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  <eadheader countryencoding="iso3166-1" dateencoding="iso8601" langencoding="iso639-2b" repositoryencoding="iso15511" relatedencoding="dc" scriptencoding="iso15924">
    <eadid countrycode="US" url="http://archiveswest.orbiscascade.org/ark:/80444/xv35256" identifier="80444/xv35256" mainagencycode="US-uuml" encodinganalog="identifier">UUM_P0561.xml</eadid>
    <filedesc>
      <titlestmt>
        <titleproper encodinganalog="title">Wallace Earle Stegner photograph collection<date calendar="gregorian" era="ce" normal="1920/1989" type="inclusive"/></titleproper>
        <titleproper type="filing" altrender="nodisplay">Stegner (Wallace Earle) photograph collection</titleproper>
        <author encodinganalog="creator">Finding aid prepared by Lorraine Crouse.</author>
      </titlestmt>
      <publicationstmt>
        <publisher encodinganalog="publisher">J. Willard Marriott Library Special Collections</publisher>
        <p>
          <extref href="https://www.lib.utah.edu/img/marriottLibraryLogo.png" show="embed" linktype="simple" actuate="onload"/>
        </p>
        <date encodinganalog="date" calendar="gregorian" era="ce" normal="2000/2025">2000 (last modified: 2025)</date>
        <address>
          <addressline>295 South 1500 East</addressline>
          <addressline>Salt Lake City, Utah 84112</addressline>
          <addressline>Business Number: 801-581-8863</addressline>
          <addressline>special@library.utah.edu</addressline>
          <addressline>https://lib.utah.edu/collections/special-collections/index.php</addressline>
        </address>
      </publicationstmt>
    </filedesc>
    <profiledesc>
      <creation>This finding aid was produced using ArchivesSpace on <date>2025-10-10</date>.</creation>
      <langusage>
        <language langcode="eng" scriptcode="latn" encodinganalog="language">Finding aid written in English.</language>
      </langusage>
      <descrules>Finding aid based on DACS (Describing Archives: A Content Standard), 2nd Edition.</descrules>
    </profiledesc>
  </eadheader>
  <archdesc level="collection" relatedencoding="marc21" type="inventory">
    <did>
      <repository>
        <corpname encodinganalog="852$a">J. Willard Marriott Library Special Collections</corpname>
      </repository>
      <unittitle encodinganalog="245$a">Wallace Earle Stegner photograph collection</unittitle>
      <origination>
        <persname authfilenumber="n79021163" source="lcnaf" role="com" encodinganalog="100">Stegner, Wallace, 1909-1993</persname>
      </origination>
      <unitid countrycode="US" repositorycode="US-uuml" encodinganalog="099">P0561</unitid>
      <physdesc>
        <extent encodinganalog="300$a">1379 items</extent>
      </physdesc>
      <unitdate calendar="gregorian" era="ce" normal="1920/1989" type="inclusive" encodinganalog="245$f">Early 1900s-1980s</unitdate>
      <abstract encodinganalog="5203_">The Wallace Earle Stegner photograph collection contains portraits of Wallace Stegner, his wife Mary Page Stegner, and their son Stuart Page Stegner (Page); various photographs from trips he took including Saudi Arabia, Egypt, Germany, Italy, Asia, as well as photographs from one of his good friends, the writer Bernard DeVoto.</abstract>
      <langmaterial>
        <language langcode="eng" scriptcode="Latin" encodinganalog="546">English</language>
      </langmaterial>
    </did>
    <bioghist encodinganalog="545">
      <p>
Wallace Earle Stegner (1909-1993) was born on 18 February 1909, in Lake Mills, Iowa, the second son of Hilda Emelia Paulson and George Henry Stegner. He described his father as a man with the frontier characteristics of the late nineteenth century--a "boomer" who moved his wife and two sons from Iowa to North Dakota, Washington, Saskatchewan, Montana, Wyoming, and in 1921, to Salt Lake City, Utah, always seeking fresh opportunities for quick financial success. Even in Salt Lake City, the family moved within the city several times. His mother, Stegner realized, was a "nester" who struggled to make a home for her husband and sons wherever they settled.
</p>
      <p>
The years of moving kept the family close. Cecil, the eldest son, was athletic and active in team sports. Wallace was less so but participation in sports programs sponsored by the Mormon Church and ROTC training provided the focus and discipline for developing that aspect of himself and he played on the Freshman football team at the University of Utah. More importantly, he developed skill in tennis with then-coach, Theron S. Parmelee, and was a member of the University tennis team in 1929.
</p>
      <p>
Stegner graduated from the University of Utah in 1930. He had been working for a local rug and linoleum company and it was his expectation that he would continue doing so. However, Sherman Brown Neff, head of the English Department, arranged a teaching assistantship at the University of Iowa enabling Stegner to do graduate work and to begin a different career direction.
</p>
      <p>
Stegner received his master's degree from the University of Iowa in 1932 and planned to work toward a Ph.D. when his mother's struggle with cancer became critical. At that time his parents were living in Los Angeles, California. Stegner spent some time in Berkeley to be closer and to help with her care. Upon his return to Iowa, he completed the work on his Ph.D. which he received in 1934. On 1 September 1 1934, he married fellow student Mary Stuart Page. They moved to Salt Lake City where Stegner began teaching in the English Department at the University of Utah.
</p>
      <p>
Their son, Stuart Page Stegner, was born in 1937. That same year Stegner won a Little, Brown and Company contest with his novelette,
<title render="italic">Remembering Laughter</title>
. Using the prize money, the Stegners traveled in France and England before moving to Madison, Wisconsin, where he had accepted a teaching position. Some of his Wisconsin experiences were later fictionalized in
<title render="italic">Crossing to Safety</title>
.
</p>
      <p>
After two years in Madison, Stegner joined the faculty at Harvard University. During this period Stegner developed a friendship with Bernard DeVoto, which grew over the years, culminating in Stegner's writing a biography of DeVoto and editing a volume of DeVoto's letters. While at Harvard, Stegner completed
<title render="italic">The Big Rock Candy Mountain</title>
, which was published in 1945. Other books published during this time were
<title render="italic">On a Darkling Plain</title>
, 1940;
<title render="italic">Fire and Ice</title>
, 1941; and
<title render="italic">Mormon Country</title>
, 1942.
</p>
      <p>
In 1945, the Stegners again moved west, this time to California. Stegner was offered a professorship in the English Department at Stanford University. He served as director of the Creative Writing Center from 1946 to 1971. Edward Abbey, Thomas McGuane, and Scott Momaday were writing fellows in this program. Other students he worked with included Larry McMurtry, Wendell Berry, Nancy Packer, Ken Kesey, and his son, Page Stegner.
</p>
      <p>
After the Stegners moved to California they served as West-Coast editors for the publishing house of Houghton Mifflin in the 1940s and 1950s. Among the writers they recommended for publication was Stegner's cousin, Tom Heggen, author of
<title render="italic">Mister Roberts</title>
.
</p>
      <p>
During the 1950s and early 1960s, the Stegners traveled extensively. During this time Wallace wrote a number of articles and produced the origins of novels to come. Wallace gave a number of lectures and taught for three months each at Stanford's overseas campuses in Austria and in England. In 1955, Wallace and Mary traveled to Saudi Arabia, Lebanon, and Syria where he worked on the history of the Arabian-American Oil Company, ARAMCO. Stegner wrote several articles for Aramco World, an industry publication. Later, in 1971, this material was published in book form under the title,
<title render="italic">Discovery</title>
.
</p>
      <p>
Wallace Stegner's abilities as an editor led him to accept a number of responsibilities such as editor-at-large for
<title render="italic">Saturday Review</title>
and editor of
<title render="italic">The American West</title>
.
