The Ashland Film Festival programs produced for 2001. The programs list films and directors in alphabetical order, as well as movie showtimes and a brief talk with the director regarding their film.

The materials are forms of advertisement promoting the 2001 Ashland Film Festival. Included are programs, posters, a front-page headline from the Mail Tribune, and multiple copies of the Daily Variety where an ad appears.

The materials deal mainly with instructions for staff and volunteers as well as to-do lists but also includes a membership brochure, interview questions for Taos, an email written from John Lee to the festival staff, and a price list for items sold at the event.

The miscellaneous realia from the 2001 Ashland Independent Film festival includes tickets, tattoos, and stickers. Also, a floppy disc containing an OSF ad for the AIFF, as well as a DVD of photos taken by Rob Werfel.

Three medium T-Shirts from the Ashland Independent Film Festival.

The materials include various promotional posters for the first annual Ashland Independent Film Festival, including one that lists the names of all the movies, one that has the cover art of the program, and various others.

The Ashland Film Festival programs produced for 2003. The programs list films and directors in alphabetical order, as well as movie showtimes and a brief talk with the director regarding their film.

The advertisement brochures describe the festival and provide a list of events. Also included is a schedule for those attending the events.

The materials include membership brochures and a screenplay for the film "Ashland Mourning" by Micheal Beubis.

The miscellaneous realia from the 2003 Ashland Independent Film festival includes various tickets, tattoos, stickers, and multiple passes. Also, a CD of an AIFF cover titled "The Bounty" by Debbie Lorray.

The various AIFF realia include a water bottle, a tote bag, a baseball cap, and four t-shirts - three black and one red.

The materials include promotional posters for the 2003 AIFF, including one that gives a brief schedule of the festival and four that have that year's program cover art. Also included is a movie poster for the film Heart of the Sea by Lisa Denker and Charlotte Lagarde.

The Ashland Film Festival programs produced for 2004. The programs list films and directors in alphabetical order, as well as movie showtimes and a brief talk with the director regarding their film.

The advertisement pamphlets list the movies and events with an itinerary. Also included is an anonymous 30-second survey of people attending the event.

The the various passes people can receive for the event, including staff, volunteer, VIP, and more. Also included is a printout of the comments from the 30-second surveys for 2004.

The miscellaneous realia from the 2004 Ashland Independent Film festival includes various tickets, tattoos, stickers, and multiple passes and badges.

The miscellaneous realia from the 2004 Ashland Independent Film festival include a baseball cap and several t-shirts. One t-shirt is black, one white, and one created for the Film "Bubba Ho-Tep." Also included are various photographs of the festival along with pictures from an Oscar Party hosted at Hong Kong Bar in downtown Ashland. There are also DVDs showing some of the films that won awards, such as Best Acting Ensemble, Best Independent Film, and Best Environmental Film, as well as various other short videos.

The materials include promotional posters for the 2004 AIFF, including one that gives a brief description of the festival and four signs with that year's program cover art on it. Also included is a movie poster for the film Bubba Ho-Tep by Don Coscarelli, featuring Bruce Campbell, and a poster for the film What The #$*! Do We Know by William Arntz, Betsy Chasse, and Mark Vicente. There is also a foamboard poster with a plastic cover signed by the filmmakers.

The Ashland Film Festival programs produced for 2005. The programs list films and directors in alphabetical order, as well as movie showtimes and a brief talk with the director regarding their film.

The materials are forms of advertisement promoting the 2005 Ashland Film Festival. Included are info cards, brochures, various copies of the official Ashland Film Festival newspaper, a copy of Jefferson Monthly, which features an article about the Film festival, and a copy of Ashland Magazine with a story on the AIFF.

The materials include a mostly blank booklet titled "Savor the Rouge" which lists various pairings of alcoholic beverages, cheeses, and meats, and a list of 2005 award winners under different categories including, Best Feature, Best Student Film, Best Cinematography, Audience Award, and many others.

