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<!DOCTYPE ead PUBLIC "+//ISBN 1-931666-00-8//DTD ead.dtd (Encoded Archival Description (EAD) Version 2002)//EN" "ead.dtd">

<ead> 
	<eadheader findaidstatus="approved" langencoding="iso639-2b" audience="internal" repositoryencoding="iso15511" countryencoding="iso3166-1" scriptencoding="iso15924" dateencoding="iso8601" relatedencoding="dc">
		
	    <eadid countrycode="us" mainagencycode="wyuah" identifier="80444/xv599032" url="https://archiveswest.orbiscascade.org/ark:/80444/xv599032" encodinganalog="identifier">AHJ_ah02922</eadid>
		<filedesc> 
			<titlestmt> 
				<titleproper encodinganalog="title">Inventory of the Lou Greenspan papers, <date era="ce" calendar="gregorian">1903-1969</date></titleproper>
			    <titleproper type="filing" altrender="nodisplay">Greenspan (Lou) papers</titleproper>
				<author encodinganalog="creator">Roger Simon</author>
				
			</titlestmt> 
	 <publicationstmt> 
		<publisher encodinganalog="publisher">University of Wyoming. American
		  Heritage Center.</publisher> 
		<address> 
		  <addressline>American Heritage Center</addressline> 
		  <addressline>Dept. 3924, 1000 E. University Avenue</addressline> 
		  <addressline>University of Wyoming</addressline> 
		  <addressline>Laramie, WY 82071</addressline> 
		  <addressline>Phone: 307.766.2574</addressline> 
		  <addressline>Fax:307.766.5511 </addressline> 
		  <addressline>Email:ahcref@uwyo.edu</addressline> 
		  <addressline>URL:http://ahc.uwyo.edu/</addressline> 
		</address> 
	 	<date era="ce" calendar="gregorian" encodinganalog="date">2013</date> 
		<p>University of Wyoming</p> 
	 </publicationstmt> 
  </filedesc> 
  <profiledesc> 
	 <creation>Finding aid encoded by Ann Mulfort
	 	<date era="ce" calendar="gregorian">May 2013</date> </creation> 
	 <langusage>Finding aid is in
		<language encodinganalog="language" langcode="eng">English</language>
		</langusage> 
  </profiledesc> 
</eadheader> 

<archdesc level="collection" relatedencoding="marc21"> 
  <did> 
	 <head>Collection Summary</head> 
  	
	 <origination label="Creator" encodinganalog="100"> 
	 	<persname>Greenspan, Lou</persname> </origination> 
      <unittitle encodinganalog="245" label="Title"> Lou Greenspan papers</unittitle> 
 	 	<unitdate type="inclusive" era="ce" calendar="gregorian" normal="1903/1969">1903-1969</unitdate>
	 
	 <unitid countrycode="us" repositorycode="WyU-AH" label="Collection Number">02922</unitid>
	 
  	<physdesc encodinganalog="300" label="Size"> <extent>8.03 cubic feet (18 boxes)</extent> </physdesc> 
	 <repository encodinganalog="852" label="Repository"> 
		<corpname>University of Wyoming. American Heritage Center.</corpname>
		</repository> <langmaterial encodinganalog="546" label="Language(s)"><language langcode="eng">English</language></langmaterial> 
      <abstract label="Abstract">Collection contains correspondence, scripts and manuscripts, publications, and clippings related to Greenspan's career in the motion picture industry.</abstract>
  </did> 
		  
  <bioghist encodinganalog="545"> 
  	<head>Biography of Lou Greenspan</head><p>Lou Greenspan (1906-1981) was, according to his obituary in the "Los Angeles Times," a former executive director of the Motion Picture Industry Council who first came to Los Angeles as a journalist in 1926.  He later became a writer and then editor for both "Variety" and "The Hollywood Reporter."  In the 1950s and 1960s, he served as director of the Screen Producers Guild and editor of its journal, “The Journal of the Screen Producers Guild.”</p>
	 
  </bioghist> 
  <scopecontent encodinganalog="520"> 
      <head>Scope and Content</head><p>Collection contains correspondence, scripts and manuscripts, publications, including books, magazines, and programs, and clippings.  Also included are materials related to “The Journal of the Screen Producers Guild," as well as research materials and Greenspan's drafts of scripts for "Mission of Mercy," based on the true story of four Catholic nuns who escaped from the Japanese in the Solomon Islands during World War II. Included are typed transcripts of the nun's letters and diaries, as well as photographs of the nuns and islanders.</p>
  </scopecontent> 
  <accessrestrict encodinganalog="506"> 
	 <head>Access Restrictions</head> 
	 <p>There are no access restrictions on the materials for research purposes,
	 	and the collection is open to the public.</p> 
  </accessrestrict> 
  <userestrict> 
	 <head>Copyright Information</head> 
	 <p>The researcher assumes full responsibility for observing all copyright,
		property, and libel laws as they apply.</p> 
  </userestrict> 
  <relatedmaterial encodinganalog="544 1"> 
	 <head> Related Materials</head> 
  	<p>There are no known other archival collections created by Lou Greenspan as of the date of processing.</p>  
  </relatedmaterial> 
	<otherfindaid encodinganalog="555 8"> 
		<head> Additional Information</head> 
		<p>Finding aid available in repository.</p>  
	</otherfindaid> 
  <acqinfo encodinganalog="541"> 
	 <head>Acquisition Information</head> 
  	<p>The American Heritage Center received the materials in this collection from Lou Greenspan in 1968 and 1969.</p> 
  </acqinfo> 
  <processinfo> 
	 <head>Processing Information</head> 
  	<p>The collection was processed by Roger Simon in August 2026.</p> 
  </processinfo> 
  <prefercite encodinganalog="524"> 
	 <head>Preferred Citation</head> 
	 <p>Item Description, Box Number, Collection Name, Collection
		Number, American Heritage Center, University of Wyoming.</p> 
  </prefercite> 
  <controlaccess> 
	 <head>Access Terms</head> 
  	<persname source="lcnaf" encodinganalog="600"> Mary Isabelle, Sister.</persname>
  	<persname source="lcnaf" encodinganalog="600"> Mary Irene, Sister.</persname>
  	<persname source="lcnaf" encodinganalog="600"> Mary Hedda, Sister.</persname>
  	<persname source="lcnaf" encodinganalog="600"> Marie Celestine, Sister.</persname>
	 