</p>
      <p>
Fiction written by Stegner during the Stanford years included
<title render="italic">Second Growth</title>
, 1947;
<title render="italic">The Women on the Wall</title>
(a short story collection), 1950;
<title render="italic">The Preacher and the Slave</title>
, 1950 (reprinted in 1969 as
<title render="italic">Joe Hill: A Biographical Novel</title>
);
<title render="italic">The City of the Living</title>
(a short story collection), 1956;
<title render="italic">A Shooting Star</title>
, 1961;
<title render="italic">All the Little Live Things</title>
, 1967; and
<title render="italic">Angle of Repose</title>
, 1971.
</p>
      <p>
Non-fiction written and published during the period included
<title render="italic">
Beyond the Hundredth Meridian: John Wesley Powell and the Second Opening of the West
</title>
, 1954;
<title render="italic">
Wolf Willow: A History, A Story, and a Memory of the Last Plains Frontier
</title>
, 1962;
<title render="italic">
The Gathering of Zion: The Story of the Mormon Trail
</title>
, 1964; and
<title render="italic">The Sound of Mountain Water</title>
(an essay collection), 1969.
</p>
      <p>
Stegner retired from Stanford in 1971 to devote his time to writing and traveling. He had been thinking about the DeVoto biography for some time. This was published in 1974 as
<title render="italic">The Uneasy Chair</title>
, and was followed by
<title render="italic">The Letters of Bernard DeVoto</title>
in 1975. Also published following his retirement were
<title render="italic">The Spectator Bird</title>
, 1976;
<title render="italic">Recapitulation</title>
, 1979;
<title render="italic">American Places</title>
, written with Page Stegner, 1981;
<title render="italic">One Way to Spell Man</title>
, a volume of essays, 1982;
<title render="italic">Crossing to Safety</title>
, 1987; and
<title render="italic">Where the Bluebird Sings to the Lemonade Springs</title>
, 1992.
</p>
      <p>
The Stegners established two homes, a Vermont summer place and a home in Los Altos, California. Despite extensive travel, the homes provided Stegner with what he felt he had missed in his youth--a place that meant familiar work, friends, and landscape. These two locales and the Salt Lake City environs which he considered his hometown, are part of his writing, serving as background in novels and as visuals in his environmental efforts.
</p>
      <p>
As he grew up in the arid regions of the West, Stegner developed a keen awareness of the fragility of the land. In his biographical research of Charles Dutton and later John Wesley Powell, he saw the western landscape as being fundamentally characterized by the scarcity of water resources. Stegner's concern found expression in activism directed at education of the public in the realities of living with the arid climate of the land west of the hundredth meridian. He felt other environmental problems would occur as multi-purpose land use increased. He wrote eloquently about these concerns in his letter to David E. Personen in 1960, now known globally as "The Geography of Hope: A Wilderness Letter." He served as wilderness advocate for the National Park Service, the Sierra Club, and the Wilderness Society. Some of the positions he held to address these concerns were: Co-Founder, Committee for Green Foothills in California, 1960; Special Assistant to Secretary of the Interior Stewart Udall, 1961; and Advisory Board, National Parks, Historical Sites, Buildings and Monuments, 1962-1965.
</p>
      <p>
In addition to the prize for Remembering Laughter in 1937, Stegner received numerous other awards, among them an O. Henry first prize for short story in 1950, the Blackhawk award for
<title render="italic">Wolf Willow</title>
in 1963, the Commonwealth Club gold medal for
<title render="italic">All the Little Live Things</title>
in 1968, the Pulitzer Prize for
<title render="italic">Angle of Repose</title>
in 1972, and the National Book award for
<title render="italic">The Spectator Bird</title>
in 1977. He was a Guggenheim fellow in 1950, 1952, and 1960; received a Rockefeller grant in 1950-1951; Fulbright in 1962 and 1968; and the Robert Kirsch award in 1980.
<title render="italic">Where the Bluebird Sings to the Lemonade Springs</title>
was nominated for the 1993 National Book Critics Circle award. Stegner refused the National Medal for the Arts which he was to have received in January of 1993 because he was "troubled by the political controls" he felt right wing groups placed on the National Endowment for the Arts.
</p>
      <p>
Always a popular speaker, Stegner gave a number of speeches in Utah throughout the years. He gave the Dedicatory Address for the J. Willard Marriott Library at the University of Utah in 1968. He was the speaker at the Friends of the Library annual banquet in 1974. In 1980 Stegner gave a lecture titled "The Twilight of Self Reliance: Frontier Values and Contemporary Values" in the Tanner Lecture Series. He spoke at the Dedication of the Scott M. Matheson Wetlands Preserve, Moab, Utah, in 1991. In recognition of his close ties with Utah and his alma mater, Stegner designated Special Collections at the J. Willard Marriott Library, as repository for his papers in 197l. In 1995 the Stegner family granted permission to the University of Utah College of Law to rename its energy law center the Wallace Stegner Center for Land, Resources and the Environment.
</p>
      <p>
In the spring of 1993, Wallace and Mary Stegner were in Sante Fe, New Mexico, to talk about his latest book,
<title render="italic">Where the Bluebird Sings to the Lemonade Springs</title>
. Stegner was seriously injured when the car he was driving was hit by another vehicle. He was hospitalized and seemed to rally, but after a relapse he died on April 13.
</p>
    </bioghist>
    <scopecontent encodinganalog="5202_">
      <p>Wallace Stegner (1903-1993) was born in Lake Mills, Iowa and lived in many parts of the American West and Canada during his lifetime. He received a BA from the University of Utah in 1930 and a Ph.D. in literature from the State University of Iowa in 1935. As a writer, editor, teacher, historian, speaker, and advocate for the environment he contributed much to the culture of the American West. His sensitivity to surroundings in his writings is also evident in the photographs he took of his many travels from all over the world.</p>
      <p> The photographs in this collection include portraits of Wallace Stegner, his wife Mary Page Stegner, and thier son Stuart Page Stegner (Page); various photographs from trips he took including Saudi Arabia, Egypt, Germany, Italy, Asia, as well as photographs from one of his good friends, the writer Bernard DeVoto.</p>
      <p> Box 1 and 2 contain mostly black and white photographs, some color photographs; box 3 contains 35mm color slides, black and white negatives, unmounted 2 1/4x2 1/4 color transparencies; box 4 and 5 contain mounted 2 1/4x2 1/4 color slides.</p>
    </scopecontent>
    <arrangement encodinganalog="351">
      <p>Collection is arranged topically.</p>
    </arrangement>
    <accessrestrict encodinganalog="506">
      <p>Twenty-four hour advanced notice encouraged. Materials must be used on-site. Access to parts of this collection may be restricted under provisions of state or federal law.</p>
    </accessrestrict>
    <userestrict encodinganalog="540">
      <p>The library does not claim to control copyright for all materials in the collection. An individual depicted in a reproduction has privacy rights as outlined in Title 45 CFR, part 46 (Protection of Human Subjects). For further information, please review the J. Willard Marriott Library's <extref linktype="simple" show="new" href="https://lib.utah.edu/collections/special-collections" actuate="onrequest" role="text/html">Use Agreement and Reproduction Request forms</extref>.</p>
    </userestrict>
    <prefercite encodinganalog="524">
      <p>Collection Name, Collection Number, Box Number, Folder Number. Special Collections, J. Willard Marriott Library, The University of Utah.</p>
    </prefercite>
    <processinfo>
      <p>Processed by Lorraine Crouse and Kristi Pace in 2000.</p>
      <p><extref linktype="simple" show="new" href="https://lib.utah.edu/services/digital-library/index.php#tab7/" actuate="onrequest" role="text/html">Click here to read a statement on harmful language in library records</extref>.</p>
    </processinfo>
    <separatedmaterial encodinganalog="5440_">
      <p>Audio-visual materials were transferred to the Wallace Earle Stegner audio-visual collection (A0389).</p>
    </separatedmaterial>
    <controlaccess>
      <controlaccess>
        <persname authfilenumber="n79021163" source="lcnaf" encodinganalog="600">Stegner, Wallace, 1909-1993--Photographs</persname>
        <persname authfilenumber="n79021163" source="lcnaf" encodinganalog="600">Stegner, Wallace, 1909-1993--Travel--Photographs</persname>
        <persname authfilenumber="n79021163" source="lcnaf" encodinganalog="600">Stegner, Wallace, 1909-1993--Family--Photographs</persname>