The materials include various forms of realia, such as stickers, passes, and tickets. Also included are multiple pictures of people setting up the event and organizing it as well as pictures of those attending the event outside the Varsity theater. There are also three DVDs labeled "Preshow Trailer- Innovator Studios", and a PIlaf/Global Pantry menu for the "Galla Academy Awards Party."

The materials are different forms of realia from the 2005 AIFF, including two different t-shirts and a tote bag sponsored by Gateway Real Estate.

The materials include promotional posters for the 2005 AIFF, including one that gives a brief description of the festival, four with that year's program cover art on it, a few that are signed by the filmmakers, and one that also lists the donors that helped the festival. Also included are various posters for some of the films, including Laundry and Tosca by Lauralee Farrer, The Conscientious Objector by Terry L. Benedict, Candy Viola (Viola Fondente) by Fabio Simonelli, and many others.

The Ashland Film Festival programs produced for 2006. The programs list films and directors in alphabetical order, as well as movie showtimes and a brief talk with the director regarding their film.

The materials include different forms of advertisement for the 2006 AIFF including brochures that have a list of the films, their showtimes, and locations, posters calling for film entries, an ad taken from an issue of Jefferson Monthly, copies of the official AIFF newspaper, two copies of Southern Oregon Heritage Today that feature an article about the festival, and a copy of the Elderhostel Programs where a brief description of the festival appears.

The materials include an opening night bash program detailing the Savor the Rouge table selections and a brief story on the companies that provided the food, audience award voting slips for different categories, and audience surveys, all include a chance to win a VIP and film fan pass for the following year.

The materials include various forms of realia from the 2006 AIFF, including several tickets, passes, and stickers, pictures of people organizing and getting set up for the event, and several different DVDs that contain the trailers for a couple of the movies shown at that year's festival.

The materials include different items of realia from the 2006 AIFF including three red t-shirts, a baseball cap, and a red and black tote bag.

The materials include promotional posters for the 2006 AIFF, including some that give a brief description of the festival, four with that year's program cover art on it, a few that are signed by the filmmakers, and one that also lists the donors that helped the festival. Also included is a foamboard poster explaining a little bit about the festival and various posters for some of the films, including Trout Grass by Ed George, Escape Velocity by Scott Ligon, Say I Do by Ron Vignone, and many others.

The Ashland Film Festival programs produced for 2007. The programs list films and directors in alphabetical order, as well as movie showtimes and a brief talk with the director regarding their film.

The materials include various forms of advertisements for the 2007 AIFF, including a festival brochure listing all the films shown and the days of their showings, a card displaying reviews of the festival and entry deadlines for filmmakers, a copy of the Ashland Chamber of Commerce pamphlet where an ad for the festival appears, a list of the eateries that provided for the award celebration, a list of the awards being given out for that year, and several copies of the AIFF official, annual newspaper.

The materials are different papers and documents about some aspect of the film festival, including a membership brochure with the various membership prices, an audience survey, an audience award voting slip, a list of rules regarding tickets and passes, and an email and poster describing the Launch Student Film Competition, which allows students from all over Southern Oregon in any grade to submit a film that they made to the film festival for a chance to have it featured in the festival as well as receive a VIP Pass, and meet fellow independent filmmakers.

The materials include a copy of the Fall/Winter issue of the southern Oregonian magazine, which features an article about the festival and its connection to SOU, two copies of the Ashland Magazine, one from Winter and one from Spring. Each contains a story about the festival, one about its reputation growing and another about its connection to OSF.

The materials include different forms of realia from the 2006 AIFF, including tickets and passes, a picture of those on the 2007 board which include John Love, Anne Ashbey Pierotti, Zach Bell, Amy Richard, Ken Wells, Jim Batzer, Darrel Pearce, Howard Schrieber, and Jim Feece, several sample proof sheets of other pictures, various quotes from workers and volunteers, and two auction booklets, for the Oscar Night Gala, listing all the prizes up for auction and a little description about each.

