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      <eadid countrycode="us" mainagencycode="wauar" encodinganalog="identifier" url="http://archiveswest.orbiscascade.org/ark:/80444/xv64370 " identifier="80444/xv64370 ">WAUCraigGeorgeAndFrankPHColl1456.xml</eadid>
      <filedesc>
         <titlestmt>
            <titleproper>Guide to the George W. and Frank Craig Collection of Vaudeville Photographs <date encodinganalog="date" era="ce">circa 1890s-circa 1945</date>
            </titleproper>
            <titleproper type="filing" altrender="nodisplay">Craig (George W.)</titleproper>
         </titlestmt>
         <publicationstmt>
            <publisher encodinganalog="publisher">Special Collections, University of Washington Libraries</publisher>
            <date normal="2017" encodinganalog="date">© 2017 (Last modified: 5/14/2018)</date>
            <address>
               <addressline>Seattle, WA 98195</addressline>
            </address>
         </publicationstmt>
      </filedesc>
   </eadheader>
   <archdesc level="collection" type="inventory" relatedencoding="marc21">
      <did>
         <repository>
            <corpname>University of Washington Libraries, Special Collections</corpname>
         </repository>
         <unitid countrycode="us" repositorycode="wauar">PH1456</unitid>
         <origination>
            <persname role="creator" encodinganalog="100">Craig, George W</persname>
         </origination>
         <unittitle encodinganalog="245$a" type="collection">George W. and Frank
		  Craig collection of vaudeville photographs</unittitle>
         <unitdate type="inclusive" normal="1890/1929" certainty="approximate" era="ce" calendar="gregorian">circa 1890s-circa 1945</unitdate>
         <physdesc>
            <extent>78 photographs and 2 ephemera (1 box and 1 folder) ; sizes vary</extent>
         </physdesc>
         <langmaterial>Collection materials are in 
		<language langcode="eng" scriptcode="latn" encodinganalog="546">English</language>.</langmaterial>
         <abstract encodinganalog="5203_$a">Photographs of
		  vaudeville entertainers including the Hawthorne sisters, Davida and Mabel, Ilva
		  Craig, the Jazzland naval Octette, Cora Youngblood Corson, Nina Payne, Ernest
		  R. Ball, Lester Allen, the Ed Wynn Carnival and others. </abstract>
      </did>
      <bioghist encodinganalog="5450_" id="a2" altrender="sync">
         <p>Frank and George W. Craig were employed at The Detroit Opera House.
		  George was a lighting director, and Frank was a stagehand who died when stage
		  weights fell on him. George married the vaudeville ingenue Ilva Winder, whose
		  mother was vaudeville actress Mabel W. Hawthorne. Mabel Hawthorne was brutally
		  assaulted in San Francisco in 1938. </p>
      </bioghist>
      <odd type="hist">
         <p>The first Detroit Opera House was built in the French Renaissance
		  style in 1869, and the interior design was complete by Robert Hopkin, but it
		  burned beyond repair on October 7, 1897, about an hour after the end of the
		  performance <emph render="italic">  A Lady of Quality </emph>. It is probable
		  that Frank and George worked at the original Detroit Opera House which was torn
		  down in 1966. It is believed the fire was caused by one of the calcium stage
		  lights, which is the equivalent of today’s spot light. Happily, the building
		  was insured, and a new building was built, on the same site. During the two
		  years that the new theater was being built, performances were held at The
		  Empire Theater. The Detroit Opera House re-opened in 1898. In 1931, The Detroit
		  Opera House was converted into a discount store. This building was demolished
		  in 1966.</p>
         <p>In 1922, the building that is now known as The Detroit Opera House was
		  built, but at that time it was called The Capitol Theater. It wasn’t until 1988
		  that the Michigan Opera Theater purchased the old Capital Theater building, and
		  renamed it The Detroit Opera House. An extensive restoration and expansion
		  project brought the new Detroit Opera House to the beautiful venue it is
		  today.</p>
         <p>Many of the productions performed at the original Detroit Opera House
		  were vaudeville. It is thought that the term vaudeville was originally adopted
		  from the French term voix de ville, and that the use of this term in America
		  gave the performances a feeling of status. In reality, though, the American
		  style of vaudeville, was a fairly polite variety show aimed at the middle
		  class, including women and families. Ranging from legitimate theater to silly
		  comedy, the vaudeville acts simply had to be fun, interesting, or entertaining
		  as long as they were family friendly. Each vaudeville show had multiple acts,
		  with the big names in the middle of the program. There were many vaudeville
		  companies throughout America, and some were more concerned with propriety than
		  others. Vaudeville was the fusion of old traditions and new styles. Class and
		  racial boundaries were also mixed, and average men and women were the new
		  audience. By the 1930s, radio shows and film were becoming more popular,
		  signaling the decline of vaudeville as a main source of entertainment.</p>
      </odd>
      <scopecontent>
         <p>Frank and George W. Craig created this collection during the time they
		  were employed at The Detroit Opera House. Includes photographs of vaudeville
		  entertainers including the Hawthorne sisters, Davida and Mabel Hawthorne; Ilva
		  Craig; the Jazzland Naval Octette, Cora Youngblood Corson, Nina Payne, Ernest
		  R. Ball, Lester Allen, the Ed Wynn Carnival and others. A few of the
		  photographs, some of which were addressed to the Craig's daughter Anita, appear
		  to be of performers who may not have performed in vaudeville.</p>
      </scopecontent>
      <altformavail>
         <p> 
            <extref actuate="onrequest" show="new" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/PH%20COLL%201456/field/all/mode/exact/conn/and/order/title">View the digital version of
			 the collection</extref> 
         </p>
      </altformavail>
      <accessrestrict>
         <p>Entire collection can be viewed on the Libraries’ Digital Collections website.  Permission of Visual Materials Curator required to view originals.  Contact Special Collections for more information.</p>
      <p><extref href="https://uw.aeon.atlas-sys.com/logon/?Action=10&amp;Form=31&amp;Value=https://archiveswest.orbiscascade.org/ark:80444/xv64370/xml" role="text/html" actuate="onrequest" show="new" id="aeon">Request at UW</extref></p></accessrestrict>
      <userestrict>
         <p>Status of creator's copyrights is unknown; restrictions may exist on
		  copying, quotation, or publication. Users are responsible for researching
		  copyright status before use.</p>
      </userestrict>
      <acqinfo>
         <p>Donor: Steve Schroer, December 28, 2016</p>
      </acqinfo>
      <processinfo encodinganalog="583" id="a20">
         <p>Processed by Jean Hannah, 2017.</p>
         <p/>
      </processinfo>
      <controlaccess id="a12">
         <persname role="subject" encodinganalog="600">Craig, George W.--Archives</persname>
         <persname role="subject" encodinganalog="600">Craig, Frank--Archives</persname>
