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| Collection Title: | |
| Repository: | University of Washington Ethnomusicology Archives |
| Summary: | Recorded at the University of Washington, Meany Theater, 11/17/83. |
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| Collection Title: | |
| Repository: | University of Washington Ethnomusicology Archives |
| Summary: | The Kearney W. Barton collection of Northwest sound recordings primarily consists of original recordings engineered and/or produced by Barton at Audio Recording, Inc., his own recording studio, which operated out of various locations in Seattle, Washington from 1961 through the late 2000s. The bulk of the collection is comprised of music recordings, but also contains a smaller percentage of spoken word recordings, as well as radio advertisements (many of which also incorporate music). Specific audio formats represented in the collection include: open reel analog tape, compact cassettes, analog sound discs (7 inch, 10 inch, 12 inch, and 16 inch), magnetic wire records, and compact discs. The collection also contains a small amount of manuscript material, which mainly consists of technical notes that were found with some recordings and very limited correspondence (chiefly from lawyers). In some instances, notes included on original containers also have been preserved when material has been rehoused. |
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| Collection Title: | |
| Repository: | University of Washington Ethnomusicology Archives |
| Summary: | Conjunto music performance by accordionist Eva Ybarra recorded in 1998 by Ter Ellingson in Seattle, WA. |
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| Collection Title: | |
| Repository: | University of Washington Ethnomusicology Archives |
| Summary: | Copy of commercial recording. |
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| Collection Title: | |
| Repository: | University of Washington Ethnomusicology Archives |
| Summary: | Field recordings made in 1966 in many areas of the Philippines by Robert Garfias and Harold Schultz; some recordings are audio originals for films. |
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| Collection Title: | |
| Repository: | University of Washington Ethnomusicology Archives |
| Summary: | Nine commercial 78 rpm records and tape copies from the collection of Robert Garfias. |
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| Collection Title: | |
| Repository: | University of Washington Ethnomusicology Archives |
| Summary: | Twenty commercial 78 rpm records from the collection of Robert Garfias, potentially re-released as a set, and tape copies. |
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| Collection Title: | |
| Repository: | University of Washington Ethnomusicology Archives |
| Summary: | Class tapes for University of Washington class (Music 433); originally compiled on reel-to-reel tapes by Robert Garfias from field and commercial recordings. |
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| Collection Title: | |
| Repository: | University of Washington Ethnomusicology Archives |
| Summary: | Recorded in various locations in Oaxaca, Guanajuato, and Yucatan during September 1967. |
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| Collection Title: | |
| Repository: | University of Washington Ethnomusicology Archives |
| Summary: | Recorded in Oaxaca, Mexico City, Chiapas, and other locations in Mexico during 1964. |
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| Collection Title: | |
| Repository: | University of Washington Ethnomusicology Archives |
| Summary: | Performance by American blues and folk musician, Elizabeth Cotten, recorded at Fiddler's Roundhouse, Seattle, 2/12/78. |
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| Collection Title: | |
| Repository: | University of Washington Ethnomusicology Archives |
| Summary: | Performance by "one-man band" Jesse Fuller, feautring the fotdella (an instrument of his own creation), recorded at the University of Washington, School of Music. |
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| Collection Title: | |
| Repository: | University of Washington Ethnomusicology Archives |
| Summary: | Performance of country blues by Lightnin' Hopkins, recorded at the University of Washington, School of Music. |
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| Collection Title: | |
| Repository: | University of Washington Ethnomusicology Archives |
| Summary: | Country blues performance by American blues singer and guitarist Mance Lipscomb, recorded at the University of Washington, School of Music. |
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| Collection Title: | |
| Repository: | University of Washington Ethnomusicology Archives |
| Summary: | Performance by Robert Pete Williams (country blues musician) recorded in the University of Washington Music Building, room 58, 4/19/70. |
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| Collection Title: | |
| Repository: | University of Washington Ethnomusicology Archives |
| Summary: | Delta style country blues performance by musician and vocalist Eddie James "Son" House, Jr., recorded in the University of Washington School of Music. |
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| Collection Title: | |
| Repository: | University of Washington Ethnomusicology Archives |
| Summary: | Video recording of performances by the Sons & Daughters of Zion #9 and John Jackson at the University of Washington, April 5 1976. |
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| Collection Title: | |
| Repository: | University of Washington Ethnomusicology Archives |
| Summary: | Workshops recorded at the Festival of American Fiddle Tunes in Port Townsend, Washington, July 1, 3, and 4, 1981. |
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| Collection Title: | |
| Repository: | University of Washington Ethnomusicology Archives |
| Summary: | Koo Nimo's commercial recordings titled "Osabarima" and "Odonson Nkoaa", donated to the Archives by Koo Nimo. |
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| Collection Title: | |
| Repository: | University of Washington Ethnomusicology Archives |
| Summary: | Tape donated to Archives by Koo Nimo that documents several performances in Ghana. The final item is a class session on West African rhythm by Dr. D.J. Goldsworthy, University of New England (N.S.W., Australia). |
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| Collection Title: | |
| Repository: | University of Washington Ethnomusicology Archives |
| Summary: | DVD copies of 6 VHS tapes from Koo Nimo's personal collection, copied for the UW Ethnomusicology Archives at his request, January 2012. Videos include performances of palm wine music, interviews with Koo Nimo, and documentaries on palm wine guitar music. |
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| Collection Title: | |
| Repository: | University of Oregon Libraries, Special Collections and University Archives |
| Summary: | The Oregon Folklife Program provided statewide services supporting folklife, traditional arts and artists, and folk arts in education in Oregon from 1988 to 2009, first at Lewis and Clark College, 1988-1993, and then the Oregon Historical Society, 1993-2009. This collection comprises the Oregon Folklife Program’s records, 1988-2009, including folklore fieldwork documentation in the form of photographs, sound recordings, and video recordings of cultural events and traditional arts and artists in urban and rural Oregon communities; program materials, including exhibitions and table-top exhibits, learning units for grades 3-6, radio and video productions on folklife in Oregon; and administrative files, including artist files, accounting files, research files, and digital files. Oregon Folklife Program programs and projects included apprenticeship programs for traditional arts, exhibits and community events, educational units and instructional materials, regional folk arts surveys, youth community documentation projects, and radio and video productions on folklife in Oregon. The collections include rich visual documentation of traditional arts and artists in cultural, occupational, and religious communities in Oregon, including refugee communities, immigrant communities, rural communities, and Native American communities. |
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| Collection Title: | |
| Repository: | University of Washington Ethnomusicology Archives |
| Summary: | Concert recorded at the University of Washington, Music Auditorium, 2/9/85, during Global Music Festival. |
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| Collection Title: | |
| Repository: | University of Washington Ethnomusicology Archives |
| Summary: | Concert performance by Vishwa Mohan Bhatt, recorded by Laurel Sercombe at the University of Washington, Kane Hall Room 210, on 1989 April 7, 8 p.m. |
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| Collection Title: | |
| Repository: | University of Washington Ethnomusicology Archives |
| Summary: | Copy of the concert recordings of Pedro Bacan, recorded and filmed on February 18, 1977 at the University of Washington. |