The various DVDs include the photo slideshow that plays as the audience walks in, the highlights for that festival year, a couple of pre-film trailers, and one DVD labeled Mr. Dramatic.

The various forms of realia include three t-shirts, a baseball cap, and a tote bag. One t-shirt designed for the film known as "Bubba Ho-Tep."

The materials include promotional posters for the 2007 AIFF, including some that give a brief description of the festival, four with that year's program cover art on it, four that are signed by the filmmakers, and one that also lists the donors that helped the festival. Also included are various posters for some of the films, including Arctic Son by Andrew Walton, The Edge of Eden: Living With Grizzlies by Sue and Jeff Turner, The Little Matchgirl by Roger Allers, and many others.

The Ashland Film Festival programs produced for 2008. The programs list films and directors in alphabetical order, as well as movie showtimes, and highlight a brief talk with the director regarding their film.

The materials include various forms of advertisements for the 2008 AIFF, including festival brochures listing all the films shown and the days of their showings, cards displaying reviews of the festival and entry deadlines for filmmakers, a list of the eateries that provided for the award celebration, two copies of Oregon Film Magazine where acouple articles appear about Southern Oregon.

The materials include different forms and papers from the 2008 Ashland Film Festival, including several copies of the membership pamphlet listing the membership prices, two opening night bash programs detailing the Savor the Rouge table selections and a brief story on the companies that provided the food, a few copies of the Oscar Night Galla and Silent Auction program which lists and describes the pieces up for auction, and a paper describing a movie titled Low and Behold directed by Zack Godshall.

The materials include a photograph of the 2008 AIFF Board, who consists of Joanne Kliejunas, Anne Ashbey-Pierotti, Carol Jensen, Ken Wells, Amy Richard, John M. Love, Darrel Pearce, Jim Teece, and Jim Batzer, a photograph of Christi Wruck, Wendy Conner, Tom Olbrich, Colette DeDonato, Jane Sage, Laura Jones, Laura Henneman, Joanne Fienberg, sitting in a movie theater, and a used voucher for a free pair of Doc Martens.

The materials include various DVDs with different content on them, including copies of the pre-show slide shows, pre-film trailers, and a DVD titled Zero Tolerance Policy by David West.

The materials include realia from AIFF, including a black baseball cap and two red t-shirts.

The materials include promotional posters for the 2008 AIFF, including some that give a brief description of the festival, four with that year's program cover art on it, one that is signed by the filmmakers, and one that also lists the donors that helped the festival. Also included is a foamboard poster that explains a little bit about the festival, and various posters for some of the films, including Chronic Town by Tom Hines, Row Hard No Excuses by Luke Wolbach, Skills Like This by Monty Miranda, and many others.

The Ashland Film Festival programs produced for 2009. The programs list films and directors in alphabetical order, as well as movie showtimes, and highlight a brief talk with the director regarding their film.

The materials include various documents for the 2009 AIFF, including festival brochures listing all the films shown and the days of their showings, cards displaying reviews of the festival and entry deadlines for filmmakers, and a list of the eateries that provided for the award celebration.

The materials include an audience survey asking questions about their experience at the AIFF, some personal information, their experience in Ashland during the 2009 festival, and how satisfied they were with different aspects of the festival. Also included is a laminated paper with a list of phone numbers of different people who work at or run the festival.

The materials include various forms of realia, including vouchers, membership passes, an Oscar Night Gala and Silent Auction booklet which lists all the items up for bid, and several DVDs which feature pre-film trailers for a few of the films as well as the pre-film slide shows.

The materials include two black t-shirts and a black messenger bag.

The materials include promotional posters for the 2009 AIFF, including some that give a brief description of the festival, one with that year's program cover art on it, four that are signed by the filmmakers, and one that also lists the donors that helped the festival. Also included are various posters for some of the films, including Model Rules by Ray Nomoto Robison, Free Lunch by Rick Curnutt, Footsteps in Africa by Kathi von Koerber, and many others.