        <persname authfilenumber="n50040421" source="lcnaf" encodinganalog="600">De Voto, Bernard, 1897-1955--Photographs</persname>
      </controlaccess>
      <controlaccess>
        <corpname authfilenumber="no2002043965" source="lcnaf" encodinganalog="610">Stanford University. English Department--20th century--Photographs</corpname>
        <corpname encodinganalog="610">Arabian American Oil Company--20th century--Photographs</corpname>
      </controlaccess>
      <controlaccess>
        <geogname source="lcsh" encodinganalog="651">Saudi Arabia--20th century--Photographs</geogname>
      </controlaccess>
      <controlaccess>
        <subject source="lcsh" encodinganalog="650">Authors, American--20th century--Photographs</subject>
        <subject source="lcsh" encodinganalog="650">Literary landmarks--United States--Photographs</subject>
        <subject source="lcsh" encodinganalog="650">Travel--20th century--Photographs</subject>
      </controlaccess>
      <controlaccess>
        <subject source="archiveswest" altrender="nodisplay" encodinganalog="690">Literature</subject>
        <subject source="archiveswest" altrender="nodisplay" encodinganalog="690">Images</subject>
        <subject source="archiveswest" altrender="nodisplay" encodinganalog="690">Environmental Activism</subject>
      </controlaccess>
      <controlaccess>
        <genreform authfilenumber="300128347" source="aat" encodinganalog="655">black-and-white photographs</genreform>
        <genreform source="aat" encodinganalog="655">color photographs</genreform>
        <genreform authfilenumber="300127183" source="aat" encodinganalog="655">Contact sheets</genreform>
        <genreform authfilenumber="gf2017027254" source="lcgft" encodinganalog="655">Portraits</genreform>
        <genreform authfilenumber="300128366" source="aat" encodinganalog="655">Color slides</genreform>
        <genreform authfilenumber="300127173" source="aat" encodinganalog="655">Negatives (Photographs)</genreform>
      </controlaccess>
    </controlaccess>
    <dsc type="analyticover">
      <c01 level="series">
        <did>
          <unittitle encodinganalog="245$a">Wallace Stegner Photographs</unittitle>
        </did>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Portraits of Wallace Stegner</unittitle>
            <container type="box">1</container>
            <container type="folder">1</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1: Portrait of Wallace Stegner</p>
            <p> Photograph number 2: Portrait of Wallace Stegner, Roland Wolfe, photographer</p>
            <p> Photograph number 3: Portrait of Wallace Stegner from Stanford</p>
            <p> Photograph number 4: Portrait of Wallace Stegner, Bachrach, photographer</p>
            <p> Photograph number 5: Portrait of Wallace Stegner</p>
            <p> Photograph number 6-10: Portraits of Wallace Stegner, Harry Redl, photographer</p>
            <p> Photograph number 11: Portrait of Wallace Stegner</p>
            <p> Photograph number 12: Identification photograph of Wallace Stegner</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Portraits of Wallace Stegner</unittitle>
            <container type="box">1</container>
            <container type="folder">2</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1-11: Portraits of Wallace Stegner</p>
            <p> Photograph number 12: Portrait of Wallace Stegner, Hank Krazler, photographer</p>
            <p> Photograph number 13-14: Portraits of Wallace Stegner, Ansel Adams, photographer</p>
            <p> Photograph number 15: Portrait of Wallace Stegner with a not from Jay Beau, Seigneur from Peninsula Living, Burlingame</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Portraits of Wallace Stegner</unittitle>
            <container type="box">1</container>
            <container type="folder">3</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1: Portrait of Wallace Stegner</p>
            <p> Photograph number 2-3: Portraits of Wallace Stegner, circa 1977 Margaretta K. Mitchell, photographer, proof sheets.</p>
            <p> Photograph number 4: Portrait of Wallace Stegner</p>
            <p> Photograph number 5: Portrait of Wallace Stegner, 1975, signing American Places</p>
            <p> Photograph number 6-7: Portraits of Wallace Stegner, proof sheets of 4x5 negatives</p>
            <p> Photograph number 8: Portrait of Wallace Stegner, 1977</p>
            <p> Photograph number 9-10: Color portraits of Wallace Stegner</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Honorary Degrees</unittitle>
            <container type="box">1</container>
            <container type="folder">4</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1: Syd Angleman, Wallace Stegner, David King, Edward W. Clyde (Board of Regents), 1968</p>
            <p> Photograph number 2: Honorary degrees to Stegner and King at the University of Utah: Wallace Stegner, Sid Angleman, David King, 1968</p>
            <p> Photograph number 3: Honorary Fellow of College of Notre Dame, Belmont, California-Sister Catharine Julie Cunningham and Wallace Stegner, May 1980.</p>
            <p> Photograph number 4: Wallace Stegner, University of Wisconsin, 1986</p>
            <p> Photograph number 5: Wallace Stegner receiving honorary degree, unidentified</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Family</unittitle>
            <container type="box">1</container>
            <container type="folder">5</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1: Mary Stegner (?)</p>
            <p> Photograph number 2: Christmas Card, Mary, Wally, and Page Stegner</p>
            <p> Photograph number 3: Mary and Wallace Stegner (?)</p>
            <p> Photograph number 4-6: Unidentified</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Group Photographs</unittitle>
            <container type="box">1</container>
            <container type="folder">6</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1-2: Wallace Stegner with writing students, University of Utah, about 1945</p>
            <p> Photograph number 3: Oliver Lawrence, Jean Byers, Wallace Stegner</p>
            <p> Photograph number 4: Eugene Burdick, Oliver Lawrence, Jean Byers, Wallace Stegner</p>
            <p> Photograph number 5: Stanley Cain, Wallace Stegner, Frank Masland, in Virgin Islands, December 1966</p>
            <p> Photograph number 6: Virgin Islands, 1966</p>
            <p> Photograph number 7: Wallace Stegner and (?)</p>
            <p> Photograph number 8: Wallace Stegner with Dick and Judy Noyes, Colorado Springs, September 21, 1987</p>
            <p> Photograph number 9: Group on a river trip, copy</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">National Parks Advisory Board</unittitle>
            <container type="box">1</container>
            <container type="folder">7</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1: National Parks Advisory Board</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Colleagues</unittitle>
            <container type="box">1</container>
            <container type="folder">8</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1: Unidentified</p>
            <p> Photograph number 2: Al, Michael, Arlin, San Francisco, 1979</p>
            <p> Photograph number 3: D. Rhinelander</p>
            <p> Photograph number 4: Malcolm Cowley and wife</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Bernard DeVoto Photographs</unittitle>
            <container type="box">1</container>
            <container type="folder">9</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1: Bernard DeVoto, 1940s publicity photo</p>
            <p> Photograph number 2: Bernard DeVoto</p>
            <p> Photograph number 3: Florian B. DeVoto, father of Bernard DeVoto</p>
            <p> Photograph number 4: Bernard DeVoto</p>
            <p> Photograph number 5: Kent Hagler</p>
            <p> Photograph number 6: Bernard DeVoto, second from left, top row</p>
            <p> Photograph number 7: Bernard DeVoto, approximately 1934</p>
            <p> Photograph number 8: Bernard DeVoto</p>
            <p> Photograph number 9: Bernard DeVoto</p>
            <p> Photograph number 10: Gordon King, 1929 or 1930</p>
            <p> Photograph number 11: Hans Zinnser at Harvard Medical School animal lab in the early 1930s</p>
            <p> Photograph number 12: L.J. Henderson cottage in Morgan Center, Vermont where the DeVotos spent the summer of 1931</p>
            <p> Photograph number 13: Avis DeVoto, George Homans, Al Delacey at a picnic in Lake Memphremagog, Quebec, 1931</p>
            <p> Photograph number 14: DeVotos' home on Weston Road in Lincoln, Massachusetts where they lived from 1932-1936</p>
            <p> Photograph number 15: One Sunday evening in Lincoln, Massachusetts, 1935 or 1936, Avis DeVoto, Gordon DeVoto</p>
            <p> Photograph number 16: Sinclair Lewis and Bernard DeVoto</p>
