding for the Making of the Invisible
City from the Texas Committee for the Humanities.
|
|
84 | 2 | [Papers on Buffalo and the
Unemployment Rate] |
January 26, 1978-May 5, 1978 |
88 | 17 | Invisible City papers |
|
Subseries H: The March |
|||
Subsubseries 1: Correspondence |
|||
Box | Folder | ||
83 | 21 | General correspondence |
December 12, 1981-March 15, 1993 |
Subsubseries 2: Scripts |
|||
Box | Folder | ||
15 | 45 | Original typed copy of
English/French soundtrack |
|
67 | 18 | The March |
August 28, 1963 |
83 | 40 | [2 Copies of "The
March," by James Blue] |
August 28, 1963 |
94 | 8 | Transcripts |
August 28, 1963 |
112 | 5 | Transcripts |
August 28, 1963 |
Subsubseries 3: Publications |
|||
Box | Folder | ||
66 | 64 | State Historical Society of
Wisconsin: "Toward a History of the 1960's,"
"The Making of the March" |
April 29, 1993-May 1, 1993 |
83 | 17 | Assorted publications
Includes "Super 8 and the Community a New Role for Film in
the University," "Direct Cinema," "Response
by Letter to Questions from Mr. Anil Srivastava Cinema Workshop,
New Delhi, India," "The March," "Reflections
on the Possibilities of a Film Treating Am
|
August 28, 1963-August 28, 1971 |
Subsubseries 4: Research and Subject Files |
|||
Box | Folder | ||
61 | 7 | Notes and research
Includes pieces of annotated scripts.
|
|
61 | 8 | List of resource
materials |
June 24, 1963-July 2, 1963 |
61 | 10 | hand-written notes |
|
61 | 11 | Research and reference service:
"Racial Prejudice Mars the American Image" |
October 17, 1962-November 23, 1962 |
61 | 13 | Civil Rights |
|
61 | 14 | Segregation [hand-written
notes] |
|
61 | 18 | Civil Rights |
|
61 | 19 | Information, press releases, maps
and correspondence |
|
61 | 20 | Memorandum, correspondence and a
civil rights fact sheet |
June 4, 1963-June 14, 1963 |
61 | 21 | Civil Rights and
demonstrations |
August 28, 1963 |
61 | 25 | Scripts, correspondence, pamphlets
and newsletters |
August 18, 1963-December 29, 1963 |
61 | 36 | Civil Rights and Civil Rights
allies |
October 1, 1963-August 13, 1963 |
61 | 37 | Information regarding event
presenters
Includes speeches and an event map.
|
|
61 | 38 | Newspaper articles, pages from
Life magazine
Includes information on the desegregation of schools.
|
July 2, 1963-August 25, 1963 |
61 | 39 | Newspaper article regarding the
March on Washington
Includes event schedules and a map of emergency locations.
|
|
61 | 42 | Civil rights and the march on
Washington |
August 29, 1963-April 9, 1964 |
61 | 43 | New York Times newspaper
pertaining to Civil Rights |
September 30, 1962 |
61 | 44 | Clippings pertaining to The March
and civil rights |
|
61 | 45 | Civil Rights speeches |
|
61 | 46 | Pages and covers from two LIFE
magazines pertaining to the civil rights movement |
September 6, 1963-June 28, 1963 |
66 | 20 | James Blue, "The
March" |
|
66 | 31 | James Blue, "The
March" |
August 28, 1963 |
69 | 43 | Three copies of The March, and a
copy of "Bulletin of International
Socialism" |
August 28, 1963-May 3, 1965 |
83 | 22 | Assorted publications and research
materials
Includes copies of a speech by Lyndon Johnson and a letter by
John F. Kennedy; Interview remarks on "The March;"
"Interview with Hobart Taylor;" Hearing of the
Departments of State Justice and Commerce, The Judiciary and
Related Agencies Appropriations.
|
May 30, 1963-1965 |
83 | 30 | ["The March:" Plans for
Production Pamphlets from Film Organizations] |
|
83 | 55 | [USIA Racial Reports] |
June 6, 1963-July 24, 1963 |
Subsubseries 5: Showings |
|||
Box | Folder | ||
66 | 41 | [Wisconsin State Historical
Society: The Making of 'The March' by James Blue: A
Presentation by Gerald O'Grady |
April 29, 1993-May 1, 1993 |
Subseries I: Kenya Boran |
|||
Subsubseries 1: Correspondence |
|||
Box | Folder | ||
60 | 57 | Studios Africa |
October 10, 1959-November 27, 1959 |
112 | 18 | Correspondence, including personal
correspondence |
|
Subsubseries 2: Scripts |
|||
Box | Folder | ||
60 | 28 | Film scene outlines |
|
Subsubseries 3: Research and Subject Files |
|||
Box | Folder | ||
60 | 56 | American Universities Field Staff
Reports: "Kenya Boran Revisited," Norman N.
Miller |
1979 |
66 | 55 | Film Essay: "Faces of Change:
Kenya Boran" |
|
76 | 19 | Correspondence, notes and
production information |
December 6, 1971-May 6, 1975 |
78 | 36 | OCM Application and HABS Format to
Moving Images and Audio Accompaniment (Coded Transcripts of
Kenya Boran), An Outline for the Preparation of Film Material
for Integration with HRAF and HABS Information |
February 28, 1977 |
78 | 41 | Maps of Africa |
|
78 | 42 | AUFS Kenya Film Book 2 |
|
78 | 43 | AUFS Kenya Film Book 1 |
|
112 | 3 | Conversation
transcript |
January 5, 1975 |
Subseries J: Filmmaker-in-Residence / United States
Information Agency (USIA) |
|||
Subsubseries 1: Correspondence |
|||
Box | Folder | ||
60 | 25 | General correspondence |
June 3, 1964-February 4, 1970 |
Subsubseries 2: Contracts |
|||
Box | Folder | ||
60 | 22 | USIA: Contracts and Amendments to
Contracts |
February 11, 1966-December 6, 1971 |
Subsubseries 3: Research and Subject Files |
|||
Box | Folder | ||
54 | 3 | Rice University Research proposal
and information pertaining to the KUHT-TV Filmmaker-in-Residence
grant |
August 1, 1975-August 18, 1976 |
54 | 4 | Correspondence, grant application,
hand-written notes and articles |
July 21, 1976-November 2, 1976 |
54 | 5 | hand-written notes,
correspondence, pamphlets and information regarding travel
reimbursement |
April 15, 1976-January 4, 1977 |
60 | 50 | USIA: Budgets, Articles,
Proposals, Newspaper Clippings, Correspondence |
December 20, 1966-July 14, 1971 |
Subsubseries 4: Other films: Produced |
|||
Box | Folder | ||
6 | 21 | Propaganda films:
Introduction |
|
Subseries K: Dog Soldiers |
|||
Box | Folder | ||
4 | 70 | Scene 128 blocking:
Miscellaneous |
|
4 | 71 | Scene 128 blocking: Part 2 |
|
4 | 72 | Scene 128 blocking: Part 1 |
|
4 | 73 | Scene 128 blocking: Part 2 |
Series II: Films: Not ProducedReturn to Top
Container(s) | Description | Dates | |
---|---|---|---|
Subseries A: The Midwest Film |
|||
Box | Folder | ||
4 | 119 | Interviews: Potential
script |
|
4 | 120 | Interviews: Potential
script |
|
4 | 121 | Interviews: Potential
script |
|
12 | 38 | Midwest Project
Extensive hand-written and typed notes, newspaper clippings, small
pamphlets, The 5 Civilized Tribes.
|
|
12 | 39 | Midwest Project |
|
54 | 11 | hand-written notes and interviews with
James Blue's family |
July 24, 1970 |
60 | 24 | Blue Family Film Project Notes and
Transcripts |
October 25, 1971-October 27, 1971 |
Subseries B: Watch for the Razor Act |
|||
Box | Folder | ||
66 | 4 | Gill Dennis, "Watch for the Razor
Act" |
March 12, 1969 |
67 | 39 | Gill Dennis, "Watch for the Razor
Act" |
|
69 | 49 | Watch for the Razor Act: For Frank,
From Gill |
|
94 | 10 | Watch for the Razor Act: Part I by
Gill Dennis |
|
Subseries C: Other films: Not Produced |
|||
Box | Folder | ||
4 | 1 | Planning Committee for The American
Film Institute's American Revolution Film project, meeting
transcripts [1 of 3] |
July 27, 1970 |
4 | 2 | Planning Committee for The American
Film Institute's American Revolution Film project, meeting
transcripts [2 of 3] |
|
4 | 3 | Planning Committee for The American
Film Institute's American Revolution Film project, meeting
transcripts [3 of 3] |
January 1976-February 1976 |
4 | 12 | Outlines of films on Vietnam: US Big
Picture, "Why Vietnam?," Viet Cong Film 1 and 3, Hit the
US Aggressors Synopsis |
|
4 | 61 | Summary statement on the city of
Buffalo, New York |
|
4 | 100 | Complex Documentary Problems:
Interviews, outlines, and tape summaries |
February 1979 |
11 | 16 | Illegal Mexican Immigration
documentary
Includes hand-written notes, articles, and correspondence.
|
October 1977-January 2, 1979 |
22 | 15 | Documentary in India
Includes details on scenes and scenery, and scripts.
|
1960s |
22 | 24 | Information Service of America
NAIROBI
Outlines for a film in Kenya, Nairobi.
|
1967 |
42 | 16 | United States Information Agency:
"The Silent Majority" |
November 20, 1969-December 7, 1969 |
48 | 25 | Universal City Studios: Film material
order forms |
|
48 | 55 | State Department Cross Cultural
Project: hand-written budget notes |
|
48 | 56 | Cultural Affairs Exchange Program:
Middle Eastern Filmmakers project
Includes tentative budget, and correspondence to and about Claudia
Crawford.
|
February 24, 1978 |
54 | 30 | "The Abandoned Children,,"
by Danny Lyon
Correspondence and budget information.
|
April 2, 1975 |
63 | 69 | US Revolution Film Project:
Transcribed interview with Richard Blue
Includes hand-written notes.
|
October 4, 1970-March 22, 1971 |
65 | 59 | [Film Notes] |
|
66 | 5 | [Film Budget Notes] |
|
76 | 2 | "Viet Report: An Emergency News
Bulletin on Southeast Asian Affairs" |
July 1965-January 1966 |
76 | 3 | The War in Vietnam: A young
socialist's pamphlet |
|
76 | 12 | I.F. Stone's weekly newsletters
and political flyers |
|
76 | 13 | Newspaper articles and hand-written
notes |
June 25, 1964-November 5, 1966 |
76 | 14 | Political pamphlets and
flyers |
|
77 | 9 | Miscellaneous film papers
Film outlines, a travel log from Brazil, speeches, teaching
materials, film critiques, correspondence.
|
1970s |
78 | 45 | TCH/Houston Project |
|
80 | 7 | Scene Sketches for scene 128, pg.
36-43 |
|
80 | 8 | Scene Sketches for scene 128, pg.
36-44 |
|
82 | 69 | Bolivian Colonization Documentary:
Funding application |
October 25, 1978 |
100 | 17 | "The Silver Spur," sound
script |
Series III: Teaching FilesReturn to Top
Container(s) | Description | Dates | |
---|---|---|---|
Subseries A: Rice University |
|||
Box | Folder | ||
6 | 1 | Media Study: Student
papers |
April 7, 1970-April 12, 1970 |
6 | 2 | Media Study: Student
papers |
April 9, 1970-April 13, 1970 |
6 | 3 | Media Study: Student
papers |
April 9, 1970-April 13, 1970 |
6 | 89 | Staff Salary Budget |
1972-1975 |
6 | 90 | Budgets and expense lists |
December 8, 1973 |
11 | 25 | Articles, teaching materials, and
"The Industrial Revolution," by Roberto
Rossellini |
1970-August 3, 1971 |
11 | 51 | Non-Actor: Hand-written class
assignments |
August 7, 1963-July 11, 1973 |
11 | 52 | Non-Actor: Class materials and
"Italian Cinema after Neorealism" |
|
11 | 64 | Center for Media Study: Annual
curriculum vitae update |
June 1976-July 26, 1976 |
42 | 12 | Colin Young lecture notes, film
reviews, and an assignment for Filmmaking I class |
September 7, 1973 |
43 | 14 | Documentary Problems: hand-written
notes and a newspaper article |
September 11, 1972 |
43 | 15 | Film Form course: Class schedule and
final paper assignment sheet |
September 11, 1972 |
43 | 16 | Film Form course: Student
papers |
September 12, 1970-September 19, 1970 |
43 | 18 | Graduate film project: "The
Petroleum Age," by Scott Thomas
Proposal, photographs, and correspondence.
|
November 1972-September 30,1974 |
43 | 21 | Excerpt from Rice students'
criticism on the film Deliverance |
|
48 | 7 | Class History and Problems in the
Documentary Film course: Film viewing schedule |
|
48 | 8 | Class History and Problems in the
Documentary Film course: Teaching agendas |
June 14, 1974-June 19, 1974 |
48 | 11 | Filmmaking I course: Class
agendas |
January 12, 1973-March 9, 1973 |
48 | 12 | Film Form course: Assignment
sheet |
September 10, 1973 |
48 | 13 | Student lists, grade reports,
memorandum and correspondence |
December 1970-August 2, 1972 |
48 | 14 | Student grades |
|
48 | 15 | Picture budget detail |
November 13, 1969 |
48 | 34 | Film Form course: Class
agendas |
January 20, 1973-February 12, 1973 |
48 | 36 | Undergraduate Teaching Committee
Conference on Innovative Teaching
Includes correspondence with Columbia University Press and a
publication from the National Film School.
|
1972-June 13, 1973 |
48 | 37 | Hand-written notes |
|
48 | 38 | "An Analysis of Self-Paced
Teaching Methods," by Thomas S. Tullis |
December 1973 |
48 | 39 | Filmmaking II course: Correspondence
and class materials
Includes "The Terminal Man."
|
|
48 | 40 | Filmmaking II course: Hand-written
notes, class materials, and a student paper |
|
48 | 48 | Correspondence, grade reports for
Robert Riggs and David Battaile |
1975 |
48 | 49 | Unofficial transcript for Patrick
Morris Blackard |
|
48 | 50 | Unofficial transcript and degree plan
for John Leonard Chapman |
|
48 | 51 | Teaching notes, class agendas,
assignment directions and film lists
Includes a course description from Harvard summer school.
|
October 7, 1974-February 7, 1975 |
48 | 52 | Hand-written teaching
notes |
|
48 | 58 | Correspondence pertaining to overdue
books |
June 1977-July 12, 1977 |
48 | 64 | Hand-written teaching notes and
miscellaneous publications |
November 4, 1977-November 22, 1977 |
48 | 65 | Filmmaking I course: Hand-written
notes and class agenda |
October 19, 1972 |
48 | 67 | Correspondence pertaining to NEA grant
and rental rates
Includes grant application to the National Endowment for the
Arts.
|
July 20 1976-July 23, 1976 |
48 | 68 | Budget notice |
August 17, 1976 |
48 | 69 | Filmmaking I course: Current price
lists for media center supplies and class information |
1974 |
48 | 70 | Film-making I course: Hand-written
list of students |
1974 |
48 | 71 | Class agendas, teaching notes and a
script for "The Wedding" |
January 9, 1974-January 31, 1974 |
49 | 4 | Program notes for "La Fille De
L'eau" and hand-written teaching notes |
October 14, 1972 |
49 | 7 | Media Center teaching materials:
assignments, memorandum, grades and hand-written notes for assorted
film classes |
February 21, 1977-1978 |
49 | 9 | Rice University and the University of
Texas: Information and filmography pertaining to assorted film
workshops, classes and festivals |
October 5, 1967-November 20, 1970 |
49 | 15 | Film Making I course: Sets of voice
over instructions and schedule |
|
49 | 16 | Video program budget |
December 15, 1975 |
49 | 20 | Film schedules and filmography for the
Fall Film Program |
August 26, 1971 |
49 | 22 | Hand-written notes and equipment
rental information |
May 15, 1970-January 10, 1974 |
49 | 26 | Information and budgets pertaining to
The Media Center and the Conference on Media Uses |
|
49 | 36 | Hand-written lecture notes for a
filmmaking class |
|
49 | 37 | Film education: Publications, class
and curricula materials |
|
49 | 38 | Film list and lecture notes:
"Non-Fiction Film" course |
|
49 | 39 | "Filmmaking I:" Information
and daily schedules |
October 5, 1972-December 1, 1972 |
53 | 16 | Hand-written notes and film
proposals |
|
53 | 41 | Agendas and assignment
sheets
Also includes 16 copies of "Film in the Schools Workshop for
Teachers -- Summer Seminar in Film and Video 1977."
|
1977 |
57 | 10 | University Media Center: Report on
plans, description of proposed changes and recommendations for
transition |
|
57 | 11 | Film Series costs and revenues from
September to October |
1975 |
57 | 12 | Film status reports and status of
accounts |
January 5, 1975-September 11, 1975 |
57 | 59 | Research proposal or amendment to
existing project |
|
57 | 60 | Information and memorandum pertaining
to budgets |
March 24, 1975-August 20, 1975 |
57 | 61 | List of activity and financial
programs, addendum to budgets and budget lists |
|
63 | 2 | [Rice University Media Center Proposed
Budget for Film/Video Academic and Research Programs 1977-78
Budget] |
1977-1978 |
63 | 26 | [Summer Seminar 1976] |
February 7, 1975-September 5, 1976 |
63 | 27 | [Budget Information] |
November 11, 1976-December 3, 1976 |
63 | 37 | Advanced Studies and Research
Notes |
December 1974 |
63 | 38 | Minutes from Faculty Meetings,
Correspondence, Memorandum |
September 12, 1975-April 30, 1976 |
63 | 39 | Memorandum on Moonlighting and
activities outside the University |
August 2, 1971-December 26, 1974 |
63 | 41 | Rice University Media Center: List of
Equipment Purchased Through the Texas Commission Grant |
|
63 | 42 | [Rice University Media Center: Dean
Topazio Correspondence] |
July 20, 1976-January 19, 1977 |
63 | 43 | Rice University Media Center,
Correspondence: Topazio, Winningham |
June 7, 1976-June 21, 1976 |
63 | 44 | [Fine Arts Institute for the Arts:
Correspondence regarding James Blue Salary Increase] |
August 20, 1975-April 30, 1976 |
63 | 46 | Proposal: "Experimental Media
with Emphasis on Computer Graphics"
Includes class agendas, hand-written notes, memos.
|
July 22, 1972-October 14, 1972 |
63 | 48 | Grant Chart 1976-78: Amounts Available
for Matching |
July 1976-1977 |
63 | 53 | President's Office Annual
Report |
May 3, 1976-May 15, 1976 |
63 | 60 | Action Brief |
August 5, 1976-August 6, 1976 |
63 | 61 | Rice University Media Center:
"Film in the Schools Workshop for Teachers: Summer Seminar in
Film and Video, 1977"
Includes a research proposal.
|
August 5, 1976-1977 |
63 | 62 | Rice University Media Center Film and
Video Equipment Inventory Checklist |
May 21, 1976 |
63 | 63 | [Volunteers in Public Schools/ Rice
Media Center Project] |
October 9, 1975-May 12, 1976 |
63 | 64 | Rice University Media Center Monthly
Budget Reports |
July 31, 1975-February 25, 1977 |
63 | 65 | Budget Letter 1976 |
May 3, 1976 |
63 | 66 | Course Proposal
Application |
|
63 | 67 | Film Sub codes |
|
63 | 68 | Report of Meeting of President
Hackerman's Ad Hoc Committee on the Media Center |
April 20, 1976 |
64 | 9 | Memorandum: Moonlighting policies,
salary |
February 4, 1971-June 2, 1971 |
64 | 14 | Art Department Directory |
|
64 | 17 | Computer Graphics: Budget for the
Department of Fine Arts
Bill Pasemane.
|
March 1, 1975-March 31, 1975 |
64 | 19 | Rice Media Staff Reports |
November 26, 1975 |
64 | 20 | Student Association of Rice
University: "Summary report of the Committee on the
Convocation." |
1976 |
64 | 21 | [Filmmaking Supplies and Laboratory
Services Price List] |
|
64 | 26 | Rice Media Library: List of
films |
|
64 | 27 | Proposal for the Rice Media Center
Video Production |
October 1, 1974 |
64 | 28 | [Research Proposals, budgets, workshop
proposals] |
April 8, 1975-August 14, 1976 |
64 | 35 | Film and Video Equipment Inventory
Checklist: Rice University Media Center |
1976 |
64 | 36 | Film Series and Budget |
1976 |
64 | 37 | National Endowment for the Arts:
Registration, proposals, amendments, correspondence,
budgets
Includes photocopies of King Vidor guest appearances at Rice
University.
|
October 1, 1976-December 10, 1976 |
64 | 55 | [Educational Proposals] |
April 12, 1973 |
64 | 62 | Old Rice Media Center Film
Schedules |
September 1, 1974 |
64 | 65 | Political Science Department
correspondence |
August 3, 1973-August 21, 1973 |
65 | 8 | Rice University Media Center:
Correspondence, budget |
December 4, 1974-April 24, 1975 |
65 | 9 | Memorandum, correspondence, computer
budgets and lease agreements
Includes "Conceptual Exchange Medium," by Cyrus Van Galyon
and Rosalind Galyon.
|
December 11, 1972-January 21, 1974 |
65 | 10 | Art Department Price Lists for Media
Center Supplies |
1974 |
65 | 11 | Rice University Media Center: Letter
of Recommendation for Douglas Cox
Includes Rice Presents: "The Garden of Finzi Continis,"
"The Sorrow and the Pity."
|
February 24, 1977 |
65 | 18 | Student Papers: Film Form
course |
September 3, 1973-October 22, 1973 |
65 | 19 | "Colin Young Talks to Film Form
Class:" Notes, correspondence |
September 18, 1972-July 20, 1972 |
65 | 22 | Film Department and Store Room
Budgets |
1974 |
65 | 23 | "Media Study Equipment Project
Phone Numbers" |
|
65 | 25 | Instructor Course
Evaluation |
November 26, 1973 |
65 | 35 | Proposals for TV
Production/Distribution on Campus |
November 14, 1973-February 8, 1974 |
65 | 38 | Rice University Media Center Plans and
Survey "Audio Video Proposal:" Committee of Undergraduate
Teaching |
March 14, 1973-March 21, 1973 |
65 | 39 | [Proposal and Correspondence Between
Rice University and Menil Foundation] |
December 4, 1972-September 23, 1972 |
65 | 41 | [Rice University Media Center: Letter
Regarding Goran Milutinovic] |
October 13, 1976 |
65 | 42 | Community Media Project
Proposals |
|
65 | 52 | [Course Materials: Film Form, Film
Analysis] |
January 8, 1973-August 28, 1972 |
65 | 53 | [Memorandum, Agencies, Personnel and
Class Information] |
July 31, 1974 |
65 | 54 | Homework and assignments from Film
course |
October 31, 1974 |
65 | 55 | Program and Budget Summary |
December 16, 1971-1974 |
65 | 56 | Art History Lectures |
March 21, 1973 |
65 | 70 | Film Budget |
December 14, 1972-May 1, 1973 |
76 | 1 | Hand-written budgets and expense
lists |
|
76 | 18 | Correspondence regarding tenure;
resumes for Helen Fowley and Janice Blue |
June 10, 1975-August 8, 1975 |
76 | 34 | National Endowment for the Arts:
Action Brief for Research [11 copies], grant applications,
correspondence, project budget |
1975-1977 |
76 | 36 | Memorandum pertaining to the faculty
involved in teacher evaluations |
November 10, 1974 |
76 | 45 | Correspondence pertaining to a film
seminar and assorted articles |
|
76 | 52 | Art Department: Information on film
department budgets and film prices |
|
76 | 53 | Rice University Media Conference:
Correspondence, information form, schedules, hand-written
notes |
September 20, 1972-February 7, 1973 |
76 | 54 | "Film Making I:" schedule,
assignment, and film budget lists |
November 10, 1972 |
77 | 12 | Correspondence to James Blue
pertaining to the shortcomings of his class |
November 26, 1973 |
77 | 14 | Hand-written budget notes |
|
78 | 3 | Media Center and Filmmaking: Reports,
proposals, and correspondence |
December 1970-December 1974 |
78 | 10 | Rice University Media Center:
Correspondence, hand-written notes from James Blue's interview
of Alain Robbe-Grillet |
|
78 | 52 | Grant records |
|
82 | 5 | Letters of Recommendation |
June 26, 1976-August 16, 1976 |
82 | 10 | Rice University Media Center: Rates on
Interdepartmental Use of Media Center Equipment |
October 14, 1975 |
82 | 20 | Rice University Media Center:
Recommendations for Transition |
December 1974 |
82 | 48 | Expenditure Report |
November 30, 1976 |
82 | 56 | "El Parche" Eduardo Valseca;
correspondence with Rice University Media Center and Information on
Film Programs in Schools |
February 6, 1970-December 1970 |
82 | 74 | Memorandum of Administrative
Approvals |
|
82 | 75 | Academic Proposals |
February 17, 1972-February 21, 1972 |
82 | 76 | [Film Study Documents] |
1970-February 18, 1976 |
82 | 88 | "Gena" Film Course Rice
University |
June 8, 1971 |
Subseries B: The State University of New York at
Buffalo |
|||
Box | Folder | ||
4 | 52 | Department of Theatre:
Pirandello's six characters in search of an author |
|
4 | 56 | Mid-term exam on film
making |
1979 |
4 | 64 | Garth Montgomery: Non-fiction film and
midterm exam |
|
4 | 79 | Media Study at Buffalo: Pamphlet and
minutes from a board of directors meeting |
May 1979-September 13, 1979 |
4 | 81 | Sound recording assignment: Class
four |
|
4 | 82 | Media Study at Buffalo: Agendas, list
of members, a letter of recommendation, media study documentary
project |
1979 |
9 | 45 | Teaching materials titles: "Major
Tendencies in the Non-Actors Relationship with the
Cinema" |
1973 |
9 | 46 | "Summer Institute in the Making,
Knowing and Judging of Film/Media" |
1973 |
15 | 22 | State University of New York award
information
Includes a research application for Mexican immigration by James
Blue, as well as Blue's curriculum vitae.
|
1977-1978 |
15 | 23 | Hand-written notes for James
Blue's research application
Includes a copy of "Super 8 and the Community," by James
Blue.
|
|
15 | 24 | Media study at Buffalo publication and
"Revista" |
2009 |
15 | 25 | Correspondence and
memorandum
Includes correspondence pertaining to James Blue's tenure.
|
July 8, 1975-January 25, 1984 |
15 | 27 | Information on International Film
Seminars, photographs and a class assignment |
1978-June 2000 |
15 | 41 | "American Indian Literature in
English," Douglas A. Pastel's dissertation |
August 1978 |
22 | 18 | Film expos, articles, letters, and
posters |
1970s |
22 | 23 | Cinema Studies 410 |
1976 |
33 | 20 | Composition and Visual
Theory |
|
33 | 22 | Draft of a Lecture on
Filmmaking |
|
33 | 31 | SUNY Employment info
orientation |
|
42 | 37 | Stuart Strutin's petition for a
special major: Minutes and correspondence |
October 17, 1977-June 1978 |
43 | 44 | Class materials: class notes, film
bibliographies, and class agendas |
1974 |
48 | 1 | Memorandum and The Annual Report of
the Provost to the Faculty of Arts and Letters |
March 7, 1977-September 28, 1977 |
48 | 3 | Letters of recommendation for students
[written by James Blue] |
April 20, 1977-September 29, 1978 |
48 | 4 | Center for Media Study course
list |
1977 |
48 | 5 | Class information, materials, and
student papers |
February 16, 1978-May 5, 1978 |
48 | 6 | Student grades, memorandum, class
materials, and student papers |
February 3, 1978-March 10, 1978 |
48 | 17 | English 535: Student notes |
1975-1976 |
48 | 29 | Hand-written notes and course approval
request forms |
|
48 | 32 | Correspondence to Gerald O'Grady
and James Blue pertaining to the Peruvian Film Budget for
"Huasicancha" |
|
48 | 43 | Hand-written notes, course
descriptions, and a course approval request form |
|
48 | 44 | Douglas Fastel's dissertation:
Semester report
Includes notes on a video tape project.
|
1978 |
48 | 45 | Student papers, assignment directions,
film lists, correspondence, and student grades |
August 29, 1975-1976 |
48 | 47 | Personal notes on students
Includes class notes for non-fiction film and Documentary
Problems.
|
1977 |
48 | 66 | Class Criticisms for James Blue's
class Documentary Problems |
1977 |
48 | 73 | Lists of graduate student addresses
and phone numbers |
September 5, 1978 |
48 | 74 | Center for Media Study course
descriptions |
|
48 | 75 | Special Major Committee Meeting
minutes
Includes special major approval information.
|
May 15, 1978-May 22, 1978 |
48 | 76 | Center for Media Study course
descriptions
Includes class schedule for David Lee's class Beginning
Filmmaking.
|
|
48 | 77 | Special Major Committee Meeting
minutes |
May 10, 1979 |
48 | 78 | Film courses offered: Correspondence
and information |
|
48 | 79 | Class film showings
information |
|
48 | 80 | Class notes, information on
filmmaking
Includes article "The Heisenberg Uncertainty Principle: Thoughts
on Observational Cinema and an American Family."
|
May 1, 1975 |
48 | 81 | Hand-written teaching notes and class
lists |
|
48 | 82 | Class lists and registration:
Correspondence |
September 12, 1977-September 30, 1977 |
48 | 83 | Student lists for James Blue's
classes |
|
48 | 84 | Student grades and Center for Media
Study course lists |
1977 |
48 | 85 | Center for Media Study: Newsletters,
films and video event lists, course lists, and information on film
screenings |
1977 |
48 | 86 | "Documentary Problems"
course: Hand-written film lists |
|
49 | 55 | "Non-Fiction Film History:"
Student papers |
|
49 | 56 | "Non-Fiction Film History"
and "Problems in Documentary Film:" Assignments and
notes |
November 26, 1973-October 30, 1979 |
49 | 60 | "Non-fiction Film:" Class
lists |
February 27, 1978 |
49 | 10 | Class information, correspondence, and
Lloyd's Bank transfer information |
April 30, 1980-May 10, 1980 |
49 | 13 | Final paper directions, students final
papers, and receipts from the University Bookstore |
May 1, 1978 |
49 | 14 | "Non Fiction Film:" Film
List |
|
49 | 30 | "Documentary Basics:"
Student notes on final projects |
|
49 | 33 | Dan Reilly: Hand-written film making
notes |
|
49 | 34 | Concrete metaphor sequences/scenes,
visual or action |
|
49 | 40 | Hand-written notes and
assignments
Includes publication "About Living with and Under Capitalism in
the 1970's."
|
|
49 | 41 | Community filmmaking course: Syllabus,
class schedules, and filmmaking information |
1975 |
49 | 44 | Correspondence from the State
University of New York at Buffalo pertaining to James Blue's
film presentation
Includes assorted publications from film centers.
|
June 28, 1977 |
49 | 49 | Student grade reports |
|
49 | 50 | "Non-Fiction Film,"
independent study: Student grades |
|
49 | 51 | English 495: Correspondence,
assignment for incomplete grades |
April 19, 1977-September 3, 1977 |
49 | 52 | "Non-Fiction Film, "
Independent Study: Class lists
Includes memorandum pertaining to final class lists.
|
February 27, 1978 |
49 | 53 | Class lists and
correspondence |
September 7, 1978-September 19, 1978 |
57 | 2 | Student Class Papers |
1978-September 7, 1979 |
57 | 3 | Filmic Styles: Student Examination
book |
May 9, 1979 |
57 | 31 | Non-Fiction Film 409: Budget lists and
hand-written notes |
1979 |
60 | 9 | Media Study Buffalo CETA Documentary
Group Proposal |
February 16, 1978 |
60 | 10 | CETA Documentary Project: List of
Social Problems |
|
60 | 19 | "Mexican Project:"
Organization of Principal Investigators, Budget,
Correspondence |
March 30, 1979-May 1, 1979 |
60 | 21 | Center for Media Study SUNY:
"History and Problems in the Documentary Film"
Includes Project Description for documentary film on illegal Mexican
immigration
|
|
60 | 59 | Mexican Film Project Financial
Information |
January 3, 1978-January 5, 1979 |
63 | 3 | [Memorandum on Teaching Effectiveness,
Center for Media Study Self-Study Report] |
1972-1980 |
63 | 5 | [Lists of Film Books] |
September 1972-August 1973 |
64 | 16 | American Seminar on Film
NYU |
February 9, 1976-February 18, 1976 |
64 | 24 | Buffalo Media Study Inc.: Gerald
O'Grady Interview |
|
64 | 63 | SUNY Media Study Equipment Inventory,
Event Programs |
November 13, 1976 |
65 | 13 | Media Study Buffalo Block Grant
Proposal |
April 1979 |
65 | 32 | Screening/Discussion of Works by
Henwar Rodakiewicz |
|
65 | 48 | ["Seminar on Teaching
Making:" Articles, Notes, Film, Program] |
November 30, 1973-December 1973 |
66 | 6 | [Letters of Recommendation for James
Blue's tenure] |
March 27, 1975-August 8, 1975 |
66 | 10 | "Salary Administration Policies
Applicable to Employees Funded by Research Foundation Grants:"
Correspondence, Budgets |
September 18, 1972-August 1, 1978 |
66 | 17 | "History and Problems in the
Documentary Film" [List of documentaries] |
|
66 | 36 | "The Documentary Impulse: Eight
Presentations by James Blue:" Bibliography and
Filmography |
|
66 | 38 | "History and Problems in the
Documentary Film:" Photocopied articles related to
film |
1972-1980 |
66 | 68 | "History and Problems in the
Documentary Film:" [List of documentaries] |
|
69 | 47 | "History of Documentary
Problems:" Assignment sheet |
1977 |
75 | 1 | Memorandum and Faculty of Arts and
Letters by-laws |
September 19, 1978-May 1978 |
75 | 2 | Budgets, memorandum, and meeting
agendas |
May 6, 1978-1979 |
75 | 3 | Film rental lists and hand-written
budgets |
1978 |
75 | 4 | Faculty information, minutes,
memorandum and by-laws |
October 19, 1976-February 15, 1977 |
75 | 33 | Equipment inventory for the video
lab |
|
75 | 40 | "The Documentary Impulse: Eight
Presentations by James Blue:" Bibliography and
filmography
Includes a class list.
|
|
75 | 44 | James Blue's tenure status and
application |
|
76 | 30 | Correspondence: Copyright
law |
November 22, 1976-January 27, 1978 |
76 | 31 | Memorandum and correspondence to
University faculty |
August 12, 1977-September 28, 1977 |
76 | 32 | Correspondence: Nomination and
employment of teaching assistants |
February 26, 1977-March 1, 1977 |
76 | 33 | Graduate and undergraduate student
lists of phone numbers and addresses |
|
76 | 43 | "Film Making I:" Information
on film lighting |
|
76 | 65 | Agenda: Faculty Meeting |
March 28, 1979 |
76 | 72 | "History and Problems of
Documentary Film:" Information, memorandum, and
notes |
January 24, 1977 |
77 | 10 | List of faculty numbers, addresses and
office hours |
|
77 | 11 | Hand-written film screening schedule
and a chronological film list |
1977 |
78 | 4 | The Center for Media Study: Course
descriptions, lecture cue sheet, newspaper article, and hand-written
notes |
June 22, 1977-July 11, 1977 |
78 | 13 | "Non-Fiction Film History:"
Student papers |
November 28, 1978 |
78 | 14 | "History of the
Documentary:" Student papers |
September 28, 1978-December 12, 1978 |
82 | 67 | Faculty of the Graduate School
Nomination Form Center for Media Study |
|
82 | 68 | Recommendations for Tenure |
June 17, 1975-September 18, 1975 |
83 | 52 | Correspondence and "Styles of
Ethnographic Film," by James Blue |
May 15, 1978-June 12, 1991 |
84 | 38 | Correspondence, Budgets, Purchase
Requisition |
December 18, 1978-January 12, 1979 |
84 | 40 | Student Reports, Correspondence,
"How to Look at Television" |
October 1, 1964-March 2, 1978 |
88 | 16 | Media Study papers |
|
89 | 3 | Media Study at Buffalo: "Un
Portrait de James Blue" |
1980 |
89 | 5 | Media Study Presents: The Films of
James Blue |
|
89 | 6 | Media Study: "Cinema et
Video" |
September 1980-December 1980 |
89 | 7 | Media Study publication |
|
100 | 5 | Department of Media Study
records |
|
Subseries C: Yale |
|||
Box | Folder | ||
4 | 67 | Seminar reading lists, assignment
outlines, documentary speech outlines |
1977-1978 |
48 | 2 | "The Films:" Correspondence,
student papers, and grades |
July 5, 1977-September 14, 1977 |
48 | 41 | Correspondence, teaching notes, and
course book requisition form |
February 1, 1977 |
48 | 42 | Course book confirmation |
|
49 | 5 | Correspondence and blank library
request form for James Blue's summer class
Includes hand-written notes.
|
May 12, 1977-May 23, 1977 |
49 | 54 | "History of Documentary
Problems:" Paper assignment |
1977-September 28, 1978 |
78 | 49 | Yale Summer Seminar
Materials, film lists related to a summer seminar at Yale 1977.
|
1977 |
Subseries D: Museum of Modern Art |
|||
Box | Folder | ||
9 | 22 | Book lists |
|
9 | 23 | Hand-written notes |
|
9 | 24 | Correspondence |
December 20, 1976 |
11 | 21 | Correspondence, flyers, and
programs |
|
48 | 30 | Department of Film lecture series
"The Documentary Impulse:" Film lists and information on
film screenings |
January 26, 1977 |
48 | 31 | Hand-written notes |
|
49 | 45 | Department of Film lecture series
"The Documentary Impulse:" Bibliography and
filmography |
|
76 | 55 | Department of Film lecture series
"The Documentary Impulse:" Cue sheets, lecture notes and
materials |
June 20, 1977-July 27, 1977 |
77 | 16 | Department of Film lecture series
"The Documentary Impulse:" Hand-written notes |
|
78 | 1 | Department of Film lecture series
"The Documentary Impulse:" Hand-written lecture notes,
notebooks and notecards |
|
78 | 2 | The Museum of Modern Art, Department
of Film |
April 1, 1976-June 28, 1977 |
Subseries E: University of California, Los
Angeles |
|||
Box | Folder | ||
12 | 40 | UCLA Film Commission:
Hawaii
Dossier. Folder with maps, journals, sketches, quotes, citations,
letters.
|
|
42 | 19 | UCLA Theater Arts Library: Screenplay
collection and list of new books |
December 1964-July 1969 |
48 | 27 | Lists of films for rent, acquisition
list |
October 4, 1966-December 22, 1969 |
49 | 28 | Theater arts course: Student papers
and articles |
October 27, 1974-November 10, 1969 |
49 | 31 | Film-making course: Lecture
Notes |
|
65 | 3 | Student Film Information: Grades for
classes |
|
84 | 33 | UCLA Theater Arts Department: Staff
Directory, Notes |
1964 |
84 | 34 | Student Papers |
September 6, 1964-January 26, 1965 |
Subseries F: University of Houston |
|||
Box | Folder | ||
76 | 47 | Film material receipts and purchase
orders
Includes correspondence and purchase information with the film and
video store room.
|
August 18, 1976-November 25, 1976 |
77 | 15 | Purchase orders for film materials and
hand-written budget notes |
August 30, 1976-October 15, 1976 |
Subseries G: Other Teaching Files |
|||
Box | Folder | ||
4 | 75 | Media Study, Inc.: Financials for the
year ending June 1979 |
June 30, 1979 |
4 | 104 | Determining exposure and the meter NYS
Hierarchy |
|
9 | 12 | Documentary: Hand-written notes on
filming techniques |
|
9 | 13 | Documentary: Dimensions of the
documentary film pamphlet |
|
9 | 14 | Documentary: Class lists and
information for class on documentaries |
|
9 | 28 | Video tape recording information for
students: Comparisons and pros and cons |
|
9 | 32 | Film Study Aids: Teaching materials
for Documentary Film class |
|
9 | 33 | Film Study Aids: Hand-written notes
and a writing prompt |
|
11 | 1 | Film Form background material:
Teaching materials in the form of film articles |
|
11 | 2 | Film Form background material:
Newspaper clippings, articles and hand-written notes |
|
11 | 53 | Neo-realism: Lecture notes |
|
11 | 57 | Publications of "Le Monde,"
correspondence and class materials |
June 2, 1970-January 2, 1975 |
27 | 9 | Teaching/film directing notes on
notecards |
|
32 | 31 | Class materials, articles, and copies
of Blue's curriculum vitae |
September 25, 1965-July 1976 |
43 | 17 | Polish Film School, Direction
department: Exercises |
|
43 | 22 | Horace W. Robinson's Theory of
Dramatic Productions course: Class agendas, assignment sheets and
student papers |
January 13, 1956 |
43 | 26 | Institute Des Hautes Etudes
Cinematographiques: class notes, materials and
assignments |
|
43 | 27 | L'Histoire du cinema: Class
notes, correspondence, and a notebook |
February 3, 1970-January 15, 1973 |
43 | 31 | Theory of Dramatic Productions:
Student assignments, syllabi, articles and a spiral notebook of
hand-written notes |
1952-June 1, 1956 |
43 | 39 | Class agendas, notes and information
on Filmmaking I |
|
43 | 40 | History of the Theatre: Syllabus,
assignments, class notes and examination books |
October 7, 1955-December 16, 1955 |
43 | 41 | Class notes and
assignments |
September 26, 1957-December 4, 1960 |
43 | 42 | Class notes and a schedule of film
showings |
|
43 | 47 | Filmmaking I: Agenda
Includes 1981 Toronto Super 8 Film Festival Screening Programme.
|
|
Subseries H: Articles and class materials about
filmmaking |
March 1, 1965-May 8, 1974 | ||
Box | Folder | ||
43 | 50 | Theory of Dramatic Production and the
History of Theatre: Class notes, assignments and a complete
examination book |
January 20, 1956-March 14, 1956 |
48 | 33 | Student papers |
|
48 | 35 | Daniel Jircik: Letter of
recommendation and curriculum vitae |
September 9, 1976 |
49 | 2 | Hand-written teaching notes and
article
"Godard, Structure, and Social Change," by Charles Spencer;
"A Guide to Teaching Filmmaking as Artistic Expression,"
by Vlada Petric.
|
|
49 | 21 | Articles and information on filmmaking
and teaching filmmaking aimed at a high school level |
1968-July 20, 1969 |
49 | 35 | High School Teacher's Film
Seminar: Applications, correspondence and scholarship
information |
|
49 | 59 | Institute for the Arts film
calendar |
1970 |
57 | 30 | Institute du Haute Etudes
Cinematographiques and the Polish film school in LODZ |
|
57 | 43 | Student film awards: Evaluation
form |
|
63 | 13 | Brian Henderson "Film
Narrative" Study Guide Notes on Levi-Strauss |
|
63 | 45 | [Miscellaneous Budget
1974-75] |
1974-1975 |
63 | 58 | [English 293 B Beginning
Filmmaking/Research Project for 16mm Film] |
|
64 | 18 | [Reports on Filmmaking in Houston High
School Curriculum] |
May 27, 1970-March 28, 1971 |
76 | 51 | Information, publications and notes
pertaining to teaching film making in high schools |
October 7, 1969-November 8, 1969 |
78 | 46 | Horace Robinson: Lesson
Plans |
|
78 | 47 | Film Analysis Materials |
|
78 | 48 | American Universities Field
Staff |
|
78 | 50 | Class List Fall 1979 |
1979 |
82 | 61 | "University Advisory Committee
Seminar" |
|
85 | 15 | Faculty meeting: Budget for
1978-1979 |
May 5, 1978 |
88 | 18 | Film Studies/Cinema Verite |
|
88 | 19 | Practical information |
|
88 | 20 | Material from Colorado State
University |
1965-1966 |
112 | 1 | History and Problems in Documentary
films |
|
112 | 17 | History and Problems in Documentary
films |
Series IV: Personal MaterialsReturn to Top
Container(s) | Description | Dates | |
---|---|---|---|
Subseries A: Biographical material |
|||
Box | Folder | ||
15 | 1 | University of Oregon: Grade
reports
Includes information from Institute de Hautes Etudes
Cinematographiques.
|
April 25, 1949-July 18, 1958 |
22 | 14 | Papers regarding visa acquisitions,
contracts
Includes papers regarding India, Kenya, and Brazil; one personal
letter, many carbon copies of one letter for a visa to Brazil, talk
of documentary film making abroad.
|
1960s |
42 | 70 | Funeral register with
signatures |
|
43 | 12 | Curriculum vitae |
|
52 | 48 | Curriculum vitae |
|
61 | 1 | Passports, proof of vaccination,
travel information and social security card |
|
61 | 2 | Armed Forces: Report and certificate
of separation from |
September 1, 1961 |
61 | 3 | Travel information (France); voter and
social security information |
|
66 | 7 | Janice Chrabas Blue: Curriculum vitae,
resume, recommendation letters |
|
66 | 42 | University of Pittsburgh: Application
for Admission to Graduate Study Faculty of Arts and
Sciences |
|
82 | 57 | [Works from Jefferson High School and
University of Oregon] |
June 12, 1943-1953 |
88 | 15 | Curriculum vitae |
|
88 | 25 | Diplomas: Jefferson High school,
University of Oregon [Bachelor's of Arts] |
|
94 | 1 | Visa card, licenses from The Texas
Department of Public Safety and SUNY |
|
94 | 3 | Last Will and Testament |
|
100 | 13 | Newspaper clippings, correspondence,
and personal information |
|
100 | 32 | Personal correspondence and IDHEC
student card |
|
100 | 37 | James Barkley Blue:
Summary |
1968 |
100 | 44 | Jefferson High School year
book |
1947-1948 |
Subseries B: Correspondence |
|||
Box | Folder | ||
4 | 7 | Texas Commission on the Arts and
Humanities: Goals and approved programs |
1978 |
4 | 21 | Letters to answer: Larry Cuba, Jim
Gaul, and Karl Harshbarger |
|
4 | 35 | IHDHC, Une Tragedie en Trois Mauvaises
Actions Serraine Internationale des films de
Court-Metrage |
|
4 | 36 | Foreign Service of the USA |
1958 |
4 | 80 | Foundation for Independent Video and
Film: Letter from Rick Berkowitz |
May 15, 1979 |
4 | 87 | Mail addressed to Andrei
Zdravic |
|
6 | 69 | General correspondence |
May 30, 1957-February 11, 1959 |
9 | 1 | National Endowment for the
Arts |
February 18, 1964-January 3, 1976 |
9 | 11 | Incoming: Get Well
correspondence |
October 22, 1979-September 1, 1980 |
9 | 15 | General correspondence |
April 7, 1957-August 31, 1971 |
9 | 16 | General correspondence |
April 7, 1957-August 31, 1971 |
9 | 29 | French Scholarship Materials:
correspondence and article from Johnny High |
September 26, 1955 |
9 | 30 | French Scholarship Materials:
correspondence pertaining to James Blues French Government
Fellowship |
January 4, 1956-August 28, 1956 |
9 | 36 | Alan Barzman |
December 18, 1954-July 19, 1956 |
9 | 37 | Milo Diane David |
August 23, 1956-November 4, 1956 |
11 | 18 | General correspondence |
March 5, 1977-November 18, 1977 |
11 | 26 | American Friends: Correspondence from
Universities and letters |
May 9, 1958-November 3, 1976 |
11 | 63 | Correspondence about James
Blue
Includes obituary clippings.
|
May 4, 1971-September 15, 1980 |
11 | 67 | Pierre Perrault |
|
15 | 6 | Incoming correspondence |
November 21, 1958-June 7, 1971 |
15 | 7 | Incoming correspondence |
May 28, 1955-August 12, 1962 |
15 | 8 | Incoming correspondence |
September 11, 1955-August 28, 1962 |
15 | 9 | Incoming correspondence: Letters and
grade reports from Jefferson High school |
November 16, 1955-August 24, 1962 |
15 | 30 | Casual French Friends
Includes correspondence with the University of Oregon.
|
October 18, 1956-October 8, 1959 |
15 | 31 | Casual French Friends |
June 8, 1958-October 8, 1959 |
15 | 32 | Casual French Friends |
November 8, 1954-July 19, 1959 |
15 | 33 | Institute Des Hautes Etudes
Cinematographiques: Correspondence and an Ile De France
pamphlet |
November 10, 1958-July 16, 1959 |
22 | 20 | Danny Lyon
Includes two outlines for two separate movies: one about illegal
Mexican immigrants to the US, and the other about street children in
Colombia, 1972, 1974.
|
1970s |
32 | 30 | General Correspondence
Includes hand-written notes pertaining to James Blue.
|
October 2, 1977-September 23, 1980 |
32 | 36 | Correspondence to Gerald O'Grady
from Georges Pessis |
November 29, 1978 |
33 | 26 | Pat Gruben
Includes outline of Sifted Evidence Project, Pat Gruben
|
|
33 | 29 | Personal Letters |
|
33 | 44 | Letter to Melba Day Sparks
Includes letter from James Blue to Melba Day Sparks at Madison High
School in Portland, OR, speaking about film and film education.
|
March 24, 1964 |
42 | 32 | Correspondence from Brooks Jones to
Janice and James Blue |
|
42 | 34 | Correspondence |
December 15, 1978-April 28, 1979 |
42 | 44 | Annotated Express mail
envelope |
|
42 | 65 | Incoming correspondence |
March 3, 1977-April 20, 1979 |
42 | 67 | Incoming correspondence |
October 10, 1974-June 18, 1975 |
42 | 68 | Incoming correspondence |
December 23, 1976-September 8, 1978 |
42 | 74 | Incoming correspondence |
March 17, 1957-August 26, 1974 |
43 | 10 | Correspondence regarding James
Blue's publications in periodicals |
May 15, 1967-March 31, 1970 |
43 | 11 | Correspondence with Oxford University
Press |
October 16, 1974-November 13, 1974 |
43 | 46 | General correspondence |
October 13, 1967-July 12, 1974 |
48 | 46 | Australian Institute of Aboriginal
Studies: Correspondence pertaining to James Blue as project director
for National Endowment for the Arts grant |
August 4, 1975 |
48 | 61 | International Film Seminars,
Inc. |
November 22, 1977-June 2, 1978 |
48 | 62 | Creative Artists Public Service
Program: correspondence pertaining to James Blue's
Participation as a CAPS panelist |
January 18, 1978-February 1, 1978 |
48 | 72 | Correspondence regarding teaching and
speaking engagements at assorted universities and
associations |
April 24, 1967-March 18, 1971 |
52 | 46 | Written Memories of James Blue by
Friends After his Death |
|
52 | 51 | General correspondence
Includes correspondence and interviews: Harry, Paulin, Blue, Richard
Greiner, Shirley Clarke, Gordon Hitchens, Gerald O'Grady.
|
|
53 | 38 | United States Department of
Agriculture and the State of New York Conservation
Department
Regarding tree purchases and soil conservation.
|
January 31, 1950-April 27, 1955 |
57 | 4 | General correspondence: Film
Institutes and Universities |
February 10, 1964-September 3, 1974 |
57 | 5 | General correspondence: Film
Institutes |
October 19, 1970-August 20, 1976 |
57 | 7 | Correspondence and
pamphlets |
|
57 | 16 | Correspondence and newspapers in
French |
May 2, 1975-June 11, 1976 |
57 | 34 | Personal and professional
correspondence |
June 20, 1975-July 4, 1976 |
57 | 35 | Personal correspondence |
September 24, 1975-May 28, 1976 |
57 | 36 | Audiovisual lists |
|
57 | 44 | Correspondence to Louise Remmey from
Margaret Mims |
|
57 | 49 | General correspondence |
May 24, 1974-October 31, 1974 |
57 | 54 | General correspondence |
September 22, 1977 |
57 | 70 | General correspondence |
July 3, 1959-June 20, 1971 |
57 | 71 | Correspondence and hand-written
notes |
|
60 | 12 | Gordon Hitchens |
February 2, 1966-April 23, 1971 |
60 | 13 | Australian Institute of Aboriginal
Studies: David and Judith MacDougall |
March 31, 1977-June 8, 1978 |
60 | 14 | David MacDougall: Utility
Receipts |
March 18, 1973-September 23, 1976 |
60 | 16 | "The Spectrum:" SUNY Buffalo
Documentary Film |
December 19, 1977-March 14, 1978 |
60 | 58 | University, Film Organization,s and
TIME |
January 31, 1966-May 10, 1966 |
60 | 60 | "Faces of Change:" AUFS
Panel |
January 20, 1976 |
60 | 62 | General correspondence |
December 14, 1962-January 15, 1966 |
61 | 22 | United States Information Agency
(USIA)
Includes a photograph.
|
May4, 1964-September 23, 1965 |
61 | 94 | Incoming correspondence
Personal letters from Richard Blue, Aunt Janet/Garret(?), Aunt
Cortie, Maxine, Uncle Arthur, Aunt Edith, Aunt Kathy and others.
|
|
61 | 95 | Incoming correspondence [1 of
2]
Letters from Blue's parents and Matthew.
|
|
61 | 96 | Incoming correspondence [2 of
2]
Letters from Blue's parents and Matthew.
|
|
item | |||
98 | 98 | Incoming correspondence
Various letters from friends and colleagues related to film
making.
|
1971 |
98 | 99 | Incoming correspondence
Letters from friends, colleagues, acquaintances of James Blue.
|
|
Folder | |||
63 | 31 | [Public Broadcasting Service, Regional
Screening, "The Murder"] |
September 3, 1976 |
63 | 34 | Cable Arts "A is for Art, C is
for Cable": Russell Connor |
January 8, 1975 |
63 | 55 | Texas Commission on the Arts and
Humanities: Public Media Advisory Panel Meeting |
August 3, 1976-October 13, 1976 |
63 | 70 | The American Film Institute:
Pertaining to publication "Kings Mountain and its
Heroes" |
April 23, 1971 |
63 | 71 | Memo on S-8 Distribution and
Production |
April 4, 1974 |
64 | 11 | [Studio Watts]
James M Woods.
|
December 17, 1969-May 19, 1971 |
64 | 44 | Letter regarding Mexican Indian Dance
Film |
February 1, 1976 |
65 | 5 | Correspondence: Q-R |
July 8, 1969-July 19, 1969 |
65 | 6 | Correspondence: O-P |
February 1, 1967-July 30, 1970 |
65 | 7 | Correspondence: M-N |
April 20, 1970-March 10, 1964 |
65 | 12 | Doc Research Inc.: Bruce
Jackson |
April 2, 1979 |
65 | 15 | Ontario Film Association:
"Invitation to Apply for Membership" |
|
65 | 40 | [Historical Media Center: Rice
University Media Center Price Lists, "Filmmaking for
ACLU," Joan Glantz] |
September 19, 1970-June 13, 1976 |
65 | 43 | [Rice University Memo: "Research
Projects Involving Human Subject"] |
August 1973 |
65 | 64 | T. Kuntzel:
"Trans" |
|
65 | 71 | Correspondence: S-T |
March 30, 1964-June 9, 1971 |
66 | 16 | Letter from Robert
Petillon |
|
66 | 37 | Gerald O'Grady: Peter Lunenfeld
"James Blue and the Complex Documentary" |
January 14, 1985-June 9, 1991 |
66 | 46 | SUNY Buffalo: Gerald O'Grady,
"Go Tell it on the Mountain" |
|
66 | 54 | [Photocopies of correspondence between
James Blue and James Dormeyer]
Includes correspondence regarding the death of James Blue.