  	<corpname source="lcnaf" encodinganalog="610"> Academy of Motion Picture Arts and Sciences.</corpname>
  	<corpname source="lcnaf" encodinganalog="610"> Screen Actors Guild.</corpname>
  	<corpname source="lcnaf" encodinganalog="610"> Screen Producers Guild.</corpname>
  	<corpname source="lcnaf" encodinganalog="610"> Writers Guild of America.</corpname>
  	<corpname source="lcnaf" encodinganalog="610"> Sisters of Saint Joseph of Orange, California.</corpname>
  	<corpname source="lcnaf" encodinganalog="610"> Catholic Church -- Missions.</corpname>
	 
  	<subject source="lcsh" encodinganalog="650"> Motion picture industry -- Employees -- Labor unions.</subject>
  	<subject source="lcsh" encodinganalog="650"> Motion picture industry -- Public relations.</subject>
  	<subject source="lcsh" encodinganalog="650"> Missionaries.</subject>
  	<subject source="lcsh" encodinganalog="650"> Missions -- Soloman Islands.</subject>
  	<subject source="lcsh" encodinganalog="650"> Nuns.</subject>
  	<subject source="lcsh" encodinganalog="650"> World War, 1939-1945 -- Personal narratives, American.</subject>
  	<subject source="lcsh" encodinganalog="650"> Motion picture authorship.</subject>
  	<subject source="lcsh" encodinganalog="650"> Motion pictures -- Producers and directors -- United States.</subject>
	 
  	<geogname source="lcnaf" encodinganalog="651"> Japan -- History, Military -- 1868-1945.</geogname>
  	<geogname source="lcnaf" encodinganalog="651"> Solomon Islands.</geogname>
	 
  	<genreform source="aat" encodinganalog="655"> Photographs.</genreform>
  	<genreform source="aat" encodinganalog="655"> Scripts.</genreform>
  	<genreform source="aat" encodinganalog="655"> Diaries.</genreform>
	 
  	<occupation source="lcsh" encodinganalog="656">Screenwriters.</occupation>	 
  	<occupation source="lcsh" encodinganalog="656">Motion picture producers and directors.</occupation>	 
	 
  	<title render="italic" encodinganalog="630"> Journal of the Screen Producers Guild.</title>
  	
  	<persname source="lcnaf" encodinganalog="700"> <?xm-replace_text {Personal Name}?></persname>
  	
  	<corpname source="lcnaf" encodinganalog="710"> <?xm-replace_text {Corporate Name}?></corpname>
  	
  	<title render="italic" encodinganalog="730"> Mission of mercy.</title>
      
      <controlaccess> 
          <subject source="archiveswest" altrender="nodisplay" encodinganalog="690">Arts, Humanities, and Social Sciences</subject> 
          <subject source="archiveswest" altrender="nodisplay" encodinganalog="690">Performing Arts</subject>
          <subject source="archiveswest" altrender="nodisplay" encodinganalog="690">Social Life and Customs</subject>
          <subject source="archiveswest" altrender="nodisplay" encodinganalog="690">People, Ethnicity, and Culture</subject>
      </controlaccess>
	 
  </controlaccess> 
<dsc type="combined"> 
            <head>Container List</head> 
    <c01 level="series"> 
        <did>        
            <unittitle>I. Correspondence</unittitle> 
        </did> 
        <c02 level="file"> 
            <did><container type="Box" label="Box">1</container>
                
                <unittitle><emph render="bold">1935-1958</emph></unittitle> 
            </did> 
            <note><p>Includes correspondence to or from Ivan Goff, Jack Lait, Nelson A. Rockefeller, and Sol C. Siegel.</p></note>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>1959</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">1</container>
                    
                    <unittitle>January-May</unittitle> 
                </did> 
                <note><p>Includes correspondence to or from Fred Astaire, Kirk Douglas, Nunnally Johnson, Gene Kelly, Ronald Reagan, Mark Robson, Rod Serling, George Stevens, David Susskind, Harry S. Truman, Jerry Wald, and Hal Wallis.</p></note>
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">1</container>
                    
                    <unittitle>June-December</unittitle> 
                </did> 
                <note><p>Includes correspondence to or from Ray Bradbury, Jerry Bresler, Frank Capra, Rene Clair, Delmer Daves, Sam Ervin, Leonard Freeman, Jacob Javits, Meyer Levin, Walter Mirisch, Gottfried Reinhardt, Nelson A. Rockefeller, Jerry Wald, and Hal Wallis.</p></note>
            </c03>
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">1</container>
                
                <unittitle><emph render="bold">1960</emph></unittitle> 
            </did> 
            <note><p>Includes correspondence to or from Hall Bartlett, Jerry Bresler, Art Buchwald, Frank Capra, Delmer Daves, William O. Douglas, W. Averell Harriman, William Holden, Mervyn LeRoy, Joshua Logan, Walter Mirisch, Malcolm Muggeridge, Edward R. Murrow, Frank Nugent, Dilys Powell, Ronald Reagan, Jean Renoir, Mark Robson, Eleanor Roosevelt, Eric Sevareid, Melville Shavelson, Adlai E. Stevenson, Lowell Thomas, Jerry Wald, Hal Wallis, and Cornel Wilde.</p></note>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>1961</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">1</container>
                    
                    <unittitle>January-June</unittitle> 
                </did> 
                <note><p>Includes correspondence to or from Leonard Bernstein, Jerry Brelser, Bosley Crowther, Edward R. Murrow, Otto Preminger, and Walter Reade, Jr.</p></note>
            </c03>    
            <c03 level="file"> 
                <did><container type="Box" label="Box">1</container>
                    
                    <unittitle>July-December</unittitle> 
                </did> 
                <note><p>Includes correspondence to or from Jerry Bresler, Roger Corman, Bosley Crowther, Arthur Knight, Joseph E. Levine, Robert L. Lippert, Anthony Mann, Otto Preminger, Arthur Schlesinger, Jr., and Fred Zinnemann.</p></note>
            </c03>    
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>1962</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">1</container>
                    
                    <unittitle>January-June</unittitle> 
                </did> 
                <note><p>Includes correspondence to or from Ronald Reagan, Allen Rivkin, Hall Wallis, and Fred Zinnemann.</p></note>
            </c03>    
            <c03 level="file"> 
                <did><container type="Box" label="Box">1</container>
                    
