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<ead><eadheader langencoding="iso639-2b" scriptencoding="iso15924" relatedencoding="dc" repositoryencoding="iso15511" countryencoding="iso3166-1" dateencoding="iso8601" id="a0"><eadid countrycode="us" mainagencycode="wauar" encodinganalog="identifier" url="http://archiveswest.orbiscascade.org/ark:/80444/xv502074" identifier="80444/xv502074">WAUWalkinshawJeanPH2018_030.xml</eadid><filedesc><titlestmt><titleproper>Guide to the Jean Walkinshaw Films and Videos <date encodinganalog="date" era="ce">1966-2003</date></titleproper><titleproper type="filing" altrender="nodisplay">Walkinshaw (Jean) Films and Videos</titleproper></titlestmt><publicationstmt><publisher encodinganalog="publisher">Special Collections, University of Washington Libraries</publisher><date normal="2018" encodinganalog="date">© 2018 (Last modified: 12/15/2021)</date><address><addressline>Seattle, WA 98195</addressline></address></publicationstmt></filedesc></eadheader><archdesc level="collection" type="inventory" relatedencoding="marc21"><did><repository><corpname>University of Washington Libraries, Special Collections</corpname></repository><unitid countrycode="us" repositorycode="wauar">PH2018-030</unitid><origination><persname role="creator" encodinganalog="100" altrender="sync" source="lcnaf" rules="aacr2" authfilenumber="5350699">Walkinshaw, Jean</persname></origination><unittitle encodinganalog="245$a" type="collection">Jean Walkinshaw films
		  and videos</unittitle><unitdate type="inclusive" normal="1966/2003" era="ce" calendar="gregorian">1966-2003</unitdate><physdesc rules="amim"><extent>770 film reels (16mm), 4 film reels
		  (35mm), 1 film reel (8mm), 2 film reels (Super 8mm), 2 audio cassettes, 2
		  audiotapes (1/4 inch), 1 digital audio tape, 2 CDs, 38 video reels (1 inch), 8
		  video reels (1/2 inch), 1174 videocassettes (Betacam, DigiBeta, Umatic, D-5,
		  VHS, and MiniDV), 14 DVDs, 2 floppy disks, 4 zip disks, 2 boxes of manuscript
		  material</extent></physdesc><langmaterial>Collection materials are in 
		<language langcode="eng" scriptcode="latn" encodinganalog="546">English</language>.</langmaterial><abstract encodinganalog="5203_$a">Documentary
		  films and videos, elements and additional footage produced by Jean Walkinshaw,
		  a Seattle-based television producer</abstract></did><scopecontent><p>Documentary films produced by Jean Walkinshaw including raw footage,
		  film elements, and finished programs from her career in public television.
		  Subjects include the Pacific Northwest Ballet, the Columbia River, Mount
		  Rainier, the Rhona Diaster, Storytellers in Russia, SubPop Records and
		  interviews with cultural figures such as Harriett Bullitt, Tom Robbins, George
		  Tsutakawa, Emmet Waton, and Alan Hovhaness. </p></scopecontent><altformavail encodinganalog="530" id="a9" type="digital"><p> <extref href="https://americanarchive.org/special_collections/jean-walkinshaw">View
			 selections from the collection in digital format</extref> </p></altformavail><odd encodinganalog="500" id="a5"><p><list><head><emph render="bold"> INVENTORY GLOSSARY </emph></head><item><emph render="bold"> Film and Videotape Elements </emph>- The
				assorted subordinate film and audio recordings generated in the production of a
				film project. The elements include a large amount of footage and audio
				recordings. They include camera originals, field tapes, workprints, and
				assorted footage. While some elements were not used in the final cut, they
				remain valuable by providing insight into the conceptualization and
				construction of the final product.</item><item><emph render="bold"> Release Print </emph> -A copy of a film made
				from a negative, especially a copy made for distribution.</item><item><emph render="bold"> Viewing copy </emph>- A copy of the release
				print made for patron access.</item></list></p></odd><accessrestrict><p>Access restricted: For terms of access, contact University of
		  Washington Libraries Special Collections. </p><p><extref href="https://uw.aeon.atlas-sys.com/logon/?Action=10&amp;Form=31&amp;Value=https://archiveswest.orbiscascade.org/ark:80444/xv502074/xml" role="text/html" actuate="onrequest" show="new" id="aeon">Request at UW</extref></p></accessrestrict><userestrict><p>Restrictions may exist on copying, quotation, or publication. Contact
		  University of Washington Libraries Special Collections for details.</p></userestrict><acqinfo encodinganalog="541" id="a19"><p>Gift of Jean Walkinshaw, December 2015</p></acqinfo><processinfo encodinganalog="583" id="a20"><p>Processed by: Ari Lavigne, Sean McKee, Bronson Dowd, Hannah Palin;
		  2019.</p><p/></processinfo><relatedmaterial encodinganalog="544__$n" id="a6"><p> <extref show="new" actuate="onrequest" href="http://archiveswest.orbiscascade.org/ark:/80444/xv23019">Jean Walkinshaw video collection,
			 1975-2003</extref> </p><p> <extref show="new" actuate="onrequest" href="http://archiveswest.orbiscascade.org/ark:/80444/xv60021">Jean Walkinshaw papers, 1937-2008</extref> </p></relatedmaterial><controlaccess><subject source="uwsc">Visual Materials Collections (University of Washington)</subject><subject source="uwsc">Moving Image Collections (University of Washington)</subject><subject source="archiveswest" encodinganalog="690" altrender="nodisplay">Moving Images</subject></controlaccess><dsc type="combined"><p> </p><c01 level="series"><did><unittitle encodinganalog="245$a">Television Series and
				Documentaries</unittitle></did><scopecontent><p>Television Series and documentaries produced by Jean Walkinshaw.
				The majority were made for KCTS, a public television station in Seattle. </p></scopecontent><c02 level="subseries"><did><unittitle><emph render="italic">Faces of the
				  City</emph></unittitle></did><c03 level="item"><did><container type="reel">T286</container><unittitle encodinganalog="245$a"><emph render="italic">Faces of
					 the City </emph>Film Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1972</unitdate><physdesc><extent>1 reel (1200 feet) : sound, color ; 16 mm</extent></physdesc></did><scopecontent><p>A television series focusing on ordinary people living in the
					 Pacific Northwest.</p><p>Episode 1: A portrait of Kitty Prince who managed several
					 presidential and senatorial campaigns in Washington State. After being
					 diagnosed with cancer she became a ski instructor and tennis coach at the
					 University of Washington where she advocated for women's equality in sports.
					 </p><p id="with">Episode 2: Merlee Ledford, a student at the
					 University of Washington and member of the Makah Tribe disccuses her
					 relationship to and differences from other marginalized groups, the role of
					 women and men in the Makah culture, her experience going to the University of
					 Washington, and her plan to live in Neah Bay in the future. The film features
					 scenes of Ledford at Neah Bay with her kids, the University of Washington, and
					 the Ethnic Cultural Center. </p><p>Episode 3: Theda Carl is followed through her daily life and
					 physical therapy following her battle with Polio. Carl disccuses how she copes
					 with disability, how people treat her in public, and fear of having to leave
					 her apartment and eventually being sent to a nursing home.</p><p>Episode 4: Sushma Sudana, who was born in Kenya and immigrated
					 to Canada, discusses her career as a radio broadcaster, her experience with
					 racism and prejudice in London, Hinduism and its importance in her life, the
					 Canadian friends she made through mutual interests in food and movies, and the
					 difference in experience she has from other East Indian people living in Canada
					 due to language barriers. </p><p>Epsiode 5: Larry Culp, the owner of the Green Front Café in
					 Pioneer Square, discusses his concerns about the human cost of changes in old
					 Seattle, the working class people who come to his bar, the importance of older
					 generations, and local poverty. The film includes scens of people dancing and
					 relaxing at Culp's bar.</p></scopecontent><odd><head>Credits: </head><p>Hosted by Roberta Byrd.</p></odd><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">1</container><unittitle encodinganalog="245$a"><emph render="italic">Faces of
					 the City </emph>Videotape Master and Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1972</unitdate><physdesc><extent>3 videocasettes : sound, color ; 3/4" Umatic</extent></physdesc></did></c03><c03 level="item"><did><container type="reel"> T205-T209, T228-T228A, T272-T272A-F,
					 T286, T289, T349</container><unittitle><emph render="italic">Faces of the City </emph>Film
					 Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1972</unitdate><physdesc><extent>39 reels : silent, sound, color, black and white  ; 16mm</extent></physdesc></did></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">Three Artists in the
				  Northwest</emph></unittitle></did><c03 level="item"><did><container type="reel">T298</container><unittitle encodinganalog="245$a"><emph render="italic">Three
					 Artists in the Northwest </emph>Film Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1976</unitdate><physdesc><extent>1 reel (1200 feet) : sound, color ; 16 mm</extent></physdesc></did><scopecontent><p>A documentary featuring Guy Anderson, George Tsutakawa and
					 Theodore Roethke, three artists who live and work in the Pacific Northwest.