            <p> Photograph number 17: Harvey Allen, Bernard DeVoto in Coral Gables</p>
            <p> Photograph number 18: Bernard DeVoto and Gordon, Lincoln, Massachusetts, 1932</p>
            <p> Photograph number 19: Victoria Lincoln and John Mason Brown at Bread Loaf in 1935</p>
            <p> Photograph number 20: Perry Miller (wearing glasses) and Kenneth Murdock visiting DeVotos at Walpole, New Hampshire, summer 1938</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Bernard DeVoto Photographs/Bread Loaf</unittitle>
            <container type="box">1</container>
            <container type="folder">10</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1: Bread Loaf 1935, top row: Gorham Munson, John Crowe Ransom, George Stevens, Ted Morrison, John Mason Brown; middle row: William Harris, Victor Lowe, Victoria Lincoln Lowe, Avis DeVoto, Julia Peterkin, Catherine Bowen, Bernard DeVoto, Helen Everitt; bottom row: Mrs. Gorham Munson, Isabel Wilder, Shirley Barker, Gladys Hasty Carroll, Kay Morrison</p>
            <p> Photograph number 2: Bread Loaf, Kay Morrison, Treman Cottage in background</p>
            <p> Photograph number 3: Bread Loaf, Fletcher Pratt, Edith Mirrielees, Kathleen Morrison, Avis DeVoto, Lovell Thompson</p>
            <p> Photograph number 4: Bread Loaf, Margaret Farrar, John Farrar, Alec Laing</p>
            <p> Photograph number 5: Bread Loaf, 1938, Avis DeVoto and Robert Frost</p>
            <p> Photograph number 6: Bread Loaf, Edith Mirrielees and Wyman Parker</p>
            <p> Photograph number 7: Bread Loaf in the 1930s, the DeVotos</p>
            <p> Photograph number 8: Bread Loaf, with Mr. and Mrs. Mark Saxton</p>
            <p> Photograph number 9: Bread Loaf, 1938, top row: Raymond Everitt, Robeson Bailey, Herbert Agar, Herschel Brickell, Wallace Stegner, Fletcher Pratt; middle row: Gorham Munson, Bernard DeVoto, Theodore Morrison, Robert Frost, John Gassner; bottom row: Mary Stegner, Helen Everitt, Kay Morrison, Eleanor Chilton (Mrs. Herbert Agar)</p>
            <p> Photograph number 10: Bread Loaf, 1938, Archibald MacLeish</p>
            <p> Photograph number 11: George Homans visiting DeVotos in Walpole, New Hampshire, 1938</p>
            <p> Photograph number 12: Bernard and Avis DeVoto in 1930s</p>
            <p> Photograph number 13: Avis DeVoto, Mark and Gordon DeVoto, 1940</p>
            <p> Photograph number 14: Bread Loaf; Fletcher Pratt, Bernard DeVoto, William Upson</p>
            <p> Photograph number 15: Bread Loaf; A.B. Guthrie, Jr. and Bernard DeVoto</p>
            <p> Photograph number 16: "To Avis and Bernard Florian Augustine, Elmer Davis, February 10, 1942."</p>
            <p> Photograph number 17: Laurette Murdock, Kay Thompson (Mrs. Lovell), Bernard DeVoto, and Avis DeVoto</p>
            <p> Photograph number 18: Meeting of Advisory Board, National Parks, Historic Sites, Buildings and Monuments, Mammoth Cave National Park, Kentucky. October 26, 1951. Alfred Knopf is just behind Bernard DeVoto</p>
            <p> Photograph number 19: President Stearns of the University of Colorado and Bernard DeVoto</p>
            <p> Photograph number 20: "A gathering of characters at Erickson's Saloon" Portland, Oregon, January 12, 1954, Bernard DeVoto and Stewart Holbrook</p>
            <p> Photograph number 21: Plaques</p>
            <p> Photograph number 22: DeVotos home on Berkeley Street, where they moved in 1941</p>
            <p> Photograph number 23: 6 pages photo copy of correspondence regarding the captions of the photos in Fds 9-10 (pages 1-3 letters, pages 4-6 captions for The Uneasy Chair)</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Bread Loaf, Middlebury College</unittitle>
            <container type="box">1</container>
            <container type="folder">11</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1: Sign at Middlebury College, founded 1800, Bread Loaf Mountain Campus</p>
            <p> Photograph number 2: Edith Mirrielees and (?)</p>
            <p> Photograph number 3: Edith Mirrielees</p>
            <p> Photograph number 4-6: Edith Mirrielees and others</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">William Faulkner Estate</unittitle>
            <container type="box">1</container>
            <container type="folder">12</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1: Faulkner Library-Study, portrait of William Faulkner painted by his mother</p>
            <p> Photograph number 2: Faulkner Library-Study</p>
            <p> Photograph number 3: Faulkner Barn</p>
            <p> Photograph number 4: Faulkner Stable and Corral</p>
            <p> Photograph number 5: Faulkner Smoke House</p>
            <p> Photograph number 6: Faulkner Home, Rowan Oak, side view, Library-Study is on right, Writing-Study on left</p>
            <p> Photograph number 7: Faulkner writing desk and chair in Writing-Study</p>
            <p> Photograph number 8: 2 pages, photocopy of letter to Wallace Stegner dated July 17, 1968 includes a list of the William Faulkner photographs</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Ernest Hemingway Memorial and Houses</unittitle>
            <container type="box">1</container>
            <container type="folder">13</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1: "Windemere," the Hemingway Cottage, Wallon Lake, Michigan, south side</p>
            <p> Photograph number 2: "Windemere," the Hemingway Cottage, Wallon Lake, Michigan, north side</p>
            <p> Photograph number 3: The Ernest Hemingway house, Key West, Florida, entrance</p>
            <p> Photograph number 4: Living room in the Ernest Hemingway house, Key West, Florida</p>
            <p> Photograph number 5: Pool house, Hemingway Estate, Key West, Florida</p>
            <p> Photograph number 6: Study in pool house, Hemingway Estate, Key West, Florida</p>
            <p> Photograph number 7: Ernest Hemingway house, Warm Springs, Idaho, looking north west</p>
            <p> Photograph number 8: Ernest Hemingway house, Warm Springs, Idaho, rear view</p>
            <p> Photograph number 9: Ernest Hemingway memorial, Sun Valley, Idaho</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Harriet Doerr and Clarence Edward Dutton</unittitle>
            <container type="box">1</container>
            <container type="folder">14</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1: Harriet Doerr</p>
            <p> Photograph number 2: Clarence Edward Dutton</p>
            <p> Photograph number 3: 1 page photocopy of letter sent to Wallace Stegner from Will Blythe, February 22, 1988, regarding the Harriet Doerr photograph</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Book Signing and other social events</unittitle>
            <container type="box">1</container>
            <container type="folder">15</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1-2: Wallace Stegner</p>
            <p> Photograph number 3-5: Mary and Wallace Stegner</p>
            <p> Photograph number 6: Wallace Stegner and ?</p>
            <p> Photograph number 7: AdLain Stevemov, Wallace Stegner in background</p>
            <p> Photograph number 8-10: Unidentified signing</p>
            <p> Photograph number 11-13: Unidentified color photos of events</p>
            <p> Photograph number 14: Wallace Stegner at home</p>
            <p> Photograph number 15-17: Unidentified color photos of events</p>
            <p> Photograph number 18-21: Wallace Stegner signing books</p>
            <p> Photograph number 22: John Marveer, Wallace Stegner, Sunnyvale Mayor, Yvonne Jacobson, December 8, 1984</p>
            <p> Photograph number 23-24: William Stegner at home</p>
            <p> Photograph number 25: Malcolm Cowley and Wallace Stegner</p>
            <p> Photograph number 26: Malcolm and Miriam Cowley with Wallace Stegner</p>
            <p> Photograph number 27-28: Wallace Stegner with unidentified persons</p>
            <p> Photograph number 29: Evereh Cooley, Wallace Stegner, Roger Hanson</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Illustrations From Books</unittitle>
            <container type="box">1</container>
            <container type="folder">16</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1: Kanab Canyon, The Red Wall Limestone, drawing by Thomas Moran from Beyond the Hundreth Meridian</p>
            <p> Photograph number 2: Cover for The Women on the Wall</p>
            <p> Photograph number 3: List of illustrations, Powell, dated July, 15, 1953</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Eastend, Saskatchewan Photographs</unittitle>
            <container type="box">1</container>
            <container type="folder">17</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1: Wallace Stegner House in Eastend</p>
            <p> Photograph number 2-6: Interior of Eastend House</p>
            <p> Photograph number 7: Denise Gebhardt's back (in plaid dress)</p>
            <p> Photograph number 8: Drawing of Eastend house by Denise Gebhardt</p>