         <corpname role="subject" encodinganalog="610">Detroit Opera House--Photographs</corpname>
         <corpname role="subject" encodinganalog="610">Detroit Opera House--Employees--Photographs</corpname>
         <subject encodinganalog="650">Vaudeville--Michigan--Detroit--Photographs</subject>
         <subject encodinganalog="650">Actors--Michigan--Detroit--Photographs</subject>
         <genreform source="lcgft" encodinganalog="655">Photographs</genreform>
         <persname role="creator" encodinganalog="700">Craig, Frank</persname>
         <subject source="uwsc">Visual Materials Collections (University of Washington)</subject>
         <subject source="archiveswest" encodinganalog="690" altrender="nodisplay">Photographs</subject>
         <subject source="archiveswest" encodinganalog="690" altrender="nodisplay">Performing Arts</subject>
      </controlaccess>
      <dsc type="combined" id="a23">
         <p> </p>
         <c01 level="series">
            <did>
               <unittitle>Portraits of Vaudeville Performers</unittitle>
            </did>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/1</container>
                  <container type="item">1</container>
                  <unittitle>Belle Adair</unittitle>
                  <unitdate era="ce" calendar="gregorian">1912-1913</unitdate>
                  <origination>
                     <corpname role="photographer">Apeda Studios, N.Y</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.1/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p> In 1912, Belle Adair (born February, 1889) was performing in
				  the <emph render="italic">Fascinating Widow</emph> with the well known female
				  impersonator Julian Eltinge. Some of her later works include: 
				  <emph render="italic">Son</emph> (1914), <emph render="italic">Duty</emph>
				  (1914) and <emph render="italic">Adventures in Diplomacy</emph> (1914).</p>
               </bioghist>
               <note>
                  <p> Written on photo: To Frank Pauko! With good wishes always Yours
				  sincerely Belle Adair With Julian Eltinge Season 1912-1913. Written on verso :
				  Belle Adair Leading Lady to Julian Eltinge Season 191[illeg.].</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/1</container>
                  <container type="item">2</container>
                  <unittitle>Lester Allan</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1930s</unitdate>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.2/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Lester Allan (November 17, 1891-November 6, 1949) worked in
				  vaudeville as well as in films.</p>
               </bioghist>
               <note>
                  <p>Written on photo: To Anita Best Wishes always Lester Allan. </p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/1</container>
                  <container type="item">3</container>
                  <unittitle>Minnie Allen</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1917</unitdate>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.3/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Minnie was known for her singing and impersonations.</p>
               </bioghist>
               <note>
                  <p>Written on verso: Minnie Allen In <emph render="italic">AVaudeville Novelty</emph>.</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/1</container>
                  <container type="item">4</container>
                  <unittitle>Ernest Roland Ball</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1907-1927</unitdate>
                  <origination>
                     <corpname role="photographer">Apeda, N.Y</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.4/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Ernest Ball (July 22, 1878-May 3, 1927) was well known as a
				  composer of Irish songs such as <emph render="italic">When Irish Eyes are
				  Smiling</emph>, as well as a formally trained pianist. He both sang and played
				  piano accompaniment in vaudeville acts. He was married to Maude Lambert.</p>
               </bioghist>
               <note>
                  <p>Written on photo: For Frank Yours truly Ernest R. Ball. </p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box">OS5</container>
                  <container type="item">5</container>
                  <unittitle>Maude Lambert Ball</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Apeda, N.Y</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.5/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Maude Lambert (September 26, 1882-December 20, 1942) was an
				  actress who often performed in musical theater with her both husband Ernest
				  Ballas and actor Eddie Foy.</p>
               </bioghist>
               <note>
                  <p>Written on photo: To Frank - Yours Cordially Maud Lambert Ball.
				  Written on verso: Maude Lambert of Lambert and Ball. </p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/1</container>
                  <container type="item">6</container>
                  <unittitle>Sonia Baraban and Charles C. Grohs</unittitle>
                  <unitdate era="ce" calendar="gregorian">June 1920</unitdate>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.6/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Baraban and Grohs were dancers, and are known for introducing
				  the Reuben Fox-trot to the public,in 1914.</p>
               </bioghist>
               <note>
                  <p>Written on photo: To Frank (a regular) from Chas Grohs Baraban
				  &amp; Grohs June 1920. </p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/1</container>
                  <container type="item">7</container>
                  <unittitle>Lydia Barry</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1900-1932</unitdate>
                  <origination>
                     <corpname role="photographer">Hixon-Connelly, K.C., MO</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.7/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Lydia Barry (circa 1876-April 04, 1932) was know for her singing
				  and comedy vaudeville acts. She performed both solo and in the team of Felix
				  and Barry. </p>
               </bioghist>
               <note>
                  <p>Written on photo: Best Wishes of Lydia Barry. </p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/1</container>
                  <container type="item">8</container>
                  <unittitle>Edward A. Barto and Florence Clark</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1918</unitdate>
                  <origination>
                     <corpname role="photographer">Morrison, Chicago, IL</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.8/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>In addition to the scene in <emph render="italic">Columbia and
				  Victor</emph> about a talking machine sales room, Barto and Clark were also
				  known for the act <emph render="italic">Sixty Live on the Second Floor
				  Back</emph>. Edward Barto (circa 1882-June 23, 1950).</p>
               </bioghist>
               <note>
                  <p>Written on photo: Barto and Clark with sincere good wishes.