                    <unittitle>July-December</unittitle> 
                </did> 
                <note><p>Includes correspondence from Irwin Allen, Charles Chaplin, Joan Crawford, Jules Dassin, William Dieterle, Philip Dunne, Philip Dunning, George Englund, Douglas Fairbanks, Jr., Richard Fleischer, Carl Foreman, Ava Gardner, Olivia de Havilland, Ross Hunter, John Huston, Nunnally Johnson, Garson Kanin, Norman Krasna, Frederic March, Robert Mitchum, Robert Montgomery, Norman Panama and Melvin Frank, Robert Parrish, Otto Preminger, Irving Rapper, Wolfgang Reinhardt, Robert Rossen, Dore Schary, Charles H. Schneer, Rod Serling, Robert Siodmak, Franchot Tone, Gore Vidal, and Philip Yordan.</p></note>
            </c03>    
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>1963</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">1</container>
                    
                    <unittitle>January-June</unittitle> 
                </did> 
                <note><p>Includes correspondence to or from Hollis Alpert, Eddie Cantor, Carl Foreman, Arthur Hornblow, Jr., Ross Hunter, Nunnally Johnson, Garson Kanin, Nunnally Johnson, Walter Mirisch, Dore Schary, Aubrey Schenck, Walter Wanger, Cornel Wilde, and Darryl F. Zanuck.</p></note>
            </c03>    
            <c03 level="file"> 
                <did><container type="Box" label="Box">1</container>
                    
                    <unittitle>July-December</unittitle> 
                </did> 
                <note><p>Includes correspondence to or from Carl Foreman, Leonard Freeman, Arthur Knight, Allen Rivkin, Geoffrey Shurlock, and George Stevens, Jr.</p></note>
            </c03>    
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">2</container>
                
                <unittitle><emph render="bold">1964</emph></unittitle> 
            </did> 
            <note><p>Includes correspondence to or from James T. Aubrey, Jr., Ray Bradbury, Jack Dempsey, Philip Dunne, Jacob K. Javits,  Howard W. Koch, George Murphy, Newton N. Minow, Nelson Rockefeller. Rod Serling, Eric Sevareid, and George Stevens, Jr.</p></note>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>1965</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">2</container>
                    
                    <unittitle>January-August</unittitle> 
                </did> 
                <note><p>Includes correspondence to or from Judith Crist, George Cukor, Newton Minow, George Murphy, George Schaefer, and David O. Selznick.</p></note>
            </c03>    
            <c03 level="file"> 
                <did><container type="Box" label="Box">2</container>
                    
                    <unittitle>September-December</unittitle> 
                </did> 
                <note><p>Includes correspondence to or from Ray Bradbury, Jerry Bresler, Bosley Crowther, Arthur Freed, Penelope Houston, Nunnally Johnson, Pauline Kael, Ernest Lehman, George Murphy, Jean Renoir, George Seaton, Charles H. Schneer, Hal Wallis, and Colin Young.</p></note>
            </c03>    
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>1966</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">2</container>
                    
                    <unittitle>January-July</unittitle> 
                </did> 
                <note><p>Includes correspondence to or from Judith Crist, Bosley Crowther, Arthur Freed, Ján Kadár, Pauline Kael, Henry King, Carl Laemmle, Jr., Ronald Reagan, Dick Richards, Charles H. Schneer, Jack Valenti, and Lew Wasserman.</p></note>
            </c03>    
            <c03 level="file"> 
                <did><container type="Box" label="Box">2</container>
                    
                    <unittitle>August-December</unittitle> 
                </did> 
                <note><p>Includes correspondence from Niven Busch, Carl Foreman, Pauline Kael, George Murphy, Norman Panama, Nelson Rockefeller, Dore Schary, Jack Valenti, and Colin Young.</p></note>
            </c03>    
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>1967</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">2</container>
                    
                    <unittitle>January-April</unittitle> 
                </did> 
                <note><p>Includes correspondence to or from Thorold Dickinson, Roy O. Disney, Carl Foreman, Margaret Herrick, Delbert Mann, Haig Manoogian, Geoffrey Shurlock, Jack Valenti, and Philip Yordan.</p></note>
            </c03>    
            <c03 level="file"> 
                <did><container type="Box" label="Box">2</container>
                    
                    <unittitle>May-August</unittitle> 
                </did> 
                <note><p>Includes correspondence to or from Samuel Z. Arkoff, Richard N. Goodwin, Jacob Javits, Henri Langlois, Groucho Marx, George Murphy, Arthur Schlesinger, Jr., George Seaton, Geoffrey Shurlock, George Stevens, Jr., Jack Valenti, Gore Vidal, and Colin Young.</p></note>
            </c03>    
            <c03 level="file"> 
                <did><container type="Box" label="Box">3</container>
                    
                    <unittitle>September-December</unittitle> 
                </did> 
                <note><p>Includes correspondence to or from Robert Aldrich, Warren Beatty, Jerry Bresler, Albert R. Broccoli, Vincent Canby, Charles Champlin, Roger Corman, Judith Crist, Bosley Crowther, Saul David, Carl Foreman, John Houseman, Nunnally Johnson, Pauline Kael, Ernest Lehman, George Murphy, Walter Reade, Jr., George Seaton, Melville Shavelson, Geoffrey Shurlock, Sam Spiegel, John Sturges, Dimitri Tiomkin, Jack Valenti, Fredric Wertham, and Darryl F. Zanuck.</p></note>
            </c03>    
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>1968</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">3</container>
                    
                    <unittitle>January-May</unittitle> 
                </did> 
                <note><p>Includes correspondence to or from Robert Aldrich, Melvin Belli, Albert R. Broccoli, Bosley Crowther, Saul David, Carl Foreman, Margaret Herrick, Charlton Heston, Hubert Humphrey, Pauline Kael, Sol Lesser, Abby Mann, Walter Mirisch, George Murphy, Gregory Peck, Ronald Reagan, Allen Rivkin, Mark Robson, Nelson A. Rockefeller, Charles H. Schneer, Melville Shavelson, Margaret Chase Smith, Daniel Taradash, Jack Valenti, Fredric Wertham, and Fred Zinnemann.</p></note>
            </c03>    
            <c03 level="file"> 
                <did><container type="Box" label="Box">3</container>
                    
                    <unittitle>June-November</unittitle> 
                </did> 
                <note><p>Goldwyn, Louis Nizer, Gregory Peck, Geoffrey Shurlock, Margaret Chase Smith, Jack Valenti, and Fredric Wertham.</p></note>
            </c03>    
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">3</container>
                
                <unittitle><emph render="bold">Undated</emph></unittitle> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">3</container>
                