					 They discuss drawing their inspiration from nature, mountains, and the wildlife
					 of the region as well as from from Japanese art. </p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">1</container><unittitle encodinganalog="245$a"><emph render="italic">Three
					 Artists in the Northwest </emph>Videotape Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1976</unitdate><physdesc><extent>1 videocasette : sound, color ; 3/4" Umatic</extent></physdesc></did></c03><c03 level="item"><did><container type="reel">See Container note</container><unittitle><emph render="italic">Three Artists in the Northwest
					 </emph>Film Elements</unittitle><unitdate era="ce" calendar="gregorian">1976</unitdate><physdesc><extent>122 reels : silent, sound, color, black and white  ; 16mm</extent></physdesc></did><odd><head>Container: </head><p>T294-T297, T297A, T298-T301, T306, T327, T362-T363.</p></odd></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">Trident - Supersub or
				  Dinosaur</emph></unittitle></did><c03 level="item"><did><container type="reel">T277</container><unittitle encodinganalog="245$a"><emph render="italic">Trident -
					 Supersub or Dinosaur </emph>Film Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1977</unitdate><physdesc><extent>1 reel (1000 feet) : sound, color ; 16 mm</extent></physdesc></did><scopecontent><p>A documentary questioning the necessity of the 'Trident'
					 nuclear warhead submarine. </p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">1-2</container><unittitle><emph render="italic">Trident - Supersub or Dinosaur
					 </emph>Videotape Master and Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1977</unitdate><physdesc><extent>16 videocasettes : sound, color ; 3/4" Umatic, Betacam</extent></physdesc></did></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">The Columbia - Voices of the
				  River</emph></unittitle></did><c03 level="item"><did><container type="reel">T321 &amp; T321A</container><unittitle encodinganalog="245$a"><emph render="italic">The
					 Columbia - Voices of the River </emph>Film Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1978</unitdate><physdesc><extent>2 reels (1200 feet) : sound, color ; 16 mm</extent></physdesc></did><scopecontent><p>A documentary exploring the <emph render="italic">Wild and
					 Scenic Rivers Act of 1968</emph>, a tool to protect natural free flowing
					 rivers. Under the Act, streamside development is controlled and developed with
					 local participation, water quality is maintained, wildlife preserved and dams
					 prohibited. It features numerous interviews with people living and working in
					 riverlands.</p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">2</container><unittitle encodinganalog="245$a"><emph render="italic">The
					 Columbia - Voices of the River </emph>Videotape Master and Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1978</unitdate><physdesc><extent>3 videocasettes : sound, color ; 3/4" Umatic, Betacam</extent></physdesc></did></c03><c03 level="item"><did><container type="reel">See Container note</container><unittitle><emph render="italic">The Columbia - Voices of the
					 River </emph>Film elements</unittitle><unitdate era="ce" calendar="gregorian">1978</unitdate><physdesc><extent>99 reels : silent, sound, color, black and white  ; 16mm</extent></physdesc></did><odd><head>Container: </head><p>T189-T192, T213, T269-T269A, T314-T314A-D, T315-T316, T316A-B,
					 T317-T317A-B, T318-T320, T320A-B, T321-T321A, T335, T339-T339A.</p></odd></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">Tarheels in the
				  Northwest</emph></unittitle></did><c03 level="item"><did><container type="reel">T234</container><unittitle><emph render="italic">Tarheels in the Northwest
					 </emph>Film Master</unittitle><unitdate type="inclusive" era="ce" calendar="gregorian">1979</unitdate><physdesc><extent>1 reels (1600 feet) : sound, color ; 16 mm</extent></physdesc></did><scopecontent><p>Half-hour documentary focusing on the music and cultural
					 traditions of a unique community of North Carolinians who settled in
					 Darrington, Washington. </p></scopecontent></c03><c03 level="item"><did><container type="box">2</container><unittitle><emph render="italic">Tarheels in the Northwest
					 </emph>Videotape Master</unittitle><unitdate era="ce" calendar="gregorian">1979</unitdate><physdesc><extent>1 videocasette : sound, color ; 3/4" Umatic</extent></physdesc></did></c03><c03 level="item"><did><container type="reel">See Container note</container><unittitle><emph render="italic">Tarheels in the Northwest
					 </emph> Film Elements</unittitle><unitdate era="ce" calendar="gregorian">1979</unitdate><physdesc><extent>73 reels : silent, sound, color, black and white  ; 16mm</extent></physdesc></did><odd><head>Container: </head><p>T239-T240, T246, T308-311, T311A-C, T312-T312A, T313,
					 T328-T328A, T329.</p></odd></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">Hrvati!</emph></unittitle></did><c03 level="item"><did><container type="reel">T235</container><unittitle encodinganalog="245$a"><emph render="italic">Hrvati!
					 </emph>Film Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1981</unitdate><physdesc><extent>1 reel (1600 feet) : sound, color ; 16 mm</extent></physdesc></did><scopecontent><p>The story of three Croatian sisters, Maria Petrish, Alma
					 Plancich and Binki Spahi, who came to Anacortes, Washington, seeking political
					 asylum after the World War II. They tell their story of leaving the camps in
					 Italy to make their way to America, only to be turned down at the Statue of
					 Liberty. After reaching America the second time around, the three sisters
					 worked in the fields with their mother, experiencing real freedom for the first
					 time. They talk about the Croatian culture, the similarities and differences to
					 America and especially to the Puget Sound area. Croatian dance ensemble, Vela
					 Luka, is organized to keep traditional Croatian music and dances alive. The
					 sisters talk about topics like marriage, religion, preserving Croatian culture
					 and their appreciation of the opportunities and freedom given to them in
					 America. </p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">2</container><unittitle encodinganalog="245$a"><emph render="italic">Hrvati!
					 </emph>Master Videotape and Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1981</unitdate><physdesc><extent>2 videocasettes : sound, color ; 3/4" Umatic, Betacam</extent></physdesc></did></c03><c03 level="item"><did><container type="reel">See Container note</container><unittitle encodinganalog="245$a"><emph render="italic">Hrvati!
					 </emph>Film Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1981</unitdate><physdesc><extent>44 reels : silent, sound, color, black and white  ; 16mm</extent></physdesc></did><odd><head>Container: </head><p>T214-215, T235, T345-346.</p></odd></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">Japan Northwest</emph></unittitle></did><c03 level="item"><did><container type="reel">T256</container><unittitle encodinganalog="245$a"><emph render="italic">Japan
					 Northwest </emph>Film Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1981</unitdate><physdesc><extent>1 reel (1600 feet) : sound, color ; 16 mm</extent></physdesc></did><scopecontent><p>A look at Japanese arts and crafts in the Pacific Northwest,
					 including pottery, traditional tea ceremonies, poetry, architecture and
					 landscape design. Artists, craftsmen and architects, who either went to Japan
					 to learn or are currently in Japan learning Japanese art forms, brought these
					 influences to the Pacific Northwest region. The architecture, in particular,
					 relies especially on its connection to nature. This concept of nature draws
					 parallels to Native American culture and tradition in the Pacific Northwest.
					 </p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">2</container><unittitle encodinganalog="245$a"><emph render="italic">Japan
					 Northwest </emph>Videotape Master and Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1981</unitdate><physdesc><extent>2 videocasettes : sound, color ; 3/4" Umatic, Betacam</extent></physdesc></did></c03><c03 level="item"><did><container type="reel">See Container note</container><unittitle><emph render="italic">Japan Northwest </emph>Film
					 Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1981</unitdate><physdesc><extent>97 reels : silent, sound, color, black and white  ; 16mm</extent></physdesc></did><odd><head>Container: </head><p>T200-T202, T221, T247-T249, T249A-E, T250-T251, T251A-C,
					 T252-T253, T253A-B, T254-T255, T257-T258, T258A, T259, T259A-K.</p></odd></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">The City is
				  Ours</emph></unittitle></did><c03 level="item"><did><container type="reel">T216</container><unittitle encodinganalog="245$a"><emph render="italic">The City
					 is Ours </emph>Film Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1981</unitdate><physdesc><extent>1 reel (1200 feet) : sound, color ; 16 mm</extent></physdesc></did><scopecontent><p>Seattle artists Gertrud Pacific (Painter), Jacob Lawrence
					 (Painter), John Gilbert (Actor) discuss their relationship with the city and
					 the Pacific Northwest. It explores the importance of art for the growth of
					 Seattle andmaking it a vibrant city. </p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">3</container><unittitle encodinganalog="245$a"><emph render="italic">The City
					 is Ours </emph>Videotape Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1981</unitdate><physdesc><extent>1 videocasette : sound, color ; 3/4" Umatic</extent></physdesc></did></c03><c03 level="item"><did><container type="reel">See Container note</container><unittitle><emph render="italic">The City is Ours </emph>Film
					 Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1981</unitdate><physdesc><extent>17 reels : silent, sound, color, black and white  ; 16mm, 35mm</extent></physdesc></did><odd><head>Container: </head><p> T216A-E, T218-T219, T337.</p></odd></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">In the Shadow of the
				  Mountain</emph></unittitle></did><c03 level="item"><did><container type="box">3</container><unittitle encodinganalog="245$a"><emph render="italic">In the
					 Shadow of the Mountain </emph>Videotape Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1982</unitdate><physdesc><extent>1 videocasette : sound, color ; Betacam</extent></physdesc></did><scopecontent><p>A profile of mountaineer Jim Wickwire, the first American to
					 summit K-2. It follows his journey to the K-2 summit in Pakistan, the
					 Fairweather Mountains and Mount McKinley in Alaska, as well as, Mt. Everest and
					 is narrated by Jim Wickwire himself. </p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">3</container><unittitle><emph render="italic">In the Shadow of the Mountain
					 </emph>Videotape Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1982</unitdate><physdesc><extent>12 videocasettes : sound, color ; Betacam</extent></physdesc></did></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">Winter Brothers</emph></unittitle></did><c03 level="item"><did><container type="reel">T332</container><unittitle encodinganalog="245$a"><emph render="italic">Winter