|
September 22, 1958-February 18, 1981 |
66 | 57 | [Gerald O'Grady correspondence
regarding Blue Collection] |
January 8, 1986-June 26, 1991 |
67 | 34 | "L'application de
L'improvisation Theatrale au Cinema," "Project de
Memoire de Fin D 'etudes" |
October 15, 1957 |
67 | 37 | [Correspondence with Anil Srivastava
of Cinema Workshop and Cinema Workshop Publication] |
January 1969-August 28, 1971 |
67 | 40 | [Correspondence between James Dormeyer
and Gerald O'Grady with picture of Blue and others
filming] |
November 2, 2004 |
67 | 41 | Gerald O'Grady |
November 10, 1965-October 20, 2004 |
67 | 52 | General Correspondence |
July 28, 1981 |
67 | 61 | Gerald O'Grady |
July 14, 2003-August 28, 2003 |
69 | 18 | Herbert Blau [California Institute of
the Arts] |
October 11, 1968-February 19, 1969 |
69 | 19 | Incoming Correspondence |
November 15, 1971-February 11, 1974 |
69 | 22 | Correspondence with film equipment
manufacturers |
April 10, 1969-December 22, 1969 |
69 | 23 | General Correspondence |
January 13, 1964-July 16, 1971 |
69 | 24 | Incoming Correspondence: Gerald
O'Grady |
|
69 | 26 | Correspondence with the John Simon
Guggenheim Memorial Foundation pertaining to applications and a
fellowship. Includes pamphlets |
September 20, 1966-February 10, 1971 |
69 | 27 | General Correspondence |
October 29, 1959-April 4, 1973 |
69 | 28 | Correspondence with the Academy of
Motion Picture Arts and Sciences |
October 11, 1968-April 7, 1969 |
69 | 31 | General Correspondence |
January 17, 1980-June 20, 1981 |
69 | 38 | General Correspondence |
January 24, 1977-October 1983 |
75 | 23 | Incoming Correspondence: School of the
Art Institute of Chicago, and "The Film Center
Gazette" |
|
75 | 49 | Incoming Correspondence: American Film
Institute |
May 10, 1976 |
75 | 66 | Incoming Correspondence: Australian
Institute of Aboriginal Studies |
December 19, 1975 |
76 | 20 | Printed photographs from Gerald
O'Grady for "A Retrospective on James
Blue"
Includes correspondence.
|
September 7, 2005-September 28, 2005 |
76 | 62 | Joan Mark |
May 1979 |
77 | 17 | Correspondence and hand-written
notes
Includes a French newspaper article.
|
|
78 | 32 | Personal Correspondence |
September 11, 1977-August 14, 1979 |
78 | 38 | General Correspondence
Includes a copy of "South West Media Review."
|
February 13, 1980-1985 |
78 | 44 | Correspondence with American Film
Institute |
|
78 | 51 | Chloe Aaron |
Aug 24, 1977 |
78 | 54 | General correspondence
Alfred S Konefsky, Gerald O'Grady
|
Jan 31, 1979-Feb 8, 1979 |
82 | 1 | American Civil Liberties Union,
Telephone Committee |
January 30, 1976-February 12, 1976 |
82 | 7 | Rice University Media Center Menil
Foundation |
February 14, 1975 |
82 | 11 | Centre National Pour L'animation
Audio-Visuelle: "Five Student films to be Shown in
International Film Festival" |
June 20, 1975 |
82 | 19 | Frank Daniel |
December 8, 1974 |
82 | 21 | National Endowment for the Arts:
Letter form Chairman Nancy Hanks |
September 25, 1974 |
82 | 54 | National Endowment for the Arts:
Filmmaker in the Schools |
March 10, 1976-September 9, 1976 |
82 | 62 | Community Antenna Television:
Application to CATV Apprenticeship Program |
March 8, 1974 |
82 | 64 | Australian Institute of Aboriginal
Studies |
October 26, 1977-February 10, 1978 |
82 | 65 | Middle Eastern Filmmakers Project
Tentative Budget |
February 24, 1978 |
82 | 77 | Letters related to cable television in
Austin, Texas |
November 1, 1972-April 3, 1973 |
82 | 82 | General correspondence |
January 1, 1963-January 5, 1964 |
82 | 83 | Correspondence: K-L |
January 18, 1964-July 25, 1964 |
82 | 84 | Correspondence: I-J |
January 8, 1967-January 11, 1973 |
82 | 86 | Correspondence: U-W |
March 6, 1979-March 31, 1970 |
82 | 87 | Correspondence: X-Z |
September 4, 1969 |
83 | 27 | [SWAMP: "Invisible
City"] |
January 29, 1980-August 15, 2002 |
83 | 31 | Correspondence regarding the transfer
of films |
February 20, 1979-October 18, 1988 |
83 | 53 | [Gerald O'Grady: Correspondence
with Australian Institute of Aboriginal Studies] |
September 18, 1975-June 5, 1981 |
84 | 4 | [Gerald O'Grady: Correspondence
regarding James Blue and requests for materials] |
September 9, 1975-August 15, 2005 |
84 | 7 | [Julius Rascheff and Gerald
O'Grady] |
April 13, 2002-April 28, 2002 |
84 | 8 | [Correspondence and Articles About
Filmmaking] |
March 31, 2002 |
84 | 14 | Correspondence with the South Carolina
Arts Commission |
January 20, 1976-February 26, 1976 |
84 | 16 | Correspondence from assorted film
centers |
December 3, 1975-April 17, 1976 |
84 | 20 | State University of New York at
Buffalo: Correspondence with Gerald O'Grady |
|
84 | 35 | International Film Seminars, Memos to
the Members and Trustees |
October 5, 1978-December 29, 1978 |
85 | 12 | General correspondence |
|
85 | 23 | General correspondence |
January 16, 1968 |
89 | 1 | Correspondence with James Fox and
Gerald O'Grady |
November 19, 2013 |
94 | 4 | Correspondence and list of audio tapes
regarding James Blue's collection at La Fondation Daniel
Langlois |
|
100 | 16 | General correspondence |
June 14, 1978-March 28, 1979 |
100 | 33 | Gerald O'Grady: State University
of New York at Buffalo
Includes a proposal for Independently Produced Documentaries.
|
|
100 | 51 | Hand-written notes and
correspondence |
February 21, 1960-February 7, 1962 |
100 | 53 | Correspondence, assorted publications,
and a film shipment notice |
September 27, 1987 |
112 | 11 | Personal correspondence |
May 22, 1957-June 19, 1981 |
Subseries C: Contracts |
|||
Box | Folder | ||
53 | 15 | Agreement: American Film Institute and
James Blue |
October 4, 1976 |
53 | 19 | Agreement: American Film Institute and
James Blue |
|
61 | 4 | Contract de travail: Delegation
Generale du Government en Algiere for James Blue |
|
83 | 29 | Contract: La Societe Algerienne de
Production des Studios Africa 2; Texas Committee for the Humanities
Media Grant Application |
|
Subseries D: Financial documents |
|||
Box | Folder | ||
42 | 41 | Copy of Foley's charge card
agreement |
November 5, 1977 |
42 | 43 | Morton R. Lane State University
Federal Credit Union: flyers and information |
|
42 | 61 | Car Insurance information, title, loan
disclosures, and security agreement |
May 31, 1973-February 28, 1977 |
43 | 35 | Receipts for travel
expenses |
February 9, 1976-October 12, 1976 |
43 | 36 | Bank Statements, deposit slips, and
checks |
August 9, 1975-November 14, 1975 |
48 | 59 | Film material purchase invoice from
Bell and Howell |
August 28, 1978 |
53 | 1 | Southwestern Bell charge
bills |
January 25, 1976-December 25, 1976 |
53 | 2 | Sears, Roebuck, and Company
bills |
March 26, 1976-March 21, 1977 |
53 | 3 | Med Center Bank retirement
pamphlet |
|
53 | 4 | Dining receipts |
January 15, 1976-April 7, 1977 |
53 | 5 | Postage receipts |
February 7, 1976-October 7, 1976 |
53 | 6 | Medical receipts |
May 21, 1975-December 26, 1976 |
53 | 7 | ENTEX receipts |
|
53 | 8 | Houston Lighting and Power Company
receipts |
September 11, 1975-March 9, 1977 |
53 | 9 | Rice University memorandum regarding
the Group Medical insurance Plan |
September 23, 1976 |
53 | 10 | Auto repair receipts |
January 12, 1976-December 10, 1976 |
53 | 11 | Subscription receipts |
February 13, 1976-December 26, 1976 |
53 | 12 | Correspondence and financial
information for Janice and James Blue's divorce
settlement |
July 13, 1975-June 23, 1976 |
53 | 13 | Income tax materials, including
budgets and income tax return applications |
May 1, 1975-December 31, 1975 |
63 | 36 | French Cinema Club Budget |
November 4, 1974-May 5, 1975 |
69 | 30 | M and T Bank: Personal loan
application |
|
82 | 2 | Camera Tape Equipment Supplies,
Receipts |
January 24, 1975-December 31, 1976 |
82 | 6 | Travel Receipts and
Reimbursements |
February 12, 1976-May 20, 1976 |
Subseries E: Journals |
|||
Box | Folder | ||
6 | 18 | Notebook of hand-written
notes |
|
6 | 52 | Notebook of hand-written
notes |
|
9 | 47 | Notebook containing research on film
history |
|
9 | 48 | Notebook containing research on film
history |
|
15 | 49 | Notebook, Food Film, from Nov. 10,
1967 |
|
22 | 17 | Two notebooks from Brazil |
1967 |
33 | 47 | Notebook
Includes a small notebook with a monologue regarding famine and the
responsibilities of man.
|
|
53 | 49 | Notebooks with hand-written
notes |
|
64 | 3 | Notebook of hand-written notes and
phone numbers |
|
64 | 5 | Notebook of hand-written
notes |
|
76 | 56 | Notebook |
|
80 | 9 | Copied pages from a composition
notebook written in French, pg. 164-229 |
|
80 | 10 | Copied pages from a composition
notebook written in French, pg. 164-230 |
|
Subseries F: Bound volumes |
|||
Box | Folder | ||
78 | 34 | French and English
dictionary |
|
Subseries G: Meeting minutes |
|||
Box | Folder | ||
63 | 51 | [The American Federation of Arts,
Minutes from AFA Film Advisory Committee] |
June 29, 1977-August 14, 1977 |
84 | 39 | Australian Institute of Aboriginal
Studies: Minutes of the Ethnographic Film Conference
1978 |
July 11, 1978 |
Subseries H: Notes and writings |
|||
Box | Folder | ||
4 | 14 | Buffalo Arts Development Service,
documentary group |
|
4 | 55 | Pop film and film-making |
|
4 | 74 | Spanish Notebook |
|
11 | 24 | Structuralism: Hand-written notes on a
napkin |
|
11 | 31 | General notes and writings |
July 25, 1973 |
11 | 60 | Southwest Media Project |
|
22 | 25 | Notebook from Brazil
Includes a film outline.
|
1967 |
22 | 26 | Logbook from Brazil |
|
22 | 27 | Notebook from Kenya
Notebook belonging to Daniela M.M. detailing voyages around Kenya,
experiences etc.
|
1967 |
22 | 28 | Notebook from Kenya
Loose notes about people met, places visited in Kenya.
|
|
22 | 29 | Notebook from India
Notes and information about India, cities, people, phone numbers,
etc.
|
1966 |
22 | 30 | Notebook from India
Notebook from India with names but mainly journal entries.
|
1967 |
22 | 31 | Notebook from Kenya
Notebook from Kenya describing voyages to different regions of
Kenya.
|
1967 |
22 | 32 | Notebook from Kenya
Notebook from Kenya with film outlining.
|
1967 |
22 | 36 | Notebook from Kenya
A travel log of three weeks in Kenya.
|
March 1, 1967-March 21, 1967 |
33 | 28 | General notes and writings
Collection of essays, notes, analyses, quarterlies related to film
theory.
|
1955 |
42 | 35 | Spanish study notes |
|
42 | 39 | Eulogy for Dennis Puleston by his
Wife |
January 1979 |
42 | 64 | Lecture notes for the Banlian Speech
on Architecture |
April 15, 1977 |
48 | 10 | Charlie Nixon's address,
hand-written |
|
53 | 14 | State University of New York at
Buffalo: hand-written notes pertaining to Warner Bros. |
|
53 | 39 | Building and construction
notes |
August 26, 1972-March 9, 1977 |
54 | 35 | General notes and writings |
|
54 | 50 | General notes and writings |
|
61 | 23 | Notes and information on civil rights
issues |
March 22, 1962-September 13, 1963 |
61 | 73 | General notes and writings |
|
74 | 1 | University of Oregon Papers: Articles,
play reviews, letters and play bills |
|
76 | 6 | General notes and writings |
|
76 | 15 | General notes and writings |
|
76 | 35 | Film screening notes |
|
76 | 37 | Film notes, "The Peanut Butter
Garden," by Alan Barzman, "Cinema Verite," by
Patricia Jaffe |
|
76 | 39 | General notes and writings
Includes a receipt for the James Blue's retrospective and a list
of films.
|
|
76 | 60 | Notes: "The Irish
Jubilee" |
|
77 | 4 | General notes and writings |
|
77 | 5 | General notes and writings |
|
77 | 11 | Film-making notes
Includes an empty file from The Film School at the Orson Welles
Cinema.
|
|
77 | 18 | General notes and writings |
|
77 | 22 | Notes pertaining to films |
|
77 | 23 | General notes and writings |
March 9, 1973-February 28, 1973 |
78 | 12 | Notes on surrealism |
|
82 | 50 | General notes and writings |
|
83 | 9 | Notes from the University of
Michigan |
|
83 | 46 | General notes and writings |
|
83 | 56 | General notes and writings |
|
94 | 7 | General notes and writings
Includes some correspondence.
|
|
100 | 15 | James Blue's Diary: Translated by
Nicole |
|
100 | 45 | Film and interview notes |
|
100 | 59 | Notes and "Femmes
Nouvelles" |
25-Feb-61 |
112 | 16 | A paper for The American Revolution
Film Project and notes on Algeria |
June 24, 1960 |
Subseries I: Presentations and interviews |
|||
Box | Folder | ||
4 | 69 | The Films of James Blue: The Center
for Media Study at SUNY at Buffalo, New York |
|
4 | 102 | Interviews with Ethel Mann |
|
6 | 19 | Interview of Bayer (?) |
|
6 | 20 | FUNY interview |
|
6 | 25 | Interviews recorded at Fung-Tien,
Hua-Lien: edited by Richard Chen |
June 2, 1965-September 25, 1965 |
6 | 41 | "Excerpts from an Interview with
Robert Bresson" [8 copies] |
June 1965 |
6 | 42 | "Biography of James Blue":
Interview of James Blue by Mary Batten |
|
6 | 53 | Pages from an interview with Larner,
Vallani, Howes and Slocum |
|
9 | 26 | Complex Documentary Problems:
Interview between group and councilmen David Collins |
February 22, 1979 |
9 | 34 | Twentieth Century Studies Center
Milwaukie, Wisconsin: Correspondence regarding James Blue's
speech at the National Conference on the Teaching of
Film |
January 19, 1976-April 22, 1976 |
9 | 35 | Twentieth Century Studies Center
Milwaukie, Wisconsin: Schedules, newsletters and flyers for the
National Conference on the Teaching of Film |
January 7, 1975-March 31, 1976 |
11 | 17 | Film Lists and Articles about Buffalo,
New York |
January 4, 1980-February 2, 1980 |
11 | 54 | "Rouch Interview" and
"Interview with Richard Leacock" |
|
15 | 35 | List of interviews |
|
15 | 36 | Notes pertaining to
interviews
Includes copies of James Blues curriculum vitae.
|
|
15 | 40 | Correspondence regarding James
Blue's guest lectures |
August 28, 1978-January 29, 1979 |
22 | 22 | Documentary Impulse: Eight
Presentations by James Blue
MOMA, James Blue, Documentary Impulse, Eight Presentations by James
Blue.
|
1977 |
32 | 1 | "Excerpt from Dr. Switzgebel
Tape": Interview by James Blue |
February 24, 1970 |
32 | 9 | Terry Filgate: Interview by James
Blue |
|
42 | 31 | "Biography of James Blue":
Interview With Mary Batten |
|
42 | 58 | Jerome Kuehl's lecture tour
itinerary |
April 14, 1976 |
43 | 8 | Interviews with, and by James Blue:
Master copies and hand-written notes |
June 1965-February 27, 1970 |
43 | 19 | Correspondence regarding James
Blue's university lectures
Includes publications on the 32nd Conference on World Affairs.
|
November 24, 1978-April 13, 1979 |
43 | 32 | Surprise Package… Radio
Banquet: Script of a radio show with James Blue |
May 26, 1952 |
43 | 38 | Interview with Max and Tina Brawner
[bee-keeping] |
|
49 | 3 | Information on film structure and an
excerpt of a script with Frank Daniel, George Stevens and Jim
Silke |
June 10, 1969-April 28, 1969 |
52 | 45 | Al Maysles Interview by Blue
[transcript] |
|
54 | 56 | The City, with Richard
Blue |
|
54 | 57 | The City: Conversation about film
project with James Blue: Richard Blue |
|
57 | 13 | Willard Van Dyke Interview |
August 2, 1973 |
57 | 14 | Interview with Bresson: Excerpts and
notes |
June 1965 |
57 | 18 | Interview with Robert Bresson:
Excerpts |
June 1965 |
57 | 21 | Interview with Robert Bresson:
Excerpts |
June 1965 |
57 | 22 | "The Question:" an Interview
with Robert Bresson, Jean-Luc Godard and Michel Delabaye |
|
57 | 23 | "La Formation Technique et
Estetique de L'Acteur Du Cinema," by Orazio
Costa |
August 24, 1978 |
57 | 24 | "Jean Rouch Chez Richard
Leacock," by Louis Marcorelles |
August 24, 1978 |
57 | 25 | Interviews with Jean-Luc Godard and
Richard Grenier by James Blue: Excerpts |
|
57 | 47 | Interview with Milos Forman by James
Blue and Gian-Franco Debosto |
September 1965 |
57 | 65 | "Excerpts From an Interview with
Robert Bresson" |
June 1965 |
57 | 66 | "A Conversation with Bernardo
Bertolucci," by Joan Mellen |
|
57 | 67 | Notes on Jean-Luc Godard |
|
57 | 68 | Interview with Robert Bresson:
Excerpts, notes, and clippings |
June 1965-October 17, 1966 |
57 | 69 | "The Question:" an interview
with Robert Bresson by Jean-Luc Godard and Michel
Delahaye
Includes interview excerpts and notes.
|
June 1965 |
60 | 7 | Super 8 Filmmaker: Interview with
James Blue |
March 23, 1979 |
60 | 29 | Cesare Zavattini: Interview at his
home in Rome by James Blue |
September 25, 1965 |
60 | 30 | Richard Grenier, J.L Godard: Interview
by James Blue |
September 1965 |
60 | 31 | Peter Watkins, London BBC: Interview
by Blue and Gill |
June 12, 1965 |
60 | 32 | Bernard Bertolucci: Interview by James
Blue [Master Copy] |
September 26, 1965 |
60 | 33 | Venice Festival: Milos Forman by James
Blue and Gian-Franco Debosio Master Set |
September 1965 |
60 | 34 | Venice Festival: Milos Forman
Interview by Blue and Gian-Franco Debosio |
September 1965 |
60 | 35 | Rice University: King Vidor Interview
with Blue, King Vidor Q and A with Audience |
March 19, 1969 |
60 | 36 | Ermanno Olmi: Interview with
Blue |
September 1965 |
60 | 37 | Ermanno Olmi: Interview Master
Copy |
September 1, 1965 |
60 | 38 | Vittorio De Sica: Interview by James
Blue |
September 28, 1965 |
60 | 39 | J.L. Godard Interview: Excerpt on the
directing of non-professionals in film |
|
60 | 40 | Bernardo Bertolucci
Interview |
September 26, 1965 |
60 | 43 | Interview with Jean-Baptiste
Thierre |
November 9, 1965 |
60 | 44 | Bernardo Bertolucci: Interview by
James Blue |
September 26, 1965 |
60 | 45 | Vittorio De Sica: Interview by James
Blue |
September 25, 1965 |
60 | 46 | Interview with Jean Rouch,
Jacqueline |
August 18, 1965 |
60 | 47 | Jean Rouch Interview [2
Copies] |
August 18, 1965 |
65 | 2 | James Blue Speeches and
Ideas |
February 18, 1970-July 21, 1970 |
66 | 19 | "Excerpt from Dr. Switzgebel
Tape" |
February 24, 1970 |
66 | 30 | [Helen Van Dongen Durant: Interview by
Blue] |
August 1, 1974 |
66 | 52 | Leacock: Interview by James
Blue |
June 1, 1965 |
66 | 58 | "Reflections on the Possibilities
of a Film Treating American Negroes for Distribution Overseas,"
"Interview with Hobart Taylor"
Includes notes and a film outline.
|
June 11, 1963 |
66 | 63 | Interviews: Bernard Bertolucci, Milos
Forman, Shirley Clarke |
|
67 | 1 | George Stevens: "His War Years in
Combat Photography" |
|
67 | 8 | "Dr. Switzgebel's Tape
Excerpts:" James Blue, Interviewer (Behavioral
Psychology) |
February 24, 1970 |
67 | 10 | Interview with Van Der
Keuken |
|
67 | 11 | "Conversation with Frank
Daniel" |
April 28, 1970-August 15, 1969 |
67 | 23 | "An Interview with James
Blue," Mary Batten |
January 30, 2007 |
67 | 24 | [Collection of Radio Scripts;
"The Most Dangerous Game," featuring Jim Blue] |
|
67 | 36 | [Interviews with Bernard Bertolucci,
Ermanno Olmi, Vittorio De Sica, "Excerpts from and Interview
with Robert Bresson"] |
September 1, 1965-June 1965 |
75 | 39 | Willard Van Dyke: Interview by James
Blue |
|
75 | 45 | Paolo Pasolini: Interview by James
Blue [translated by Bob Connolly] |
|
75 | 53 | Jean Rouch: Interview by James
Blue |
August 18, 1965 |
75 | 62 | University of California, Berkeley
[correspondence, notes] |
January 24, 1973-April 5, 1973 |
76 | 59 | Super 8 Filmmaker: Interview with
James Blue |
March 23, 1979 |
76 | 67 | 32nd Annual Conference on World
Affairs; University of Colorado at Boulder: Mobility: Man:
Stasis |
April 9, 1979-April 13, 1979 |
77 | 20 | [Articles on James Blue and an
Interview with James Blue] |
February 27, 1975-November 2, 2002 |
78 | 55 | Film Presentation in
Germany |
June 2, 2010 |
80 | 5 | [James Blue Filmography, Bibliography,
Interviews] |
|
83 | 39 | "Two American Directors:
Interview with James Blue" Mary Batten |
|
84 | 21 | Miscellaneous articles and
interviews |
|
84 | 22 | Miscellaneous articles and
interviews |
|
88 | 23 | Miscellaneous articles and
interviews |
1960-1980 |
112 | 4 | Interview with Gerald
O'Grady |
November 13, 2013 |
Subseries J: Publications |
|||
Box | Folder | ||
4 | 8 | Ontario Film Association: A Newsletter
Called Fred, Volume 8, Number 6 |
February 1980 |
4 | 30 | Assorted articles from "Le
Monde" and "L'Express" |
1964 |
4 | 33 | "Observational Cinema," by
Colin Young |
|
4 | 34 | "Realidade": free
translation of Brazilian article, "What do Brazilians Think of
Americans" |
|
4 | 43 | Super 8 Filmmaker: "Creating a
New Visual Literacy" |
January 1976-February 1976 |
4 | 49 | "Take One" |
February 1979 |
4 | 50 | GCCSA Community Reporter; Rice Media
Center |
June 1976 |
4 | 53 | "The Independent,"
"Public TV and Indies: A Very Sound Mix (SWAMP);" "El
Otro Lado" and "National Priority: Jobs to People or the
Reverse" |
|
4 | 54 | Assorted periodicals: "Global
Village," Rice University Media Center, "Margaret Mead
Film Festival," "On Air" and
"Afterimage"
Includes three packs of negatives.
|
1978-1980 |
4 | 65 | Miscellaneous newsletters |
|
4 | 66 | Filmmakers newsletter, Volume 10,
number 4 |
February 1977 |
4 | 84 | The New Yorker: Article by Graham
Greene |
|
4 | 85 | Newspaper articles related to
media
Includes The Houston Post, " Lens Art;" The Oregonian,
"Films Point out Help to People in Negative Situations;"
and the New York Times, "Toward a Broadening of Public
TV."
|
|
4 | 88 | The Daily Camera: Assorted photocopies
of newspaper article |
1979 |
4 | 97 | Courier Express: Articles related to
renewal and city plans of Buffalo, New York including |
1979 |
4 | 98 | Courier Express: Cippings and a
neighborhood newsletter regarding city development |
1979-1980 |
4 | 99 | Courier Express: Revitalization of
Buffalo, New York series |
August 19, 1979-August 27, 1979 |
4 | 103 | Home for Christmas: An
Autobiographical Film by Rick Hancox |
1978 |
6 | 16 | "Outstanding Navy Speeches,"
Volume IV |
1969-1970 |
6 | 26 | "Westways," Volume 59,
number 5 |
May 1967 |
6 | 28 | "Young
Socialist"
Includes a Dominican revolution flyer from the Young Socialists
Alliance.
|
May 1965-June 1965 |
6 | 29 | "Insurgent," Volume 1,
number 1 |
March 1965-April 1965 |
6 | 30 | "The Partisan, Magazine of Youth
Against War and Fascism," Volume 1, number 1 |
April 1965 |
6 | 40 | Untitled class set of an unknown
publication |
|
6 | 43 | Vsevold, "Pudovkin: On Film
Technique" |
|
6 | 46 | Film Comment: Volume 1, number
3 |
1962 |
6 | 67 | President Johnson's Message on
the State of the Union as Prepared for Delivery to a Joint Session
of the Congress |
January 10, 1967 |
6 | 68 | "A Handbook for Responsible
American Citizens: What You Can Do For Your Country and the Cause of
Freedom" |
1962 |
6 | 82 | Carnegie Commission on the Future of
Public Broadcasting: A Public Trust: A Summary and overview of the
findings and recommendations of the CCFPB |
|
6 | 83 | "Report Card on American Film
Schools Part One: The Eastern Elite" |
November 1978-December 1978 |
6 | 86 | Linda Hunt, WNED: "Little Kid on
Block Stands Tall" (Ch.17) |
|
6 | 88 | The Association of Independent Video
and Filmmakers: "Beyond Carnegie II: Recommendations for
implementation of Carnegie II: The future of Public
Broadcasting |
February 20, 1979 |
9 | 19 | Successful Movie Making: The worlds
Leading Photographic Magazine |
|
9 | 20 | Articles on nineteenth- and
twentieth-century philosophers |
|
9 | 25 | "The Work of Art in the Age of
Mechanical Reproduction," by Walter Benjamin |
|
9 | 38 | Alaska Talk: Untitled publication
about Alaska and correspondence from the University of
Alaska |
April 14, 1978 |
9 | 39 | "Salute to the Arts," Volume
6, Number 1; "Hollywood films" [list of movie
showings] |
October 1980-November 1980 |
9 | 40 | Buffalo and Erie County Historical
Society: "The Beginnings of Buffalo Industry," by Robert
Holder |
|
9 | 43 | Media Arts Center Newsletter and
Periodical |
|
11 | 3 | Dai Vaughn Television Documentary
Usage: Articles on film and television |
|
11 | 4 | "Cinema: Ideological Effects
Produced by the Basic Apparatus," by Jean-Louis
Baudry |
|
11 | 5 | Afterimage: "Do Photographs tell
the Truth" Volume 5, number 8 |
February 1978 |
11 | 6 | The Journal of the University Film
Association, Volume 29, number 1 |
1977 |
11 | 7 | "Marxism and
Existentialism," by Walter Odajnyk |
1965 |
11 | 8 | "Is the Documentary a
Dinosaur?," by John J. O'Connor [2 copies] |
|
11 | 9 | "Part Three Film as a Historical
Factor: The Newsreels: The Illusion of Actuality," by Nicholas
Pranay [2 copies] |
|
11 | 10 | Film Reviews: New York Film Bulletin
and miscellaneous articles |
|
11 | 11 | "Is the Visible Enough?," by
Bert Kaplan |
|
11 | 12 | "Looking for a Logic of
Culture," by Umberto Eco
Includes information on a Dental conference at The State University
of New York at Buffalo.
|
1975-August 23, 1978 |
11 | 13 | "Film: The Illusion of
Naturalism," by Andrew Sarris |
1968 |
11 | 14 | Chapter Seven: Ideology as a Cultural
System: The Interpretation of Cultures |
|
11 | 15 | "Cinematic Analysis," by
Vlada Petric
Includes introduction and Chapter Three of a rough draft for a film
studies textbook.
|
December 20, 1975 |
11 | 23 | "Towards a Popular Feminist
Cinema: An Interview of Lina Wertmuller," by E. Servi
Burgess |
|
11 | 28 | "Un Front Commun Des Cinemas
Afro-Arabes," by Louis Marcorelles |
November 7, 1974 |
11 | 29 | Avant-Garde USA: "Words per
page," by Paul Sharits; "Proposal for the National
Endowment for the Arts," by Rudi Stern; and
"Profiles," by Calvin Tomkins |
|
11 | 32 | "Philosophy in a New Key: Chapter
3: The Logic of Signs and Symbols," by Suzanne
Langer |
|
11 | 33 | "A Few Remarks Before I
begin," by Tony Conrad |
|
11 | 34 | "A Publication of the Center for
Advanced Film Studies," discussion with Jean Renoir, James Blue
and James Silke |
|
11 | 36 | "Subjectivity and
Visibility," by Bert Kaplan |
|
11 | 37 | "Toward a Researchable Film
Language," by Steve Feld and Carroll Williams |
|
11 | 38 | "Generating Researchable Film
Observations," by Steve Feld and Carroll Williams |
|
11 | 39 | "Beyond Observational
Cinema," by David MacDougall |
|
11 | 40 | "Ethnographic Film: Failure and
Promise," by David MacDougall |
|
11 | 41 | "Gerry O'Grady and the Media
City," by Ann Whitcher |
|
11 | 42 | "Technology, documentary and
levels of Truth," by Alf H. Walle |
October 1978 |
11 | 43 | "John Ford: A Reassessment,"
by Michael Dempsey |
|
11 | 44 | "A Bibliography of Semiology and
Cinema," by Charles H. Harpole |
March 1977 |
11 | 45 | "Toute La Memoire du Monde,"
Society for French American Cultural Services and Educational
Aid |
|
11 | 46 | "The Wedding Camels":
correspondence to James Blue about distribution of the film for a
festival |
|
11 | 47 | Jump Cut: "Christopher Caudwell:
His Aesthetics and Film," by Eileen Sypher |
|
11 | 48 | Film Culture: "Notes on the Art
of John Ford," by Michael Barkun |
|
11 | 49 | Jump Cut, Number 6 |
|
11 | 50 | La Cinema Selon Louis
Lumiere |
|
11 | 55 | "Cool in an Uncool Time: Teenage
Hipster in the Modern World," by Mark Jacobson |
August 7, 1978 |
11 | 56 | "The Waltz," by Mosco
Carner |
1948 |
11 | 59 | "Modernist Cinema: The History
Lessons of Straub and Huillet," by Gilberto Perez |
|
11 | 61 | Progressive Architecture |
February 1978 |
11 | 62 | "EE-EE-OW! A-YIP-I-O-EEY! A
Farewell to James Blue," by Dr. Gerald O'Grady |
|
11 | 65 | Film Comment: Volume 4, number 2 and
3; 'L'acadie, L'acadie" |
1967 |
11 | 66 | Assorted publications
Includes "Articles by James Blue in Film Comment
Magazine."
|
1967-1980 |
11 | 68 | "Artist Combines Teaching and
Filmmaking," by Leo Hurwitz |
May 11, 1975 |
11 | 70 | Information about Leo Hurwitz and his
film "Dialogue with a Woman Departed"
Includes notes and a copy of "The Animator."
|
1975-March 8, 1979 |
11 | 71 | The Frontier: Public television
series, correspondence and information, including two copies of
"On Air" |
October 20, 1978-January 1979 |
15 | 3 | "Super 8 and the Community: A New
Role for Film in the University," by James Blue |
|
15 | 10 | "Super 8 Filmmaker," Volume
4, Number 1 |
February 1976 |
15 | 11 | "Super 8 and the Community: A New
Role for Film in the University," by James Blue |
|
15 | 13 | "Tangled Up in James Blue: Part
II: Government Sponsored Filmmaking and Classic Hollywood
Cinema," by Lynne Jackson |
April 14, 1992 |
15 | 14 | "Tangled Up in James Blue,"
by Lynne Jackson |
April 14, 1992 |
15 | 15 | "Tangled Up in James Blue: part
I: Independent and Commercial Filmmaking," by Lynne
Jackson |
|
15 | 16 | "Tangled Up in James Blue,
Chapter nine: Buffalo, New York," by Lynne Jackson |
April 14, 1992 |
15 | 17 | "Tangled Up in James Blue: Part
III: Observational Cinema and Alternative Media," by Lynne
Jackson |
April 14, 1992 |
15 | 18 | "Tangled Up in James Blue: Part
II: Government Sponsored Filmmaking and Classic Hollywood
Cinema," by Lynne Jackson |
April 14, 1992 |
15 | 19 | "Tangled Up in James Blue,
Chapter II: Algeria, Les Studios African," by Lynne
Jackson |
April 14, 1992 |
15 | 20 | Film Comment articles; other assorted
articles and newspaper clippings |
|
15 | 29 | "Looping the films: A Radically
New Teaching Concept Explored," by Jeff Miller |
|
15 | 39 | Article on Friedrich Nietzsche and
Henri Bergson |
|
15 | 42 | "Teaching the Rhetoric of Film:
Access to Images," by Thomas W. Benson and Stefan
Fleischer |
1975 |
15 | 43 | "Buffalo Downtown," Volume
3, number 7 |
July 1982 |
15 | 44 | "Auters of Ideology: USIA Film
Propaganda in the Kennedy Era as Seen in Bruce Herschensohn's
the Five Cities of June and James Blue's The March by Nicholas
Cull |
1963-1964 |
15 | 47 | "Our Housing Mess… And
What can be Done About it," by Peter Blake |
|
15 | 48 | Assorted articles and
clippings |
|
20 | 1 | "The Work of James Blue: A
Retrospective" |
|
22 | 19 | Oscar Lewis Material
Extensive questionnaires regarding family and marital status.
|
|
22 | 21 | The Historian and Film: The Evaluation
of Film as Evidence
Paul Smith, The Historian and Film, The Evaluation of Film as
Evidence.
|
|
27 | 8 | "The Work of James Blue: A
Retrospective" [25 copies] |
|
29 | 37 | ASA Review: Boran film in class
tests, |
|
29 | 38 | The ASA Review of Books: Kenya
Boran |
|
29 | 39 | Faces of Change: Distribution
Catalogue of 5 rural societies documentaries |
|
29 | 40 | American Anthropologist |
|
29 | 41 | Archive Project |
|
32 | 2 | "The Student Protest and Its
Effects," by Roberto Rossellini |
|
32 | 3 | "The Student Protest and Its
Effects," by Roberto Rossellini |
|
32 | 4 | "The Civilization of the
Conquistadores," by Roberto Rossellini
Includes notes for a television series.
|
|
32 | 5 | "Caligula," by Roberto
Rosellini |
1969 |
32 | 6 | "Excerpt from Dr. Switzgebel
Tape," by Roberto Rossellini |
February 24, 1970 |
32 | 7 | "The Mask," by George
Stoney
Made to be used in police training.
|
|
32 | 8 | Chapter Eight: Houston, Texas:
Alternative Media |
|
32 | 10 | Terry Filgate: Interview with Milos
Forman, "In The Glens of California," correspondence and
hand-written notes |
|
32 | 12 | McGill: Expo 67 Research Project:
Prospectus |
|
32 | 13 | McGill: Expo 67 Research Project:
Working Papers |
|
32 | 14 | McGill: Expo Research Project:
Britain |
|
32 | 15 | McGill: Expo 67 Research Project:
Canada |
|
32 | 16 | McGill: Expo 67 Research Project:
Canadian Pacific: Cominco |
|
32 | 17 | McGill: Expo 67 Research Project:
Czechoslovakia |
|
32 | 18 | McGill: Expo 67 Research Project:
Czechoslovakia |
|
32 | 19 | McGill: Expo 67 Research Project:
France |
|
32 | 20 | McGill: Expo 67 Research Project:
Kaleidoscope |
|
32 | 21 | McGill: Expo 67 Research Project:
Labyrinth |
|
32 | 22 | McGill: Expo 67 Research Project: Man
in the Community (General) |
|
32 | 23 | McGill: Expo 67 Research Project: Man
in the Community (Electronic Community) |
|
32 | 24 | McGill: Expo 67 Research Project: Man
in the Community (Courtyard) |
|
32 | 25 | McGill: Expo 67 Research Project:
Ontario |
|
32 | 26 | McGill: Expo 67 Research Project: Man
and the Polar Regions |
|
32 | 27 | McGill: Expo 67 Research Project:
Telephone Association |
|
32 | 28 | "Lessons in Development: John and
Dominique De Menil and The Media Arts," by Gerald
O'Grady |
|
32 | 29 | McGill: Expo 67: Plans
D'Archives: Stock Shots |
2003 |
32 | 32 | "Part Two: Government Sponsored
Filmmaking and Hollywood Classical Cinema: Chapter four: Washington
D.C" |
August 28, 1963 |
32 | 33 | "Afterimage": two
copies
Includes copied articles from "Film Comment."
|
1965-February 1984 |
32 | 34 | National Cancer Institute:
Hodgkin's Disease and Non Hodgkins Lymphomas: Research
Report |
September 1987 |
33 | 19 | "Role Playing as an Educational
Method," Arthur J Jacobs
University of Oregon, School of Education.
|
April 1961 |
33 | 24 | The American Film Institute Profiles
of Film Directors |
|
33 | 25 | "Theory of Drama" class
notebook. |
Sept 1955 |
33 | 27 | Radio Workshop Drama
Includes outline for A Coffin for Dimitrios and Radio Workshop Drama,
"The King and I" for which Blue provided a voice.
|
January 11, 1951 |
33 | 30 | "Nonfiction Film Paper
#2/#3," by Beth Willer |
|
33 | 32 | "Toward a Non-Bourgeois Camera
Style," by Brian Henderson |
|
33 | 33 | "Collaboration on a Documentary:
Handling the Non-Actor," by Joris Ivens |
|
33 | 34 | "Weekend and History," Brian
Henderson |
|
33 | 35 | "Godard's Revolution: The
Politics of Meta-Cinema," by Thomas Kavanagh |
Summer 1973 |
33 | 36 | "A Visionary and His Cinema
Verite: Jean Rouch Interviewed," by Dan Yakir |
1978 |
33 | 37 | American Film Institute:
"Neorealism" |
Nov 17, 1969 |
33 | 38 | "Collaboration on a Documentary:
Handling the Non-Actor," by Joris Ivens |
|
33 | 39 | "Through a Lens
Falsely" |
March 1976 |
33 | 40 | Letter from King Vidor |
February 27, 1975 |
33 | 41 | "The Odyssey of a
Filmmaker," [Robert Flaherty's story] by Frances
Flaherty |
|
33 | 42 | "See you at Mao," by James
McBeam |
|
33 | 43 | "Une Femme Douce," by
Bresson |
May 29, 1971 |
33 | 45 | Psychology Today
Three articles from Psychology Today: "Libido as Language, The
Father of Structural Anthropology Takes a Misanthropic View of
Lawless Humanism," University Advisory Committee Seminar.
|
1972 |
42 | 1 | "Document in Film and
Literature," by Roger Shattuck |
|
42 | 2 | "Film in the Battle of
Ideas," by John Howard Lawson |
|
42 | 3 | "Film in the Battle of
Ideas": Chapter eight: Ideology as a Cultural System," by
John Howard Lawson |
|
42 | 4 | "Beyond Observational
Cinema," by David MacDougall |
|
42 | 5 | "Reflections on Cavell's
Ontology of Film," by Douglas P. Lackey |
|
42 | 6 | "The New York Review: Fascinating
Fascism," Volume 13, Number 1 |
February 6, 1975 |
42 | 7 | "On Photography," by Susan
Sontag: Article from Mainliner Magazine |
August 1978 |
42 | 8 | "Before Hindsight," by
Jonathan Lewis |
|
42 | 9 | Futurism: "Painting the 20th
century," by Werner Haftman |
|
42 | 11 | "Get Out and Look," by Colin
Young |
|
42 | 14 | The American Film Institute:
"Film Noir and the Gangster Film" |
June 1, 1970-June 6, 1970 |
42 | 15 | The American Film Institute: Articles,
proposals and information relating to film in education |
October 1972-July 7, 1968 |
42 | 18 | "Impediments to Societal Problem
Solving," by Gabor Strasser; "Films on Development: Asset
or Debit," by Jean Marie Ackerman; and "Population
Control, The Ultimate Test: Read" |
November 1969-May 1971 |
42 | 20 | "Extract From a Press
Conference" |
July 1963-August 1963 |
42 | 21 | "Eisenstein's
Aesthetic," by James W. Newcomb |
|
42 | 22 | "John Ford: Midway: The War
Documentaries," by Tag Gallagher |
September 1975-October 1975 |
42 | 24 | Illuminations: "The Work of Art
in the Mechanical Age" [excerpt] |
|
42 | 25 | "Marriage Rides a Roller Coaster:
A Woman's Story," by Pat Loud and Nora Johnson |
|
42 | 26 | "Cinema: Effects Ideologiques
Produits Par L'appareil de Base," by Jean Louise
Baudry |
|
42 | 27 | Viet Cong films: correspondence,
outline, notes and "Films from the Vietcong," by Peter
Gessner |
January 27, 1966 |
42 | 29 | Liberation, Volume 20, Number
1 |
1976 |
42 | 33 | "The Chula News":
annotated |
October 14, 1915-January 25, 1917 |
42 | 36 | "El Parche," Screenplay by
Eduardo Valseca |
|
42 | 56 | "Sanitation and Safety Handbook
for Managers of Student Group Houses at the University of
Michigan" |
|
42 | 59 | "The World at War,"
"The Historian and Film," and "Portrait of a
Non-Event," by Jerome Kuehl |
June 19, 1975 |
42 | 60 | "Railroad
Magazine" |
October 1963 |
42 | 62 | Copyright law 94-553 |
October 19, 1976 |
42 | 63 | "The Daily World," Volume
10, Number 194 |
April 20, 1978 |
42 | 66 | Partial scripts: "Santa Anna
Meets Houston" and "San Jacinto Day" |
|
42 | 69 | American Forest [4 copies] |
Feb-73-June 1974 |
42 | 71 | Super 8 Filmmaker: "Creating a
new visual literacy" [3 copies] |
January 1976-February 1976 |
42 | 72 | Rice University Office of Advanced
Studies and Research: "Scholarly Activities and Faculty
Publications Annual Report" |
1975-1976 |
42 | 77 | Assorted publications and
periodicals |
July 14, 1938-May 15, 1975 |
42 | 78 | Assorted pamphlets and
flyers |
April 22, 1974 |
43 | 23 | "Literary Favorites," a play
by Edward Herbert and Robert Anderson |
|
43 | 30 | "History of the Motion
Picture," "Photography," by Margaret R.
Weiss |
April 13, 1968 |
43 | 33 | "Happy Birthday, America,"
by Lawrence Virgil Williams
Includes a letter from Williams to James Blue.
|
|
43 | 37 | "Naked Under God," a play by
Jeffrey Brooks |
|
43 | 45 | Articles relating to filmmaking and
documentaries |
September 1965-December 27, 1967 |
49 | 1 | "The Film Metaphor," by Jim
Blue |
1955 |
49 | 11 | Viewpoint: "Is Anybody
Listening," by James Reston |
May 12, 1977 |
49 | 12 | "The Work of Art in the Age of
Mechanical Reproduction," by Walter Benjamin |
|
49 | 19 | Center for Advanced Film Studies, The
American Film Institute: "Questions on Basic Film
Knowledge," by George Stevens, Jr. |
|
49 | 23 | Assorted articles by Alf H. Walle on
western films |
|
49 | 24 | Assorted articles by Alf H. Walle on
Western films |
|
49 | 25 | The Center for Theatre Research:
"The Measures Taken…," by Bertolt
Brecht
Inlcudes notes.
|
April 14, 1977-April 24, 1977 |
49 | 29 | "Observation and Identity,"
by Roger Sandall |
|
49 | 32 | "Sartre, Jean-Paul": Excerpt
from a book or publication |
|
49 | 46 | "The River," by Pare Lorentz
[narration] |
|
49 | 47 | "Working with Your Motion Picture
Lab," by Barry Hampe |
|
49 | 57 | The Washington Post: Living in
Style |
July 24, 1977 |
49 | 58 | The Center for Music, Drama and Art
newsletter; Time Magazine |
|
52 | 978 | Periodicals Alphabetical #
2
Notecards identifying certain issues, articles and their subjects,
dates, volumes etc.: Mil-Z.
|
|
52 | 47 | O'Grady "Statement to New
York State Special Committee on the Culture
Industry" |
1978 |
52 | 49 | "Films and Dreams," by
Robert Curry |
|
52 | 53 | Rice Alumni Magazine, World
Anthropology Photocopy |
|
53 | 23 | "Thinning and Fertilizing Red
Pine to Increase Growth and Cone Production," by John H.
Cooley
Includes the cover from "Cabins, Cottages and Summer
Homes," by Bernard S. Mason and Frederick H. Kock.
|
1970 |
53 | 32 | "An Instinct of
Destruction," a play by Trevor Preston [second
draft] |
|
53 | 37 | "A Portrait of James
Blue" |
|
53 | 40 | Television Laboratory at WNET/13: A
documentation of the lab's activities |
January 1, 1973-April 1, 1974 |
53 | 42 | "Scientific American"
articles about lasers [5 reprints] |
June 1961-April 1966 |
53 | 43 | "From the Revival of Letters to
the Reform of the Arts," by Ernst H. Gombrich; "Daydreams
and Nightmares: Reflections on the Criticism of Mass Culture,"
by Edward Shils |
|
53 | 45 | "Native Land, A Missing Classic
of Independent American Cinema," by Tom Brandon
Includes notes.
|
|
53 | 53 | "Ambiguous Legacy: The Left in
American Politics," by James Weinstein; "African
Filmmakers Project," by The Government Affairs
Institute |
November 5, 1970-1975 |
53 | 54 | "From Negative to Positive
Thinking: Technological Rationality and the Logic of
Domination:" One Dimensional Man, Chapter 6 |
1964 |
53 | 55 | "Network Verite," by Robert
Skylar; "Codification of Reality: Lineal and
Non-lineal" |
May 1950-January 1979 |
54 | 16 | "Toward an Anthropological
Cinema," by Jay Ruby |
|
54 | 17 | State University of New York at
Buffalo: Center for Media Study newsletter, Volume 1, Number
1 |
March 1978 |
54 | 18 | Assorted articles and
correspondence |
|
54 | 19 | "The Aesthetics and Criticism of
the Motion Picture: A Selected Bibliography of Related
Materials," by Ted Perry |
1969 |
54 | 20 | "A Description of Some Human
Greetings: A Project on Human Communications," by Adam
Kendon |
|
54 | 21 | "Movement Coordination in Social
Interaction: Some Examples Described," by Adam
Kendon |
|
54 | 22 | "Some Functions of the Face in a
Kissing Round," by Adam Kendon |
August 1974 |
54 | 23 | "A Segmentation of
Behavior," "The Facing Formation System: Spatial
Organization in Social Encounters," by Adam Kendon |
November 1974 |
54 | 24 | "Some Relationships Between Body,
Motion and Speech: An Analysis of an Example," by Adam
Kendon |
|
54 | 25 | "Book Reviews," by Julian
Hachberg |
|
54 | 32 | "How Madison's Radical Mayor
has Mellowed with Age," by Terri Schultz |
April 17, 1977 |
54 | 33 | The Chronicle Review:"TV's
Dilemma over Documentaries," by Robert Sklar |
March 19, 1979 |
54 | 34 | Texas Commission on the Arts and
Humanities Art Museum Consortium Underground films: Lists, flyers
and correspondence |
November 1975 |
54 | 36 | The New Republic: A Journal of
Politics and Arts |
March 6, 1976 |
54 | 39 | Real Paperboy: "The
'Primate' Controversy: Less Fun than a Barrel of
Monkeys," by Dr. Geoffrey H. Bourne |
January 22, 1975 |
54 | 40 | "The Days of Yanomamo Film,"
by Colin Young |
|
54 | 41 | "Toward a Researchable Film
Language" and "Generating Researchable Film
Observations," by Steve Feld and Carrol Williams |
|
54 | 42 | Chapter 7: "Film Semiotics as
Semiotics" |
|
54 | 43 | Lorentz on Film: "Good Art, Good
Propaganda" |
|
54 | 44 | "Fred Wiseman's
Documentaries: Theory and Structure," by Bill
Nichols |
|
54 | 45 | "Is an Ethnographic Film a Filmic
Ethnography?," by Jay Ruby |
|
54 | 46 | "Cinema: Activities Francaises en
1976," by M. Pierre |
|
54 | 48 | Program Notes: Cinema Texas
Newsletters |
February 19, 1973-May 2, 1973 |
54 | 49 | Program Notes: Cinema Texas
Newsletter |
February 12, 1973 |
54 | 51 | Film Frames: "The Cinema of
Howard Hawks," by Molly Haskell |
|
54 | 53 | "Man and World: An International
Philosophical Review" Volume 6, Number 4 |
November 1973 |
54 | 55 | "Glossario de Narrativa," by
Ted Ellen |
|
57 | 1 | "Songs of the Thunderbird:
Chronicles from Indian America," Jamake Highwater |
1978 |
57 | 8 | "How to Spend $1 Billion…
On Public Broadcasting"
Includes a flyer from the Association of Independent Video and
Filmmakers.
|
|
57 | 9 | Carnegie Commission, Association of
Independent Broadcasters and Filmmakers, and the Foundation for
Independent Video and Film: Publications, memorandum and
testimonies |
September 7, 1977-January 31, 1979 |
57 | 15 | "The Making of a Revolutionary:
The Last Ten films of Jean-luc Godard" [excerpt] |
|
57 | 19 | Maysles Brothers: Film reviews and
articles |
December 1963-October 14, 1968 |
57 | 20 | "La Marseillaise," prepared
by Professor Alexander Sesonske |
|
57 | 26 | News from Allentown: Neighborhood
newsletter |
1979 |
57 | 29 | Films and film preservation: Assorted
articles |
November 23, 1974-1979 |
57 | 32 | The Independent Feature
Project |
August 6, 1979-August 31, 1979 |
57 | 33 | The Independent Feature
Project |
July 1977-1979 |
57 | 38 | Abstracts in the Natural Science
Library
Includes "East, West Spiritual Community Supplement Handbook for
a New Age."
|
1975 |
57 | 39 | "Kingdom Come," by Joe Praml
[play] |
1975 |
57 | 40 | "Sifted Evidence," by
Patricia Gruben [script] |
|
57 | 46 | "Czech Cinema" with
"Interview with Milos Forman," by James Blue and
Gianfranco de Bosio [3 copies]
Includes other articles pertaining to Czech cinema.
|
|
57 | 48 | "Godard on Godard: Notes for a
Reading," by Brian Henderson |
1974 |
57 | 50 | Ronald L. Sass: Proposal to
undergraduate teaching committee
Includes excerpts from the play "Architecture in the Petroleum
Age."
|
|
57 | 51 | "Some Thoughts on Boudu Sauve Des
Eaux," by Steve Kaplan |
|
57 | 52 | "Narrative Point of View: The
Rhetoric of Au Hasard, Balthazar," by Nick Brown |
|
57 | 53 | "The Solution and Tendencies of
the Cinema in Africa," by Jean Rouch [Part I and
II] |
1975 |
57 | 55 | The Center for Advanced Film Studies:
"Discussion No.1 Jean Renoir"
Includes information on the American Film Institute.
|
|
57 | 62 | "The films of Donald Brittain:
The First 20 Years," by Ronald Blumer |
|
57 | 63 | L'Homme Regarde L'Homme:
Correspondence, application form, press release, and
"Presentation Des 4 Emes Recontres L'Homme Regard
L'Homme |
September 26, 1978-March 1979 |
57 | 64 | "Le Super 8, C'est Aux
Utilisateurs de le Faire Exister": Interview with Jean Rouch by
Francois Niney |
|
60 | 1 | Theater History Winter 1956: "The
Theatre of the Basoche" |
1956 |
60 | 2 | Fall 1955: "A Characterization of
Greek Tragic Acting" |
1955 |
60 | 3 | "Retrospective James Blue;"
"Homage a Nagisa Oshima"
Includes resume for Gregory Paul Genco.
|
|
60 | 4 | The American Film Institute, Vol 4, No
8 |
May 1975-June 1975 |
60 | 5 | "James Blue, Buffalo and the
Complex Urban Documentary," by Elmer Ploetz SUNY Buffalo
[Thesis] |
December 21, 2005 |
60 | 11 | "Artl!es" |
2002-2003 |
60 | 15 | Daedalus Journal of the Academy of
Arts and Sciences: "Changing Life Styles in Kenya," by
Beatrice B Whiting |
|
60 | 26 | "Kings Mountain National Military
Park South Carolina," by George C Mackenzie |
1955 |
60 | 41 | "Film and Foreign Policy: The
USIA 1962-67," by Richard Dyer MacCann |
|
60 | 42 | "Le Petit Soldat," by
Jean-Luc Godard [Script] |
|
60 | 48 | Direct Cinema: Interview with Jean
Rouch |
|
60 | 52 | The Chronicle of Higher Education
Review: "Food, but Not for the Poor and
Hungry" |
September 26, 1977 |
60 | 64 | "Giant: George Stevens a Life on
Film," by Marilyn Ann Moss |
|
61 | 5 | "The American Dream… Equal
Opportunity:" A report on the Community Leaders
Conference |
May 19, 1962 |
61 | 6 | Research and reference service:
"World Media Reaction to President Kennedy's Civil Rights
Speeches" |
June 17, 1963 |
61 | 9 | "The Best of the Christian
Line," by Julian Williams |
|
61 | 12 | Research and reference service:
"Worldwide Comment on the Washington Civil Rights
March" |
September 6, 1963-September 11, 1963 |
61 | 15 | TIME magazine: "1968: The Year
That Shaped a Generation" |
1989 |
61 | 16 | Newsweek and Time Magazine: Articles
pertaining to civil rights |
July 29, 1963-October 21, 1963 |
61 | 17 | United States Information Service:
"The Negro American Today," compiled and edited by Frances
G. Stahl |
July 1961 |
61 | 24 | "Media Comment on the Mississippi
Crisis" |
October 5, 1962 |
61 | 26 | "Dog Soldiers," by Judith
Rascoe [screenplay] |
March 14, 1977 |
61 | 27 | "Dog Soldiers," by Judith
Rascoe [screenplay, stage directions] |
|
61 | 28 | "Dog Soldiers," by Judith
Rascoe [revised scripts]
Includes an article "Tomorrow the World," by John Russell
Taylor."
|
1974 |
61 | 29 | Time Magazine article, notes, and a
summary of Municipal Action in civil rights |
June 11, 1963-June 21, 1963 |
61 | 34 | Housing discrimination
clippings |
June 10, 1976-September17, 1976 |
61 | 35 | L'Express: "Les Trois Drames
de Kennedy" |
August 29, 1963 |
61 | 40 | "Muhammad Speaks" and a
French newspaper |
June 13, 1963-August 16, 1963 |
61 | 41 | Clippings relating to civil
rights
Includes correspondence with the United States Information Agency
regarding film research.
|
November 29, 1962-August 1, 1963 |
61 | 47 | "Dog Soldiers," by Judith
Rascoe [scene directions] |
|
61 | 48 | "Rossellini:" Presented at
the public theater by Joseph Papp in Association with the FDM
foundation for the Arts |
May 1, 1979-May 20, 1979 |
item | |||
98 | 1360 | "James Blue, Buffalo and the
Complex Urban Documentary," by Elmer Ploetz SUNY Buffalo
[Thesis] |
Dec 21, 2005 |
Folder | |||
63 | 1 | "Max Ophuls and the Cinema of
Desire: Style and Spectacle in Four films, 1948-1955," by Alan
Larson Williams |
1977 |
63 | 4 | John Whitney on Animation
Mechanisms |
1971 |
63 | 6 | "Ethnographic Filing in Northern
Afghanistan," by David Hancock |
|
63 | 7 | University Film Study Center Research
Program: "Directed and Direct: Changing Conventions in the
American Documentary," by Randall Conrad |
June 1976 |
63 | 8 | "The Slope in the Sun," by
Yasuhiro Yoshimatsu |
|
63 | 9 | "Information on Animation,"
by Adrienne Montgomery |
|
63 | 10 | "Art and the Structuralism
Perspective," by Annette Michelson |
|
63 | 11 | "Technology and the Market:
George Eastman and the Origins of Mass Amateur Photography," by
Reese Jenkins |
January 1975-April 1975 |
63 | 12 | "The Spectrum of Cinema," by
Gerald O'Grady |
|
63 | 14 | "Metz: Essais I and Film
Theory," by Brian Henderson |
1975 |
63 | 15 | "Visuality in the Structure of
Japanese in Relation to Image," by Takahiko Iimura |
November 13, 1976 |
63 | 16 | "Critique of Cine Structuralism
Pt. II," by Brian Henderson |
1973-1974 |
63 | 17 | "Critique of Cine Structuralism
Pt. I," by Brian Henderson |
1973 |
63 | 18 | "Meet John Doe: An End to Social
Mythmaking," by Richard Glatzer |
|
63 | 19 | "The Tutor-Code of Classical
Cinema," by Daniel Dayan |
1974 |
63 | 20 | "The Dance of the Misfits: A
Movie Mobile," Gerald O'Grady |
|
63 | 22 | "The Long Take," by Brian
Henderson |
1971 |
63 | 23 | "New Hebrides Cultural
Centre," by Peter Crowe |
December 1978 |
63 | 24 | "Ophuls," by Alan Williams
[3 chapters] |
|
63 | 35 | Professional Super 8 Film Institute,
"TV Turns to Super 8" |
August 1973-October 31, 1973 |
63 | 40 | "The Film Bandit Strikes Again:
Or, Copyright Law and the Non-Theatrical Film User" |
|
63 | 47 | Rice University Review Summer
1971 |
1971 |
63 | 49 | Communication Class, Super 8
Filmmaker, Videograph, Bolex Product Buying Guide |
July 27, 72-October 14, 1972 |
63 | 50 | CFS Newsletter "Comedies from CFS
in 16mm" "166mm films for Discovering the
Movies" |
August 1973 |
63 | 52 | The American Federation of Arts,
"Max and Dave;" Report of the Film Advisory Committee
Meeting, "Independent Views;" "A National Circulation
Collection of films on Art" |
June 23, 1977-November 15, 1977 |
63 | 56 | Rice University Summer Seminar in
Media: "Problems in Filmmaking: Or, How I Stopped Worrying and
Began to Love the Bombs," by Tom Sins
Includes "An Integrated Approach to the Teaching of Film and
Literature," "Outline for a Pilot Course of Study in Film
Education."
|
June 12, 1970 |
63 | 72 | Alliance Francaise Houston Newsletter,
Cajun Celebration |
March 27, 1976-April 30, 1977 |
64 | 1 | "Ladies National
Magazine" |
October 1864 |
64 | 2 | Anthology of Northwest States High
School Poetry: "Young America Sings" |
April 1948 |
64 | 4 | "Ladies National
Magazine" |
June 1864 |
64 | 6 | The International University of
Communications |
|
64 | 13 | [University Film Study
Center] |
May 27, 1971-April 1975 |
64 | 34 | [National Cable Television Association
Newsletters and Publications] |
April 9, 1974-June 17, 1974 |
64 | 42 | "The Communication
Explosion" |
|
64 | 43 | Battery Park; "Cinema"
Catalogue, No. 100 |
January 8, 1976 |
64 | 45 | "Filmfacts," Vol IXV, No. 4;
Helen Foley Thesis |
1972 |
64 | 46 | TVTV Inc. Publications |
March 23, 1976-April 29, 1976 |
64 | 48 | "The Principles of Rhythm Applied
to Dramatic Art," by Gerry Hettinger |
December 1948 |
64 | 50 | National Endowment for the Arts:
"New Dimensions for the Arts" |
1971-1972 |
64 | 51 | Rice University Alumni Institute
Newsletter |
|
64 | 52 | The Metropolitan Museum of Art:
Pamphlets and Newsletters |
|
64 | 56 | "Controversy and the Network
Documentary: Critical Analysis of Form," Juneau-Douglas
Community College |
1978 |
64 | 58 | Citizen's Cable Council of
Madison and Dane County, Wisconsin, Community Action
Handbook |
September 1973 |
65 | 1 | "A Critique of Film Theory,"
by Brian Henderson |
March 8, 1978 |
65 | 17 | "The Lecture Performance: An
Instrument for Audience Education," by Frank L.