				  Written on verso: Barto and Clark Present <emph render="italic">Columbia and
				  Victor</emph>. </p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/1</container>
                  <container type="item">9</container>
                  <unittitle>John Barton</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1930s</unitdate>
                  <origination>
                     <corpname role="photographer">Lucas Studio, N.Y</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.9/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>John Barton (October 12, 1898-November 30, 1978)</p>
               </bioghist>
               <note>
                  <p>Written on photo: To Anita from your John Barton. Written on
				  verso: John Barton as Jester Lester in the famous stage play 
				  <emph render="italic">Tobacco Road</emph>. </p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/1</container>
                  <container type="item">10</container>
                  <unittitle>El Brendel</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1920s-1930s</unitdate>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.10/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>El Brendel (March 25, 1890-April 9, 1964) entered vaudeville in
				  1913 where he developed his signature good-natured Swedish character. He
				  performed both in vaudeville and in films. He was married to Flo Bert.</p>
               </bioghist>
               <note>
                  <p>Written on photo: To Anita, Wishing you happiness &amp; success,
				  El Brendel. Written on verso: El Brendel. </p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/2</container>
                  <container type="item">11</container>
                  <unittitle>Sammie Burns and Alice Fulton</unittitle>
                  <unitdate era="ce" calendar="gregorian">January 1, 1914</unitdate>
                  <origination>
                     <corpname role="photographer">Apeda, N.Y</corpname>
                  </origination>
               </did>
               <bioghist>
                  <p>Burns and Fulton were known for their dance routines on the
				  vaudeville circuit.</p>
               </bioghist>
               <note>
                  <p>Written on photo: To Frank Pamko from Burns and Fulton with best
				  wishes Jan. 1st, 1914. </p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box">OS5</container>
                  <container type="item">12</container>
                  <unittitle>Bessie Clayton, Eduardo Cansino and Elisa
				  Cansino</unittitle>
                  <unitdate era="ce" calendar="gregorian">February 15, 1920</unitdate>
                  <origination>
                     <corpname role="photographer">Apeda, N.Y</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.12/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Bessie Clayton (circa 1888-July 16, 1948) was known for dancing,
				  especially tap dancing en pointe. The Cansino siblings, also known for their
				  dancing skills, emigrated from Spain in 1913. They worked with Fred and Adele
				  Astaire. Eduardo Cansino (March 2, 1895-December 24, 1968) is the father of
				  Rita Hayworth. Elise Cansino (March 23, 1896-January 28, 1990).</p>
               </bioghist>
               <note>
                  <p>Written on photo: Feb 15, 1920 To Frank who really should be the
				  electrocutioner at Sing Sing Yours Truly Bessie Clayton and To Frank un
				  suguierdo de[illeg.] Elisa Cansino . Written on verso: Bessie Clayton and
				  Cansinos.</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box">OS5</container>
                  <container type="item">13</container>
                  <unittitle>Claudia Coleman</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Hixon-Connelly, K.C., MO</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.13/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <note>
                  <p>Written on photo: "Frank, You're all so nice!! - Claudia
				  Coleman"</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/2</container>
                  <container type="item">14</container>
                  <unittitle>William Edward (Billy) Cotton</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1920s-1940s</unitdate>
                  <origination>
                     <corpname role="photographer">Apeda, N.Y</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.14/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Billy Cotton (May 1899-March 25, 1969) was a british dance band
				  leader, drummer and vocalist. Known for <emph render="italic">Billy Cotton
				  &amp; His London Savannah Band</emph> and <emph render="italic">The Billy
				  Cotton Band Show</emph>, which performed on both radio and television.</p>
               </bioghist>
               <note>
                  <p>Written on photo: Humorously yours Billy Cotton all
				  W[illeg.].</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/2</container>
                  <container type="item">15</container>
                  <unittitle>Ilva Craig</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1930s</unitdate>
                  <origination>
                     <corpname role="photographer">I. D. Jackson, Detroit, MI</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.15/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Ilva Craig (born circa 1889), daughter of vaudeville actress
				  Mabel Hawthorne, was a Ziegfeld Follies showgirl and vaudeville ingenue. She
				  married George Craig, the lighting director at the Detroit Opera House.</p>
               </bioghist>
               <note>
                  <p>Written on photo: Yours with love Ilva. This photo is the front
				  of a postcard.</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/2</container>
                  <container type="item">16</container>
                  <unittitle>Ilva Craig</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1930s</unitdate>
                  <origination>
                     <corpname role="photographer">Locke Clute, Detroit, MI</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.16/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Ilva Craig (born circa 1889), daughter of vaudeville actess
				  Mabel Hawthorne, was a Ziegfeld Follies showgirl and vaudeville ingenue. She
				  married George Craig, the lighting director at the Detroit Opera House.</p>
               </bioghist>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/2</container>
                  <container type="item">17</container>
                  <unittitle>Blanche Dayne</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1900s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Davies, Portland, OR</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.17/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Blanche Dayne (December 25, 1871-June 27, 1944) was a top billed
				  vaudeville actress married to Will M. Cressy. Cressy wrote many of the playlets
				  Dayne performed in, such as <emph render="italic">Grasping An
				  Opportunity</emph>, <emph render="italic">The Key of C,</emph> and 
				  <emph render="italic">The Wyoming Whoop</emph>.</p>
               </bioghist>
               <note>
                  <p>Written on photo: Blanche Dayne. </p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/2</container>
                  <container type="item">18</container>
                  <unittitle>James (Jim) Diamond and Sibyl Brennan </unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1914</unitdate>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.18/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p> Known for their act <emph render="italic">Niftynonsense.</emph>
                  </p>
               </bioghist>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/2</container>
                  <container type="item">19</container>
                  <unittitle>Glenda Farrell</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1920s-1940s</unitdate>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.19/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Glenda Farrell (June 30, 1904-May 1, 1971) acted on stage and in
				  film from 1928-1969. She is best remembered for her character Torchy Blane.</p>
               </bioghist>
               <note>
                  <p>Written on photo: To Anita-You must be a 'grand' little girl to
				  have such a grand 'father' Love Glenda Farrell.</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/2</container>
                  <container type="item">20</container>
                  <unittitle>Hazel and Vivian Follis</unittitle>
                  <unitdate era="ce" calendar="gregorian">December 9, 1919</unitdate>
                  <origination>
                     <corpname role="photographer">Daguerre, Chicago, IL</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.20/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>The Follis girls (not to be confused with the Follies Girls)
				  were singers and eccentric dancers. </p>
               </bioghist>
               <note>
                  <p>Written on photo: Dec 9-1919 To Mr. Frank Craig Sincerely Follis
				  Girls. To a very pleasant stage manager. Written on verso: Hazel and Vivian
				  Follis.</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/2</container>
                  <container type="item">21</container>
                  <unittitle>Corine Frances and Tony Hunting</unittitle>
                  <unitdate era="ce" calendar="gregorian">February 1, 1920</unitdate>
                  <origination>
                     <corpname role="photographer">Baker Art Gallery</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.21/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Corinne Francis and Tony Hunting performed in many vaudeville
				  acts such as <emph render="italic">Love Lozenges</emph> and 
				  <emph render="italic">The Flower Shop</emph>. As part of their comedy act,
				  Corinne sang and played guitar, and Tony danced, often clogging. Along with
				  Irene Franklin and Burt Green they were part of the Broadway Bunch, who toured
				  in France during the weeks of the St. Mihiel offensive, and then took their
				  vaudeville act to other cities in Europe. Corinne was the first American woman
				  to sing <emph render="italic">The Star Sangled Banner</emph> in Germany after
				  the war.</p>
               </bioghist>
               <note>
                  <p>Written on photo: Feb. 1st 1920 To Frank - Our Very Best Wishes.