					 Brothers </emph>Master Film</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1982</unitdate><physdesc><extent>2 reels (2000 feet) : sound, color ; 16 mm</extent></physdesc></did><scopecontent><p>A profile of Ivan Doig and his book 'Winter Brothers'. Ivan
					 Doig talks about the historical diaries of James Gilchrist Swan that are
					 featured in his book. Doig narrates the documentary as he visits the places
					 Swan mentions in his diaries. </p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">3</container><unittitle encodinganalog="245$a"><emph render="italic">Winter
					 Brothers </emph>Videotape Master and Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1982</unitdate><physdesc><extent>3 videocasettes : sound, color ; 3/4" Umatic, Betacam</extent></physdesc></did></c03><c03 level="item"><did><container type="box">3</container><unittitle><emph render="italic">Winter Brothers </emph>
					 DVD</unittitle><unitdate era="ce" calendar="gregorian">1982</unitdate><physdesc><extent>1 disc : sound, color ; DVD</extent></physdesc></did></c03><c03 level="item"><did><container type="reel">See Container note</container><unittitle><emph render="italic">Winter Brothers </emph> Film
					 Elements</unittitle><unitdate era="ce" calendar="gregorian">1982</unitdate><physdesc><extent>63 reels : silent, sound, color, black and white  ; 16mm</extent></physdesc></did><odd><head>Container: </head><p>T260 - T268D, T333, T334, T336.</p></odd></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">Spirit of the
				  Place</emph></unittitle></did><c03 level="item"><did><container type="box">3</container><unittitle encodinganalog="245$a"><emph render="italic">Spirit of
					 the Place </emph>Master Tape</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1983</unitdate><physdesc><extent>1 videocasette : sound, color ; 3/4" Umatic</extent></physdesc></did><scopecontent><p>Screenwriter and novelist Charles Johnson, poet Colleen
					 McElroy, and playwright Frank Chin talk about the Pacific Northwest, its
					 multicultural communities, and the meaining and spirituality of the region for
					 them personally and for their work as artists. </p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">3</container><unittitle><emph render="italic">Spirit of the Place </emph>
					 Videotape Elements</unittitle><unitdate era="ce" calendar="gregorian">1983</unitdate><physdesc><extent>1 videocasette : sound, color ; Betacam</extent></physdesc></did></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">Wranglin' Art</emph></unittitle></did><c03 level="item"><did><container type="box">3</container><unittitle encodinganalog="245$a"><emph render="italic">Wranglin'
					 Art </emph>Videotape Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1983</unitdate><physdesc><extent>1 videocasette : sound, color ; 3/4" Umatic</extent></physdesc></did><scopecontent><p>A look at art in the American West, featuring Seattle based
					 artist Fred Oldfield, Glemma Goodacre from Boulder, Colorado, Fred Fellows from
					 Bigfork, Montana, and John Clymer from Teton Village, Wyoming. The artists are
					 interviewed about their work, as well as, the history and the present movement
					 of Western art. </p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">3</container><unittitle encodinganalog="245$a"><emph render="italic">Wranglin'
					 Art </emph>Videotape Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1983</unitdate><physdesc><extent>1 videocasette : sound, color ; VHS</extent></physdesc></did></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">Alan Hovhaness</emph></unittitle></did><c03 level="item"><did><container type="box">3</container><unittitle encodinganalog="245$a"><emph render="italic">Alan
					 Hovhaness </emph>Videotape Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1984</unitdate><physdesc><extent>1 videocasette : sound, color ; 3/4" Umatic</extent></physdesc></did><scopecontent><p>The composer Alan Hovhaness and his wife, Hinako Fujihara
					 travel to San Jose to see the first performance of his <emph render="italic">Symphony No. 50, Op. 360, Mount St. Helens</emph>. The
					 documentary details how, when, and where he wrote the symphony. He talks about
					 how he came to Seattle and drew inspiration from the mountains and spirituality
					 for his<emph render="italic">Symphony No. 2, Op. 132, Mysterious Mountain
					 </emph> . Alan Hovhaness talks about his writing process, for example how he
					 wrote<emph render="italic">Starry Night</emph> while sitting between two truck
					 drivers at a counter in a diner. Hovhaness explains that another reason came to
					 the Pacific Northwest was because of his love for Japan and Japanese art. </p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">4-5</container><unittitle><emph render="italic">Alan Hovhaness</emph> Videotape
					 Elements</unittitle><unitdate era="ce" calendar="gregorian">1984</unitdate><physdesc><extent>3 videocassettes : sound, color ; Betacam, 3/4" Umatic</extent></physdesc></did></c03><c03 level="item"><did><container type="box">4-5</container><unittitle><emph render="italic">Alan Hovhaness</emph> Video Reel
					 Elements</unittitle><unitdate era="ce" calendar="gregorian">1984</unitdate><physdesc><extent>18 video reels : sound, color ;  1" Videotape</extent></physdesc></did></c03><c03 level="item"><did><container type="reel">See Container note</container><unittitle><emph render="italic">Alan Hovhaness</emph> Film
					 Elements</unittitle><unitdate era="ce" calendar="gregorian">1984</unitdate><physdesc><extent>18 reels (1600 feet) : sound, color ; 16 mm</extent></physdesc></did><odd><head>Container: </head><p>T157, T305.</p></odd></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">I Am Me</emph></unittitle></did><c03 level="item"><did><container type="box">6</container><unittitle encodinganalog="245$a"><emph render="italic">I Am Me
					 </emph>Videotape Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1984</unitdate><physdesc><extent>1 videocasette : sound, color ; 3/4" Umatic</extent></physdesc></did><scopecontent><p>Three Native American women find personal renewal in their
					 heritage and crafts. Anita Cheer, of the Colville Confederated Tribes, learned
					 about her heritage, legends, arts, crafts, traditional dances and songs and now
					 passes her knowledge on to the children at school and at the Omak Stampede.
					 Maria Parker, of the Makah Tribe, moved back to Neah Bay to become more
					 involved in her heritage, especially in traditional basket weaving. Maria works
					 as a language instructor for the Makah language program and used to work at the
					 Ozette Lab doing replication work of the baskets. Fran James, of the Lummi
					 Tribe, learned how to fish, spin, weave and knit from her grandmother on a
					 small island named Point Transit. At cultural centers she trades her arts and
					 crafts with other people from different reservations. </p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">6</container><unittitle encodinganalog="245$a"><emph render="italic">I Am Me
					 </emph>Videotape Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1984</unitdate><physdesc><extent>1 videocasette : sound, color ; Betacam</extent></physdesc></did></c03><c03 level="item"><did><container type="reel">See Container note</container><unittitle><emph render="italic">I Am Me </emph> Film
					 Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1984</unitdate><physdesc><extent>6 reels : silent, sound, color, black and white  ; 16mm</extent></physdesc></did><odd><head>Container: </head><p>T274, T340 - T344.</p></odd></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">Persuasive Art</emph></unittitle></did><c03 level="item"><did><container type="reel">T164</container><unittitle encodinganalog="245$a"><emph render="italic">Persuasive Art </emph>Videotape Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1985</unitdate><physdesc><extent>1 video reel : sound, color ; 1" Videotape</extent></physdesc></did><scopecontent><p>Numerous artists of varied media create art which comes from
					 strong political and social concerns; concerns about war and the threat of
					 nuclear disaster, poverty, environmental problems, and marginalized peoples
					 working for equity and equality. The film discusses persuasive art and its
					 critical vision, message, and aesthetics. Artists Edward Kienholz and Nancy
					 Reddin Kienholz discuss art created out of a social conscious and its long
					 tradition in America, as well as in the Pacific Northwest. Featured artists
					 include Woody Guthrie, R.D. Ginther, Kenneth Callahan, William Cummings, Morris
					 Graves, Jakob Lawrence, Roger Shimomura, Daniel DeSiga, Jesse Jaramillo, James
					 Lavadour, Buster Simpson, Charles Schmidt, Elias "Dutch" Schultz, John
					 O'Connor, Carl Smool, Marilyn Lysohir, and Rebecca Wells. </p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">6</container><unittitle><emph render="italic">Persuasive Art </emph>Videotape
					 Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1985</unitdate><physdesc><extent>2 videocasettes : sound, color ; 3/4" Umatic, Betacam</extent></physdesc></did></c03><c03 level="item"><did><container type="reel">See Container note</container><unittitle><emph render="italic">Persuasive Art </emph>Videotape
					 Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1985</unitdate><physdesc><extent>9 video reels : sound, color ; 1" Videotape</extent></physdesc></did></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">Seattle Stages</emph></unittitle></did><c03 level="item"><did><container type="box">7</container><unittitle encodinganalog="245$a"><emph render="italic">Seattle
					 Stages </emph>Master Videotape</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1985</unitdate><physdesc><extent>1 videocasette : sound, color ; 3/4" Umatic</extent></physdesc></did><scopecontent><p>The history of Seattle theaters is hosted by the actor John
					 Gilbert. The film traces Seattle's history from the opening of Squire's Opera
					 House in the late 19th century to the experimental plays of the 1970s and
					 1980s. Notable theatres dicussed include the 1910 opening of the Nippon Kan
					 Theatre, the Penthouse and the Showboat theatre, both opened by Glenn Hughes,
					 the opening of the first African American theatre in Seattle by directors
					 Burton and Florence James, and the 1962 formation of the city's first repertory
					 theatre, the Seattle Playhouse. Includes interviews with actress Jessie Haas,
					 University of Washington School of Drama Professor Donal Harrington, musical
					 director Helen Taverniti, actress Sara Jackson, actress Roberta Byrd, art
					 patron Bagley Wright, theatre critic Wayne Johnson, and artistic director
					 Gregory A. Falls. </p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">7</container><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1985</unitdate><unittitle><emph render="italic">Seattle Stages </emph>Videotape
					 Elements</unittitle><physdesc><extent>2 videocasettes : sound, color ; 3/4" Umatic, Betacam</extent></physdesc></did></c03><c03 level="item"><did><container type="reel">T151</container><unittitle><emph render="italic">Seattle Stages </emph>Videotape