                <unittitle><emph render="bold">Screen Producers Guild Member Letters</emph></unittitle> 
                <unitdate>1960, undated</unitdate> 
            </did> 
        </c02>
    </c01>
    <c01 level="series"> 
        <did>        
            <unittitle>II. “The Journal of the Screen Producers Guild”</unittitle> 
        </did> 
        <c02 level="file"> 
            <did>
                <unittitle>A. Articles Written for the Journal – by Author</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">3</container>
                    
                    <unittitle>A-B</unittitle> 
                    <unitdate>1962, undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">3</container>
                    
                    <unittitle>C</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">3</container>
                    
                    <unittitle>D-E</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">3</container>
                    
                    <unittitle>F</unittitle> 
                    <unitdate>1967-1968, undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">3</container>
                    
                    <unittitle>G</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">3</container>
                    
                    <unittitle>H</unittitle> 
                    <unitdate>1955, undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">3</container>
                    
                    <unittitle>I-J</unittitle> 
                    <unitdate>1955-1960, undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">3</container>
                    
                    <unittitle>K</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">3</container>
                    
                    <unittitle>L</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">3</container>
                    
                    <unittitle>M</unittitle> 
                    <unitdate>1959, undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">3</container>
                    
                    <unittitle>O-R</unittitle> 
                    <unitdate>1966-1968, undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">4</container>
                    
                    <unittitle>S</unittitle> 
                    <unitdate>1968, undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">4</container>
                    
                    <unittitle>T, V, &amp; W</unittitle> 
                    <unitdate>1961, undated</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>B. Book Reviews</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">4</container>
                    
                    <unittitle>Galley Proofs</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">4</container>
                    
                    <unittitle/> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>C. 1968 Issues</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">4</container>
                    
                    <unittitle>Galley Proofs</unittitle> 
                    <unitdate>1968</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">5</container>
                    
                    <unittitle>Galley Proofs</unittitle> 
                    <unitdate>1968</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>D. Assorted</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">5</container>
                    
                    <unittitle/> 
                    <unitdate>1965-1968, undated</unitdate> 
                </did> 
            </c03>
        </c02>
    </c01>
    <c01 level="series"> 
        <did>        
            <unittitle>III. Publications</unittitle> 
        </did> 
        <c02 level="file"> 
            <did>
                <unittitle>A</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">5</container>
                    
                    <unittitle>American Guild of Authors and Composers – 35th Anniversary Book – 1931-1966</unittitle> 
                    <unitdate>1966</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">5</container>
                    
                    <unittitle>“ASCAP [The American Society of Composers, Authors and Publishers] Today” (ASCAP Public Relations Committee, NY, NY) (two issues)</unittitle> 
                    <unitdate>1968</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>C</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">5</container>
                    
                    <unittitle>“Catholic Film Newsletter” (National Catholic Office for Motion Pictures, NY, NY) (three issues)</unittitle> 
                    <unitdate>1968</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">5</container>
                    
                    <unittitle>“Chicago’s Tribute to His Excellency Most Rev. Bernard J. Sheil D.D. on the Twenty-Fifth Anniversary of His Consecration”</unittitle> 
                    <unitdate>1953-1958, undated</unitdate> 
                </did> 
                <note><p>Includes as inserts a press release, the text of an address by Sheil, a photo of Sheil with Pope Pius XII and Dr. Karol Ripa, and a business card for Ripa.</p></note>
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">5</container>
                    
                    <unittitle>“The Children’s Film Library and Special Children’s Programs” (two editions)</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">5</container>
                    
                    <unittitle>“CoA [Company of Artists] Monthly Newsletter” (Twentieth Century Fox Studios, Beverly Hills, CA) (three issues)</unittitle> 
                    <unitdate>1960</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">5</container>
                    
                    <unittitle>Comédie-Française (Paris, France) – Program</unittitle> 
                    <unitdate>1942</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">5</container>
                    
                    <unittitle>“Cosmopolitan” (The Hearst Corporation, NY, NY) (two issues)</unittitle> 
                    <unitdate>1956-1958</unitdate> 
                </did> 
                <note><p>One issue includes as an insert a press release.</p></note>
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>F</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">5</container>
                    
                    <unittitle>“The Film Daily” (NY, NY) (one issue)</unittitle> 
                    <unitdate>1964</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">5</container>
                    
                    <unittitle>“Film Reports” (“The Green Sheet”) (The Film Board of National Organizations, NY, NY) (eleven issues)</unittitle> 
                    <unitdate>1968</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">5</container>
                    
                    <unittitle>Fischer’s Theatre (San Francisco, CA) – Program</unittitle> 
                    <unitdate>1903</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">5</container>
                    
                    <unittitle>“Freedom of the Movies” (uncorrected proofs) by Ruth A. Inglis (University of Chicago Press, Chicago, IL)</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>G</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">5</container>
                    
                    <unittitle>“Guide to Current Films/Recent Classifications” (National Catholic Office for Motion Pictures, NY, NY) (two issues)</unittitle> 
                    <unitdate>1968</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>H</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">6</container>
                    
                    <unittitle>“Hollywood Close-Up” (Los Angeles, CA) (three issues)</unittitle> 
                    <unitdate>1958-1959</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">6</container>
                    
                    <unittitle>“The Hollywood Reporter” (Los Angeles, CA) (one issue)</unittitle> 
                    <unitdate>1963</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">6</container>
                    
                    <unittitle>“The Hollywood Reporter Fact Booklets”</unittitle> 
                    <unitdate>1947, undated</unitdate> 
                </did> 
                <note><p><list type="ordered" numeration="arabic">
                    <item>“Facts About Hollywood, U.S.A. – Information for the Nation” - 1947</item>
                    <item>“How to Arrange Advertising Testimonials with Hollywood Motion Picture Studios – Information for American Business” - undated (three copies)</item>
                    <item>“Now is the Time to Win Hollywood Sales and Influence National Buying Habits” - undated (two copies)</item>
                </list></p></note>
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>I</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">6</container>
                    
                    <unittitle>“International Newsletter” (International Committee Association of Motion Picture Producers and Motion Picture Export Association of America, Hollywood, CA) (two issues)</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>J</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">6</container>
                    
                    <unittitle>“Jerry Wald Productions Newsletter” (Twentieth Century Fox Studios, Beverly Hills, CA) (one issue)</unittitle> 
                    <unitdate>1960</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>L</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">6</container>
                    
                    <unittitle>“Lifelong Learning” (University of California Extension Division) (one issue)</unittitle> 
                    <unitdate>1942</unitdate> 
                </did> 
                <note><p>Contains “a catalogue of educational 16mm motion picture films offered for loan.”</p></note>
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>M</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">6</container>
                    