				  Tony Hunting and Corinne Frances.</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/2</container>
                  <container type="item">22</container>
                  <unittitle>Nan Gray</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Berts, K.C</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.22/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <note>
                  <p>Written on photo: To the stage boys [illeg.] Wishing them an
				  [illeg.] has coming to them [illeg.] Nan Gray. Written on verso: Nan Gray The
				  Scottish Lassie. </p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/3</container>
                  <container type="item">23</container>
                  <unittitle>Evelyn Grieg</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Alfred Oyer Hohen, N.Y</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.23/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Evelyn (born circa 1890) was a contralto singer who was known
				  for the part of Rhoda Byke in the Broadway production of <emph render="italic">Oh, Boy!</emph>.</p>
               </bioghist>
               <note>
                  <p>Written on photo: Cordially yours Evelyn Grieg with Charles King
				  Co.</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/3</container>
                  <container type="item">24</container>
                  <unittitle>Emma Hagl</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Apeda, N.Y</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.24/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/3</container>
                  <container type="item">25</container>
                  <unittitle>Side view of Emma Hagl</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Apeda, N.Y</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.25/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/3</container>
                  <container type="item">26</container>
                  <unittitle>William Hallen and Ethel Hunter</unittitle>
                  <unitdate era="ce" calendar="gregorian">March 17, 1920</unitdate>
                  <origination>
                     <corpname role="photographer">Celebrity, Chicago, IL</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.26/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Ethel was an actress and violinist and William (circa 1886 -
				  April 7, 1951) was a composer and comedian. This same photo is on the front of
				  the sheet music <emph render="italic">Kaiser Bill</emph>. </p>
               </bioghist>
               <note>
                  <p>Written on photo: To our enemy Frank I'll name one of the pigs
				  after you. From Wm Hallen &amp; Ethel Hunter March 17/20. Written on verso: WM
				  Hallen &amp; Ethel Hunter <emph render="italic">Just for Fun</emph>
                  </p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/3</container>
                  <container type="item">27</container>
                  <unittitle>Loney Haskell</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Apeda, N.Y</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.27/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p> Loney Haskell (1870-October 20, 1933) was a comedian,
				  performer, writer, lyricist, and a master of ceremonies. He was also known for
				  his many facial expressions. He delivered the eulogy at Houdini's funeral.</p>
               </bioghist>
               <note>
                  <p>Written on photo: Remember me? 4th Liberty Loan Detroit=Big City
				  [illeg.] Loney Haskell.</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/3</container>
                  <container type="item">28</container>
                  <unittitle>Probably Davida Hawthorne holding a bouquet of
				  flowers.</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1900s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Locke Clute, Detroit, MI</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.28/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Davida Hawthorne performed in vaudeville with her sister Mabel
				  Hawthorne. Conflicting reports indicate she was born in May in either 1882 or
				  1885.</p>
               </bioghist>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/3</container>
                  <container type="item">29</container>
                  <unittitle>Probably Davida Hawthorne sitting with her hands around
				  her knee.</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1900s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Wright &amp; Co., Detroit, MI</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.29/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Davida Hawthorne performed in vaudeville with her sister Mabel
				  Hawthorne. Conflicting reports indicate she was born in May in either 1882 or
				  1885.</p>
               </bioghist>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/3</container>
                  <container type="item">30</container>
                  <unittitle> Davida (on left) and Mabel Hawthorne</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1900s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Perle, Detroit, MI</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.30/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>The Hawthorne sisters were known as <emph render="italic">The
				  Dainty Comedians</emph>. Davida performed the serious parts, and Mabel
				  performed as the soubrette (ingenue).</p>
               </bioghist>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/3</container>
                  <container type="item">31</container>
                  <unittitle>Davida (in the hat) and Mabel Hawthorne</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1900s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Perle, Detroit, MI</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.31/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>The Hawthorne sisters worked in stock theater for a variety of
				  different companies. In this photograph, they are both wearing ballet slippers
				  indicating they may have been dancers.</p>
               </bioghist>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/3</container>
                  <container type="item">32</container>
                  <unittitle>Davida (near the stuffed bear) and Mabel Hawthorne
				  sitting on a carpet looking at a paper</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1900s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Perle, Detroit, MI</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.32/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>The Hawthorne sisters worked in stock theater for a variety of
				  different companies.</p>
               </bioghist>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/4</container>
                  <container type="item">33</container>
                  <unittitle>Davida (on right) and Mabel Hawthorne</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1900s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Rudolph's Studio, Chicago, IL</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.33/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>The Hawthorne sisters worked in stock theater for a variety of
				  different companies.</p>
               </bioghist>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/4</container>
                  <container type="item">34</container>
                  <unittitle>Davida (on left) and Mabel Hawthorne</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1900s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Rudolph's Studio, Chicago, IL</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.34/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/4</container>
                  <container type="item">35</container>
                  <unittitle>Mabel Hawthorne</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1900s-1920s</unitdate>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.35/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Mabel Hawthorne (1880-1952) was an actress who often performed
				  with her sister Davida. She also acted alone, such as in the part of Fanny
				  Legrand in the controversial play <emph render="italic">Sapho</emph> and the
				  character Evy in <emph render="italic">Wife and Maid</emph> performed by the
				  Empire Stock Company. She also worked for the Franklin Stock Co. and the Nat
				  Stock Co.</p>
               </bioghist>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/4</container>
                  <container type="item">36</container>
                  <unittitle>Mabel Hawthorne</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">The Academy, Cumberland, M.D</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.36/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Mabel Hawthorne (1880-1952) was an actress who often performed
				  with her sister Davida. She was brutally beaten in her home on January 4th 1938
				  by David Matthews. Though she survived the incident, she did suffer brain
				  damage from the attack.</p>
               </bioghist>
               <note>
                  <p>Written on photo: Mabel Hawthorne. Written on verso: I love
				  mamma. My Girlie Girl from Mamma.</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/4</container>
                  <container type="item">37</container>
                  <unittitle>Clara Howard</unittitle>
                  <unitdate era="ce" calendar="gregorian">March 6, 1920</unitdate>
                  <origination>
                     <corpname role="photographer">Davies, Portland, OR</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.37/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p> Clara Howard was a singer and storyteller. She also
				  impersonated Charley Chaplin.</p>
               </bioghist>
               <note>
                  <p>Written on photo: To Frank "Mr. Craig" A wonderful week, always
				  pleasantly remembered [illeg.] by a "regular bunch Sincerely Clara Howard March
				  6, 1920.</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box">OS5</container>
                  <container type="item">38</container>
                  <unittitle>Frank Hurst</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Apeda, N.Y</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.38/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Frank Hurst was a singer who worked with Lucille Cavanagh. He
				  also performed with Eddie Vogt in <emph render="italic">Profiteering in
				  Fun</emph>, and recorded a Vitaphone reel with him. He worked with El Brendel
				  in May West's <emph render="italic">The Mimic World of 1921</emph>. There is
				  also a Frank Hurst that was the manager of the Waterloo Theater. It is unknown
				  whether they were the same person.</p>
               </bioghist>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/4</container>
                  <container type="item">39</container>
                  <unittitle>Jack Inglis</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Lumiere, N.Y</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.39/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Jack Inglis started out as a straight man in vaudeville, but
				  became a comedian. He worked with James Duffy in comedy and patter. He was also
				  known for his hat acts, including one in which he tore up straw hats. He played
				  the Property Man in <emph render="italic">Buzzin’ Around</emph>, and he
				  recorded <emph render="italic">Dollar Down</emph> on Vitaphone.</p>
               </bioghist>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/4</container>
                  <container type="item">40</container>
                  <unittitle>Jazzland Naval Octette</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">White Studio, Boston, MA</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.40/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p> Jazzland Naval Octette was directed by Tom Deveney. It featured