					 Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1985</unitdate><physdesc><extent>1 video reel : silent, black and white  ; 1" Videotape</extent></physdesc></did></c03><c03 level="item"><did><container type="reel">See Container note</container><unittitle><emph render="italic">Seattle Stages </emph>Film
					 Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1985</unitdate><physdesc><extent>17 reels : silent, sound, color, black and white  ; 16mm</extent></physdesc></did><odd><head>Container: </head><p> T151, T175, T210, T302-T303, T303A-E, T307, T307A-7F.</p></odd></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">Windsinger</emph></unittitle></did><c03 level="item"><did><container type="box">7</container><unittitle encodinganalog="245$a"><emph render="italic">Windsinger </emph>Videotape Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1985</unitdate><physdesc><extent>1 videocasette : sound, color ; 3/4" Umatic</extent></physdesc></did><scopecontent><p>A cinematic portrait of Gary Smith, a musician and writer with
					 multiple sclerosis. Once a ranger in the Grand Canyon area, he returns to
					 explore the area in his wheelchair. He discusses his life and personal love for
					 the canyon. </p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">7</container><unittitle encodinganalog="245$a"><emph render="italic">Windsinger </emph>Videotape Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1985</unitdate><physdesc><extent>1 videocasette : sound, color ; 3/4" Umatic</extent></physdesc></did></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">Loggers and their
				  Lore</emph></unittitle></did><c03 level="item"><did><container type="reel">8</container><unittitle encodinganalog="245$a"><emph render="italic">Loggers
					 and their Lore </emph>Master Tape</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1985</unitdate><physdesc><extent>1 videocasette : sound, color ; Betacam</extent></physdesc></did><scopecontent><p>An exploration of the life of loggers and their families in
					 the Pacific Northwest including the dangers of the job, the craft of carving
					 wood and the poetry and songs that define the life of loggers. The growing
					 criticism of logging on the one side, and the "logging culture" within
					 communities and families on the other side, are central themes of the
					 documentary. </p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="reel">See Container note</container><unittitle encodinganalog="245$a"><emph render="italic">Loggers
					 and their Lore </emph>Videotape Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1985</unitdate><physdesc><extent>5 video reels : sound, color ; 1" Videotape</extent></physdesc></did></c03><c03 level="item"><did><container type="box">8-9</container><unittitle encodinganalog="245$a"><emph render="italic">Loggers
					 and their Lore </emph>Videotape Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1985</unitdate><physdesc><extent>25 videocasettes ; 3/4" Umatic</extent></physdesc></did></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">Ninety Years of
				  Tomorrows</emph></unittitle></did><c03 level="item"><did><container type="box">7</container><unittitle encodinganalog="245$a"><emph render="italic">Ninety
					 Years of Tomorrows </emph>Master Tape</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1986</unitdate><physdesc><extent>1 videocasette : sound, color ;  3/4" Umatic</extent></physdesc></did><scopecontent><p>A profile of Floyd Schmoe, the first park naturalist on Mt.
					 Rainier, a marine biologist, a professor of forest ecology, a Quaker Pacifist
					 and stretcher bearer in WWI, a humanitarian relief worker, and the author of
					 nine books. At ninety years of age he continued skiing on Mt. Rainier, where he
					 and his wife used to be keepers of Paradise Inn. As a marine biologist, he was
					 among the first to create a method of taking underwater pictures to study the
					 reefs and animals in the San Juan Islands. During World War II Floyd stopped
					 teaching at the University of Washington to work fulltime helping those held in
					 Japanese internment camps. Close to his 90th birthday Schmoe was given the
					 Prestigious Order of the Sacred Treasure and named an honorary citizen of
					 Hiroshima by Japan. </p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">7-8</container><unittitle encodinganalog="245$a"><emph render="italic">Ninety
					 Years of Tomorrows </emph>Videotape Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1986</unitdate><physdesc><extent>21 video reels : sound, color ; 1" Videotape</extent></physdesc></did></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">New Soviet Emigres in
				  Seattle</emph></unittitle></did><c03 level="item"><did><container type="reel">T176</container><unittitle encodinganalog="245$a"><emph render="italic">New
					 Soviet Emigres in Seattle </emph>Videotape Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1987</unitdate><physdesc><extent>1 video reel : sound, color ; 1" Videotape</extent></physdesc></did><scopecontent><p>A documentary about four Soviet Jewish emigres living in
					 Seattle.</p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">8</container><unittitle encodinganalog="245$a"><emph render="italic">New
					 Soviet Emigres in Seattle </emph>Videotape Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1987</unitdate><physdesc><extent>2 videocasette : sound, color ; 3/4" Umatic, Betacam</extent></physdesc></did></c03><c03 level="item"><did><container type="reel">See Container note</container><unittitle encodinganalog="245$a"><emph render="italic">New
					 Soviet Emigres in Seattle </emph>Videotape Elements</unittitle><unitdate era="ce" calendar="gregorian">1987</unitdate><physdesc><extent>8 video reels : sound, color ; 1" Videotape</extent></physdesc></did><odd><head>Container: </head><p>T154, T159, T161-162, T165-166, T173-174.</p></odd></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">The Many Roles of
				  Rebecca</emph></unittitle></did><c03 level="item"><did><container type="box">10</container><unittitle encodinganalog="245$a"><emph render="italic">The Many
					 Roles of Rebecca </emph>Videotape Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1987</unitdate><physdesc><extent>1videocasette : sound, color ; 3/4" Umatic</extent></physdesc></did><scopecontent><p>A profile of Rebecca Wells and her roles as an actress,
					 playwright, commentator, teacher, and toruing artist in Alaska. The film
					 features the plays <emph render="italic">Gloria Duplex</emph> and 
					 <emph render="italic"> Splittin' Hairs</emph>, both by Wells.</p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">10-11</container><unittitle encodinganalog="245$a"><emph render="italic">The Many
					 Roles of Rebecca </emph>Videotape Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1987</unitdate><physdesc><extent>45 videocasettes ; 3/4" Umatic, Betacam</extent></physdesc></did></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">Young Storytellers in
				  Russia</emph></unittitle></did><c03 level="item"><did><container type="reel">T163</container><unittitle encodinganalog="245$a"><emph render="italic">Young
					 Storytellers in Russia </emph>Videotape Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1987</unitdate><physdesc><extent>1 video reel : sound, color ; 1" Videotape</extent></physdesc></did><scopecontent><p>Twenty-seven children from the Pacific Northwest visit the
					 Soviet Union in 1986. The children, age 10-15, use storytelling as a form of
					 cultural exchange as they visit Moscow, Leningrad, and Odessa. </p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">12-18</container><unittitle encodinganalog="245$a"><emph render="italic">Young
					 Storytellers in Russia </emph>Videotape Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1987</unitdate><physdesc><extent>146 videocasettes : sound, color ; 3/4" Umatic, Betacam</extent></physdesc></did></c03><c03 level="item"><did><container type="reel">See Container note</container><unittitle encodinganalog="245$a"><emph render="italic">Young
					 Storytellers in Russia </emph>Videotape Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1987</unitdate><physdesc><extent>5 video reels : sound, color ; 1" Videotape</extent></physdesc></did><odd><head>Container: </head><p>T150, T177-T178, T182 - T184.</p></odd></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">Celebrate the
				  Women</emph></unittitle></did><c03 level="item"><did><container type="box">19</container><unittitle encodinganalog="245$a"><emph render="italic">Celebrate
					 the Women </emph>Master Tape</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1989</unitdate><physdesc><extent>1 videocasette : sound, color ; Betacam</extent></physdesc></did><scopecontent><p><emph render="italic">Celebrate the Women </emph> , a series
					 of short programs made in honor of Washington State's centennial, features five
					 notable women from the state.</p><p>Episode 1: Helen Thayer moved to Washington from New Zealand.
					 She represented the United States at the Olympics in multiple track and field
					 events. Thayer was also first woman to ski alone to the magnetic North Pole and
					 the first woman to climb Mount Rainier. The episode includes narration by
					 Thayer who discusses her outlook on sports and mountain climbing.</p><p>Episode 2: Helma Ward, a member of the Makah Tribe, related to
					 the last living members of the Ozette Tribe, worked in museums and schools,
					 specializing in the Makah language. Iinterviews with Ward who discusses
					 religion, life in her reservation, and her vision for the reservation in the
					 future.</p><p>Episode 3: Mary Walker, the third white woman to cross the
					 Rocky Mountains, kept intimate diaries about life in the harsh wilderness. The
					 host, Suzi Hunt, reads passages from Walker's diaries, discussing the strain of
					 her relationship with her husband, her pregnancy, the dangers and the cold
					 weather while traveling, her interactions with American Indians, her life at
					 the Whitman Mission of Waiilatpu (now Walla Walla) and later their new mission
					 site near Spokane, where they stayed nine years and had six children.</p><p>Episode 4: The suffragette, May Hutton, came west in 1883 with
					 her husband Al Hutton and bought a piece of land. She published a satirical
					 critique of large companies making profits of the miners before her and her
					 husband became millionares. Their money allowed May Hutton to become involved
					 in state politics as she moved to Spokane in 1906. Women'suffrage became her
					 main cause and with her help, Washington women won the vote in 1910. In 1912
					 she became the first woman delegate ever to attend the Democratic National
					 Convention.</p><p>Epsiode 5: Roberta Byrd was the moderator of King TV's show 
					 <emph render="italic">Face to Face</emph> and the first woman and first African
					 American to become principal at a large Seattle high school. Includes
					 interviews with Byrd, where she talks about poverty, segregated education, and
					 the Vietnam War. The episode also covers Byrd's participation in a boycott of
					 the public schools.</p><p>Epsiode 5: Teiko Tomita immigrated to Washington from Japan in
					 1921and wrote poetry about her experiences coming to age in the United States.