Dent |
September 1972-October 1, 1973 |
65 | 21 | "The Bulletin:" Notes on
Academy Awards Budget |
1974 |
65 | 24 | "Alumni Lectures: American Center
to Film:" Rice University |
April 28, 1976-July 6, 1976 |
65 | 27 | "Pudovkin: On Film
Technique" [Master Copy] |
|
65 | 28 | "Collaboration in Documentary
Handling the Non-Actor," by Joris Ivens [Master
Copy] |
|
65 | 29 | "My Method," by
Dovzhenko |
|
65 | 30 | "Ideology as a Cultural
System," The Interpretation of Cultures, Chapter 8, by Clifford
Geertz |
|
65 | 31 | "John Grierson and the Advent of
British Documentary" by Steve Kaplan; Empire Marketing Board,
The Film Society Programme |
May 1977 |
65 | 36 | Film Financing
Includes "Investment in Motion Pictures," "Motion
Picture films," "How to Invest in Movies,"
"Charter Financial Discussion Cassette Tape."
|
August 25, 1975-March 28, 1976 |
65 | 37 | Corporation for Public Broadcasting
Report, Vol. VI, No. 34 |
September 8, 1975 |
65 | 50 | "Assessment of Future National
and International Problem Areas," by Willis Harman
Includes letter about unemployment project.
|
February 1977-November 14, 1978 |
65 | 57 | "Silence and Cry,"
"Self Repetition," Dramaturgical Problems and
Improvisation, by Miklos Jancso |
|
65 | 60 | "What is Mise-En-Scene?," by
Alexandre Astruc |
|
65 | 62 | American Seminar on Film:
"Eadweard Muybridge, Zoopraxographer," by Thom Andersen;
"Notes Toward an Understanding of Griffith's Biography
films," by Tom Gunning |
February 1977 |
65 | 63 | Reviews of "Juvenile
Liaison" Documentary, by Joan Churchill, Nick
Broomfield |
March 14, 1976-March 26, 1976 |
65 | 65 | Table of Contents for Film
Journals |
|
65 | 72 | "Expose Sur La Television en
Direct" [Correspondence with James Dormeyer] |
October 14, 1975-August 28, 1977 |
66 | 2 | "Annus Mirabilis, Annus
Luctus," by Leon Lewis |
January 20, 1974 |
66 | 8 | "Ethnographic Filming in Northern
Afghanistan," by David Hancock [3 Copies] |
|
66 | 9 | Society for the Anthropology of Visual
Communication Newsletter, Vol. 7, No. 1 Fall 1978 |
1978 |
66 | 12 | "Equal Employment Opportunity for
the City of Buffalo," by Mayor M Makowski |
|
66 | 13 | United Artists Corporation: Robert
Radnitz Biography for "Where the Lilies Bloom" |
|
66 | 14 | "The Film vs. Video," by
Lars H Svanberg |
|
66 | 21 | "Film Comment" |
1964 |
66 | 22 | Film Comment: "Thoughts on Cinema
Verite and a Discussion with the Maysles Brothers," by James
Blue |
1964 |
66 | 23 | Biography of James Blue [2
pamphlets] |
|
66 | 24 | "Vous N'avez Rien Contre la
Jeunesse?"
Newsletters, Programs, correspondence regarding the cinematic
adaptation of "Des Terre-Neuve Pour la Justice."
|
|
66 | 25 | Houston Chronicle, Houston
Press |
October 2002 |
66 | 26 | "Le Bal Manque," directed by
James Dormeyer |
March 13, 1958-March 14, 1958 |
66 | 27 | Super 8 Filmmaker |
November 1980 |
66 | 28 | "Only Alice Went to
Wonderland" |
|
66 | 32 | SUNY Buffalo Media Study
Publications |
October 1980 |
66 | 33 | Film Comment |
1964 |
66 | 35 | Sight and Sound: More Ethnic Graphic
and Often Remarkably Long," by Roger Sandall |
1978 |
66 | 39 | Film Quarterly, No. 3 |
Spring 1983 |
66 | 40 | Film Comment, Vol. 3, No.
4 |
Fall 1965 |
66 | 43 | "A Partial Bibliography on
Richard Lester and His Works" |
|
66 | 44 | "James Blue and the Complex
Documentary," by Peter Lunenfeld
Includes Gerald O'Grady correspondence.
|
April 17, 1990 |
66 | 45 | "Remarks of Vice President Lyndon
B Johnson, Memorial Day, Gettysburg, Pennsylvania"
Includes "President Kennedy's Reply to President Dacko of
the Central African Republic."
|
May 30, 1963 |
66 | 47 | ["Season Cycle:" Stories of
Mothering in Photographs] |
|
66 | 48 | [Photocopied Publications:
"Centre Georges Pompidou," "Film Comment,"
"Super 8 Filmmaker," "Houston Breakthrough,"
"The Museum of Fine Arts Houston" |
June 1965-June 1991 |
66 | 51 | "Ethnographic Filming in Northern
Afghanistan," by David Hancock |
|
66 | 53 | "Fellini's Veil: Oneiric
Function of a 'Hidden' Filmic Device," by Vlada
Petric |
|
66 | 56 | Assorted Publications: "Cahiers
du Cinema," "Anthology Film Archives," "Film
Comment," "Headliners" |
1965-January 2006 |
66 | 60 | "SWAMP Roots: The Origins and
History of Southwest Alternate Media Project," and "The
Development of a Texas Film Community," by Mary M.
Lampe |
September 2005 |
66 | 62 | "Ee-ee-ow! A Yip-i-o-ee-ay! A
Farewell to James Blue," by Gerald O'Grady;
"Entretien Avec Shirley Clarke," by James Blue;
"Jean-Luc Godard," by Toby Mussman |
1968-July 17, 2006 |
66 | 65 | Southwest Media Review |
1981-1983 |
66 | 66 | Southwestern Alternate Media
Project |
1978-1980 |
66 | 67 | Film Comment, Vol. IV, No.
1 |
Fall 1966 |
66 | 70 | Assorted Publications: "Media
Bulletin," "Houston Chronicle," "State
University of New York at Buffalo Media Study," "The News
Sentinel," "Resources for the Oral History of the
Independent American Film," Gerald O'Grady |
1963-May 18, 1991 |
66 | 71 | Southwest Alternate Media Project:
"The Territory" [6 copies] |
1998-2005 |
67 | 2 | "Sight and
Sound" |
1980 |
67 | 3 | "Cahiers du
Cinema" |
November 2004 |
67 | 4 | "Film Comment" |
1968 |
67 | 6 | ["Focus"
Newspaper] |
January 7, 1979 |
67 | 9 | "Discussion about a Village Named
? And the Film Maker's Experience
There…" |
|
67 | 15 | Structure: "Conversations with
Frank Daniel" |
June 10, 1969-April 28, 1970 |
67 | 16 | "Film Art -- Not Acting," by
James Blue |
1956 |
67 | 17 | [Podium: Publication Containing an
Article on James Blue] |
1965 |
67 | 19 | [Houston Breakthrough
Periodical] |
1979-1980 |
67 | 20 | "Interview with Cesar
Zavattini," by James Blue |
|
67 | 21 | "Ethnographic Filming in Northern
Afghanistan," by David Hancock |
|
67 | 25 | "Artl!es" |
2002-2003 |
67 | 26 | "Film Comment" |
January 1981-February 1981 |
67 | 27 | "The New
Republic" |
September 8, 1997-September 15, 1997 |
67 | 29 | "The Grand Dream of James
Blue"
Includes photograph.
|
|
67 | 30 | "Summer Cinema on a Campus in
Boston: Jean Rouch with Richard Leacock" |
|
67 | 32 | "Keaton at Venice," by John
Gillet and James Blue |
1965-1966 |
67 | 33 | "Film Comment" |
Jan-81-February 1981 |
67 | 38 | [Le Grand reve de James Blue"
Assorted Publications Concerning Filmmaking] |
February 27, 1975 |
67 | 44 | Cahiers du Cinema |
2004 |
67 | 45 | [6 Copies of "Film
Comment"] |
1963-1969 |
67 | 46 | [SUNY at Buffalo "The
Frontier" 5 Publications] |
1984 |
67 | 47 | ["Afterimage" 2
Publications] |
|
67 | 49 | "Cahiers du Cinema in
English" |
1967 |
67 | 51 | "Artl!es" |
2002-2003 |
67 | 53 | "A Report on the Horizons and
Today News films" |
|
67 | 55 | ["The Martial Arts Film," by
Marilyn Mintz "Martial Arts films as High Art," by Les
Nicholls] |
August 6, 1978 |
67 | 56 | "Political Change: A Film
Guide," by James Morrison and Richard Blue |
|
67 | 57 | "Karate," by David
MacDougall and James Blue |
|
67 | 59 | "Kiss Kiss, Bang Bang," by
Pauline Kael |
|
67 | 60 | Tiempo de Cine: "Que es el Nuevo
Cine Americano?," by Gretchen Weinberg |
March 1965 |
67 | 62 | "Chilean Ulysses," by Juan
Downey |
|
67 | 63 | [On Air, Summer Institute in the
Making, Knowing and Judging of Film/Media; "Golden Buckle of
Sunbelt Tarnished"] |
1973-August 27, 1979 |
68 | 125 | Afterimage |
|
68 | 126 | Afterimage |
|
68 | 127 | Afterimage |
|
69 | 1 | "The American Revolution: An
Interpretation for a Film," by Dr. Richard Blue |
|
69 | 3 | "Old Oregon: Magazine of the
University of Oregon Alumni Association" |
May 1968-June 1968 |
69 | 4 | "Super 8 Filmmaker
magazine," Volume 8, Number 7 |
November 1980 |
69 | 5 | "Cinema du Reel: Festival
International du Film Ethnographique et
Sociologique" |
March 17, 1979-March 25, 1979 |
69 | 6 | "Sight and Sound International
Film Quarterly" |
1980 |
69 | 8 | Afterimage: "An Interview with
James Blue," by Anthony Bannon |
|
69 | 9 | "Reporter" article written
by Gerald O'Grady: Volume 16 |
January 31, 1985 |
69 | 10 | Afterimage [27 copies] |
|
69 | 15 | "A Swamp in the Cape Fear Region
of Cumberland County, North Carolina" |
1974 |
69 | 20 | "An Ethnographic Film Portrait
Series": A Research Proposal to the National Endowment for the
Humanities |
October 1971 |
69 | 25 | "The Candid Eye: An Interview
with Terence Macartney-Filgate," by Sarah Jennings |
|
69 | 29 | "Animal Husbandry and Social
Organization Among the Gabbra with Notes on the Rendille
Tribe," by William I. Torry |
February 11, 1971 |
69 | 37 | "Corinth films," Volume
5 |
1981 |
69 | 41 | The New York Times Magazine: The 4th
Annual Great Performers in Film |
February 11, 2007 |
69 | 44 | Hallwalls and the Burchfield-Penny Art
Center: The Work of James Blue: A Retrospective |
September 8, 2005 |
75 | 5 | News Release for "The Appalshop
Show;" "Appalbrochure" |
1975-September 27, 1976 |
75 | 8 | University Film Study Center
newsletter and poster |
December 1975-February 1977 |
75 | 13 | "Two American Directors" an
interview with James Blue by Mary Batten |
|
75 | 16 | "The Magazine:" News from
the film and television study center |
November 1975-December 1975 |
75 | 19 | "Association of Independent Video
and Filmmakers:" Newsletter |
February 3, 1975 |
75 | 26 | "The New Tycoons of
Hollywood," by Robert Lindsey |
|
75 | 28 | "Art and Politics:" An
address to the century association, by Eric Larrabee |
February 2, 1978 |
75 | 29 | "The Mekas Bros. Brakhage and
Baillie Traveling Circus," by Mitch Tuchman |
|
75 | 30 | "The Independent Producer and
Public Broadcasting," by Joel A. Levitch |
|
75 | 34 | University Film Association:
Newsletters, correspondence, and a published journal |
1975-September 1976 |
75 | 43 | "Report about the Personal Study
and Travel Grant Concerning Curriculum for Schools of Cinema,"
by Professor Daniel Frantisek (2 copies) |
|
75 | 46 | "Midnight Cowboy,"
screenplay by Waldo Salt from the novel by James Neo Leo
Herlihy |
|
75 | 48 | "Sight and Sound":
International Film Quarterly |
1980 |
75 | 50 | Alternate Media Center: "A Story
About People"
Includes information on the Cable T.V. apprenticeship program.
|
|
75 | 55 | "Super 8 and the Community: A New
Role for Film in the University," by James Blue |
|
75 | 58 | Cahiers du Cinema: Ouva le Cinema
Algerian |
February 2003-March 2003 |
75 | 59 | "Film Comment," Volume 2,
Number 4 |
|
75 | 61 | Publications from assorted film and
theatre centers |
|
75 | 65 | "Royal Anthropological Institute
Newsletter," Volume 29
Includes correspondence to James Blue from the Australian Institute
of Aboriginal Studies.
|
December 1978-February 13, 1979 |
75 | 68 | "The ASA Review of Books,"
Volume 2, edited by Kenneth C. Wylie |
1976 |
75 | 69 | "Revue Canadienne Des Etudes
Africaines Canadian Journal of African Studies," Volume 10,
Number 3 |
1976 |
75 | 70 | "Sight and Sound":
International Film Quarterly |
1978 |
75 | 71 | "Video 17: Public Television on
the Niagra Frontier" |
February 1976 |
75 | 72 | "The Great Poem: Why the Iliad
Matters," by David Gill |
2008 |
75 | 73 | Whitney Museum of American Art Film
Program: "New American Filmmakers"
Includes correspondence from the American Federation of Arts.
|
August 3, 1976 |
75 | 74 | "Seashells in the Forest at Storm
Bay with Bedroom," by Glenn Lewis; "Alex and Rodger,
Rodger and Alex," by Michael Morris |
1970 |
75 | 75 | "The Cultural Post":
National Endowment for the Arts, Volume 7 |
September 1976-October 1976 |
75 | 78 | Pacific Film Archive: "Treasure
from the Eastman House" |
|
75 | 84 | Northwest Film Study Center:
"Film Deco: A Retrospective of American 1930's
films," and "The Animator" |
1975-July 1, 1976 |
76 | 4 | "The USSR and the Developing
Countries" [annotated] |
|
76 | 5 | The Crusader, monthly Newsletter and
Free University of New York |
April 1963-1965 |
76 | 7 | The Colorado Daily News: Articles on
the Viet Cong film
Includes a flyer for the Christian March on Congress.
|
April 20, 1964-July 5, 1964 |
76 | 22 | "James Blue's Octagon,"
by Gerald O'Grady [6 copies] and "James Blue's 25th
Anniversary Tribute" |
|
76 | 26 | "Cinema Weekly and Cinema
Truth" |
September 21, 1958-January 31, 1981 |
76 | 27 | "Sears Home Improvement
Catalogue," "Media Arts:
Film/Radio/Television" |
1973-1980 |
76 | 44 | The Center for Advanced Film Studies
at the American Film Institute: "Questions on Basic Film
Knowledge" |
|
76 | 57 | "Crepusculo," by Valdeci
Azevedo |
|
76 | 61 | New York Times: "Two Suppressed
Documentaries: A Happy Ending; Beck on Brecht Pamphlet |
|
76 | 63 | Buffalo New York crisis: New York
Times, "Unemployed," "Buffalo for Rent: Will Build to
Suit Tenant;" J. Steinmetz paper; Jobs in Buffalo: Flowchart of
Dramatic Impact, Rajmi Srikanth |
February 1978 |
76 | 64 | Assorted clippings: "What can I
tell You" Movies Poster, International Film
seminars
Includes dinner invitation, notes, newsletter, agenda.
|
|
76 | 66 | "Where a Lad Is: An Account of
Vachel Lindsay," by Ralph L. Schroeder |
|
76 | 68 | Assorted articles: "The Gospel of
Beauty;" "Bruins for Voluntary Parenthood and Sexual
Liberty;" "Souverain" wine letter |
|
76 | 69 | Film Letters and Film Showings:
"America Lost Found," French Cinema of the Seventies, Take
one Movieland news, News from Alfred A. Knopf |
1978-April 1979 |
76 | 70 | Items from Australia
Includes two maps, the Rothbury Estate Society brochure, menu.
|
|
76 | 71 | Papers related to Semiotics:
"Linguistics and Semiotics," Paul L. Garvin;
"Structuralism, esthetics and Semiotics," Paul L. Garvin;
"Logical Semantics and Literary Semiotics, Narrative
Worlds" |
|
77 | 1 | "The Last Flower: A Parable in
Pictures," by Thomas Thurber
Includes two film showing flyers.
|
|
77 | 13 | "Bill Moyers Hopes Ed Murrow Was
Wrong," by Ann Modges |
|
77 | 19 | Afterimage: "An Interview with
James Blue Toward a Critical Pluralism" |
June 3, 1981 |
77 | 21 | Cahiers du cinema: "Entretien
Avec Jean Rocuh," by Eric Rohmer and Louis
Marcorelles |
June 1963 |
77 | 24 | Copied articles in French regarding
film |
|
78 | 6 | "The Evolution of American
Television," from The Tube of Plenty by Erik Barnow |
|
78 | 8 | "Husbands: Mamber" film
review by John Cassavetes |
|
78 | 9 | "Husbands: Mamber" film
review by John Cassavetes |
|
78 | 11 | "The Man Who Lies: An Interview
with Alain Robbe-Grillet," by Tom and Helen Bishop
Includes notes on Alain Robbe-Grillet.
|
|
78 | 16 | "The Lucid Eye: Johan Van Der
Keuken Filmmaker," by Dr. H.S. Visscher |
|
78 | 24 | The American Film Institute:
"Italian Cinema after Neorealism" |
|
78 | 25 | "Thoughts on Cinema Verite and a
Discussion with the Maysles Brothers," by James Blue [Class
set] |
May 6, 1965 |
78 | 26 | "Thoughts on Cinema Verite and a
Discussion with the Maysles Brothers," by James Blue [Class
set]
Includes correspondence.
|
May 6, 1965 |
78 | 27 | "The Industrial
Revolution."
Includes correspondence.
|
|
78 | 28 | The American Film Institute:
"British Cinema," "Neorealism," "Polish
Cinema," and "Italian Cinema after
Neorealism" |
November 10, 1969-November 17, 1969 |
78 | 29 | Assorted articles regarding
films |
May 1, 1968-June 17, 1968 |
78 | 30 | "Raising Consciousness Through
Film," by Leonard Henny |
1980 |
78 | 33 | Videography: Interview with Herb
Schlosser from NBC chief to Videodisc Programmer |
February 1979 |
78 | 37 | "Cinema du Reel," "Film
Comment" |
|
78 | 40 | French Book: "Le Maboul," by
Jean Pelegri |
|
78 | 53 | Super 8 Filmmaker
Super 8 Film, Vol 8, #7
|
November 1980 |
78 | 57 | Script pages |
|
80 | 3 | "Canyon: The Regular Bay Area
Showcase for Personal and Avant-garde Films"
pamphlets |
|
80 | 6 | Life and American Film
magazines |
October 15, 1971-June 1978 |
80 | 11 | "The Rice Thresher"
"Rice News" |
October 24, 2002-December 5, 2006 |
82 | 3 | Arizona English Bulletin: "What
films are Worth Setting? What Books About Film are Worth
Reading," by Ken Donelson, Arizona State University |
February 1971 |
82 | 4 | Newton Schools Foundation: "Films
for Use in the English Classroom" |
1969 |
82 | 12 | VTR Experiment in Belfast Project
Summary: "Both Sides of the Boyne," Steve
Morrison |
|
82 | 13 | Now Study Program
Newsletter |
May 1970-June 1970 |
82 | 14 | The American Film Institute: "An
Approach to the Study of History in Secondary
Schools" |
|
82 | 15 | "Television in School," by
Russell Mead |
|
82 | 17 | "The Young in Search of
Identity," by John M Culkin |
February 4, 1968 |
82 | 18 | "Video Tape and Super 8: Some
Concerns and Workshops Dealing with the New Humanities," by Kit
Laybourne |
December 28, 1970 |
82 | 23 | "Models of Cultural
Development," by Jorge Glusberg |
|
82 | 26 | [Pittsburgh Filmmakers Incorporated,
Final Narrative Report on Grant R60-34-61, Progress of the National
Preview Network] |
June 25, 1977 |
82 | 30 | "Captured by Meanings," by
Roland Barthes |
|
82 | 31 | "Young Mr. Lincoln," by John
Ford |
|
82 | 32 | "Why We (Should Not) Fight,"
Colonel Frank Capra interviewed by George Bailey |
|
82 | 33 | "Invention Ideologique ou
Decouverte Scientifique," by Jean Patrick Lebel |
May 1970-February 1971 |
82 | 34 | "Sources of the Study of Popular
Film," by Larry N. Landrum |
July 1, 1978 |
82 | 35 | "Signs and Symbols," by
Geoffrey Hartman |
|
82 | 36 | "The Right Play at the Wrong
Time: John Ford and the Searches," by Alf Walle |
September 16, 1977-October 16, 1977 |
82 | 37 | "Textuality of the Subject in
Belle de Jour," by Sandro |
|
82 | 38 | Journal of the University Film
Association: "Descriptive Phenomenology and Film," by
Patrick Peritore |
1977 |
82 | 39 | Margaret Mead Review: "Through
Navajo Eyes," by Sol Worth and John Adair |
1975 |
82 | 41 | "The Only Man Who Really Knew the
Man Behind the Mask," by Alf Wally |
|
82 | 42 | "Dying to Be On Television,"
by Stefan Fleischer |
|
82 | 43 | "Buffoons and Brave Hearts:
Hollywood Portrays the Russians," by Melvin Small |
|
82 | 44 | "Film Chronical: Mission to
Moscow," by Meyer Shapiro |
May 1943-June 1943 |
82 | 45 | "From Robert Breer's
Installation at the Whitney," by Amy Taubin |
April 14, 1977 |
82 | 46 | "Testimony for the Committee on
Appropriations Subcommittee on the Interior," by Sol
Worth |
April 21, 1977 |
82 | 47 | "Les Quatre Cents Coups," by
Steve Kaplan |
|
82 | 55 | "Newsreel" |
February 27, 1978-March 11, 1978 |
82 | 58 | "The Moving Image in 1975: A
Report by The Committee on Film and Television Resources
Services" |
1975 |
82 | 60 | "Creating a New Visual
Literacy," by Karen Thorsen |
January 1976-February 1976 |
82 | 71 | Assorted articles |
|
82 | 78 | The Videocassette and CATV
Newsletter |
November 1973 |
82 | 79 | Everson Museum of Art: "Video and
the Museum" |
April 4, 1974-April 6, 1974 |
82 | 85 | "Superserious 8," by Scott
Didlake |
June 1971-June 29, 1977 |
83 | 1 | "Winter wind: An Interview with
Miklos Jancso," by Jean-Louis Cornelli, Michael
Delabaye |
|
83 | 2 | "Collaboration in Documentary:
Handling the Non-Actor," by Joris Ivens |
|
83 | 3 | The American Film Institute: "The
Western" |
|
83 | 4 | "Gestalt Psychology and Artistic
Form," by Rudolf Arnheim |
|
83 | 5 | "'The Searchers' and
the Study of the Image," David Lusted |
1975-1976 |
83 | 7 | National Endowment for the Arts
Grants |
June 1978-November 1978 |
83 | 10 | "Penn E Saver" |
August 11, 1976 |
83 | 14 | Southwest Alternate Media Project
Media Bulletin [26 copies] |
1989-1998 |
83 | 15 | Gerald O'Grady: "James
Blue," "Media Study/Buffalo," "The Frontier:
Fact and Symbol" |
|
83 | 18 | "Jean Rouch in
Conversation," "The films of Jean Rouch," "An
Interview with Roberto Rossellini," "Excerpt from and
Interview with Richard Grenier and Jean-Luc Godard" |
|
83 | 20 | "That They May Win," by
Arthur Miller |
|
83 | 23 | Assorted articles and
publications |
|
83 | 24 | Film Comment: "Thoughts on Cinema
Verite and a Discussion with the Maysles Brothers," by James
Blue; "Two American Directors: Interview with James Blue,"
by Mary Batten |
1963-1964 |
83 | 25 | ["Premiere Journee"
Outline] |
|
83 | 26 | Film Comment [14 copies] |
1964-1968 |
83 | 34 | "Color Microfiche Study Guide of
Orsen Welles' Masterpiece Touch of Evil," by Julius
Rascheff |
1976 |
83 | 35 | Super 8 Filmmaker |
1976 |
83 | 37 | "Interview with James Blue,"
by Mary Batten |
|
83 | 38 | "An Interview with James
Blue," by Anthony Bannon |
October 1980 |
83 | 41 | "Crisis in the Fourth Ward: An
Interview with James Blue," by Mark Mikolas |
|
83 | 44 | "An Interview with James
Blue," by Anthony Bannon |
October 1980 |
83 | 47 | Southwest Media Review |
1985 |
83 | 48 | [Photocopies of "Sight and
Sound" and "The Independent"] |
1980 |
83 | 49 | "I want to Know: Which Side is
the Federal Government on?" |
|
83 | 51 | Southwest Alternate Media Project
Media Bulletin |
1989 |
83 | 57 | "Remembering James Blue," by
Gerald O'Grady |
|
83 | 58 | "A Contrast Between The
Production Theories of Stanislavski and Brecht," by Terrance
Hoseen |
December 19, 1949 |
83 | 60 | Southwest Media Review |
1985 |
83 | 61 | "Jean-Luc Godard: A Critical
Anthology Edited by Toby Mussman" |
|
83 | 62 | Super 8 Filmmaker |
February 1976 |
83 | 63 | The Rice University Media Center:
"Creating a New Visual Literacy," by Karen
Thorsen |
January 1976-February 1976 |
83 | 65 | ["Houston Breakthrough"
Periodical] |
July 1980-August 1980 |
84 | 1 | [Miscellaneous Film Pamphlets and
Newsletters] |
|
84 | 9 | Interviews and excerpts from
articles |
|
84 | 13 | "Tele Visions": Introduction
copy |
|
84 | 15 | Berkeley and Cambridge Film Center:
Newsletters and publications |
|
84 | 18 | Academy of Motion Picture Arts and
Sciences: "The Bulletin" and pamphlets |
1976 |
84 | 23 | Assorted articles and
newspapers |
|
84 | 24 | Assorted articles and
newspapers |
|
84 | 25 | Assorted articles and
newspapers |
|
84 | 26 | Assorted articles and
newspapers |
|
84 | 29 | Afterimage |
|
84 | 30 | Afterimage |
|
84 | 31 | Afterimage |
|
84 | 32 | Newspaper articles concerning James
Blue and his memory |
1962-1980 |
84 | 41 | "Musical Film/Musical Structure,
Remarks on "It's Always Fair Weather," by Alan
Williams |
February 20, 1976 |
84 | 42 | "The Circles of Desire: Narration
and representation in 'La Ronde'," by Alan
Williams |
|
84 | 43 | "The 400 Cuts vs. How to Shoot
the Piano Player," by Alan Williams |
|
84 | 44 | "Some Ways of Looking at
'The Gang's All Here,'" by Paul
Schmidt |
|
84 | 45 | "My Method," by A.
Dovzhenko |
|
84 | 46 | Film Notes: Italian "The Girls of
Piazza di Spagna," by Amidei-Emmer |
November 17, 1975 |
84 | 47 | [Newspaper Articles Concerning James
Blue and His Memory] |
1962-1980 |
85 | 11 | Hirshhorn Museum and Sculpture Garden
at the Smithsonian Institute: News Releases |
|
85 | 13 | New York Times: "Local T.V.? You
Can't get More Local Than This" |
April 8, 1973 |
85 | 19 | Community Film Workshop Council of
Appalachia: Appalachia "Appal Seed" newsletter |
1971 |
85 | 20 | New York Times: California High School
Film Festival Poster |
August 7, 1977 |
85 | 28 | Life Magazine: "Output of the
East" |
|
88 | 22 | El Paso Texas Papers |
1955 |
89 | 2 | Old Oregon: magazine of the University
of Oregon Alumni Association |
May 1968-June 1968 |
89 | 8 | Rice University: "True Blue:
James Blue, Community Activism and the Narrative
Impulse" |
November 1, 2002-November 3, 2002 |
94 | 2 | Old Oregon |
May 1968-June 1968 |
94 | 9 | Scripts, Interview, and Essays on
James Blue [4 copies] |
October 13, 2005-October 16, 2005 |
100 | 3 | "The Work of James Blue: A
Retrospective" |
|
100 | 4 | The Texas Commission on the Arts:
"Artlies" |
2002-2003 |
100 | 6 | Richard Leacock memorial
publication |
June 5, 2011-June 11, 1011 |
100 | 7 | Assorted film and art center
publications |
September 2002-June 28, 2013 |
100 | 8 | Rice University: "True Blue:
James Blue, Community Activism, and The Narrative
Impulse" |
November 1, 2002-November 3, 2002 |
100 | 9 | State University of New York at
Buffalo: "The Invisible City" showing pamphlet |
|
100 | 10 | "The American Revolution,"
an interpretation for a film by Richard N. Blue |
|
100 | 18 | "James Blue/Documentary," by
Robert LaRue |
|
100 | 36 | Rice University Media Center:
"Creating a Visual Literacy," by Karen Thorsen |
|
100 | 39 | Unifrance Film: Festivals |
November 1962-December 1962 |
100 | 41 | Podium: a publication containing an
article on James Blue |
|
100 | 42 | "The Lucid Eye," by John Van
Der Keuken |
|
100 | 43 | "Buffalo Spree" |
1979 |
100 | 46 | "The Work of James Blue: A
Retrospective" |
|
100 | 47 | International Film Quarterly:
"Sight and Sound" |
1980 |
100 | 55 | Afterimage |
October 1980 |
100 | 56 | Toronto Super-Eight Film Festival:
"Tribute to James Blue" |
June 3, 1981 |
100 | 58 | "The Whole World was
Watching": Film and television program created by Gerald
O'Grady |
July 12, 2011-July 21, 2011 |
100 | 60 | Newspaper |
June 1, 1977 |
101 | 1 | State University of New York at
Buffalo: "The films of James Blue" |
|
101 | 2 | State University of New York at
Buffalo Media Study presents the films of James Blue |
|
101 | 3 | State University of New York at
Buffalo Media Study: "Cinema et Video" |
|
101 | 4 | "The Banned and the Beautiful: A
Survey of Czech Filmmaking" |
1963-1990 |
101 | 5 | Ontario Film Theatre: "Tribute to
James Blue" |
June 3, 1981 |
101 | 6 | The State University of New York at
Buffalo: "Cinema et Video" |
December 1980 |
101 | 7 | Films of Civil Rights |
June 16, 1989-June 24, 1989 |
101 | 8 | The Public Theater presents
"Rossellini" |
May 1, 1979-May 20, 1979 |
101 | 9 | The State University of New York at
Buffalo: "MacDougall" |
March 23, 1980-March 30, 1980 |
101 | 10 | "The Banned and the Beautiful: A
Survey of Czech Filmmaking" |
1963-1990 |
101 | 11 | Afterimage: "An interview with
James Blue" |
October 1980 |
101 | 12 | The State University of New York at
Buffalo: "Remembering Malcolm" |
|
103 | James Blue: Scripts, Interview, and
Essays on James Blue |
2005 | |
105 | "James Blue: Scripts and
Interviews" [11 copies] |
November 1, 2002-November 3, 2002 | |
106 | "James Blue: Scripts and
Interviews" [14 copies] |
November 1, 2003-November 3, 2003 | |
107 | "James Blue: Scripts and
Interviews" [15 copies] |
November 1, 2004-November 3, 2004 | |
108 | "James Blue: Scripts and
Interviews" [24 copies] |
November 1, 2005-November 3, 2005 | |
109 | "James Blue: Scripts and
Interviews" [25 copies] |
November 1, 2006-November 3, 2006 | |
110 | "James Blue: Scripts and
Interviews" [23 copies] |
November 1, 2007-November 3, 2007 | |
111 | "James Blue: Scripts and
Interviews" [24 copies] |
November 1, 2008-November 3, 2008 | |
Folder | |||
112 | 10 | Rice University Media Study
Publication |
|
112 | 13 | Assorted newspapers and
magazines |
|
112 | 14 | Newspapers and newspaper
clippings |
June 8, 1968-June 26, 1980 |
112 | 19 | Newspaper, newspaper clippings and
magazines |
|
112 | 2 | "Movie Makers" |
March 1953 |
112 | 7 | "MacDougall" |
March 20, 1980-March 30, 1980 |
112 | 8 | "Video 17" |
February 1976 |
Subseries K: Subject files |
|||
Box | Folder | ||
4 | 6 | Texas Commission on the Arts and
Humanities Grant List: Public media objective notes, project support
application, and summary of minutes |
1976-December 1977 |
4 | 9 | Association of Independent Video and
Filmmakers
Includes corespondence from Madam President, and calendar containing
the social events of the season.
|
1978 |
4 | 10 | Vietnam propaganda: UCLA for peace,
and "Vietnam Why Should the War Go On? The Struggle in South
Vietnam" |
|
4 | 11 | William Bayer Interview 1 and 2
(Vietnam) |
|
4 | 13 | Conference on Culture and
Communication: Teaching Visual Anthropology at Temple University;
preliminary program, application |
ca. 1965 |
4 | 15 | British National Film School Annual
Report |
1977 |
4 | 16 | El Moudjahid [Algerian
newspaper] |
October 1965 |
4 | 17 | Rice University Media
Center |
1977 |
4 | 18 | Media Study Buffalo:
"MacDougall" |
February 1979-March 1980 |
4 | 20 | Media Study Buffalo: Workshops in
Media |
|
4 | 22 | SUNY at Buffalo and University
Libraries: An evaluation of the cinema collection
Includes correspondence from Eric Carpenter to Gerald
O'Grady.
|
|
4 | 23 | Propaganda |
|
4 | 24 | Vietnam and films
Includes Bayer, interview with Blue and Hitchens, and a report on
Bayside High School, Queens, New York.
|
|
4 | 25 | Films
Includes A half century of American Movies, information on
"Scarface," and the synopsis of "Bamboo."
|
|
4 | 26 | American propaganda: A world on Fire,
notes on the language of Communism |
|
4 | 28 | Brazil
Includes USAID/Brazil briefing booklet, free translation of an
article reporting Anti-American attitudes in Brazil, and an article
on anti-Americanist sentiment in Brazil.
|
1965-April 1967 |
4 | 29 | French documents regarding Chinese
politics: "Bulletin d'information" |
October 1965 |
4 | 31 | UCLA: "An Evening of Student
films" |
December 11, 1964-1965 |
4 | 32 | Miscellaneous pamphlets
Subject include Vietnam war, Curandera, LBJ, Socialism and Earl
Money.
|
1979-1980 |
4 | 37 | The Todd-AO Corporation: Invoices,
"La Statue" and a letter to James Blue |
1965 |
4 | 38 | Moviola Rental Company: Rental
agreements with Stevan Larner and Colin Young
Includes a letter to the rental company from Stevan Larner.
|
|
4 | 39 | Societe Generale de Travaux
Cinematographique: "La Statue" rental invoices from Stevan
Larner |
1964 |
4 | 40 | Texas Commission on the Arts and
Humanities: Application workbook and applications for a
grant |
|
4 | 41 | Midland Community Theatre, Inc. and
Theatre School
Includes correspondence to Jack Morrison from Art Cole as well as an
article from Times titled "Threat to an American
Tradition."
|
1978-1979 |
4 | 42 | Texas Commission on the Arts and
Humanities: Goals, programs and memorandum |
1979 |
4 | 44 | Super 8 Film Festival papers:
"Off the Wall Cinema," Harbourfront News |
April 10, 1978 |
4 | 45 | Photo/Electric Arts: An introduction
for members of council |
January 1978 |
4 | 46 | Texas film-making
Includes TCAH Public Media Proposal Guidelines, notes, Texas
Independent Filmmakers Showcase at Film Forum City, and
correspondence.
|
|
4 | 48 | Texas Commission on the Arts and
Humanities: Correspondence, memorandum and activities
calendar |
1977-1978 |
4 | 57 | Margaret Herrick Library of the
Academy of Motion Picture Arts and Sciences brochure |
|
4 | 58 | University of Wisconsin Milwaukee
Conference: Essays on film study in higher education, maps, and a
release form |
1976 |
4 | 59 | Academy of Motion Picture: Arts and
Sciences, British Cinema, James Whale and women
directors |
|
4 | 60 | "A Masterpiece from Iran Before
the revolution," by Amos Vogel; "Tube of Plenty," by
Erik Barnouw |
|
4 | 62 | Corporation for Public Broadcasting:
Letter to independent producers, draft of a paper on independent
producers |
1979 |
4 | 63 | Independent Feature
Project
Includes correspondence from the organizers, lists of members,
attendees and participants as well as "An Unsolicited
Report," by Jon Jost.
|
1979 |
4 | 77 | Public Theatre pamphlet |
October 1979 |
4 | 90 | Grierson Film Seminars
Includes letter and article by Christine Hoyland, and a list of
participants and films.
|
1978 |
4 | 91 | John Simon Guggenheim Memorial
Foundation: Confidential report for the fellowship of Thom
Andersen |
December 18, 1978 |
4 | 93 | Jubilee Theatre: "The Plywood
Age" commemorative program |
June 20, 1955-June 22, 1955 |
4 | 95 | Information on Buffalo, New
York's revitalization |
1979 |
6 | 51 | Rassemblement pour L'Independence
Nationale: programme politique |
|
6 | 71 | International Film Seminars:
Correspondence and budget information |
September 12, 1978-April 19, 1979 |
6 | 72 | International Film Seminars: Agendas,
minutes and budgets from The Meeting of Trustees and
Advisors |
October 28, 1978-May 11, 1979 |
6 | 74 | National Endowment for the Arts:
Correspondence and articles on the NEA Short Film
Showcase |
November 6, 1978-May 8, 1979 |
6 | 75 | Texas Commission on the Arts and
Humanities: Memorandum and correspondence |
December 19, 1978-March 5, 1979 |
6 | 76 | Computers: Information International
Publication |
|
6 | 77 | Computer Graphics: Film recorder
information, descriptions and specifications |
|
6 | 78 | Computer Graphics: Data sheets and
lists of available typefaces |
July 1972 |
6 | 79 | Nagra: Professional miniature tape
recorder instruction book |
|
6 | 80 | Video Tape Recording: Videocassette
and CATV newsletter |
April 1973-May 1973 |
6 | 81 | Video Tape Recording: Video record
information booklets |
|
6 | 84 | Texas Commission on the Arts: Grants
list by disciplines, recipient observation forms |
December 1978-March 23, 1979 |
6 | 85 | Texas Commission on the Arts and
Humanities: Proposed revisions to goals and programs, a guide to
assistance and a publication |
|
9 | 2 | National Endowment for the Arts:
Notes |
September 30, 1977 |
9 | 3 | National Endowment for the Arts: Guide
to programs |
1976-1973 |
9 | 4 | National Endowment for the Arts:
Artists-in-Schools guidelines and reports |
1972-1976 |
9 | 5 | National Endowment for the Arts:
"Extending the Dream: A Report of the 1975 Artists-in-Schools
National Conference" |
July 16, 1975-July 18, 1975 |
9 | 6 | National Endowment for the Arts:
Artists-in-Schools program |
|
9 | 7 | National Endowment for the Arts: Lists
of state arts council offices |
|
9 | 8 | National Endowment for the Arts:
Artists-in-Schools program |
|
9 | 9 | National Endowment for the Arts:
Agendas and memorandum |
March 26, 1976-April 8, 1976 |
9 | 10 | National Endowment for the Arts:
Suggested regions for Artists-in-Schools film component |
March 1976 |
9 | 17 | James Blue Press: Program, the Ohio
State University presents James Blue |
February 3, 1979 |
9 | 18 | James Blue Press: Conference on
contemporary directions in the public affairs
documentary |
February 22, 1979-February 25, 1979 |
9 | 21 | Lists of videotapes from the James
Blue archives |
|
9 | 27 | Complex Documentary
Problems
Includes notes and a list of what politicians want for the
neighborhoods and city of Buffalo, New York.
|
|
9 | 31 | French Scholarship Materials: To Do
list and University of Oregon invoice statement |
|
11 | 27 | American Friends: Articles, flyers,
and Alan Williams' curriculum vitae |
|
11 | 30 | Buñuel: Notes and a publication
of the films of Luis Buñuel |
|
11 | 35 | "One Man's Truth: An
Interview with Richard Leacock," by James Blue |
|
11 | 69 | A Proposal for a Film about
Uganda
Includes correspondence.
|
September 5, 1980-November 28, 1980 |
15 | 12 | Correspondence, notes, box
inventory |
June 17, 1980-December 16, 1980 |
32 | 11 | McGill University Study of Audio
Visual and Multi-Media Aspects in Selected National and Theme
Building at Expo 67: Introduction and Table of Contents |
September 1965-August 26, 1969 |
32 | 35 | Gerald O'Grady: Correspondence,
International bill of lading |
May 7, 1980-May 22, 1980 |
33 | 21 | Fiches
Various film outlines, James Blue Passport from 1956
|
|
42 | 10 | American Film Institute: Newsletter
and a list of documentaries |
May 1979-June 1979 |
42 | 13 | Tricontinental Film Center: Film
catalog supplement and correspondence |
October 1976-1977 |
42 | 17 | United States Information Agency:
Articles and correspondence about propaganda films |
January 1964-November 21, 1969 |
42 | 23 | Fall Out Shelter Test |
|
42 | 28 | Temple University Anthropology
program
Includes information on classes and "The Teaching of Visual
Anthropology at Temple," by Jay Ruby and Richard Chalfen.
|
|
42 | 40 | United University Professions:
Membership |
April 17, 1978 |
42 | 42 | Teachers Insurance and Annuity
Association: Insurance policies |
January 1978-February 6, 1978 |
42 | 45 | The Singer Fund |
May 10, 1977 |
42 | 46 | The Singer Fund |
1967-May 10, 1977 |
42 | 47 | Shell Companies Foundation |
July 11, 1977 |
42 | 48 | The Doctor Seuss
Foundation |
July 11, 1977-July 26, 1977 |
42 | 49 | The Sears-Roebuck
Foundation |
|
42 | 50 | The Sherman Foundation |
1976-December 22, 1977 |
42 | 51 | The Russell Sage
Foundation |
1976-May 4, 1977 |
42 | 52 | The Sarah Scaife
Foundation |
July 11, 1977-August 2, 1977 |
42 | 53 | The Sperry and Hutchinson
Foundation |
1976-December 22, 1977 |
42 | 54 | The Helena Rubinstein
Foundation |
1975-January 16, 1978 |
42 | 55 | The Rowland Foundation |
July 11, 1977-August 4, 1977 |
42 | 75 | Building catalogs, prices and supply
information |
September 19, 1973-July 24, 1977 |
42 | 76 | List of Lumber Prices |
|
42 | 79 | United States Information
Agency |
|
43 | 13 | Information and a program on
"L'Alouette," by Jean Anouilh |
|
43 | 20 | "Marian Post Wolcott,
Photographer for the Farm Security Administration: Guide to Her
Photographs"
Includes Julie Boddy's address.
|
|
43 | 24 | James Blue's French
study
Includes correspondence, application, and grants.
|
December 1, 1955-October 7, 1958 |
43 | 25 | Institute Des Hautes Etudes
Cinematographiques and French cinematography
Includes programs for "Cousin Esther," and a page from
"Je Reviendrai A Kandora."
|
June 11, 1956-December 31, 1957 |
43 | 34 | "Bordersville"
Includes correspondence about a film showing, articles, and
flyers.
|
July 10, 1979-November 4, 1979 |
48 | 9 | Schedule of film showings |
|
48 | 19 | Information regarding university film
programs |
|
48 | 20 | Filmmaking: notes, film specs, and
articles |
|
48 | 21 | Film screenings: Synopses, information
on film shown |
April 8, 1969-March 21, 1972 |
48 | 23 | Association of Film
Craftsmen
Includes by-laws, working rules, job descriptions, and basic
agreements.
|
May 1, 1969-October 1969 |
48 | 24 | Association of Film
Craftsmen
Includes billing and purchase information for film supplies,
correspondence, and teaching materials.
|
March 18, 1964-August 7, 1969 |
48 | 53 | National Endowment for the
Arts
Includes grant applications for the New York Foundation for the Arts,
The Tennessee Folklore Society, and The King County Arts
Commission.
|
April 23, 1978-April 18, 1979 |
48 | 57 | Learning Through the Arts
Includes program descriptions and donor information.
|
|
48 | 60 | International Film Seminars,
Inc.
