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<ead><eadheader langencoding="iso639-2b" scriptencoding="iso15924" relatedencoding="dc" repositoryencoding="iso15511" countryencoding="iso3166-1" dateencoding="iso8601" id="a0"><eadid countrycode="us" mainagencycode="wauar" encodinganalog="identifier" url="http://archiveswest.orbiscascade.org/ark:/80444/xv21237" identifier="80444/xv21237">WAUAliesanJodyPH2015_027.xml</eadid><filedesc><titlestmt><titleproper>Guide to the Jody Aliesan Photograph Collection <date encodinganalog="date" era="ce"> circa
		  1950s-2000s</date></titleproper><titleproper type="filing" altrender="nodisplay">Aliesan (Jody)
			 Photograph Collection</titleproper></titlestmt><publicationstmt><publisher encodinganalog="publisher">Special Collections, University of Washington Libraries</publisher><date normal="2015" encodinganalog="date">© 2015 (Last modified: 11/27/2017)</date><address><addressline>Seattle, WA 98195</addressline></address></publicationstmt></filedesc></eadheader><archdesc level="collection" type="inventory" relatedencoding="marc21"><did><repository><corpname>University of Washington Libraries, Special Collections</corpname></repository><unitid countrycode="us" repositorycode="wauar">PH2015-027</unitid><origination><persname role="creator" authfilenumber="260758">Aliesan, Jody</persname></origination><unittitle encodinganalog="245$a" type="collection">Jody Aliesan
		  Photograph Collection</unittitle><unitdate type="inclusive" encodinganalog="245$f" calendar="gregorian" era="ce" normal="1950/2009" certainty="approximate"> circa
		  1950s-2000s</unitdate><physdesc><extent>.88 cubic feet (3 boxes)</extent></physdesc><langmaterial>Collection materials are in 
		<language langcode="eng" scriptcode="latn" encodinganalog="546">English</language>.</langmaterial><abstract encodinganalog="5203_$a">Jody Aliesen
		  photographs, slides, negatives and personal correspondence</abstract></did><bioghist encodinganalog="5450_" id="ARN260758" altrender="sync"><p>Jody Aliesan, born JoAnne Armstrong in 1943, was a poet, writer, and
		  activist in the Pacific Northwest from 1970 until her death in 2012. She
		  published eleven books of poetry and countless poems in regional, national, and
		  international publications. Aliesan was active in numerous political and social
		  movements, including the Civil Rights movement of the 1960s, the second wave
		  feminist movement in the 1970s, and the peace movement from the 1960s to the
		  2000s. She was an active supporter of equal rights for all and advocated for
		  environmental preservation and sustainability, both in the Pacific Northwest
		  and on a global scale. </p><p>Born in Missouri, as a youth Aliesan moved with her family to Kansas,
		  Texas, and El Segundo, California, where she completed high school. While in
		  high school, she studied as an American Field Service exchange student in
		  Flensburg, Germany. Following her graduation from El Segundo High School in
		  1961, she attended Occidental College in Los Angeles where she received a
		  Bachelor’s degree in English and Comparative Literary Studies in 1965. While at
		  Occidental, she returned to Germany through an International Fellowship to the
		  North Frisian Islands in 1964. After completing her Master’s Degree in English
		  and American Literature from Brandeis University in Waltham, Massachusetts in
		  1968, she moved to Alabama, where she spent a year teaching at Miles College.