					 In 1929 she moved to the suburbs of Seattle with her husband and four children.
					 After the attack on Pearl Harbor in 1941 she was forced to burn all her poems
					 and was held in an internment camp, an experience that is heavily represented
					 in her poetry. In 1985 she published her poetry in the US and Japan and they
					 appeared in a play about the Japanese internment called <emph render="italic">Breaking the Silence</emph>.</p></scopecontent><odd><head>Credits: </head><p>Hosted by Suzi Hunt.</p></odd><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">19</container><unittitle encodinganalog="245$a"><emph render="italic">Celebrate
					 the Women </emph>Videotape Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1989</unitdate><physdesc><extent>37 videocasettes : sound, color ; Betacam</extent></physdesc></did></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">Kitaro</emph></unittitle></did><c03 level="item"><did><container type="box">20</container><unittitle encodinganalog="245$a"><emph render="italic">Kitaro
					 </emph>Videotape Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1989</unitdate><physdesc><extent>1 videocassette : sound, color ; 3/4" Umatic</extent></physdesc></did><scopecontent><p>A profile of Kitaro, a Japanese recording artist, composer,
					 and record producer. The film focuses on his first North American tour in 1987
					 as part of the Hitachi Culture Special Tour, including the rehearsal and
					 preparation process and his relatioship with his new North American band. The
					 documentary also highlights the cultural exchanges and understanding that grew
					 between the American and Japanese musicians. </p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">21-22</container><unittitle encodinganalog="245$a"><emph render="italic">Kitaro
					 </emph>Videotape Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1989</unitdate><physdesc><extent>91 videocasette : sound, color ; 3/4" Umatic, Betacam, VHS</extent></physdesc></did></c03><c03 level="item"><did><container type="reel">See Container note</container><unittitle encodinganalog="245$a"><emph render="italic">Kitaro
					 </emph>Videotape Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1989</unitdate><physdesc><extent>6 video reels : sound, color ; 1" Videotape</extent></physdesc></did><odd><head>Container: </head><p>T155-T156, T168-T169, T171-T172.</p></odd></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">Children of the
				  Homeless</emph></unittitle></did><c03 level="item"><did><container type="box">22</container><unittitle encodinganalog="245$a"><emph render="italic">Children
					 of the Homeless </emph>Videotape Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1991</unitdate><physdesc><extent>1 videocasette : sound, color ; Betacam</extent></physdesc></did><scopecontent><p>The Rodenbergs, a family of seven who live in temporary
					 shelter or in their car, came to Seattle seeking vocational training, an
					 opportunity unavailable to them in the small community of Golden Dale. The
					 Seattle public schools offer special help for the children of the homeless,
					 providing counselors, clean clothing, food and books. There is also an after
					 school program by Seattle emergency housing, which gives children a place to
					 socialize. A camera team follows and interviews the family as they search for
					 affordable housing, jobs, and temporary shelter. Michelle Turner and her three
					 children are also profiled. They came from California to get away from
					 Michelle’s ex-husband and are staying at the Bread of Life Mission for Women.
					 </p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">22</container><unittitle encodinganalog="245$a"><emph render="italic">Children
					 of the Homeless </emph>Videotape Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1991</unitdate><physdesc><extent>40 videocasettes : sound, color ; Betacam</extent></physdesc></did></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">In the Spirit of
				  Cooperation</emph></unittitle></did><c03 level="item"><did><container type="box">23</container><unittitle encodinganalog="245$a"><emph render="italic">In the
					 Spirit of Cooperation </emph>Videotape Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1991</unitdate><physdesc><extent>2 videocasettes : sound, color ; 3/4" Umatic / Betacam</extent></physdesc></did><scopecontent><p>An exploration of American Peace Corps and Japanese JOCV
					 Volunteers in Ghana. The organization works with villagers to develop small
					 business enterprises or work as teachers, doctors, and health technicians
					 creating better health and prosperity projects for communities. Depicts the
					 oranizations setting up a sewing machine business, poultry farms, an adjacent
					 water catchment system for drought periods, a new health care clinic, new
					 housing, and a reforestation project. </p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">23-24</container><unittitle encodinganalog="245$a"><emph render="italic">In the
					 Spirit of Cooperation </emph>Videotape Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1991</unitdate><physdesc><extent>96 videocasettes : sound, color ; Betacam</extent></physdesc></did></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">Momaday: Voice of the
				  West</emph></unittitle></did><c03 level="item"><did><container type="box">24</container><unittitle encodinganalog="245$a"><emph render="italic">Momaday:
					 Voice of the West </emph>Videotape Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1991</unitdate><physdesc><extent>1 videocasette : sound, color ;  Betacam</extent></physdesc></did><note><p>Digital copy available.</p></note><scopecontent><p>The author N. Scott Momaday discusses his early life and reads
					 passages from his Pulitzer Price awarded novel, <emph render="italic">House
					 Made of Dawn</emph>, and his autobiographical book, <emph render="italic">The
					 Ancient Child</emph>. He talks about his Kiowa descent and about growing up in
					 Jemez Pueblo, New Mexico. His daughters are also interviewed and give further
					 insight into his life as a writer and painter. </p></scopecontent></c03><c03 level="item"><did><container type="box">24</container><unittitle encodinganalog="245$a"><emph render="italic">Momaday:
					 Voice of the West </emph>Videotape Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1991</unitdate><physdesc><extent>34 videocasettes : sound, color ; Betacam</extent></physdesc></did></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">Remarkable People Making a
				  Difference in the Northwest</emph></unittitle></did><c03 level="subseries"><did><unittitle><emph render="italic">Harriet
					 Bullitt</emph></unittitle></did><c04 level="item"><did><container type="box">25</container><unittitle encodinganalog="245$a"><emph render="italic">Remarkable People Making a Difference in the Northwest: Harriet
						Bullitt </emph> Videotape Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1993</unitdate><physdesc><extent>1 videocasette : sound, color ;  Betacam</extent></physdesc></did><scopecontent><p>The heiress to King Broadcasting, Harriet Bullitt, sold the
						company to direct her energy and money into environmental causes in the Pacific
						Northwest. She discusses environmental awareness, her love for classical music
						and the classical King radio station, and her role in the Bullitt Foundation.
						</p></scopecontent><note><p>Digital copy available.</p></note></c04><c04 level="item"><did><container type="box">25</container><unittitle encodinganalog="245$a"><emph render="italic">Remarkable People Making a Difference in the Northwest: Harriet
						Bullitt </emph>Videotape Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1993</unitdate><physdesc><extent>25 videocasettes : sound, color ; Betacam</extent></physdesc></did></c04></c03><c03 level="subseries"><did><unittitle><emph render="italic">Dr. Michael
					 Copass</emph></unittitle></did><c04 level="item"><did><container type="box">25</container><unittitle encodinganalog="245$a"><emph render="italic">Remarkable People Making a Difference in the Northwest: Dr.
						Michael Copass </emph>Videotape Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1993</unitdate><physdesc><extent>1 videocasette : sound, color ;  Betacam</extent></physdesc></did><scopecontent><p> Dr. Michael Copass, the medical director of Seattle Medic
						One, Director of Medic One Paramedic Training Program, and a professor of
						medicine is followed during his daily work at Harborview Medical Center where
						he teaches medical students and paramedics in real life situations. </p></scopecontent><note><p>Digital copy available.</p></note></c04><c04 level="item"><did><container type="box">25</container><unittitle encodinganalog="245$a"><emph render="italic">Remarkable People Making a Difference in the Northwest: Dr.