Includes correspondence, and Joint Meeting of Trustees and Advisors
Coffee House Club.
|
February 24, 1978-November 1, 1978 |
48 | 63 | The Ford Foundation
Includes correspondence, "Report to Nancy Boggs on Ford
Foundation films," by James Blue and notes on the Ford
Foundation films.
|
January 31, 1978-May 22, 1978 |
49 | 8 | Texas Commission on the Arts and
Humanities
Includes correspondence, memorandum, grant application and grant
approval for the Rice University Media Center.
|
December 27, 1974-June 9, 1976 |
49 | 17 | Committee on Film and Television
Resources and Services
Includes agendas, minutes, correspondence and notes.
|
April 19, 1974-July 9, 1974 |
49 | 18 | Instructions and information for an
RCA Color T.V. |
|
49 | 27 | Department of Health, Education and
Welfare: Emergency School Aid Act application |
March 2, 1973 |
49 | 42 | Lists and descriptions of assorted
documentary films |
1977 |
49 | 43 | Lists and descriptions of assorted
documentary films |
1978 |
49 | 48 | The Museum of Modern Art Department of
Film: Bibliography and filmography |
|
53 | 17 | Notes and a typed portion of a
script |
|
53 | 20 | Notes, transcript of Richard
Blue's interview with James, partial script |
October 4, 1970 |
53 | 22 | Correspondence and pages from a
"Portrait of a Preacher" |
October 23, 1970-July 20, 1971 |
53 | 24 | Wunsch Foundation |
July 11, 1977 |
53 | 25 | The Young Filmmakers
Association |
July 11, 1977 |
53 | 26 | Wurlitzer Foundation |
July 11, 1977-July 21, 1977 |
53 | 27 | Xerox Corporation |
July 11, 1977-January 11, 1977 |
53 | 28 | State University of New York at
Buffalo: Campus maps |
|
53 | 29 | MacArthur Foundation
Includes an article "from the Man Who Has Everything," by
John Love.
|
January 15, 1980 |
53 | 30 | Leon Lowenstein Foundation
Incorporated |
May 20, 1977 |
53 | 31 | Eastman-Kodak Educational Aid
Program |
1976-April 21, 1977 |
53 | 33 | Building plans and materials: Notes,
prices and information on |
|
53 | 34 | List of prices for building
supplies |
|
53 | 35 | Washtenaw County Real Estate
Magazine
Includes deer hunting pamphlets.
|
1972-April 17, 1978 |
53 | 44 | Filmmaking: notes and
articles |
|
53 | 48 | Malabsorption and home building:
Notebook, notes, and articles |
|
53 | 51 | Building plans, notes, and an
oversized photograph |
|
53 | 52 | University of Michigan: Exam books,
notes, and building plans |
|
54 | 1 | Articles, notes, correspondence, and
script pages |
|
54 | 2 | Newspaper articles and
notes |
|
54 | 6 | Antioch Baptist Church |
September 3, 1976 |
54 | 9 | Antioch Baptist Church: Notes,
correspondence, and "Houston Community Study Summary and
Results" |
September 9, 1976 |
54 | 26 | "Little Boy" film:
Correspondence and notes |
August 29, 1977 |
54 | 27 | Newsletters, correspondence, script
pages |
January 26, 1976-April 25, 1977 |
54 | 28 | "Territory:" Correspondence,
articles, and resumes |
December 29, 1976-2002 |
54 | 29 | "Territory:"
Correspondence
Includes articles and flyers about "Interart Works: A Creative
Collective."
|
December 20, 1976 |
54 | 37 | Battle of Algiers: Discussion
handout |
|
54 | 54 | Doris Chase: Articles, correspondence,
and a film resume |
January 6, 1973-December 18, 1975 |
57 | 28 | Helen Van Doncen's filmography [2
copies]
Includes a radio and television list of items for sale, and film
lists for James Blue's class.
|
|
57 | 37 | Notes, information on the hydrological
cycle, and a photograph of Maysal |
|
57 | 41 | National Endowment for the Humanities:
Division of Education Programs and Public Programs |
|
57 | 42 | National Endowment for the Humanities:
Division of Education Programs and Public Programs |
December 1, 1971 |
57 | 45 | Preview Network |
|
57 | 56 | Texas Commission on the Arts and
Humanities: Correspondence, memorandum, and grant
applications |
January 8, 1973-July 8, 1974 |
57 | 57 | American Film Institute: Donald
Quaintance's application for the Independent Filmmaker's
program |
April 16, 1972-November 10, 1976 |
57 | 58 | Rice University: Donald Wood's
amendment to an existing project form
Includes correspondence from The National Endowment for the Arts.
|
September 12, 1975 |
60 | 6 | Ford Foundation: James Blue Grant
Application and Information |
September 9, 1963-May 28, 1964 |
60 | 17 | Publications, correspondence,
ephemera |
January 24, 1964-February 24, 1969 |
60 | 23 | Mirisch Corporation of Delaware:
Contract, Outline of Prologue for "Hawaii" |
December 29, 1965-July 15, 1966 |
60 | 27 | National Endowment for the Humanities:
Grant Correspondence |
July 8, 1975-November 23, 1976 |
60 | 49 | "Blind Kind" film
notes |
|
60 | 53 | Australian Institute of Aboriginal
Studies: Ethnographic Film Workshop film list |
April 10, 1976 |
63 | 25 | Committee on Film and Television
Resources and Services: Reports and correspondence |
January 17, 1974-August 1, 1976 |
63 | 28 | [KPFT 90 FM Houston, Texas:
Correspondence, Minutes, Memorandum] |
July 28, 1975-January 12, 1977 |
63 | 29 | Texas Assembly of Arts Council:
Reports, proposals, newsletters |
March 11, 1976-March 19, 1976 |
63 | 30 | [KLRN Arts and Humanities Television
Project: Instructions on Honeywell Elmo Dual-8
Projector] |
September 23, 1976 |
63 | 32 | [National Endowment for the
Arts] |
January 26, 1976-October 1, 1976 |
63 | 33 | American Film Institute: Application
to Independent Filmmaker program |
April 1, 1975-May 2, 1975 |
63 | 54 | John Simon Guggenheim Memorial
Foundation Fellowships: Correspondence, David Hancock curriculum
vitae |
29-Aug-73-September 26, 1973 |
63 | 59 | 16mm Arri Cameras Product
Information
Includes correspondence.
|
December 14, 1973 |
64 | 7 | [Information on films presented by the
Fine Arts Council of Catholic University]
Films presented: "A Taste of Honey," "Shoot the Piano
Player," "Yojimbo."
|
February 12, 1967-April 30, 1967 |
64 | 8 | [National Council on the
Arts/Endowment for the Arts] |
April 28, 1971-August 24, 1972 |
64 | 10 | Celebration of Film at
Colgate
Programs and letter from Richard Brown.
|
April 30, 1971-May 27, 1971 |
64 | 12 | Motion Picture Association of America:
Code of Self Regulation |
|
64 | 15 | University of Texas at Austin: School
of Radio, TV, and Film |
|
64 | 22 | New Baltimore Independent Film
Museum |
|
64 | 25 | Texas Commission on the Arts and
Humanities: Annual Report |
1974 |
64 | 29 | National Endowment for the Arts:
Biographies of Staff |
December 1, 1972 |
64 | 30 | National Council on the Arts: National
Endowment for the Arts
Includes correspondence with the White House, newsletters,
"Video Pioneers" by Jonathan Price, and "A System for
Experimental Electronic Painting," by Vernon J. Fowler.
|
November 30, 1972 |
64 | 31 | National Council on the Arts:
Biographies of Council Members |
December 1, 1972 |
64 | 32 | National Endowment for the Arts:
Biographies of Advisory Panelists |
December 1, 1972 |
64 | 33 | [Info on CATV/Oklahoma Arts/Local
Organizations] |
1973-May 6, 1974 |
64 | 38 | Texas Film Commission: Correspondence,
newsletter and publication |
May 1972-March 1974 |
64 | 39 | "Digital:" The Universal
Synchronizing Unit |
|
64 | 40 | American Film Institute Center for
Advanced Film Studies: Descriptions of films,
correspondence |
April 4, 1973 |
64 | 41 | University of Texas Health Science
Center: Programs, news releases, newsletters and notes |
June 15, 1974-October 22, 1974 |
64 | 47 | National Council on the Arts:
Biographical Sketches |
November 30, 1972-December 1, 1972 |
64 | 54 | Rice University: Faculty Projects,
Markle Foundation |
May 1, 1972 |
64 | 57 | [Advent of Cable TV in
Houston] |
January 31, 1972-September 20, 1973 |
64 | 59 | Committee on Film and Television
Resources and Services
Minutes, expenses, hand-written notes.
|
April 30, 1973-July 10, 1973 |
64 | 60 | Houston BAR Association Project
Memorandum [draft] |
February 16, 1973-March 14, 1973 |
64 | 61 | Menil Grant:
Correspondence |
March 23, 1971-November 14, 1969 |
64 | 64 | Houston Council on Humane Relations
Budget, Intergroup Action Project: Correspondence, notes |
May 14, 1973-June 22, 1973 |
64 | 66 | Committee on Film and Television
Resources and Services: Minutes, studies, notes, correspondence,
roster |
September 20, 1973-July 10, 1973 |
65 | 20 | Corpus Cristi Public Schools: National
Endowment for the Arts "Artist in Residence Film Program"
meeting
Includes grant application.
|
October 6, 1972-April 13, 1973 |
65 | 26 | "Cassevetes" [Master
Copy] |
|
65 | 34 | National Endowment for the Arts: James
Blue Policy Review Panel |
November 16, 1978 |
65 | 44 | [Ford Foundation and National
Endowment for the Arts: Correspondence and "Money for
Documentaries? Yes, But…:Report on a Meeting to Discuss the
Formation of a Fund for Public Television
Documentaries"] |
June 11, 1976-June 29, 1976 |
65 | 45 | "Max Subtitles" In
French |
|
65 | 46 | [National Endowment for the Arts
proposal: "Sixty Four Short-Term Residencies, Eight Artists,
Eight Cities"] |
May 11, 1976 |
65 | 47 | [Rocky Mountain Film Center, National
Endowment for the Arts, Rice University Project: Grant Application,
proposal, correspondence] |
May 7, 1976-June 10, 1976 |
65 | 51 | Non-Fiction Film "Beyond
Observational Cinema" David MacDougall, Correspondence, Notes,
Articles |
February 28, 1978-April 28, 1978 |
65 | 58 | Hugetz Project: "Films in
Public" |
|
65 | 61 | AYFRE: "Le Cinema de la
Verite" notecards |
|
65 | 68 | National Endowment For the Humanities
Media program, National Institute of Education pamphlet |
December 1, 1973 |
65 | 69 | Black Arts, "A Proposal to the
National Endowment for Support of Community Media Pilot
Project:" Notes, Correspondence |
August 19, 1971 |
66 | 1 | [Miscellaneous correspondence and
proposals] |
April 11, 1971-April 21, 1975 |
66 | 3 | [Lists of Seminar
participants] |
March 5, 1971-March 7, 1971 |
66 | 11 | UFSC Summer Workshop |
|
66 | 29 | James Dormeyer: Visa
Application |
July 13, 1959 |
66 | 61 | "Proposal for a Summer
Institution on Media: American Political Science Association,"
prepared by Richard Blue and Gerald O'Grady |
August 6, 1973 |
67 | 22 | Assorted articles and
publications
Includes "The Preparation of Teacher's of Media,"
"Mastering Mizoguchi," "Malcolm X," "The
Three Universes of Media," Proposal to Media Study Buffalo,
Gerald O'Grady: "Interview with Gerald O'Grady,"
by Jon Minkowsky.
|
|
67 | 28 | "The Records of James Blue,"
by Gerald O'Grady |
|
67 | 35 | Dr. J Ronald Green, Media Study at
Attica: Grant application forms |
July 1, 1977-June 30, 1978 |
67 | 54 | [Southwestern Alternate Media Project:
Correspondence, reports, application, chart of Media Center rental
rates] |
November 6, 1977-July 14, 1978 |
67 | 64 | [Gerald O'Grady: Correspondence
with Anthony Bannon, and notes on conversation with James
Blue] |
June 29, 1980 |
69 | 14 | Albright-Knox Art Gallery: Loan
Agreements, conditions, and correspondence regarding James
Blue's films |
June 22, 2011-July 29, 2012 |
69 | 17 | Gerald O'Grady: Project proposal
to the State University of New York at Buffalo
Includes "Reading the World: Multimedia and Multicultural
learning in Today's Classrooms."
|
1992-February 14, 1993 |
69 | 21 | Audio lists |
|
69 | 33 | James Blue: Filmography, articles, and
correspondence in memorium |
May 31, 1981-June 4, 1981 |
69 | 39 | The Rockefeller Foundation: Humanities
Fellowships |
|
69 | 45 | Lynn Corcoran: Project description and
correspondence
Includes correspondence and information on Maria
Zmarz-Koczanowicz.
|
January 30, 1992-May 2, 1992 |
75 | 9 | State University of New York at
Buffalo: memorandum to Gerald O'Grady |
April 4, 1978 |
75 | 14 | Films and film conferences:
Correspondence, memorandum and notes |
December 16, 1975-August 6, 1976 |
75 | 17 | Carnegie Museum of Art: Film Travel
sheets and film lists |
|
75 | 18 | Berkley Film Institute School of
Motion Picture Technique catalogue |
1976-1977 |
75 | 20 | Anthology Film Archives: Lists of
events, newsletters, and flyers |
|
75 | 22 | University of Southern California,
Annenberg School of Communications: Academic programs |
|
75 | 27 | Annenberg school of communications:
Class and major information |
1975 |
75 | 31 | Educational Communications center:
Library Reference room lists of reference works |
|
75 | 35 | Temple University Conference on
Culture and Communications: Correspondence, a blank abstract, and
proposal forms |
|
75 | 42 | James Baldwin: Clippings regarding his
death, notes, and a letter to Gerald O'Grady |
December 2, 1987-December 10, 1981 |
75 | 52 | American Federation of the Arts:
Correspondence, press releases, and publications regarding new
proposals |
March 21, 1976-October 7, 1977 |
75 | 57 | Media Equipment Resources
Center |
|
75 | 60 | Conference on Regional Development,
By-Laws of the National Association of Media Educators, and Berkeley
"Film Center Pilot Study" |
March 7, 1972-February 15, 1973 |
75 | 64 | Proposal to the American Film
Institute, list of the United States Billion Dollar Companies, and a
proposal to the Black Arts Center |
December 31, 1964-February 19, 1968 |
75 | 77 | Oregon Educational Coordinating
Council: "The Improvement of Undergraduate
Instruction"
Includes correspondence from Portland State University.
|
|
75 | 81 | Pittsburgh Film-makers Incorporated:
Newsletters, pamphlets, and correspondence regarding film
showings |
1975-1976 |
76 | 10 | Esquire articles and notes |
|
76 | 16 | Fatos Sobre os Estados
Unidos |
|
76 | 17 | Social Responsibility: Bibliography
and film flyers |
|
76 | 23 | "James Blue's Octagon:"
Draft by Gerald O'Grady, clippings, and receipts |
|
76 | 24 | Gerald O'Grady: James Blue
Retrospective, Hallwalls Art Center |
August 27, 1998-October 5, 2005 |
76 | 25 | James Blue Retrospective: Notes,
flyers and receipts |
|
76 | 46 | Steven L. Kaplan: Personal statement,
correspondence to Charles Guggenheim |
August 15, 1977 |
76 | 48 | Women Make Movies, Inc.: Newsletters,
pamphlets, notes, and correspondence |
|
76 | 50 | Chantal Akerman: "News From
Home" [play] |
|
77 | 2 | Assorted documents and
publications
Documents related to: Fourth Ward, SWAMP, Hancock art dissertation,
independent cinema, KUHT grant, anthropology, intellectual
discipline.
|
|
77 | 3 | Assorted documents and
publications |
|
78 | 7 | John Cassavetes: Excerpt on directing
by notes |
|
78 | 15 | Assorted notes, correspondence,
articles and flyers |
|
78 | 31 | Sociological Institute of the
University of Utrecht, Media Studies Program: Film catalogue
summary |
|
78 | 39 | Notes, Newsletters, Clippings, Poster
for "The Moving Image/Maker" |
|
82 | 9 | Gerald O'Grady curriculum
vitae |
|
82 | 16 | Western Center for the Visual Study of
Society: Funding Proposal |
October 1, 1976 |
82 | 27 | National Endowment for the Arts:
Correspondence |
May 10, 1977 |
82 | 52 | Texas Commission on the Arts and
Humanities Quarterly Meeting: Reports, proposals, newsletters,
programs
Includes "Bio-Medical Ethics," by Doug Cox.
|
December 1, 1976-March 18, 1977 |
82 | 53 | Main Street Art Committee |
March 16, 1976-October 25, 1976 |
82 | 63 | [Clippings and Reports on Television]
"Appal Seed" |
February 1971-July 20, 1972 |
82 | 70 | Committee on Film and Television
Resources and Services: Minutes, notes, correspondence |
March 9, 1973-January 1, 1974 |
82 | 73 | National Endowment for the Arts:
Members, panels, budget, articles |
December 1972-April 8th, 1973 |
82 | 80 | Videographe Film Rental |
June 21, 1974 |
82 | 81 | American Film Institute Center for
Advanced Film Studies: "The Conservatory
Concept" |
November 1973-Aug 16, 1974 |
83 | 6 | Association of Independent Video and
Filmmakers Calendar New York: "Poor Little Rich TV
Station," Workshop on the Independent Filmmaker and Public
Television SUNY Buffalo |
April 19, 1978-November 29, 1979 |
83 | 8 | Projects, films, and research
articles |
October 24, 1973-February 1974 |
83 | 11 | Randall Jacobs:Information and
correspondence |
|
83 | 12 | Randall Jacobs: Receipts and
notes |
June 29, 1976-June 17, 1975 |
83 | 19 | Gerald O'Grady, "Media
Study/Buffalo" |
2006 |
83 | 28 | MOMA, 8th Annual New York Film/Media
Conference: "Looking at Film: Bibliography and
Filmography," "The AVIS Film Project," "A
History and Problems in the Documentary Film" |
|
83 | 33 | [Articles related to James Blue and
film] |
March 1953-October 18, 1980 |
83 | 36 | [Austin Community Television and
National Endowment for the Arts: Correspondence, grant applications
and articles] |
July 30, 1976-February 14, 1978 |
83 | 43 | James Blue, Johan V.D. Keuken: Bach
and the Musical Saw |
1965 |
83 | 45 | "Survival Videotapes" and
"Turtle Island Media Enterprises" |
|
83 | 50 | "The Martin Luther King Jr.
Restoration Project," "An American Dream," Mark
Duffy |
August 28, 1998-March 3, 1999 |
83 | 54 | [Boston Party] |
January 2, 1971 |
83 | 64 | James Blue, Johan V.D. Keuken: Bach
and the Musical Saw |
1965 |
84 | 10 | University of Colorado: Newsletters,
correspondence, posters, event calendars |
January 1973-March 31, 1976 |
84 | 11 | University of Colorado: Report and
Proposal from the Rocky Mountain Film Center |
August 1975 |
84 | 12 | American Film Institute: Press
Releases and monthly publications |
January 8, 1975-February 12, 1977 |
84 | 27 | "For a Semiology of Film:
Narrative and Iconic Structures" and correspondence from the
State University of New York at Buffalo |
May 1, 1971-August 30, 1971 |
84 | 36 | California Institute of the Arts:
Budgets, pamphlets, course catalog, correspondence |
January 25, 1979-March 20, 1979 |
85 | 3 | Northwest Film Study Center: Program
notes, event calendars and pamphlets |
|
85 | 6 | Colorado University Rocky Mountain
Film Center: Calendar and news publications |
|
85 | 14 | Miscellaneous pamphlets, flyers, and
notes
Includes James Blue's name tag.
|
1976-December 15, 1991 |
Subseries L: Clippings |
|||
Box | Folder | ||
6 | 24 | "Antiamericanismo," by John
Tuthill |
|
6 | 27 | Catholicism and birth
control |
August 5, 1962-November 10, 1963 |
6 | 31 | Articles and newspaper
clippings |
June 26, 1964-November 7, 1966 |
6 | 32 | Articles and newspaper
clippings |
June 26, 1964-November 7, 1966 |
57 | 17 | Pier Paolo Pasolini's
death |
|
60 | 55 | The Washington Post, "USIA films
Admirable Lot" |
February 8, 1963 |
67 | 31 | Newspaper clippings |
November 3, 1996-May 21, 1999 |
69 | 36 | Newspaper clippings |
1977-October 1983 |
69 | 50 | Newspaper clippings |
February 4, 2007-January 31, 2014 |
69 | 51 | "Du Film a Penseignement la Mort
Du Realisateur American," by James Blue |
July 5, 1980 |
75 | 41 | Muhammad Speaks |
May 24, 1963 |
76 | 8 | Newspaper clippings |
November 12, 1964-June 16, 1968 |
76 | 9 | Newspaper clippings |
April 23, 1964-August 7, 1966 |
76 | 11 | Newspaper clippings and
notes |
|
78 | 5 | Film reviews |
December 9, 1965-November 6, 1970 |
82 | 22 | New York Magazine |
March 22, 1976 |
82 | 40 | "The Trouble with Harry," by
Christopher Ricks |
July 26, 1974 |
82 | 49 | Newspaper clippings |
|
82 | 59 | Newspaper clippings |
March 19, 1951-May 23, 1953 |
83 | 32 | Newspaper clippings and
pamphlets |
15-Jan-87-August 10, 1991 |
83 | 66 | [Music and film] |
August 26, 1964 |
83 | 67 | Washington Fording the
Delaware |
|
85 | 21 | Miscellaneous publications and
newspapers |
October 1980-January 31, 2014 |
85 | 24 | Newspapers |
|
85 | 25 | Miscellaneous publications and
newspapers |
October 1980-January 31, 2014 |
85 | 26 | Miscellaneous publications and
newspapers |
October 1980-January 31, 2014 |
85 | 27 | Ontario Film Theater, Ontario Science
Center: "Tribute to James Blue" |
June 3, 1981 |
100 | 54 | Newspaper clippings and
articles |
September 26, 1968-November 22, 1968 |
Subseries M: Miscellaneous |
|||
Box | Folder | ||
4 | 86 | Catalogs, brochures, and
reports
Includes Dell College catalog, pages from a photography catalog,
Sixteen Famous American Plays book cover, a report on the National
Committee for Cultural Resource, and an Australian Film and
television school brochure and an article on Adi Wollheim.
|
1975-1978 |
6 | 87 | Hollis Frampton and Paul Sharits:
Curriculum vitae |
|
15 | 2 | Fat Livestock: Sound book |
|
item | |||
120 | 53 | Howard Middleton: Area #6 G.C.C.S
[Umatic] |
|
Folder | |||
29 | 34 | James Blue Audiotape Archive
Papers
Paper files. Files enumerating audio cassette tapes and boxes in the
collection.
|
|
29 | 35 | Newspaper clippings, Frontier
magazine, letter from Mary Ann Campbell |
|
29 | 36 | Archival Key to Blue Media
boxes |
|
29 | 42 | Blue Multimedia Archives [1 of
2]
Paper files. Papers related to Blue multimedia archives
|
|
29 | 43 | Papers related to Blue multimedia
archives |
|
33 | 46 | Poems, newspaper clipping, and a paper
claiming to be James Blue's will |
|
33 | 48 | Outlines, articles, essay, letters,
proposals, photographs |
|
48 | 16 | Alan E. Kraning's
resume |
|
48 | 54 | Cynthia Neal resume [2
copies] |
|
52 | 52 | MOMA Art Department of Film, Digital
Arts in the Historic Context of Computer Science, Tony Conrad,
notes, The Historic Role of Czechs in the International Media Arts,
clippings, Movie Makers |
|
53 | 18 | Script excerpts, cover of
"Shooting Times" magazine |
January 1971 |
53 | 46 | Typed title pages |
|
53 | 50 | Articles and building supply
lists
Includes a summer school guide and photographs.
|
|
54 | 12 | "The Awakening Community of the
Oak Forest Area Town Meeting" |
January 17, 1976 |
54 | 38 | Bibliographies |
|
63 | 21 | Nonverbal Communication: A
Bibliography Compiled by Ted Perry |
|
65 | 14 | Buffalo Documentary Group
directory |
|
65 | 66 | Lists of New York State
Filmmakers |
|
66 | 34 | Requests for James Blue Archival
Materials |
June 24, 1987 |
67 | 5 | [Adele Santos Proposal that Ms. Jacobs
is Typing Change To] |
|
67 | 12 | [Two Pages From "The Long
View"] |
|
76 | 29 | Miscellaneous papers
Notebook with French content, film outline, "Report on the
Seminar on American Television Drama," by the Theatre
Communications Group/The Ford Foundation/The National Endowment for
the Arts, maps of India and Kenya, Background on Indian Agriculture
and it
|
1970s |
76 | 38 | James Blue's agenda and address
books |
1978-1980 |
76 | 49 | Film Making notes, Frank
Daniel |
|
78 | 56 | Cineteca Nazionale, International Film
Seminars
Includes 6 photos: 5 of a gargoyle, two of a woman leaning on a
tree.
|
November 1976 |
82 | 8 | Sony Tape recorder Manual |
|
82 | 24 | Brian Henderson Curriculum
vitae |
|
82 | 29 | Tony Conrad Curriculum
vitae |
|
82 | 51 | [Travel Brochures, Receipts for Ready
Mixed Concrete] |
|
82 | 72 | [List of films, reviews,
correspondence] |
Fall 1965-December 22, 1977 |
83 | 42 | [List of films by James Blue and
Interview] |
|
84 | 28 | National Association of Educational
Broadcasters: List of Publications
Includes "The Winhoviar."
|
|
85 | 8 | South Carolina Arts Commission:
Employment notice |
February 15, 1976 |
88 | 21 | Miscellaneous papers |
|
89 | 4 | The Whole World Was Watching: Film and
television program curated by Gerald O'Grady |
July 12, 2011-July 21, 2011 |
100 | 11 | Inventory lists and information
pertaining to the James Blue collection |
|
100 | 12 | Inventory of James Blue box
contents |
|
Subseries N: Ephemera |
|||
Box | Folder | ||
4 | 51 | Unidentified poster |
|
4 | 68 | Center for Media Study: Workshops
poster featuring James Blue, |
|
33 | 23 | Nikon Camera manuals |
|
74 | 5 | Empty envelopes and blank sheets
including a scrap book cover |
|
74 | 9 | Film Awards |
|
75 | 51 | 19th Annual American Film Festival
Poster |
May 23, 1977-May 28, 1977 |
75 | 63 | Film Walker Art Center
Poster |
March 1973 |
80 | 2 | Tribute to James Blue [12
copies] |
|
85 | 16 | Whitney Museum of American Art:
Exhibition poster, press release and postcard |
|
85 | 17 | Anthology film archives calendars of
events |
July 1976-October 1976 |
100 | 57 | Oversized map of Algeria |
|
112 | 12 | Programs and flyers |
|
Subseries O: Film showings |
|||
Box | Folder | ||
4 | 5 | NEA Program Arts Panel:
Notes |
1979 |
6 | 22 | The Orgy: Theater itinerary for the
Warren Hamilton Theater at the University of California |
January 28, 1966-January 31, 1966 |
11 | 22 | Flyers for the Funnel
Includes a program for The Art Gallery of Ontario.
|
1979 |
43 | 49 | Museum of Modern Art Film Library:
List of Film Showings |
1958 |
48 | 28 | Whitney Museum of American Art: Lists
of films being shown |
|
65 | 4 | Fordham: Film Info, Screening
Schedules, Correspondence |
May 21, 1968-September 7, 1968 |
65 | 33 | SUNY Buffalo: Screening/Discussion of
Works by Richard Leacock |
|
69 | 16 | Raid the Archive - The de Menil Years
at Rice University: Film screening pamphlets |
September 27, 2012-November 9, 2012 |
75 | 80 | Pacific Film Archive: Calendars of
events and a poster for a film showing |
|
85 | 5 | The St. Louis Art Museum:
"People/Portraits film showing" |
|
100 | 34 | Certificates from the Edinburgh
International Film Festival
For showings of "Amal," "A Few Notes on Our Food
Problem," "The March," "The Olive Trees of
Justice" and "Kenya Boran."
|
August 15, 1981-August 23, 1981 |
Series V: Film FestivalsReturn to Top
Container(s) | Description | Dates | |
---|---|---|---|
Box | Folder | ||
4 | 4 | Toronto Super 8 Film Festival 1977:
Correspondence, programs, regulations, and entrance form |
|
4 | 19 | Programs: "Inside Iran" and
"Iranian Film" festival |
1977-April 20,1979 |
4 | 76 | International Festival of the New Super 8
Cinema: Correspondence and notes |
|
4 | 83 | 32nd Annual Conference on World Affairs:
University of Colorado at Boulder event program |
April 9, 1979-April 13, 1979 |
4 | 89 | International Festival of the New Super 8
Cinema: Rules and return to sender form |
|
4 | 92 | Programs: New American Filmmaker Series,
Catalog of 16mm films, and Goddard College Community Media |
1977-1979 |
4 | 94 | Toronto Super 8 Film Festival: Letter to
James Blue by Ann Schaetzel |
March 15, 1979 |
4 | 101 | Festival International de Cinema NYON:
Correspondence from Gerald O'Grady |
September 1980-January 1981 |
6 | 34 | Thonen-Les Baines:
Correspondence |
March 16, 1974-October 2, 1974 |
6 | 35 | Thonen-Les Baines: Notes |
|
6 | 36 | Thonen-Les Baines: Interviews |
September 9, 1974 |
6 | 37 | Thonen-Les Baines: First Super 8
Festival |
August 23, 1973-September 1974 |
6 | 38 | Thonen-Les Baines: First Super 8
Festival |
August 23, 1973-September 1974 |
6 | 39 | Thonen-Les Baines: Colloque de Thonen Les
Baines, program proviso |
October 5, 1974-October 7, 1974 |
6 | 70 | Toronto Super 8 Film Festival: Memorandum,
minutes and, articles |
September 6, 1978-September 20, 1978 |
6 | 73 | Margaret Mead Film Festival: Publications
and a letter to James Blue for his help with the festival |
August 11, 1978 |
9 | 42 | Robert Flaherty Film Seminar:
Poster |
August 1983 |
9 | 44 | Toronto Super 8 Film Festival: Screening
program |
1981 |
15 | 34 | Toronto Super 8 Film Festival: Tribute to
James Blue, program, and list of filmographers
Includes a copy of Amal.
|
1980-1981 |
43 | 28 | Edinburgh International Television
Festival: Minutes, agendas, and proposals |
November 12, 1979-February 14, 1980 |
43 | 29 | Edinburgh International Television
Festival: Agenda of Advisory Committee meeting |
January 8, 1980 |
48 | 18 | Super 8 Film Festival: College lists,
memorandum, correspondence, and information on the films being
shown |
May 2, 1967-January 30, 1971 |
48 | 22 | Assorted film festival and screening
pamphlets and publications |
|
48 | 26 | Festival Paris en films:
Programs |
|
52 | 43 | 5th Montreal Film Festival and Aspen
Conference 1964
Newspaper clippings, program, film synopses, Le Chat Dans Le Sac.
|
|
54 | 47 | Twenty-Fourth Annual Robert Flaherty Film
Seminar: Film List and Daily Seminar Program |
August 26, 1978-September 2, 1978 |
57 | 27 | International Film Seminars, Ninth Public
Television Seminar: List of participants, daily program, and film
lists |
May 27, 1979-June 1, 1979 |
60 | 18 | "Challenge '69:"
Information and schedule |
February 13, 1969-February 15, 1969 |
63 | 57 | 7th Annual Student/Independent Film
Competition: Poster |
June 2, 1976-June 6, 1976 |
64 | 23 | [Carnival Super-8: Notes and
forms] |
March 15, 1975 |
65 | 49 | [Toronto Super 8 Film Festival
1979]
Includes Film-making 1 Class Schedule 1973, and "Techniques for
Maintaining The Sequence Shot Style."
|
|
66 | 15 | Festival International de Cinema
NYON
Includes "Houston Breakthrough," "Movie Maker," and
other publications related to Invisible City.
|
October 11, 1980-October 18, 1980 |
66 | 18 | [Festival International du Nouveau Cinema
Montreal] |
1982 |
67 | 13 | "Festival International du Nouveau
Cinema Montreal" |
1982 |
67 | 14 | [Festival International du Cinema-NYON:
Program] |
August 11, 1980-October 18, 1980 |
67 | 42 | Festival International du Nouveau Cinema
Montreal |
1982 |
67 | 43 | Cinema du reel: Festival International de
films Ethnographiques et Sociologiques |
April 4, 1981-April 12, 1981 |
67 | 58 | ["The First New York Film
Festival"] |
September 10, 1963-September 19, 1963 |
69 | 32 | 11th Festival International du Nouveau
Cinema Montreal |
1982 |
69 | 35 | Cinema du Reel: Festival International de
films Ethnographiques et Sociologiques |
April 4, 1981-April 12, 1981 |
69 | 46 | Festival International du Nouveau Cinema
Montreal: Lists of films and people |
|
75 | 6 | Festival of Women's films: Forum on
Women in Film |
|
75 | 7 | Film Festivals: publications,
correspondence, memorandum, and film lists |
October 3, 1974-January 26, 1976 |
75 | 10 | University of Colorado Film Festival:
Entry Form, information on guest lecturer George Pal |
|
75 | 11 | University of Iowa: Refocus Spring
Festival |
|
75 | 12 | Film Festival at Boulder,
Colorado |
April 30, 1976-May 1, 1976 |
75 | 15 | Athens Film Festival: Pamphlet |
|
75 | 21 | Annenberg School for Communication Arts
and Aciences: 4th Annual Films by Women Festival |
1975 |
75 | 24 | State University of New York at Buffalo:
Design/Electric Arts Conference |
February 25, 1977-March 3, 1977 |
75 | 25 | State University of New York at Buffalo
Design/Electric Arts Conference: Posters |
|
75 | 54 | "Cinema du Reel" Festival
International de films Ethnographiques et Sociologiques |
April 4, 1981-April 12, 1981 |
75 | 56 | 12th Festival International de
Cinema-Nyon |
October 11, 1980-October 18, 1980 |
75 | 67 | 12th Festival International de
Cinema-Nyon |
October 11, 1980-October 18, 1980 |
78 | 23 | The Allegany County outdoor recreation map
and pamphlets for electronics and the International Festival of
Media/Video |
November 2, 1984-November 4, 1984 |
82 | 25 | Twenty Third Annual Robert Flaherty Film
Seminar: Program, information, newsletters |
August 27, 1977-June 25, 1978 |
82 | 28 | American Museum of National History:
Margaret Mead Festival |
September 16, 1977 |
82 | 66 | Toronto Super 8 Film Festival: Entry
Form |
1978 |
83 | 59 | [ Festival International du Nouveau Cinema
Montreal: Program] |
1982 |
84 | 3 | ["Challenge 69:" Filmmaker
biographies and workshop poster] |
|
84 | 5 | [Eighth Annual Northwest Film and Video
Festival: Applications, film lists, publications] |
|
84 | 17 | International Film Seminars:
Correspondence, memorandum, and a photograph |
December 9, 1975-May 30, 1976 |
84 | 37 | Toronto Super 8 Festival 1979: Programs,
pamphlets, budgets, notes |
June 26, 1978-January 17, 1979 |
85 | 9 | International Film Seminars: Clipping,
correspondence regarding Robert Flaherty Film Seminar, and a preliminary
list of participants |
March 3, 1976-May 28, 1976 |
85 | 18 | The Margaret Mead Film Festival
newsletter |
Series VI: AudioReturn to Top
Container(s) | Description | Dates | |
---|---|---|---|
Box | Folder | ||
1 | 1 | Carl Harshbarger: Bomb Shelter Experiment:
Stress Study Pittsburgh [1/4-in. magnetic tape]
Description of experiment inducing group belief in a pretended situation
bomb shelter experience.
|
1964 |
item | |||
1 | 2 | Unidentified Audio Tape (Raw 8/21)
[1/4-in. magnetic tape] |
|
117 | 3 | Home Coming Promotion; "The Prince
Jesse Applegate;" "KORE's Salute to KWAX" [1/4-in.
magnetic tape] |
November 1951-June 1953 |
117 | 4 | AMERICANA: Claude Alexander/Introduction
to Razor Act/Portland [1/4-in magnetic tape] |
October 26, 1968 |
1 | 5 | Jeff Beck/Grape Jam/ Mandele/Santana/Happy
Trails/Baxters/Genesis [1/4-in. magnetic tape] |
|
117 | 6 | Across The Atlantic 81/17 [1/4-in.
magnetic tape]
News broadcast from Germany with a small packet of information on the
featured stories in English.
|
April 27, 1981 |
117 | 7 | Young Wild [1/4-in. magnetic
tape] |
|
117 | 8 | Thompson Interview Reel #4 [1/4-in.
magnetic tape] |
|
8 | 9 | Media Study #11 [8 mm film] |
|
8 | 10 | Media Study #3 [8 mm film] |
|
8 | 11 | Media Study #6 [8 mm film] |
|
8 | 12 | Media Study #7 [8 mm film] |
|
8 | 13 | Media Study #10 [8 mm film] |
|
8 | 14 | Media Study #4 [8 mm film] |
|
8 | 15 | Media Study #1 [8 mm film] |
|
8 | 16 | Media Study # 2 [8 mm film] |
|
8 | 17 | Media Study #5 [8 mm film] |
|
117 | 18 | Harry Blue: Songs of Stone [1/4-in.
magnetic tape]
Songs sung by James Blue's father.
|
Nov 26, 1964 |
113 | 19 | Suzsas(?) Blue/Hugetz Festival
[Audiocassette] |
|
113 | 20 | Tape 1, James Blue Intro; Collin
Young/Collin Young Continued [Audiocassette]
Features Collin Young and James Blue.
|
Feb 22, 1979 |
117 | 21 | Richard Nov. 6 [1/4-in. magnetic
tape] |
|
Folder | |||
4 | 105 | Midwest family project: Film Discussion
with Richard Blue
Tape 1, Side 1 and 2; Tape 2, Side 1 only; Tape 1, Tape 3.
|
July 22, 1971-July 28, 1971 |
4 | 106 | Midwest Family Portland trip
Reel 2, Side 1 and 2; Portland Tape ten, A and B.
|
October 24, 1968-October 26, 1968 |
4 | 107 | Midwest Family interviews: Dad, Dad's
story of the Depression
Reel 1.
|
November 19, 1966 |
4 | 108 | Midwest Family interviews: Dad, Dad's
retirement party; Portland, Oregon
Reel 2 and 3.
|
|
4 | 109 | Midwest family interviews: Midwest Notes,
Notebook 1 |
|
4 | 110 | Midwest family interviews:
Dick |
|
4 | 111 | Midwest family interviews: Dixie and her
friends |
|
4 | 112 | Midwest family interviews |
|
4 | 113 | Midwest family interviews: Conversations
with Richard Blue
Tapes 2-5.
|
|
4 | 114 | Midwest family interviews: Mom and Dad
Blue
Tape 8; Reel 5, Side 1 and 2.
|
|
4 | 115 | Midwest family interviews:
Garnet
Reel A, Side 1 and 2.
|
|
4 | 116 | Midwest family interviews: Garnet and
Cortie
Reel B, Side 1 and 2; Reel D, Side 1 and 2.
|
|
4 | 117 | Midwest Family interviews:
Garnet
Reel E, Side 1 and 2; Reel H. Cortie and Garnet: Reel K, side 1.
|
|
4 | 118 | Midwest Family interviews: Uncle
Ira
Reel F, Side 1. Includes Uncle Arthur, Interview 1.
|
|
item | |||
5 | 1 | AM Film Seminar: "9:35: 11:10
continue of campers tape 4" [1/4-in. magnetic tape] |
|
5 | 2 | O'Grady Test Tape Boley Ave. (?)
[1/4-in. magnetic tape] |
|
113 | 3 | Our Town: Historian Mrs. J. Reistein
[1/4-in. magnetic sound tape] |
August 24, 1975 |
5 | 4 | Director's Seminar [1/4-in. magnetic
tape]
7:05: 8:45, Reel #3.
|
|
113 | 5 | Traffic doors [1/4-in. magnetic sound
tape] |
|
113 | 6 | 8 mm Audio Tape: no label [1/4-in.
magnetic sound tape] |
|
5 | 7 | Film Directors Seminar [1/4-in. magnetic
tape]
4:00: 5:00, Reel #2.
|
May 6, 1977 |
113 | 8 | Food Film: Scratch Narration for Luka and
Ngrichi Sequences; Washington, D.C. [1/4-in. magnetic sound
tape] |
January 23, 1968 |
5 | 9 | Food Film: Scratch Narration for Opening,
Pesticide scenes; Washington, D.C. [1/4-in. magnetic tape] |
January 24, 1968 |
5 | 10 | Director's Seminar [1/4-in. magnetic
tape]
8:45: 10:20.
|
May 6, 1977 |
5 | 11 | Food Film: English Narration [1/4-in.
magnetic tape]
Mix Reel #1, #2, #3; New York City.
|
April 1968 |
5 | 12 | Our Town: Neal Rudice, Director of the
Appletown Players [1/4-in. magnetic tape] |
August 3, 1975 |
5 | 13 | 8 mm Audio Tape: No label [1/4-in.
magnetic tape] |
|
5 | 14 | Our Town: Man Power Services, Sal Lagreca
[1/4-in. magnetic tape] |
August 31, 1975 |
5 | 15 | Our Town: Park Department, Director of
Cheektowaga Parks Department [1/4-in. magnetic tape] |
October 12, 1975 |
5 | 16 | Our Town: Historical Society and (?)
Centennial, by Laura Hollenbeck and Jerry Gabryzak [1/4-in. magnetic
tape] |
September 7, 1975 |
5 | 17 | Recreational Department, Ed Leak, Debbie
Korricke and Karen Bailey [1/4-in. magnetic tape] |
September 21, 1975 |
5 | 18 | Fuqul(?) [1/4-in. audio tape] |
|
5 | 19 | Blank Tape [1/4-in. magnetic
tape] |
|
5 | 20 | Sync Opening by Painter Maria Friere
[1/4-in. magnetic tape] |
|
113 | 21 | Interviews with Steve: Stores robbed,
"Go for Shotgun not Pistol" [1/4-in. magnetic sound
tape] |
|
113 | 22 | Karate: Steve Room [1/4-in. magnetic sound
tape] |
December 3, 1971 |
113 | 23 | Mother Depression and after Breakfast
Politics: Claude Alexandra [1/4-in. magnetic sound tape] |
|
113 | 24 | Blue: Aunt Garnet Diegelman; Chula
Missouri [1/4-in. magnetic sound tape] |
June 5, 1968 |
5 | 25 | Blue, Harry: "Why I left the
Farm…," [Great] Depression; Portland, Oregon [1/4 in.
magnetic tape] |
October 27, 1968 |
5 | 26 | USIA: Thai Education Conference at
Williamsburg [1/4 in. magnetic tape] |
|
5 | 27 | Aunt Betty Galbreath: Ohio Last Night
Sermon on the Mount Last Breakfast [1/4-in. magnetic tape] |
|
5 | 28 | Twirling Maiz Be: Mae Am, Maize [1/4 in.
magnetic tape] |
|
5 | 29 | Food Film: Research with Margaret Mead in
Museum of Natural History; New York City [1/4 in. magnetic
tape] |
October 17, 1966 |
5 | 30 | Opening Address: Sunday Disc First 1/4
Other Side [1/4-in. magnetic tape] |
|
5 | 31 | Blue: Family Reunion with Arthur, Cortie,
Harry, and Pauline Hamilton [1/4-in. magnetic tape] |
June 29, 1968 |
5 | 32 | Blue: Aunts Cortie and Garnet; Chula,
Missouri [1/4-in. magnetic tape] |
June 11, 1968 |
5 | 33 | Monday: Mom, Church, and Garnet and Cortie
[1/4-in. magnetic tape] |
September, 6 1967 |
5 | 34 | Anita Dabney [1/4-in. magnetic
tape] |
|
5 | 35 | Wild Noise in the Poor House: Paraguay
[1/4-in. magnetic tape] |
|
5 | 36 | Paul Battaglia: East Buffalo Team [1/4-in.
magnetic tape] |
March 8, 1979 |
5 | 37 | Paul Battaglia: Richard on Fourth Ward
[1/4-in. magnetic tape] |
March 8, 1979 |
5 | 38 | Blue: Harry and Pauline with Reverend
Grogan; Portland, Oregon [1/4-in. magnetic tape] |
October 27, 1968 |
5 | 39 | Blue, Harry: Retirement Party; Portland
Oregon [1/4-in. magnetic tape] |
January 30, 1965 |
113 | 40 | Americana: Aunt Betty Galbraeth Family
History; Waverly, Ohio [1/4-in. magnetic sound tape] |
October 9, 1968 |
113 | 41 | La Boutique [1/4-in. magnetic sound
tape] |
|
113 | 42 | Blue: Aunt Garnet Diegelman; Chula
Missouri [1/4-in. magnetic sound tape] |
June 5, 1968-June 6, 1968 |
113 | 43 | Blue: Harry and Pauline with Gay Baker and
Mrs. Grogan; Portland, Oregon [1/4-in. magnetic sound tape] |
October 28, 1968 |
5 | 44 | USIA Seaquarium W.T. and Dialogue [1/4-in.
magnetic tape] |
|
5 | 45 | Final Workshop Critique [1/4-in. magnetic
tape] |
September 9, 1972 |
5 | 46 | Old Stuff and Rock: Country and Western,
1920's: 1940's Music, Early Rock, Etc. [1/4 in magnetic
tape]
Mostly music (record dubs).
|
|
5 | 47 | Tail Out Room Tone for Wild Interview at
End [1/4-in. magnetic tape] |
|
5 | 48 | Americana: Hopper, Chula, and Sturgis
History; Chula, Missouri [1/4-in. magnetic tape] |
June 8, 1968 |
5 | 49 | Pauline; Portland, Oregon: Mother on her
parents religion, patriotism, the Depression [1/4 in. magnetic
tape] |
October 27, 1968 |
5 | 50 | Aunts Cortie and Garnet; Chula, Missouri
[1/4 in. magnetic tape] |
November 1, 1968 |
5 | 51 | Uncle Ira; Muskogee, Oklahoma [1/4-in.
magnetic tape] |
June 21, 1968 |
5 | 52 | Interview: Steve's House, "Home
to Find out What Makes Myself Tick" [1/4-in. magnetic
tape] |
|
5 | 53 | Interview with Gary: Uruguay Stories
[1/4-in. magnetic tape] |
|
5 | 54 | Americana: Democratic Primary Picnic;
Urbana, Illinois [1/4-in. magnetic tape] |
June 2, 1968 |
5 | 55 | Family Reunion with Cortie, Garnet, Harry,
and Pauline; Chula Missouri [1/4-in. magnetic tape] |
July 1, 1968 |
113 | 56 | Arthur: Interview #1; Kansas City,
Missouri [1/4-in. magnetic sound tape] |
June 25, 1968 |
113 | 57 | Aunt Garnet Diegelman; Chula Missouri
[1/4-in. magnetic sound tape] |
June 7, 1968 |
113 | 58 | Family Reunion with Cortie, Garnet, Harry
, and Pauline; Chula, Missouri [1/4-in. magnetic sound tape] |
July 1, 1968 |
Folder | |||
113 | 59 | Interview with E. Hugetz on Project
[Audiocassette] |
|
item | |||
113 | 60 | Bill Nichuts: Talk on ethnographer film
[Audiocassette] |
|
113 | 61 | Class Feedback 1958 Festival
[Audiocassette] |
April 18, 1979 |
113 | 62 | Hugetz/Blue. Desantos/Blue: Howe
[Audiocassette] |
April 9, 1979 |
113 | 63 | Adv. Doc. Disc. "Sell My
Buffalo" [Audiocassette] |
March 20, 1979 |
1 | 89 | Invisible City: Narration [8mm magnetic
sound tape] |
|
1 | 157 | 4th Ward old days [Perforated 8mm
audio] |
|
Folder | |||
7 | 101 | Writing Home [Perforated 8mm
audio] |
|
item | |||
113 | 169 | Texas Canol Safari Music/M. Henson
[Audiocassette]
Invisible City, A. Santos, 6 others. Research on Texas and Houston,
"M. Henson."
|
|
113 | 170 | Leonell Castillo interview
[Audiocassette]
Interview by Blue of Leonell Castillo: Houston economics, development,
politics [both sides].
|
|
113 | 171 | Chandler Davidson interview
[Audiocassette]
Blue and Chandler Davidson: analysis of Houston politics, economics,
Invisible City.
|
|
113 | 172 | Mexico City, Acapulco Tape #3
[Audiocassette]
Mexico trip: continuation of tape #2. Blue and a man in restaurant
discuss social conditions.
|
|
113 | 173 | Prairie Home Companion Songs
[Audiocassette]
Prairie Home Companion, songs.
|
|
113 | 174 | Song Film Odyssey: Champlain/Renoir
[Audiocassette] |
|
113 | 175 | Rev. Film [Audiocassette]
Continuation of discussion.
|
November 29, 1970 |
113 | 176 | Documentary Notes
[Audiocassette]
Wild sound, May 31, Chula, Blue family, riverboat trip, Midwest
materials, reading of Leyda's Film Begets Film, Rotha, Griffith,
Doc speech notes.
|
|
113 | 177 | Buckminster Fuller
[Audiocassette]
Spring 1973, Rice; Spring 1974, Rice.
|
Spring 1973 |
113 | 178 | Frana Daniels [1/4-in. magnetic
audiotape]
Jame Blue's house, after Psycho.
|
|
113 | 179 | Pauline Kael: Function of Film Criticism
[1/4-in. magnetic audiotape] |
April 15, 1972 |
113 | 180 | Chloe Aaron [Audiocassette]
Kozzle, Steve Rabin(?), Reaction of SUNLAB to Fourth Ward.
|
|
113 | 181 | Invisible City [Audiocassette]
Interviews by Blue and Adele of community residents in Fourth Ward of
Houston, mainly on housing, both sides.
|
|
113 | 182 | Mexico City, #1
[Audiocassette]
Mexico trip, description, recordings of Janice and James #1, both
sides.
|
|
113 | 183 | Mexican Film Research
[Audiocassette]
Ed Kruger, McCallen, Mexican film research.
|
April 1, 1978 |
113 | 184 | Dead of Night [Audiocassette]
Frank Daniel, Monday Film Form.
|
March 17, 1975 |
113 | 185 | Mexican Film Research
[Audiocassette]
McCallum, Benigno Peña.
|
April 1, 1978 |
113 | 186 | Mexican Film Research
[Audiocassette]
F. Briones, B. Peña.
|
April 1, 1978 |
113 | 187 | Semiotics of Cinema, Pt. 1
[Audiocassette]
Brian Henderson, Introduction by Gerald Grady, talk begins with
historical intro; Griffith, critique of Russian formalism, Jakobson;
Levi Strauss; criticism of empiricism.
|
Aug 12, 1974 |
113 | 188 | Semiotics of Cinema, Pt. 2
[Audiocassette]
Brian Henderson, "language et cinema," code analysis vs. text
analysis, audience discussion, Kristeva, Derride, Marxism,
psychoanalysis, criticisms of notions of sign, "trace,
meaning," Film language, photogram, Levi Strauss, narratively study
of myth.
|
August 12, 1974 |
113 | 189 | Early Italian Cinema
[Audiocassette]
Ted Perry, SUNY Buffalo, audience discussion.
|
July 12, 1974 |
113 | 190 | Emilie de Brigard
[Audiocassette]
Discussion Left #1; Gregg Finnegan Left #1; Gerry Grady Right.
|
|
113 | 191 | American Family Interviews
[Audiocassette]
Dick Cavett.
|
February 20, 1973 |
113 | 192 | Bob Fields [Audiocassette]
Includes Mrs. Witte, John Pana.
|
1979 |
113 | 204 | Untitled [Audiocassette] |
|
117 | 216 | Tom in Van 1st day [Perforated 8mm
magnetic audiotape] |
|
117 | 217 | Telephone and T. Wright [Perforated 8mm
magnetic audiotape] |
|
117 | 218 | Hicks Film W.S. [Perforated 8mm magnetic
audiotape] |
|
117 | 219 | Community Development Meeting, Pt. 1
[Perforated 8mm magnetic audiotape]
W12D.
|
|
117 | 220 | Ann Orison, Sound [Perforated 8mm magnetic
audiotape] |
|
117 | 231 | Untitled [Perforated 8mm
audiotape] |
|
117 | 223 | Telephone conversation with real estate
[Perforated 8mm magnetic audiotape] |
|
117 | 224 | Church and interviews [Perforated 8mm
magnetic audiotape] |
|
117 | 226 | Sound, Hofheine, #2 [Perforated 8mm
magnetic audiotape] |
|
117 | 222 | Tom after Mt. Hup [Perforated 8mm magnetic
audiotape] |
|
117 | 234 | Bob Moore [Perforated 8mm magnetic
audiotape] |
|
117 | 235 | Evangelist and Simpson [Perforated 8mm
magnetic audiotape]
End of 1st Moore.
|
|
117 | 236 | R. Jones, sound [Perforated 8mm magnetic
audiotape] |
|
117 | 239 | M. Ristroph [Perforated 8mm magnetic
audiotape] |
|
1 | 245 | Colin Young, Juvenile Liaison
[Audiocassette]
Tape 1.
|
September 25, 1975 |
1 | 246 | Invisible City [Audiocassette]
Lynn Corcoran, Adele S.
|
|
1 | 247 | Fat Livestock 1
[Audiocassette]
March 1st, Camera Roll 3.
|
|
1 | 248 | David Laxton [Audiocassette] |
March 16, 1978 |
1 | 249 | CBS "Sunday Morning"
[Audiocassette] |
March 1, 1981 |
1 | 250 | Fat Livestock 2
[Audiocassette]
All of Side 1, 2/3 of Side 2.
|
|
1 | 251 | Moses Leroy [Audiocassette]
Side 1, Houston, on housing Problems, Adele S. and Blue; Dave Sawyer
interview, housing Problems, Blue, economics.
|
May 21, 1979-May 23, 1979 |
1 | 252 | American Seminar on Film
[Audiocassette]
MOMA presentation, Tape 2.
|
February 2, 1977 |
1 | 253 | Midwest Film Idea
[Audiocassette]
Side 1: James Blue reading from study of Japanese literature, personal
notes and readings, some to do with "mid west." Side 2:
telephone conversations, K, L, D.
|
1971 |
1 | 254 | Loris Marcorelles lecture
[Audiocassette] |
November 12, 1974 |
1 | 255 | Train with girls to Kyoto
[Audiocassette]
Conversation with a man on travel, Janice to a correspondent(?), Japan
trip, Patrick Berlain, Tokyo.
|
1970 |
1 | 256 | Richard Blue [Audiocassette]
Richard Blue, James Blue: housing, economics, demographics, politics of
Houston, Invisible City, Leonell Castillo.
|
February 15, 1976 |
1 | 257 | Untitled [Audiocassette] |
|
1 | 258 | V.F. Perkins [Audiocassette]
On Nichoals Ray's Lusty Men with Blue, possibly others. Buffalo: Ted
Perry on Antoninoni's Chronicle of a Love, talk on "oblique
sound and space."
|
August 18, 1975 |
1 | 259 | Independent Film/Video: PBS Conference
[Audiocassette]
O'Grady Discussion: Non-fiction class, discussion "Fourth
Ward," Milt Rosovin, sees it as Media Study.
|
March 16, 1978 |
1 | 260 | Geneva Park, Ontario
[Audiocassette]
Geneva Park, Elizabeth Taylor Mead discusses "Before Hindsight"
by her and Jonathan Lewis, filmmaker discusses/defends own film at
screening, historical discussions.
|
June 18, 1978 |
1 | 261 | Trip Japan to LA
[Audiocassette]
Long interview with Japanese man, Haiku poetry, Janice Blue, Japanese man
who emigrated to US before WWII. Side Two blank.
|
June 25, 1970 |
1 | 262 | Adele Outline [Audiocassette] |
June 3, 1979 |
1 | 263 | Fat Livestock 3
[Audiocassette]
Feelings about animals, social views. Camera Roll 5, "Livestock
Stall Hall," interviews with children.
|
|
14 | 265 | Sound - OR - 1 to 7 - Blue-Karate
[Perforated 16mm magnetic audiotape] |
|
14 | 266 | Karate - CR - 11, 12, 13, 14, 15
[Perforated 16mm magnetic audiotape] |
|
14 | 267 | Karate S.R. 8 [Perforated 16mm magnetic
audiotape]
SR 8.
|
|
14 | 268 | Untitled [Perforated 16mm magnetic
audiotape] |
|
14 | 269 | Karate S.R. 7 [Perforated 16mm magnetic
audiotape]
Blue and MacDougal sound, do not use; Sound Reel 7.
|
|
14 | 270 | Untitled [Perforated 16mm magnetic
audiotape] |
|
14 | 271 | CR-44 - Blue-Karate [Perforated 16mm
magnetic audiotape]
Drums, Steve, interview, music.
|
|
14 | 272 | Karate Intro [Perforated 16mm magnetic
audiotape] |
|
14 | 273 | Foreman-Passer Pt.2 [Perforated 16mm
magnetic audiotape]
Tape 1.
|
|
1 | 264 | American Indian film makers from Jay Ruby
at Arden House [Audiocassette] |
|
1 | 294 | Karate - R-1 - Wild Sound [Perforated 16mm
magnetic audiotape]
4 16 mm magnetic reels: "Untitled," "T 7-2,"
"1-2," "W 1-2"
|
|
1 | 291 | T 7-2 [Perforated 16 magnetic
audiotape] |
|
1 | 290 | 1-2 [Perforated 16mm magnetic
audiotape] |
|
1 | 289 | Untitled [Perforated 16mm magnetic
audiotape] |
|
1 | 297 | Untitled [Perforated 16mm magnetic
audiotape] |
|
1 | 288 | W. Jungle [Perforated 16mm magnetic
audiotape] |
|
1 | 287 | Heart Shape [Perforated 16mm magnetic
audiotape] |
|
1 | 298 | Frank Daniels: Analysis of Film, 1A [8mm
magnetic sound tape]
James Blue introduces: Houston, camera, editing work, reactions,
expectations of spectators, AFI.
|
|
1 | 299 | Frank Daniels: Analysis of Film, 1B [8mm
magnetic sound tape]
Hitchcock's use of obstacles in simple actions, screen space, use of
set's elements, Psycho.
|
|
1 | 300 | Frank Daniels: Analysis of Film, 2A [8mm
magnetic sound tape]
Hitchcock's script level, pre-planning, camera as narrator.
|
|
1 | 301 | Frank Daniels: Analysis of Film, 2B [8mm
magnetic sound tape]
Emotional narrative uses of camera, rhetorician.
|
|
1 | 302 | Frank Daniels: Analysis of Film, 3A [8mm
magnetic sound tape]
James Blue introduces: Psycho horizontal exposition, information on
where, when, who, scene, dialogue.
|
|
1 | 303 | Frank Daniels: Analysis of Film, 3B [8mm
magnetic sound tape]
Characters, casting, use of cutting.
|
|
121 | 121 | Frank Daniels: Analysis of Film, 4A [8mm
magnetic sound tape]
Camera position, logical agent, tensions, simple actions to
character.
|
|
121 | 305 | Frank Daniels: Analysis of Film, 4B [8mm
magnetic sound tape]
Kinds of tension, economy of exposition, framing.
|
|
121 | 306 | Frank Daniels: Analysis of Film, 5A [8mm
magnetic sound tape]
Sound effects, patterning.
|
|
1 | 308 | Colin Young - La Notte [8mm magnetic sound
tape]
La Nottes, criticism of student papers, Saturday Class.
|
February 14, 1970 |
1 | 309 | Colin Young - Rashomon and Alphaville [8mm
magnetic sound tape]
Rashomon, Alphaville, Colin Young.
|
February 20, 1970 |
1 | 310 | MacBean/Godard [8mm magnetic sound
tape]
Alphaville, Le Gai, class discussion.
|
April 5th, 1970 |
1 | 311 | Colin Young on 'Imaginero' and
'The Organizer' [8mm magnetic sound tape]
On Imaginero, The Organizer, introduces Prelorans film,
Monicelli's.
|
March 5, 1971 |
1 | 312 | Frank Daniels - 4th Ward [8mm magnetic
sound tape]
Fourth Ward, detective stories.
|
|
1 | 313 | Colin Young: Film Form class, 2 of 3 [8mm
magnetic sound tape] |
October 19, 1970 |
1 | 314 | Colin Young - Triumph of the Will [8mm
magnetic sound tape]
Triumph of the Will, Battle of Britain.
|
|
1 | 316 | MacBean/Godard [8mm magnetic sound
tape]
MacBean, Godard, class discussion, British Sounds.
|
April 5th, 1970 |
1 | 317 | Jim MacBean on 'Les Carabiniers'
[8mm magnetic sound tape]
Les Carabiniers, MacBean.
|
March 31, 1971 |
1 | 318 | Colin Young - Rashomon, Alphaville [8mm
magnetic sound tape]
Alphaville, Rashomon, Colin Young.
|
February 20, 1970 |
1 | 321 | Colin Young - Wild Bunch [8mm magnetic
sound tape]
Wild Bunch, class discussion, Peckinpah's kind of story and issue,
dramatic structure.
|
September 14, 1973 |
1 | 322 | Colin Young - Triumph of the Will [8mm
magnetic sound tape]
Triumph of the will.
|
|
1 | 323 | Colin Young - La Notte [8mm magnetic sound
tape]
La Notte, Antonioni's, social issues in commercial cinema, history,
present, changes in audience perception. One side only.
|
February 14, 1970 |
1 | 324 | Colin Young - talk to film class [8mm
magnetic sound tape]
Talks to film class on community video, John Birch interview.
|
October 19, 1970 |
1 | 327 | Daniel Frantisek - Structure of the
Film[8mm magnetic sound tape]
Structure of the film, AFI-CFAFS, L.A., structure, action, environment,
characters, relations, dialogue, teaching experience.
|
June 10 1969-June 11, 1969 |
1 | 328 | Colin Young - talk to class [8mm magnetic
sound tape]
Talks to class, community video, John Birch interview.
|
October 19, 1970 |
1 | 329 | Colin Young - Film Form, 3 of 3 [8mm
magnetic sound tape]
Film Form, 3 of 3.