				  Eddie Howett, and consisted of eight men who served overseas with the Atlantic
				  Squadron.</p>
               </bioghist>
               <note>
                  <p>Written on photo: Best wishs from the Jazzland Naval 8. Written
				  on verso: Jazzland Naval Octette.</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/4</container>
                  <container type="item">41</container>
                  <unittitle>The Musical Johnstons (Jim Johnston and Albert
				  Johnston)</unittitle>
                  <unitdate era="ce" calendar="gregorian">1920</unitdate>
                  <origination>
                     <corpname role="photographer">Apeda, N.Y</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.41/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>The Musical Johnstons were xylophone players.</p>
               </bioghist>
               <note>
                  <p>This composite was originally two separate pictures that were
				  cut and glued onto one single mat. On the left, Written on photo: To Frank from
				  Jim Johnston 1920 To one of the good one To Frank from Albert. Musical
				  Johnstons.</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/5</container>
                  <container type="item">42</container>
                  <unittitle>Guy Kibbee</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1930s-1940s</unitdate>
                  <origination>
                     <corpname role="photographer">Bert Longworth. Hollywood, CA</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.42/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Guy Kibbee (March 6, 1882 [some sources say 1886] - May 24,
				  1956) was an American stage actor playing mostly small parts. He was eventually
				  cast by Arthur Hopkins in <emph render="italic">Torch Song</emph>, and became a
				  star. He spent the majority of the rest of his career as a film actor. He was
				  known for playing goofballs and patriarchs.</p>
               </bioghist>
               <note>
                  <p>Written on photo: To My Good Pal George Craig from J Guy
				  Kibbee.</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box">OS5</container>
                  <container type="item">43</container>
                  <unittitle>Harry King</unittitle>
                  <unitdate era="ce" calendar="gregorian">April 20, 1920</unitdate>
                  <origination>
                     <corpname role="photographer">Hixon-Connelly, K.C., MO</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.43/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Harry King (1881-April 6, 1965), together with Fritz Baumgartel,
				  were known as the Gartelle Brothers. They had a comic roller skating act called
				  either <emph render="italic">Skatorialism</emph> or <emph render="italic">Skatorial Rollerism</emph>. Harry later became a picture and
				  sound operator in a theater.</p>
               </bioghist>
               <note>
                  <p>Written on photo: April 20, 20 To Frank With Best Wishes Harry
				  King. </p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/5</container>
                  <container type="item">44</container>
                  <unittitle>Hildegarde Knef</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1940s-1950s</unitdate>
                  <origination>
                     <corpname role="photographer">Maurice Seymour, Chicago, IL</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.44/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p> Hildegard Knef (December 28, 1925-February 1, 2002) was a
				  German film and stage actress, singer, and song writer.</p>
               </bioghist>
               <note>
                  <p>Written on photo: To Fred - with my good wishes Hildegarde.</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/5</container>
                  <container type="item">45</container>
                  <unittitle>Grace La Rue</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Strausse-Peyton Studio, K.C., MO</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.45/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Grace La Rue (April 23, 1882-March 13, 1956) was an American
				  actress and singer. She got her start on doing tent shows and burlesque and
				  worked her way into vaudeville working with the group she called her 
				  <emph render="italic">Inky Dinks</emph>. She soon got a role in 
				  <emph render="italic">The Blue Moon</emph> and then moved on to the Zeigfeld
				  Follies. She performed on Broadway and in Europe, which led to a 1929 Vitaphone
				  short, a part in a show with Mae West and work in the film 
				  <emph render="italic">That's Good</emph>. She retired in the early 1930s.</p>
               </bioghist>
               <note>
                  <p>Written on photo: To the Boys Sincerely Grace La Rue. </p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/5</container>
                  <container type="item">46</container>
                  <unittitle>Nate Leipzig</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Pack, N.Y</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.46/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Nate Leipzig (May 31, 1873-1939) was born in Sweden, but came to
				  America when he was about ten years old. He was a sleight of hand magician. He
				  was said to have invented the coin roll; rolling the coin across the back of
				  the fingers as well as the palm side of the fingers. He was also known for
				  manipulations with thimbles, knives, canes, and other everyday objects. He
				  performed many card tricks, such as Rising Cards. He became as popular in
				  Europe as in America, and often performed for royalty.</p>
               </bioghist>
               <note>
                  <p>Written on photo: With Best wishes to Frank Craig Magically
				  Yours Nate Leipzig. </p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/5</container>
                  <container type="item">47</container>
                  <unittitle>Virginia Lewis and Mary White</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Mehrn</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.47/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Virginia Lewis and Mary White were high-class harmony
				  singers.</p>
               </bioghist>
               <note>
                  <p>Written on photo: With best wishes to Frank Craige - a good
				  natured stage mana[ger] Lewis &amp; White.</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/5</container>
                  <container type="item">48</container>
                  <unittitle>Alice Lloyd</unittitle>
                  <unitdate era="ce" calendar="gregorian">1919</unitdate>
                  <origination>
                     <corpname role="photographer">Pack, N.Y</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.48/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Alice Lloyd (1873-1949) was one born into a family of performers
				  in Britain. She formed an act with her sister Grace for a time, but when Grace
				  retired, Alice became a solo singer. Her act included multiple costume changes.
				  She became very popular in the America. She was more genteel than her sister
				  Marie, which eventually led to her being billed as <emph render="italic">The
				  Ideal Dainty Chanteuse</emph>.</p>
               </bioghist>
               <note>
                  <p>Written on photo: Best of wishes to Frank Craig Alice Lloyd
				  1919</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/5</container>
                  <container type="item">49</container>
                  <unittitle>Nonette Lyle in gypsy costume playing violin</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Sykes, Chicago, IL</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.49/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Nonette was an American born performer known for being an
				  accomplished violinist and singer. At one time, she was the youngest solo
				  violinist to appear with the New York Festival orchestra.</p>
               </bioghist>
               <note>
                  <p> Written on photo: To Frank with every good wish and thanks for
				  his many courtesies Nonette.</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/5</container>
                  <container type="item">50</container>
                  <unittitle>Betty Morgan</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Lumiere, N.Y</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.50/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Bettie and Jim Morgan were singers, and composers of such
				  well-known songs as <emph render="italic">Don't Bite the Hand That's Feeding
				  You</emph> and <emph render="italic">Cleopatra Had a Jazz Band. </emph>They
				  performed <emph render="italic">Songs and Music Somewhat Different</emph> with
				  their Collegiate Orchestra. They recorded <emph render="italic">Songs As You
				  Like Them</emph> with Vitaphone. Betty recorded two songs on the jazz record 
				  <emph render="italic">Bring On the Girls (1926-1930)</emph>.</p>
               </bioghist>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/5</container>
                  <container type="item">51</container>
                  <unittitle>Jim Morgan</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Lumiere, N.Y</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.51/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p> Jim and Bettie Morgan were singers and composers of such
				  well-known songs as <emph render="italic">Don't Bite the Hand That's Feeding
				  You</emph> and <emph render="italic">Cleopatra Had a Jazz Band. </emph>They
				  performed <emph render="italic">Songs and Music Somewhat Different </emph>with
				  their Collegiate Orchestra. They recorded <emph render="italic">Songs As You
				  Like Them</emph> with Vitaphone.</p>
               </bioghist>
               <note>
                  <p> Written on verso: Jim of Jim &amp; Betty Morgan. </p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/6</container>
                  <container type="item">52</container>
                  <unittitle>Possibly the Murray Sisters</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1900s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">White, N.Y</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.52/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>The Murray sisters, Marion and Victoria, were operatic singers
				  and comedians who played the Orpheum circuit. In 1909 one of their popular
				  songs was <emph render="italic">I'm Tired of Being a Gibson Girl</emph>. In
				  1910, Marion appeared in the comedy <emph render="italic">The Prima Donna's
				  Honeymoon</emph>. Marion Murray became engaged to Joseph Ghiradelli in February
				  of 1909.</p>
               </bioghist>
               <note>
                  <p>Written on verso: [M]urray Sisters. Nov. 24th. There were
				  multiple acts called the Murray sisters. However, based on their outfits, it is
				  probable that these women were the operatic singers and comedians, Marion and
				  Victoria.</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/6</container>
                  <container type="item">53</container>
                  <unittitle>Mlle Nadje</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.53/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Mlle. Nadje (Cecilie Bownden) (1885-1966), was born to John and
				  Rose Bowden, of the Delevanti Troupe (wire-walkers, acrobats and equestrians)
				  in England. She began performing in the United States when she was fifteen. She
				  is known for her abilities in acrobatics, physical culture, and hand balancing.