            <p> Photograph number 9: Back to camera, Carol Labastard, me, Mary Millions (?), Jeannine Lebastard, Gail and Howard McConnell from Saskatoon (U of S)</p>
            <p> Photograph number 10: Anne Slade signing</p>
            <p> Photograph number 11: Jeannine Lebastard's painting of the Wallace Stegner house</p>
            <p> Photograph number 12: Display of Wallace Stegner books</p>
            <p> Photograph number 13: 2 pages photocopy, 1-Article about Eastend House from "Freelance," 2-letter to Wallace Stegner dated November 5, 1987 regarding the "Freelance" article</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Empire Cottage and Empire Mine, Colorado</unittitle>
            <container type="box">1</container>
            <container type="folder">18</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1-3: Exterior and grounds of Empire Cottage</p>
            <p> Photograph number 4-10: Interior of Empire Cottage</p>
            <p> Photograph number 11-16: Empire Mine</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Montana, Big Timber</unittitle>
            <container type="box">1</container>
            <container type="folder">19</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1: Indians on horseback</p>
            <p> Photograph number 2: Big Timber, Montana</p>
            <p> Photograph number 3-4: (Ranch)</p>
            <p> Photograph number 5: Yellowstone River and Crazey(?) Mountains, view from Big Timber</p>
            <p> Photograph number 6: Big Timber, Montana, scenery along the Northern Pacific Railroad</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Landscapes</unittitle>
            <container type="box">1</container>
            <container type="folder">20</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1: Pike's Peak from the Mesa, 1895, W.H. Jackson, photographer</p>
            <p> Photograph number 2: "All over broods a solemn silence"--sunset at O'Neill's Point, Grand Canyon, Arizona, copyright 1903 by Underwood and Underwood (stereograph)</p>
            <p> Photograph number 3: Ogden and Weber River, 1890, C.R. Savage, photographer</p>
            <p> Photograph number 4: Postcard of San Francisco from Red Rock Hill, 1972 to Mary Stegner</p>
            <p> Photograph number 5: Unidentified color photograph</p>
            <p> Photograph number 6: Big Falls, Snake River, Idaho, photograph by Hubert A. Lowman</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Josh Billings, Petroleum v. Nasby and Mark Twain</unittitle>
            <container type="box">1</container>
            <container type="folder">21</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1: Josh Billings, Nasby, Mark Twain</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Horace and Elizabeth Tabor</unittitle>
            <container type="box">2</container>
            <container type="folder">1</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1-3: Tabor headstones</p>
            <p> Photograph number 4: Tabor Home, Leadville, Colorado</p>
            <p> Photograph number 5: Baby Doe's (Elizabeth Tabor) cabin, Leadville, Colorado</p>
            <p> Photograph number 6: Letter to Wallace Stegner regarding the photographs in this folder, dated May 27, 1974</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Fan Mail from Beth Burns</unittitle>
            <container type="box">2</container>
            <container type="folder">2</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1: Road to a new life in the Far West 1960-1961</p>
            <p> Photograph number 2: "At the turn a battered liveoak"</p>
            <p> Photograph number 3: "The cottage was tucked back among the liveoaks at the head of a draw"</p>
            <p> Photograph number 4: Eden</p>
            <p> Photograph number 5: View from the Piazza toward the bridge</p>
            <p> Photograph number 6: The bridge, "Even on calm days it gave way alarmingly to a foot place on it"</p>
            <p> Photograph number 7: Letter to Wallace Stegner from Beth Burns explaining the photographs in this folder, dated May 2, 1974</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Earl and Lyn North</unittitle>
            <container type="box">2</container>
            <container type="folder">3</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1: Lyn and Earl, June 27, 1942</p>
            <p> Photograph number 2: Lyn, Earl, Pearl Koran, Glenn, June 27, 1942</p>
            <p> Photograph number 3: At New London, May 1942</p>
            <p> Photograph number 4: Letter to William and Mary Stegner from Earl North, dated December 29, 1943</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Aramco-"Dammam Number.12 File"-Fire</unittitle>
            <container type="box">2</container>
            <container type="folder">4</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1: About five minutes after start of fire, 1939</p>
            <p> Photograph number 2: About ten minutes after start of fire, Derrick starting to topple down wind</p>
            <p> Photograph number 3: Ten minutes after start of fire, Derrick is down</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Picking up Fresh Water from Submarine Spring</unittitle>
            <container type="box">2</container>
            <container type="folder">5</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1-4: Photos documenting the process of picking up fresh water from Submarine Spring</p>
            <p> Photograph number 5: 4 pages photocopy, explainations of the photographs</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Saudi Camp School-Al Kobar School</unittitle>
            <container type="box">2</container>
            <container type="folder">6</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1: Saudi Camp School-Intermediate Class</p>
            <p> Photograph number 2: Saudi Camp School-Advanced Class</p>
            <p> Photograph number 3: Saudi Camp School Building</p>
            <p> Photograph number 4-5: Saudi Camp School-Beginning Class in Session</p>
            <p> Photograph number 6: Al Khobar School-Primary Class</p>
            <p> Photograph number 7: Al Khobar School-Beginning Class</p>
            <p> Photograph number 8: Al Khobar School-Advanced Class</p>
            <p> Photograph number 9-10: Al Khobar School-Primary Class in Session</p>
            <p> Photograph number 11: Al Khobar School-All Classes</p>
            <p> Photograph number 12: Hijji Bin Jassim's Home-Al Khobar</p>
            <p> Photograph number 13: Mejlis, Hijji's home where first school was opened.</p>
            <p> Photograph number 14: Al Khobar School Building</p>
            <p> Photograph number 15: Al Khobar School-unidentified group</p>
            <p> Photograph number 16: Beginners Class</p>
            <p> Photograph number 17: Al Khobar School-unidentified group</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Aramco</unittitle>
            <container type="box">2</container>
            <container type="folder">7</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1: A stop at the bar South West of Dammam Camp</p>
            <p> Photograph number 2: The party at camp East at Riyadh, l-r: Lloyd Hamilton, Fred Davies, Max ThornBerg, Floyd Meeker, Max Steineke took the photo</p>
            <p> Photograph number 3: Petrified log in Nubian sandstone East at Ryadh</p>
            <p> Photograph number 4: Riyadh, l-r: Arab Guide, Floyd Meeker, Arab interpreter, Max ThornBerg, Lloyd Hamilton, Fred Davies, Arab Guide</p>
            <p> Photograph number 5: North Mejlis to Badia Palace, l-r: Floyd Meeker, Fred Davies, Lloyd Hamilton, Max ThornBerg, Max Steineke</p>
            <p> Photograph number 6: Tuwaig mountains near Hasiyan Pass</p>
            <p> Photograph number 7: Granite hills west at Duwadami</p>
            <p> Photograph number 8: Saudi Arab mining syndicate road between Joddah and Borka, edge of lava plateau</p>
            <p> Photograph number 9: Slump beds in Jurassic near Hith s.w. at Riyadh</p>
            <p> Photograph number 10: Dahl or cave in Jurassic at Hith near Khashm</p>
            <p> Photograph number 11: Confact between Aruma formation and Nubian sandstone</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Aramco-Jubail</unittitle>
            <container type="box">2</container>
            <container type="folder">8</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1: Typical pearl diving dhow near Jubail, April 1935</p>
            <p> Photograph number 2: Khalil (right) with his crew mending field tents in the entrance to the Jubail campground, May 1934</p>
            <p> Photograph number 3: Looking from inner space toward the front (and only) door, workman carrying empty food bowels from one of the field camp to be loaded and carried back by airplane, about April 1934</p>
            <p> Photograph number 4: View from the top of our campground sleeping quarters, looking north across the town of Jubail, April 1934</p>