		  After short forays to Washington, D.C. and Chicago to work for the Vietnam
		  Moratorium Committee, Aliesan moved to Seattle in 1970. </p><p>In Seattle, Aliesan became involved with the Associated Students of
		  the University of Washington (ASUW) Women’s Commission and the Young Women’s
		  Christian Association of the University of Washington (UW YWCA). In her words,
		  she and other ”early second-wave feminists took over the UW YWCA and turned it
		  into a women’s center, where a number of organizations got their start -- like
		  the Lesbian Resource Center, Rape Relief, and Aradia Clinic.” Aliesan’s
		  official role at ASUW was as a writer and researcher, but she considered
		  herself “an outside agitator.” She wrote two reports for that organization (“A
		  Report on the status of women at the University of Washington”) -- one focusing
		  on faculty and staff, the other on students -- that resulted in a class action
		  suit and breakthrough changes for women at the university. In 1971, Aliesan was
		  appointed to Seattle’s first Women’s Commission, from which she resigned after
		  a year of discord and controversy among the commission. Aliesan also served as
		  a consultant for the University of Washington Office of Equal Opportunity. </p><p>Aliesan’s first decade in Seattle was a time of enormous personal
		  growth. She changed her last name to Aliesan, an Old English word meaning
		  “free.” She released an album of original songs titled “You’ll Be Hearing More
		  From Me” in 1972 and gave musical performances from time to time, although she
		  did not consider herself a musician. She decided to find work that allowed her
		  more time to devote to her poetry, and consequently began working for Puget
		  Consumers Co-op (PCC), an organization with which she was associated for the
		  next three decades. In 1977 and 1978, Aliesan was able to devote all of her
		  working time to her writing as a result of a National Endowment for the Arts
		  literary fellowship, a King County Arts Commission Work-in-Progress grant, and
		  the Snohomish County Poetry in the Cities award.</p><p>In 1978, Aliesan was a member of the steering committee for the
		  Citizens to Retain Fair Employment, an organization formed to defeat Initiative
		  13 which would have allowed employers in Seattle to discriminate on the basis
		  of sexual orientation. In 1979, Aliesan was awarded a grant by the U.S.
		  Department of Energy to educate the public in environmental sustainability and
		  conservation techniques. This project, dubbed Urban Homestead, entailed Aliesan
		  hosting four public open houses at her home and writing a regular column in the
		  Seattle Times about her techniques and environmental ethos. </p><p>During the 1980s, Aliesan purchased a plot of land on Waldron Island,
		  a remote, rustic location in the San Juan Islands that has no commercial
		  businesses, public utilities, or paved roads. She designed and built a cabin on
		  the land, using it as a writing retreat, and was welcomed into the small,
		  reclusive community. She was active in the fight to curtail logging on the
		  island and to preserve the land as part of the San Juan Preservation Trust.
		  </p><p>In 1984, during her tenure at the University of Washington Continuing
		  Education department, she worked as the Coordinator for the Braille Project,
		  which used new software to convert conventional text into Grade II Braille. A
		  Braille version of one of Aliesan’s books, Desire, is included in this
		  collection. She also taught continuing education classes on poetry and writing,
		  as well as poetry workshops, during this period. </p><p>In 1999, Aliesan co-founded the PCC Farmland Fund (now the PCC
		  Farmland Trust), a nonprofit group that works to save threatened Washington
		  farmland. She served as President of the Fund from 1999 until 2005, when she
		  emigrated to Canada. Her decision to emigrate came after the onset of the 2003
		  Iraq War, and she was able to attain full Canadian citizenship before her death
		  in 2012. </p><p>Although she had many interests, causes, and places of employment,
		  Aliesan’s focus was always her writing. From 1975 to 2006, Aliesan published
		  eleven books of poetry with local independent presses. Countless poems of
		  Aliesan’s were accepted for publication in local, national, and international
		  journals and magazines. She also wrote a large nonfiction historical manuscript
		  on the Great Irish Famine, which was not published in her lifetime. Her papers
		  also include many files devoted to research for future projects, clippings she
		  found interesting, and jotted ideas for poems on scraps of paper. These files,
		  along with the drafts that show how she developed a poem over time, provide the
		  researcher with a complete sense of Aliesan’s creative process. </p><p>Aliesan was unmarried at the end of her life, and never had children.