						Michael Copass </emph>Videotape Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1993</unitdate><physdesc><extent>82 videocasettes : sound, color ; Betacam</extent></physdesc></did></c04></c03><c03 level="subseries"><did><unittitle><emph render="italic">Asunta Ng</emph></unittitle></did><c04 level="item"><did><container type="box">26</container><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1993</unitdate><unittitle encodinganalog="245$a"><emph render="italic">Remarkable People Making a Difference in the Northwest: Asunta
						Ng </emph>Videotape Master</unittitle><physdesc><extent>1 videocasette : sound, color ;  Betacam</extent></physdesc></did><scopecontent><p>The life and work of Asunta Ng, editor and publisher of 
						<emph render="italic"> Northwest Asian Weekly</emph>. Ng was born in China,
						grew up in Hong Kong and came to the United States in 1971. She disccusses her
						views on Asian communities in the Northwest, her experience as a businessowner,
						and the role of her newspaper as a counterbalance to mainstream media. </p></scopecontent><note><p>Digital copy available.</p></note></c04><c04 level="item"><did><container type="box">25-26</container><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1993</unitdate><unittitle encodinganalog="245$a"><emph render="italic">Remarkable People Making a Difference in the Northwest: Asunta
						Ng </emph>Videotape Elements</unittitle><physdesc><extent>22 videocasettes : sound, color ; 3/4" Umatic, Betacam</extent></physdesc></did></c04><c04 level="item"><did><container type="box">26</container><unittitle encodinganalog="245$a"><emph render="italic">Remarkable People Making a Difference in the Northwest: Asunta
						Ng </emph>Audiotape Elements</unittitle><unitdate era="ce" calendar="gregorian">1993</unitdate><physdesc><extent>1 audio tapes : sound ; audiocassette, 1/4" Audiotape</extent></physdesc></did></c04></c03><c03 level="subseries"><did><unittitle><emph render="italic">Sister Kathleen
					 Ross</emph></unittitle></did><c04 level="item"><did><container type="box">26</container><unittitle encodinganalog="245$a"><emph render="italic">Remarkable People Making a Difference in the Northwest: Sister
						Kathleen Ross </emph>Master Tape</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1993</unitdate><physdesc><extent>1 videocasette : sound, color ;  Betacam</extent></physdesc></did><scopecontent><p>Sister Kathleen Ross, founded Heritage College in Toppenish,
						Washigton, a cross-cultural college that offers educational opportunities for
						American Indians and Mexican Americans in the Yakama Valley. </p></scopecontent><note><p>Digital copy available.</p></note></c04><c04 level="item"><did><container type="box">26</container><unittitle encodinganalog="245$a"><emph render="italic">Remarkable People Making a Difference in the Northwest: Sister
						Kathleen Ross </emph>Videotape Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1993</unitdate><physdesc><extent>35 videocasettes : sound, color ; Betacam, 3/4" Umatic</extent></physdesc></did></c04><c04 level="item"><did><container type="box">26</container><unittitle encodinganalog="245$a"><emph render="italic">Remarkable People Making a Difference in the Northwest: Asunta
						Ng </emph>Audiotape Elements</unittitle><unitdate era="ce" calendar="gregorian">1993</unitdate><physdesc><extent>3 audio tapes : sound ; audiocassette</extent></physdesc></did></c04></c03><c03 level="subseries"><did><unittitle><emph render="italic">At Home with Sub Pop (Jonathan
					 Poneman, Bruce Pavitt) </emph></unittitle></did><c04 level="item"><did><container type="box">26</container><unittitle encodinganalog="245$a"><emph render="italic">Remarkable People Making a Difference in the Northwest: At Home
						with Sub Pop (Jonathan Poneman Bruce Pavitt) </emph>Master Tape</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1993</unitdate><physdesc><extent>1 videocasette : sound, color ;  Betacam</extent></physdesc></did><note><p>Digital copy available.</p></note><scopecontent><p>The Seattle based independent record label Sub Pop and its
						founders, Jonathan Poneman and Bruce Pavitt discuss the history of the label,
						pop culture, Grunge, the roots of the Seattle and Pacific Northwest music scene
						and their effect on the music scene worldwide. </p></scopecontent></c04><c04 level="item"><did><container type="box">26</container><unittitle encodinganalog="245$a"><emph render="italic">Remarkable People Making a Difference in the Northwest: At Home
						with Sub Pop (Jonathan Poneman Bruce Pavitt) </emph>Videotape
						Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1993</unitdate><physdesc><extent>14 videocasettes : sound, color ; Betacam</extent></physdesc></did></c04></c03><c03 level="subseries"><did><unittitle><emph render="italic">Charles
					 Johnson</emph></unittitle></did><c04 level="item"><did><container type="box">27</container><unittitle encodinganalog="245$a"><emph render="italic">Remarkable People Making a Difference in the Northwest: Charles
						Johnson </emph>Videotape Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1994</unitdate><physdesc><extent>1 videocasette : sound, color ;  Betacam</extent></physdesc></did><note><p>Digital copy available.</p></note><scopecontent><p> Charles Johnson, a Seattle-based writer and professor,
						talks about the importance of the Pacific Northwest and the cultural diversity
						of Seattle for him and his writing, as well as his views on spirituality,
						philosophy, literature, discrimination, segregation, and racism. Johnston
						discusses his book, <emph render="italic">A Middle Passage</emph>, cartoons he
						published, and the screenplay for <emph render="italic">Booker</emph>, a film
						about Booker T. Washington. He also discusses his new book 
						<emph render="italic">Dreamer</emph>, about Dr. Martin Luther King Jr. ,and the
						new screenplays he will be working on, including one for director Spike
						Lee.</p></scopecontent></c04><c04 level="item"><did><container type="box">27</container><unittitle encodinganalog="245$a"><emph render="italic">Remarkable People Making a Difference in the Northwest: Charles
						Johnson </emph>Videotape Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1994</unitdate><physdesc><extent>25 videocasettes : sound, color ; Betacam</extent></physdesc></did></c04></c03><c03 level="subseries"><did><unittitle><emph render="italic">George
					 Tsutakawa</emph></unittitle></did><c04 level="item"><did><container type="box">27</container><unittitle encodinganalog="245$a"><emph render="italic">Remarkable People Making a Difference in the Northwest: George
						Tsutakawa </emph>Videotape Master</unittitle><unitdate era="ce" calendar="gregorian">1994</unitdate><physdesc><extent>1 videocasette : sound, color ;  Betacam</extent></physdesc></did><note><p>This material has not been viewed and requires further
						processing.</p></note></c04><c04 level="item"><did><container type="box">27</container><unittitle encodinganalog="245$a"><emph render="italic">Remarkable People Making a Difference in the Northwest: George
						Tsutakawa </emph>Videotape Elements</unittitle><unitdate era="ce" calendar="gregorian">1994</unitdate><physdesc><extent>41 videocasettes : sound, color ;  Betacam</extent></physdesc></did></c04></c03><c03 level="subseries"><did><unittitle><emph render="italic">Mary Walker </emph></unittitle></did><c04 level="item"><did><container type="box">28</container><unittitle encodinganalog="245$a"><emph render="italic">Remarkable People Making a Difference in the Northwest: Mary
						Walker </emph> Videotape Master</unittitle><unitdate type="inclusive" era="ce" calendar="gregorian">1994</unitdate><physdesc><extent>1 videocasette : sound, color ;  Betacam</extent></physdesc></did><note><p>This material has not been viewed and requires further
						processing.</p></note></c04><c04 level="item"><did><container type="box">28</container><unittitle encodinganalog="245$a"><emph render="italic">Remarkable People Making a Difference in the Northwest: Mary
						Walker </emph> Videotape Elements</unittitle><unitdate type="inclusive" era="ce" calendar="gregorian">1994</unitdate><physdesc><extent>10 videocasettes : sound, color ;  Betacam</extent></physdesc></did></c04></c03><c03 level="subseries"><did><unittitle><emph render="italic">Emmett Watson</emph></unittitle></did><c04 level="item"><did><container type="box">28</container><unittitle encodinganalog="245$a"><emph render="italic">Remarkable People Making a Difference in the Northwest: Emmett
						Watson </emph> Videotape Master</unittitle><unitdate type="inclusive" era="ce" calendar="gregorian">2001</unitdate><physdesc><extent>1 videocasette : sound, color ;  Betacam</extent></physdesc></did><note><p>This material has not been viewed and requires further
						processing.</p></note></c04><c04 level="item"><did><container type="box">28</container><unittitle encodinganalog="245$a"><emph render="italic">Remarkable People Making a Difference in the Northwest: Emmett
						Watson </emph> Videotape Elements</unittitle><unitdate era="ce" calendar="gregorian">2001</unitdate><physdesc><extent>35 videocasette : sound, color ;  Betacam</extent></physdesc></did></c04></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">Raymond Carver: To Write and Keep
				  Kind</emph></unittitle></did><c03 level="item"><did><container type="box">29</container><unittitle encodinganalog="245$a"><emph render="italic">Raymond
					 Carver: To Write and Keep Kind </emph>Videotape Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1993</unitdate><physdesc><extent>1 videocasette : sound, color ;  Betacam</extent></physdesc></did><scopecontent><p>A profile of poet and author Raymond Carver, including
					 interviews with his wife Tess Gallagher, his mother, family, friends,
					 journalists, and critics. </p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">29-30</container><unittitle encodinganalog="245$a"><emph render="italic">Raymond
					 Carver: To Write and Keep Kind </emph>Videotape Elements</unittitle><unitdate era="ce" calendar="gregorian">1993</unitdate><physdesc><extent>95 videocasettes : sound, color ; 3/4" Umatic, Betacam, MiniDV, VHS</extent></physdesc></did></c03><c03 level="item"><did><container type="reel">T185</container><unittitle encodinganalog="245$a"><emph render="italic">Raymond
					 Carver: To Write and Keep Kind </emph>Videotape Elements</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1993</unitdate><physdesc><extent>1 video reel : silent, color ; 1" Videotape</extent></physdesc></did><note><p>Transfer of Super 8mm film to 1" Videotape videotape. </p></note></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">West Words: Six Western
				  Writers</emph></unittitle></did><c03 level="item"><did><container type="box">30</container><unittitle encodinganalog="245$a"><emph render="italic">West
					 Words: Six Western Writers </emph>Videotape Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1995</unitdate><physdesc><extent>1 videocasette : sound, color ;  Betacam</extent></physdesc></did><scopecontent><p>A series of interviews with authors Terry Tempest Williams,
					 William Kittredge, Rudolfa Anaya, Tony Hillerman, Maxine Hong Kingston and,
					 Ivan Doig. They discuss literature of the American West, their lives and the
					 impact that growing up in the West had on their work as writers.</p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">30-31</container><unittitle encodinganalog="245$a"><emph render="italic">West
					 Words: Six Western Writers </emph>Videotape Elements</unittitle><unitdate era="ce" calendar="gregorian">1995</unitdate><physdesc><extent>47 videocasettes : sound, color ;  Betacam, MiniDV, Digital Betacam</extent></physdesc></did></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">The River: Its People, History and
				  Beauty</emph></unittitle></did><c03 level="item"><did><container type="box">32</container><unittitle encodinganalog="245$a"><emph render="italic">The
					 River: Its People, History and Beauty </emph> Videotape Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1996</unitdate><physdesc><extent>1 videocasette : sound, color ;  Betacam</extent></physdesc></did><scopecontent><p>The history of the Columbia River and the people living in the
					 region. The film covers the enviromental stability of the river for the