            <p> Photograph number 5: ARAMCO's or CASOC's first Electric Power House Switchboard, 2-3,000 watt Kohler, 32 volt generators were the supply, April 1934</p>
            <p> Photograph number 6: CASOC's first air filter (the two cans stuffed with glass wool) and forced ventilation system. Supplying air to the dark room of the photo lab, April 1934</p>
            <p> Photograph number 7: Washing contact prints in the "Photo Lab," Ebrahim left, Abdulaziz right, now a weather contractor to Aramco at Dhahran, probably taken in May 1934</p>
            <p> Photograph number 8: "Photo Lab" boys washing contact prints, probably taken in May 1934</p>
            <p> Photograph number 9: "Photo Lab" contact prints of aero obliques. Note the fly spray gun, most important thing in the place, probable taken in November of 1934</p>
            <p> Photograph number 10: Water Distillation, water stills are inside the shed, upper tanks are raw water, lower tanks (3) are distilled water, about April 1934</p>
            <p> Photograph number 11: Fairchild 71 under construction at the Kreider-Reisoner plant at Hagerstown, Maryland, December 1933</p>
            <p> Photograph number 12: Airplane nearly completed, December 1933</p>
            <p> Photograph number 13: Charlie Rocheville warms up the engine for the first time in Hagarstown in December of 1933</p>
            <p> Photograph number 14: Rocheville and Kerr ferried plane to north-beach Flushing (now site of LaGuardia Airport)--folded the wings and delivered it to Merritt Chapman and Scott. This picture shows airplane ready to be place on barge, then transferred to after-deck of the American Export Lines, S.S. Exochorda to be carried to Alexandria. Plane was off-loaded at Alexandria, flown to Cairo, Gaza, Bagdad, Basrah, and Jubail</p>
            <p> Photograph number 15: A landing in the desert near the town of Nta (west of Jubail) April 1934. Rocheville, Burchfill and Henry leaning on the tail-group at left. Henry and Burchfill crew of man and soldiers take advantage of the shad of the wings (right)</p>
            <p> Photograph number 16-17: Used airplane engine being loaded on a Ford V-8 pickup about June 1935, to be returned to Pratt and Whitney Company at Hartford, Connecticut (via Qatif and Bahrain) for major overhaul. As far as I know, this box, A-1, was the first box of any kind to be "exported" by CASOC.</p>
            <p> Photograph number 18: Group at Jubail H.Q.--from left: Rocheville, Kerr, Hoover, April 1934</p>
            <p> Photograph number 19: Group at Jubail H.Q.--from left: Henry, Burchfill, Miller, Dreyfus</p>
            <p> Photograph number 20: Dining Room at Jubail about February 1934--from left: Burleight, Mountain, Koch, Brown, Dreyfus, Steineke (note the electric fan) 32 volts</p>
            <p> Photograph number 21: Group at Jubail H.Q.--from left: Koch, Brown, Henry, April 1934</p>
            <p> Photograph number 22: Typical Pearl Diver off Jubail, April 1935</p>
            <p> Photograph number 23: Group in Ameer of Jubail Mejlis--from left: Koch, Gerow, Miller, Mountain, Steineke, March 1935</p>
            <p> Photograph number 24: Henry (center) and Hoover (left) preparing to leave Jubail with their field party on move down Jebel Dhahran to make the detailed geological survey of Dammam Dome</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Aramco-Jeddah</unittitle>
            <container type="box">2</container>
            <container type="folder">9</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1: l-r: Tom Kooh, J.W. Hoover, Kerr, Bert Miller, Hugh Burchfill, S.B. Henry, Felix Dryfus, Charles Rocheville, Allen White, Art Brown</p>
            <p> Photograph number 2: Beit Aramco (office building to left)</p>
            <p> Photograph number 3-4: Unidentified</p>
            <p> Photograph number 5-6: Street scene-Old Jeddah</p>
            <p> Photograph number 7: Pilgrims coming ashore by dhow-Jeddah</p>
            <p> Photograph number 8: unidentified</p>
            <p> Photograph number 9: Pilgrims boarding bus for Mecca</p>
            <p> Photograph number 10: Haji Yusuf Zainal Alireza and Garry Owen--Haji Yusuf's garden, Taif</p>
            <p> Photograph number 11: guard</p>
            <p> Photograph number 12-14: Aerials, October 1954</p>
            <p> Photograph number 15: Jeddah, Saudi Arabia, Red Sea port of entry, 1954</p>
            <p> Photograph number 16: City of Jeddah, Saudi Arabia, 1946</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Miscellaneous</unittitle>
            <container type="box">2</container>
            <container type="folder">10</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1: Group in mountains</p>
            <p> Photograph number 2: Group near pond</p>
            <p> Photograph number 3: Historic San Antonio Mission</p>
            <p> Photograph number 4: "Goin' to Town"</p>
            <p> Photograph number 5: House in Idaho</p>
            <p> Photograph number 6: Monument, unidentified</p>
            <p> Photograph number 7: Grassy field, trees</p>
            <p> Photograph number 8: Harry McClintook(?)</p>
            <p> Photograph number 9-10: Evelyn and Elmer Shore, May 28, 1953</p>
            <p> Photograph number 11: Pleasantville, New York, Presbyterian Church, August 7, 1942</p>
            <p> Photograph number 12: Tom, midshipman</p>
            <p> Photograph number 13: Unidentified</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Miscellaneous</unittitle>
            <container type="box">2</container>
            <container type="folder">11</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1-11: Unidentified, negatives available</p>
            <p> Photograph number 12-17: Landscapes</p>
            <p> Photograph number 18-20: Dogs</p>
            <p> Photograph number 21-24: Travel photographs, Stegner is in two of these photographs</p>
            <p> Photograph number 25: Lizard</p>
            <p> Photograph number 26: Cat</p>
            <p> Photograph number 27: Street sign, Lawrence Forest Road</p>
            <p> Photograph number 28: Man with a large book</p>
            <p> Photograph number 29: House, unidentified</p>
            <p> Photograph number 30: Christmas card</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Duplicates</unittitle>
            <container type="box">2</container>
            <container type="folder">12</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1-13: Duplicates, portraits of Wallace Stegner</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Contact Prints from 35mm black and whitenegatives/Miscellaneous</unittitle>
            <container type="box">2</container>
            <container type="folder">13</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 265-312: Egypt</p>
            <p> Photograph number 313-348: Europe/Miscellaneous</p>
            <p> Photograph number 349-378: Europe/Miscellaneous</p>
            <p> Photograph number 379-422: Asia/Miscellaneous</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Photocopies of images in collection</unittitle>
            <container type="box">2</container>
            <container type="folder">14</container>
          </did>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Photocopies of images in collection, with correspondence and captions</unittitle>
            <container type="box">2</container>
            <container type="folder">15</container>
          </did>
        </c02>
      </c01>
      <c01 level="series">
        <did>
          <unittitle encodinganalog="245$a">Slides and negatives</unittitle>
        </did>
        <c02 level="file">
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            <unittitle encodinganalog="245$a">Nara, Sumo, Mikimoto, Kamakura, Kyoto</unittitle>
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            <container type="folder">1</container>
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            <p>Photograph number 1-9: Nara</p>
            <p> Photograph number 10-12: Nara?</p>
            <p> Photograph number 13: Between Kyoto and Nara</p>
            <p> Photograph number 14: Near Sumo Arena</p>
            <p> Photograph number 15-16: Sumo</p>
            <p> Photograph number 17-19: Mikimoto</p>
            <p> Photograph number 20: Mikimoto Pearl Farm</p>
            <p> Photograph number 21-24: Kamakura</p>
            <p> Photograph number 25: Unidentified</p>
            <p> Photograph number 26: Kyoto, Miyako Hotel, 1951</p>
            <p> Photograph number 27: Heian Shrine, Kyoto</p>
            <p> Photograph number 28: Imperial Palace, Kyoto</p>
            <p> Photograph number 29-40: Kyoto</p>
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        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Kyoto, Nikko, Ise, Tokyo, Manila sunsets</unittitle>
            <container type="box">3</container>
            <container type="folder">2</container>
          </did>