|
October 19, 1970 |
18 | 332 | Blue Karate CR 16-20 [Perforated 16mm
magnetic audiotape]
No sound for 17, 18, or 21.
|
|
18 | 331 | Blue Karate [containing box] |
|
18 | 333 | Girls Style [Perforated 16mm magnetic
audiotape] |
|
18 | 330 | Oriental Power [Perforated 16mm magnetic
audiotape] |
|
18 | 329 | Self-Confidence [Perforated 16mm magnetic
audiotape] |
|
18 | 328 | Drums [Perforated 16mm magnetic
audiotape] |
|
18 | 327 | Statue/Drums [Perforated 16mm magnetic
audiotape] |
|
18 | 334 | Blue Karate CR 45-46 [Perforated 16mm
magnetic audiotape]
CR 45-46, Sound, Passer-Foreman, Tape 1, Part 3.
|
|
18 | 335 | Karate CR 25-31[Perforated 16mm magnetic
audiotape]
CR 25-31, Sound.
|
|
18 | 336 | Who Killed Fourth Ward? Ep. 2 Pt. 3
[Perforated 16mm magnetic audiotape]
Mix, Episode 2, Pt. 3, Channel 8 Mix.
|
|
18 | 337 | Who Killed Fourth Ward? Ep. 2 Pt. 2
[Perforated 16mm magnetic audiotape]
Mix, Episode 2, Pt. 2, Channel 8 Mix.
|
|
18 | 338 | Who Killed Fourth Ward? Ep. 2 Pt. 1
[Perforated 16mm magnetic audiotape]
Mix, Episode 2, Pt. 1, Channel 8 Mix.
|
|
18 | 339 | Who Killed Fourth Ward? Ep. 3 Pt. 1
[Perforated 16mm magnetic audiotape]
Episode 3, Pt. 1, Mix.
|
|
18 | 340 | Who Killed Fourth Ward? Ep. 1 Pt. 2 &
3 [Perforated 16mm magnetic audiotape]
Episode 1, Pt. 2/3, Mix.
|
|
18 | 341 | Forman and Passer [containing
box] |
|
18 | 330 | Untitled [Perforated 16mm magnetic
audiotape] |
|
18 | 329 | Drum/Cymbal [Perforated 16mm magnetic
audiotape] |
|
18 | 328 | Untitled [Perforated 16mm magnetic
audiotape] |
|
18 | 327 | Untitled [Perforated 16mm magnetic
audiotape] |
|
18 | 326 | Kiss Ass to Succeed [Perforated 16mm
magnetic audiotape] |
|
18 | 325 | Nite Latch [Perforated 16mm magnetic
audiotape] |
|
18 | 324 | More Dog Bark: EXT [Perforated 16mm
magnetic audiotape] |
|
18 | 323 | Trim To Music, Pacun Show [Perforated 16mm
magnetic audiotape] |
|
18 | 322 | Spartan [Perforated 16mm magnetic
audiotape] |
|
18 | 321 | Trim in Ingloom [Perforated 16mm magnetic
audiotape] |
|
18 | 342 | Blue Karate, CR 11-15 [Perforated 16mm
magnetic audiotape]
CR 11-15, Sound.
|
|
1 | 343 | Tom and Jim in Van: Media Discussion
[Perforated 8mm magnetic audiotape] |
|
1 | 346 | Simpson Outs [Perforated 8mm magnetic
audiotape] |
|
1 | 347 | God Cares [Perforated 8mm magnetic
audiotape] |
|
Folder | |||
19 | 345 | Karate - Steve Interview Bedroom 1
[containing box]
Steve Interview, Bedroom 1.
|
|
item | |||
19 | 346 | Karate - Steve Interview Bedroom 1 - Reel
1 [Perforated 16mm magnetic audiotape] |
|
19 | 347 | Karate - Steve Interview Bedroom 1 - Reel
2 [Perforated 16mm magnetic audiotape] |
|
19 | 348 | Blue Karate CR 8-10 [Perforated 16mm
magnetic audiotape]
Sound, CR 8-10.
|
|
19 | 349 | Who Killed Fourth Ward? Ep. 1, Pt. 1
[Perforated 16mm magnetic audiotape]
Mix, Episode 1, Pt. 1.
|
|
19 | 350 | Karate: Steve Interview, Bedroom 2
[Perforated 16mm magnetic audiotape] |
|
19 | 351 | Who Killed Fourth Ward? Ep. 3, Pt. 3
[Perforated 16mm magnetic audiotape]
Episode 3, Pt. 3.
|
December 20, 1977 |
19 | 352 | Fourth Ward, Ep. 1, Pt. 3 [Perforated 16mm
magnetic audiotape]
Episode 1, Pt. 3, Mix.
|
|
19 | 353 | Who Killed Fourth Ward? Ep. 3, Pt. 2
[Perforated 16mm magnetic audiotape]
Episode 3, Pt. 2, Mix.
|
|
19 | 354 | Passer and Foreman Interview [Perforated
16mm magnetic audiotape]
With Gary, Karate.
|
|
19 | 355 | Untitled [Perforated 16mm magnetic
audiotape] |
|
1 | 356 | Fourth Ward: Rev. Simpson 25B [Perforated
8mm film and magnetic audiotape] |
|
1 | 357 | Fourth Ward: Moore, 27B [Perforated 8mm
film and magnetic audiotape] |
|
Folder | |||
19 | 16 | [MISSING] Weldon Berry [Perforated 8mm
film and magnetic audiotape]
Simpson head.
|
|
19 | 18 | [MISSING] Fourth Ward: Johnson the
Gardener, 23 [Perforated 8mm film and magnetic audiotape] |
|
item | |||
121 | 8 | American Revolution, L.A: Blue, Daniel and
Vellani [1/4-in. magnetic tape] |
|
121 | 9 | Food Film: Research with Tracks of NET
films on U.S.A and Europe [1/4-in. magnetic tape] |
1966 |
121 | 10 | American Revolution Discourse: Richard,
Gill, James [1/4-in. magnetic tape] |
|
121 | 375 | Hicks on Fourth Ward [Perforated 8mm
magnetic audiotape] |
|
121 | 376 | Mrs. Young: Wild Sound [Perforated 8mm
magnetic audiotape] |
|
121 | 380 | Mt. Carmel: Sound Roll 1, Pt.2 [Perforated
8mm magnetic audiotape] |
|
121 | 381 | Dave Johnson [Perforated 8mm magnetic
audiotape]
Includes Mrs. McGee.
|
|
121 | 382 | Cody Blue [Perforated 8mm magnetic
audiotape] |
|
121 | 384 | Tom After Horeb: Wild, Pt. 1 [Perforated
8mm magnetic audiotape] |
|
121 | 452 | Food Film: Narration, Discussion with Gill
Dennis and Blue; Washington [1/4-in. magnetic audiotape] |
March 1968 |
121 | 453 | Richard DeGregori [1/4-in. magnetic
audiotape]
St. Joseph's Church Magazine 20.
|
|
121 | 454 | American Revolution Discussion,
Richard/Gill/James [1/4-in. magnetic audiotape]
Richard, Gill, James.
|
1970 |
121 | 455 | Food Film: Research w/Strinivas, Dir.,
Agr. Research, India New Delhi [1/4-in. magnetic audiotape]
Research with Strinvias, Dir., agricultural research, India, New
Delhi.
|
December 1960 |
121 | 456 | Uncle Ira; Muskogee, Oklahoma [1/4-in.
magnetic audiotape] |
June 21, 1968 |
121 | 457 | Robert Gullet, lecture at MFA Houston
[1/4-in. magnetic audiotape]
Lecture at MFA Houston, Sony stereo.
|
January 1977 |
121 | 458 | Food Film: Research w/Chester Bowles &
Lew Rudel - New Delhi [1/4-in. magnetic audiotape]
Research with Chester Bowles and Lew Rudel, New Delhi.
|
December 14, 1966 |
121 | 459 | Clean [1/4-in. magnetic
audiotape] |
|
121 | 460 | Richard on DeGregori [1/4-in. magnetic
audiotape] |
|
121 | 461 | UCLA: Film Discussion, #2 [1/4-in.
magnetic audiotape] |
February 4, 1965 |
121 | 462 | Interview with Richard Blue [1/4-in.
magnetic audiotape] |
|
121 | 463 | Food Film: Research w/Bob Smith, Food for
Freedom, Washington D.C. [1/4-in. magnetic audiotape]
Research with Bob Smith, Food for Freedom; Washington, D.C.
|
June 1966 |
121 | 464 | Food Film: Narration, Discussion w/Gill
Dennis & Blue [1/4-in. magnetic audiotape]
Narration, Discussion with Gill Dennis and Blue; Washington.
|
March 1968 |
123 | 466 | Reverend Butler outside Anchor House [8mm
film] |
|
121 | 467 | American Revolution Discussion,
Richard/Gill/James [1/4-in. magnetic audiotape]
Richard, Gill, James, American Revolution Discussion.
|
1970 |
121 | 468 | Food Film: English Narration Mix Reel #4
New York City [1/4-in. magnetic audiotape]
English Narration Mix Reel #4; New York City.
|
April 1968 |
123 | 469 | Food Demonstration, Pink Lady [8mm
film] |
|
121 | 470 | Food Film: Research w/Brooks &
Emsminger in India New Delhi [1/4-in. magnetic audiotape]
Research with Brooks and Emsminger in India, New Delhi.
|
December 17, 1966 |
121 | 471 | Food Film: Research - USIA w./Geo. Stevens
& Toni Vellani, Washington D.C. [1/4-in. magnetic
audiotape]
Research, USIA, with George Stevens and Toni Vellani; Washington,
D.C.
|
June 1966 |
121 | 472 | UCLA: Film Discussion, #1 [1/4-in.
magnetic audiotape] |
February 4, 1965 |
121 | 473 | Food Film: Research w/AID & US
Consulate officials in India Madras [1/4-in. magnetic
audiotape]
Research with Aid and US consulate officials in India, Madras.
|
December 29, 1966 |
121 | 474 | Food Film: Research w/tracks of NET films
on India & Brazil [1/4-in. magnetic audiotape]
Research with tracks of NET films on India and Brazil.
|
1966 |
121 | 475 | UCLA: Experiments in Reality [1/4-in.
magnetic audiotape]
Experiments in Reality.
|
October 9, 1964 |
121 | 476 | Untitled [1/4-in. magnetic
audiotape] |
|
121 | 477 | Sebastion, Benefit, Fahey, Waves [1/4-in.
magnetic audiotape] |
|
121 | 478 | Judy Collins, Jackie Lomas, Tim Buckley,
Dylan Nyro [1/4-in. magnetic audiotape]
Judy Collins, "Who knows where the time goes;" Jackie Lomax,
"Is this what you want;" Tim Buckley, "Goodbye and
Hello;" Judy Collins, "Wildflowers;" Dylan, J.W. Harding,
Laura Nyro, Ny Tendaberry.
|
|
25 | 479 | Rossellini V [Memorex [video] |
|
25 | 480 | Rossellini IV [Memorex [video] |
|
25 | 481 | Rossellini III [Memorex
[video] |
|
25 | 482 | Oral History Tape (Not Rosellini) [Memorex
[video] |
|
25 | 483 | Rossellini II [Memorex [video] |
|
25 | 484 | Rossellini on Louis IVX [Memorex
[video] |
|
25 | 485 | Rossellini interview with Blue [1 of 2]
[Memorex [video] |
|
25 | 486 | Rossellini, After Open City II [Memorex
[video] |
|
25 | 487 | Rossellini, After Open City I [Memorex
[video] |
|
121 | 488 | Panel discussion on Houston's Housing
[Audiocassette] |
|
121 | 489 | Research for Fourth Ward
[Audiocassette]
Houston Housing, economy, politics, Mexican Americans, Ed Hugetz,
economic/political situation of "minorities," Jay Hoffman.
|
|
121 | 490 | Discussion on Housing with Project
Advisors [Audiocassette]
Steve, Dory Uzzell, Invisible City.
|
February 19, 1979 |
121 | 491 | Discussion of Fourth Ward
[Audiocassette] |
|
121 | 492 | Sam Houston [Audiocassette]
Tape 2, Brian Talks.
|
March 28, 1978 |
121 | 493 | Untitled [Audiocassette] |
|
121 | 494 | Untitled [Audiocassette] |
|
121 | 495 | Untitled [Audiocassette] |
|
121 | 496 | Conversation with Louis (Marcolelles?)
[Audiocassette]
Events planned in Europe; Blue, Ed Hugetz, explaining community related
film/video development, film education. Mentions Perrault; Blue talks of
interest in making feature of changes in commercial system. Other side:
political organizations.
|
|
121 | 497 | Untitled [Audiocassette] |
|
121 | 498 | Untitled [Audiocassette] |
|
121 | 499 | Discussion of Housing
[Audiocassette] |
|
121 | 500 | Untitled [Audiocassette] |
|
121 | 501 | Dreams of MII [Audiocassette] |
|
121 | 502 | Dubs of Scenes For Transfer
[Audiocassette] |
|
121 | 503 | Discussion on Midwest
[Audiocassette]
James, Richard Blue, Blue mentions Karate project, later American
Revolution.
|
|
121 | 504 | Discussion of Ford's Westerns
[Audiocassette]
Discussion of Ford's/others' Westerns, B. Huberman, Blue,
others.
|
|
121 | 505 | Amal. James Blue Soundtrack
[Audiocassette] |
1981 |
121 | 506 | Interview with Anthony Bannon
[Audiocassette] |
|
121 | 507 | American Revolution
[Audiocassette]
Frank Daniel, James Blue, American Revolution script.
|
December 30, 1970 |
121 | 508 | James Blue at Acheson
[Audiocassette]
Speaking at Acheson after film.
|
July 22, 1974 |
121 | 509 | Blue on Rincon Santo
[Audiocassette]
Includes discussion of other films.
|
|
121 | 510 | Charles Hobson [Audiocassette] |
August 12, 1974 |
121 | 511 | Mexico City, Tape #2
[Audiocassette] |
|
121 | 512 | American Revolution Script
[Audiocassette]
AFI, Daniel, Dennis, Blue, Vellani.
|
December 18, 1970 |
121 | 513 | Traveling Workshop, Tape #2
[Audiocassette]
Julienne with Ed Hugetz.
|
November 1, 1975 |
121 | 514 | Non-Actor Research
[Audiocassette]
Readings on Renoir, Ozu, others.
|
|
121 | 515 | Untitled [Audiocassette] |
|
121 | 516 | American Revolution
[Audiocassette] |
|
121 | 517 | Untitled [Audiocassette] |
|
121 | 518 | Untitled [Audiocassette] |
|
121 | 519 | Invisible City Responses
[Audiocassette]
Phone conversations, Invisible City, SWAMP operations, Adele S.
|
|
121 | 520 | Clara Rockmore [Audiocassette]
Habanera, Ravel, The Swan, St. Saens, Romance, Wiemiawsk.
|
|
121 | 521 | Conversation: Blue and Colin Young
[Audiocassette]
Ethno Conference Australia, Boran, Hancock, technique, verbal infomation,
planning sessions on "styles," "New Directions,"
nature of audience.
|
April 2, 1978 |
121 | 522 | Colin Young Lecture
[Audiocassette] |
|
121 | 523 | Midwest 3 with Richard Blue
[Audiocassette] |
July 1971 |
121 | 524 | Center for Immunology
[Audiocassette] |
April 18, 1985 |
121 | 525 | American Revolution Film
[Audiocassette]
Frank Daniel, Blue, American Revolution script.
|
|
121 | 526 | Telephone Conversation with Richard Blue
[Audiocassette] |
December 24, 1970 |
121 | 527 | Blue with Bannon
[Audiocassette] |
|
121 | 528 | Colin [Audiocassette] |
September 26, 1975 |
121 | 529 | Vietnam Dreams [Audiocassette] |
September 29, 1972 |
121 | 530 | Palestinians [Audiocassette]
Public discussion, viewers/filmmaker on a film on Palestinians, on
political commitment.
|
|
121 | 532 | Thanksgiving 1964: The Day I Played
Baseball [1/4-in. magnetic audiotape] |
November 26, 1964 |
121 | 533 | Blue, James Interview on Chanel 13/NY on
Non-Actors [1/4-in. magnetic audiotape]
On non-acting.
|
|
121 | 534 | Eric Hoffer interview Ch. 13; New York
City [1/4-in. magnetic audiotape] |
June 29, 1974 |
121 | 535 | Harry Blue: Thanksgiving 1964 [1/4-in.
magnetic audiotape]
On folk songs, Dad, Thanksgiving.
|
November 26, 1964 |
122 | 536 | Harry and Pauline Blue [1/4-in. magnetic
audiotape] |
|
121 | 538 | Dad Thanksgiving [1/4-in. magnetic
audiotape] |
November 26, 1964 |
121 | 546 | Blue: Family Reunion w/Arthur, Corti,
Harry & Pauline - Hamilton, Mo. [1/4-in. magnetic
audiotape]
With Arthur, Cortie, Harry and Pauline; Hamilton, Missouri, Friday
evening.
|
June 28, 1968 |
121 | 547 | Blue: Family Reunion w/Arthur, Cortie,
Harry & Pauline - Kansas City & Hamilton, Mo. [1/4-in. magnetic
audiotape]
With Arthur, Cortie, Harry and Pauline; Kansas City and Hamilton,
Missouri.
|
June 26, 1968 |
121 | 548 | Blue: Aunts Corti & Garnet &
families, Halloween Supper, Chula, Mo. [1/4-in. magnetic
audiotape]
Aunts Cortie and Garnet and families; Chula, Missouri.
|
October 31, 1968 |
122 | 549 | Discussion of Public Television [1/4-in.
magnetic audiotape] |
|
121 | 550 | Robert Gullet Lecture [1/4-in. magnetic
audiotape]
Scott Callaway.
|
January 1977 |
121 | 551 | Kenneth Gould Interview [1/4-in. magnetic
audiotape]
Richard Antioch, Fourth Ward, O'Grady #3.
|
March 10, 1968 |
121 | 552 | Aunt Garnet Diegelman; Chula, Missouri
[1/4-in. magnetic audiotape] |
June 4, 1968 |
121 | 553 | Harry Blue: Retirement Party, Hilton
Hotel, Portland, Ore. [1/4-in. magnetic audiotape]
Dad's Retirement, 29 January 1965, Portland Hilton Hotel, Reel One,
7 PM-11 PM
|
January 29, 1965 |
121 | 555 | Food Film: Research - USIA w/Anderson,
Helfgot & Wood, Washington D.C. [1/4-in. magnetic
audiotape]
USIA, with Anderson, Helfgot and Wood; Washington, D.C.
|
June 1966 |
122 | 560 | Colin Young: Red and White 1 [1/4-in.
magnetic audiotape]
Costa Gauras's confession related to Eastern Europe.
|
December 4, 1970 |
122 | 557 | Musicians with P. Donnellan [2 1/4-in.
magnetic audiotapes] |
|
121 | 559 | Colin Young: Film Form [1/4-in. magnetic
audiotape] |
|
122 | 556 | Colin Young: Red and White 2 [1/4-in.
magnetic audiotape]
History of Eastern European Film History.
|
December 4, 1970 |
122 | 561 | Arthur Blue: Interview #2; Kansas City,
Missouri [1/4-in. magnetic audiotape] |
June 25, 1968 |
122 | 562 | Food Film: Research w/tracks of film on
subject (food) [1/4-in. magnetic audiotape]
Research with tracks of films on subject (food).
|
1966 |
122 | 563 | Aunt Garnet Diegelman; Chula, Missouri
[1/4-in. magnetic audiotape] |
June 8, 1968 |
122 | 564 | Colin Young: High School 1 [1/4-in.
magnetic audiotape] |
October 24, 1970 |
122 | 565 | Colin Young: High School 2 [1/4-in.
magnetic audiotape] |
October 24, 1970 |
122 | 569 | Colin Young: After Student films [1/4-in.
magnetic audiotape] |
|
122 | 570 | Colin Young [1/4-in. magnetic
audiotape]
Documenting social reality.
|
November 12, 1972 |
122 | 7 | Food Film: Phone calls before departure
for trip [1/4-in. magnetic tape] |
November 1966 |
28 | 627 | Operation Brad [8mm magnetic
audiotape] |
|
122 | 629 | Blue on Documentaries, #4 [1/4-in.
magnetic audiotape]
Seventy years of documentaries, Gardner, Leacock, Marshall, personal
cinema, St. Jacques, challenge for change.
|
July 27, 1973 |
122 | 630 | Interview with Gerry O'Grady [1/4-in.
magnetic audiotape]
Houston, plans of myth.
|
August 9, 1971 |
122 | 631 | James Blue: TV Interview [1/4-in. magnetic
audiotape]
Channel 39; Houston, Texas.
|
February 2, 1969 |
122 | 632 | GROULX, BILLES and Barbara Ulrich [1/4-in.
magnetic audiotape] |
August 1964 |
122 | 633 | Blue on Documentaries, #1 [1/4-in.
magnetic audiotape]
USIA, observational, subjectivity, autobiographical films, inexpensive
making community access, broadcast, KUHT.
|
July 27, 1973 |
122 | 634 | Blue on Documentaries , #2 [1/4-in.
magnetic audiotape]
Seventy years of documentaries, summer seminar.
|
July 27, 1973 |
122 | 635 | Blue on Documentaries, #3 [1/4-in.
magnetic audiotape]
World War II.
|
July 27, 1973 |
122 | 636 | Moreno Tape, #4 [1/4-in. magnetic
audiotape] |
|
122 | 637 | Moreno Tape, #3 [1/4-in. magnetic
audiotape] |
|
122 | 638 | VIDOR, King Interview; Houston, Texas
[1/4-in. magnetic audiotape] |
March 19, 1969 |
122 | 639 | VIDOR, King Interview; Houston, Texas
[1/4-in. magnetic audiotape] |
March 19, 1969 |
122 | 640 | George Stevens [1/4-in. magnetic
audiotape]
Discusses "A Place in the Sun;" Jones hall, University of St
Thomas.
|
|
122 | 641 | MAYSLES, David Interview, #4 [1/4-in.
magnetic audiotape] |
|
122 | 642 | MAYSLES, David Interview, # 3 [1/4-in.
magnetic audiotape] |
|
122 | 645 | American Seminar on Film NYU
[Audiocassette]
NYU, MOMA Presentations.
|
February 19, 1977 |
122 | 646 | James Blue's Film Production Class
[Audiocassette] |
August 13, 1974 |
122 | 647 | WBEN NOON News [Audiocassette] |
February 2, 1988 |
122 | 648 | Ethno Conference
[Audiocassette]
The Influence of Professionals, The Shift towards Narrative on BBC's
"Face Value," royal anthropological society, early UCLA
seminar, academic problems, fictionalization vs. narrative, Jorge
Preloragin.
|
May 16, 1978 |
122 | 649 | Leacock [Audiocassette]
Teaching film-making, equipment design, Super 8 technology.
|
|
122 | 650 | Untitled [Audiocassette] |
|
122 | 651 | IFS-PBS Arden House
[Audiocassette]
Pennebaker's introduction, "What's going on,"
Grierson.
|
May 23, 1976 |
122 | 652 | Paul Morrissey [Audiocassette]
Audience questions after screening of "Heat;" SUNYKB
Norton.
|
August 20, 1975 |
122 | 653 | O'Grady [Audiocassette] |
|
122 | 654 | Betty O'Grady [1/4-in. magnetic
audiotape]
Robert Haiko.
|
November 4, 1972 |
122 | 655 | Ed Hugetz [Audiocassette]
Traveling workshop, Tommy Work.
|
November 1, 1975 |
122 | 656 | S8 Technical Efforts (Leacock)
[Audiocassette]
Blue and others, Leacock, after work on American Revolution. Blue talks
about ARC projection.
|
|
122 | 672 | Pauline Kael, #1 - Earrings of Madame
de… [1/4-in. magnetic audiotape]
Earrings of Mad. DE, # 1.
|
April 15, 1972 |
122 | 673 | Colin Young, Reel 2 [1/4-in. magnetic
audiotape]
Reel 2.
|
|
122 | 674 | Colin Young, Reel 1 [1/4-in. magnetic
audiotape]
Reel 1.
|
|
30 | 675 | MacDougall: Sequence Shot [16mm magnetic
audiotape] |
February 21, 1980 |
30 | 676 | MacDougall: Sequence Shot Demo [16mm
magnetic audiotape] |
February 18, 1980 |
30 | 677 | Hancock: Fat Live Show II [2 16mm magnetic
audiotapes] |
|
30 | 678 | Hancock: Fat Livestock Show II [4 16mm
magnetic audiotapes] |
|
30 | 679 | MacDougall: Sequence Shot Demonstration
[16mm magnetic audiotape] |
|
30 | 680 | Live Stock [2 16mm magnetic
audiotapes] |
|
30 | 681 | MacDougall: Sequence Shot Demonstration
[16mm magnetic audiotape] |
|
122 | 688 | Pauline Kael on Maltese Falcon, Function
Film Criticism [1/4-in. magnetic audiotape]
Maltese Falcon, function of film criticism.
|
|
122 | 689 | Franticek Daniels after Psycho at
Blue's 3/5/3 [1/4-in. magnetic audiotape]
At James Blue's house after Psycho.
|
|
122 | 690 | Pauline Kael on Umberto D. [1/4-in.
magnetic audiotape]
On Umberto D.
|
April 15, 1972 |
113 | 694 | C. Berry [1/4-in. magnetic
audiotape]
Roll VII.
|
|
113 | 695 | Roscoe Jones [1/4-in. magnetic
audiotape]
Up Against the Wall, Nov 5.
|
|
113 | 699 | Tom DeGregori [1/4-in. magnetic
audiotape] |
|
113 | 697 | Trans [1/4-in. magnetic
audiotape] |
|
113 | 698 | Nulton [1/4-in. magnetic
audiotape] |
|
113 | 696 | Tom DeGregori [1/4-in. magnetic
audiotape] |
|
113 | 700 | Carvin Berry [1/4-in. magnetic
audiotape] |
|
113 | 701 | M. Lower [1/4-in. magnetic
audiotape] |
|
113 | 703 | Martha Breidenbach
[Audiocassette]
John Adams, DiGioia, Marshall, Bruce Jenkins.
|
|
113 | 704 | Ted Perry [Audiocassette]
Early Italian cinema, SUNY Buffalo, Lecture, Sassunta Spina,
O'Grady.
|
July 12, 1974 |
113 | 705 | Julia Child: Recipe for rye bread
[Audiocassette] |
|
113 | 706 | Adele [Audiocassette] |
June 3, 1979 |
113 | 707 | Colin Young: On Janice's film
[Audiocassette] |
|
113 | 708 | Kyoto Expo [Audiocassette] |
|
113 | 709 | Quality of Growth Conference
[Audiocassette] |
|
113 | 710 | Charlie Paulsen
[Audiocassette] |
|
113 | 711 | L. Marcorelles: Ed Hugetz, James Blue
[Audiocassette] |
April 27, 1976 |
Folder | |||
34 | 1 | [MISSING] Dixon, Pt. 2 [8mm magnetic
audiotape] |
|
item | |||
34 | 744 | Macedonia: C.A. Davis [1/4-in. magnetic
audiotape] |
September 18, 1976 |
34 | 745 | Bob Moore [1/4-in. magnetic
audiotape] |
|
34 | 746 | Human Relations Committee Meeting [1/4-in.
magnetic audiotape] |
|
34 | 747 | K. Gould Interview: David McDougall
[1/4-in. magnetic audiotape] |
March 10, 1968 |
34 | 748 | Roscoe Jones [1/4-in. magnetic
audiotape] |
|
34 | 749 | C. Berry: Roll VI [1/4-in. magnetic
audiotape] |
|
34 | 750 | Generations: Dave McDougall [1/4-in.
magnetic audiotape] |
|
34 | 751 | Bob Bainbridge [1/4-in. magnetic
audiotape]
Pt. II, Fourth Ward, Allen Center, Houston Center.
|
|
34 | 752 | Hortense Dixon, Pt. 1 [1/4-in. magnetic
audiotape] |
|
Folder | |||
34 | 11 | [MISSING] Weldon Berry [8mm magnetic
audiotape] |
|
34 | 12 | [MISSING] Vote at Antioch [8mm magnetic
audiotape] |
|
34 | 13 | [MISSING] Discussion About Jefferson
Interview [8mm magnetic audiotape] |
September 7, 1976 |
item | |||
34 | 743 | 2nd Part of H. Dixon [1/4-in. magnetic
audiotape] |
September 24, 1976 |
34 | 757 | C. Berry [1/4-in. magnetic
audiotape] |
|
34 | 758 | Jimmy Carter Airport [1/4-in. magnetic
audiotape] |
|
34 | 759 | Jones [1/4-in. magnetic
audiotape] |
|
34 | 760 | Hicks Narration [1/4-in. magnetic
audiotape] |
|
Folder | |||
34 | 19 | [MISSING] Fourth Ward: Episode 3, Pt. 1,
Effects [8mm magnetic audiotape] |
|
34 | 20 | [MISSING] Fourth Ward: Episode 3, Pt. 1
[8mm magnetic audiotape] |
|
34 | 21 | [MISSING] Episode 3, Pt. 3 [8mm magnetic
audiotape] |
|
34 | 22 | [MISSING] Episode 3, Pt. 2 [8mm magnetic
audiotape] |
|
34 | 23 | [MISSING] Episode 2, Pt. 3 [8mm magnetic
audiotape] |
|
34 | 28 | [MISSING] Houston Center Construction:
Wild [8mm magnetic audiotape] |
|
34 | 29 | [MISSING] Untitled [8mm magnetic
audiotape] |
|
34 | 30 | [MISSING] Make more room for more [8mm
magnetic audiotape] |
|
34 | 31 | [MISSING] Commentary [8mm magnetic
audiotape] |
|
item | |||
34 | 764 | Fourth Ward: Episode 3, Part 2 [1/4-in.
magnetic audiotape] |
|
34 | 765 | Fourth Ward: Episode 2, Part 3 [1/4-in.
magnetic audiotape] |
|
79 | 769 | Fourth Ward - 102, 116, 117, 118 - Trims,
Houston Center [8mm film and magnetic audiotape] |
|
34 | 776 | Overlaps [1/4-in. magnetic
audiotape]
Wild sound, Dowling St.
|
|
34 | 777 | Media Discussion [1/4-in. magnetic
audiotape] |
|
34 | 778 | Fourth Ward: Sound, Episode 2, Pt. 1
[1/4-in. magnetic audiotape] |
|
34 | 779 | Fourth Ward: Episode 1, Pt. 1 of 3
[1/4-in. magnetic audiotape] |
|
34 | 780 | Fourth Ward: Episode 1, Pt. 2 [1/4-in.
magnetic audiotape] |
|
34 | 781 | Fourth Ward: Episode 2, Pt. 2 [1/4-in.
magnetic audiotape] |
|
34 | 782 | Fourth Ward: Episode 1, Pt. 3 [1/4-in.
magnetic audiotape] |
|
34 | 784 | K. Gould Interview [1/4-in. magnetic
audiotape] |
March 10, 1968 |
34 | 785 | Nagra-Éclair: Sync, wild, takes 1-4
[1/4-in. magnetic audiotape] |
|
34 | 786 | Roll 96 - C.D. Meeting [1/4-in. magnetic
audiotape] |
|
96 | 787 | Leo Hurwitz [Audiocassette] |
August 13, 1975 |
96 | 788 | Mexico [Audiocassette] |
|
96 | 789 | Housing: Outline discussion
[Audiocassette] |
May 28, 1979 |
96 | 790 | Houston Schools
[Audiocassette]
Interview on Houston schools, bilingual education, Hispanic communities,
Houston policies.
|
|
96 | 791 | Documentary Workshop: Stephen Peet, BBC
discussion [Audiocassette] |
February 1980 |
96 | 792 | Ed Kruger [Audiocassette]
Colin Young, McCaller, Houston.
|
April 2, 1978 |
96 | 793 | Untitled [Audiocassette] |
|
96 | 794 | Untitled [Audiocassette] |
|
96 | 795 | Janice Blue [Audiocassette] |
April 1970 |
96 | 796 | Bill Bradberry [Audiocassette] |
February 7, 1979 |
96 | 797 | Conversation with Dave Collins: Complex
Problems [Audiocassette] |
February 1972 |
96 | 798 | Hollywood Hughes
[Audiocassette]
Part II, Bill Bradberry, John.
|
|
96 | 799 | E. Mann [Audiocassette] |
|
96 | 800 | Adele Santos: Drama and City, report on
Delaware team [Audiocassette] |
March 6, 1979 |
96 | 801 | Adele Santos: Complex Documentary Problems
[Audiocassette] |
March 6, 1979 |
96 | 802 | Conversation with Sue O'Conner
[Audiocassette] |
|
96 | 803 | Complex Problems conversation: Allen Ferry
[Audiocassette] |
|
96 | 804 | Hollywood Hughes: Part I, Bill Bradberry,
John Radice [Audiocassette] |
|
96 | 805 | David Collins Group
[Audiocassette] |
|
96 | 806 | Bill Bradberry CD
[Audiocassette] |
|
96 | 807 | Mark Johnson interview
[Audiocassette] |
January 23, 1979 |
96 | 808 | Allen Ferri: Housing Council
[Audiocassette] |
|
122 | 19 | MacDougall, Blue, Huberman [Audio
Cassette] |
|
122 | 20 | James Dormeyer: Documentary Problems
[Audio Cassette]
Montreal; in French.
|
|
122 | 21 | James Blue films [Audio
Cassette] |
|
33 | 222 | Blue photos [CD] |
|
125 | 828 | Americana: GI on R-and-R, #2 [1/4-in.
magnetic audiotape]
Taipei, Taiwan, Hotel Paris.
|
December 5, 1966 |
125 | 829 | Mr. Man [1/4-in. magnetic
audiotape]
City Disaster, Tape 2.
|
|
125 | 830 | Food Film: Research w/USIS & AID
officials in India, New Delhi [1/4-in. magnetic audiotape]
Research with USIS and AID officials in India, New Delhi.
|
December 1966 |
125 | 831 | USIA: "Computers" Palo Alto,
Roll C-1 [1/4-in. magnetic audiotape]
USIA.
|
April 3, 1967 |
125 | 832 | Mr. Harper, Tape 3 [1/4-in. magnetic
audiotape]
Tape II.
|
|
125 | 833 | Food Film: (Side #1): Research w/Dudley
Kirk, Popula. Council, Bresson (Side #2): Tracks of Au Hazard,
Balthazar, NYC [1/4-in. magnetic audiotape]
Side #1: Research with Dudley Kirk, Population Council, Bresson. Side #2:
Tracks of Au Hazard, Balthazar, New York City.
|
September 1966 |
122 | 834 | Karate, Interview Steve/Room [1/4-in.
magnetic audiotape]
Interview Steve/Room.
|
December 3, 1971 |
122 | 835 | Karate SR/15 [1/4-in. magnetic
audiotape]
SR 15.
|
|
122 | 836 | Karate School CR/43 [1/4-in. magnetic
audiotape]
CR 43.
|
|
37 | 837 | K. Gould Interview, Roll 4 [1/4-in.
magnetic audiotape]
Dave MacDougall.
|
March 10, 1968 |
37 | 838 | Karate, Roll #3 [1/4-in. magnetic
audiotape]
Roll #3: Nagra, wild.
|
|
37 | 839 | Harper [1/4-in. magnetic
audiotape]
Tape of man and the battleship.
|
|
37 | 840 | Thompson, Roll #9 [1/4-in. magnetic
audiotape]
Sherriff Peck, rehearsals and taken, SYNC, MacDougall.
|
|
37 | 841 | Thompson Interview Extracts [1/4-in.
magnetic audiotape]
MacDougall.
|
|
37 | 842 | Music and Effects: Mississippi River Boat
(#1), San Francisco River, Brazil [1/4-in. magnetic
audiotape]
Mississippi River Boat #1, San Francisco River, Brazil.
|
1967 |
37 | 843 | Thompson Interview, Reel #1 [1/4-in.
magnetic audiotape]
Reel 1, head out.
|
|
37 | 844 | Roberta Deason Interview [1/4-in. magnetic
audiotape]
Interview with Roberta Deason on rebuilt observation of film experiment
and behavioral study, Booker T. Washington, film in high school.
|
May 17, 1970 |
37 | 845 | Animation Track [1/4-in. magnetic
audiotape] |
|
37 | 846 | Food Film: Research with AID officials in
India, New Delhi [1/4-in. magnetic audiotape]
Research with AID officials; India, New Delhi.
|
December 1966 |
37 | 847 | Food Film: Elton Smith, Kenya [1/4-in.
magnetic audiotape]
Research with Elton Smith, AID officer; Kenya, Nairobi.
|
February 23, 1967 |
37 | 848 | Pat Sawyer [1/4-in. magnetic
audiotape] |
|
37 | 849 | Food Film: Research w/ John K. Galbraith,
Max Millikan [1/4-in. magnetic audiotape]
Research with John K. Galbraith, Max Millikan and tracks on the subject;
Boston and New York City.
|
October 1966 |
37 | 850 | Thompson Interview, Reel 2 [1/4-in.
magnetic audiotape] |
|
37 | 851 | Phyllis and Terry [1/4-in. magnetic
audiotape]
Soundtrack of a film by Eugene and Carol Marner.
|
|
37 | 852 | Thompson Interview, Roll 3 [1/4-in.
magnetic audiotape]
Roll 3, head out.
|
|
37 | 853 | Judy Henderson [1/4-in. magnetic
audiotape]
Nagra, Éclair SYNC, Indian Center, tails out.
|
August 3, 1967 |
37 | 854 | UCLA: Experiments in Reality [1/4-in.
magnetic audiotape]
Experiments in Reality.
|
October 9, 1964 |
37 | 855 | Dan Yates [1/4-in. magnetic
audiotape]
"This is where it's at with me this time."
|
September 1969 |
37 | 856 | USIA "Computers" Palo Alto
[1/4-in. magnetic audiotape]
Computers, Palo Alto.
|
April 3, 1967 |
37 | 857 | Ronald Radley [1/4-in. magnetic
audiotape]
Tape Project.
|
|
37 | 858 | Lee Thompson [1/4-in. magnetic
audiotape]
Columbia pictures, composite, NAGRA sync.
|
November 9, 1967 |
37 | 859 | Experiments in Reality [1/4-in. magnetic
audiotape]
Experiments in Reality, The Crazy Sister and others, UCLA film class,
Lucy, Alex Funke.
|
October 8, 1964 |
37 | 860 | Juliet of the Spirits [1/4-in. magnetic
audiotape] |
|
37 | 861 | Food Film: Research w. Wm. Howton (CCNY)
[1/4-in. magnetic audiotape]
Research with William Howton, CCNY, New York City, population.
|
October 1966 |
37 | 862 | Americana: GI's in Korea and Vietnam
[1/4-in. magnetic audiotape]
On plane and railroad, Far East interview, soldiers going to Korea on
Boeing 707.
|
November 1966-Dec 1966 |
37 | 863 | Mr. Harper [1/4-in. magnetic
audiotape]
Tape IV, the introduction.
|
|
37 | 864 | UCLA: Dinner at Colin Young's,
Discussion of "The Party" [1/4-in. magnetic
audiotape]
Dinner at Colin Young's, Discussion of "The Party."
|
February 4, 1965 |
37 | 865 | Food Film: Research w/Lester Brown, Frank
Ellis, Wm. Howton [1/4-in. magnetic audiotape]
Research with Lester Brown, Frank Ellis, William Howton.
|
September 22, 1966-September 25, 1966 |
37 | 866 | Food Film: Indian Friends Tanjore, Madras,
India [1/4-in. magnetic audiotape]
Indian friends; Tanjore, Madras, India.
|
February 1967 |
37 | 867 | Karate Intro [1/4-in. magnetic
audiotape] |
June 5 1973 |
122 | 868 | Food Film: Research with USIS & US
Embassy Officials in India, New Delhi [1/4-in. magnetic
audiotape]
Research with USIS and US Embassy officials; India, New Delhi.
|
December 14, 1966 |
122 | 869 | Food Film: Research with Erven Long &
Eliot Helfgot, Wash. D.C. [1/4-in. magnetic audiotape]
Research with Erven Long, Eliot Helfgot; Washington D.C.
|
September 1966 |
122 | 870 | UCLA [1/4-in. magnetic
audiotape]
Experiments in Reality.
|
October 9, 1964 |
37 | 871 | Untitled [1/4-in. magnetic
audiotape] |
|
37 | 872 | Recognition of Award-Winning (Reel 1 of 2)
[1/4-in. magnetic audiotape] |
|
37 | 873 | Bertolucci: The Spider's Stratagem
[1/4-in. magnetic audiotape] |
|
37 | 874 | Untitled [1/4-in. magnetic
audiotape] |
|
37 | 875 | Nashville Skyline Happy Trails Airplane
[1/4-in. magnetic audiotape]
Rubber Soul, Joni Mitchell.
|
|
37 | 876 | Rockefeller/Boyer Speech [1/4-in. magnetic
audiotape]
Distinguished Professors awards.
|
|
37 | 877 | Recognition of Award Winning [1/4-in.
magnetic audiotape] |
|
37 | 878 | Untitled [1/4-in. magnetic
audiotape] |
|
37 | 879 | The Murder Story of William Marsh Rice
[1/4-in. magnetic audiotape] |
|
37 | 880 | SUNY 25th Anniversary Luncheon [1/4-in.
magnetic audiotape] |
|
37 | 881 | Our Town: Rent-a-Kiss(?) [1/4-in. magnetic
audiotape] |
August 9, 1975 |
37 | 882 | Richie Havens/Buffy St. Marie/Harvey
Mandel [1/4-in. magnetic audiotape]
Buffy St. Marie, Harvey Mandel.
|
|
37 | 883 | Untitled [1/4-in. magnetic
audiotape] |
|
37 | 884 | Crosby, Stills, Nash, Young/Simon &
Garfunkel [1/4-in. magnetic audiotape]
Crosby, Sills, Nash and Young; Simon and Garfunkel.
|
|
37 | 885 | Crown of Creation - Bless Its Pointed Head
[1/4-in. magnetic audiotape] |
|
122 | 886 | UCLA: Experiments in Reality [1/4-in.
magnetic audiotape] |
October 9, 1964 |
122 | 887 | UCLA: Experiments in Reality [1/4-in.
magnetic audiotape] |
October 9, 1964 |
126 | 888 | First Haircut - Polon Child [Memorex
videotape]
Polon, Child.
|
|
126 | 889 | Colin Young on Image 2 [Memorex
videotape] |
|
126 | 890 | Houston Public Television: ESSENE, Reel 3
of 3 [Memorex videotape] |
|
126 | 891 | Houston Public Television: ESSENE, Reel 1
of 3 [Memorex videotape] |
|
125 | 892 | Washington and Judson Robins [8mm magnetic
audiotape] |
|
123 | 893 | Smith handshakes [8mm film] |
|
125 | 894 | Raw Mag Truck [8mm magnetic
audiotape] |
|
125 | 895 | Smith shakes hands [8mm magnetic
audiotape] |
|
125 | 897 | Untitled [8mm magnetic
audiotape] |
|
125 | 898 | NARR [8mm magnetic audiotape] |
|
45 | 928 | Hawaii Five-0 [16mm magnetic
audiotape] |
|
128 | 919 | Karate CR 45-46 [8mm film] |
|
45 | 21 | Silver Spur Trims(?) [16mm magnetic
audiotape] |
|
45 | 22 | Silver Spur Trims(?) [16mm magnetic
audiotape] |
|
45 | 23 | Silver Spur Trims(?) [16mm magnetic
audiotape] |
|
45 | 24 | Silver Spur Trims(?) [16mm magnetic
audiotape] |
|
45 | 25 | Silver Spur Trims(?) [16mm magnetic
audiotape] |
|
45 | 26 | Silver Spur Trims(?) [16mm magnetic
audiotape] |
|
45 | 27 | Silver Spur Trims(?) [16mm magnetic
audiotape] |
|
45 | 28 | Silver Spur Trims(?) [16mm magnetic
audiotape] |
|
45 | 29 | Silver Spur Trims(?) [16mm magnetic
audiotape] |
|
45 | 30 | Silver Spur Trims(?) [16mm magnetic
audiotape] |
|
45 | 31 | Silver Spur Trims(?) [16mm magnetic
audiotape] |
|
45 | 32 | Silver Spur Trims(?) [16mm magnetic
audiotape] |
|
45 | 33 | Silver Spur Trims(?) [16mm magnetic
audiotape] |
|
125 | 930 | Fourth Ward, Namathon, Box 2, #17-end
[1/4-in. magnetic audiotape]
Namathor Bot 2, #17 : end.
|
|
125 | 931 | Roll 64, James Blue/Hicks on Phone
[1/4-in. magnetic audiotape] |
September 13, 1976 |
125 | 933 | Bob Moore: 1st Moore, Pt. 2, Roll 41
[1/4-in. magnetic audiotape] |
|
125 | 934 | John McConn, Roll 32 [1/4-in. magnetic
audiotape] |
|
125 | 935 | Roll XVII, John Castillo, Pt. 2 [1/4-in.
magnetic audiotape] |
|
125 | 936 | Roll 61, Jefferson [1/4-in. magnetic
audiotape] |
September 7, 1976 |
125 | 937 | Fourth Ward, #17, Redub Narration, City
Councilman [1/4-in. magnetic audiotape] |
December 2, 1977 |
125 | 938 | Roll 45, Ann Oreson [1/4-in. magnetic
audiotape] |
|
125 | 939 | Roll XXVIII, Lower [1/4-in. magnetic
audiotape] |
|
125 | 940 | CD Meeting [1/4-in. magnetic
audiotape] |
|
50 | 102 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 105 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 107 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 125 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 127 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 135 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 141 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 145 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 148 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 150 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 166 | Fourth Ward: Trims [8mm film and
audiotape] |
|
125 | 977 | Tape 2 - Colin Young - MacDougall, class
on Antho-film, Weird! [1/4-in. magnetic audiotape]
David MacDougall, class on anthropology film, Nawi, weird.
|
October 16, 1970 |
125 | 979 | Conversation with Frantic Daniel - AFI
[1/4-in. magnetic audiotape]
AFI, plans, education, goals, means.
|
June 1969-July 1969 |
125 | 980 | Interviews: Prostitutes [1/4-in. magnetic
audiotape] |
|
125 | 981 | Interviews: Policeman on Prostitution
[1/4-in. magnetic audiotape] |
|
125 | 982 | Interviews: Children in a museum [1/4-in.
magnetic audiotape] |
|
125 | 983 | Colin Young - Egypt Student + UCLA Commune
Films [1/4-in. magnetic audiotape]
The Good Life, West coast commune experiments, UCLA, Hore of Mud, Arabic,
French subtitles, lecture on Egypt and student, UCLA Commune films, Film
forum, student films introduced.
|
January 7, 1974 |
45 | 985 | Steve Interview [16mm magnetic
audiotape] |
|
125 | 1022 | Godard - Le Gai Savoir [1/4-in. magnetic
audiotape] |
|
125 | 1023 | Colin Young - Pt. 3 - disc. "White
Heat" [1/4-in. magnetic audiotape]
White heat, Dirty Harry structure, audience sympathy.
|
September 8, 1972 |
125 | 1024 | Colin Young - disc. of Wild Bunch [1/4-in.
magnetic audiotape]
Discussion of genre needs, stylization, characterization.
|
September 14, 1973 |
125 | 1027 | Oscar Lewis (w/Carol Stack): Interview
Techniques Champagne, Ill. [1/4-in. magnetic audiotape]
Carol Stack, interview techniques; Champagne, Illinois.
|
June 1, 1968 |
125 | 1028 | African Film Festival - McDougall - 2 of 4
[1/4-in. magnetic audiotape]
David MacDougall, filmmakers from Ivory Coast.
|
November 21, 1970 |
125 | 1029 | African Film Festival - McDougall - 1 of 4
[1/4-in. magnetic audiotape]
David McDougall, 1 of 4.
|
November 20, 1970 |
125 | 1030 | African Film Festival - McDougall - 4 of 4
[1/4-in. magnetic audiotape]
David McDougall, 4 of 4.
|
November 21, 1970 |
125 | 1031 | Colin Young - remarks following
"Nanook" (part of one side) [1/4-in. magnetic
audiotape]
Saturday Morning Cinematique, remarks following Nanook.
|
October 17, 1970 |
125 | 1032 | Colin Young: Film Form, #1 [1/4-in.
magnetic audiotape] |
October 21 |
125 | 1033 | Colin Young - Class, disc. "White
Heat," Tape 1 [1/4-in. magnetic audiotape]
Class, Tape 1, White Heat.
|
September 18, 1972 |
125 | 1034 | "April 5 (1970?) - III MacBean"
(on Godard Le Gai Savoir) - class disc. [1/4-in. magnetic
audiotape] |
April 5, 1970 |
125 | 1035 | African Film Festival - McDougall - 3 of 4
[1/4-in. magnetic audiotape] |
November 21, 1970 |
55 | 1046 | City Council [1/4-in. magnetic
audiotape] |
|
55 | 1047 | DeGregori: Before Roll 3 [1/4-in. magnetic
audiotape] |
|
55 | 1049 | CD Outs [1/4-in. magnetic
audiotape] |
|
55 | 1052 | Untitled [1/4-in. magnetic
audiotape] |
|
55 | 1055 | Tom DeGregori, Pt. 1 [1/4-in. magnetic
audiotape] |
|
55 | 1058 | Untitled [1/4-in. magnetic
audiotape] |
|
55 | 1059 | Triage, CD Meeting, Castillo, DeGregori
[1/4-in. magnetic audiotape]
CD meeting, Castillo, DeGregori.
|
|
55 | 1062 | Tom DeGregori [1/4-in. magnetic
audiotape] |
|
55 | 1099 | Food Film: Screening w/Blue, Odze, Vellani
& Alexander, Washington D.C. [1/4-in. magnetic
audiotape]
Screening with Lue, Odze, Vellani, and Alexander; Washington, D.C.
|
December 14, 1967 |
55 | 1100 | Krell, Gerry: Non-Actor (#3) Adelphi,
Maryland [1/4-in. magnetic audiotape]
Non-Actor #3; Adelphi, Maryland.
|
October 29, 1967 |
55 | 1101 | Krell, Gerry: Non-Actor (#1) Adelphi,
Maryland [1/4-in. magnetic audiotape]
Non-Actor # 1; Adelph, Maryland.
|
October 29, 1967 |
55 | 1102 | Moreno, #2 [1/4-in. magnetic
audiotape] |
|
55 | 1103 | Moreno with TV program of Hoffer, #1
[1/4-in. magnetic audiotape] |
|
55 | 1104 | Moreno: Psychodrama [1/4-in. magnetic
audiotape] |
|
55 | 1105 | Acting Workshop [1/4-in. magnetic
audiotape] |
|
55 | 1106 | Blue Passer/Forman, Interview #2
[Audiocassette] |
1969 |
55 | 1107 | Blue Passer/Forman, Interview #1
[Audiocassette] |
1969 |
55 | 1108 | Moreno Cultural Conserves [1/4-in.
magnetic audiotape]
Side two: the warm up.
|
|
55 | 1116 | Shuker, Greg: Interview [1/4-in. magnetic
audiotape] |
April 1964 |
55 | 1117 | Tape 1 and Tape 2 [2
Audiocassettes] |
|
55 | 1190 | Discussion with Tom, Bryan, Jim + Ed after
City Council [1/4-in. magnetic audiotape] |
October 6, 1976 |
55 | 1304 | Mrs. Young - Last Part [1/4-in. magnetic
audiotape] |
|
58 | 1154 | Fourth Ward - 111C - Last of Shelby, Also
Outs [8mm film and magnetic audiotape] |
|
59 | 1172 | Schnitzer, Roll 59 [1/4-in. magnetic
audiotape] |
September 7, 1976 |
59 | 1173 | Schnitzer, Roll 58 [1/4-in. magnetic
audiotape] |
September 7, 1976 |
59 | 1174 | Fourth Ward, Tom DeGregori watches, First
Part of Drive Through [1/4-in. magnetic audiotape]
Tom DeGregori watches Hoffeinz in booth, first part of drive through.
|
September 9, 1977 |
59 | 1175 | Mrs. Peters [1/4-in. magnetic
audiotape] |
|
59 | 1176 | John Castillo [1/4-in. magnetic
audiotape] |
|
59 | 1177 | Dominoes [1/4-in. magnetic
audiotape] |
|
59 | 1178 | Jim McConn, Mayor (Roll 31) [1/4-in.
magnetic audiotape] |
|
59 | 1179 | First Mayor (Roll 30) [1/4-in. magnetic
audiotape] |
|
59 | 1180 | Houston Center, Model Room [1/4-in.
magnetic audiotape] |
|
59 | 1181 | Mt Carmel, Pt. 2 [1/4-in. magnetic
audiotape] |
|
59 | 1182 | Discussion with Tom [1/4-in. magnetic
audiotape] |
October 6, 1976 |
59 | 1183 | Mrs. Young, 2nd Part [1/4-in. magnetic
audiotape] |
|
59 | 1184 | Day After Horeb [1/4-in. magnetic
audiotape]
Tom wants to organize.
|
|
59 | 1185 | Operation Bread Basket [1/4-in. magnetic
audiotape] |
|
59 | 1186 | Operation Bread Basket, #1 [1/4-in.
magnetic audiotape] |
September 2, 1976 |
59 | 1187 | Housing Code [1/4-in. magnetic
audiotape] |
|
59 | 1188 | Opening Narration [1/4-in. magnetic
audiotape]
Indian Center, mayor.
|
|
59 | 1189 | Lower, 7th part [1/4-in. magnetic
audiotape] |
|
59 | 1190 | Lower, 6th part [1/4-in. magnetic
audiotape] |
|
59 | 1191 | Community Development: Tom Reilly, Rick
George [1/4-in. magnetic audiotape] |
|
59 | 1192 | Mt. Horeb: Hofeinz, Rev. Smith [1/4-in.
magnetic audiotape] |
September 5, 1976 |
59 | 1193 | Mt. Carmel [1/4-in. magnetic
audiotape] |
|
59 | 1194 | Rev R.L. Washington at Macedonia [1/4-in.
magnetic audiotape]
Reel # 1, Antioch dissidents.
|
|
59 | 1195 | Macedonia Baptist, Tape 2 [1/4-in.
magnetic audiotape] |
September 15, 1976 |
59 | 1196 | Rev. Washington [1/4-in. magnetic
audiotape]
Antioch, folks who don't want to sell church, Whiting.
|
September 12, 1976 |
59 | 1197 | City Council, Part II [1/4-in. magnetic
audiotape] |
October 6, 1976 |
59 | 1198 | End of Church Scene [1/4-in. magnetic
audiotape]
Dialogue between filmmakers and preachers.
|
|
59 | 1199 | CD People, Part II [1/4-in. magnetic
audiotape] |
|
59 | 1200 | Hofeinz: Church, Pt. 2 [1/4-in. magnetic
audiotape] |
|
59 | 1201 | Fourth Ward: Atmosphere [1/4-in. magnetic
audiotape] |
|
59 | 1202 | Barbara Jordan [1/4-in. magnetic
audiotape]
Tom's discussion with Ed and James.
|
|
59 | 1203 | Tom DeGregori, Pt. 1 [1/4-in. magnetic
audiotape] |
|
59 | 1204 | M. Whiting [1/4-in. magnetic
audiotape] |
September 15, 1976 |
59 | 1205 | Martha Whiting [1/4-in. magnetic
audiotape]
Prepared end statement for opposition film.
|
September 18, 1976 |
59 | 1206 | Hicks, DeGregori, Mayor, Pt. 2 [1/4-in.
magnetic audiotape] |
September 3, 1976 |
59 | 1207 | Fourth Ward, Pt. 2 [1/4-in. magnetic
audiotape] |
September 4, 1977 |
59 | 1208 | Ron Waters [1/4-in. magnetic
audiotape]
Macedonia, Baptist, meeting.