					 sorrounding landscape and wildlife.</p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">32</container><unittitle encodinganalog="245$a"><emph render="italic">The
					 River: Its People, History and Beauty </emph> Videotape Elements</unittitle><unitdate era="ce" calendar="gregorian">1996</unitdate><physdesc><extent>98 videocasettes : sound, color ;  Betacam</extent></physdesc></did></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">Tom Robbins - Writer in the
				  Rain</emph></unittitle></did><c03 level="item"><did><container type="box">33</container><unittitle encodinganalog="245$a"><emph render="italic">Tom
					 Robbins: Writer in the Rain </emph>Videotape Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1997</unitdate><physdesc><extent>1 videocasette : sound, color ;  Betacam</extent></physdesc></did><scopecontent><p>A profile of Tom Robbins featuring interviews with his wife
					 Alexa D'Avalon, the director Alan Rudolph, and and <emph render="italic">Seattle Weekly's</emph> arts director, Bruce Barcott.</p></scopecontent><note><p>Digital copy available.</p></note></c03><c03 level="item"><did><container type="box">33</container><unittitle encodinganalog="245$a"><emph render="italic">Tom
					 Robbins: Writer in the Rain </emph>Videotape Elements</unittitle><unitdate era="ce" calendar="gregorian">1997</unitdate><physdesc><extent>40 videocasettes : sound, color ;  Betacam, VHS</extent></physdesc></did></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">Inside Pacific Northwest Ballet
				  </emph></unittitle></did><c03 level="item"><did><container type="box">34</container><unittitle encodinganalog="245$a"><emph render="italic">Inside
					 Pacific Northwest Ballet </emph>Videotape Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">2000</unitdate><physdesc><extent>1 videocasette : sound, color ;  Betacam</extent></physdesc></did><note><p>Digital copy available.</p></note><scopecontent><p>A profile ofthe Pacific Northwest Ballet featuring its
					 artistic directors Francia and Kent Rusell along with PNB dancers.</p></scopecontent></c03><c03 level="item"><did><container type="box">34</container><unittitle encodinganalog="245$a"><emph render="italic">Inside
					 Pacific Northwest Ballet </emph>Videotape Elements</unittitle><unitdate era="ce" calendar="gregorian">2000</unitdate><physdesc><extent>40 videocasettes : sound, color ;  Betacam</extent></physdesc></did></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">Rainier: The Mountain
				  </emph></unittitle></did><c03 level="item"><did><container type="box">34</container><unittitle encodinganalog="245$a"><emph render="italic">Rainier:
					 The Mountain </emph>Videotape Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">2000</unitdate><physdesc><extent>1 videocasette : sound, color ;  Betacam</extent></physdesc></did><note><p>Digital copy available.</p></note><scopecontent><p> The history of mountaineering on Mount Rainier, the meaning
					 of the mountain to the Pacific Northwest and the dangers of a volcanic
					 eruption. The film also examines movements to preserve Mt. Rainier,its national
					 park and the role of the moutain in art, advertising, and sport. </p></scopecontent></c03><c03 level="item"><did><container type="box">34-38</container><unittitle encodinganalog="245$a"><emph render="italic">Rainier:
					 The Mountain </emph>Videotape Elements</unittitle><unitdate era="ce" calendar="gregorian">2000</unitdate><physdesc><extent>123 videocasettes : sound, color ;  Betacam, MiniDV, VHS</extent></physdesc></did></c03><c03 level="item"><did><container type="box">38</container><unittitle encodinganalog="245$a"><emph render="italic">Rainier:
					 The Mountain </emph>Digital Elements</unittitle><unitdate era="ce" calendar="gregorian">2000</unitdate><physdesc><extent>3 disks ;  Floppy disk, Zip disk, CD</extent></physdesc></did></c03><c03 level="item"><did><container type="box">40</container><unittitle encodinganalog="245$a"><emph render="italic">Rainier:
					 The Mountain </emph>Sound Elements</unittitle><unitdate era="ce" calendar="gregorian">2000</unitdate><physdesc><extent>1 audiocassette : sound ;  Digital Audio Tape</extent></physdesc></did></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">The Rhona Disaster: WWII's Secret
				  Tragedy </emph></unittitle></did><c03 level="item"><did><container type="box">39</container><unittitle encodinganalog="245$a"><emph render="italic">The Rhona
					 Disaster: WWII's Secret Tragedy </emph>Videotape Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">2002</unitdate><physdesc><extent>1 videocasette : sound, color ;  Betacam</extent></physdesc></did><note><p>Digital copy available.</p></note><scopecontent><p>The British ship <emph render="italic">HMT Rohna</emph>was the
					 target of a German air assualt in 1943 and sank into the Mediterranean Sea with
					 2,200 men aboard. The film includes interviews with survivors, historic footage
					 and photographs, along with reenactments. 1,015 US troops were killed in the
					 disaster and 606 men were saved by the <emph render="doublequote">USS
					 Pioneer</emph>. The film dicusses the decision to hide the Rohna tragedy from
					 the public over concerns that a successful new Nazi weapon and its capabilities
					 would discourage the Allies and bolster Nazi moral.</p></scopecontent></c03><c03 level="item"><did><container type="box">39-40</container><unittitle encodinganalog="245$a"><emph render="italic">The Rhona
					 Disaster: WWII's Secret Tragedy </emph> Videotape Elements</unittitle><unitdate era="ce" calendar="gregorian">2000</unitdate><physdesc><extent>82 videocasettes : sound, color ;  Betacam, VHS</extent></physdesc></did></c03></c02><c02 level="subseries"><did><unittitle><emph render="italic">Hall for All</emph></unittitle></did><c03 level="item"><did><container type="box">41</container><unittitle encodinganalog="245$a"><emph render="italic">Hall for
					 All </emph>Videotape Master</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">2003</unitdate><physdesc><extent>1 videocasette : sound, color ;  Betacam</extent></physdesc></did><note><p>Digital copy available.</p></note><scopecontent><p>The Marion Oliver McCaw Hall, a performance hall that replaced
					 the Seattle Opera House, became home to the Pacific Northwest Ballet and
					 Seattle Opera along with other groups and artists. The 127 million dollar
					 project was designed by LMN architects. <emph render="italic">Hall for All
					 </emph> also looks at the history and reception of ballet and opera
					 performances and at the Seattle Opera House. Includes interviews with Virginia
					 Anderson, Director of the Seattle Center, Speight Jenkins, Director Seattle
					 Opera, Kent Stowell and Francia Rusell, Artistic Directors Pacific NW Ballet,
					 Patricia Barker, Principal Pacific NW Ballet, Owen Richards, Principal LMN
					 Architects, and Bill Kortum,Project Superintendent/Skanska.</p></scopecontent></c03><c03 level="item"><did><container type="box">41-42</container><unittitle encodinganalog="245$a"><emph render="italic">Hall for
					 All </emph>Videotape Elements</unittitle><unitdate era="ce" calendar="gregorian">2003</unitdate><physdesc><extent>66 videocasette : sound, color ;  3/4" Umatic, Betacam, MiniDV, VHS</extent></physdesc></did></c03><c03 level="item"><did><container type="box">40</container><unittitle encodinganalog="245$a"><emph render="italic">Hall for
					 All </emph>Digital Elements</unittitle><unitdate era="ce" calendar="gregorian">2000</unitdate><physdesc><extent>1 disk ; Zip Disk</extent></physdesc></did></c03></c02></c01><c01 level="series"><did><unittitle encodinganalog="245$a">Additional Material Produced and
				Collected by Walkinshaw</unittitle></did><scopecontent><p>These are materials produced by Walkinshaw that might be items of
				personal interest or projects ranging from fully realized to uncompleted. </p></scopecontent><c02 level="subseries"><did><unittitle>Film</unittitle></did><c03 level="item"><did><container type="reel">T186, T188, T188A-C, T270, T270A, T271,
					 T271A, T273</container><unittitle encodinganalog="245$a"><emph render="italic">Art in
					 Public Places</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 5 reels ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T187</container><unittitle encodinganalog="245$a"><emph render="italic">Genetic
					 Screening</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1980</unitdate><physdesc><extent> 1 reel (1600 ft.) ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T195, T196, T197, T198</container><unittitle encodinganalog="245$a"><emph render="italic">Discovery
					 Project: Alaska Highway</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between
					 September and October 1995</unitdate><physdesc><extent> 4 reels ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T199</container><unittitle encodinganalog="245$a"><emph render="italic">Instead
					 of the Thorn</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 1 reel (400 ft.) ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T204</container><unittitle encodinganalog="245$a"><emph render="italic">Art
					 Master</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent>1 video reel ; 1" Videotape</extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T211, T229, T275, T276</container><unittitle encodinganalog="245$a"><emph render="italic">Kitty</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 4 reels ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T212</container><unittitle encodinganalog="245$a"><emph render="italic">SOF -
					 Robbert Morris</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 1 reel (1000 ft.) ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T217</container><unittitle encodinganalog="245$a"><emph render="italic">Olympic
					 Stain Central Warehouse Film</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 1 reel (1200 ft.) ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T220, T220A-B, T241-T245</container><unittitle encodinganalog="245$a"><emph render="italic">Western
					 Art</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 8 reels ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T222, T282, T293</container><unittitle encodinganalog="245$a"><emph render="italic">Culp</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 1 reel ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T222</container><unittitle encodinganalog="245$a"><emph render="italic">Dome</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 1 reel ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T222</container><unittitle encodinganalog="245$a"><emph render="italic">Song -
					 Arboretum</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 1 reel ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T223</container><unittitle encodinganalog="245$a"><emph render="italic">Redo</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 1 reel (400 ft.) ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T226</container><unittitle encodinganalog="245$a"><emph render="italic">Shock
					 Music - False Starts</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 1 reel (400 ft.) ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T226</container><unittitle encodinganalog="245$a"><emph render="italic">Test for
					 Film...</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 1 reel (400 ft.) ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T230, T230A-B</container><unittitle encodinganalog="245$a"><emph render="italic">Kennedy</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 3 reels ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T231</container><unittitle encodinganalog="245$a"><emph render="italic">Hattie</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 1 reel (600 ft.) ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T232</container><unittitle encodinganalog="245$a"><emph render="italic">Raul</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent>1 reel (100 ft.) ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T233, T291</container><unittitle encodinganalog="245$a"><emph render="italic">Cop</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 2 reels ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T236, T236A-E, T238, T322-T325, T325A-B,
					 T326</container><unittitle encodinganalog="245$a"><emph render="italic">Artists