				  She performed in many countries, including a performance for the queen of
				  England.</p>
               </bioghist>
               <note>
                  <p>Written on photo: Mdlle. Nadje.</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/6</container>
                  <container type="item">54</container>
                  <unittitle>Clarence Oliver</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Hartsook Photo S.F. - L.A. (San Francisco - Los Angeles), CA</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.54/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Clarence Oliver was from Kansas City, MO, and performed with
				  Georgia Olp. They originally performed together in William A. Brady’s
				  vaudeville troupe, but eventually left the troupe and created their own
				  playlets, such as <emph render="italic">Wire Collect,</emph>
                     <emph render="italic">The Bee Hive,</emph>
                     <emph render="italic">The Wall
				  Between</emph> and <emph render="italic">Discontent.</emph>
                  </p>
               </bioghist>
               <note>
                  <p>Written on photo: To the Boys Yours Very Truly - Clarence
				  Oliver. </p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/6</container>
                  <container type="item">55</container>
                  <unittitle>Georgie Olp</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Apeda, N.Y</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.55/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p> Georgie Olp performed with Clarence Oliver. They originally
				  performed together in William A. Brady’s vaudeville troupe, but eventually left
				  the troupe and created their own playlets, such as <emph render="italic">Wire
				  Collect,</emph>
                     <emph render="italic">The Bee Hive,</emph>
                     <emph render="italic">The Wall Between</emph> and <emph render="italic">Discontent.</emph>
                  </p>
               </bioghist>
               <note>
                  <p> Written on photo: Sincerely Georgie Olp Written on verso:
				  Georgie Olp - Oliver &amp; Olp.</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/6</container>
                  <container type="item">56</container>
                  <unittitle>Marguerita Padula</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">White Studio, Boston, MA</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.56/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Marguerita Padula (January 1, 1891-February 22, 1957) performed
				  both on stage and in motion pictures. Her forte was character acting and
				  singing. Her performance of the song <emph render="italic">Halleluiah Hit the
				  Deck</emph> (the 1930 version) was particularly well accepted. </p>
               </bioghist>
               <note>
                  <p>Written on photo: Very best regards Marguerita Padula. Written
				  on verso: Marguerita Padula in *<emph render="italic">Song Study of
				  Boys</emph>*. </p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/6</container>
                  <container type="item">57</container>
                  <unittitle>Nina Payne</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Apeda, N.Y</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.57/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Nina Payne was born November 15, 1890. She lived in Seattle,
				  Washington as a child. She became well known for her dancing act called 
				  <emph render="italic">Character Studies in Dance.</emph> She was also well
				  known for her large hats and odd costumes. She toured the United States and
				  Europe, living for a time in Paris, France. She was also known for her work
				  with the Arnold Jazz Band and Folies Bergere. She retired from the stage in the
				  1930s.</p>
               </bioghist>
               <note>
                  <p>Written on photo: To my Detroit Friends with Best Wishes, Nina
				  Payne. Written on verso: Miss Nina Payne. </p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/6</container>
                  <container type="item">58</container>
                  <unittitle>Benton Ressler</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Apeda, N.Y</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.58/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Benton Ressler composed the one act musical play 
				  <emph render="italic">Oh!! Mary!! </emph>in 1920. He was a support actor to
				  Mrs. Gene Hughes in multiple plays including <emph render="italic">When He Came
				  Back</emph>. Sometimes he is billed under the name Benton Ressler &amp; Co.</p>
               </bioghist>
               <note>
                  <p>Written on photo: To Frank Craig with all good wishes Benton
				  Ressler <emph render="italic">Mom's Son</emph>. Written on verso: Benton
				  Ressler with Mrs Gene H[ughes]</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/7</container>
                  <container type="item">59</container>
                  <unittitle>Chester Spencer</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Hartsook Photo S.F.- L.A. (San Francisco - Los Angeles), CA</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.59/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p> Chester Spencer was married to and worked with Lola Williams.
				  One of their popular hits was <emph render="italic">Putting it Over</emph>, a
				  comedy singing and dancing act.</p>
               </bioghist>
               <note>
                  <p>Written on verso: Chester Spencer Spencer &amp; Williams
				  Direction Max Hart Palace Theatre Bldg. New York. The photograph is on the back
				  of a business card.</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box">OS5</container>
                  <container type="item">60</container>
                  <unittitle>Jerry Swinford and the U. S. Glee Club</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1914-1919</unitdate>
                  <origination>
                     <corpname role="photographer">Apeda, N.Y</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.60/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Prior to WWI, Jerry Swinford was a well-known, successful,
				  baritone singer who was well known across the United States. During WWI, he
				  conducted and performed in the Glee Club, which he organized during his time in
				  the Navy. </p>
               </bioghist>
               <note>
                  <p>Written on photo: To Frank and the other "Boys" with every
				  evidence of regard Jerry Swinford. Written on verso: U.S. Glee Club. </p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/7</container>
                  <container type="item">61</container>
                  <unittitle>Julia Marlowe Taber</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1900s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Thors, San Francisco, CA</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.61/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Julia Marlowe Taber (August 17, circa 1865-November 12, 1950)
				  was born Britain, and immigrated to America with her parents in 1870. She
				  started her stage career in 1879 as Fanny Brough. In the early 1900s she had
				  two major triumphs, one in the play<emph render="italic">Barbara
				  Frietchie</emph> and the other as Mary Tudor in <emph render="italic">When
				  Knighthood was in Flower. </emph>She later continued her impersonations of
				  various characters in William Shakespeare plays. She retired in 1924.</p>
               </bioghist>
               <note>
                  <p>Written on photo: Julia Marlowe Taber </p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/7</container>
                  <container type="item">62</container>
                  <unittitle>Transfield Sisters</unittitle>
                  <unitdate era="ce" calendar="gregorian">October 30, 1919</unitdate>
                  <origination>
                     <corpname role="photographer">Celebrity, Chicago, IL</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.62/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>The Transfield sisters were singers and musicians who played
				  multiple instruments including the xylophone, mandolin, guitars, and French
				  horn. They also played music on bottles.</p>
               </bioghist>
               <note>
                  <p>Written on photo: Best Wishes Sincerely Yours The Transfield Sis
				  Oct 30th 1919. Written on verso: Transfield sister</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/7</container>
                  <container type="item">63</container>
                  <unittitle>Marguerite Werner</unittitle>
                  <unitdate era="ce" calendar="gregorian">October 15, 1926</unitdate>
                  <origination>
                     <corpname role="photographer">Bachrach</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.63/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Marguerite Werner was known for playing the Mighty Wurlitzer
				  Publix 1 Pipe Organ.</p>
               </bioghist>
               <note>
                  <p>Written on photo: To Frank - a reminder of the good old
				  "Madison" days,school, xmas trees 'n' ev'ry-body happy. Sincerely Marguerite
				  Werner 10-15-26.</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/7</container>
                  <container type="item">64</container>
                  <unittitle>Lola Williams</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Hartsook Photo S.F. - L.A. (San Francisco - Los Angeles), CA</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.64/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p> Lola Williams was married to and worked with Chester Spencer.