                    <unittitle>MGM promotional publication</unittitle> 
                    <unitdate>1960-1961</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">6</container>
                    
                    <unittitle>“The Moving Image – A Guide to Cinematic Literacy” (uncorrected proofs) by Robert Gessner (E.P. Dutton &amp; Co., Inc., NY, NY)</unittitle> 
                    <unitdate>1968</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">6</container>
                    
                    <unittitle>“Music in Latin American – A Brief Survey – Volume III of the Series on Literature – Art – Music” (Club and Study Series No. 3) (Pan American Union, Washington, D.C.)</unittitle> 
                    <unitdate>1942</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">6</container>
                    
                    <unittitle>“The Music of Argentina” by Albert T. Luper (Music Series No. 5) (Pan American Union, Washington, D.C.)</unittitle> 
                    <unitdate>1942</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">6</container>
                    
                    <unittitle>“The Music of Brazil” by Albert T. Luper (Music Series No. 9) (Pan American Union, Washington, D.C.)</unittitle> 
                    <unitdate>1943</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>N</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">6</container>
                    
                    <unittitle>“The National Academy of Television Arts &amp; Sciences Newsletter” (The National Academy of Television Arts &amp; Sciences, NY, NY) (one issue)</unittitle> 
                    <unitdate>1967</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>O</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">6</container>
                    
                    <unittitle>Orpheum Theatre (San Francisco, CA) – Programs (fifty-three)</unittitle> 
                    <unitdate>1905-1922</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>P</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">7</container>
                    
                    <unittitle>“Partial List of Latin American Music Obtainable in the United States, with a Supplementary List of Books and Phonograph Records” by Gilbert Chase (comp.) (Music Series No. 1) (Pan American Union, Washington, D.C.)</unittitle> 
                    <unitdate>1942</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">7</container>
                    
                    <unittitle>“The Private Eye, the Cowboy, and the Very Naked Girl – Movies from Cleo to Clyde” (uncorrected proof) by Judith Crist (Holt, Rinehart and Winston)</unittitle> 
                    <unitdate>1968</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>R</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">7</container>
                    
                    <unittitle>“Radio and Television News Résumé” (The Broadcasting and Film Commission, NY, NY) (one issue)</unittitle> 
                    <unitdate>1962</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">7</container>
                    
                    <unittitle>“Recordings of Latin American Songs and Dances – An Annotated Selected List of Popular and Folk Music” by Gustavo Duran (Music Series No. 3) (Pan American Union, Washington, D.C.)</unittitle> 
                    <unitdate>1942</unitdate> 
                </did> 
            </c03>

        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>S</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">7</container>
                    
                    <unittitle>“Saturday Review” (Saturday Review, Inc., NY, NY) (one issue)</unittitle> 
                    <unitdate>1959</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">7</container>
                    
                    <unittitle>Screen Producers Guild – Milestone Awards – Program</unittitle> 
                    <unitdate>1966</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>T</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">7</container>
                    
                    <unittitle>“Together” (Los Angeles Area News Edition) (The Methodist Publishing House, Nashville, TN) (one issue)</unittitle> 
                    <unitdate>1961</unitdate> 
                </did> 
            </c03>
            
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>U</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">7</container>
                    
                    <unittitle>“United Nations Film Footage Library Index” (United Nations, NY, NY)</unittitle> 
                    <unitdate>1955</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">7</container>
                    
                    <unittitle>“Universal International Studio Club News” (Universal City Club, Inc., Universal City, CA)</unittitle> 
                    <unitdate>1952</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>W</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">7</container>
                    
                    <unittitle>“What’s Right with Hollywood?” by Dick Pitts (reprint – Motion Picture Association of America, Washington, D.C.) (two copies)</unittitle> 
                    <unitdate>1948</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">7</container>
                    
                    <unittitle>“Writers Guild of America/West Newsletter” (one issue)</unittitle> 
                    <unitdate>1968</unitdate> 
                </did> 
            </c03>
        </c02>
    </c01>
    <c01 level="series"> 
        <did>        
            <unittitle>IV. Scripts and Manuscripts</unittitle> 
        </did> 
        <c02 level="file"> 
            <did>
                <unittitle>A</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">7</container>
                    
                    <unittitle>“The Angry Guns” (script) by Charles Bennett and Jack Denove</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>B</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">7</container>
                    
                    <unittitle>“Bailando en las Nubes” [“Dancing in the Clouds”] (Spanish-language script) by William J. Thiele and Laszlo Gorog</unittitle> 
                    <unitdate>1945, undated</unitdate> 
                </did> 
                <note><p>Includes one issue each of three Spanish-language publications – “El Cine Grafico,” “Cine Producción,” and “Cine Mexicano.”</p></note>
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">7</container>
                    
                    <unittitle>“Better Than Thou”/“Prince Dollar-Sign”/“John Smith”/“The Thoroughbred” by Jack Lait</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">7</container>
                    
                    <unittitle>“Black Sheep” (script) by Sy Bartlett and Rian James</unittitle> 
                    <unitdate>1934</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>C</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">7</container>
                    
                    <unittitle>“Captain Kiddo” (script) by Jack Lait</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">7</container>
                    
                    <unittitle>“Cluck Cluck” (script) by Jack Lait</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
                <note><p>“A Revue of 1921.”</p></note>
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">7</container>
                    
                    <unittitle>“Confidential Advisor” by Greenspan</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">7</container>
                    
                    <unittitle>“The Cost of Living” (script) – First Draft by Norman Shields</unittitle> 
                    <unitdate>1960</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">7</container>
                    
                    <unittitle>“The Crack of Doom” by Greenspan</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>D</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">8</container>
                    
                    <unittitle>“The Day Capone ‘Talked’” by Greenspan (two drafts)</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">8</container>
                    
                    <unittitle>“The Dingo” (script) by Jesse Lasky, Jr., and Pat Silver</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>E</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">8</container>
                    
                    <unittitle>“The Entertainment Industry’s Future Potential in Education” by Jack L. Copeland</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>F</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">8</container>
                    
                    <unittitle>“Follis &amp; Leroy” (script) by Jack Lait</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">8</container>
                    
                    <unittitle>“The Four Horsemen of Atlantic City” (story outline) by Greenspan</unittitle> 
                    <unitdate>1954-1956, undated</unitdate> 
                </did> 
                <note><p>Includes an article of the same name from “The Reader’s Digest,” which was the basis for the story outline.</p></note>
            </c03>
            