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            <p>Photograph number 1-5: Kyoto?</p>
            <p> Photograph number 6-21: Nikko, 1951?</p>
            <p> Photograph number 22-23: Ise</p>
            <p> Photograph number 24-27: Kyoto</p>
            <p> Photograph number 28-30: Tokyo National Museum</p>
            <p> Photograph number 31: Manila</p>
            <p> Photograph number 32-39: Sunset at 20,000 feet</p>
            <p> Photograph number 40: Manila</p>
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        <c02 level="file">
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            <unittitle encodinganalog="245$a">Manila, Darjeeling, Hyderbad, Agra</unittitle>
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            <p>Photograph number 1-9: Manila</p>
            <p> Photograph number 10-14: Manila?</p>
            <p> Photograph number 15-16: Darjeeling</p>
            <p> Photograph number 17: On way to Darjeeling</p>
            <p> Photograph number 18-30: Darjeeling</p>
            <p> Photograph number 31-37: Hyderbad</p>
            <p> Photograph number 38-39: Agra</p>
            <p> Photograph number 40: Road to Golconda</p>
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        <c02 level="file">
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            <unittitle encodinganalog="245$a">Road to Golconda, Mogul Tombs, Osmania University, Egyptian Village, Egyptian Temples, Karnak, Dinkelsbuhl, Rothenburg, Goslar-Harz</unittitle>
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            <container type="folder">4</container>
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            <p>Photograph number 1-2: Road to Golconda</p>
            <p> Photograph number 3: Mogul Tombs</p>
            <p> Photograph number 4: Osmania University</p>
            <p> Photograph number 5: Fatepur Sikri</p>
            <p> Photograph number 6-7: Nizam's Guest House</p>
            <p> Photograph number 8-17: Egyptian Village</p>
            <p> Photograph number 18: Valley of the Kings</p>
            <p> Photograph number 19: Temple of Karnak</p>
            <p> Photograph number 20-22: Karnak</p>
            <p> Photograph number 23-24: Temple of Ramses III</p>
            <p> Photograph number 25-26: Road to Tombs</p>
            <p> Photograph number 27-30: Dinkelsbuhl, Germany</p>
            <p> Photograph number 31-38: Rothenburg, Germany</p>
            <p> Photograph number 39: Rathaus/Goslar-Harz, Germany</p>
            <p> Photograph number 40: Goslar-Harz, Germany</p>
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          <did>
            <unittitle encodinganalog="245$a">Goslar-Harz, Saxony, Franker, New Mexico, Miscellaneous</unittitle>
            <unitdate calendar="gregorian" era="ce">1951</unitdate>
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            <container type="folder">5</container>
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            <p>Photograph number 1-2: Goslar-Harz, Germany</p>
            <p> Photograph number 3-5: Saxony</p>
            <p> Photograph number 6: Franken</p>
            <p> Photograph number 7-21: New Mexico(?)</p>
            <p> Photograph number 22-40: Somewhere in the Pacific, 1951</p>
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            <unittitle encodinganalog="245$a">Miscellaneous</unittitle>
            <unitdate calendar="gregorian" era="ce">1951-1953</unitdate>
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            <container type="folder">6</container>
          </did>
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            <p>Photograph number 1-9: Somewhere in the Pacific, 1951</p>
            <p> Photograph number 10-18: Orient, 1951</p>
            <p> Photograph number 19-22: 1952</p>
            <p> Photograph number 23-40: 1953</p>
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            <unittitle encodinganalog="245$a">Miscellaneous, France</unittitle>
            <unitdate calendar="gregorian" era="ce">1953-1954</unitdate>
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            <container type="folder">7</container>
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            <p>Photograph number 1: 1953</p>
            <p> Photograph number 2-15: 1954</p>
            <p> Photograph number 16-37: 1954, Europe</p>
            <p> Photograph number 38-40: France(?)</p>
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            <unittitle encodinganalog="245$a">France, Miscellaneous/unidentified</unittitle>
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            <p>Photograph number 1-14: France(?)</p>
            <p> Photograph number 15-26: Unidentified</p>
            <p> Photograph number 27: Semiramis Hotel</p>
            <p> Photograph number 28-42: Unidentified</p>
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            <unittitle encodinganalog="245$a">Miscellaneous Travel</unittitle>
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            <container type="folder">9</container>
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          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1-92: Unidentified</p>
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            <container type="folder">10</container>
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            <p>Photograph number 1-6: Paris</p>
            <p> Photograph number 7-10: Scotland and Oxford</p>
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            <unittitle encodinganalog="245$a">Miscellaneous Travel</unittitle>
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            <container type="folder">11</container>
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            <p>Photograph number 1-34: Unidentified</p>
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            <unittitle encodinganalog="245$a">Miscellaneous Travel</unittitle>
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            <container type="folder">12</container>
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            <p>Photograph number 1-34: Unidentified</p>
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            <unittitle encodinganalog="245$a">Garmisch, Gardone, Rodeo at Hallister Ranch</unittitle>
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            <container type="folder">13</container>
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            <p>Photograph number 1-35: Garmisch and Gardone</p>
            <p> Photograph number 36-71: Rodeo at Hallister Ranch</p>
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            <unittitle encodinganalog="245$a">Bangkok, Jaipur, Miscellaneous Travel</unittitle>
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            <container type="folder">14</container>
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            <p>Photograph number 1-10: Unidentified/travel</p>
            <p> Photograph number 11-25: Bangkok</p>
            <p> Photograph number 26-60: Jaipur</p>
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            <unittitle encodinganalog="245$a">Egypt, Italy, Miscellaneous Travel</unittitle>
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            <container type="folder">15</container>
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            <p>Photograph number 1-30: Unidentified/travel</p>
            <p> Photograph number 31-57: Egypt(?)</p>
            <p> Photograph number 58-85: Italy(?)</p>
            <p> Photograph number 86-110: Unidentified/travel</p>
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            <unittitle encodinganalog="245$a">Miscellaneous</unittitle>
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            <container type="folder">16</container>
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            <p>Photograph number 1-12: Unidentified (contact prints available)</p>
            <p> Photograph number 13-20: Unidentified</p>
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            <unittitle encodinganalog="245$a">Bernard DeVoto negatives</unittitle>
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            <p>Photograph number This folder contains negatives from Fd 9 images n1:9:1, n1:9:2, n1:9:7, n1:9:8 in this collection</p>
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            <unittitle encodinganalog="245$a">From "Adventures with Trinket" Published in Women's Day 1950, pp. 50-51, 153-156</unittitle>
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            <unittitle encodinganalog="245$a">Smithsonian Institution Reproduction Print "The Mirror Case" Major Powell and Yan-mo J.K. Hillers, 1873 or 1874</unittitle>
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            <container type="folder">8</container>
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            <unittitle encodinganalog="245$a">Miscellaneous</unittitle>