The Ashland Film Festival programs produced for 2010. The programs list films and directors in alphabetical order, as well as movie showtimes, and highlights a brief talk with the director regarding their film.

The materials include various forms of advertisements for the 2008 AIFF, including a festival brochure listing all the films shown and the days of their showings, cards displaying reviews of the festival and entry deadlines for filmmakers, a copy of documentary magazine featuring a small article about the AIFF, an issue of Jefferson Monthly with an article describing the 9th annual film festival, and a copy of Oregon Film Magazine with a story about Indie films in Southern Oregon.

The various forms of realia include vouchers, membership, and guest passes, two Oscar Night Gala and Silent Auction booklets, which list all the items up for bid, and a membership brochure which contains what you receive with each membership, and how much each cost. Also included are several DVDs that feature pre-film trailers as well as the pre-film slide shows, and there is even a DVD of the award show itself.

The various forms of realia include two white t-shirts, a black tote bag, as well as the film reel, in the form of a VHS tape, for the movie Diary of a Times Square Thief made by Klaas Bense.

The materials include promotional posters for the 2010 AIFF, including some that give a brief description of the festival, four with that year's program cover art on it, four that are signed by the filmmakers, and one that also lists the donors that helped the festival. Also included are various posters for some of the films, including Sister Wife by Jill Orschel, The River Why by Matthew Leutwyler, The Poodle Trainer by Vance Malone, and many others.

The Ashland Film Festival programs produced for 2011. The programs list films and directors in alphabetical order, as well as movie showtimes, and highlights a brief talk with the director regarding their film.

The materials include various documents for the 2011 AIFF, including festival brochures listing all the films shown and the days of their showings and cards advertising the festival.

The various forms of realia include member and guest passes, as well as a filmmaker pass. Also included are a membership brochure, two Oscar Night Gala and Silent Auction booklets which lists all the items up for bid, and various DVDs which feature pre-film slideshows and film trailers.

The various forms of realia include two white t-shirts, two black baseball caps, a wine glass, and a clasped bag.

The materials include promotional posters for the 2011 AIFF, including some that give a brief description of the festival, four with that year's program cover art on it, four that are signed by the filmmakers, and one that also lists the donors that helped the festival. Also included are various posters for some of the films, including Orbis Minor by Zach Kienitz, One Voice by Lisette Flanary, POM Wonderful Presents: The Greatest Movie Ever Sold by Morgan Spurlock, Prairie Love by Dusty Bias, and many others.

The Ashland Film Festival programs produced for 2012. The programs list films and directors in alphabetical order, as well as movie showtimes, and highlight a brief talk with the director regarding their film.

The materials include various documents for the 2012 AIFF, including festival brochures showing all the films and the days of their showings and cards advertising the festival. Also included are two pamphlets for the varsity world film week listing the international movies displayed and when, and a poster promoting the Varsity World Film Week.

The various documents include membership brochures listing the different levels and prices, a paper stating the 2012 ticket policies, a formal invitation to a private reception, and an envelope full of postcards with the film titles on them and a little information about the films.

The various realia include a black lanyard, volunteer passes, a ticket exchange voucher, a name tag for Richard Beer who is a part of the Advisory Council, and a Reel to Rouge Passport card.

A clasped bag with the AIFF logo.

The materials include promotional posters for the 2012 AIFF, including one that gives a brief description of the festival, four with that year's program cover art on it, four that are signed by the filmmakers, and one that also lists the donors that helped the festival. Also included are various posters for some of the films, including Holly Rollers by Bryan Storkel, We Are Legion by Brian Knappenberger, The Highest Pass by Jon Fitzgerald, and many others.

The Ashland Film Festival programs produced for 2013. The programs list films and directors in alphabetical order, as well as movie showtimes and a brief talk with the director regarding their film.

The materials include various forms of advertisement for the 2013 AIFF, including copies of the festival guide, which list all the films shown and where and when they. Also included are some cards advertising the 12th annual AIFF, cards showing the locations of various eateries around Southern Oregon. Pamphlets and a poster advertise Varsity World Film Week. The materials list all the movies. Two cards advertise Reel to Rouge kick-off event for the Varsity World Film Week.