				  One of their popular hits was <emph render="italic">Putting it Over,</emph> a
				  comedy singing and dancing act.</p>
               </bioghist>
               <note>
                  <p> Written on verso: Lola Williams Spencer &amp; Williams
				  Direction Max Hart Palace Theatre Bldg. New York. The photograph is on the back
				  of a business card.</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/7</container>
                  <container type="item">65</container>
                  <unittitle>Frankie Wilson</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Apeda, N.Y</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.65/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Frankie Wilson was known for her act <emph render="italic">Modern Mirage, </emph>which was an illuminated posing act that
				  included patriotic effects, portions of which were patterned after the poster 
				  <emph render="italic">The Spirit of 1917.</emph>
                  </p>
               </bioghist>
               <note>
                  <p>Written on photo: To Frank, a big "Peach" &amp; the boys, Your
				  Pal, Franki Wilson "The Star"???? Written on verso: <emph render="italic">Modern Mirage</emph> Frankie Wilson.</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/7</container>
                  <container type="item">66</container>
                  <unittitle>Cora Youngblood Corson</unittitle>
                  <unitdate era="ce" calendar="gregorian">1920</unitdate>
                  <origination>
                     <corpname role="photographer">Otto Sarony Co., N.Y</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.66/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <bioghist>
                  <p>Cora Youngblood Corson (January 1886-circa 1917) was a featured
				  soloist who started as a coronet player, but eventually increased her
				  repertoire to include the French horn, saxophone, harp, trombone, cello,
				  bagpipes and accordion. She formed the band <emph render="italic">Cora
				  Youngblood Corson Sextette</emph> with friends from Oklahoma. They toured in
				  the United States and Europe. She was a soloist at several presidential
				  inaugurations. She was married to Charles Corson from 1904-1921, at which time
				  they divorced. She later married Frank Barsanti.</p>
               </bioghist>
               <note>
                  <p>Written on photo: With Best Wishes Cora Youngblood Corson
				  4-11-20. Written on verso: Cora Youngblood Corson June 1st to Oct. 6th 1920
				  Anadarko, Okla. </p>
               </note>
            </c02>
            <c02 level="file">
               <did>
                  <unittitle>Unidentified Vaudeville Performers</unittitle>
               </did>
               <c03 level="item">
                  <did>
                     <container type="box-folder">1/8</container>
                     <container type="item">67</container>
                     <unittitle>Actor named Roy</unittitle>
                     <unitdate era="ce" calendar="gregorian">circa 1910s-1930s</unitdate>
                     <daogrp>
                        <resource label="start"> </resource>
                        <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.67/field/descri/mode/any/conn/and/order/title"/>
                        <arc from="start" to="icon" show="new" actuate="onrequest"/>
                     </daogrp>
                  </did>
                  <note>
                     <p>Written on photo: To "Walter" A real fellow &amp; Pal, wishing
					 you loads of luck Roy.</p>
                  </note>
               </c03>
               <c03 level="item">
                  <did>
                     <container type="box-folder">1/8</container>
                     <container type="item">68</container>
                     <unittitle>Two women, probably dancers and possibly associated
					 with the Blue Devils of Music.</unittitle>
                     <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                     <daogrp>
                        <resource label="start"> </resource>
                        <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.68/field/descri/mode/any/conn/and/order/title"/>
                        <arc from="start" to="icon" show="new" actuate="onrequest"/>
                     </daogrp>
                  </did>
                  <note>
                     <p>Written on photo: Sincerely [illeg.] Baugan[illeg.] Blue
					 Devils [illeg.] of Music 191[illeg.].</p>
                  </note>
               </c03>
               <c03 level="item">
                  <did>
                     <container type="box-folder">1/8</container>
                     <container type="item">69</container>
                     <unittitle>Photo collage with six female heads surrounding one
					 male head</unittitle>
                     <unitdate era="ce" calendar="gregorian">circa 1910s-1920s</unitdate>
                     <daogrp>
                        <resource label="start"> </resource>
                        <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.69/field/descri/mode/any/conn/and/order/title"/>
                        <arc from="start" to="icon" show="new" actuate="onrequest"/>
                     </daogrp>
                  </did>
                  <note>
                     <p>The photos in this collage were cut out and pasted on
					 cardboard.</p>
                  </note>
               </c03>
               <c03 level="item">
                  <did>
                     <container type="box-folder">1/8</container>
                     <container type="item">70</container>
                     <unittitle>Man in suit reading a paper at a roll top desk. There
					 are performer's pictures on the desk and a notary public sign on the
					 wall.</unittitle>
                     <unitdate era="ce" calendar="gregorian">circa 1900s-1930s</unitdate>
                     <daogrp>
                        <resource label="start"> </resource>
                        <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.70/field/descri/mode/any/conn/and/order/title"/>
                        <arc from="start" to="icon" show="new" actuate="onrequest"/>
                     </daogrp>
                  </did>
               </c03>
               <c03 level="item">
                  <did>
                     <container type="box-folder">1/8</container>
                     <container type="item">71</container>
                     <unittitle>Portrait of a dark haired woman in a dress</unittitle>
                     <unitdate era="ce" calendar="gregorian">circa 1930s-1940s</unitdate>
                     <origination>
                        <corpname role="photographer">Murray Korman, N.Y</corpname>
                     </origination>
                     <daogrp>
                        <resource label="start"> </resource>
                        <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.71/field/descri/mode/any/conn/and/order/title"/>
                        <arc from="start" to="icon" show="new" actuate="onrequest"/>
                     </daogrp>
                  </did>
               </c03>
            </c02>
         </c01>
         <c01 level="series">
            <did>
               <unittitle>Vaudeville Performances</unittitle>
            </did>
            <c02 level="item">
               <did>
                  <container type="box">OS5</container>
                  <container type="item">72</container>
                  <unittitle>A vaudeville stage scene with a large cast of men and
				  women all of whom are holding a playing card.</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1880s-1900s</unitdate>
                  <origination>
                     <corpname role="photographer">White Studio</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.72/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/8</container>
                  <container type="item">73</container>
                  <unittitle>Twelve vaudeville performers dressed as Native American
				  Indians. Many hold tomahawks, and one appears to be the chief.</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1900s-1920s</unitdate>
                  <origination>
                     <corpname role="photographer">Siegel Cooper &amp; Co., Chicago, IL</corpname>
                  </origination>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.73/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