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            <container type="folder">9</container>
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            <container type="folder">13</container>
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            <container type="folder">14</container>
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            <container type="folder">15</container>
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            <unittitle encodinganalog="245$a">U.S. Geological Survey Reproduction Print - J.K. Hiller: No. 61</unittitle>
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            <container type="folder">16</container>
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            <unittitle encodinganalog="245$a">Mary's Grandmother? 1908</unittitle>
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            <unittitle encodinganalog="245$a">Wally Stegner (1)</unittitle>
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            <unittitle encodinganalog="245$a">Wally Stegner (2)</unittitle>
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        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Eastend, Canada - Stegner</unittitle>
            <container type="box">10</container>
            <container type="folder">1</container>
          </did>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Wallace Stegner - Memorial/Funeral Service</unittitle>
            <container type="box">10</container>
            <container type="folder">2</container>
          </did>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Los Altos Hills Home</unittitle>
            <container type="box">10</container>
            <container type="folder">3</container>
          </did>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Stegner Friends - Group Photos</unittitle>
            <container type="box">10</container>
            <container type="folder">4</container>
          </did>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Wallace Stegners's house in Palo Alto, California.</unittitle>
            <container type="box">10</container>
            <container type="folder">5</container>
          </did>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Saskatchewan</unittitle>
            <container type="box">10</container>
            <container type="folder">6</container>
          </did>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">Album</unittitle>
            <container type="box">11</container>
            <container type="folder">1</container>
          </did>
        </c02>
      </c01>
      <c01 level="series">
        <did>
          <unittitle encodinganalog="245$a">Wallace Stegner travels</unittitle>
        </did>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">2 1/4x2 1/4 color slides</unittitle>
            <container type="box">12</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1-8: Santineketan Villiage</p>
            <p> Photograph number 9: Santineketan, interior temple</p>
            <p> Photograph number 10: Santineketan, temple</p>
            <p> Photograph number 11-13: Santineketan</p>
            <p> Photograph number 14-27: Yosemite National Park</p>
            <p> Photograph number 28-47: Grand Canyon</p>
            <p> Photograph number 48: Grand Canyon, Navajo</p>
            <p> Photograph number 49-50: Wallace Stegner</p>
            <p> Photograph number 51: Wallace and Mary Stegner</p>
            <p> Photograph number 52-58: Mary Stegner</p>
            <p> Photograph number 59: Mary and Page Stegner at home</p>
            <p> Photograph number 60: Mary and Page Stegner in a carriage</p>
            <p> Photograph number 61: Mary and Page Stegner</p>
            <p> Photograph number 62: Mary and Page Stegner, backs toward camera</p>
            <p> Photograph number 63: Page Stegner</p>
            <p> Photograph number 64-65: Page Stegner at home</p>
            <p> Photograph number 66: Page Stegner on a boat</p>
            <p> Photograph number 67: Page Stegner in a canoe</p>
            <p> Photograph number 68: Page Stegner</p>
            <p> Photograph number 69-71: Page Stegner (?) fishing</p>
            <p> Photograph number 72: Two boys, Page Stegner (?)</p>
            <p> Photograph number 73: Unidentified man</p>
            <p> Photograph number 74-75: Three people, unidentified</p>
            <p> Photograph number 76: Unidentified man in a snowy forest</p>
            <p> Photograph number 77-83: Stegner home (?)</p>
            <p> Photograph number 84-87: Unidentified people</p>
            <p> Photograph number 88-90: Greece (?) ancient temple ruins</p>
            <p> Photograph number 91: Greece (?) ancient city</p>
            <p> Photograph number 92-94: Greece (?) reconstruction</p>
            <p> Photograph number 95: Greece (?) ancient city</p>
            <p> Photograph number 96-98: Greece (?) columns</p>
            <p> Photograph number 99: Greece (?) ancient building, Mary Stegner in foreground</p>
            <p> Photograph number 100: Greece (?) ancient temple ruins</p>
          </scopecontent>
        </c02>
        <c02 level="file">
          <did>
            <unittitle encodinganalog="245$a">2 1/4x2 1/4 color slides</unittitle>
            <container type="box">13</container>
          </did>
          <scopecontent encodinganalog="5202_">
            <p>Photograph number 1: Greece (?) ancient ruins</p>
            <p> Photograph number 2-6: Greece (?) columns</p>
            <p> Photograph number 7: Greece (?) ruins, out of focus</p>
            <p> Photograph number 8-10: Children</p>
            <p> Photograph number 11-14: Greece (?)</p>
            <p> Photograph number 15-16: Greece (?) modern city</p>
            <p> Photograph number 17: Greece (?) landscape</p>
            <p> Photograph number 18-19: Landscape</p>
            <p> Photograph number 20-22: Seascape</p>
            <p> Photograph number 23-24: Ancient chapel</p>
            <p> Photograph number 25: Greece (?) animals</p>
            <p> Photograph number 26: Greece (?) horse, wagon, hill in background</p>
            <p> Photograph number 27: Building</p>
            <p> Photograph number 28: Child near a column, over exposed</p>
            <p> Photograph number 29: Train tracks</p>
            <p> Photograph number 30: India (?)</p>
            <p> Photograph number 31: India (?) building on the water</p>
            <p> Photograph number 32: India/Asia (?) chapel</p>
            <p> Photograph number 33: India/Asia (?)</p>
            <p> Photograph number 34-35: India(?) road</p>
            <p> Photograph number 36: Asia (?)</p>
            <p> Photograph number 37: Asia (?) roof tops</p>
            <p> Photograph number 38: India (?) children</p>
            <p> Photograph number 39-40: India (?) elephant, Page Stegner (?)</p>
            <p> Photograph number 41: India (?) palace</p>
            <p> Photograph number 42-43: England (?) bridge</p>
            <p> Photograph number 44: England (?) river</p>
            <p> Photograph number 45-46: England (?) castle</p>
            <p> Photograph number 47: England (?) river</p>
            <p> Photograph number 48: Italy</p>
            <p> Photograph number 49: Landscape, forest</p>
            <p> Photograph number 50-51: Landscape, river, mountains</p>
            <p> Photograph number 52-53: Landscape, river, rocks</p>
            <p> Photograph number 54: Landscape, river</p>
            <p> Photograph number 55: River</p>
            <p> Photograph number 56: River boat</p>
            <p> Photograph number 57: Two guards</p>
            <p> Photograph number 58: Stegner home (?)</p>
            <p> Photograph number 59-66: American West, buffalo</p>
            <p> Photograph number 67: American West, plains</p>
            <p> Photograph number 68-73: Seascape</p>
            <p> Photograph number 74: Desert</p>
            <p> Photograph number 75: Desert, animal skeleton</p>
            <p> Photograph number 76: Seascape</p>
            <p> Photograph number 77: Plaque "In memoriam, U.J. Wenner, Kate Wenner Noble</p>
            <p> Photograph number 78: Rock</p>
            <p> Photograph number 79: Adobe dwelling</p>
            <p> Photograph number 80: Railway</p>
            <p> Photograph number 81-82: Railroad worker</p>
            <p> Photograph number 83: Ship</p>
            <p> Photograph number 84-85: Islands</p>
            <p> Photograph number 86-89: Railway</p>
            <p> Photograph number 90-91: Railway, Southern Pacific train</p>
            <p> Photograph number 92-93: Forest</p>
            <p> Photograph number 94-95: Park</p>
            <p> Photograph number 96: Covered bridge</p>
            <p> Photograph number 97: Church</p>
            <p> Photograph number 98-99: Unidentified building</p>
          </scopecontent>
        </c02>
      </c01>
    </dsc>
  </archdesc>
</ead>

