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| Collection Title: | |
| Repository: | University of Oregon, Archives of Northwest Folklore |
| Summary: | Rachael Ailene Arnold was a student in the University of Oregon Folklore Studies This collection includes an essay and fieldwork documentation relating to this student's folklore fieldwork project. |
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| Collection Title: | |
| Repository: | University of Oregon, Archives of Northwest Folklore |
| Summary: | Thomas "T.J." Arnold was a student of folklore at the University of Oregon. This collection includes an essay and fieldwork documentation relating to this student's folklore fieldwork project. |
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| Collection Title: | |
| Repository: | University of Oregon, Archives of Northwest Folklore |
| Summary: | Laurelin Aus was a student of folklore at the University of Oregon. This collection includes an essay and fieldwork documentation relating to this student's folklore fieldwork project. |
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| Collection Title: | |
| Repository: | University of Oregon, Archives of Northwest Folklore |
| Summary: | Ryan Bakken was a student of folklore at the University of Oregon. This collection includes an essay and fieldwork documentation relating to this student's folklore fieldwork project. |
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| Collection Title: | |
| Repository: | University of Washington Ethnomusicology Archives |
| Summary: | The Kearney W. Barton collection of Northwest sound recordings primarily consists of original recordings engineered and/or produced by Barton at Audio Recording, Inc., his own recording studio, which operated out of various locations in Seattle, Washington from 1961 through the late 2000s. The bulk of the collection is comprised of music recordings, but also contains a smaller percentage of spoken word recordings, as well as radio advertisements (many of which also incorporate music). Specific audio formats represented in the collection include: open reel analog tape, compact cassettes, analog sound discs (7 inch, 10 inch, 12 inch, and 16 inch), magnetic wire records, and compact discs. The collection also contains a small amount of manuscript material, which mainly consists of technical notes that were found with some recordings and very limited correspondence (chiefly from lawyers). In some instances, notes included on original containers also have been preserved when material has been rehoused. |
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| Collection Title: | |
| Repository: | University of Oregon, Archives of Northwest Folklore |
| Summary: | Jeremy Dickerson was a student of folklore at the University of Oregon. This collection includes an essay and fieldwork documentation relating to this student's folklore fieldwork project. |
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| Collection Title: | |
| Repository: | University of Washington Ethnomusicology Archives |
| Summary: | Twenty commercial 78 rpm records from the collection of Robert Garfias, potentially re-released as a set, and tape copies. |
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| Collection Title: | |
| Repository: | University of Washington Libraries, Special Collections |
| Summary: | Papers and oral history of a composer and music director of Temple de Hirsch, Seattle, Washington |
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| Collection Title: | |
| Repository: | University of Oregon, Archives of Northwest Folklore |
| Summary: | Amy Mills was a student of folklore at the University of Oregon. This collection includes an essay and fieldwork documentation relating to this student's folklore fieldwork project. |
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| Collection Title: | |
| Repository: | University of Oregon, Archives of Northwest Folklore |
| Summary: | Robert A. Nisbet Jr. was a student in the University of Oregon Folklore Studies This collection includes an essay and fieldwork documentation relating to this student's folklore fieldwork project. |