|
September 15, 1976 |
59 | 1209 | Young, Pt. 1: Antioch [1/4-in. magnetic
audiotape] |
|
59 | 1210 | Houston Center, Pt. 1 [1/4-in. magnetic
audiotape] |
|
59 | 1211 | Castillo [1/4-in. magnetic
audiotape]
Includes J. Johnson.
|
|
59 | 1212 | Dave Johnson [1/4-in. magnetic
audiotape] |
|
59 | 1213 | Mr. Johnson out with Mrs. McGee [1/4-in.
magnetic audiotape]
Housing, Mr. McGee.
|
|
59 | 1214 | Indian Center [1/4-in. magnetic
audiotape]
Tom DeGregori, Judy Henderson, Indian Center.
|
September 4, 1977 |
59 | 1215 | Washington Church [1/4-in. magnetic
audiotape]
Community Development people, Washington Church, Davis.
|
|
59 | 1216 | City Council: City Hall #1 [1/4-in.
magnetic audiotape] |
September 22, 1976 |
59 | 1217 | Ron Waters: City Hall, Pt. 2 [1/4-in.
magnetic audiotape] |
September 22, 1976 |
59 | 1218 | Jean Lafitte [1/4-in. magnetic
audiotape]
Narration, tough.
|
|
59 | 1219 | Airplane over Fourth Ward [1/4-in.
magnetic audiotape] |
|
55 | 1220 | Indian Center [1/4-in. magnetic
audiotape] |
August 3, 1967 |
55 | 1221 | City Council, Sept. 22 [1/4-in. magnetic
audiotape] |
|
55 | 1222 | City Council, Oct. 13th, Brown, Smith,
Fontenot [1/4-in. magnetic audiotape]
Brown, Smith, Fontenot.
|
|
55 | 1223 | Bobby's House [1/4-in. magnetic
audiotape] |
July 20, 1976 |
55 | 1224 | Houston Center Pt. 2, Construction
[1/4-in. magnetic audiotape] |
|
55 | 1225 | Landlord Jobs [1/4-in. magnetic
audiotape] |
|
55 | 1226 | End of DiGregori of T. Wright [1/4-in.
magnetic audiotape] |
|
55 | 1227 | Martha Whiting, ending [1/4-in. magnetic
audiotape] |
September 15, 1976 |
55 | 1228 | Schnitzer [1/4-in. magnetic
audiotape] |
September 7, 1976 |
55 | 1229 | Tom DeGregori, Pt. 2 [1/4-in. magnetic
audiotape] |
|
55 | 1230 | Shooting Tom DeGregori, 1st [1/4-in.
magnetic audiotape] |
|
55 | 1231 | Hicks, Pt. 1 [1/4-in. magnetic
audiotape] |
|
55 | 1232 | Mayor, Beg church [1/4-in. magnetic
audiotape] |
|
55 | 1233 | Joe Filippone [1/4-in. magnetic
audiotape] |
July 19, 1976 |
55 | 1234 | Antioch Vote, Pt. 2 [1/4-in. magnetic
audiotape] |
|
55 | 1235 | Betty Graham, Pt. 1 [1/4-in. magnetic
audiotape]
Bob Bainbridge, Inside Loop.
|
|
55 | 1236 | Roll XIX, Dave Johnson, Pt. 1 [1/4-in.
magnetic audiotape] |
|
55 | 1237 | Mt. Carmel, Roll 33 [1/4-in. magnetic
audiotape] |
|
55 | 1238 | Housing Code 3 [1/4-in. magnetic
audiotape] |
|
55 | 1239 | Housing Code 2 [1/4-in. magnetic
audiotape] |
|
55 | 1240 | Getting Ready to Pow Wow [1/4-in. magnetic
audiotape] |
|
55 | 1241 | Jobs [1/4-in. magnetic
audiotape] |
|
55 | 1242 | City Council, Pt. 1 [1/4-in. magnetic
audiotape]
Beginning of Schultz.
|
October 6, 1976 |
55 | 1243 | Dominoe [1/4-in. magnetic
audiotape]
Brian, Blue, Dominoe, Kevin Randall.
|
|
55 | 1244 | Houston Center, Pt. 2 [1/4-in. magnetic
audiotape] |
|
55 | 1243 | Blue with Hicks [1/4-in. magnetic
audiotape] |
|
55 | 1246 | Mrs. McGee [Audiocassette] |
|
55 | 1247 | Mr. Brown [Audiocassette]
Three kids, swimming pool.
|
|
55 | 1248 | Lady eating BBQ
[Audiocassette] |
|
55 | 1249 | Ed James [Audiocassette] |
February 12, 1977 |
55 | 1250 | Tom DeGregori [Audiocassette] |
|
55 | 1251 | Tom DeGregori, 2
[Audiocassette] |
|
55 | 1252 | End McGinnis [Audiocassette]
Wild of dayshooting.
|
|
55 | 1253 | Dominoes [Audiocassette]
Tape 4, Ambulance driver.
|
July 1, 1976 |
55 | 1254 | Barbara Marshall
[Audiocassette] |
|
55 | 1255 | Squatty [Audiocassette] |
|
55 | 1256 | Tom Discusses Jefferson's Betrayal
[Audiocassette]
Church, Hicks, Rev. at church.
|
|
55 | 1257 | Martha Whiting [Audiocassette]
Series of interviews.
|
|
55 | 1258 | Untitled [Audiocassette] |
|
55 | 1259 | Untitled [Audiocassette] |
|
55 | 1260 | Untitled [Audiocassette] |
|
55 | 1261 | Mrs. Cook [Audiocassette]
Rev. Simpson.
|
|
55 | 1262 | Simpson continued
[Audiocassette]
Bob Moore, Moore continued, media discussion.
|
|
55 | 1263 | Mrs. Cook's Son
[Audiocassette]
Night before pool hall dancing, 4th July.
|
|
55 | 1264 | City Planning [Audiocassette]
By Maria Ristroph.
|
|
55 | 1302 | The City with Richard Blue
[audiocassette] |
July 4, 1975 |
55 | 1303 | The City with Richard Blue: conversation
about film project with James Blue. Mclean, Virginia
[audiocassette] |
July 4, 1975 |
55 | 1300 | Untitled [audiocassette] |
|
55 | 1301 | Untitled [audiocassette] |
|
Folder | |||
62 | 1 | Notes from Cahiers [8mm magnetic
audiotape]
UCLA Library.
|
|
item | |||
62 | 1266 | Harry and Pauline; Portland, Oregon
[1/4-in. magnetic audiotape] |
October 27, 1968 |
62 | 1267 | R. Jacob: Lecture to Film History class
[1/4-in. magnetic audiotape] |
March 25, 1981 |
62 | 1268 | Pauline Kael: Earrings of Mad, DE # 3
[1/4-in. magnetic audiotape] |
|
62 | 1269 | Jack Lindhorst: USIA, IMV/PS [1/4-in.
magnetic audiotape] |
|
62 | 1270 | Jack Lindhorst: USIA, IMV/PS [1/4-in.
magnetic audiotape] |
|
62 | 1271 | Fourth Ward [1/4-in. magnetic
audiotape]
Additional Narration, Houston: Episode 1, Pt. 1, Episode 2, Pt. 2 and
3.
|
November 18, 1977 |
62 | 1272 | Mr. Peters: Nagra, wild [1/4-in. magnetic
audiotape] |
July 16, 1967 |
62 | 1273 | Harry and Pauline; Portland, Oregon
[1/4-in. magnetic audiotape] |
October 24, 1968 |
62 | 1274 | American Revolution [1/4-in. magnetic
audiotape]
Discussion with Richard/Gill/James
|
1970 |
62 | 1275 | American Revolution [1/4-in. magnetic
audiotape] |
|
62 | 1276 | Midwest 7 [1/4-in. magnetic
audiotape]
Minneapolis: Midwest film discussion with Richard Blue, Tape 2.
|
July 25, 1971 |
62 | 1277 | Gill Dennis [1/4-in. magnetic
audiotape]
Gill Dennis and James Blue, discussing 1st version script on Midwest
project.
|
|
62 | 1278 | Miexner on Bergman's The Ritual
[1/4-in. magnetic audiotape] |
|
62 | 1279 | Karate [1/4-in. magnetic
audiotape] |
|
62 | 1280 | Pauline Kael: On Umberto D. [1/4-in.
magnetic audiotape] |
April 15, 1972 |
62 | 1281 | Food Film [1/4-in. magnetic
audiotape]
Reactions to USIA Policy screening and comments.
|
February 15, 1968 |
62 | 1282 | Class Discussions [1/4-in. magnetic
audiotape]
Class discussion on James Blue's "A Few Notes on our Food
Problem."
|
April 2, 1970 |
62 | 1285 | Interview with Stanton, Kaye [1/4-in.
magnetic audiotape] |
|
62 | 1286 | American Revolution: Mayer 2, Mayer 1
continued [1/4-in. magnetic audiotape] |
|
62 | 1287 | Mayer 1 [1/4-in. magnetic
audiotape] |
|
62 | 1288 | King Vidor Discusses "The Crowd"
[1/4-in. magnetic audiotape]
Afternoon, evening, the Crowd, the big parade.
|
April 3, 1967 |
62 | 1289 | AM Rev. 5 [1/4-in. magnetic
audiotape] |
|
62 | 1290 | Karate [1/4-in. magnetic
audiotape]
Wild podium.
|
|
62 | 1291 | Thorold Dickenson [1/4-in. magnetic
audiotape]
Includes Phil Struck.
|
|
62 | 1292 | Garfunkel Interview # 1 [1/4-in. magnetic
audiotape] |
|
62 | 1293 | Bob Chambers: Actor's Studio [1/4-in.
magnetic audiotape] |
|
62 | 1294 | Ugo Gregoretti [1/4-in. magnetic
audiotape]
Moreno.
|
September 20, 1965 |
62 | 1303 | Unlabeled [1/4-in. magnetic
audiotape] |
|
62 | 1296 | Karate [Audiocassette]
Interview: Inside house, Steve and Leslie.
|
October 28, 1971 |
62 | 1297 | Conformist [Audiocassette]
Screening discussion, Frank Daniel, O'Grady, Bertolucci's
Conformist.
|
|
62 | 1298 | Midwest Film Interpretation, 4
[Audiocassette] |
|
62 | 1299 | Karate [Audiocassette]
Wild, Gary and Steve's, reactions to rushes.
|
|
62 | 1300 | Interview with Harry B. Blue: Depression
in farm country [Audiocassette] |
December 3, 1971 |
62 | 1301 | Documentary Workshop
[Audiocassette]
Discussion: Interview, Stephen Peet BBC, Dirigible film.
|
February 1980 |
62 | 1302 | Mary Brown [Audiocassette]
Adele comments of Mary Brown, discourse of structure.
|
June 10, 1979 |
62 | 1303 | Untitled [Audiocassette] |
|
62 | 1304 | Chandler Dunderson
[Audiocassette]
Power structure.
|
September 10, 1975 |
62 | 1305 | Makers of Underground
[Audiocassette]
On "Weather Underground," political objectives of film.
|
|
62 | 1306 | Krishna Murti [Audiocassette]
Broadcast net, Houston.
|
October 1971 |
62 | 1307 | Sam Houston's Discussion
[Audiocassette]
B. Hub and James Blue.
|
March 28, 1978 |
62 | 1308 | James Blue seminar, Fourth Ward
[Audiocassette] |
January 1, 1979 |
62 | 1309 | Adele Discussion: Structure
[Audiocassette] |
June 10, 1979 |
62 | 1310 | Midwest [Audiocassette]
Richard and Bob Holt, Midwest, Minneapolis, Susan on her work with
children.
|
July 26, 1971 |
62 | 1311 | Jesse Stockey [Audiocassette]
Jesse Stockey discussion of films being seen, Blue discusses filmmakers
and Canadian film.
|
|
62 | 1312 | Spanish Lesson, Tape 1: Segreda and Harris
[Audiocassette] |
|
62 | 1313 | Discussion American Revolution
[Audiocassette] |
|
62 | 1314 | Dad On Midwest [Audiocassette]
Houston, Colin Young, others.
|
November 26, 1971 |
62 | 1315 | Sam Houston, Tape 2
[Audiocassette] |
March 29, 1978 |
62 | 1316 | Colin Young, Chris Cowford
[Audiocassette]
Reality in cinema, McDougall, American Revolution film, disc of Battle of
Algiers, Medium Cool.
|
September 19, 1971 |
62 | 1317 | The Murder of William Marsh
[Audiocassette] |
|
62 | 1318 | Harry Blue [Audiocassette]
Rehearsing song for 50th wedding.
|
June 1975 |
62 | 1319 | A Public Seminar
[Audiocassette]
Discusses reactions/defenses by filmmakers at screenings, Wednesday
evening, viewer reactions, filmmakers' defense.
|
|
62 | 1320 | Assorted notes for Rossellini Thesis
[Audiocassette] |
June 1983 |
62 | 1321 | Carter Hayward [Audiocassette]
KTRH talk show.
|
|
62 | 1322 | Non-fiction Class
[Audiocassette]
SUNYAB, looks at Fourth Ward Episode 3 and reacts to tensions.
|
March 23, 1978 |
62 | 1323 | Bonne Anne [Audiocassette]
James and Janice, Telephone # 2.
|
|
62 | 1324 | Colin Young: Responses
[Audiocassette]
Ron Green, UPI Eichler, Broomfield, Churchill, discussion of juvenile
liaison, Tape # 2.
|
February 22, 1979 |
62 | 1325 | Colin Young [Audiocassette]
Particular ethnograph, Aristotelian structure, John Marshall,
Hancock.
|
September 25, 1975 |
62 | 1326 | Quality of Growth Conference, Tape 2
[Audiocassette] |
September 29, 1978 |
62 | 1327 | Bannon [Audiocassette] |
|
62 | 1328 | Talk on Research
[Audiocassette]
Panel discussion on observation, Anthropology conference, Timothy Asch,
discussion of Robert Gardner, language problems.
|
May 11, 1973 |
62 | 1329 | Hotel des Invalides
[Audiocassette]
Soundtrack, Hotel des Invalides, Georges Franju.
|
|
62 | 1330 | MacDougall at Ms. LB
[Audiocassette]
Kenya Boran, MacDougall, Invisible City.
|
March 24, 1980-March 30, 1980 |
62 | 1331 | Ken T. [Audiocassette]
Docudrama on Leeds, discussion at seminar, issues of docudrama.
|
|
62 | 1332 | 1st Committee Meeting
[Audiocassette]
On American Revolution film project, AFI.
|
|
62 | 1333 | Fourth Ward [Audiocassette]
Shows, discussion of screening of Fourth Ward.
|
May 9, 1979 |
62 | 1334 | Jim Briones [Audiocassette]
Songs of Christmas, Merry Christmas Jim.
|
1978 |
62 | 1335 | Japan Trip [Audiocassette] |
|
62 | 1336 | Nick de Martino: PBS seminar
[Audiocassette] |
February 9, 1979 |
62 | 1337 | Mike Kelley [Audiocassette]
MacDougall.
|
|
62 | 1338 | Fourth Ward: Ms. B
[Audiocassette] |
May 7, 1979 |
62 | 1339 | Kyoto [Audiocassette]
Conversation on America in Ryokan, Janice Blue, various walking
trips.
|
|
62 | 1340 | Becket the Dog [Audiocassette]
Beckett the dog and Harry Blue.
|
|
62 | 1341 | Brian Huberman [Audiocassette]
Buffalo, on John Ford and Western myths.
|
October 2, 1979 |
62 | 1342 | KDRC [Audiocassette]
KDRC on Fourth Ward
|
|
62 | 1343 | Richard Blue [Audiocassette]
The American Revolution, an interpretation for a film.
|
|
62 | 1344 | Colin Young: Juvenile Liaison, Tape 2
[Audiocassette] |
September 25, 1975 |
62 | 1345 | McEnnilley [Audiocassette]
Discussion between Blue, McEnnilley, Huberman, on nature/function of
myth, Ford's searchers.
|
May 5, 1976 |
62 | 1346 | Blue Addressing a Correspondent
[Audiocassette]
Phone conversations, Janice B with friends or family, Blue translating an
art with Kazan on method, acting and film directing from Cahiers.
|
|
62 | 1347 | Midwest 3 [Audiocassette]
Richard Blue discussion.
|
|
62 | 1348 | TDK cassette head cleaner
[Audiocassette] |
|
62 | 1349 | Non-Actor Project
[Audiocassette]
Advanced documentary discussion, brief interview by Blue of actress
Carrol Baker on Kazan, Aspen.
|
March 20, 1979 |
62 | 1350 | Telephone, Dormeyer
[Audiocassette] |
March 1971 |
62 | 1351 | McEnnilley [Audiocassette]
With Blue and Huberman on myth and The Searchers, on Welles, Renoir, Ford
on myth, Blue on America's contribution to the cinema, The
Searchers.
|
May 6, 1976 |
62 | 1352 | Janice Blue: Language of speech practice,
feminist texts [Audiocassette] |
|
62 | 1353 | Microphone tests
[Audiocassette] |
|
55 | 1378 | Chloe Aaron [Audiocassette]
Tape #4: Discussion of the Territory, The Frontier, Opening introduction,
Blue.
|
February 23, 1979 |
55 | 1379 | D.A. Pennebaker
[Audiocassette]
Tape #7: Energy War, Who Killed the Fourth Ward, Channel 17 reports,
Linda Hunt.
|
|
55 | 1380 | Robert Gardner, Tape 1
[Audiocassette]
Tape 1: With Ames Blue.
|
|
55 | 1381 | George Stoney, Film Presentation
[Audiocassette] |
Jun 28, 1973 |
55 | 1382 | David Hancock, Film Show
[Audiocassette] |
July 9, 1974 |
55 | 1383 | Robert Gardner [Audiocassette]
James Blue interview with Robert Gardner.
|
July 26, 1973 |
55 | 1384 | Robert Gardner, 2
[Audiocassette]
James Blue Interview with Robert Gardner.
|
July 26, 1973 |
55 | 1385 | Robert Gardner, 3
[Audiocassette] |
July 26, 1973 |
55 | 1386 | George Stoney, evening presentation
[Audiocassette] |
June 28, 1973 |
55 | 1477 | James Reunion [1/4-in. magnetic
audiotape] |
|
55 | 1476 | Invisible City Summary Show [1/4-in.
magnetic audiotape] |
April 21, 1980 |
45 | 1481 | Untitled [1/2-in. magnetic
audiotape] |
|
134 | 1491 | Bob's Trophies, Take 1 [1/2-in.
magnetic audiotape] |
|
134 | 1492 | Trims: R-3, New York [1/2-in. magnetic
audiotape] |
|
134 | 1493 | Trims: R-12, New York [1/2-in. magnetic
audiotape] |
|
134 | 1494 | Trims: R-2, New York [1/2-in. magnetic
audiotape] |
|
134 | 1495 | Heads Master Trims [1/2-in. magnetic
audiotape] |
|
134 | 1484 | Voice [containing box] |
|
134 | 1496 | Trims: R-7 [1/2-in. magnetic
audiotape] |
|
134 | 1497 | Trims: R-13 [1/2-in. magnetic
audiotape] |
|
134 | 1498 | Trims: R-5 [1/2-in. magnetic
audiotape] |
|
134 | 1499 | Begin Sound Roll 9 [1/2-in. magnetic
audiotape]
"Birds and Seaplanes and store."
|
|
134 | 1485 | Roll 15 N.Y. [containing box] |
|
134 | 1486 | Skaaren [1/2-in. magnetic
audiotape] |
|
134 | 1487 | Untitled [1/2-in. magnetic
audiotape] |
|
134 | 1488 | Trims: R-10, New York [1/2-in. magnetic
audiotape] |
|
Folder | |||
79 | 16 | [MISSING] Untitled [8mm film] |
|
item | |||
34 | 971 | Trims - D. Johnson w/T. Wright [1/4-in.
magnetic audiotape] |
|
34 | 972 | Untitled [1/4-in. magnetic
audiotape] |
|
133 | 957 | Trims - Allen Center [8mm film and
magnetic audiotape] |
|
133 | 958 | Filoponne Outs [8mm film and magnetic
audiotape] |
|
133 | 966 | Outs - Part III [8mm film and magnetic
audiotape] |
|
Folder | |||
81 | 4 | Untitled |
|
item | |||
134 | 19 | La Guerre de Secession, N. 1 [1/4-in.
Magnetic Audiotape]
Radio diffusion: Television Francaise.
|
|
134 | 20 | La Guerre de Secession, N. 2 [1/4-in.
Magnetic Audiotape]
Radio diffusion: Television Francaise.
|
|
Filmmaker interview sound
recordings |
|||
Box | item | ||
96 | 28 | JB0001: Interview with Barthelemy Amengual
[1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
October 1965 |
97 | 33 | JB0002: Interview with James Blue for Radio in
New York [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
|
97 | 34 | JB0003: Interview with James Blue for Radio in
New York [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
|
96 | 27 | JB0004: Interview with Robert Bresson [1/4-in.
magnetic audiotape] 1 sound tape reel (analog)
|
June 17, 1965 |
96 | 29 | JB0005: Interview with Renato Castellani
[1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
September 1965 |
97 | 21 | JB0006: Interview with Shirley Clarke, Part I
[1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
April 1969 |
97 | 22 | JB0007: Interview with Shirley Clarke, Part II
[1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
April 1969 |
97 | 1 | JB0008: Interview with Shirley Clarke [1/4-in.
magnetic audiotape] 1 sound tape reel (analog)
|
August 1964 |
96 | 26 | JB0009: Interview with Guy Cote and Others
[1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
August 1964 |
97 | 5 | JB0010: Interview with Storm de Hirsch
[1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
July 31, 1975 |
96 | 35 | JB0011: Interview with Storm de Hirsch
[Audiocassette] 1 sound cassette (analog)
|
July 31, 1975 |
96 | 18 | JB0012: Interview with Bernardo Bertolucci
Part III and Vittorio de Seta Part I [[1/4-in. magnetic
audiotape] 1 sound tape reel (analog)
|
September 1965 |
96 | 24 | JB0013: Interview with Vittorio de Sica Part
II and III [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
September 1965 |
96 | 23 | JB0014: Interview with Vittorio de Sica
(September 1965) and Francoise LaFarge (October 1965) [1/4-in.
magnetic audiotape] 1 sound tape reel (analog)
|
September 1965 |
96 | 22 | JB0015: Interview with Federico Fellini
[1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
September 1965 |
96 | 21 | JB0016: Interview with Federico Fellini, Notes
to Books [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
unknown |
97 | 30 | JB0017: Interview with Milos Forman [1/4-in.
magnetic audiotape] 1 sound tape reel (analog)
|
August 1965 |
96 | JB0018: Interview with Robert Gardner, Part I
[1/4" tape] 1 sound tape reel (analog)
|
1973 | |
96 | JB0019: Interview with Robert Gardner, Part II
[1/4" tape] 1 sound tape reel (analog)
|
1973 | |
item | |||
96 | 25 | JB0020: Interview with Jean-Luc Godard and
William Kline [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
July 1965 |
97 | 20 | JB0021: Interview with Gilles Groulx and
Barbara Ulrich [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
August 14, 1964 |
97 | 19 | JB0022: Interview with Gilles Groulx and Stan
Jackson [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
August 1964 |
96 | 19 | JB0023: Interview with Claude Jutra Part I
[1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
1964 |
96 | 20 | JB0024: Interview with Claude Jutra Part II
[1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
1964 |
97 | 31 | JB0025: Interview with Tullio Kexitch (with De
Bosio) Part I and More [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
September 1965 |
97 | 32 | JB0026: Interview with Tullio Kexitch (with De
Bosio) Part I - IV [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
September 1965 |
97 | 9 | JB0027: Interview with Richard Leacock
[1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
September 17, 1964 |
97 | 10 | JB0028: Interview with Richard Leacock
[1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
August 25, 1964 |
97 | 11 | JB0029: Interview with Richard Leacock
[1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
August 27, 1964 |
97 | 12 | JB0030: Interview with Richard Leacock--Copy
from Warped Originals [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
August 25, 1964 |
97 | 16 | JB0031: Interview with Terence
Macartney-Filgate, Part I [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
October 1968 |
97 | 17 | JB0032: Interview with Terence
Macartney-Figate, Part II [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
October 1968 |
97 | 13 | JB0033: Interview with Terence
Macartney-Filgate, Side II [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
February 9, 1965 |
97 | 14 | JB0034: Interview with Terence
Macartney-Filgate, #2 [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
February 9, 1965 |
97 | 15 | JB0035: Interview with Terence
Macartney-Filgate [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
February 10, 1965 |
97 | 2 | JB0036: Interview with Albert and David
Maysles Part I, pages 1-6 [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
May 1964 |
97 | 3 | JB0037: Interview with Albert and David
Maysles Part II, pages 6-19 [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
May 1964 |
97 | 4 | JB0038: Interview with Albert and David
Maysles, Part III? [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
May 22, 1964 |
96 | 1 | JB0039: Interview with Macha Meril [1/4-in.
magnetic audiotape] 1 sound tape reel (analog)
|
August 1965 |
96 | 2 | JB0040: Interview with Jean Mitry (July 1965)
and Anne Wiazemsky (October 1965) [1/4-in. magnetic
audiotape] 1 sound tape reel (analog)
|
July 1965 |
96 | 3 | JB0041: Interview with Edgar Morin and Johanne
Harrelle [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
July 1965 |
96 | 4 | JB0042: Interview with Jan Nemec in Houston
[1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
unknown |
96 | 5 | JB0043: Interview with Ermanno Olmi and Warren
Beatty [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
September 1965 |
96 | 6 | JB0044: Interview with Pier Pasolini [1/4-in.
magnetic audiotape] 1 sound tape reel (analog)
|
September 23, 1965 |
97 | 28 | JB0045: Interview with Ivan Passer and Milos
Forman, Part I [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
March 1969 |
97 | 29 | JB0046: Interview with Ivan Passer and Milos
Forman, Part II [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
March 1969 |
96 | 7 | JB0047: Interview with Jean Renoir [1/4-in.
magnetic audiotape] 1 sound tape reel (analog)
|
February 1965 |
97 | 35 | JB0048: Interview with Francesco Rosi Part I
[1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
September 6, 1965 |
97 | 36 | JB0049: Interview with Francesco Rosi Part II
and III [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
September 1965 |
96 | 8 | JB0050: Interview with Paul Rotha and Philip
Donella [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
June 1965 |
96 | 9 | JB0051: Interview with Jean Rouch (August
1965) and Louis Marcorelles (July 1965) [1/4-in. magnetic
audiotape] 1 sound tape reel (analog)
|
July 1965 |
96 | 10 | JB0052: Interview with Jacques Rozier [1/4-in.
magnetic audiotape] 1 sound tape reel (analog)
|
October 1965 |
96 | 11 | JB0053: Interview with Gregory Shuker [1/4-in.
magnetic audiotape] 1 sound tape reel (analog)
|
May 1964 |
96 | 32 | JB0054: Interview with Ralph Steiner, Part I
[Audiocassette] 1 sound cassette (analog)
|
July 1973 |
96 | 33 | JB0055: Interview with Ralph Steiner, Part II
[Audiocassette] 1 sound cassette (analog)
|
July 1973 |
96 | 34 | JB0056: Interview with Ralph Steiner, Part II,
Side C [Audiocassette] 1 sound cassette (analog)
|
July 1973 |
97 | 25 | JB0057: Interview with George Stoney, Part I
of III [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
August 1964 |
97 | 26 | JB0058: Interview with George Stoney, Part II
of III [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
August 1964 |
97 | 27 | JB0059: Interview with George Stoney, Part III
of III [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
August 1964 |
96 | 12 | JB0060: Interview with Lee Strasberg,
Actor's Studio [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
June 27, 1964 |
96 | 13 | JB0061: Interview with Johan Van Der Keuken
"Conversation about Amstel" [1/4-in. magnetic
audiotape] 1 sound tape reel (analog)
|
July 1965 |
96 | 14 | JB0062: Interview with Johan Van Der Keuken
"Reads Quote…" [1/4-in. magnetic
audiotape] 1 sound tape reel (analog)
|
June 1965 |
96 | 15 | JB0063: Interview with Johan Van Der Keuken
"Dutch Film Introduction…"[1/4-in. magnetic
audiotape] 1 sound tape reel (analog)
|
June 1965 |
96 | 16 | JB0064: Interview with Johan Van der Keuken
"First Interview" [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
June 1965 |
97 | 7 | JB0065: Interview with Peter Watkins and
Philip Donellan, Part I [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
June 1965 |
97 | 6 | JB0066: Interview with Peter Watkins and
Philip Donellan, Part II [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
June 1965 |
97 | 18 | JB0067: Interview with Peter Watkins, Last
Remarks, 2/2 [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
1965 |
97 | 8 | JB0068: Interview with Peter Watkins and M.
Gill, plus various [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
June 1965 |
96 | 17 | JB0069: Interview with Basil Wright [1/4-in.
magnetic audiotape] 1 sound tape reel (analog)
|
June 1965 |
97 | 23 | JB0070: Interview with Cesare Zavattini, Side
I and II [1/4-in. magnetic audiotape] 1 sound tape reel (analog)
|
September 1965 |
97 | 24 | JB0071: Interview with Cesare Zavattini, Side
III and Bernardo Bertolucci, Part II [1/4-in. magnetic
audiotape] 1 sound tape reel (analog)
|
unknown |
Box | Folder | ||
104 | 2 | Harry Blue: Some Girl Siasias; talking to
Ukranian |
|
104 | 1 | Jim and Dormeyer's first trip to
France; phone call recorded with James Blue and family |
|
112 | 20 | Interview with William Klein and Jean-Luc
Godard |
Series VII: VideoReturn to Top
Container(s) | Description | Dates | |
---|---|---|---|
Box | item | ||
3 | 22 | Gentrification, Pt. 2: Louie Welch Dub
[Umatic [video]
Barry Klein to Ossi Johnson.
|
|
3 | 23 | Advisors, #3 Rough Master [Umatic
[video] |
|
3 | 24 | Advisors, #3 [Umatic [video] |
August 17, 1979 |
118 | 25 | Solutions Discussion, #1 [Umatic
[video] |
August 20, 1979 |
118 | 26 | Advisors, #2 [Umatic [video] |
August 17, 1979 |
3 | 27 | Solutions Discussion, #4 [Umatic
[video] |
August 20, 1979 |
3 | 28 | Solutions Discussion, #3 [Umatic
[video] |
August 20, 1979 |
118 | 29 | Solutions Discussion, #2 [Umatic
[video] |
August 20, 1979 |
3 | 30 | Ann Kane Response, Sugarland [Umatic
[video] |
August 24, 1979 |
3 | 31 | Advisors, #1 [Umatic [video] |
August 24, 1979 |
117 | 32 | Tom Discusses Antioch [Perforated 8mm film
and audio]
1st episode outs, Thomas Bertram(?).
|
|
117 | 33 | Hicks, Pt. 2 [Perforated 8mm film and
audio] |
|
8 | 34 | B. Marshall, Pt. 1 [Perforated 8mm
film] |
|
8 | 35 | B. Marshall, Pt. 2 [Perforated 8mm
film] |
|
8 | 36 | 4th Ward, Squatty Lions, Pt. 1 [Perforated
8mm film] |
|
8 | 37 | 4th Ward, Squatty Lions, Pt. 2 [Perforated
8mm film] |
|
117 | 38 | Marie Ristroph, Pt. 3 [Perforated 8mm film
and audio] |
|
117 | 39 | Hicks, Pt.1 [Perforated 8mm film and
audio] |
|
117 | 40 | Jefferson, #1 [Perforated 8mm film and
audio]
W. Dallas, EUF; RI-PIX-Thomas/Betrayal.
|
|
117 | 41 | Entex, kids in van [Perforated 8mm film
and audio] |
|
117 | 42 | Jefferson, #2 [Perforated 8mm film and
audio] |
|
2 | 43 | Landlady and Jobs, Roll 42 [Perforated 8mm
film and audio] |
|
2 | 44 | Filipone [Perforated 8mm film and
audio] |
|
2 | 45 | Hortense Dixon, Pt. 1 [Perforated 8mm film
and audio]
Turkana, Blowup of S-11, 14.
|
March 25, 1975 |
2 | 46 | Hortense Dixon, Pt. 2 [Perforated 8mm film
and audio]
Heck, Turkana, Blow-ups 58, 59, S-12.
|
|
2 | 47 | Barbara Jordan, R-1 [Perforated 8mm film
and audio] |
|
2 | 48 | Schnitzer, Pt. 1 [Perforated 8mm film and
audio] |
|
2 | 49 | Dominoes, #5 [Perforated 8mm film and
audio] |
|
2 | 50 | Dominoes, #1 [Perforated 8mm film and
audio] |
|
2 | 51 | Schnitzer, Roll 57 cont. [Perforated 8mm
film and audio]
After Hoff Leaves.
|
March 2, 1976 |
2 | 52 | Dominoes, #4 [Perforated 8mm film and
audio]
Bobby's House.
|
August 12, 1976 |
2 | 53 | Dominoes, #3 [Perforated 8mm film and
audio] |
|
2 | 54 | Schnitzer, Pt. 3 [Perforated 8mm film and
audio]
Macedonia Pix.
|
|
2 | 55 | Dominoes, #2 [Perforated 8mm film and
audio] |
|
2 | 56 | Schnitzer [Perforated 8mm film and
audio] |
|
8 | 57 | [Smith First Sunday Morning] [Perforated
8mm film] |
|
8 | 58 | Whiting's Film Outside Church Prayer
[Perforated 8mm film] |
|
26 | 59 | M.W. Howe $100m Not Much [Perforated 8mm
film] |
|
26 | 60 | Mt. Horeb: Smith, Absent [Perforated 8mm
film] |
|
26 | 61 | Lu Mayes: Titles Balloons [Perforated 8mm
film] |
|
26 | 62 | Mt. Horeb (?): Smith, 1st Sunday Church
[Perforated 8mm film] |
|
26 | 63 | M. Wetting Pastor [Perforated 8mm
film] |
|
26 | 64 | Tom DeGregori [Perforated 8mm
film]
Roll 261.
|
|
26 | 65 | Mt. Horeb, Sunday [Perforated 8mm
film]
Smith.
|
|
26 | 66 | [Outside Antioch Prayer Why Do They Want
to Sell] [Perforated 8mm film] |
|
26 | 67 | Mt. Horeb, Sunday [Perforated 8mm
film]
Smith absent, 9-26.
|
|
26 | 68 | Mrs. Whiting, Putting the Film Together
[Perforated 8mm film] |
|
26 | 69 | Mrs. Whiting, Nite of Putting the Film
Together [Perforated 8mm film] |
|
26 | 70 | Macedonia, 1st Sunday [Perforated 8mm
film] |
|
8 | 71 | Stopped [Perforated 8mm film] |
|
8 | 72 | Bill Butler [Perforated 8mm
film] |
|
117 | 73 | Mrs. Cook [1/4-in. magnetic
tape]
Sync test.
|
|
26 | 74 | Smith, 1st Sunday [Perforated 8mm
film] |
|
26 | 75 | Mt. Horeb: First Day, Smith Absent
[Perforated 8mm film] |
|
26 | 76 | Tom Reaction to Wash Sunday Mt. Mac
[Perforated 8mm film] |
|
116 | 1 | Adele in the Kitchen, 1
[Umatic] |
June 17, 1979 |
116 | 2 | Adele in the Kitchen, 2
[Umatic] |
June 17, 1979 |
116 | 3 | Adele in the kitchen, 3
[Umatic] |
June 17, 1979 |
116 | 4 | Joan Edwards, 1 [Umatic] |
June 20, 1979 |
116 | 5 | Acres Homes, 3 [Umatic] |
June 23, 1979 |
116 | 6 | Bess Atwell 3rd wd., 1
[Umatic] |
June 25, 1979 |
115 | 7 | South Park, 1 [Umatic] |
June 25, 1979 |
115 | 8 | South Park, 3 [Umatic] |
June 25, 1979 |
116 | 9 | Bon/Boss? [Umatic] |
|
116 | 10 | Cara Johnson: Office, 1
[Umatic] |
June 28, 1979 |
116 | 11 | Larry Ybarra: Office, 1
[Umatic] |
June 29, 1979 |
116 | 12 | James Intro, 5 [Umatic] |
|
116 | 13 | James Intro, 6 [Umatic] |
|
116 | 14 | Mrs. Trippet to Black Car
[Umatic]
Says Sperry #4, Tape 3. 58 DUB, Pt. 3 of 58/2 original.
|
|
116 | 15 | Adele Santos (?): Fire footage, Chapter 13
[Umatic] |
|
116 | 16 | Houston Film: Ben Pearlman for Chamber of
Commerce [Umatic]
Contains an identification slip for the American Film Theater.
|
|
116 | 17 | Dr. James Pt.2, Office, 6
[Umatic] |
June 29, 1979 |
116 | 18 | Betamax Transfer, #4 [Umatic] |
|
8 | 64 | Media Study [Super 8 sound Movie Film
(Perforated)] |
|
8 | 65 | Media Study [Super 8 sound Movie Film
(Perforated)] |
|
1 | 77 | Trims: 51-52-53 [misc. 8 mm film and audio
strips] |
|
7 | 76 | Tippet, CR-71 [Perforated 8mm
film] |
|
7 | 115 | CR-80 [Perforated 8mm film] |
|
7 | 74 | Untitled [Perforated 8mm film] |
|
7 | 73 | Untitled [Perforated 8mm film] |
|
7 | 72 | Acres Home, CR-104 [Perforated 8mm
film] |
|
7 | 71 | CR-29 [Perforated 8mm film] |
|
7 | 70 | Untitled [Perforated 8mm film] |
|
7 | 69 | Untitled [Perforated 8mm film] |
|
7 | 68 | Mrs. Tippet, #2 [Perforated 8mm
film] |
|
7 | 67 | CR-44 [Perforated 8mm film] |
|
7 | 66 | CR-83 [Perforated 8mm film] |
|
7 | 65 | Untitled [Perforated 8mm film] |
|
7 | 64 | Mary Brown, CR-59 [Perforated 8mm
film] |
|
7 | 63 | Untitled [Perforated 8mm film] |
|
7 | 62 | Saldana Family [Perforated 8mm
film] |
|
7 | 61 | Tippet [Perforated 8mm film] |
|
7 | 60 | Untitled [Perforated 8mm film] |
|
7 | 59 | CR-47 [Perforated 8mm film] |
|
7 | 58 | Saldana Family [Perforated 8mm
film] |
|
115 | 78 | Advisors, #7 [Umatic [video]
Starts at .340.
|
July 27, 1979 |
115 | 79 | Pages, # 2 Kitchen [Umatic
[video] |
June 12, 1979 |
115 | 80 | Skip Chamber of Commerce, # 3 [Umatic
[video] |
June 12, 1979 |
115 | 81 | Pages, # 1 Kitchen [Umatic
[video] |
June 12, 1979 |
115 | 82 | Skip Chamber of Commerce, #2 [Umatic
[video] |
June 12, 1979 |
115 | 83 | Adele Announcing the Vote [Umatic
[video]] |
January 1, 1980 |
115 | 84 | Geo Hair Lady [Umatic [video] |
|
115 | 85 | The Pages: 5 Days Late, #1 [Umatic
[video] |
June 8, 1979 |
115 | 86 | Peter, #3 [Umatic [video] |
June 15, 1979 |
115 | 87 | Skip Chamber of Commerce, #1 [Umatic
[video] |
June 12, 1979 |
115 | 88 | Invisible City, Pt. 1 [Umatic
[video]
Dub from untitled master, Tele-image, Tape 1-A.
|
August 11, 1979 |
7 | 90 | Ed Reacts to Antioch News Story, Roll 402
[Perforated 8mm film] |
|
7 | 91 | Smith, 1st Sunday [Perforated 8mm
film] |
|
7 | 92 | Whiting House, Putting Film Together
[Perforated 8mm film] |
|
7 | 93 | Live Oak (Bad), Hicks [Perforated 8mm
film] |
|
7 | 94 | Hicks, Inside Sunset Church [Perforated
8mm film] |
|
7 | 95 | Smith/Sunday [Perforated 8mm
film] |
|
7 | 96 | Hope Center for Youth [Perforated 8mm
film] |
|
7 | 97 | Old Lady in Green and White [Perforated
Super 8mm film]
Swamp, shows mites, 30 years old, 2.
|
|
7 | 98 | Woman in Wheelchair [Perforated Super 8mm
film]
Woman in wheelchair on porch talking about bad shape of house, long shot,
Swamp (1506 1/2 Branard Houston, TX 77006).
|
|
7 | 99 | Mrs. Shelton at Fidelity [Perforated Super
8mm film]
Swamp, Mary Brown (1506 1/2 Branard Houston TX 97006).
|
|
7 | 100 | Phil Bedrain [Perforated Super 8mm
film]
Haphazard planning, water to top off, bridges, derricks, flooding,
wamp.
|
|
7 | 101 | Prices of Houses [Perforated Super 8mm
film]
Researchers: Sabine, contractor of neighborhood, renter out-getting in,
prices of house, CR-86, swamp (1506 1/2 Branard Houston, TX, 77006).
|
|
7 | 102 | [Tom Talking] [Perforated 8mm
film]
0
|
|
7 | 103 | Hicks, Old Pews [Perforated 8mm
film]
Hicks, old pews, black leader.
|
|
7 | 104 | Looking at Houses [Perforated Super 8mm
film]
S.P./ Sun side: Community Development, Commissioner at intersection
looking at houses-Buckled board, "no sills," swamp.
|
|
7 | 105 | La Panderia [Perforated Super 8mm
film] |
|
7 | 106 | Mary Brown [Perforated Super 8mm
film] |
|
7 | 107 | Jesse [Perforated Super 8mm
film]
Lady, no face, no bathroom.
|
|
7 | 108 | Animation of Deleraut [Perforated Super
8mm film]
Houses, 36 sec.
|
|
7 | 109 | Fox and J [Perforated Super 8mm
film]
Build up under construction and streets.
|
|
7 | 110 | Rudy, Houses 2 [Perforated Super 8mm film
] |
|
7 | 111 | La Panderia [Perforated Super 8mm
film]
Swamp, La panderia, gent.
|
|
7 | 112 | Fox and Jacobs [Perforated Super 8mm
film]
North Glen, contiguous building A, swamp.
|
|
7 | 113 | Grocie Lopez, 1 [Perforated Super 8mm
film] |
|
7 | 114 | Acres H. [Perforated Super 8mm
film]
Weeds across street, pitch, young M., weeds and abandoned houses, health
hazard, Mrs. W. by AB House, swamp.
|
|
7 | 75 | Grocie Lopez [Perforated Super 8mm
film]
Afraid of caving house.
|
|
7 | 116 | Mary Brown, CR-33 [Perforated Super 8mm
film] |
|
7 | 117 | Acres Homes [Perforated Super 8mm
film]
Park, killing, shootings, I'm afraid, Mrs. W. at park sign, Still
uniting, elections, swamp.
|
|
7 | 118 | Swamp [Perforated Super 8mm
film] |
|
7 | 119 | Jesse [Perforated Super 8 mm
film]
Absentee landlords, judges and lawyers, people living in attics.
|
|
7 | 120 | Swamp [Perforated Super 8mm
film] |
|
7 | 121 | [Jesse Living Conditions] [Perforated
Super 8mm film]
Mom living in house.
|
|
7 | 122 | Cajun Woman [Perforated Super 8mm
film]
Burned houses, "Hurts me to see," "So afraid our property
will devaluate," swamp.
|
|
17 | 123 | S.P./S.S., CR-116 [Perforated Super 8mm
film] |
|
17 | 124 | S. Side/S. Park [Perforated Super 8mm
film]
Housing Problems.
|
|
17 | 125 | Old Lady in Green White [Perforated Super
8mm film] |
|
17 | 126 | CR 45 [Perforated Super 8mm
film] |
|
17 | 127 | Mary Brown [Perforated Super 8mm
film]
Binz, BAF, Swamp.
|
|
17 | 128 | Dillard Foster Place [Perforated Super 8mm
film]
Developers didn't take pride, 1.
|
|
17 | 129 | Swamp [Perforated Super 8mm
film] |
|
17 | 130 | Swamp [Perforated Super 8mm
film] |
|
17 | 131 | Mary Brown [Perforated Super 8mm
film] |
|
17 | 132 | Jircik [Perforated Super 8mm
film]
Reject framing, not isolated example, sidings, particle board and
paper.
|
|
7 | 133 | [MISSING] O. J. Johnson [Perforated Super
8mm film]
Inside house, nine people living, how they sleep, how much money they
have.
|
|
17 | 134 | Fox and Jacobs In the Shed [Perforated
Super 8mm film] |
|
17 | 135 | Rev. Lawson [Perforated Super 8mm
film] |
June 16, 1979 |
17 | 136 | Cajun Woman [Perforated Super 8mm
film]
Cajun woman, abandoned house, boards vs. unboarded, pale Johnson and
records, gully shot of Henry, trash runs out.
|
|
17 | 137 | What is it to be Black and Poor?
[Perforated Super 8mm film]
Acres homes, Mrs. Washington, under tree at old woman's house,
"came," "concerned," "need city to do their
part," Oak forest canceled by district, taxation by
representation.
|
|
7 | 138 | [MISSING] Swamp [Perforated Super 8mm
film] |
|
17 | 139 | Hicks at Antioch, Last Remaster
[Perforated 8 mm film] |
|
17 | 140 | Mary Brown [Perforated Super 8 mm
film]
Fidelity.
|
|
17 | 141 | O. J. Johnson [Perforated Super 8mm
film]
At railyard, stretching down to Lee, outsized house on Tyre, this is
where we used to live.
|
|
17 | 142 | Hicks at farms [Perforated 8 mm
film] |
|
17 | 143 | Shots of W. in wheelchair [Perforated
Super 8mm film]
House, redhead lady, house is 29 years old, senior citizen, a person who
worked, no one to help her, no man around, house goes down, built
in.
|
|
17 | 144 | Putting the film together, Mrs. Whiting
[Perforated 8mm film] |
|
17 | 145 | Phil Bedrain (?) [Perforated Super 8mm
film] |
|
17 | 146 | Bad Economics [Perforated 8mm
film] |
|
17 | 147 | Blue NG (?) [Perforated 8mm
film]
Black leader.
|
|
7 | 148 | [MISSING] New Lawson, end [Perforated
Super 8mm film] |
|
17 | 149 | Cajun Woman [Perforated Super 8mm
film]
Tulsa is my home, like to continue living here (wearing glasses), looking
at houses.
|
|
17 | 150 | Substandard Houses [Perforated Super 8mm
film]
Some shakes and underexposure.
|
|
17 | 151 | Rev. Lawson, Swamp [Perforated Super 8mm
film] |
June 16, 1979 |
17 | 152 | Early in the morning [Perforated Super 8mm
film] |
|
17 | 153 | Sabine [Perforated Super 8mm
film]
Gent. house, old house, downtown, sipes house lot, shaky.
|
|
17 | 154 | Phil Bedrain, 2 [Perforated Super 8mm
film]
You want to town bars?
|
|
17 | 155 | Water taps and rats [Perforated Super 8mm
film] |
|
17 | 156 | Hicks Terms of Sale [Perforated 8mm
film] |
|
17 | 159 | Writing Home (2 reels) [Perforated 8mm
film]
Fourth Ward.
|
|
17 | 160 | Hicks: Moving [Perforated 8mm
film] |
|
17 | 161 | Mrs. Tippet [Perforated Super 8mm
film]
LS Houses, Tippet # 1, from neighborhood.
|
|
17 | 162 | Mac Church [Perforated 8mm
film]
The black leader.
|
|
17 | 163 | 1st DeGregori [Perforated 8mm
film]
1st DeGregori.
|
|
123 | 164 | Fourth Ward (stopped) [Perforated 8mm
film] |
|
114 | 165 | Bart Smith, #2 [Umatic [video]
Documentary Unit, SCUR 12.
|
June 14, 1979 |
114 | 166 | Bart Smith, #1 [Umatic [video] |
June 14, 1979 |
114 | 167 | Dub Fragments Messages [Umatic
[video]
RB, KA, JE, HHA, Nixon.
|
|
114 | 168 | Bart Smith, #3 [Umatic [video]
SCUR, Documentary Unit.
|
June 14, 1979 |
115 | 193 | Becknell, #3 [Umatic [video] |
June 13, 1979 |
115 | 194 | Becknell, #4 [Umatic [video] |
June 13, 1979 |
115 | 195 | Becknell, #5 [Umatic [video] |
June 13, 1979 |
114 | 196 | Bart Smith, #4, SCUR [Umatic
[video] |
June 14, 1979 |
114 | 197 | Bart Smith, #5, SCUR [Umatic
[video] |
June 14, 1979 |
114 | 198 | Rice Center, #1 [Umatic
[video] |
June 15, 1979 |
114 | 199 | Rice Center, #2 [Umatic
[video] |
June 15, 1979 |
114 | 200 | Rice Center, #3 [Umatic
[video] |
June 15, 1979 |
114 | 201 | Rice Center, #4 [Umatic
[video] |
June 15, 1979 |
114 | 202 | Rice Center, #5; Peter #1 [Umatic
[video] |
June 16, 1979 |
115 | 203 | Peter, #2 [Umatic [video] |
June 16, 1979 |
118 | 49 | Capra, #3 [Umatic] |
|
118 | 50 | Interview with Bruce Baillie by Robert
Gardner and Gerald O'Grady [Umatic] |
|
118 | 51 | James Blue, Adele Santos: Invisible City,
Pt. 2 [Umatic ] |
|
118 | 52 | Capra, #1 [Umatic] |
|
1 | 8 | Side 1. Hollis Frampton: Media Study,
Public Library Film Series. Side 2. Solariamagellani discussion
continued [Audio Cassette Tape] |
March 19, 1975 |
3 | 205 | HPHA, 1 [Umatic [video]
Documentary Unit.
|
May 24, 1979 |
3 | 206 | HPHA, 2 [Umatic [video]
Documentary Unit.
|
May 24, 1979 |
3 | 207 | HPHA, 3 [Umatic [video]
Documentary Unit.
|
May 24, 1979 |
3 | 208 | HPHA, 4 [Umatic [video]
Documentary Unit.
|
May 24, 1979 |
3 | 209 | HPHA, 5 [Umatic [video]
Documentary Unit.
|
May 24, 1979 |
3 | 210 | Ripley, 3 [Umatic [video]
Documentary Unit.
|
May 24, 1979 |
3 | 211 | Roberta Burroughs, 1 [Umatic
[video]
Documentary Unit.
|
May 25, 1979 |
3 | 212 | Roberta Burroughs, 3 [Umatic
[video]
Documentary Unit.
|
May 25, 1979 |
3 | 213 | Sawyer, 1/2 [Umatic [video]
Clovis Welch, Roscoe.
|
|
8 | 230 | Untitled [Perforated 8mm film] |
|
8 | 215 | Orison [Perforated 8mm film] |
|
8 | 221 | Fourth Ward, Roll 4 [Perforated 8mm
film]
Test, Janice, Rice Hotel.
|
|
8 | 214 | Untitled Interview [Perforated 8mm
film] |
|
8 | 227 | Marie Ristroph [Perforated 8mm
film] |
|
8 | 228 | Untitled [Perforated 8mm film] |
|
8 | 229 | City Hall Council Meeting [Perforated 8mm
film] |
|
8 | 225 | Untitled [Perforated 8mm film] |
|
8 | 232 | Kennedy C.D. meeting [Perforated 8mm
film] |
|
8 | 233 | Flood Demonstration City Hall [Perforated
8mm film] |
|
8 | 237 | Phone to Hicks [Perforated 8mm
film] |
|
8 | 238 | Martha Whiting [Perforated 8mm
film] |
|
8 | 240 | Airplane over Houston [Perforated 8mm
film] |
|
8 | 241 | The Single System [Perforated 8mm
film]
Whiting side, Antioch.
|
|
13 | 1 | Advisors: 1st Program, Tape B
[Umatic] |
July 27, 1979 |
13 | 2 | Advisors: Meeting #1, Tape C
[Umatic] |
July 27, 1979 |
13 | 3 | Advisors: Meeting #1, Tape 1
[Umatic]
Tape 1: Start to HHA.
|
July 27, 1979 |
13 | 4 | Advisors: Meeting #1, Tape 2
[Umatic]
Tape 2: Joan E. to pages arrive.
|
July 27, 1979 |
13 | 5 | Advisors: Meeting #1, Tape 3
[Umatic]
Tape 3: Skip Kasdorf to pages, Part 2.
|
July 27, 1979 |
13 | 6 | Advisors: Meeting #1, Tape 4
[Umatic]
Tape 4: End pages to D. Uzell and Jack Armstrong; Leonard Duncan.
|
July 27, 1979 |
13 | 7 | Advisors: Meeting #1, Tape 5
[Umatic]
Tape 5.
|
July 27, 1979 |
13 | 8 | Advisors: Meeting #1, Tape 6
[Umatic]
Tape 6.
|
July 27, 1979 |
13 | 9 | Heavy Trash [Umatic] |
|
13 | 10 | Adele Santos, Flood: Chapter 13
[Umatic] |
|
13 | 11 | Public Works: Dave Johnson, #1
[Umatic] |
July 31, 1979 |
13 | 12 | Public Works: Dave Johnson, #2
[Umatic] |
July 31, 1979 |
13 | 13 | Public Works #3 [Umatic] |
July 31, 1979 |
13 | 14 | Public Works #4, Dinnerstein #1
[Umatic] |
July 31, 1979 |
13 | 15 | Dinnerstein, #2 [Umatic] |
July 31, 1979 |
13 | 16 | Dinnerstein, #3 [Umatic] |
July 31, 1979 |
118 | 17 | Roberta: Trash, Light Table
[Umatic] |
August 1, 1979 |
118 | 264 | Copy Cat Demo, #5 [Umatic
[video]]
Sheila Hill: This is for James Blue.
|
September 17, 1979 |
16 | 275 | Betamax Transfer, #3 [Betamax] |
|
16 | 276 | Advisors A [Umatic [video] |
|
118 | 277 | Travelers Aid, #3 [Umatic
[video] |
June 17, 1979 |
16 | 278 | Mrs. Tippett, #3 [Umatic
[video] |
June 21, 1979 |
16 | 279 | Mrs. Tippett, #1 [Umatic
[video] |
June 21, 1979 |
16 | 280 | Advisors 5: James intro [Umatic
[video] |
|
16 | 281 | Travelers Aid, #1: Documentary Unit
[Umatic [video] |
June 17, 1979 |
16 | 282 | Travelers Aid, #2 [Umatic
[video] |
June 17, 1979 |
16 | 283 | Edward and Acres Homes [Umatic
[video]
Joan Edwards.
|
June 20, 1979 |
16 | 284 | Cora Johnson II: Office [Umatic
[video] |
June 29, 1979 |
16 | 285 | Czech Symp., Tape 1 [Umatic
[video]
Temple, Czech speech.
|
October 28, 1978 |
16 | 286 | Cora Johnson III, Roberta Burroughs
[Umatic [video] |
June 29, 1979 |
16 | 287 | Minnie Torres #1 [Umatic
[video] |
July 21, 1979 |
16 | 288 | Light Table, #2 [Umatic
[video] |
August 1, 1979 |
16 | 289 | Office, 8 [Umatic [video] |
June 29, 1979 |
16 | 290 | Travelers Aid, #4 [Umatic
[video] |
June 17, 1979 |
16 | 291 | Fourth Ward, Long Shot [Umatic
[video]
Advisors 9, James introduction, Vote - Advisors introduction.
|
July 27, 1979 |
119 | 292 | Karate: Leslie Interview [Perforated 8mm
film]
Karate, Blue, Pix, Leslie, R1, Leslie interview.
|
|
119 | 293 | Karate 39-42A [2 Perforated 8mm
films]
39/ 42 A, Pix.
|
|
17 | 295 | Karate, 51 [Perforated 8mm
film] |
|
17 | 296 | Karate R-50 [Perforated 8mm
film]
Leslie, Starts "well."
|
|
17 | 307 | Foolish Wives, 2 [Perforated 8mm
film] |
|
17 | 315 | Foolish Wives, 1 [Perforated 8mm
Film] |
|
17 | 319 | Foolish Wives, 8 [Perforated 8mm
film] |
|
17 | 320 | Foolish Wives, 7 [Perforated 8mm
film] |
|
17 | 325 | Foolish Wives, 3 [Perforated 8mm
film] |
|
17 | 326 | Foolish Wives, 4 [Perforated 8mm
film] |
|
17 | 330 | Broken Blossoms (7 reels) [Perforated 8mm
film]
Seven reels in a box.
|
|
1 | 348 | Tom and Jim in Van: Media Discussion
[perforated 8 mm film]
Simpson Outs.
|
|
1 | 344 | Simpson Outs [Perforated 8mm
film]
Simpson Outs.
|
|
120 | 345 | Living Archives: Forman/Passer Interview,
Part 1 [Umatic [video]
Living archives, Part 1, master.
|
|
120 | 346 | Living Archives: Forman/Passer Interview,
Part 2 [Umatic [video]
Living archives, Part 2.
|
|
Folder | |||
19 | 17 | [MISSING] Trims: Tom, 29 [Perforated 8mm
film] |
|
item | |||
120 | 27 | Ripley House, #2 [Umatic] |
May 24, 1979 |
120 | 38 | Austin, #4 [Umatic] |
May 29, 1979 |
120 | 46 | Tom Lord, #3 [Umatic] |
May 30, 1979 |
120 | 47 | Tom Lord, #4 [Umatic] |
May 30, 1979 |
120 | 41 | Dennis, #3 [Umatic] |
May, 30, 1979 |
120 | 52 | Manting: Realtors and Dinnerstein (?)