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>G</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">8</container>
                    
                    <unittitle>“Gas” (script) by Jack Lait</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">8</container>
                    
                    <unittitle>“A Gay Life” (script) by Norman Shields</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">8</container>
                    
                    <unittitle>“Glamour Girl” by Greenspan</unittitle> 
                    <unitdate>1952, undated</unitdate> 
                </did> 
                <note><p>Includes a note from George Jessel of Twentieth Century-Fox Film Corp.</p></note>
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">8</container>
                    
                    <unittitle>“The Golem” by Greenspan</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>H</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">8</container>
                    
                    <unittitle>“Heat Wave” (script) by Simon and Anita Wincelberg</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
                <note><p>“Attempt to crossbreed Hitchcock &amp; Leo Fuchs.  Unfortunately, so far only one of them is ready to go along with it.  Since then been sharpened -up and novelized under title ‘The Anxious-Seat.’”</p></note>
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">8</container>
                    
                    <unittitle>“He’s My Uncle” by Greenspan</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
                <note><p>“Original film story.”</p></note>
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">8</container>
                    
                    <unittitle>“Holiday” by Jack Emanuel and Ed James</unittitle> 
                    <unitdate>1956, undated</unitdate> 
                </did> 
                <note><p>Includes a note from E.J. Hudson of the American Broadcasting Co.</p></note>
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">8</container>
                    
                    <unittitle>“Hollywood By-Line” (a television series) by George Draine and Harvey Jacobson</unittitle> 
                    <unitdate>1957, undated</unitdate> 
                </did> 
                <note><p>Includes a note from Draine and Jacobson.</p></note>
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">8</container>
                    
                    <unittitle>“Hollywood Dreamhouse” by Fritz Blocki</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
                <note><p>“A Star Studded Television Program Format.”</p></note>                
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">8</container>
                    
                    <unittitle>“Hollywood Fights Back” (from “The Kiplinger Magazine”)</unittitle> 
                    <unitdate>1950</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">8</container>
                    
                    <unittitle>“The Hollywood Myth” by Cap Palmer</unittitle> 
                    <unitdate>1951</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>I</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">8</container>
                    
                    <unittitle>“Idea for a Television Anthology Show” by Lou Greenspan (two drafts)</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">8</container>
                    
                    <unittitle>“Impact” or “Stranger Than Fiction” by Greenspan</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
                <note><p>“A television series.”</p></note>
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">8</container>
                    
                    <unittitle>“I Wish I Had Said That” by Harry Ruby</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>J</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">8</container>
                    
                    <unittitle>“Joe’s Blue Front” (script)</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>K</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">8</container>
                    
                    <unittitle>“Kataki” (“Enemy”) (script) by Shimon Wincelberg (two drafts)</unittitle> 
                    <unitdate>1960-1961, undated</unitdate> 
                </did> 
                <note><p>One draft includes as inserts two reviews of two Los Angeles productions of the play, as well as a flier promoting the play.</p></note>
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>L</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">8</container>
                    
                    <unittitle>“Lament for a Playwright” by Shimon Wincelberg</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">8</container>
                    
                    <unittitle>“The Last Message” (script)</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">8</container>
                    
                    <unittitle>“Look in Any Window” (1961) (feature film) by Laurence E. Mascott</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">8</container>
                    
                    <unittitle>“The Love Thief” (script) by Jack Lait</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">8</container>
                    
                    <unittitle>“Lower Seven” (script) by Jack Lait</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>M</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">9</container>
                    
                    <unittitle>“Ma Barker’s Killer Brood” (1960) (feature film) [“Ma Barker and Her Killer Brood”]</unittitle> 
                    <unitdate>1959</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">9</container>
                    
                    <unittitle>“Madam Vice President” (script) by Al Boasberg</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">9</container>
                    
                    <unittitle>“The Millinery Man” (script) by Edward Clark</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">9</container>
                    
                    <unittitle>“Million Dollar Gate” by Greenspan</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
                <note><p>“Based on the life of Jack Kearns.”</p></note>
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">9</container>
                    
                    <unittitle>“Million Dollar Uncle” by Greenspan</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">9</container>
                    
                    <unittitle>“Mission of Mercy” by Greenspan</unittitle> 
                    <unitdate>1943, undated</unitdate> 
                </did> 
                <note><p>The true story of four Catholic nuns who escaped from the Japanese in the Solomon Islands during World War II.  In three parts.  Also includes journal and diary entries, an issue of the publication “Maryknoll” that includes and article about the nuns,  clippings, loose manuscript pages, a memorandum regarding the concealment of place names and locations, handwritten notes, and captioned photographs of nuns and islanders.</p></note>
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">9</container>
                    
                    <unittitle>“Motion Pictures and the Hollywood Community” (speech – excerpts) by Dore Schary</unittitle> 
                    <unitdate>1950</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">9</container>
                    
                    <unittitle>“Motion Pictures and Your Community” by Ronald Reagan</unittitle> 
                    <unitdate>1951</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">9</container>
                    
                    <unittitle>“Movies and Morals” (two copies)</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">9</container>
                    
                    <unittitle>“Movies and the Press” (two copies)</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>N</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">10</container>
                    
                    <unittitle>“Neuhoff &amp; Phelps” (script) by Jack Lait</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">10</container>
                    
                    <unittitle>“Ninety Days” (script) by Al Boasberg</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">10</container>
                    
                    <unittitle>“Nize Baby” (script) by Viola Brothers Shore (adaptation) and Madeleine Ruthven (continuity)</unittitle> 
                    <unitdate>1928</unitdate> 
                </did> 
                <note><p>Based on the book by Milt Gross.</p></note>
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">10</container>
                    
                    <unittitle>“Noah” (script) by Jack Lait</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">10</container>
                    
                    <unittitle>“No Place to Park” (script) by Norman Shields</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">10</container>
                    
                    <unittitle>“Notes on the American Negro Entertainer (in the Theatre and Motion Pictures)” by Greenspan</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">10</container>
                    
                    <unittitle>“No Tomorrow” (script) by Jack Lait</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>O</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">10</container>
                    
                    <unittitle>“Off the Deep End” (script) by Norman Shields</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">10</container>
                    
                    <unittitle>“The Oklahoman” (script) by Jack DeWitt and Renault Duncan</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">10</container>
                    
                    <unittitle>“The Oscar” (1966) (feature film) – Shooting Final Screenplay by Harlan Ellison, Russell Rouse, and Clarence Greene</unittitle> 
                    <unitdate>1965</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">10</container>
                    