					 in the City</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 14 reels ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T278, T281</container><unittitle encodinganalog="245$a"><emph render="italic">Theda</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 2 reels ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T279, T279A</container><unittitle encodinganalog="245$a"><emph render="italic">Hattio
					 &amp; R's Intro</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 2 reels ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T280</container><unittitle encodinganalog="245$a"><emph render="italic">Kathy's
					 Divorce</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 1 reel (400 ft.) ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T283, T285</container><unittitle encodinganalog="245$a"><emph render="italic">Merlee</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 2 reels ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T284</container><unittitle encodinganalog="245$a"><emph render="italic">Tug
					 Boat</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 1 reel (400 ft.) ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T287</container><unittitle encodinganalog="245$a"><emph render="italic">Sush</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 1 reel (1200 ft.) ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T292</container><unittitle encodinganalog="245$a"><emph render="italic">Untitled
					 Film Project</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 1 reel (1200 ft.) ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T302, T303, T303A-E, T307,
					 T307A-F</container><unittitle encodinganalog="245$a"><emph render="italic">Haas</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 14 reels ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T304</container><unittitle encodinganalog="245$a"><emph render="italic">Starry
					 Night</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 1 reel (1600 ft.) ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T306</container><unittitle encodinganalog="245$a"><emph render="italic">Roethke</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 1 reel (1000 ft.) ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T327</container><unittitle encodinganalog="245$a"><emph render="italic">Sampler</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 1 reel (1000 ft.) ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T330, T331</container><unittitle encodinganalog="245$a"><emph render="italic">Willis
					 Konick</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 2 reels (1600 ft.) ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T362, T363</container><unittitle encodinganalog="245$a"><emph render="italic">Sagit - V
					 - Artists</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1977</unitdate><physdesc><extent>2 reels ;  16mm </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03></c02><c02 level="subseries"><did><unittitle>Videotapes</unittitle></did><c03 level="item"><did><container type="reel">T160</container><unittitle encodinganalog="245$a"><emph render="italic">Subversie
					 </emph>Master </unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1966
					 and 1995?</unitdate><physdesc><extent> 1 video reel ; 1" Videotape </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T158</container><unittitle encodinganalog="245$a"><emph render="italic">Schmoe
					 Film Transfer 2</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">June 24,
					 1985</unitdate><physdesc><extent> 1 video reel ; 1" Videotape </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T153</container><unittitle encodinganalog="245$a"><emph render="italic">Five
					 Thoughts on Asian Art</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">September 13,
					 1995</unitdate><physdesc><extent> 1 video reel (47 min. 48 sec.) ; 1" Videotape</extent></physdesc></did><note><p>CMX Edit Master.</p><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="reel">T203</container><unittitle encodinganalog="245$a"><emph render="italic">1997-1998
					 Summit Media Group Promos</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">September 9,
					 1997</unitdate><physdesc><extent>1 video reel ; 1" Videotape</extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="box">42</container><unittitle encodinganalog="245$a"><emph render="italic">Washington State Arts Comission Sampler</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1971
					 and 1986?</unitdate><physdesc><extent>1 videotape : sound, color ;  3/4" Umatic</extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="box">42</container><unittitle encodinganalog="245$a"><emph render="italic">Bloedel
					 Reserve</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1982
					 and 2003?</unitdate><physdesc><extent>5 videotapes : sound, color ; Betacam </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="box">42</container><unittitle encodinganalog="245$a"><emph render="italic">MidSummer/Ballet Julie</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1982
					 and 2003?</unitdate><physdesc><extent>1 videotape : sound, color ;  Betacam</extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="box">42</container><unittitle encodinganalog="245$a"><emph render="italic">Tacoma
					 Art Museum</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1982
					 and 2003?</unitdate><physdesc><extent>6 videotapes : sound, color ;  Betacam</extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="box">42</container><unittitle encodinganalog="245$a"><emph render="italic">Women of
					 Islam</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1982
					 and 2003?</unitdate><physdesc><extent>7 videotapes : sound, color ; Betacam, BetacamSP </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="box">42</container><unittitle encodinganalog="245$a"><emph render="italic">707 Dash
					 80 Flight Test Barrel Roll</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1986
					 and 2003?</unitdate><physdesc><extent>1 videotape (3 min. 50 sec.) : sound, color ;  Betacam SP</extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="box">42</container><unittitle encodinganalog="245$a"><emph render="italic">Real Life
					 Women: Excerpts from Jean Walkinshaw's Documentaries</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">2002</unitdate><physdesc><extent>1 videotape (13 min. 43 sec.) : sound, color ; Betacam </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="box">42</container><unittitle encodinganalog="245$a"><emph render="italic">Jean's
					 MOHI sampler</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">December 11,
					 2003</unitdate><physdesc><extent>1 videotape (28 min.) : sound, color ;  Betacam SP</extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="box">43</container><unittitle encodinganalog="245$a"><emph render="italic"> Africa:
					 The Possibility - Steve Marts</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1971
					 and 1986?</unitdate><physdesc><extent>1 videotape : sound, color ; 3/4" Umatic</extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="box">43</container><unittitle encodinganalog="245$a"><emph render="italic">Arches +
					 Tip Over</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1971
					 and 1986?</unitdate><physdesc><extent>1 videotape : sound, color ;  3/4" Umatic</extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="box">43</container><unittitle encodinganalog="245$a"><emph render="italic">Biker</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1971
					 and 1986?</unitdate><physdesc><extent>13 videotapes : sound, color ;  3/4" Umatic</extent></physdesc></did><scopecontent><p>Includes coverage of of the bicylce racer Ron Storer.</p></scopecontent><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="box">43</container><unittitle encodinganalog="245$a"><emph render="italic">Portrait
					 of America: Washington State</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1971
					 and 1986?</unitdate><physdesc><extent>1 videotape : sound, color ; 3/4" Umatic </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="box">43</container><unittitle encodinganalog="245$a"><emph render="italic">King TV
					 Stock Footage: Roberta Byrd</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1971
					 and 1986?</unitdate><physdesc><extent>1 videotape : sound, color ;  BetacamSP</extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="box">43</container><unittitle encodinganalog="245$a"><emph render="italic">Aerials</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1971
					 and 1986?</unitdate><physdesc><extent>2 videotapes : sound, color ;  3/4" Umatic</extent></physdesc></did><scopecontent><p>Includes aerials of the Canyonlands National Park in Utah.</p></scopecontent><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="box">43</container><unittitle encodinganalog="245$a"><emph render="italic">Addiction
					 for Sale</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1982
					 and 2003?</unitdate><physdesc><extent>2 videotapes : sound, color ;  Betacam</extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="box">43</container><unittitle encodinganalog="245$a"><emph render="italic">Between
					 Spring and Summer: New Soviet Art</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1982
					 and 2003?</unitdate><physdesc><extent>2 videotapes : sound, color ;  Betacam</extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="box">44</container><unittitle encodinganalog="245$a"><emph render="italic">Morton</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1971
					 and 1986?</unitdate><physdesc><extent>1 videotape ;  3/4" Umatic</extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="box">44</container><unittitle encodinganalog="245$a"><emph render="italic">Mentors:
					 Arthur Erickson</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1978
					 and 2003?</unitdate><physdesc><extent>1 videotape ;  VHS</extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="box">44</container><unittitle encodinganalog="245$a"><emph render="italic">Ruth
					 Maher Accident</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1982
					 and 2003?</unitdate><physdesc><extent>1 videotape ; Betacam </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="box">44</container><unittitle encodinganalog="245$a"><emph render="italic">Cornish
					 Collection - Suzallo Photos</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1982
					 and 2003?</unitdate><physdesc><extent>1 videotape ; Betacam </extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03><c03 level="item"><did><container type="box">44</container><unittitle encodinganalog="245$a"><emph render="italic">Untitled
					 Tape Projcect</emph></unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">between 1982
					 and 2003?</unitdate><physdesc><extent>2 videotapes ;  Betacam</extent></physdesc></did><note><p>This material has not been viewed and requires further
					 processing.</p></note></c03></c02><c02 level="subseries"><did><container type="box">45</container><unittitle>Walkinshaw scrapbook photocopies</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1971-2000</unitdate></did></c02><c02 level="subseries"><did><container type="box-folder">46/1</container><unittitle>Jean Walkinshaw CV</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">2003</unitdate></did></c02><c02 level="subseries"><did><container type="box-folder">46/2</container><unittitle>Face to Face</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1969-1972</unitdate></did><note><p>Face to Face was a weekly television program on channel KCTS-9
				  and then KING TV moderated by Roberta Byrd which featured guest speakers
				  discussing issues such as race, education and welfare.</p></note></c02><c02 level="subseries"><did><container type="box-folder">46/3</container><unittitle>Cathedral</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1991</unitdate></did><note><p>Raymond Carver short story produced by KING TV</p></note></c02><c02 level="subseries"><did><container type="box-folder">46/4</container><unittitle>Are These Actual Miles?</unittitle><unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian">1991</unitdate></did><note><p>Raymond Carver short story produced by KING TV</p></note></c02></c01></dsc></archdesc></ead>