[Umatic] |
|
21 | 361 | Narration for Final Show [Umatic
[video]
Transferred takes of narration for Invisible City Summary Show.
|
|
21 | 362 | Houston Scapes: Rough #3, Pt. 2 [Umatic
[video] |
|
21 | 363 | Views of the City: Houston Skyline Shots
[Umatic [video] |
December 31, 1979 |
21 | 364 | Out 1 Show Dub of Takes Panel, 773 [Umatic
[video] |
|
21 | 365 | Rough, #2, Pt. 2 [Umatic
[video]
#7 used.
|
|
21 | 366 | Invisible City Summary Show [Umatic
[video]
Work tape, final dub.
|
|
21 | 367 | Invisible City Summary Show [Umatic
[video]
Work tape, final version of the ending.
|
April 5, 1980 |
21 | 368 | Jersey Demo Master [Umatic
[video]
Dub # 87, T 57, T 58, 12.
|
|
21 | 369 | Adele Show [Umatic [video] |
|
21 | 370 | Dave Johnson [Umatic [video]
Program 3 Work, Tape 37, Tape 38: Dave Johnson, HHA, Section 8.
|
|
21 | 371 | Invisible City Program: 5 Tape Segment
[Umatic [video] |
|
123 | 373 | Whiting [Perforated 8mm film] |
|
123 | 374 | Jones, no Sound [Perforated 8mm
film] |
|
123 | 377 | Roll 23, Pt. A [Perorated 8mm
film] |
|
123 | 378 | Paul Sully [Perforated 8mm
film] |
|
123 | 379 | Will Clark [Perforated 8mm
film] |
|
123 | 383 | Swimming in Fourth Ward [Perforated 8mm
film] |
|
123 | 385 | Ann Orison [Perforated 8mm
film] |
|
23 | 414 | Advisors: Meeting 3 [Umatic
[video] |
May 21, 1979 |
23 | 415 | Realtors, 5 [Umatic [video] |
June 4, 1979 |
23 | 416 | Robinson, 2 [Umatic [video] |
June 4, 1979 |
23 | 417 | Advisors: Meeting 2 [Umatic
[video] |
May 21, 1979 |
23 | 418 | University of Houston, 6 [Umatic
[video]
Mixon on blackboard; Documentary Unit.
|
June 4, 1979 |
23 | 419 | Inselman, 2 [Umatic [video]
Gasoline, metro buses, city garage, greyhound, electric car, moped,
traffic; Documentary Unit.
|
May 17, 1979 |
23 | 420 | Inselman, 4 [Umatic [video]
Milk sign and truck, people boarding bus; Documentary Unit.
|
May 17, 1979 |
23 | 421 | Robinson 1 [Umatic [video]
Tape 6, housing 1.
|
June 4, 1979 |
23 | 422 | University of Houston, 5 [Umatic
[video]
Mixon on the Blackboard; Documentary unit.
|
June 4, 1979 |
23 | 423 | Robinson, 4 [Umatic [video] |
June 4, 1979 |
23 | 424 | Robinson, 3: Carnivale [Umatic
[video] |
May 10, 1979 |
23 | 426 | Page Family, 1 [Umatic [video] |
June 4, 1979 |
23 | 428 | Inselman, 3 [Umatic [video]
Bad Wrinkle.
|
June 6, 1979 |
23 | 429 | Fraga [Umatic [video] |
June 1, 1979 |
23 | 430 | Cutaways: Fourth Ward, Allen Parkway,
Heavy Trash [Umatic [video] |
May 21, 1979 |
23 | 431 | Sawyer, 3 [Umatic [video] |
|
23 | 433 | Advisors: Meeting 1 [Umatic
[video] |
May 21, 1979 |
23 | 434 | Texas Federal Savings and Loan, Open and
Close [Umatic [video]
For ITVA.
|
April 26, 1978 |
120 | 435 | Sawyer, 2 [Umatic [video]
Documentary Unit.
|
May 23, 1979 |
120 | 436 | In Defense of Laissez-Faire [Umatic
[video] |
|
123 | 465 | Miss Lincoln, Talk on Porch [8mm
film] |
|
119 | 531 | Silver Spur Titles: Positive titles
[Perforated 16mm film] |
|
26 | 537 | Project on Bowling: Bruce Alesse
[Perforated 8mm film] |
|
26 | 539 | K. Barbara? [Super 8mm film] |
|
26 | 540 | Rice University: Paul Hester
"Street" [Super 8mm film] |
1970 |
26 | 541 | BIRT, Russell [Super 8mm film] |
|
26 | 542 | Beth Willer [Super 8mm film] |
|
123 | 543 | Positive Residue [16mm film] |
|
123 | 544 | Untitled [16mm film] |
|
123 | 545 | Moral for Summet Bit: Titles [16mm
film] |
|
26 | 554 | Foolish Wives, 5 [8mm film] |
|
26 | 558 | Foolish Wives, 6 [8mm film] |
|
119 | 566 | The Last Laugh, # 1 [8mm film] |
|
119 | 567 | The Last Laugh, # 2 [8mm film] |
|
119 | 568 | The Last Laugh, # 3 [8mm film] |
|
26 | 571 | Untitled [8mm film] |
|
26 | 572 | Untitled [8mm film] |
|
26 | 573 | Conorolls(?) #1 [8mm film] |
|
26 | 574 | Untitled [8mm film] |
|
26 | 575 | Kodak Sound Test Demo [8mm
film] |
|
26 | 576 | Untitled [8mm film] |
|
26 | 577 | K. [8mm film] |
|
26 | 578 | Strutin [8mm film] |
|
26 | 579 | Rebecca Goldfield: Assignment, 1B [8mm
film] |
|
26 | 580 | E. Sobala, Ex. # 1 [8mm film] |
|
26 | 581 | Bee [8mm film] |
|
26 | 582 | Untitled [8mm film] |
|
26 | 583 | Untitled [8mm film] |
|
26 | 584 | Barbara Hugetz [8mm film] |
|
26 | 585 | Untitled [8mm film] |
|
26 | 586 | Pow Reflection in water, looks like noon
and stars [8mm film] |
|
26 | 587 | Rebecca Goldfield: Assignment 1A [8mm
film] |
|
26 | 588 | Outtakes: Roman [8mm film] |
|
26 | 589 | Karen Menell [8mm film] |
|
26 | 590 | Cesar Interview, Not So Hot [8mm
film] |
|
26 | 591 | Clark [8mm film] |
|
123 | 592 | Untitled [16mm film] |
|
123 | 593 | Untitled [16mm film] |
|
123 | 594 | Property of Rice University Media Center
[16mm film] |
|
120 | 25 | Sawyer: 4 [Umatic] |
May 23 |
120 | 26 | Ripley [Umatic] |
May 24, 1979 |
120 | 27 | Roberta Burroughs [Umatic] |
May 25, 1979 |
120 | 28 | Roberta Burroughs [Umatic] |
May 25, 1979 |
25 | 37 | Austin 3, Child Welfare
[Umatic] |
May 29, 1979 |
25 | 49 | Advisors: Meeting #1, Tape 8
[Umatic] |
|
26 | 595 | Long Shot of City [8mm film] |
|
26 | 596 | Tom DeGregori's Office [8mm
film] |
|
26 | 597 | Smith, 1st Sunday [8mm film] |
|
26 | 598 | Domage Rags [8mm film] |
|
26 | 599 | City Council [8mm film] |
|
26 | 600 | Tom DeGregori: J. Giles Tape [8mm
film] |
|
26 | 601 | Untitled [8mm film] |
|
26 | 602 | Wash-Macedonia: Sunday, 2nd Sunday [8mm
film] |
|
124 | 603 | Fourth Ward [Community Development]
People: 1-8 [8mm film and audio] |
|
124 | 604 | Fourth Ward [Community Development] People
9-11 [8 mm film and audio]
59, 9-11, heard numbers at meetings, dwindling, Montre 4th.
|
|
119 | 605 | "The Invisible City" [8mm
film]
Exposure + Color Balance Problem Footage, Selected Takes, Super 8 Single
System Sound, "The Invisible City"
|
|
119 | 606 | Debby Dandridge [8mm film]
Meeting with CD [Community Development] people.
|
|
119 | 607 | Sound Single System Super 8 [8mm
film] |
|
124 | 608 | Fourth Ward Outs [8mm film and
audio]
Discussions by Van Bryan, "Where the Hell are we going with this
film?", Houston Center Constructions, "it's going to be a
beautiful building, 90 Pipe/McConn, Houston a better place to live,
Kendall, R. Jones.
|
|
119 | 610 | Black Leader [8mm film] |
|
26 | 610 | Louie Welch Trims [8mm film] |
|
124 | 611 | Fourth Ward CD People: 12-18 [8mm film and
audio] |
|
124 | 612 | Fourth Ward CD People: 19-23 + Wild [8mm
film and audio] |
|
124 | 613 | Fourth Ward: Martha Whiting, Pt. 1 [8mm
film and audio]
Good shot of for sale sign.
|
|
124 | 614 | Fourth Ward: Martha Whiting, Pt. 2 [8mm
film and audio] |
|
124 | 615 | Fourth Ward: First City Council, Pt. 1
[8mm film and audio] |
September 22 |
28 | 616 | Fourth Ward: First City Council, Pt. 2
[8mm film and audio] |
September 23 |
28 | 617 | Part 2 [8mm film and audio] |
|
28 | 618 | Fourth Ward: Unemployment [8mm film and
audio]
Milton, Lower, Pt. 2A: the part where the government has to come in.
|
|
28 | 619 | Fourth Ward: First City Council, Pt. 3
[8mm film and audio] |
|
28 | 620 | Fourth Ward: First City Council, Pt. 4
[8mm film and audio] |
|
28 | 621 | Fourth Ward: Jefferson [8mm film and
audio]
Commissioner Lower, Pt. 1.
|
|
28 | 622 | Organizing Fourth Ward [2 8mm audio
reels]
Commissioner Lower, Pt. 3.
|
|
28 | 623 | Fourth Ward: After Jefferson, Pt. 1 [8mm
film and audio] |
|
28 | 624 | Fourth Ward: Thomas Betrayed [8mm film and
audio]
After Jefferson, Pt. 2.
|
|
28 | 625 | Fourth Ward: Antioch, Pt. 1 [8mm film and
audio] |
|
28 | 626 | Operation Brad [8mm film] |
|
28 | 628 | Fourth Ward: Lovey Welch Trims |
|
Folder | |||
28 | 35 | Lovey Welch [8mm film and
audio] |
|
28 | 36 | Lovey Welch [8mm film and
audio] |
|
28 | 37 | Lovey Welch [8mm film and
audio] |
|
28 | 38 | Lovey Welch [8mm film and
audio] |
|
28 | 39 | Lovey Welch [8mm film and
audio] |
|
28 | 40 | Lovey Welch [8mm film and
audio] |
|
28 | 41 | Lovey Welch [8mm film and
audio] |
|
28 | 42 | Lovey Welch [8mm film and
audio] |
|
item | |||
123 | 643 | Silver Spur [16mm film] |
|
123 | 644 | Jim Blue Positive Titles [16mm
film] |
|
25 | 669 | Kreines Interview, #5 [Umatic
[video] |
|
25 | 670 | Kreines Interview, #1 [Umatic
[video]
DeMott.
|
|
25 | 671 | Who Killed the Fourth Ward, #2 and #3
[VHS] |
|
119 | 682 | Fourth Ward, Episode 3, Pt. 3 [8mm
film] |
|
30 | 683 | Original Barter Sound Track [16mm magnetic
audiotape] |
|
25 | 684 | The Invisible City, Pt. 4 and 5
[VHS]
Swamp.
|
|
25 | 685 | The Invisible City, Pt. 1, 2, 3
[VHS] |
|
25 | 686 | 1) Invisible City Summary, 2) Who Killed
the Fourth Ward #1 [VHS]
Invisible City summary, Who killed the fourth Ward, #1.
|
|
25 | 687 | 1) Evil Wind Out, 2) Rincan Santo, 3)
Columbia, 4) Food Crisis, 5) The March 64-65 [VHS]
The School At Rincon Santo, Letter from Columbia, A Few Words on Our Food
Crisis, The March 1964-65.
|
|
31 | 1 | Austin #1 [Umatic] |
May 29, 1979 |
31 | 2 | Austin #2 [Umatic] |
May 29, 1979 |
31 | 3 | Dennis #1 [Umatic] |
May 30, 1979 |
31 | 4 | Dennis #2 [Umatic] |
May 30, 1979 |
31 | 5 | Dennis #4 [Umatic] |
May 30, 1979 |
31 | 6 | Dennis #5 [Umatic] |
May 30, 1979 |
31 | 7 | Tom Lord #1 [Umatic] |
May 30, 1979 |
31 | 8 | Tom Lord #2 [Umatic] |
May 30, 1979 |
31 | 9 | Naomi Lede #1 [Umatic] |
August 3, 1979 |
31 | 10 | Urban League Jessie #3
[Umatic] |
May 31, 1979 |
31 | 11 | Urban League Jessie #4
[Umatic] |
May 31, 1979 |
31 | 12 | Realtors #1 [Umatic] |
June 4, 1979 |
31 | 13 | Bill Harper 1 of 3, Apt. Assoc.
[Umatic] |
July 13, 1979 |
31 | 14 | Rent Association: Golf Practice
[Umatic] |
|
31 | 15 | Bill Harper 3 of 3 [Umatic] |
July 13, 1979 |
31 | 16 | Jim Blackburn 1 of 1 [Umatic] |
July 11, 1979 |
31 | 17 | Industrial Encroachment: Jesse and Larry
[Umatic] |
November 20, 1976 |
31 | 18 | Dub Jesse B from Tape 50
[Umatic]
1) Carverdale, 2) South Park, 3) Bellaire
|
|
25 | 19 | Barry Klein [Umatic] |
|
34 | 753 | Weldon Berry [1/4-in. magnetic
audiotape] |
|
34 | 754 | First Part Antioch Vote [1/4-in. magnetic
audiotape] |
|
34 | 755 | Discussion about Jefferson Interview
[1/4-in. magnetic audiotape]
Tom DeGregori, trims.
|
September 7, 1976 |
34 | 756 | Antioch, interview with Hicks [1/4-in.
magnetic audiotape] |
September 24, 1976 |
34 | 761 | Fourth Ward: Episode 3, Part 1 Effects
[1/4-in. magnetic audiotape]
How long to build.
|
|
34 | 762 | Fourth Ward: Episode 3, Part 1 [1/4-in.
magnetic audiotape] |
|
34 | 763 | Fourth Ward: Episode 3, Part 3 [1/4-in.
magnetic audiotape] |
|
79 | 766 | Welch - Jobs - Jordan [8mm film and
magnetic audiotape] |
|
73 | 767 | Fourth Ward [8mm film]
Lifts, Houston Center, why you build down town.
|
|
79 | 768 | Fourth Ward: 90A: Tom DiGregori [8mm film
and magnetic audiotape]
Tom (?) in bus, the evangelist, ambulance, driving man, dominoes,
dance.
|
|
79 | 770 | Fourth Ward: Lifts, Houston Center, Why
You Wild Downtown [8mm film and magnetic audiotape] |
|
79 | 771 | Outs from First Episode [8mm film and
magnetic audiotape] |
|
79 | 772 | Trims: McGee/McGiuness: 1B, 2, 3 [8mm film
and magnetic audiotape] |
|
79 | 773 | Outs: Johnson Program [8mm film and
magnetic audiotape] |
|
79 | 774 | Episode II, Outs, Dave Johnson [8mm film
and magnetic audiotape]
Tom at Media center, Johnson out in Fourth Ward.
|
|
79 | 775 | Dave Johnson #1 Junk [8mm film and
magnetic audiotape]
Dave Johnson 1, junk.
|
|
73 | 783 | Hoff [8mm film] |
|
35 | 1 | Student Presentation: 1st Critic, #1
[Umatic] |
|
35 | 2 | Student Presentation: 1st Critic, #2
[Umatic ] |
|
35 | 3 | Student Presentation: 1st Critic, #3
[Umatic] |
|
35 | 4 | Student Presentation: 1st Critic, #4
[Umatic] |
|
35 | 5 | Harold Hyman (Advisors Meeting)
[Umatic] |
|
35 | 6 | Hazel [Umatic] |
|
35 | 7 | Advisors Meeting (Last)
[Umatic] |
May 21, 1979 |
35 | 8 | Sawyer, #1 [Umatic] |
May 23, 1979 |
35 | 9 | Realtors, #2 [Umatic] |
June 4, 1979 |
35 | 10 | Realtors, #3 [Umatic] |
June 4, 1979 |
35 | 11 | Realtors, #4 [Umatic] |
June 4, 1979 |
35 | 12 | Page Family, #3 [Umatic] |
June 4, 1979 |
35 | 13 | University of Houston Law School, #1
[Umatic] |
June 4, 1979 |
35 | 14 | University of Houston Law School, #2
[Umatic] |
June 4, 1979 |
35 | 15 | University of Houston Law School, #3
[Umatic] |
June 4, 1979 |
35 | 16 | University of Houston Law School, #4
[Umatic] |
June 4, 1979 |
35 | 17 | Fox and Jacobs, #1 [Umatic] |
June 7, 1979 |
35 | 18 | Fox and Jacobs, #2 [Umatic] |
June 7, 1979 |
36 | 809 | Rudi Vara, Mrs. Moreno
[Umatic] |
|
36 | 810 | Sally, Retake 1 of 2 [Umatic ] |
July 13, 1979 |
36 | 811 | Leonard Duncan #1 [Umatic] |
|
36 | 812 | Sally, #2: Retake [Umatic] |
|
36 | 813 | Sally, Pt. 2 [Umatic]
Fox and Jacobs to end of Sawyer, continue Sally sequence to D. Sawyer,
Fraga.
|
|
36 | 814 | Leonard Duncan, #2 [Umatic]
Naomi Advisor.
|
August 3, 1979 |
36 | 815 | 4th Advisors Work Dub [Umatic]
Invisible City Sequence.
|
|
36 | 816 | Maria Martinez [Umatic]
Maria Martinez.
|
August 1, 1979 |
36 | 817 | MacDougal [Umatic]
Exterior Sabine Gentry, 303 Bishop, Mrs. Torres old house, Greenway Plaza
houses to be moved.
|
|
36 | 818 | Naomi Lede, Advisor #3
[Umatic] |
|
36 | 819 | Ms. Smalley [Umatic]
4th Advisors, #6.
|
|
36 | 820 | Rudy, Houses, Gentry [Umatic]
Gentry, Slum, Ms. Red House.
|
July 23, 1979 |
36 | 821 | Industrial Encroachment, Cora Johnson
[Umatic]
Cora Johnson, Sequence Industrial Encroachment.
|
|
36 | 822 | Sabine on Gingerbread #2
[Umatic]
Sabine shots.
|
July 23, 1979 |
36 | 823 | Fourth Ward, Trash [Umatic]
Rap on heavy trash, Becknell cutaways, James, Adele, Rev. Lawson on
Monitor.
|
|
36 | 824 | Leonard Duncan, #2 [Umatic] |
March 12, 1976 |
36 | 825 | Ossi Johnson, 1 of 1 [Umatic] |
July 11, 1979 |
36 | 826 | Tom Lord [Umatic]
Star Debate.
|
January 2, 1980 |
36 | 827 | Gentrification - Bart Smith to Bakery
[Umatic]
Bart Smith to Bakery.
|
|
123 | 896 | Mayor at Horab, Roll 3 [8mm
film]
Mayor at Horeb.
|
|
124 | 899 | Fourth Ward: Marie Ristroph [8mm film and
magnetic audiotape] |
|
124 | 900 | Fourth Ward: Hicks [8mm film and magnetic
audiotape] |
|
124 | 901 | Fourth Ward: Tom Jefferson's
Betrayal, wild sound [8mm film and magnetic audiotape] |
|
124 | 902 | Fourth Ward: Weldon Berry [8mm film and
magnetic audiotape] |
|
38 | 903 | Fourth Ward: Macedonia, waters, Pt. 1 [8mm
film and magnetic audiotape] |
|
38 | 904 | Macedonia: Reel 2 [8mm film and magnetic
audiotape] |
|
38 | 905 | Fourth Ward: Bob Moore, second interview
[8mm film and magnetic audiotape] |
|
38 | 906 | Fourth Ward: Mt Horeb, Mayor at Church
[8mm film and magnetic audiotape] |
|
38 | 907 | Fourth Ward: Mt Horeb, Mayor's
office, car Pt. 1 [8mm film and magnetic audiotape] |
|
38 | 908 | Fourth Ward: Mt Horeb Pt. 2, Mayor at
church [8mm film and magnetic audiotape] |
|
38 | 909 | Fourth Ward: Mt Horeb Pt. 4, reactions
[8mm film and magnetic audiotape] |
|
38 | 910 | Untitled [8mm film and magnetic
audiotape] |
|
38 | 911 | Fourth Ward: Antioch, Pt. 2 [8mm film and
magnetic audiotape] |
|
38 | 912 | Antioch, R3 [8mm film and magnetic
audiotape] |
|
123 | 913 | Mayor at Horeb, Roll 3, Insert? [8mm
film] |
|
123 | 914 | Mayor at Horeb, Roll 3, Insert B [8mm
film] |
|
39 | 147 | Office/McMannus: Tape 147
[Umatic] |
June 29, 1979 |
39 | 137 | South Park, 2 [Umatic] |
June 25, 1979 |
39 | 155 | Johnson Welch: Fourth Ward excerpt
[Umatic]
Includes Czech Symposium, Introduction Tape #1.
|
October 28, 1978 |
39 | 158 | Mary Scuiffut #2 [Umatic] |
|
39 | 139 | Tom Bass [Umatic] |
June 27, 1979 |
39 | 157 | Mary Scuiffut, #1 [Umatic] |
June 11, 1979 |
39 | 120 | Creative Restorations, Tape #120
[Umatic]
Living in inner city more acceptable/vogue, you are mourning
buildings.
|
June 19, 1979 |
39 | 121 | Creative restorations, Tape #121
[Umatic] |
June 19, 1979 |
39 | 122 | Creative restorations, Tape #122
[Umatic] |
June 19, 1979 |
39 | 123 | Creative restorations, Tape #123
[Umatic] |
June 19, 1979 |
39 | 131 | Mrs. Tippett [Umatic] |
June 21, 1979 |
39 | 132 | Acres Homes, Tape #1 [Umatic] |
June 23, 1979 |
39 | 133 | Acres Homes, Tape #2 [Umatic] |
June 23, 1979 |
39 | 144 | Office tape #4: Roberta Burroughs, Pt. 2
[Umatic] |
June 29, 1979 |
39 | 145 | Office tape #5: Roberta Burroughs, Pt. 3;
Dr. James, Pt. 1 [Umatic] |
June 29, 1979 |
39 | 149 | Office/Gorczynski/Parras
[Umatic] |
June 29, 1979 |
39 | 150 | Office/Parras [Umatic] |
June 29, 1979 |
39 | 152 | Minnie Torres #2, Gentry McDougal #1
[Umatic] |
|
126 | 188 | Advisors: 4th tape [Umatic] |
August 29, 1979 |
38 | 1 | Fourth Ward: Trims [8mm film and audio
tape] |
|
127 | 2 | Fourth Ward: Media Disc. Pt. 2 [8mm film
and audio tape] |
|
127 | 3 | Fourth Ward: Lady on Porch, Mrs. Lincoln
[8mm film and audio tape] |
|
38 | 4 | Fourth Ward: Simpson and Evangelist trims
[8mm film and audio tape] |
|
127 | 5 | Fourth Ward: Tom and James Media Center
discussion [8mm film and audio tape]
People have to be given decisions.
|
|
127 | 6 | Fourth Ward: Evangelist [8mm film and
audio tape] |
|
40 | 237 | First section: Judith Broadhurst; Second
section: 3rd program telephone response shoot [Umatic] |
|
40 | 233 | Response show with Adele: Opening show
[Umatic] |
August 27, 1979 |
40 | 229 | Advisors, #2 [Umatic] |
August 24, 1979 |
40 | 238 | Peter Rowe last interviews; Adele faking
advisors babble [Umatic] |
September 4, 1979 |
40 | 242 | Adele's introduction to live studies
show, Tape segment #3 [Umatic] |
|
41 | 236 | Sperry fourth show, getting in trouble
[Umatic] |
|
41 | 239 | Summary, Pt. 3: Developers argument to end
of show [Umatic] |
January 2, 1980 |
41 | 235 | Sperry: Dub advisors, #1
[Umatic] |
|
41 | 15 | Mrs. Whitte [Umatic] |
August 25, 1979 |
41 | 230 | Advisors, #3 [Umatic] |
|
41 | 241 | Adele: Introduction to final show, # 2
[Umatic] |
|
41 | 18 | Adele: Introduction to studio show, #1
[Umatic] |
|
40 | 83 | Invisible City, Response
[Umatic] |
August 13, 1979 |
40 | 84 | Summary show: Pt. 2 [Umatic]
Neighborhood decline to end discussion of services.
|
January 2, 1980 |
41 | 80 | Bordersville #1 (neighborhood council
meeting) [Umatic] |
May 7, 1979 |
41 | 81 | Bordersville, #2 [Umatic] |
June 7, 1979 |
40 | 102 | Becknell #2 [Umatic] |
|
40 | 85 | Becknell cutaways: James and Adele
[Umatic] |
|
40 | 86 | Summary, Pt. 1: Invisible City
[Umatic] |
|
40 | 89 | Becknell: Original at beginning of Tape #3
[Umatic] |
July 30 1979 |
41 | 78 | Fox and Jacobs, #4 [Umatic] |
May 15, 1979 |
41 | 98 | Becknell #2 [Umatic] |
June 13, 1979 |
41 | 97 | Becknell #1 [Umatic] |
June 13, 1979 |
41 | 12 | Part 3, Peter To "short stuff"
[Umatic] |
|
41 | 13 | For "Houston City Film" Transfer
[Umatic] |
|
41 | 143 | A Matter of Time #1 [Umatic] |
|
41 | 79 | Fox and Jacobs, #5 [Umatic] |
|
41 | 137 | A Matter of Time #2 [Umatic] |
|
126 | 1 | Roberto Rossellini: General Della Rovere,
Reel 1 of 3 [Video tape] |
|
126 | 2 | Colin Young on Image 3 [Memorex
videotape] |
|
126 | 3 | Colin Young on Image 1 [Memorex
videotape] |
|
126 | 4 | Houston Public Television: Essene, Reel 2
of 3 [Memorex videotape] |
|
126 | 5 | The Family: British TV series [Video
Tape] |
|
126 | 6 | Under One Roof Video Co-op, New York
Housing Composite/Rent Strike [videotape] |
1973 |
126 | 7 | "To Put Away the Gods" by Brian
Huberman and Ed Hugetz [VHS] |
1990 |
44 | 137 | Fourth Ward: H. Young, Pt. 3 [8mm film and
audio] |
|
44 | 132 | Fourth Ward: J. Carter, Pt. 1; Macedonia
Davis [8mm film and audio] |
|
44 | 136 | Fourth Ward: H. Young, Pt. 2 [8mm film and
audio] |
|
44 | 129 | Fourth Ward: C.D. Meeting, "mayor
should be congratulated" [8mm film and audio] |
|
44 | 128 | Fourth Ward: C.D. Meeting, Pt. 1 [8mm film
and audio] |
|
44 | 139 | Fourth Ward: Smith Speech [8mm film and
audio] |
|
44 | 7 | Fourth Ward: Trims [8mm film and
audio] |
October 15, 1977 |
44 | 140 | Fourth Ward: Tom's reaction to Mt.
Horeb [8mm film and audio] |
|
44 | 135 | Fourth Ward: Hazel Young, Pt. 1 [8mm film
and audio] |
|
44 | 130 | Fourth Ward: C.D Meeting [8mm film and
audio] |
|
44 | 131 | Fourth Ward: Telephone real estate;
Macedonia Davis, Pt. 1 [8mm film and audio] |
|
44 | 138 | Fourth Ward: Jim Carter [8mm film and
audio] |
|
44 | 13 | 21 Trims: Rhea Daniels [8mm film and
audio] |
|
44 | 122 | Fourth Ward: Trims [8mm film and
audio] |
|
127 | 127 | Fourth Ward: Press conference after
Antioch [8mm film and audio - 1 film reel, 2 audio reels] |
|
45 | 16 | Double System 58/16 [16mm magnetic audio
tape] |
|
123 | 257 | DeGregor [8mm film] |
|
41 | 91 | Jessie Brooks, Pt. 2 of 2
[Umatic] |
|
40 | 19 | I. Rough Edit, Ethos [Umatic] |
|
40 | 20 | Developers argument building
[Umatic] |
|
40 | 21 | Dubtape: 35 Robinson; 100 Tom Lord; 227
McClellan [Umatic] |
|
40 | 158 | C-20-158 [Umatic] |
|
40 | 23 | Adele: Conclusion [Umatic] |
|
125 | 24 | Untitled [8mm audio - 3 reels] |
|
125 | 25 | Blue/Rhea Daniels [8mm audio] |
|
125 | 26 | Rhea "Lucky to have T.V." [8mm
audio] |
|
128 | 27 | Kevin Randle's film [8mm
film] |
|
128 | 28 | Super 8 Leader [8mm film] |
|
125 | 29 | Smith w/Ed. H. [8mm audio] |
|
123 | 30 | Houston Center [8mm film] |
|
125 | 31 | Untitled [8mm audio] |
|
123 | 32 | Untitled [8mm film] |
|
125 | 33 | Mt. Horeb Sunday People Meeting [8mm
audio] |
|
123 | 34 | Degregor retakes [8mm film] |
|
128 | 35 | Aspen Mag. Dupe 8 [8mm film] |
|
128 | 36 | R33 Hicks [8mm film] |
|
126 | 2 | Lord of the Universe Top Value TV
[videotape] |
|
45 | 2 | Out - Lazy [16mm magnetic
audiotape] |
|
128 | 3 | Untitled [8mm film] |
|
45 | 4 | Karate: Scene 4, Pawn (2 reels) [16mm
magnetic audiotape] |
|
45 | 5 | 46, 47, 48, 49: Outs: Sound [16mm magnetic
tape] |
|
45 | 6 | W-Steve-Sex and Guns [16mm magnetic
audiotape] |
|
45 | 7 | Aerials [16mm magnetic
audiotape] |
|
45 | 8 | Karate 1: Son guided tour [16mm magnetic
tape] |
|
45 | 9 | Karate: 37, 38: Sound [16mm magnetic
tape] |
|
45 | 10 | Outs, Son: Guide Tour [16mm magnetic
reels] |
|
45 | 11 | W: Interview: Steve/Rocks (2 reels) [16mm
magnetic audiotape] |
|
45 | 12 | Redub: Leslie [16mm magnetic
audiotape] |
|
45 | 13 | Ex: House, Faucet [16mm magnetic
audiotape] |
|
128 | 14 | Karate 37-38: Cam Rolls 8, 9, 10 [8mm
film] |
|
128 | 15 | Camera Motion [8mm film] |
|
45 | 15 | Leslie 12-1 [16mm magnetic
audiotape] |
|
45 | 17 | Turner [16mm magnetic
audiotape] |
|
128 | 18 | Interview: Steve: Son: Sync [8mm
film] |
|
128 | 19 | Karate: R-1 trims [8mm film] |
|
45 | 20 | Karate: 50, 51 Sounds: Outs [16mm magnetic
audiotape] |
|
126 | 3 | Texas Tenants Union: Joe Lambert, Kenneth
Cooper [Umatic] |
|
126 | 4 | Woody Denson, Attorney - Invisible City
Response [Umatic] |
|
125 | 3 | Food Film: Screening with Blue, Odze,
Vellani and Alexander; Washington, D.C. [1/4-in. magnetic
tape] |
December 18, 1967 |
46 | 3 | Fourth Ward: McGuiness (8mm film and
audio) |
|
46 | 2 | Fourth Ward: McGuiness (8mm film and
audio) |
|
127 | 28 | Mrs. McGee (8mm film and
audio) |
|
46 | 1 | Fourth Ward: Frank (8mm film and
audio) |
|
46 | 8 | Fourth Ward: Trims (8mm film and
audio) |
|
46 | 14 | Fourth Ward - 14B - July 4th Birthday (8mm
film and audio) |
|
46 | 13 | Fourth Ward: Pool Hall, Dance, Black
Landowner (8mm film and audio) |
|
46 | 12 | Fourth Ward: Larry Cook (8mm film and
audio) |
|
123 | 11 | Trims: R11, Lady on Porch (8mm film and
audio) |
|
127 | 22 | Fourth Ward: Mrs. Cook (8mm film and audio
- 2 reels each, in 2 boxes) |
|
127 | 29 | Untitled (8mm film and audio) |
|
128 | 9 | Fourth Ward: Street Dominoes (8mm
film) |
|
127 | 19 | Anchor H. Breakfast, Black Landlord,
Dance, Lady Eating BBQ (8mm film and audio) |
|
123 | 20 | Roll 20 (8mm film) |
|
46 | 15 | Fourth Ward: Trims (8mm film and
audio) |
|
127 | 20 | 4th Ward: Anchor House (8mm film and
audio) |
|
46 | 16 | Fourth Ward - 14A - Birthday, 4th July,
woman from Sunnyside |
|
46 | 6 | Fourth Ward: Coty Blue and bar people (8mm
film and audio) |
|
46 | 7 | Fourth Ward: J. Venice (8mm film and
audio) |
|
127 | 23 | Roll 8 (8mm film and audio) |
|
46 | 5 | Fourth Ward: Short Shots (8mm film and
audio) |
|
46 | 4 | Fourth Ward: Brown and Short Shots (8mm
film and audio) |
|
46 | 10 | Fourth Ward: Drugs and Ambulance (8mm film
and audio) |
|
127 | 27 | Fourth Ward: Moore first part (8mm film
and audio) |
|
127 | 42 | Roll 42B (8mm film and audio) |
|
125 | 921 | George Lewis [1/4-in. magnetic
audiotape] |
November 19, 1980 |
45 | 922 | Karate Intro [16mm magnetic
audiotape] |
|
47 | 923 | Silver Spur: Silent Work print [16mm
film] |
|
47 | 924 | Rice University [16mm film] |
|
47 | 925 | Le Jardin des Roses (Arabic) [16mm film,
B&W, optical sound] |
|
47 | 926 | La Princesse Muette [16mm
film] |
|
47 | 927 | Editing Exercise, #2: Hawaii Five-0; Rice
University [16mm film and magnetic audiotape] |
|
126 | 918 | What Price Knowledge (Primate Followup)
NOVA [Umatic] |
|
47 | 24 | Silver Spur Trims? [16mm film] |
|
123 | 932 | Blue calls Hicks, Mr. Blue #1 [8mm
film] |
|
123 | 941 | 2nd Sunday, Rev Wash, Macedonia, Mt. Horeb
after Mayor, Mr. Blue #2 [8mm film] |
|
129 | 942 | Untitled [16mm Sony Videotape] |
|
129 | 943 | Untitled [16mm Sony Videotape] |
|
129 | 944 | Untitled [16mm Sony Videotape] |
|
129 | 945 | Untitled [16mm Sony Videotape] |
|
129 | 946 | Untitled [16mm Sony Videotape] |
|
129 | 947 | Untitled [16mm Sony Videotape] |
|
129 | 948 | Untitled [16mm Sony Videotape] |
|
129 | 949 | Untitled [16mm Sony Videotape] |
|
129 | 950 | Nixon Resignation [16mm Sony
Videotape] |
August 8, 1974 |
129 | 951 | 1 [16mm Sony Videotape] |
|
129 | 952 | Untitled [16mm Scotch Video
Tape] |
|
129 | 953 | #3 [16mm Scotch Video Tape] |
|
129 | 954 | The Frontier 1979, Program #3, Sally
Dundas: "Mother Daughter…" [16mm Sony
Videotape] |
|
126 | 955 | L-500 [Betamax] |
|
126 | 956 | Loose Reel [16mm Memorex
Videotape] |
|
50 | 100 | Fourth Ward: Trims [8mm film and
audiotape] |
Spring 1969 |
50 | 101 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 959 | Fourth Ward - 125 - Operation Bread Basket
[8mm film and audiotape] |
|
50 | 961 | Episode 2 [8mm film and magnetic
audiotape]
Outs, Dixon, Hicks, Young, Ruth Pryor, Snitzer, CD Meeting.
|
|
50 | 962 | Tom and Jim in Media Center only, Media
Disc. Lifts, 1st MC disc - conspiracy [8mm film and magnetic
audiotape] |
|
50 | 103 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 104 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 106 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 108 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 109 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 110 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 111 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 112 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 113 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 114 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 115 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 116 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 117 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 118 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 119 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 120 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 121 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 122 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 123 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 124 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 126 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 128 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 129 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 130 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 131 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 132 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 133 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 134 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 136 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 137 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 138 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 139 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 967 | 4th Ward - Trims - Episode 3 [8mm film and
magnetic audiotape] |
|
50 | 140 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 142 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 143 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 144 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 146 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 147 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 149 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 151 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 152 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 153 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 154 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 155 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 156 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 157 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 158 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 159 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 160 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 161 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 162 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 163 | Fourth Ward: Trims [8mm film and
audiotape] |
|
50 | 964 | Martha Weiting: Lifts [8mm film and
magnetic audiotape] |
|
50 | 965 | 5th Ep. 1, Outs, Watees, Jordan, Hof In
Car [8mm film and magnetic audiotape]
Jordan, watees, outs, 5th episode.
|
|
50 | 164 | Fourth Ward: Trims [8mm film and
audiotape]
BBQ, Schnitzer, Young, Hicks, Kendal, landlady, Shelby, the Mayor.
|
|
50 | 963 | Fourth Ward: Trims [8mm film and magnetic
audiotape]
Episode 3, Jordan, Macedonia, pleurisy, wash at church, after Horeb,
projector, DeGregori, Mayor.
|
|
50 | 968 | Fourth Ward - Lifts - Schnitzer, Real
Estate, City Work Closely [8mm film and magnetic audiotape]
Lifts, Schnitzer, Real estate, City work closely.
|
|
50 | 969 | Misc. Out [8mm film and magnetic
audiotape]
Brown, Johnson in Fourth Ward, Hicks, Mrs. Young, Blue talk in 4th Mt
Carmel.
|
|
50 | 970 | 4th Ward - Lifts - Welch/Jobs/Jordan [8mm
film and audiotape]
Lifts, Welch, Jobs, Jordan.
|
|
128 | 984 | Untitled [8mm film] |
|
50 | 986 | "The Room," Lisa Johnson [8mm
film and magnetic audiotape]
Lisa Johnson.
|
Spring 1969 |
128 | 987 | Karate, 1 [8mm film]
Guided tour, pix.
|
|
128 | 988 | Untitled [containing box]
46, 47, 48, 49, Pix.
|
|
128 | 989 | R-48 [8mm film] |
|
128 | 990 | Rocks [8mm film] |
|
128 | 991 | Untitled [8mm film] |
|
123 | 999 | Trims: 50, 51 [8mm film] |
|
128 | 1000 | Karate: 25-31 [8mm film] |
|
128 | 1001 | Karate: 23-24 + VO [8mm film] |
|
128 | 1002 | Karate: 1-7 [8mm film] |
|
128 | 1003 | Karate: 8-10 [8mm film] |
|
128 | 1004 | Karate Pix: 11, 12, 13, 14, 15 [8mm
film] |
|
128 | 1005 | Untitled [8mm film - 2 reels] |
|
128 | 1006 | Karate: Steve goes up to bedroom [8mm
film] |
|
128 | 1007 | Block Movie: Super 8, Scott Thomas, Rice
Media Center [8mm film] |
August 27, 1973 |
128 | 1008 | Karate: Last roll, room interview [8mm
film - 2 reels] |
|
128 | 1009 | Karate: 16-22 [8mm film] |
|
128 | 1010 | Karate: 44 + VO, Steve [8mm
film] |
|
50 | 1011 | Baby Face Nelson: Original master, black
and white [16mm film] |
September 7, 1973 |
128 | 1012 | CR 6 [8mm film] |
|
128 | 1013 | Untitled [8mm film] |
|
51 | 1014 | Tex [8mm film] |
|
123 | 1015 | Bill Stephens, Randy and Melinda [8mm
film] |
Spring 1969 |
123 | 1016 | Friends on Grass: James McMahon, original
[8mm film] |
Spring 1969 |
51 | 1017 | David Gerth: Dream of Self [8mm
film] |
|
51 | 1018 | John Pratt: Paper Dolls, silent [8mm
film] |
Spring 1969 |
51 | 1019 | Geese: Tom Burke, original [8mm
film] |
Spring 1970 |
51 | 1020 | Mike Ford: My Room, sound, striped,
original [8mm film] |
Spring 1969 |
51 | 1021 | 1-11, Mike Ford, My Room [8mm
film] |
Spring 1969 |
51 | 1025 | 4th Ward - Ep. 1, Pt. 3 [8mm
film] |
|
51 | 1026 | 1-6, Lisa Johnson, Washateria [8mm
film] |
Spring 1969 |
129 | 1036 | Video Viewing Room [Betamax]
M. Smith, Mary McFerran, Power plays A and B, M. Raskin Stichtung,
Studies in Entertainment, Paul Dougherty, The Devil Lives in my
Husband's Body, John Greyson, The Jungle Boy, King Blank.
|
November 1984 |
129 | 1037 | Class interviews [Betamax] |
February 11, 1985 |
51 | 1038 | Steve Bar: Leslie [8mm film] |
|
130 | 1039 | Episode III: Pt. II Mt. Carmel, Mayor [8mm
film and magnetic audiotape] |
|
130 | 1040 | Outs: 4th Episode, Carter/Ristroph/Dixon
[8mm film and magnetic audiotape] |
|
130 | 1041 | 4th Ward - 131A - Macedonia/Davis, Outs,
Wash. [8mm film and magnetic audiotape]
We're going to Church, Fourth Ward, Macedonia, Davis.
|
|
130 | 1042 | Episode II: Outs [8mm film and magnetic
audiotape] |
|
130 | 1043 | Tom DeGregori [8mm film and magnetic
audiotape] |
|
130 | 1044 | Bob Moore: 2nd interview, Roll 2 [8mm film
and magnetic audiotape] |
|
130 | 1045 | Untitled [8mm film and magnetic
audiotape] |
|
51 | 1048 | Tom DeGregori, Roll 3 [8mm
film] |
|
50 | 1050 | Untitled [8mm film and magnetic
audiotape] |
|
51 | 1051 | Black Leader [8mm film] |
|
51 | 1053 | Van [8mm film] |
|
51 | 1054 | Untitled [8mm film] |
|
51 | 1056 | DeGregori, Pt. 1 [8mm film] |
|
51 | 1057 | Untitled [8mm film] |
|
51 | 1060 | Untitled [8mm film] |
|
50 | 1061 | Dominoes After Communication Problem [8mm
film and magnetic audiotape] |
|
51 | 1063 | Untitled [8mm film] |
|
51 | 1064 | DeGregori Retakes [8mm film] |
October 12, 1977 |
51 | 1065 | End Narration Sequence [8mm
film] |
|
51 | 1066 | Tram: To and from town, Antioch to Allen
Center [8mm film] |
|
51 | 1067 | Mrs. Whiting: Putting film together [8mm
film] |
|
51 | 1068 | Rain: Mrs. Young [8mm film] |
|
51 | 1069 | Outside Church: Educated sell out [8mm
film] |
|
51 | 1070 | Martha Whiting: Putting the film together,
Tom [8mm film] |
|
51 | 1071 | Ed + Brian reacting to newspaper [8mm
film] |
|
51 | 1072 | Mrs. Whiting: Nite of putting film
together [8mm film] |
|
51 | 1073 | Mrs. Whiting: Putting the film together
[8mm film] |
|
51 | 1074 | Mrs. Whiting: Nite of putting film
together - talking to Brian [8mm film]
Putting film together, talking to Brian.
|
|
51 | 1075 | Charles Wool(?) - no sound [8mm
film] |
|
51 | 1076 | City Council [8mm film] |
|
51 | 1077 | Antioch Kids Talk About Selling Church
[8mm film]
Talk about selling, rain, reaction to show in Antioch.
|
|
51 | 1078 | Rain - Mrs. Young talks about film going
on inside [8mm film]
Mrs. Young talks about film going on inside.
|
|
51 | 1079 | Brian reading about Antioch [8mm
film] |
|
50 | 1080 | Water Soup(?) - he wants to speak to mayor
[8mm film and magnetic audiotape] |
|
73 | 54 | Olive Trees of Justice: Trims [16mm
film] |
|
Folder | |||
54 | 58 | Untitled [Cassette] |
|
item | |||
129 | 1093 | Green Room Show [Umatic] |
|
129 | 1094 | Charles Guggenheim: "High
Schools" (1984), Based on Ernest L. Boyer, "High School"
[Umatic]
High Schools, based on Ernest L. Boyer, High School.
|
1964 |
129 | 1095 | Bryan High School, Super 8 Workshop
[Umatic]
Bryan High School, Super 8 Workshop.
|
February 21, 1976 |
129 | 1096 | Tattoo Tears Pt. 1 of 2
[Umatic] |
|
129 | 1097 | Interviews with Esther Schwartz
[Umatic] |
April 28, 1977 |
129 | 1098 | Rossellini Reels: 3, 5, 6, 7, 8
[VHS] |
|
98 | 1109 | Word Perfect: Centretown, D'Souza
[Floppy Disk] |
|
98 | 1110 | Letter to Fabian [Floppy Disk] |
|
98 | 1111 | Untitled [Floppy Disk] |
|
98 | 1112 | Gerald O'Grady [Floppy
Disk]
Vasulka Article, Final O'Grady documentary.
|
|
98 | 1113 | Nelson Santos [Floppy Disk] |
|
98 | 1114 | Untitled [Floppy Disk] |
|
98 | 1115 | Cinema of Tears [Floppy Disk] |
|
98 | 1118 | Gerald O'Grady Letters [Floppy
Disk] |
|
98 | 1119 | Undeveloped Film [Film] |
|
130 | 1120 | Fourth Ward - 120 - J. McConn [8mm film
and magnetic audiotape] |
|
130 | 1121 | Fourth Ward - 123 - Betty Graham +
Bainbridge [8mm film and magnetic audiotape] |
|
130 | 1122 | Fourth Ward - 121 - J. McConn [8mm film
and magnetic audiotape] |
|
130 | 1123 | Fourth Ward - 122 - Jim McConn [8mm film
and magnetic audiotape] |
|
130 | 1124 | Fourth Ward - 92 - Mt. Carmel, Roll 3 [8mm
film and magnetic audiotape] |
|
130 | 1125 | Fourth Ward - 91A - Mt. Carmel, Roll 2
[8mm film and magnetic audiotape] |
|
130 | 1126 | Fourth Ward - 93 - Tom, Ed, Jim + Brian in
Van [8mm film and magnetic audiotape] |
|
51 | 1127 | Fourth Ward - 94 - Antioch Opposition [8mm
film] |
|
56 | 1128 | Fourth Ward - 95 - Hoffheinz, Roll 1, 1st
Interview [8mm film and audio - 3 film reels, 2 audio reels] |
|
56 | 1129 | Fourth Ward - 96B - Hofheinz [8mm film and
magnetic audiotape] |
|
56 | 11 | [MISSING] Hoffheinz [8mm film] |
|
55 | 1305 | Powow #2 (Roll 43) [1/4-in. magnetic
audiotape] |
|
56 | 15 | [MISSING] Fourth Ward [8mm film and
magnetic audiotape] |
|
56 | 1130 | 4th Ward - 90B - Mt. Carmel, Roll 1 [8mm
film and magnetic audiotape] |
|
56 | 1131 | Fourth Ward - 91A - Mt. Carmel, CR2 Track
[8mm film and magnetic audiotape] |
|
56 | 1132 | Fourth Ward - 116 - Houston Center,
Kendal, Display outs [8mm film and magnetic audiotape] |
|
56 | 1133 | Fourth Ward - 114 - Dave Johnson, Brown
outside McGee, "good" house [8mm film and magnetic
audiotape] |
|
56 | 1134 | Fourth Ward - 115 - Houston Center, Kendal
[8mm film and magnetic audiotape] |
|
56 | 1135 | Fourth Ward - 117 - Houston Center Display
[8mm film and magnetic audiotape] |
|
56 | 1136 | Fourth Ward - 96 - Hoffheinz, First
interview, Roll 2 [8mm film and magnetic audiotape] |
|
56 | 1137 | Fourth Ward - 97 - Dave Johnson, Pt. 1
[8mm film and magnetic audiotape] |
|
56 | 1138 | Fourth Ward - 98 - Dave Johnson, Pt. 2
[8mm film and magnetic audiotape] |
|
56 | 1139 | Fourth Ward - 99 - Dave Johnson, Pt. 3
[8mm film and magnetic audiotape] |
|
56 | 1140 | Fourth Ward - 101 - Discussion after 10/6
council [8mm film and magnetic audiotape] |
|
56 | 1141 | Fourth Ward - 100 - Discuss after city
council [8mm film and magnetic audiotape] |
|
56 | 1142 | Fourth Ward - 118 - Houston Center Const.