The various documents include thank you cards, Oscar Night Gala invitations, sponsorship, and membership brochures. Oscar Night Gala materials list the evening schedules and the AIFF films nominated for Academy Awards. The Ballot shows all the categories and movies nominated for Oscars for that year. Other materials include volunteer sign-up forms and a paper explaining benefits for volunteers and other ways to get involved.

The realia includes various vouchers and name tags, two Reel to Rouge, and Passports.

The materials include a black AIFF t-shirt with the cover art of the 2013 festival program on it.

The materials include promotional posters for the 2013 AIFF, including one that gives a brief description of the festival, some with that year's program cover art on it, a few that are signed by the filmmakers, and one that also lists the donors that helped the festival. Also included is a foam board poster signed by the filmmakers and various posters for some of the films, including Spark: A Burning Man Story by Steve Brown and Jessie Deeter, We Always Lie To Strangers by AJ Schnack and David Wilson, The Forgotten Kingdom by Andrew Mudge, and many others.

The Ashland Film Festival programs produced for 2014. The programs list films and directors in alphabetical order, as well as movie showtimes and a brief talk with the director regarding their film

The various forms of promotion include several copies of the festival guide and itinerary, two membership and sponsorship brochures. Flyers highlight the film "The Kids Grow Up". An article lists AIFF as one of the top 25 Coolest Festivals.

The various documents include a postcard thanking, Mr. Paul and Mrs. Rosemary Adalian, for their donations and support. An Oscar Night Galla invitation for Mr. Paul and Mrs. Rosemary Adalian. Also included are membership sign up sheets, and posters promoting the Launch Student film competition.

The DVDs include Slideshows for the Hospitality Suite, the Opening Night Bash, and the Awards Ceremony. Several DVDs are labeled AIFF Bumpers 2014, and one DVD labeled Member Preview.

The realia includes a pair of arm sleeves and a t-shirt with that year's program cover art.

The materials include promotional posters for the 2014 AIFF, including a few that are signed by the filmmakers and a foam board poster with that year's program cover art on it. Also included are various posters for some of the films, including Hank and Asha by James E. Duff, Running Wild: The Life of Dayton O. Hyde by Suzanne Mitchell, Just a Sigh by Jerome Bonell, and many others, as well as a promotional poster for the Daedalus Project Film Fest.

The film postcards display the poster art for the films and a brief description of the film. Some postcards have reviews. A movie poster for the film "Is This The Real World" is included.

The materials include promotional posters for the 2015 AIFF, including three foam board posters, two of which list the sponsors and donors for that year, and one with that year's program cover art on it. Also included are various posters for some of the films, including Birthday by Chris King, Wildlike by Frank Hall Green, Proud Citizen by Thom Southerland, and many others.

The materials include promotional posters for the 2016 AIFF, including two foam board posters and two regular posters with that year's program cover art on it. Also included are various posters for some of the films, including One Ninety Eight by Josh Lunden, Trapped by Dawn Porter, Hunky Dory by Michael Curtis Johnson, and many others.

The materials include six canvas photographs from the 2013 AIFF. The pictures depict various scenes, including a late-night picture of the sign above the front of the Varsity theater, a picture of attendees standing in the rush line for tickets, a picture of a staircase inside the theatre, and a couple of pictures of people standing in front of the box office, either receiving their tickets or just hanging out. The photographs are both in black and white and color, and they are each about 16 by 28 inches in size.

The materials include various foam board posters for 2001, 2003, and 2004, AIFF. They all feature that year's program cover art on them, but the filmmakers of specific years signed some. There is also a poster that lists the movies shown for the 2001 festival year. Each poster is about 12 by 18 inches in size.

The materials include various foam board posters for the 2006 through 2012 AIFF. They all feature that year's program cover art on them, but the filmmakers of specific years signed some. Each poster is about 12 by 18 inches in size.