                    <unittitle>“Our Front Porch” (script)</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>P</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">10</container>
                    
                    <unittitle>“The Pay-Off” (synopsis/storyline) by Greenspan</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">10</container>
                    
                    <unittitle>“Performing Arts League” (PAL) presented by Hal Roach</unittitle> 
                    <unitdate>1965</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">10</container>
                    
                    <unittitle>“A Prospectus for the Establishment of an Entertainment Center” – University of Southern California of Law – prepared by Prof. Victor S. Netterville</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">10</container>
                    
                    <unittitle>“Public Relations Proposals for the Motion Picture Industry” – Anna M. Rosenberg Associates</unittitle> 
                    <unitdate>1963</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>R</unittitle> 
            </did>
            <c03 level="file"> 
                <did><container type="Box" label="Box">11</container>
                    
                    <unittitle>“Railroad to the Moon” – The Life and Times of Henry Meiggs by Greenspan</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">11</container>
                    
                    <unittitle>“The Raven and the Sword” [“The Sword with Stars”] by Matthew Gant</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">11</container>
                    
                    <unittitle>“Red Ryan” (script) by Philip Yordan</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">11</container>
                    
                    <unittitle>“Return to Peyton Place” by Grace Metalious</unittitle> 
                    <unitdate>1958-1959</unitdate> 
                </did> 
                <note><p>Includes a copy of a letter to Metalious from Jerry Wald Productions.</p></note>
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">11</container>
                    
                    <unittitle>“The Roaring 20s” (TV series) – Season 2, Episode 12 – “You Can’t Fight City Hall” [“Go Fight City Hall”] – Final Script by Ric Hardman</unittitle> 
                    <unitdate>1961</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">11</container>
                    
                    <unittitle>“The Runaway” (1961) (feature film) [“Saint Mike”]</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>S</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">11</container>
                    
                    <unittitle>“Sammy” (script) by Blanche Hanalis</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">12</container>
                    
                    <unittitle>“Silent Thunder” (script) by James Edwards</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
                <note><p>Produced as an episode (season 1, episode 7) of the TV series “Westinghouse Desilu Playhouse.”</p></note>
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">12</container>
                    
                    <unittitle>“Song of Israel” by Greenspan</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">12</container>
                    
                    <unittitle>“Stan Laurel: The Little One” by Jerry Zimmer</unittitle> 
                    <unitdate>1963</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">12</container>
                    
                    <unittitle>“Story in Hollywood” (transcript of radio broadcast) by Ralph Story (two copies)</unittitle> 
                    <unitdate>1967</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">12</container>
                    
                    <unittitle>“A Sudden Hush” (script) by Jameson Brewer</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>T</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">12</container>
                    
                    <unittitle>“Talent Always Triumphs” by Dimitri Tiomkin</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">12</container>
                    
                    <unittitle>“Telephone Repairs” (script) by Jack Lait</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">12</container>
                    
                    <unittitle>“Theatre Square” by Greenspan</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">12</container>
                    
                    <unittitle>“This World of Ours” – A T.V. Presentation by Steve Sekely</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">12</container>
                    
                    <unittitle>“The Trap” (teleplay) by Norman Shields (two copies)</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">12</container>
                    
                    <unittitle>“Types of General Information on Hollywood Which Should be Disseminated Abroad” by O.C. Anderson</unittitle> 
                    <unitdate>1953</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>W</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">12</container>
                    
                    <unittitle>“Walk a Wicked Mile” (script) by Kenneth Scott &amp; E.M. Parsons</unittitle> 
                    <unitdate>1954</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">12</container>
                    
                    <unittitle>“The Wall” by Greenspan</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">12</container>
                    
                    <unittitle>“What a World” by David Boehm</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">12</container>
                    
                    <unittitle>“White Act” (script) by Jack Lait</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
        </c02>
        <c02 level="file"> 
            <did>
                <unittitle>Untitled &amp; Unidentified</unittitle> 
            </did> 
            <c03 level="file"> 
                <did><container type="Box" label="Box">12</container>
                    
                    <unittitle>untitled script by Robert Lively and Betty Laidlaw</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">13</container>
                    
                    <unittitle>unidentified script in unidentified language (bound volume)</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">13</container>
                    
                    <unittitle>untitled speech to Wilshire-Ebell Women’s Club by Art Arthur</unittitle> 
                    <unitdate>1950</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">13</container>
                    
                    <unittitle>untitled speech at Disneyland Convention by Dr. Frank Baxter</unittitle> 
                    <unitdate>1961</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">13</container>
                    
                    <unittitle>untitled speech by Edward R. Murrow</unittitle> 
                    <unitdate>1961</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">13</container>
                    
                    <unittitle>untitled speech to Hollywood Ad Club</unittitle> 
                    <unitdate>1952</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">13</container>
                    
                    <unittitle>untitled text about Twentieth-Century Fox</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
            <c03 level="file"> 
                <did><container type="Box" label="Box">13</container>
                    
                    <unittitle>untitled text on Hollywood marriages</unittitle> 
                    <unitdate>undated</unitdate> 
                </did> 
            </c03>
        </c02>
    </c01>
    <c01 level="series"> 
        <did>        
            <unittitle>V. Festivals and Conferences</unittitle> 
        </did> 
        <c02 level="file"> 
            <did><container type="Box" label="Box">13</container>
                
                <unittitle>Aspen Film Conference (Aspen Institute for Humanistic Studies)</unittitle> 
                <unitdate>1963-1964, undated</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">13</container>
                
                <unittitle>Berlin International Film Festival</unittitle> 
                <unitdate>1961-1963</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">13</container>
                
                <unittitle>Chicago International Film Festival</unittitle> 
                <unitdate>1966-1968, undated</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">13</container>
                
                <unittitle>San Francisco International Film Festival</unittitle> 
                <unitdate>1964-1968, undated</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">13</container>
                
                <unittitle>Assorted</unittitle> 
                <unitdate>1960-1968, undated</unitdate> 
            </did> 
        </c02>
    </c01>
    <c01 level="series"> 
        <did>        
            <unittitle>VI. Clippings</unittitle> 
        </did> 
        <c02 level="file"> 
            <did><container type="Box" label="Box">14</container>
                
                <unittitle>1931</unittitle> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">14</container>
                
                <unittitle>1947-1952</unittitle> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">14</container>
                
                <unittitle>1954-1960</unittitle> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">14</container>
                
                <unittitle>1961-1968</unittitle> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">14</container>
                