[8mm film and magnetic audiotape] |
|
56 | 1143 | Fourth Ward - 119 - J. McConn [8mm film
and magnetic audiotape] |
|
131 | 1152 | The Invisible City, Pt. 1: SWAMP, Dub of
Air Version [Umatic] |
October 11, 1979 |
131 | 1153 | The Invisible City, Pt. 2: James Blue,
Adele Santos, Station dub [Umatic] |
Summer 1979 |
133 | 1170 | Fourth Ward - 111A - Shelby [8mm film and
magnetic audiotape] |
|
131 | 1155 | Who Killed Fourth Ward? Pt. 3
[Umatic] |
January 1, 1978 |
131 | 1156 | The Invisible City, Pt. 5: Adele Santos,
Dub of quad dub down [Umatic] |
|
131 | 1157 | Invisible City, Pt. 3: Adele Santos,
Station Dub [Umatic] |
Summer 1979 |
133 | 1171 | Fourth Ward - 106 - J. Castillo [8mm film
and magnetic audiotape] |
|
131 | 1159 | The Invisible City, Pt. 4: Adele Santos,
Station Dub [Umatic] |
Summer 1979 |
133 | 1172 | CR4 Px - no track [8mm film and magnetic
audiotape] |
|
58 | 1153 | Fourth Ward - 126 - Operation Breadbasket
[8mm film and magnetic audiotape] |
|
58 | 1155 | Fourth Ward - 107 - J. Castillo [8mm film
and magnetic audiotape] |
|
58 | 1156 | Fourth Ward - 108 - J. Castillo [8mm film
and magnetic audiotape] |
|
58 | 1157 | Fourth Ward - Outs [8mm film and magnetic
audiotape]
Tom, Blue, BBQ, lady on porch, McGuinness, Tom in Van, Evangelist, Hicks,
Lason, Castillo.
|
|
58 | 1158 | Fourth Ward - 103 - Van, Kevin McGee,
Johnson [8mm film and magnetic audiotape] |
|
58 | 1159 | Untitled [8mm film and magnetic
audiotape] |
|
58 | 1160 | Fourth Ward - 105 - J. Castillo [8mm film
and magnetic audiotape] |
|
58 | 1161 | Fourth Ward - 102 - Houston Center,
conference room, Kendall, outside [8mm film and magnetic
audiotape] |
|
58 | 1162 | Fourth Ward - 112 - Disc. After Barbara
Jordan [8mm film and magnetic audiotape] |
|
58 | 1164 | Fourth Ward - 104 - Dave Johnson, three
empty lots in good house [8mm film and magnetic audiotape] |
|
133 | 1169 | Fourth Ward - 110A - Roscoe Jones, Pt. 2
[8mm film and magnetic audiotape] |
|
58 | 1165 | Fourth Ward - 109 - City Council, October
13 [8mm film and magnetic audiotape] |
|
58 | 1166 | Fourth Ward - 124 - Bainbridge [8mm film
and magnetic audiotape] |
|
58 | 1167 | Fourth Ward - 111B - Shelby Dickerson [8mm
film and magnetic audiotape] |
|
133 | 1168 | Fourth Ward - 110B - R. Jones [8mm film
and magnetic audiotape] |
|
129 | 1283 | Untitled [16mm videotape] |
|
129 | 1284 | Untitled [16mm videotape] |
|
131 | 1376 | James Blue Interview: Forman/Passer
[VHS] |
|
131 | 1377 | James Blue Interviews: George Stoney
[VHS] |
June 28, 1973 |
131 | 1387 | Evil Wind Out [Umatic] |
|
131 | 1388 | A Few Notes on Our Food Problem: James
Blue [Umatic] |
|
131 | 1389 | A Letter From Colombia: James Blue
[Umatic] |
|
68 | 1390 | Tom Lord, Sunnyside Flood (CR-6) [8mm
film]
End Tom, start Sunnyside flood.
|
|
68 | 1391 | Kids in Flood (CR-9) [8mm
film] |
|
68 | 1392 | Page, Astrodome (CR-12) [8mm
film] |
|
68 | 1393 | Page, Arrival Conversation (CR-11) [8mm
film] |
|
68 | 1394 | Mrs. Witte Outside (CR-129) [8mm
film] |
|
68 | 1395 | Rudi Houses shot by shot, children
(CR-124) [8mm film] |
|
68 | 1396 | Tom Lord # 3 (CR-3) [8mm film] |
|
68 | 1397 | Ripley House: Man in car; sound, no
picture [8mm film] |
|
68 | 1398 | Ripley House: Sound, no picture [8mm
film] |
|
68 | 1399 | Kids in Flood (CR-8) [8mm
film] |
|
68 | 1400 | Tom Lord, # 2 (CR-2) [8mm
film] |
|
68 | 1401 | Tom Lord, # 1 (CR-1) [8mm
film] |
|
68 | 1402 | Woman at Aristocrat Apartment (CR-132)
[8mm film] |
|
68 | 1403 | Mr. Joe Williams: Last (CR-15) [8mm
film] |
|
68 | 1404 | Joe Williams: Sunnyside,
"Promises" [8mm film] |
|
68 | 1405 | View of railroad from bridge (CR-126) [8mm
film] |
|
68 | 1406 | Sunnyside (CR-7) [8mm film] |
|
68 | 1407 | Tom Lord, # 5 (CR-5) [8mm
film] |
|
68 | 1408 | Woman at Aristocrat (CR-130) [8mm
film] |
|
68 | 1409 | Woman at Aristocrat Apartments (CR-131)
[8mm film] |
|
68 | 68 | Arrival at Trailer Camp (CR-13) [8mm
film] |
|
68 | 1411 | Woman at Aristocrat Apartments (CR-133)
[8mm film] |
|
68 | 1412 | Tom Lord, # 4 (CR-4) [8mm
film] |
|
68 | 1413 | Martinez near the beginning [8mm
film] |
|
68 | 1414 | Adele (CR-146) [8mm film] |
|
68 | 1415 | Ms. Witte's House (CR-128) [8mm
film] |
|
68 | 1416 | Where You From (CR-10) [8mm
film] |
|
68 | 1417 | Maria Martinez (CR-145) [8mm
film] |
|
68 | 1418 | Martinez (CR-149) [8mm film] |
|
68 | 1419 | Fox and Jacobs, Pt. 2 (CR-20) [8mm
film]
Accent house, construction in field.
|
|
68 | 1420 | Pan on Houses on Sal Street (CR-140) [8mm
film] |
|
68 | 1421 | Rent Houses (CR-108) [8mm
film]
Rent houses, built for "niggers."
|
|
68 | 1422 | Cajun Woman (CR-65) [8mm film]
Snicker, walking shots, possible future abandoned houses, SWAMP.
|
|
68 | 1423 | Sabine (CR-92) [8mm film]
Two men: where will you go, hopes to pay new rent to new owner.
|
|
68 | 1424 | Dave Johnson (CR-51) [8mm
film] |
|
68 | 1425 | Researchers - Sabine (CR-85) [8mm
film]
Why gentrification, save area for people who would like to stay.
|
|
68 | 1426 | Mex man on Porch (CR-90) [8mm
film]
Gays and continental, two Mexican men at duplex.
|
|
68 | 1427 | Particle Board (CR-97) [8mm
film]
"Little Cockeyed," defects more visible.
|
|
68 | 1428 | Jesse - Smelly Water (CR-23) [8mm
film] |
|
68 | 1429 | Abandoned Car, Lady needs surgery (CR-28)
[8mm film] |
|
68 | 1430 | Fox and Jacobs: In the school (CR-16) [8mm
film] |
|
68 | 1431 | Mrs. Griffin (CR-68) [8mm
film]
This is what I wanted to show you.
|
|
68 | 1432 | Mrs. Shelton (CR-42) [8mm
film] |
|
68 | 1433 | Fourth Ward: Mary Brown (CR-45) [8mm
film] |
|
68 | 1434 | Mrs. Shelton: Master charge (CR-60) [8mm
film] |
|
68 | 1435 | O. J. Johnson (CR-136) [8mm
film]
Outside, shot of good house.
|
|
68 | 1436 | Jesse (CR-26) [8mm film]
People living in garages, lady with no face, $75 a month.
|
|
68 | 1437 | Saladana Family (CR-37) [8mm
film] |
|
68 | 1438 | Jesse (CR-31) [8mm film]
Community Development criticism, kids and house with six people, man in
car: water.
|
|
68 | 1439 | Old Woman (CR-105) [8mm film]
Acres homes, light sound.
|
|
68 | 1440 | Man in car; start Mary Brown (CR-32) [8mm
film] |
|
68 | 1441 | Abandoned House (CR-73) [8mm
film]
If she must sell what to do?
|
|
132 | 1442 | Widow (CR-114) [8mm film]
No sills, woman, I'm a widow, "House looked ok to me" when
bought, Mrs. Jackson moves.
|
|
132 | 1443 | End of Used House (CR-76) [8mm
film] |
|
132 | 1444 | Sabine (CR-94) [8mm film]
Two men, Vietnamese language problems.
|
|
132 | 1445 | Fox and Jacobs in the shed (CR-17) [8mm
film] |
|
132 | 1446 | Researchers Sabine (CR-87) [8mm
film]
House being painted, bakery exterior, Cajun woman.
|
|
132 | 1447 | Abandoned House (CR-72) [8mm
film] |
|
132 | 1448 | Mex man on Porch (CR-91) [8mm
film]
Gays and continental, two mex men at duplex.
|
|
132 | 1449 | Sabine (CR-89) [8mm film]
Man on porch.
|
|
132 | 1450 | Mrs. Jackson (CR-115) [8mm
film]
Holes in ceiling.
|
|
132 | 1451 | Sabine (CR-79) [8mm film]
Related to downtown.
|
|
132 | 1452 | Jircik (CR-95) [8mm film]
Wanted you to see shoddy workmanship.
|
|
132 | 1453 | Jesse (CR-24) [8mm film]
Dirt streets, inner city, people living in cubicles.
|
|
132 | 1454 | Abandoned Houses (CR-102) [8mm
film]
Acres, Mrs. W., school, MC Williams, dangerous .
|
|
132 | 1455 | Georgia Paige (CR-77) [8mm
film]
Kids no place to walk when they go to school.
|
|
132 | 1456 | Mrs. Shelton; Mary Brown (CR-40) [8mm
film] |
|
132 | 1457 | Acorn, Dave Johnson (CR-50) [8mm
film] |
|
132 | 1458 | Researcher Sabine (CR-84) [8mm
film]
Historic district school leave, loans, Fed to fix up for low income.
|
|
132 | 1459 | Jircik (CR-98) [8mm film]
Nails in siding, non galvanized nails, knots.
|
|
132 | 1460 | Jesse (CR-22) [8mm film]
Trucks, heavy industry, housing project.
|
|
132 | 1461 | Cajun Woman (CR-63) [8mm film]
Shot of house with no roof, winds in AB houses, contradiction, someone
will come to buy my home.
|
|
132 | 1462 | Housing (CR-74) [8mm film] |
|
132 | 1463 | Phil Berain (CR-153) [8mm
film]
Upstream, downstream augment.
|
|
132 | 1464 | Mrs. Harris (CR-127) [8mm
film]
Woman with burned out house.
|
|
132 | 1465 | Martinez (CR-125) [8mm film]
Tells of Sect 8.
|
|
132 | 1466 | Rudi (CR-123) [8mm film]
Shotguns.
|
|
132 | 1467 | Fields (CR-119) [8mm film]
Silent, red house.
|
|
132 | 1468 | Fields (CR-117) [8mm film]
Looks at/studies defects.
|
|
132 | 1469 | Harting (CR-147) [8mm film]
Needs a place before school starts.
|
|
132 | 1470 | 1st Ward (CR-121) [8mm film] |
|
132 | 1471 | Red House (CR-120) [8mm film] |
|
132 | 1472 | Martinez [8mm film]
How long section 8 processing takes, lose the house.
|
|
132 | 1473 | Martinez (CR-148) [8mm film] |
|
132 | 1474 | Fields (CR-118) [8mm film] |
|
132 | 1477 | Untitled [8mm film] |
|
98 | 1478 | Who Killed the Fourth Ward: Episode 1,
Witnesses [Mini DV] |
|
98 | 1479 | Who Killed the Fourth Ward: Episode 3, The
Guilty [Mini DV] |
|
98 | 1480 | Who Killed the Fourth Ward: Episode 2,
Suspects [Mini DV] |
|
132 | 1482 | Untitled [8mm film] |
|
134 | 1483 | Trims [containing box] |
|
132 | 1486 | 43 [8mm film] |
|
70 | 1490 | Silver Spur [16mm film] |
|
73 | 1491 | School at Rincon Santo [16mm
film] |
|
73 | 1492 | Media Study Buffalo: School at Rincon
Santo [16mm film] |
|
70 | 1493 | AMAL [16mm film] |
|
70 | 1494 | The Statue [35mm film] |
|
134 | 1495 | Silver Spur - Track 1 [1/2-in. magnetic
audiotape] |
|
134 | 1496 | Silver Spur FX 2 [1/2-in. magnetic
audiotape] |
|
73 | 1497 | A Letter From Colombia [16mm
film] |
|
73 | 1498 | Evil Wind Out [16mm film] |
|
Folder | |||
71 | 1 | Olive Trees of Justice: Reel 5 [35mm
film] |
|
71 | 2 | Olive Trees of Justice: Reel 3 [35mm
film] |
|
item | |||
72 | 1502 | A Few Notes on Our Food Problem [16mm
film]
For loan to high schools.
|
|
72 | 1503 | The Queen of Sheba [16mm film] |
|
72 | 1504 | Olive Trees of Justice: Reel 1 [35mm
film] |
|
70 | 1508 | Kenya Boran, Pt. 1 [16mm film] |
|
70 | 1509 | Kenya Boran, Pt. 2 [16mm film] |
|
70 | 1510 | Baby Face Nelson Editing Exercise [16mm
film] |
|
79 | 691 | Untitled 1 [8mm film] |
|
79 | 692 | Untitled 2 [8mm film] |
|
79 | 693 | Untitled 3 [8mm film] |
|
131 | 425 | Inselman, 5 [Umatic] |
June 6, 1979 |
131 | 427 | Page Family, 2: Documentary Unit
[Umatic] |
June 4, 1979 |
131 | 432 | Inselman, 1: Documentary Unit
[Umatic] |
April 16, 1979 |
131 | 915 | Tattoo Tears, 2 of 2 [Umatic
[video]] |
|
131 | 916 | The House Opening [Umatic
[video]] |
|
131 | 917 | Feature 5 [Umatic] |
|
133 | 920 | La Princesse Muette [16mm
film] |
|
73 | 973 | Untitled [8mm film] |
|
133 | 921 | La Princesse Muette [1/2-in. magnetic
audiotape] |
|
73 | 976 | Invisible City: Selected Takes [8mm
film] |
|
Folder | |||
81 | 1 | Fourth Ward: Roscoe Jones [8mm film and
magnetic audiotape] |
|
81 | 2 | Fourth Ward: Sparta Shelby [8mm film and
magnetic audiotape] |
|
81 | 3 | Fourth Ward: J. Castillo [8mm film and
magnetic audiotape] |
|
86 | 1 | Olive Trees of Justice: Reel 2 [35mm
film] |
|
86 | 2 | Olive Trees of Justice: Reel 4 [35mm
film] |
|
item | |||
87 | 1506 | Guggenheim Productions: Robert F Kennedy
Campaign 1968 [16mm film] |
|
87 | 1507 | A Few Notes on Our Food Problem [16mm
film] |
|
90 | 1 | Storm De Hirsch Interviewed by James Blue,
#1 [Scotch Video Tape] |
July 31, 1975 |
90 | 2 | Storm De Hirsch Interviewed by James Blue,
#2 [Scotch Video Tape] |
July 31, 1975 |
90 | 3 | Storm De Hirsch Interviewed by James Blue,
#3 [Scotch Video Tape] |
July 31, 1975 |
90 | 4 | Storm De Hirsch Interviewed by James Blue,
#4 [Scotch Video Tape] |
July 31, 1975 |
90 | 5 | Storm De Hirsch Interviewed by James Blue,
#5 [Scotch Video Tape] |
July 31, 1975 |
90 | 6 | Storm De Hirsch Interviewed by James Blue,
#6 [Scotch Video Tape] |
July 31, 1975 |
90 | 7 | Robert Gardner Interview James Blue, #1
[Sony Video Tape] |
July 26, 1973 |
90 | 8 | Robert Gardner Interview James Blue, #2
[Sony Video Tape] |
July 26, 1973 |
90 | 9 | Robert Gardner Interview James Blue, #3
[Sony Video Tape] |
July 26, 1973 |
90 | 10 | Robert Gardner Interview James Blue, #4
[Sony Video Tape] |
July 26, 1973 |
90 | 11 | Robert Gardner Interview James Blue, #5
[Sony Video Tape] |
July 26, 1973 |
90 | 12 | Robert Gardner Interview James Blue, #6
[Sony Video Tape] |
July 26, 1973 |
90 | 25 | John Marshall Interview James Blue, #1
[Sony Video Tape] |
July 25, 1973 |
90 | 26 | John Marshall Interview James Blue, #2
[Sony Video Tape] |
July 25, 1973 |
90 | 27 | John Marshall Interview James Blue, #3
[Sony Video Tape] |
July 25, 1973 |
90 | 28 | John Marshall Interview James Blue, #4
[Sony Video Tape] |
July 25, 1973 |
90 | 29 | John Marshall Interview James Blue, #5
[Sony Video Tape] |
July 25, 1973 |
90 | 43 | Ralph Steiner Interview James Blue, #1
[Sony Video Tape] |
July 12, 1973 |
90 | 44 | Ralph Steiner Interview James Blue, #2
[Sony Video Tape] |
July 12, 1973 |
90 | 45 | Ralph Steiner Interview James Blue, #3
[Sony Video Tape] |
July 12, 1973 |
90 | 46 | Ralph Steiner Interview James Blue, #4
[Sony Video Tape] |
July 12, 1973 |
91 | 13 | David Hancock Interviewed by James Blue,
#1 [Scotch Video Tape] |
July 17, 1975 |
91 | 14 | David Hancock Interviewed by James Blue,
#2 [Scotch Video Tape] |
July 17, 1975 |
91 | 15 | David Hancock Interviewed by James Blue,
#3 [Scotch Video Tape] |
July 17, 1975 |
91 | 16 | Leo Hurwitz Interview James Blue, #1
[Scotch Video Tape] |
August 15, 1975 |
91 | 17 | Leo Hurwitz Interview James Blue, #2
[Scotch Video Tape] |
August 15, 1975 |
91 | 18 | Leo Hurwitz Interview James Blue, #3
[Scotch Video Tape] |
August 15, 1975 |
91 | 19 | Leo Hurwitz Interview James Blue, #4
[Scotch Video Tape] |
August 15, 1975 |
91 | 20 | Leo Hurwitz Interview James Blue, #5
[Scotch Video Tape] |
August 15, 1975 |
91 | 21 | Leo Hurwitz Interview James Blue, #6
[Scotch Video Tape] |
August 15, 1975 |
91 | 22 | Leo Hurwitz Interview James Blue, #7
[Scotch Video Tape] |
August 15, 1975 |
91 | 23 | 2nd Leo Hurwitz Interview James Blue, #1
[Scotch Video Tape] |
October 10, 1975 |
91 | 24 | 2nd Leo Hurwitz Interview James Blue, #2
[Scotch Video Tape] |
October 10, 1975 |
91 | 25 | 2nd Leo Hurwitz Interview James Blue, #3
[Scotch Video Tape] |
October 10, 1975 |
91 | 29 | Paul Morrissey Interview James Blue, #1
[Scotch Video Tape] |
|
91 | 30 | Paul Morrissey Interview James Blue, #2
[Scotch Video Tape] |
|
91 | 31 | Paul Morrissey Interview James Blue, #3
[Scotch Video Tape] |
|
91 | 32 | Paul Morrissey Interview James Blue, #4
[Scotch Video Tape] |
|
91 | 36 | Marcel Ophuls on his films: American
Revisited, The sorrow, and The Pity [Memorex Video Tape] |
March 7, 1973 |
91 | 37 | Marcel Ophuls on his films: The sorrow,
and The Pity [Memorex Video Tape] |
March 7, 1973 |
90 | 47 | Ralph Steiner Interview James Blue, #5
[Sony Video Tape] |
July 12, 1973 |
90 | 48 | Ralph Steiner Interview James Blue, #6
[Sony Video Tape] |
July 12, 1973 |
90 | 49 | Ralph Steiner Interview James Blue, #7
[Sony Video Tape] |
July 12, 1973 |
92 | 50 | George Stoney Interview James Blue, #1
[Sony Video Tape]
Stoney's method of work, Work on Indian Land
|
June 28, 1973 |
92 | 51 | George Stoney Interview James Blue, #2
[Sony Video Tape]
Obligation of filmmaker, what is documentary?, morality of
filmmaker/person, US LAw for commercial release, safeguards for
intermediation(?)
|
June 28, 1973 |
92 | 52 | George Stoney Interview James Blue, #3
[Sony Video Tape]
George Stoney - Interview with James Blue at Buffalo 6/28/73 Roll #3
Moral Responsibilities of the filmmaker, difference between written and
video reports
|
June 28, 1973 |
92 | 53 | George Stoney Interview James Blue, #4
[Sony Video Tape] |
June 28, 1973 |
92 | 54 | W. Van Dyke Interview James Blue, #1 [Sony
Video Tape]
From birth to 1933? association with NYKINO
|
August 22, 1973 |
92 | 55 | W. Van Dyke Interview James Blue, #2 [Sony
Video Tape]
How Willard began making films before going to NY, The sauerkraut factory
coop film, Lewis Jacobs "Experimental Films" magazine
|
August 22, 1973 |
92 | 56 | W. Van Dyke Interview James Blue, #3 [Sony
Video Tape]
Meeting Roger Baylow, experimental films about class struggle to influx
of Hollywood into documentaion during WWII (with We Fight)
|
August 22, 1973 |
92 | 57 | W. Van Dyke Interview James Blue, #4 [Sony
Video Tape]
WWII Van Dyke to Affliated Film Producers immediately after teh war +
health films with twins Jacoby - 1953?
|
August 22, 1973 |
92 | 58 | W. Van Dyke Interview James Blue, #5 [Sony
Video Tape]
Oral History of Willard Van Dyke, 1953 Affiliated films, from health
films and TOBY with Leacock, through Lowell Thomas adventure films for
TV, Valley Town 1940
|
August 22, 1973 |
92 | 59 | W. Van Dyke Interview James Blue, #6 [Sony
Video Tape]
Oral History of Van Dyke from Valleytown (confirmed) to skyscraper
|
August 22, 1973 |
92 | 60 | W. Van Dyke Interview James Blue, #7 [Sony
Video Tape] |
August 22, 1973 |
93 | 1 | Blue, #2 SAT [MiniDV] |
October 10, 2002 |
93 | 21 | A.C. Conrad; C. Cabillo [MiniDV
]
Interviews with colleagues of James Blue at the 2002 SWAMP
Conference.
|
October 02, 2002-October 24, 2002 |
93 | 3 | Blue, #1 [MiniDV] |
November 11, 2002 |
93 | 4 | Evolution of Indie Film, 2 of 2
[MiniDV] |
July 15, 2010 |
93 | 5 | R. Young, Bob Cozens [MiniDV]
Interviews with colleagues of James Blue at the 2002 SWAMP
Conference.
|
|
93 | 6 | Lyn Randolph [MiniDV]
Interviews with colleagues of James Blue at the 2002 SWAMP
Conference.
|
September 29, 2002 |
93 | 7 | Keith Sanborn, Self-Interview
[MiniDV]
Interviews with colleagues of James Blue at the 2002 SWAMP
Conference.
|
October 21, 2002 |
93 | 8 | Colin Young [MiniDV]
Interviews with colleagues of James Blue at the 2002 SWAMP
Conference.
|
|
93 | 9 | SWAMP 30th Gala [MiniDV] |
9-Nov-07 |
93 | 10 | Evolution of Indie Film, 1 of 2
[MiniDV] |
July 15, 2010 |
93 | 11 | Evolution of Indie Film, 1 of 2 [copy 2]
[MiniDV] |
July 15, 2011 |
93 | 12 | SWAMP/TALA Sunday B/roll/Ints
[MiniDV] |
September 12, 2010 |
93 | 13 | Evolution of Indie Film, 2 of 2 [copy 2]
[MiniDV] |
July 15, 2010 |
93 | 14 | 25 SWAMP James Blue OMC
[MiniDV] |
November 3, 2002 |
93 | 15 | Interview with Janice Blue
[MiniDV] |
September 6, 2002 |
93 | 16 | Blue 4 SAT [MiniDV] |
|
93 | 17 | SWAMP/TALA Pickup/B roll
[MiniDV] |
September 11, 2009-September 12, 2010 |
93 | 18 | 25 SWAMP 4 MC [MiniDV] |
November 2, 2002-November 3, 2002 |
93 | 19 | 25 SWAMP James Blue MC 2
[MiniDV] |
November 2, 2002 |
93 | 20 | SWAMP/TALA, #1 [MiniDV] |
|
93 | 2 | SWAMP 25 yrs. James Blue Award: 1st annual
MC 1 [MiniDV] |
November 2, 2002 |
93 | 22 | 25 SWAMP 3 MC [MiniDV] |
November 2, 2002 |
93 | 23 | 25 SWAMP MC last one [MiniDV] |
November 3, 2002 |
93 | 24 | Blue, 5 SAT [MiniDV] |
|
93 | 25 | Danny Lyon James Blue interview
[MiniDV] |
September 26, 2002 |
93 | 26 | Blue, SUN 1 [MiniDV] |
|
93 | 27 | Blue, 3 SAT [MiniDV] |
|
93 | 28 | Blue, SUN 2 [MiniDV] |
|
95 | 1 | U of O years, shot at Simpson House [16mm
film] |
|
95 | 2 | Untitled [16mm film] |
|
73 | 3 | Untitled [35mm film] |
|
132 | 4 | Hamlet, Part II [8mm film] |
|
95 | 5 | Sawmill: Out [16mm film]
250' Jim Blue positive; Ben Fleischman Photography.
|
|
95 | 6 | Sawmill: Reversal Out [16mm
film] |
|
73 | 7 | Algeria I [8mm film]
Includes note with details.
|
|
73 | 8 | Algeria II [8mm film]
Includes note with details.
|
|
73 | 9 | Clio Capers 1946-1948 [8mm
film] |
|
73 | 10 | France and Juarez; Versailles, Verdun [8mm
film] |
|
132 | 11 | Jim: New York City [8mm film] |
|
132 | 12 | Jim and Becket [8mm film] |
1969 |
132 | 13 | Jim and Becket; Santa Monica [8mm
film] |
1969 |
132 | 14 | Jim and Jean Remy; [New York City] [8mm
film] |
1959 |
95 | 15 | Jim Blue Negative: Residue I [16mm
film] |
|
132 | 16 | Jim in NY City [8mm film] |
1959 |
132 | 17 | Jim's 1st movie [8mm
film] |
1948 |
132 | 18 | Jim's Tulsa Trip; Puppet Workshop
[8mm film]
Includes note with details.
|
1950 |
73 | 21 | Letter from Colombia [16mm
film]
USIA.
|
|
95 | 22 | Maxwell House [16mm film] |
|
79 | 23 | Maxwell House [16mm film] |
|
95 | 24 | Naked baby [16mm film] |
|
95 | 25 | Sawmill: Log thru saw from O-B end [16mm
film] |
|
95 | 26 | Sawmill: Outtakes [16mm film] |
|
95 | 27 | Sawmill: Outtakes [16mm film]
In a DuPont box.
|
|
95 | 28 | Sawmill: Outtakes [16mm film] |
|
95 | 29 | Sawmill: Reversal outs [16mm
film] |
|
95 | 30 | Sawmill: Reversal outs [16mm
film] |
|
95 | 31 | Sawmill: Reversal outs [16mm
film]
Comparison sequence.
|
|
95 | 32 | Sawmill: Reversal outs [16mm
film] |
|
95 | 33 | School at Rincon Santo (English) [16mm
film]
USIA.
|
|
95 | 34 | UO crew doing scene [16mm
film] |
|
132 | 35 | University of Oregon Theater Awards and
Campbell Club 1951 [8mm film]
Includes note with details.
|
|
92 | 36 | Who Killed the Fourth Ward, Pt. 2 of 3
[VHS] |
|
98 | 1 | Willard Van Dyke by James Blue, #2 [Open
reel, transferred to DVD] |
|
98 | 2 | Willard Van Dyke by James Blue, #3 [Open
reel, transferred to DVD] |
|
98 | 3 | Willard Van Dyke by James Blue, #4 [Open
reel, transferred to DVD] |
|
98 | 4 | Willard Van Dyke by James Blue [Open reel,
transferred to DVD] |
|
98 | 5 | Willard Van Dyke by James Blue [Open reel,
transferred to DVD] |
|
98 | 6 | Willard Van Dyke by James Blue [Open reel,
transferred to DVD] |
|
98 | 7 | David Hancock by James Blue, #1 [Open
reel, transferred to DVD] |
July 17, 1975 |
98 | 8 | David Hancock by James Blue, #2 [Open
reel, transferred to DVD] |
July 17, 1975 |
98 | 9 | David Hancock by James Blue, #3 [Open
reel, transferred to DVD] |
July 17, 1975 |
98 | 10 | George Stoney by James Blue, #1 [Open
reel, transferred to DVD] |
|
98 | 11 | George Stoney by James Blue, #2 [Open
reel, transferred to DVD] |
|
98 | 12 | George Stoney by James Blue, #3 [Open
reel, transferred to DVD] |
|
98 | 13 | George Stoney by James Blue, #4 [Open
reel, transferred to DVD] |
|
98 | 16 | Who Killed Fourth Ward, #3 [Open reel,
transferred to DVD] |
1976 |
98 | 15 | Who Killed Fourth Ward, #2 [Open reel,
transferred to DVD] |
1976 |
98 | 14 | Who Killed Fourth Ward, #1 [Open reel,
transferred to DVD] |
1976 |
98 | 17 | Leo Hurwitz by James Blue, #1 [Open reel,
transferred to DVD] |
April 18, 1975 |
98 | 18 | Leo Hurwitz by James Blue, #2 [Open reel,
transferred to DVD] |
August 25, 1975 |
98 | 19 | Leo Hurwitz by James Blue, #3 [Open reel,
transferred to DVD] |
|
98 | 20 | Leo Hurwitz by James Blue, #4 [Open reel,
transferred to DVD] |
|
98 | 21 | Leo Hurwitz by James Blue, #5 [Open reel,
transferred to DVD] |
August 14, 1975 |
98 | 22 | Leo Hurwitz by James Blue, #6 [Open reel,
transferred to DVD] |
August 14, 1975 |
98 | 23 | Leo Hurwitz by James Blue, #7 [Open reel,
transferred to DVD] |
August 14, 1975 |
98 | 24 | Film Makers with Gerry O'Grady; James
Blue [Open reel, transferred to DVD] |
May 29, 1905 |
98 | 25 | Conversation in the Arts: Interview by
Esther Harriott, James Blue [Open reel, transferred to DVD] |
April 1977 |
98 | 26 | Storm de Hirsch by James Blue, #6 [Open
reel, transferred to DVD] |
July 31, 1975 |
98 | 27 | Storm de Hirsch by James Blue, #5 [Open
reel, transferred to DVD] |
July 31, 1975 |
98 | 28 | Storm de Hirsch by James Blue, #4 [Open
reel, transferred to DVD] |
July 31, 1975 |
98 | 29 | Storm de Hirsch by James Blue, #4 (copy 2)
[Open reel, transferred to DVD] |
July 31, 1975 |
98 | 30 | Storm de Hirsch by James Blue, #5 (copy 2)
[Open reel, transferred to DVD] |
July 31, 1975 |
98 | 31 | Storm de Hirsch by James Blue, #6 (copy 2)
[Open reel, transferred to DVD] |
July 31, 1975 |
98 | 32 | Ralph Steiner by James Blue, #1 [Open
reel, transferred to DVD] |
|
98 | 33 | Ralph Steiner by James Blue, #2 [Open
reel, transferred to DVD] |
|
98 | 34 | Ralph Steiner by James Blue, #3 [Open
reel, transferred to DVD] |
|
98 | 35 | Ralph Steiner by James Blue, #4 [Open
reel, transferred to DVD] |
|
98 | 36 | Ralph Steiner by James Blue, #5 [Open
reel, transferred to DVD] |
|
98 | 37 | Ralph Steiner by James Blue, #6 [Open
reel, transferred to DVD] |
|
98 | 38 | Ralph Steiner by James Blue [Open reel,
transferred to DVD] |
|
98 | 39 | Kenya Boran [Open reel, transferred to
DVD] |
1974 |
98 | 40 | Amal [Open reel, transferred to
DVD] |
1960 |
98 | 41 | A Few Notes on Our Food Problem [Open
reel, transferred to DVD] |
1968 |
98 | 42 | Letter from Colombia [Open reel,
transferred to DVD] |
1962 |
98 | 43 | Evil Wind Out [Open reel, transferred to
DVD] |
1962 |
98 | 44 | The School at Rincon Santo [Open reel,
transferred to DVD] |
1962 |
98 | 45 | The Invisible City: Houston Housing
Crisis, #1 [Open reel, transferred to DVD] |
1979 |
98 | 46 | The Invisible City: Houston Housing
Crisis, #2 [Open reel, transferred to DVD] |
1979 |
98 | 47 | The Invisible City: Houston Housing
Crisis, #3 [Open reel, transferred to DVD] |
1979 |
98 | 48 | The Invisible City: Houston Housing
Crisis, #4 [Open reel, transferred to DVD] |
1979 |
98 | 49 | The Invisible City: Houston Housing
Crisis, #5 [Open reel, transferred to DVD] |
1979 |
98 | 50 | The Invisible City: Houston Housing
Crisis, #6 [Open reel, transferred to DVD] |
1979 |
98 | 51 | Paul Morrissey by James Blue, #1 [Open
reel, transferred to DVD] |
|
98 | 52 | Paul Morrissey by James Blue, #2 [Open
reel, transferred to DVD] |
|
98 | 53 | Paul Morrissey by James Blue, #3 [Open
reel, transferred to DVD] |
|
98 | 54 | Paul Morrissey by James Blue, #4 [Open
reel, transferred to DVD] |
|
Folder | |||
99 | 1 | The March [in English] |
|
99 | 2 | A Few Notes on Our Food
Problem |
|
99 | 3 | USIA: A Few Notes on Our Food Problem [in
English] [16mm print] |
|
99 | 4 | Hamlet: Number 1 |
|
100 | 2 | James Blue by Elmer Pluetz:
DVD |
|
item | |||
113 | 26 | Scua #26 [1/4-in. magnetic
audiotape] |
|
114 | 23 | USIA: "Letter from Colombia"
[VHS] |
March 12, 1987 |
114 | 24 | Who Killed Fourth Ward, 3 of 3
[VHS] |
|
114 | 25 | Who Killed Fourth Ward, 1 of 3
[VHS] |
|
114 | 20 | Who Killed Fourth Ward? Part One:
Witnesses [Umatic] |
|
114 | 21 | Who Killed Fourth Ward? Part Two: Suspects
[Umatic] |
|
114 | 22 | Who Killed Fourth Ward? Part Three: The
Guilty [Umatic] |
|
Folder | |||
102 | 1 | The Olive Trees of Justice [1 of
2] |
|
102 | 2 | The Olive Trees of Justice [2 of
2] |
Series VIII: PhotographsReturn to Top
Container(s) | Description | Dates | |
---|---|---|---|
Subseries A: Professional |
|||
Subsubseries 1: Film stills |
|||
Box | Folder | ||
88 | 1 | [Photo of James Blue], Invisible
City, #2
Black and white print. 3-15/16" x 2-7/16"
|
|
88 | 1 | [Photo of James Blue], Invisible
City, #34
Black and white print. 4" x 2.5"
|
|
88 | 1 | [Photo of Edith Clark], Invisible
City, #10
Black and white print. 4-1/16" x 2.5"
|
|
88 | 1 | [Photo of James Blue], Invisible
City, #40
Black and white print. 4-1/16" x 2.-9/16"
|
|
88 | 1 | "House" in Factory,
Invisible City, #26
Black and white print. 4" x 2.5"
|
|
88 | 1 | [Photo of Adele Santos pointing at
diagram], Invisible City, #4
Black and white print. 4" x 2-15/16"
|
|
88 | 1 | [James Blue, Photo of James Blue
standing in front of Video Monitor], Invisible City,
#1
Black and white print. 3-15/16" x 2-11/16"
|
|
88 | 1 | "A Very Honest House",
[Photo of House], Invisible City, #30
Black and white print. 3-15/16" x 2.5"
|
|
88 | 1 | [Photo of House], Invisible City,
#31
Black and white print. 4" x 2-9/16"
|
|
88 | 1 | [Photo of House during
Construction], Invisible City, #28
Black and white print. 4" x 2-9/16"
|
|
88 | 1 | [Close up of James Blue], Who
Killed the Fourth Ward
Black and white print. 5-1/16" x 4"
|
|
88 | 1 | Fourth Ward
Black and white print. 5" x 4"
|
|
88 | 1 | [Photo of Man] Caption Reads:
Filmmakers: James, Ed and Brian the Cameraman
Black and white print. 5" x 4-1/16"
|
|
88 | 1 | [Photo of Man] Caption Reads:
Brian the Cameraman
Black and white print. 5" x 4"
|
|
88 | 1 | Caption: Dr. Thomas DeGregori
Economist U of H
Black and white print. 5" x 4"
|
|
88 | 1 | Caption: Mr. Charley Brown
Displaced Shopkeeper
Black and white print. 4-15/16" x 4"
|
|
88 | 1 | [Photo of Woman] Caption: Mrs.
McGee Tenant
Black and white print. 5" x 4"
|
|
88 | 1 | [Photo of House in
Field]
Black and white print. 4-7/8" x 4"
|
|
88 | 1 | [Photo of Downtown Houston, Church
in Foreground]
Black and white print. 4-15/16" x 4-1/16"
|
|
88 | 1 | [Photo of Downtown Houston,
Overpass in Foreground]
Black and white print. 5" x 4"
|
|
88 | 1 | [Photo of Man Speaking] Who Killed
the Fourth Ward? Caption: Dave Johnson, Chief Housing Code
Enforcement
Black and white print. 5" x 4"
|
|
88 | 1 | [Photo of Pawn Shop]
Black and white print. 5" x 4"
|
|
88 | 1 | [Profile of James Blue], Who
Killed the Fourth Ward
Black and white print. 5" x 4"
|
|
88 | 1 | [Photo of Row of Houses], Who
Killed the Fourth Ward
Black and white print. 5-1/8" x 4"
|
|
88 | 1 | [Photo of Buildings], Caption:
Fourth Ward
Black and white print. 4-1/16" x 3-15/16"
|
|
88 | 1 | [Photo of Man Speaking into
Microphone, Caption Lists Film Credits]
Black and white print. 5-1/16" x 4"
|
|
88 | 1 | [Contact Sheet from Who Killed the
Fourth Ward]
Black and white print. 10" x 8"
|
|
88 | 2 | [Image of Two Boys in Field: Still
from Unidentified Film]
Black and white print. 9" x 7-7/8"
|
|
88 | 2 | [Image of Man with Plants in
Background, Still from Letter from Colombia--Not in Final
Version]
Black and white print. 10" x 8"
|
|
88 | 4 | [Handprint on Glass Window, School
at Rincon Santo]
Black and white print. 10" x 8"
|
|
88 | 5 | [Photo of Man behind Bars], Evil
Wind Out
Black and white print. 10" x 8"
|
|
88 | 6 | [Boy in Field posing as a Rabbit],
Amal
Black and white print. 9-5/16" x 7-1/16"
|
|
88 | 7 | [Photo of Girl and Boy with Tire],
Amal
Black and white print. 9-5/16" x 7-1/16"
|
|
88 | 7 | [Photo of Boy peeking out from
Foliage], Amal
Black and white print. 9-5/16" x 7-1/16"
|
|
88 | 7 | Amal: End Title
Black and white print. 10" x 7-5/16"
|
|
88 | 7 | [Photo of Man and Boy in Field by
Rocks], Amal, copy 1/2
Black and white print. 10-1/16" x 7-7/8"
|
|
88 | 7 | [Photo of Man and Boy in Field by
Rocks], Amal, copy 2/2
Black and white print. 10-1/16" x 7-7/8"
|
|
88 | 9 | [Three people looking at
photograph in house], Olive Trees of Justice
Color. 5-3/16" x 3-1/2"
|
|
88 | 9 | [Olive Trees of
Justice]
Black and white print. 5-1/8" x 7"
|
|
88 | 9 | Scrapbook page
Black and white prints. Stills from movies sets; news clipping
"Young Portland Director Wins Cannes Festival Award; photo
of large building.
|
|
88 | 9 | [Olive Trees of
Justice]
Black and white print. 11-3/4" x 9-3/8"
|
|
88 | 9 | [Olive Trees of
Justice]
Black and white print. 11-3/4" x 9-1/8"
|
|
88 | 9 | [Olive Trees of
Justice]
Black and white print. 11-3/4" x 9-1/8"
|
|
88 | 9 | [Olive Trees of
Justice]
Black and white print. 11-15/16" x 8-7/8"
|
|
88 | 9 | [Olive Trees of
Justice]
Black and white print. 12" x 8-3/4"
|
|
88 | 9 | [Olive Trees of
Justice]
Black and white print. 11-15/16" x 8-7/8"
|
|
88 | 9 | [Olive Trees of
Justice]
Black and white print. 12" x 9"
|
|
88 | 9 | [Olive Trees of
Justice]
Black and white print. 11-15/16" x 8-7/8"
|
|
88 | 9 | [Olive Trees of
Justice]
Black and white print. 11-3/4" x 9-1/16"
|
|
88 | 9 | [Olive Trees of
Justice]
Black and white print. 11-15/16" x 8-7/8"
|
|
88 | 10 | [Olive Trees of
Justice]
Black and white print. 15-3/4" x 11-9/16"
|
|
Subsubseries 2: Head shots and publicity |
|||
Box | Folder | ||
88 | 1 | Invisible City, James Blue editing
videotape in Houston
Black and white print. 4.5" 3-1/8"
|
|
88 | 1 | [Image of James Blue
Reading]
Black and white, photocopy. 4" x 5-9/16"
|
|
88 | 1 | [Image of James Blue, Houston
1976]
Black and white, photocopy. 4-1/16" x 5.5"
|
|
88 | 1 | [Image of James Blue editing
Invisible City]
Black and white, photocopy. 4" x 5-9/16"
|
|
88 | 1 | James Blue taking sound with Adele
Santos in Houston
Black and white print. 6-13/16" x 4-15/16"
|
|
88 | 1 | James Blue interviews Roberto
Rossellini
Black and white print. 10" x 8"
|
|
88 | 1 | James Blue interviews Roberto
Rossellini
Black and white print. 10" x 8"
|
|
88 | 1 | James Blue interviews Roberto
Rossellini
Black and white print. 10" x 8"
|
|
88 | 1 | [Photo of Bruce Baillie and James
Blue, Houston, ca. 1971]
Black and white print. 10" x 8"
|
|
88 | 1 | [Photo of Bruce Baillie and James
Blue, Houston, ca. 1971]
Black and white print. 10" x 8"
|
|
88 | 1 | [Photo of Bruce Baillie and James
Blue, Houston, ca. 1971]
Black and white print. 8" x 10"
|
|
88 | 1 | [Photo of Bruce Baillie and James
Blue, Houston, ca. 1971]
Black and white print. 10" x 8"
|
|
88 | 3 | [Photo of James Blue with Film
Reel], copy 1/2
Black and white print. 8" x 10"
|
1979 |
88 | 3 | [Photo of James Blue with Film
Reel], copy 2/2
Black and white print. 8" x 10"
|
1979 |
88 | 3 | [Photo of James Blue Editing,
Buffalo 1979]
Black and white print. 10" x 8"
|
1979 |
88 | 3 | [Contact Sheet]
Images from Buffalo, NY, 1979; James Blue headshots, James Blue
and Gerald O'Grady, James Blue editing. Black and white
print. 8" x 10"
|
1979 |
88 | 9 | [Olive Trees of Justice screening
sign outside of theatre]
Color. 5-5/16" x 3-1/2"
|
|
88 | 12 | [Portrait of James Blue sitting by
tree]
Color polaroid. 3-1/2" x 4-1/4"
|
|
88 | 12 | [James Blue Headshot]
Color. 4-7/8" x 3-1/2"
|
|
88 | 12 | [James Blue Headshot]
Color. 4-7/8" x 3-1/2"
|
|
88 | 12 | [James Blue sitting on couch,
Buffalo]
Color. 4-7/8" x 3-1/2"
|
March 31, 1980 |
88 | 12 | [Portrait of James
Blue]
Black and white print. 2" x 8"
|
|
88 | 12 | [Portrait (profile) of James
Blue]
Black and white photograph on watercolor paper. 4-1/2" x
6-1/2"
|
ca. 1939 |
88 | 12 | [Portrait of James Blue, Rice
University]
Black and white print. 9-15/16" x 8-1/16"
|
1973 |
88 | 12 | [Portrait of James Blue in front
of lake]
Black and white print. 7-1/16" x 9-7/16"
|
1956-1957 |
88 | 12 | [Portrait of James Blue, Houston,
Texas]
Black and white print. 8" x 10"
|
1976 |
88 | 12 | [Portrait of James Blue smoking in
Aspen, Colorado]
Black and white print. 10" x 8"
|
1964 |
88 | 12 | [James Blue filming in
Kenya]
Color. 8" x 10"
|
1974 |
88 | 12 | [Headshot of James Blue, Rice
University]
Black and white print. 10" x 8"
|
1973 |
88 | 12 | [Portrait of James
Blue]
Black and white print. 5-15/16" x 9"
|
|
88 | 13 | [Portrait of James Blue at Johan
van der Keuken's house; Amsterdam]
Black and white print. 7-15/16" x 11-1/2"
|
1965 |
88 | 13 | [Portrait of James Blue, Rice
University]
Black and white print. 13" x 10-7/16"
|
1971 |
88 | 13 | [Headshot of James
Blue]
Black and white print. 11" x 14"
|
|
88 | 13 | [Headshot of James
Blue]
Black and white print. 11" x 14"
|
|
88 | 13 | [Portrait of James Blue outdoors
near tree (enlarged from proof sheet of F. Flaherty
interview)]
Black and white print. 14-1/4" x 11"
|
July 1964 |
88 | 14 | [Portrait of James Blue standing
in front of house, Algiers]
Black and white print. 17-7/8" x 12-1/4"
|
1962 |
Subsubseries 3: Other work-related
photographs |
|||
Box | Folder | ||
4 | 47 | Untitled charts
[negatives] |
|
4 | 78 | Brazil, Pernambuco, Silver Spur,
"Huis Clos," Directing class and first year of IDHEC
[negatives] |
1956-1967 |
4 | 96 | Montreal University: Talking to
students about the Olive Trees of Justice
[negatives] |
1964 |
10 | 2 | Food Film [slides] |
|
10 | 5 | Food Film [slides] |
|
15 | 5 | Who Killed Fourth Ward:
Photographs and negatives |
|
24 | 1 | AFI photos (LA), interviews with
directors |
1968-1969 |
24 | 7 | IDHEC, Paris, Still from Une
Tragedie |
|
24 | 8 | Production, Distribution, other
films in Algeria, Food Problems |
|
24 | 9 | Conferences, MacDougall's,
Colin Young |
|
24 | 10 | Photos of Blue in Amsterdam, Food
Problems, Colin Young |
|
24 | 11 | Rice Media Center,
Houston |
|
24 | 12 | Visits of or with other
film-makers |
|
24 | 13 | From Hamlet and the
Players |
|
53 | 21 | Japanese film-makers: Photographs
and negatives |
|
53 | 47 | Photographs of James Blue and of
film production
Includes 3 negatives and a slide.
|
|
53 | 58 | Filming [negatives] |
|
53 | 59 | Filming [negatives] |
1967 |
65 | 67 | Thonon: French Subtitles,
"Meek" Photos |
|
69 | 2 | Photographs of James Blue; film
production negatives of James Blue and Mark |
|
73 | 1 | [MISSING] The Invisible
City
Interviews with James Blue, Adele Santos, and community members
regarding Invisible City and the Houston housing project; a
photograph precedes each person's written interview about
the project (Edira Page's photograph is missing from page
17). 12" x 19-7
|
September 1972 |
76 | 21 | Perrault/Brandt:
Stills |
|
78 | 17 | Howard [negatives] |
June 1964 |
78 | 18 | Silver Spur
[negatives] |
|
78 | 19 | Interview with Piequt and work in
the underground tunnels [negatives] |
|
78 | 22 | Filming of A Few Notes on Our Food
Problem [negatives] |
|
80 | 1 | James Blue, Silver Spur, and
others |
|
83 | 13 | Pierre Perrault |
|
85 | 22 | Photographs and a transparency
sheet |
|
88 | 1 | [Photo of Adele
Santos]
Color. 1-11/16" x 3.5"
|
|
88 | 11 | [James Blue and Colin Young
Conversing at UCLA(?)]
Black and white. 5" x 3-1/2"
|
|
88 | 11 | [James Blue and Colin Young
Conversing at UCLA(?)]
Black and white. 5" x 3-1/2"
|
|
88 | 11 | [James Blue and Colin Young
Conversing at UCLA(?)]
Black and white. 5" x 3-1/2"
|
|
88 | 11 | [James Blue and Others
]
Black and white. 5-1/8" x 3-1/2"
|
|
88 | 11 | [James Blue teaching in
Houston(?)]
Black and white. 6-1/16" x 4-9/16"
|
|
88 | 11 | Quebec Radio and TV Festival;
James Blue interviewed for Montreal Film Festival
Black and white. Howard Junker. 6-7/8" x 4-15/16"
|
June 1964-July 1964 |
88 | 11 | Gerald O'Grady and Louis
Marcorelles at Nyon Film Festival
Black and white. 7" x 5"
|
October 1980 |
88 | 11 | [James Blue conversing with
Others]
Black and white. 10" x 8"
|
|
88 | 11 | [James Blue pictured with man at
American Film Institute]
Black and white. 10" x 8"
|
ca. 1968 |
88 | 11 | James Blue teaching in
Houston
Black and white. 13-3/4" x 10"
|
|
88 | 11 | [James Blue, Brian Huberman, and
unidentified man]
Black and white. 14" x 11"
|
|
88 | 11 | [James Blue, Ed Hugetz(?), and
unidentified man]
Black and white. 14" x 11"
|
|
100 | 22 | James Blue in Algeria |
1960-1961 |
100 | 23 | James Blue in Algeria |
March 1961 |
100 | 26 | James Blue in Algeria |
October 1960-March 13, 1961 |
100 | 52 | "Les Oliviers de la
Justice" |
|
Subseries B: Personal |
|||
Box | item | ||
9 | 49 | Family photographs |
|
Folder | |||
15 | 4 | James Blue as a student in Paris,
France
Photographs taken by Mare Sator.
|
1963 |
24 | 2 | James Blue |
|
24 | 3 | James Blue and others: College days,
friends |
|
24 | 4 | James Blue, a woman, children [used in
brochures] |
|
24 | 5 | James Blue: High school, army,
college, Hamlet and the Players |
|
24 | 6 | Flaherty Seminar: Montreal, Aspen,
Portland |
1964 |
49 | 6 | Kodak Professional Forum; two
photographs of James Blue |
|
53 | 56 | Family photographs |
|
53 | 57 | Family photographs |
|
53 | 64 | Family photographs
Three slides and a letter to Gerald O'Grady from Gregory A.
Finnegan.
|
July 26, 1980 |
53 | 65 | Family photographs |
|
53 | 66 | Family photographs [includes
negatives] |
|
76 | 58 | James Blue |
|
78 | 20 | Wedding pictures and photographs of
landscapes [includes negatives] |
|
78 | 21 | Blue family reunion; Chula,
Missouri |
June 1968 |
84 | 6 | [James Blue and Family] |
|
88 | 8 | Scrapbook page
Black and white prints. Front: Six black and white photographs; top
left: parade scene with marchers; top right: photo of Eddie Gambill,
Director S.A.L. Drum Corporation; center left: photo of boy holding
cake and standing on house steps, close-up; cen
|
Fall 1943-1947 |
88 | 8 | Scrapbook page
Black and white prints. Front, top: The Last Picture with Grandma
1956; bottom, left: 8th Grade Graduation; bottom, right: Boy
standing in front of porch steps; Back, bottom: Boy with Two
Women.
|
1956 |
88 | 8 | Scrapbook page
Black and white prints, graphite drawing. Front, top: boy in animal
drawn carriage; bottom: drawing of First Katy train to arrive at
union station, Tulsa 5/10/31; Back: portrait of boy.
|
|
88 | 8 | Scrapbook page
Hand-painted photograph; color photograph. Front: Hand painted
Portrait of Toddler; Back: At Harry and Pauline Blue's 50th
Wedding Anniversary. Front: 8" x 10"; back: 5" x
5".
|
|
88 | 8 | [Photo of Pauline Blue (McConnell?)
holding basketball with markings B.H.S, 1921]
Black and white. 8-1/2" x 11".
|
|
88 | 8 | [Photo of James Blue and Richard Blue
holding Michelle Ann Blue (daughter of Richard Blue and Maxine
Hillebrandt Blue)]
Black and white print. 3-1/2" x 3-10/16".
|
|
88 | 11 | James and Janice Blue
Black and white print. 10" x 8".
|
1969 |
88 | 11 | [James Blue in Aspen, Colorado,
1964]
Black and white print. 10" x 8"
|
1964 |
88 | 11 | [James Blue talking with others
outside]
Black and white print. 10" x 8".
|
|
88 | 11 | [James Blue and others by record
player]
Black and white (Xerox?). 8-5/16" x 11-5/8".
|
|
88 | 11 | James Blue and Joan Van Der Keuken,
Amsterdam
Black and white print. 12" x 9-1/8".
|
Summer 1965 |
88 | 11 | James and Janice Blue
Black and white print. 14" x 11".
|
1969 |
94 | 5 | James Blue at The University of
Oregon |
|
94 | 6 | James Blue and family |
|
100 | 1 | Piegut photo album |
|
100 | 14 | Personal |
|
100 | 19 | From France |
|
100 | 20 | James Blue |
|
100 | 21 | James Blue |
|
100 | 24 | From New York |
1959-1960 |
100 | 25 | James Blue |
1959-1961 |
100 | 27 | James Blue |
|
100 | 28 | James Blue |
|
100 | 29 | James Blue |
|
100 | 30 | James Blue |
|
100 | 31 | James Blue |
|
100 | 38 | James Blue [negatives] |
|
112 | 15 | James Blue |
|
112 | 9 | Portraits of Frantz Schmitt, George
Derocles and Jean Pelegns |
|
Subseries C: Miscellaneous |
|||
Box | Folder | ||
10 | 1 | Brazil [slides] |
|
10 | 3 | Brazil [slides] |
|
10 | 4 | Mexico [slides] |
|
10 | 6 | Brazil [slides] |
|
10 | 7 | Brazil: Rio Grande River Ride
[slides] |
|
11 | 20 | Three addresses and a
postcard |
November 9, 1979 |
12 | 41 | Untitled Slides
Mini slides. Appear to be telling a story of someone's aunt,
uncle and father dying.
|
|
29 | 29 | Untitled Slides
A man, an extended cloth, a phone.
|
|
29 | 30 | Untitled Slides
Men looking at a sphere hanging from a tree, Jones Cathedral
Park.
|
|
29 | 31 | Untitled Slides
17th century cabinet, O'Grady, O'Doherty.
|
|
53 | 60 | Slides |
|
53 | 61 | Slides [in box] |
|
53 | 62 | Slides [in box] |
|
53 | 63 | Slides [in box] |
|
item | |||
98 | 1354 | Slides
Various drawings, black and white, G.G. [10].
|
|
98 | 1355 | Slides
Various drawings, in color, seems to be telling a story, K. Moody
[40].
|
June 1973 |
98 | 1356 | Slides
Various black and white drawings, G.G. [21].
|
|
98 | 1357 | Slides
Various pictures of houses, James Blue, and others [16].
|
Jul7 1967-Jun 1968 |
Folder | |||
68 | 124 | Slides
Some with people, some with abstract paintings [53].
|
|
74 | 7 | Photos/Copies |
|
74 | 8 | Drawings and watercolors |
|
82 | 89 | Pictures and negatives |
Series IX: Artwork and EphemeraReturn to Top
Container(s) | Description | Dates | |
---|---|---|---|
Subseries A: Artwork |
|||
Box | Folder | ||
73 | 3 | [MISSING] [Man sitting on barrel near
fish market]
Watercolor on paper.
|
|
73 | 3 | [MISSING] Sarge told her to present
arms! [Four women in either Army or Red Cross uniforms. One woman
holds a wooden roller for baking.]
Black ink on paper.
|
|
73 | 3 | [MISSING] [Woman dancing near cactus
and men wearing sombreros]
Watercolor on paper.
|
|
73 | 3 | [MISSING] [Man and kids around kitchen
table]
Watercolor on paper.
|
|
73 | 3 | [MISSING] [Chalk caricature of James
Blue] |
|
73 | 3 | [MISSING] [Caricature done in crayon
of James Blue] |
|
Subseries B: Ephemera |
|||
Box | Folder | ||
6 | 23 | Bruins for Voluntary Parenthood and
Sexual Liberty [liberalize divorce laws flyer] |
|
6 | 33 | Political flyers and
pamphlets |
June 20, 1962 |
15 | 28 | Film receipts |
January 22, 1979 |
15 | 37 | Institute Des Hautes Etudes
Cinematographiques: Pamphlet for the Film School |
|
27 | 10 | Address file with address
cards |
|
item | |||
33 | 233 | Certificate of
Appreciation
Awarded for serving as regional coordinator in the student film
awards program.
|
|
Folder | |||
42 | 30 | Museum of Modern Art: Film Study
program |
November 1976-August 1977 |
42 | 38 | Yellow Pages Phone Directory for
Alfred, New York |
1974-1975 |
42 | 57 | Sears, Fairpoint, and Beverly Manor
Motorhome catalogs |
1972 |
42 | 73 | Maps of New York and
Philadelphia
Includes a Grey Hound bus schedule.
|
September 5, 1973 |
54 | 52 | Hand-drawn doodles |
|
60 | 8 | "Association of Moving Image
Archivists:" Final Conference Program, OMNI Parker House;
Boston, Massachusetts |
November 15, 1994-November 19, 1994 |
64 | 49 | 42nd Annual Academy Awards
Presentation
Program, "Board of Governor's Ball Program," two
tickets, film-related news clippings.
|
April 7, 1970 |
64 | 53 | The American Film Institute Film
Programs |
September 26, 1973 |
65 | 16 | Pamphlet from UUP |
|
66 | 49 | [Pamphlets and Mailings] |
|
66 | 50 | Southwest Alternate Media Project:
Pamphlets and invitations to James Blue Memorial |
December 1971-November 3, 2002 |
73 | 2 | [MISSING] Institut des Hautes Etudes
Cinematographiques: Graduation Diploma [Years of Study:
1956-1958] |
July 28, 1958 |
75 | 32 | Sawyer's Hollywood: Film rental
catalogue |
|
75 | 36 | Association for the Advancement of
Mexican Americans: Pamphlet |
|
75 | 37 | The Millennium Film Workshop Inc.:
Film Equipment load form and flyers |
|
75 | 76 | Gallery map: The Museum of Fine
Arts |
|
75 | 79 | Pacific Film Archive: Calendar
poster |
|
75 | 82 | Pittsburgh Film-makers: Event
Calendars |
|
75 | 83 | Black Filmmakers Hall of Fame: Call
for film entries pamphlet |
|
76 | 40 | Newspaper clippings, flyers and
pamphlets.
Includes a photograph.
|
|
76 | 41 | United Federation of Youth Hostels:
James Blue's membership card [in French] |
|
76 | 42 | Assorted publications and programs for
film showings publications and a vaudeville act |
July 28, 1971-October 3, 1971 |
80 | 4 | Poster for Germain School of
Photography and St. Johns University |
|
84 | 19 | Hirshhorn Museum and Sculpture Garden
at the Smithsonian Institute: Pamphlets pertaining to
events |
|
85 | 1 | The University of Oklahoma School of
Art: Experimental Film and Video poster |
|
85 | 2 | The Millennium Film Workshop Inc.:
Flyer and poster |
|
85 | 4 | Northwest Film Study Center: Event
posters |
|
85 | 7 | Independent American Filmmakers: South
Carolina circuit poster |
|
85 | 10 | The Kansas City Art Institute: Winter
and Spring Film Calendar |
Names and SubjectsReturn to Top
Subject Terms
- Documentary films--Production and direction
- Motion picture plays
- Motion picture producers and directors--United States
- Motion pictures--Production and direction--United States
- Motion pictures--Study and teaching (Higher)--Oregon--Eugene
- Motion pictures--United States--History--20th century
Geographical Names
- Africa
Form or Genre Terms
- Audiocassettes
- Audiotapes
- Audiovisual materials
- Mini-DV
- Motion pictures (visual works)
- Tape reels
- VHS
- Videotapes