            </c02>
            <c02 level="subseries">
               <did>
                  <unittitle>Ed Wynn's Carnival</unittitle>
               </did>
               <c03 level="item">
                  <did>
                     <container type="box">OS5</container>
                     <container type="item">74</container>
                     <unittitle>The Japanese scene in <emph render="italic">The Ed
					 Wynn Carnival</emph> .</unittitle>
                     <unitdate era="ce" calendar="gregorian">1920</unitdate>
                     <origination>
                        <corpname role="photographer">White Studio, N.Y</corpname>
                     </origination>
                     <daogrp>
                        <resource label="start"> </resource>
                        <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.74/field/descri/mode/any/conn/and/order/title"/>
                        <arc from="start" to="icon" show="new" actuate="onrequest"/>
                     </daogrp>
                  </did>
                  <bioghist>
                     <p>
                        <emph render="italic">The Ed Wynn Carnival </emph>was a
					 musical revue that opened on Broadway on April 5, 1920 and ran through August
					 14, 1920.</p>
                  </bioghist>
                  <note>
                     <p>Written on verso: Japanese Scene in <emph>The Ed Wynn
					 Carnival</emph> . </p>
                  </note>
               </c03>
               <c03 level="item">
                  <did>
                     <container type="box">OS5</container>
                     <container type="item">75</container>
                     <unittitle>The Mardi-Gras scene in <emph render="italic">Ed
					 Wynn's Carnival</emph> .</unittitle>
                     <unitdate era="ce" calendar="gregorian">1920</unitdate>
                     <origination>
                        <corpname role="photographer">White Studio, N.Y</corpname>
                     </origination>
                     <daogrp>
                        <resource label="start"> </resource>
                        <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.75/field/descri/mode/any/conn/and/order/title"/>
                        <arc from="start" to="icon" show="new" actuate="onrequest"/>
                     </daogrp>
                  </did>
                  <bioghist>
                     <p>
                        <emph render="italic">The Ed Wynn Carnival </emph>was a
					 musical revue that opened on Broadway on April 5, 1920 and ran through August
					 14, 1920.</p>
                  </bioghist>
                  <note>
                     <p>Written on verso: The Mardi-Gras Scene in <emph>The Ed Wynn
					 Carnival</emph> Grand Oct 31. </p>
                  </note>
               </c03>
               <c03 level="item">
                  <did>
                     <container type="box">OS5</container>
                     <container type="item">76</container>
                     <unittitle>Some of the Maidens Fair in <emph render="italic">Ed
					 Wynn's Carnival</emph> .</unittitle>
                     <unitdate era="ce" calendar="gregorian">1920</unitdate>
                     <origination>
                        <corpname role="photographer">White Studio, N.Y</corpname>
                     </origination>
                     <daogrp>
                        <resource label="start"> </resource>
                        <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.76/field/descri/mode/any/conn/and/order/title"/>
                        <arc from="start" to="icon" show="new" actuate="onrequest"/>
                     </daogrp>
                  </did>
                  <bioghist>
                     <p>
                        <emph render="italic"> The Ed Wynn Carnival</emph> was a
					 musical revue that opened on Broadway on April 5, 1920 and ran through August
					 14, 1920. </p>
                  </bioghist>
                  <note>
                     <p>Written on verso: Some of the Maidens Fair in 
					 <emph render="italic">The Ed Wynn Carnival</emph> Grand Oct 31.</p>
                  </note>
               </c03>
               <c03 level="item">
                  <did>
                     <container type="box">OS5</container>
                     <container type="item">77</container>
                     <unittitle>A line of women in costume who were probably part of
					 the cast of <emph render="italic"> The Ed Wynn Carnival</emph>
                     </unittitle>
                     <unitdate era="ce" calendar="gregorian">1920</unitdate>
                     <origination>
                        <corpname role="photographer">White Studio, N.Y</corpname>
                     </origination>
                     <daogrp>
                        <resource label="start"> </resource>
                        <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.77/field/descri/mode/any/conn/and/order/title"/>
                        <arc from="start" to="icon" show="new" actuate="onrequest"/>
                     </daogrp>
                  </did>
                  <bioghist>
                     <p>
                        <emph render="italic">The Ed Wynn Carnival </emph>was a
					 musical revue that opened on Broadway on April 5, 1920 and ran through August
					 14, 1920. </p>
                  </bioghist>
               </c03>
               <c03 level="item">
                  <did>
                     <container type="box">OS5</container>
                     <container type="item">78</container>
                     <unittitle>A large group of men and women in fancy dress on a
					 stage set which is probably part of <emph render="italic">The Ed Wynn
					 Carnival</emph>
                     </unittitle>
                     <unitdate era="ce" calendar="gregorian">1920</unitdate>
                     <origination>
                        <corpname role="photographer">White Studio, N.Y</corpname>
                     </origination>
                     <daogrp>
                        <resource label="start"> </resource>
                        <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.78/field/descri/mode/any/conn/and/order/title"/>
                        <arc from="start" to="icon" show="new" actuate="onrequest"/>
                     </daogrp>
                  </did>
                  <bioghist>
                     <p>
                        <emph render="italic">Ed Wynn's Carnival</emph> was a musical
					 revue that opened on Broadway on April 5, 1920 and ran through August 14, 1920.
					 </p>
                  </bioghist>
               </c03>
            </c02>
         </c01>
         <c01 level="series">
            <did>
               <unittitle>Ephemera</unittitle>
            </did>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/9</container>
                  <container type="item">79a-b</container>
                  <unittitle>Program for <emph render="italic">Sapho</emph> at the
				  Bijou theater</unittitle>
                  <unitdate era="ce" calendar="gregorian">April 1910</unitdate>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.79a%201456.79b/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <note>
                  <p>Mabel Hawthorne played Fanny LeGrande - Sapho</p>
               </note>
            </c02>
            <c02 level="item">
               <did>
                  <container type="box-folder">1/9</container>
                  <container type="item">80</container>
                  <unittitle>Reproduction of photograph of Mabel Hawthorne for
				  Seattle theater with a poem.</unittitle>
                  <unitdate era="ce" calendar="gregorian">circa 1907</unitdate>
                  <daogrp>
                     <resource label="start"> </resource>
                     <daoloc label="icon" role="text/html" href="http://digitalcollections.lib.washington.edu/cdm/search/searchterm/1456.80/field/descri/mode/any/conn/and/order/title"/>
                     <arc from="start" to="icon" show="new" actuate="onrequest"/>
                  </daogrp>
               </did>
               <note>
                  <p>Written on verso: My dear With love from her old [illeg.]m Mabel
				  (Bob). Mabel Hawthorne's poem <emph render="italic">Twilight </emph>is typed on
				  the inside of this program folder.</p>
               </note>
            </c02>
         </c01>
      </dsc>
   </archdesc>
</ead>