                <unittitle>Undated</unittitle> 
            </did> 
        </c02>
    </c01>
    <c01 level="series"> 
        <did>        
            <unittitle>VII. Lists</unittitle> 
        </did> 
        <c02 level="file"> 
            <did><container type="Box" label="Box">15</container>
                
                <unittitle>American Society of Cinematographers</unittitle> 
                <unitdate>1958-1965</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">15</container>
                
                <unittitle>Basic Crafts</unittitle> 
                <unitdate>undated</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">15</container>
                
                <unittitle>Directors Guild of America</unittitle> 
                <unitdate>1963-1966</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">15</container>
                
                <unittitle>Federation of Motion Picture Councils</unittitle> 
                <unitdate>undated</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">15</container>
                
                <unittitle>Hollywood Guild</unittitle> 
                <unitdate>undated</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">15</container>
                
                <unittitle>I.A.T.S.E. [International Alliance of Theatrical Stage Employees] Locals</unittitle> 
                <unitdate>undated</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">15</container>
                
                <unittitle>Metropolitan</unittitle> 
                <unitdate>undated</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">15</container>
                
                <unittitle>M.P.I.C. Allocations</unittitle> 
                <unitdate>undated</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">15</container>
                
                <unittitle>Screen Producers Guild</unittitle> 
                <unitdate>1959-1965, undated</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">15</container>
                
                <unittitle>Writers Guild of America, West</unittitle> 
                <unitdate>1964, undated</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">15</container>
                
                <unittitle>Assorted</unittitle> 
                <unitdate>1965-1968, undated</unitdate> 
            </did> 
        </c02>
    </c01>
    <c01 level="series"> 
        <did>        
            <unittitle>VIII. Other</unittitle> 
        </did> 
        <c02 level="file"> 
            <did><container type="Box" label="Box">15</container>
                
                <unittitle>Academy of Motion Picture Arts &amp; Sciences</unittitle> 
                <unitdate>1961-1969</unitdate> 
            </did> 
            <note><p>Includes press releases, documents related to the Documentary Awards Committee (Greenspan was on the committee in 1966, 1967, and 1968), membership requirements for various branches, clippings, and publications.</p></note>
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">15</container>
                
                <unittitle>Awards</unittitle> 
                <unitdate>1956-1964, undated</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">15</container>
                
                <unittitle>Eulogies</unittitle> 
                <unitdate>1948-1950, 1962-1967</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">15</container>
                
                <unittitle>Film Advertising and Distribution</unittitle> 
                <unitdate>1927, 1949-1968, undated</unitdate> 
            </did> 
            <note><p>Includes Product Release Schedules (Theatre Owners of America), a document on “Oscar Sweepstakes,” publications, clippings, and a list of movies from 1966 and 1967 that were “condemned” by the Legion of Decency.</p></note>
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">15</container>
                
                <unittitle>Film Industry in Foreign Countries</unittitle> 
                <unitdate>1942-1945, 1959-1966, undated</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">16</container>
                
                <unittitle>Greenspan Biographical Information</unittitle> 
                <unitdate>1942, 1959-1968, undated</unitdate> 
            </did> 
            <note><p>Includes Greenspan’s resume, clippings about Greenspan, and clippings and writings by Greenspan.</p></note>
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">16</container>
                
                <unittitle>Handwritten Notes</unittitle> 
                <unitdate>undated</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">16</container>
                
                <unittitle>Hollywood Museum</unittitle> 
                <unitdate>1962-1963, undated</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">16</container>
                
                <unittitle>Insurance</unittitle> 
                <unitdate>undated</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">16</container>
                
                <unittitle>Kefauver Juvenile Delinquency Subcommittee and Related</unittitle> 
                <unitdate>1955-1959, undated</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">18</container>
                
                <unittitle>Laskey’s Wagon Shows (framed handbill)</unittitle> 
                <unitdate>undated</unitdate> 
            </did> 
            <note><p>“The above bill advertises one of the wagon shows which toured England a hundred years ago.  These wagons were very large and formed the exhibition hall.  It would frequently happen that after the audience was assembled, the police – or what corresponded to them in those days – would order the showman to move on.  This he would do, taking his audience with him in the wagon to some quiet spot where the performance could be given in peace.  The original of this photograph is in the collection of Fr3ederick Martin, Director of Publicity for Paramount in Great Britain.”</p></note>
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">16</container>
                
                <unittitle>Motion Picture Association of America (MPAA)</unittitle> 
                <unitdate>1958-1967</unitdate> 
            </did> 
            <note><p>Includes an annual report, “What They Say About Us … The Impact of U.S. Motion Pictures Abroad,” and remarks by Jack Valenti titled “Movies: The New Questing Spirit.”</p></note>
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">16</container>
                
                <unittitle>Press Releases</unittitle> 
                <unitdate>1964-1967, undated</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">16</container>
                
                <unittitle>Resumes and Biographical Information – Assorted</unittitle> 
                <unitdate>undated</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">16</container>
                
                <unittitle>Screen Actors Guild</unittitle> 
                <unitdate>1947, 1960-1965, undated</unitdate> 
            </did> 
            <note><p>Includes clippings, press releases, and publications.</p></note>
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">16</container>
                
                <unittitle>Students and Schools</unittitle> 
                <unitdate>1965-1967, undated</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">17</container>
                
                <unittitle>Teaching Film Custodians, Inc.</unittitle> 
                <unitdate>1952</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">17</container>
                
                <unittitle>Television</unittitle> 
                <unitdate>1956-1968, undated</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">17</container>
                
                <unittitle>Theatre Owners of America</unittitle> 
                <unitdate>1960-1965, undated</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">17</container>
                
                <unittitle>3D, Widescreen, and Sound Technology</unittitle> 
                <unitdate>1952-1958, undated</unitdate> 
            </did> 
            <note><p>Includes clippings, publications, and texts of speeches.</p></note>
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">18</container>
                
                <unittitle>Town Hall with Ronald Reagan, Ray Brewer, and Allen Rivkin (magnetic audiotape)</unittitle> 
                <unitdate>1950</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">17</container>
                
                <unittitle>Writers Guild of America/Screen Writers Guild</unittitle> 
                <unitdate>1954-1960, undated</unitdate> 
            </did> 
        </c02>
        <c02 level="file"> 
            <did><container type="Box" label="Box">17</container>
                
                <unittitle>Assorted</unittitle> 
                <unitdate>1967-1968, undated</unitdate> 
            </did> 
        </c02>
    </c01>
</dsc>
</archdesc> </ead>