		  Her legacy is defined by her poems and writing, her activism and advocacy for
		  numerous political and social causes, her fight to save farmland and natural
		  preserves in the Pacific Northwest, and her close personal relationships with
		  friends and family.</p></bioghist><scopecontent><p>Photographs relating to Jody Aliesan and her work including poetry
		  workshops, music and the cabin she designed and built on Waldron Island.</p></scopecontent><accessrestrict><p>No restrictions on access.</p><p><extref href="https://uw.aeon.atlas-sys.com/logon/?Action=10&amp;Form=31&amp;Value=https://archiveswest.orbiscascade.org/ark:80444/xv21237/xml" role="text/html" actuate="onrequest" show="new" id="aeon">Request at UW</extref></p></accessrestrict><userestrict><p>Status of creator's copyrights is unknown for much of the collection;
		  restrictions may exist on copying, quotation, or publication. Users are
		  responsible for researching copyright status before use. Contact University of
		  Washington Libraries Special Collections for details. </p></userestrict><acqinfo><p>Original source/dates received: Jody Aliesan, Seattle June 18, 1974;
		  Jody Aliesan via Alicia Hokanson, 2012</p></acqinfo><separatedmaterial><head>Material Described Separately:</head><p> <extref show="new" actuate="onrequest" href="http://digital.lib.washington.edu/findingaids/view?docId=AliesanJody2272.xml">Jody Aliesan Papers (Mss 2272-001)
			 </extref> </p></separatedmaterial><controlaccess id="a12"><subject source="uwsc">Visual Materials Collections (University of Washington)</subject><subject source="archiveswest" altrender="nodisplay" encodinganalog="690">Photographs</subject><genreform source="lcsh" encodinganalog="655">Photographic prints</genreform></controlaccess><dsc type="combined" id="a23"><p> </p><c01 level="series"><did><unittitle>Photographs</unittitle><physdesc><extent/></physdesc></did><scopecontent><p/></scopecontent><c02 level="item"><did><container type="box-folder">1/1</container><unittitle type="itemphoto">Wren House Photo Album</unittitle><unitdate type="inclusive" calendar="gregorian" era="ce">circa
				  2003</unitdate></did></c02><c02 level="item"><did><container type="box-folder">1/2</container><unittitle type="itemphoto">Photos</unittitle><unitdate type="inclusive" calendar="gregorian" era="ce">circa
				  1971-1998</unitdate></did><scopecontent><p>Mostly portraits of Aliesan</p></scopecontent></c02><c02 level="item"><did><container type="box-folder">1/3</container><unittitle type="itemphoto">Germany</unittitle><unitdate type="inclusive" calendar="gregorian" era="ce">undated</unitdate></did></c02><c02 level="item"><did><container type="box-folder">1/4</container><unittitle type="itemphoto">Correspondence containing photos,
				  O'Craig</unittitle><unitdate type="inclusive" calendar="gregorian" era="ce">1996-1997</unitdate></did></c02><c02 level="item"><did><container type="box-folder">1/5</container><unittitle type="itemphoto">Photos from correspondence</unittitle><unitdate type="inclusive" calendar="gregorian" era="ce">1994-1997</unitdate></did></c02><c02 level="item"><did><container type="box-folder">1/6</container><unittitle type="itemphoto">Waldron House</unittitle><unitdate type="inclusive" calendar="gregorian" era="ce">undated</unitdate></did></c02><c02 level="item"><did><container type="box-folder">1/7</container><unittitle type="itemphoto">Photos</unittitle><unitdate type="inclusive" calendar="gregorian" era="ce">1971-2003</unitdate></did></c02><c02 level="item"><did><container type="box-folder">1/8-9</container><unittitle type="itemphoto">Photos enclosed with correspondence,
				  personal Bodeen, Jim</unittitle><unitdate type="inclusive" calendar="gregorian" era="ce">1998-2001</unitdate></did></c02><c02 level="item"><did><container type="box-folder">1/9</container><unittitle type="itemphoto">Teaching, High School Poetry Workshop,
				  Yakima, WA.</unittitle><unitdate type="inclusive" calendar="gregorian" era="ce">circa
				  2000</unitdate></did></c02><c02 level="file"><did><container type="box">2</container><unittitle>Photographs</unittitle><physdesc><extent/></physdesc></did><scopecontent><p>Subjects include different residences, travel photos,
				  construction of cabin and other loose assorted</p></scopecontent></c02></c01><c01 level="series"><did><unittitle>Slides and Negatives</unittitle><physdesc><extent/></physdesc></did><c02 level="item"><did><container type="box">3</container><unittitle type="itemphoto">Slides and negatives</unittitle></did><scopecontent><p> Subjects include North Frisian Islands, Sierras, Ireland,
				  tattoo and other assorted</p></scopecontent></c02></c01></dsc></archdesc></ead>

